Fifty Quotes

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No book is really worth reading at the age of ten which is not equally – and often far more – worth reading at the age of fifty and beyond.
C.S. Lewis
- "Why don't you like to be touched?" - "Because I'm fifty shades of fucked-up, Anastasia
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Open a book this minute and start reading. Don’t move until you’ve reached page fifty. Until you’ve buried your thoughts in print. Cover yourself with words. Wash yourself away. Dissolve.
Carol Shields (The Republic of Love)
Laters, baby.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
I almost wish we were butterflies and liv'd but three summer days - three such days with you I could fill with more delight than fifty common years could ever contain.
John Keats (Bright Star: Love Letters and Poems of John Keats to Fanny Brawne)
I read once that the ancient Egyptians had fifty words for sand & the Eskimos had a hundred words for snow. I wish I had a thousand words for love, but all that comes to mind is the way you move against me while you sleep & there are no words for that.
Brian Andreas (Story People)
You have to kiss a lot of frogs before you find your prince
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
You know it's never fifty-fifty in a marriage. It's always seventy-thirty, or sixty-forty. Someone falls in love first. Someone puts someone else up on a pedestal. Someone works very hard to keep things rolling smoothly; someone else sails along for the ride.
Jodi Picoult (Mercy)
Hello, Harry" said George, beaming at him. "We thought we heard your dulcet tones." "You don't want to bottle up your anger like that, Harry, let it all out," said Fred, also beaming. "There might be a couple of people fifty miles away who didn't hear you.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Hollywood is a place where they'll pay you a thousand dollars for a kiss and fifty cents for your soul. I know, because I turned down the first offer often enough and held out for the fifty cents.
Marilyn Monroe
Sometimes I wonder if there's something wrong with me. Perhaps I've spent too long in the company of my literary romantic heroes, and consequently my ideals and expectations are far too high.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
This is me, Ana. All of me...and I'm all yours. What do I have to do to make you realize that? To make you see that I want you any way I can get you. That I love you.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
Still I pictured having you for fifty, sixty more years. I thought I might be ready then to let you go. But it's you, and I realize now that I won't be anymore ready to lose you then than I am right now. Which is not at all.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Music has always been a matter of Energy to me, a question of Fuel. Sentimental people call it Inspiration, but what they really mean is Fuel. I have always needed Fuel. I am a serious consumer. On some nights I still believe that a car with the gas needle on empty can run about fifty more miles if you have the right music very loud on the radio.
Hunter S. Thompson
Fifty percent of all doctors graduate in the bottom half of their class - Hope your surgery went well!
Simone Elkeles (Rules of Attraction (Perfect Chemistry, #2))
I wasn't aware we were fighting. I thought we were communicating,
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
The antidote for fifty enemies is one friend.
Aristotle
We aim to please Miss Steele
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Never trust a man who can dance.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
What is it about elevators?
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
There's a very fine line between pleasure and pain. They are two sides of the same coin, one not existing without the other.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Don't get your panties in such a twist... and give me back mine.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
We only came close to dying six or seven times, which I thought was pretty good. Once, I lost my grip and found myself dangling by one hand from a ledge fifty feet above the rocky surf. But I found another handhold and kept climbing. A minute later Annabeth hit a slippery patch of moss and her foot slipped. Fortunately, she found something else to put it against. Unfortunately, that something was my face. "Sorry," she murrmured. "S'okay," I grunted, though I'd never really wanted to know what Annabeth's sneaker tasted like.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
You love me,” I whisper. His eyes widen further and his mouth opens. He takes a huge breath as if winded. He looks tortured—vulnerable. “Yes,” he whispers. “I do.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
I'd like to bite that lip.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Critics who treat 'adult' as a term of approval, instead of as a merely descriptive term, cannot be adult themselves. To be concerned about being grown up, to admire the grown up because it is grown up, to blush at the suspicion of being childish; these things are the marks of childhood and adolescence. And in childhood and adolescence they are, in moderation, healthy symptoms. Young things ought to want to grow. But to carry on into middle life or even into early manhood this concern about being adult is a mark of really arrested development. When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty I read them openly. When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.
C.S. Lewis
When I was ten, I read fairy tales in secret and would have been ashamed if I had been found doing so. Now that I am fifty, I read them openly. When I became a man I put away childish things, including the fear of childishness and the desire to be very grown up.
C.S. Lewis (On Stories: And Other Essays on Literature)
I'm anything but fine. I feel like the sun has set and not risen for five days, Ana. I'm in perpetual night here".
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
You wanted hearts and flowers,” he murmurs. I blink at him, not quite believing what I’m seeing. “You have my heart.” And he waves toward the room. “And here are the flowers,” I whisper, completing his sentence. “Christian, it’s lovely.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
Why don't you like to be touched" Ana whispered, staring up into soft grey eyes. "Because I'm fifty shades of fucked-up, Anastasia
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
I smiled to fight the tears. "Fifty bucks says you'll be thanking me for this when you meet your future wife." Travis's eyebrow pulled together as his face fell. "That's an easy bet. The only woman I'd ever wanna marry just broke my heart.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
I've kissed a prince, Mom. I hope it doesn't turn into a frog.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
He makes me graceful, that's his skill. He makes me sexy, because that's what he is. He makes me feel loved, because in spite of his fifty shades, he has a wealth of love to give.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
Christian, you are the state lottery, the cure for cancer, and the three wishes from Aladdin's lamp all rolled into one
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
I don't know whether to worship at your feet or spank the living shit out of you.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
She always made sure the bad was outweighed by so much good. I...well, I didn't do that for her. I made it fifty-fifty. Which is about the cruelest thing you can do to someone you love, give them just enough good to make them stick through a hell of a lot of bad.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Oh, fuck the paperwork
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Harry looked around; there was Ginny running toward him; she had a hard blazing look in her face as she threw her arms around him. And without thinking, without planning it, without worrying about the fact that fifty people were watching, Harry kissed her. After several long moments, or it might have been half an hour-or possibly several sunlit days- they broke apart.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
I am going to have coffee with Christian Grey... and I hate coffee.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
The reason that the rich were so rich, Vimes reasoned, was because they managed to spend less money. Take boots, for example. He earned thirty-eight dollars a month plus allowances. A really good pair of leather boots cost fifty dollars. But an affordable pair of boots, which were sort of OK for a season or two and then leaked like hell when the cardboard gave out, cost about ten dollars. Those were the kind of boots Vimes always bought, and wore until the soles were so thin that he could tell where he was in Ankh-Morpork on a foggy night by the feel of the cobbles. But the thing was that good boots lasted for years and years. A man who could afford fifty dollars had a pair of boots that'd still be keeping his feet dry in ten years' time, while the poor man who could only afford cheap boots would have spent a hundred dollars on boots in the same time and would still have wet feet. This was the Captain Samuel Vimes 'Boots' theory of socioeconomic unfairness.
Terry Pratchett (Men at Arms: The Play)
My inner goddess is jumping up and down, clapping her hands like a five year old.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Hollywood is a place where they'll pay you a thousand dollars for a kiss and fifty cents for your soul.
Marilyn Monroe
It doesn't have to be on Valentine's Day. It doesn't have to be by the time you turn eighteen or thirty-three or fifty-nine. It doesn't have to conform to whatever is usual. It doesn't have to be kismet at once, or rhapsody by the third date. It just has to be. In time. In place. In spirit. It just has to be.
David Levithan
You’re the only person I’d fly three thousand miles to see.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
I want you sore, baby,” he murmurs, and he continues his sweet, leisurely torment, backward, forward. “Every time you move tomorrow, I want you to be reminded that I’ve been here. Only me. You are mine.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
I thought I'd broken you." "Broken? Me? Oh no, Ana. Just the opposite." He reaches out and takes my hand. "You're my lifeline'" he whispers.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
I hate fighting with you,” he whispers. “Well, stop being such an arse.” He chuckles and the captivating sound reverberates through his chest. He tightens his hold on me. “Arse?” “Ass.” “I prefer arse.” “You should. It suits you.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
Don’t leave me,” he whispers. “Oh, for crying out loud—no! I am not going to go!” I shout and it’s cathartic. There, I’ve said it. I am not leaving. “Really?” His eyes widen. “What can I do to make you understand I will not run? What can I say?” He gazes at me, revealing his fear and anguish again. He swallows. “There is one thing you can do.” “What?” I snap. “Marry me,” he whispers.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
You know, some people say life is short and that you could get hit by a bus at any moment and that you have to live each day like it's your last. Bullshit. Life is long. You're probably not gonna get hit by a bus. And you're gonna have to live with the choices you make for the next fifty years.
Chris Rock
I want your world to begin and end with me.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
He grabs me suddenly and yanks me up against him, one hand at my back holding me to him and the other fisting in my hair. "You're one challenging woman," He kisses me, forcing my lips apart with his tongue, taking no prisoners. "It's taking all my self-control not to fuck you on the hood of this car, just to show you that you're mine, and if I want to buy you a fucking car, I'll buy you a fucking car," he growls.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Are you on your own?" "No. There are six people staring at me right now wondering who the hell i'm talking to." shit..."Really?" I gasp, panicked. "Yes. Really. My girlfriend," he announces away from the phone. holy cow! "They probably all thought you were gay, you know.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
You know the reason The Beatles made it so big?...'I Wanna Hold Your Hand.' First single. Fucking brilliant. Perhaps the most fucking brilliant song ever written. Because they nailed it. That's what everyone wants. Not 24/7 hot wet sex. Not a marriage that lasts a hundred years. Not a Porsche...or a million-dollar crib. No. They wanna hold your hand. They have such a feeling that they can't hide. Every single successful song of the past fifty years can be traced back to 'I Wanna Hold Your Hand.' And every single successful love story has those unbearable and unbearably exciting moments of hand-holding.
David Levithan (Nick & Norah's Infinite Playlist)
Let me ask you something first. Do you want a regular vanilla relationship with no kinky fuckery at all?" My mouth drops open. "Kinky fuckery?" I squeak. "Kinky fuckery." "I can't believe you said that.' "Well, I did. Answer me," he says calmly. I flush. My inner goddess is down on bended knee with her hands clasped in supplication begging me. "I like your kinky fuckery," I whisper.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
I fucking love you!” He grabbed each side of my face, slamming his lips against mine. “I love you so much, Pigeon,” he said, kissing me over and over. “Just remember that in fifty years when I’m still kicking your ass in poker,” I giggled. He smiled, triumphant. “If it means sixty or seventy years with you, Baby…you have my full permission to do your worst.” I raised one eyebrow, “You’re gonna regret that.” “You wanna bet?” I smiled with as much deviance as I could muster.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Men aren't really complicated, Ana, honey. They are very simple, literal creatures. They usually mean what they say. And we spend hours trying to analyze what they've said - when really it's obvious. If I were you, I'd take him literally. That might help.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Why don't you like me ?" "Because you never stay with me.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
What is a country? A country is a piece of land surrounded on all sides by boundaries, usually unnatural. Englishmen are dying for England, Americans are dying for America, Germans are dying for Germany, Russians are dying for Russia. There are now fifty or sixty countries fighting in this war. Surely so many countries can't all be worth dying for.
Joseph Heller (Catch-22)
It's very hard to grow up in a perfect family when you're not perfect.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
I hug him tightly. “I can’t imagine my life without you, Christian. I love you so much it frightens me.” “Me, too,” he breathes. “My life would be empty without you. I love you so much.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
I think you can only be truly mad at someone you really love.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
From his inside jacket pocket he produces a ring and gazes up at me, his eyes bright gray and raw, full of emotion. "Anastasia Steele, I love you. I want to love, cherish and protect you for the rest of my life. Be mine. Always. Share my life with me. Marry me".
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
... It's perfect! Locke would appreciate it." "Bug," Calo said, "Locke is our brother and our love for him knows no bounds. But the four most fatal words in the Therin language are 'Locke would appreciate it.'" "Rivalled only by 'Locke taught me a new trick,'" added Galo. "The only person who gets away with Locke Lamora games ..." "... is Locke ..." "... because we think the gods are saving him up for a really big death. Something with knives and hot irons ..." "... and fifty thousand cheering spectators.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
But I'm a selfish man. I've wanted you since you fell into my office. You are exquisite, honest, warm, strong, witty, beguilingly innocent; the list is endless. I'm in awe of you. I want you, and the thought of anyone else having you is like a knife twisting in my dark soul.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
I still want more," I whisper. "I know," he says. "I'll try." I blink up at him, and he reliquishes my hand and pulls at my chin, releasing my trapped lip. "For you, Anastasia, I will try.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Supposing I’ve said I hate him, or worse still, that I love him, in my sleep.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
There is only one way to read, which is to browse in libraries and bookshops, picking up books that attract you, reading only those, dropping them when they bore you, skipping the parts that drag-and never, never reading anything because you feel you ought, or because it is part of a trend or a movement. Remember that the book which bores you when you are twenty or thirty will open doors for you when you are forty or fifty-and vise versa. Don’t read a book out of its right time for you.
Doris Lessing
No. No!” he says. “I . . .” He looks wildly around the room. For inspiration? For divine intervention? I don’t know. “You can’t go. Ana, I love you!” “I love you, too, Christian, it’s just—” “No . . . no!” he says in desperation and puts both hands on his head. “Christian . . .” “No,” he breathes, his eyes wide with panic, and suddenly he drops to his knees in front of me, head bowed, long-fingered hands spread out on his thighs. He takes a deep breath and doesn’t move. What? “Christian, what are you doing?” He continues to stare down, not looking at me. “Christian! What are you doing?” My voice is high-pitched. He doesn’t move. “Christian, look at me!” I command in panic. His head sweeps up without hesitation, and he regards me passively with his cool gray gaze—he’s almost serene . . . expectant. Holy Fuck . . . Christian. The submissive.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
I gasp, and I'm Eve in the Garden of Eden, and he's the serpent, and I cannot resist.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
I clinked my bottle against his. “To being the only girl a guy with no standards doesn’t want to sleep with.” I said, taking a swig. “Are you serious?” he asked, pulling the bottle from my mouth. When I didn’t recant, he leaned toward me. “First of all…I have standards. I’ve never been with an ugly woman. Ever. Second of all, I wanted to sleep with you. I thought about throwing you over my couch fifty different ways, but I haven’t because I don’t see you that way anymore. It’s not that I’m not attracted to you, I just think you’re better than that.” I couldn’t hold back the smug smile that crept across my face. “You think I’m too good for you.” He sneered at my second insult. “I can’t think of a single guy I know that’s good enough for you.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Are you still mad at me?" "Yes." "I'll go back to sleep, then." "Good.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
My name’s Travis. Travis Maddox.” I rolled my eyes. “I know who you are.” “You do, huh?” Travis said, raising his wounded eyebrow. “Don’t flatter yourself. It’s hard not to notice when fifty drunks are chanting your name. “ Travis sat up a bit taller. “I get that a lot.” I rolled my eyes again, and Travis chuckled. “Do you have a twitch?” “A what?” “A twitch. Your eyes keep wiggling around.” He laughed again when I glared at him. “Those are some amazing eyes though,” he said, leaning just inches from my face.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
It's much easier to wear your pain on the outside...
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
You're fucked. You thought you were going to be someone, but now it's obvious you're nobody. You haven't got as much talent as you thought you had, and there was no Plan B, and you got no skills and no education, and now you're looking at forty or fifty years of nothing. Less than nothing, probably. That's pretty heavy. That's worse than having the brain thing, because what you got now will take a lot longer to kill you. You've got the choice of a slow, painful death, or a quick, merciful one.
Nick Hornby (A Long Way Down)
The truth is, part of me is every age. I’m a three-year-old, I’m a five-year-old, I’m a thirty-seven-year-old, I’m a fifty-year-old. I’ve been through all of them, and I know what it’s like. I delight in being a child when it’s appropriate to be a child. I delight in being a wise old man when it’s appropriate to be a wise old man. Think of all I can be! I am every age, up to my own.
Mitch Albom (Tuesdays with Morrie)
Let me love you," he says hoarsely. "Yes," I answer, and turning, he hauls me into his arms, his lips seeking mine, beseeching me, worshipping me, cherishing me...loving me.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
I lay awake for hours and watched you sleep," he murmurs. "I might have loved you even then.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
So you're my boss now," I snap. "Technically, I'm you're boss's boss's boss." "And technically, it's gross moral turpitude- the fact that i am fucking my boss's boss's boss." "At the moment, you're arguing with him." Christian scowls.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
Are you smirking at me, Mr. Grey?” I ask sweetly. Pompous ass.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Does this mean you’re going to make love to me tonight, Christian?” Holy shit. Did I just say that? His mouth drops open slightly, but he recovers quickly. “No, Anastasia it doesn’t. Firstly, I don’t make love. I fuck… hard. Secondly, there’s a lot more paperwork to do, and thirdly, you don’t yet know what you’re in for. You could still run for the hills. Come, I want to show you my playroom.” My mouth drops open. Fuck hard! Holy shit, that sounds so… hot. But why are we looking at a playroom? I am mystified. “You want to play on your Xbox?” I ask. He laughs, loudly. “No, Anastasia, no Xbox, no Playstation. Come.”… Producing a key from his pocket, he unlocks yet another door and takes a deep breath. “You can leave anytime. The helicopter is on stand-by to take you whenever you want to go, you can stay the night and go home in the morning. It’s fine whatever you decide.” “Just open the damn door, Christian.” He opens the door and stands back to let me in. I gaze at him once more. I so want to know what’s in here. Taking a deep breath I walk in. And it feels like I’ve time-traveled back to the sixteenth century and the Spanish Inquisition. Holy fuck.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Raising the ordinary to extraordinary
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Oh Christian... my possessive, jealous, control freak Christian.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
I love him. Simple.
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
Why, oh why have I fallen for someone who is plain crazy—beautiful, sexy as fuck, richer than Croesus, and crazy with a capital K?
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
This is a man in need. His fear is naked and obvious, but he's lost. . . Somewhere in his darkness. His eyes wide and bleak and tortured. I can soothe him. Join him briefly in the darkness and bring him into the light.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
From: Christian Grey Subject: My Life's Mission... Date: September 5, 2011 09:25 To: Anastasia Grey Is to spoil you, Mrs. Grey. And keep you safe because I love you. Christian Grey Smitten CEO, Grey Enterprises Holdings Inc.
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
He's naked except for those soft ripped jeans, top button casually undone. Jeez, he looks so freaking hot. My subconscious is frantically fanning herself, and my inner goddess is swaying and writhing to some primal carnal rhythm.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Placing my head on my knees, I let the irrational tears fall unrestrained. I am crying over the loss of something I never had. How ridiculous. Mourning something that never was - my dashed hopes, my dashed dreams, and my soured expectations.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
There's something about you Anastasia, that calls to me on some deep level I don't understand. It's a siren's call. I can't resist you, and I don't want to lose you.... don't run, please - have a little faith in me and a little patience please
E.L. James (Fifty Shades Darker (Fifty Shades, #2))
I am still every age that I have been. Because I was once a child, I am always a child. Because I was once a searching adolescent, given to moods and ecstasies, these are still part of me, and always will be... This does not mean that I ought to be trapped or enclosed in any of these ages...the delayed adolescent, the childish adult, but that they are in me to be drawn on; to forget is a form of suicide... Far too many people misunderstand what *putting away childish things* means, and think that forgetting what it is like to think and feel and touch and smell and taste and see and hear like a three-year-old or a thirteen-year-old or a twenty-three-year-old means being grownup. When I'm with these people I, like the kids, feel that if this is what it means to be a grown-up, then I don't ever want to be one. Instead of which, if I can retain a child's awareness and joy, and *be* fifty-one, then I will really learn what it means to be grownup.
Madeleine L'Engle
Life is such unutterable hell, solely because it is sometimes beautiful. If we could only be miserable all the time, if there could be no such things as love or beauty or faith or hope, if I could be absolutely certain that my love would never be returned: how much more simple life would be. One could plod through the Siberian salt mines of existence without being bothered about happiness. Unfortunately the happiness is there. There is always the chance (about eight hundred and fifty to one) that another heart will come to mine. I can't help hoping, and keeping faith, and loving beauty. Quite frequently I am not so miserable as it would be wise to be.
T.H. White (Ghostly, Grim and Gruesome)
His head turns fractionally toward me, his eyes darkest slate. I bite my lip. “Oh, fuck the paperwork,” he growls. He lunges at me, pushing me against the wall of the elevator. Before I know it, he’s got both of my hands in one of his in a vice-like grip above my head, and he’s pinning me to the wall using his hips. Holy shit. His other hand grabs my ponytail and yanks down, bringing my face up, and his lips are on mine. It’s only just not painful. I moan into his mouth, giving his tongue an opening. He takes full advantage, his tongue expertly exploring my mouth. I have never been kissed like this.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
Any sign of them yet? he asked. Will looked at him. 'Yes', he said. 'A party of fifty Scotti came though just twenty minutes ago'. Really? Horace looked startled. He wasn't fully awake yet. Will rolled his eyes to heaven. 'Oh, my word, yes', he said. 'They were riding on oxen and playing bagpipes and drums. Of course not,' he went on. 'If they had come past, I would have woken you-if only to stop your snoring'. I don't snore', Horace said, with dignity. Will raised his eyebrows. 'Is that so?' he said. 'Then in that case, you'd better chase out that colony of walruses who are in the tent with you...of course you snore.
John Flanagan (The Siege of Macindaw (Ranger's Apprentice, #6))
Why did she do it? Nobody dared to ask. Because - what courage! Who had the courage to burn herself? Twenty aspirin, a little slit alongside the veins of the arm, maybe even a bad half hour standing on a roof: We've all had those. And somewhat more dangerous things, like putting a gun in your mouth. But you put it there, you taste it, it's cold and greasy, your finger is on the trigger, and you find that a whole world lies between this moment and the moment you've been planning, when you'll pull the trigger. That world defeats you. You put the gun back in the drawer. You'll have to find another way. What was that moment like for her? The moment she lit the match. Had she already tried roofs and guns and aspirins? Or was it just an inspiration? I had an inspiration once. I woke up one morning and I knew that today I had to swallow fifty aspirin. It was my task: my job for the day. I lined them up on my desk and took them one by one, counting. But it's not the same as what she did. I could have stopped, at ten, or at thirty. And I could have done what I did do, which was go onto the street and faint. Fifty aspirin is a lot of aspirin, but going onto the street and fainting is like putting the gun back in the drawer. She lit the match.
Susanna Kaysen (Girl, Interrupted)
The book itself is a curious artifact, not showy in its technology but complex and extremely efficient: a really neat little device, compact, often very pleasant to look at and handle, that can last decades, even centuries. It doesn't have to be plugged in, activated, or performed by a machine; all it needs is light, a human eye, and a human mind. It is not one of a kind, and it is not ephemeral. It lasts. It is reliable. If a book told you something when you were fifteen, it will tell it to you again when you're fifty, though you may understand it so differently that it seems you're reading a whole new book." (Staying Awake: Notes on the alleged decline of reading, Harper's Magazine, February 2008)
Ursula K. Le Guin
There is a difference between saying goodbye and letting go. Goodbye is not permanent. You can meet years later as old friends and share what happened in your life. You can smile and laugh about all the nonsense that you both went through. However, letting go is being okay with never seeing this person ever again…being okay with never knowing how their life turned out…being okay with fifty or more years of silence… being okay with running into that person at a grocery store and having them not acknowledge your presence. This is the part of life that doesn’t sit well with me and never will. It tears my heart in pieces, robs me of gratitude, drains me of anything positive and eats at the faith that holds on. It goes against kindness.
Shannon L. Alder
Your stepfather? I'd like to meet him." Oh no... why? "I'm not sure that's a good idea." Christian unlocks the door, his mouth in a grim line. "Are you ashamed of me?" "No!" It's my turn to sound exasperated. "Introduce you to my dad as what? 'This is the man who deflowered me and wants to start a BDSM relationship'. You're not wearing running shoes.
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
You don’t need no gun control, you know what you need? We need some bullet control. Men, we need to control the bullets, that’s right. I think all bullets should cost five thousand dollars… five thousand dollars per bullet… You know why? Cause if a bullet cost five thousand dollars there would be no more innocent bystanders. Yeah! Every time somebody get shut we’d say, ‘Damn, he must have done something ... Shit, he’s got fifty thousand dollars worth of bullets in his ass.’ And people would think before they killed somebody if a bullet cost five thousand dollars. ‘Man I would blow your fucking head off…if I could afford it.’ ‘I’m gonna get me another job, I’m going to start saving some money, and you’re a dead man. You’d better hope I can’t get no bullets on layaway.’ So even if you get shot by a stray bullet, you wouldn't have to go to no doctor to get it taken out. Whoever shot you would take their bullet back, like "I believe you got my property.
Chris Rock
Come on, Hathaway," he said, taking my arm. "You can be my partner. Let’s see what you’ve been doing all this time." An hour later, he had his answer. "Not practicing, huh?" "Ow,” I groaned, momentarily incapable of normal speech. He extended a hand and helped me up from the mat he’d knocked me down on—about fifty times. "I hate you,” I told him, rubbing a spot on my thigh that was going to have a wicked bruise tomorrow. "You’d hate me more if I held back." "Yeah, that’s true," I agreed, staggering along as the class put the equipment back. "You actually did okay." "What? I just had my ass handed to me." "Well, of course you did. It’s been two years. But hey, you’re still walking. That’s something." He grinned mockingly. "Did I mention I hate you?” He flashed me another smile, which quickly faded to something more serious. "Don’t take this the wrong way…I mean, you really are a scrapper, but there’s no way you’ll be able to take your trials in the spring—" "They’re making me take extra practice sessions," I explained. Not that it mattered. I planned on getting Lissa and me out of here before those practices really became an issue. "Extra sessions with who?" "That tall guy. Dimitri." Mason stopped walking and stared at me. "You’re putting in extra time with Belikov?" "Yeah, so what?" "So the man is a god." "Exaggerate much?" I asked. "No, I’m serious. I mean, he’s all quiet and antisocial usually but when he fights...wow. If you think you’re hurting now, you’re going to be dead when he’s done with you." Great. Something else to improve my day.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
Marginalia Sometimes the notes are ferocious, skirmishes against the author raging along the borders of every page in tiny black script. If I could just get my hands on you, Kierkegaard, or Conor Cruise O'Brien, they seem to say, I would bolt the door and beat some logic into your head. Other comments are more offhand, dismissive - Nonsense." "Please!" "HA!!" - that kind of thing. I remember once looking up from my reading, my thumb as a bookmark, trying to imagine what the person must look like who wrote "Don't be a ninny" alongside a paragraph in The Life of Emily Dickinson. Students are more modest needing to leave only their splayed footprints along the shore of the page. One scrawls "Metaphor" next to a stanza of Eliot's. Another notes the presence of "Irony" fifty times outside the paragraphs of A Modest Proposal. Or they are fans who cheer from the empty bleachers, Hands cupped around their mouths. Absolutely," they shout to Duns Scotus and James Baldwin. Yes." "Bull's-eye." "My man!" Check marks, asterisks, and exclamation points rain down along the sidelines. And if you have managed to graduate from college without ever having written "Man vs. Nature" in a margin, perhaps now is the time to take one step forward. We have all seized the white perimeter as our own and reached for a pen if only to show we did not just laze in an armchair turning pages; we pressed a thought into the wayside, planted an impression along the verge. Even Irish monks in their cold scriptoria jotted along the borders of the Gospels brief asides about the pains of copying, a bird singing near their window, or the sunlight that illuminated their page- anonymous men catching a ride into the future on a vessel more lasting than themselves. And you have not read Joshua Reynolds, they say, until you have read him enwreathed with Blake's furious scribbling. Yet the one I think of most often, the one that dangles from me like a locket, was written in the copy of Catcher in the Rye I borrowed from the local library one slow, hot summer. I was just beginning high school then, reading books on a davenport in my parents' living room, and I cannot tell you how vastly my loneliness was deepened, how poignant and amplified the world before me seemed, when I found on one page A few greasy looking smears and next to them, written in soft pencil- by a beautiful girl, I could tell, whom I would never meet- Pardon the egg salad stains, but I'm in love.
Billy Collins (Picnic, Lightning)