β
Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire. The emotion derives from a double contact: on the one hand, a whole activity of discourse discreetly, indirectly focuses upon a single signified, which is "I desire you," and releases, nourishes, ramifies it to the point of explosion (language experiences orgasm upon touching itself); on the other hand, I enwrap the other in my words, I caress, brush against, talk up this contact, I extend myself to make the commentary to which I submit the relation endure.
β
β
Roland Barthes (A Lover's Discourse: Fragments)
β
A family in my sister's neighborhood was recently stricken with a double tragedy, when both the young mother and her three-year-old son were diagnosed with cancer. When Catherine told me about this, I could only say, shocked, "Dear God, that family needs grace." She replied firmly, "That family needs casseroles," and proceeded to organize the entire neighborhood into bringing that family dinner, in shifts, every single night, for an entire year. I do not know if my sister fully recognizes that this IS grace.
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Elizabeth Gilbert (Eat, Pray, Love)
β
Iβve never gotten over you. Ever. Not
one day passed that I didnβt think about you. For me,youβre the love of my life. Wherever you are is exactly where
I want to be.Iβve wasted too much time already. I donβt want to waste another single day without you. I want a future with you." - Colton Michaels
β
β
Kindle Alexander (Double Full (Nice Guys, #1))
β
These girls probably use double negatives and watch "A Shot at Love with Tila Tequila" with their babies instead of reading Eric Carle.
β
β
Natalie Taylor
β
Fantasy like thought that no man could rain
Just let her reign
Run wild with her unafraid
Of any rain storms
They only wash the mud away and make way
For double rainbows and sunny days
β
β
Maquita Donyel Irvin Andrews (Stories of a Polished Pistil: Lace and Ruffles)
β
I WOKE the next morning with a silly smile on my face. Like Donna Fargo, I was the "Happiest Girl in the Whole U.S.A." even though I was still "Sleeping Single in a Double Bed.
β
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Nick Wilgus (Shaking the Sugar Tree (Sugar Tree, #1))
β
Do you think we're being robbed?" I whispered.
He nodded gravely, then crawled over to my closet and opened it.
"Did you want to borrow something more formal to wear for the robbery? I'm not sure I have anything in your size."
"Shh," he whispered. "Don't you at least have a tennis racket or anything?"
"You think they came here looking for a doubles partner?"
He turned quickly and gave me a look, then whipped a Wiffle bat out of the mess.
"Wow," I said. "You jock-type people really are single-minded, aren't you? Uh-oh, we're being robbed. Let's play ball!"
"It's for a weapon," Carson whispered.
"You're gonna hit them with a Wiffle bat?"
"What else you got?"
"Um...A pillow"
"Exactly" ... "Stay behind me," he whispered.
"Can I just say that I never knew this about me before, but weirdly enough this whole protective he-man thing actually turns me on."
"Josie."
"What," I asked.
"Shut Up."
I grabbed my pillow, just in case, so to speak, and tiptoed behind him around the mussed-up bed. "Maybe we should just hide in the closet."
He turned around, rolled his eyes and kissed me. "Shh," he repeated.
β
β
Rachel Vail (You, Maybe: The Profound Asymmetry of Love in High School)
β
Much. so there is free dessert involved here." I put my hand to my forehead. "oh, that i had discovered the job first!"
Ryan laughs. "tragic."
want to hear something tragic? my dad is going to a Christian singles' retreat."
Ryan nearly spits out his coffee. "your dad?" he is shacking.
Brandon wallops him on the back a few times. Ryan holds his hands up at him, coughing. "Stop," he croaks, standing. he inhales a few times and gets his voice back. "You would have to tell me this when my mouth was full, wouldn't you?" he sits again.
I smile broadly.
a Christian singles' retreat?" he repeats
Yep," Brandon says. "Get the name: Marley's Michigan Marriage Makers."
I cover my face
Ryan's expression twists. " thats.... interesting," he says slowly
Hallie frowns. "If its a Christian retreat, why is it called Marley's?"
Its a denomination in Michigan," Brandon says. "Marlotist. I just call them Marley for fun."
I double over until my head hits the table.
There is not a denomination called Marlotist," Hallie says.
Is too. I visited one of their churches when I went to Michigan to ski one time," Brandon says.
My eyes blur with tears from laughing so hard and holding it all in. My shoulders start shaking.
Brandon levels a good kick to my shin.
Ow!" I reach for my leg.
What is the name of it, Laurie?" Ryan asks.
Meet Your Match in Michigan"
Brandon scowls at me. " Spoilsport.
β
β
Erynn Mangum (Rematch (Lauren Holbrook, #2))
β
Got any cookies?" Grayson asked quietly.
"I always have cookies!" Xander disappeared into the suite's kitchen and came back with a half-empty package of double-stuffed Oreos and the single tallest Oreo that Grayson had ever seen. "Octuple-stuffed Oreo?" Xander offered.
β
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Jennifer Lynn Barnes (The Brothers Hawthorne (The Inheritance Games, #4))
β
Sometimes fate or life or whatever you want to call it, leaves a door a little open and you walk through it. But sometimes it locks the door and yo have to find the key, or pick the lock, or knock the damn thing down. And sometimes, it doesn't even show you the door, and you have to build it yourself. But it you keep waiting for the doors to be opened for you..." she trails off.
"What?"
"I think you'll have a hard time finding single happiness, let alone that double portion.
β
β
Gayle Forman (Just One Day (Just One Day, #1))
β
I work at T-Town, which is about ninety-nine percent men, and all of them either are alpha personalities or think they are. That said, what we have here is the standard dynamic for sexual tension. I'm moderately good-looking. I have big boobs, and I get hit on by everyone from the pastor of my church to baristas at Starbucks, and by every single guy at T-Town except for my boss and the range master. I don't blame them and I don't judge them. It's part of the procreative drive hardwired into us, and we haven't evolved as a species far enough exert any genuine control over the biological imperative. You, on the other hand, are a very good-looking man of prime breeding age. Old enough to have interesting lines and scars--and stories to go with them--and young enough to be a catch. You probably get laid as often as you want to, and you can probably count on the fingers of one hand the number of times women have said no to you. Maybe--and please correct me if I've strayed too far into speculation--being an agent of a secret government organization has led you to buy into the superspy sex stud propaganda perpetuated by James Bond films."
"My name is Powers," I said. "Austin Powers."
She ignored me and plowed ahead. "We're in the middle of a crisis. We may have to work closely together for several days, or even several weeks. Close-quarters travel, emotions running high, all that. If it's all the same to you, I'd rather not spend the next few days living inside a trite office romance cliche. That includes everything from mild flirtation to sexual innuendo and double entendre and the whole ball of wax."
She sipped her Coke. The ball landed in my court with a thump.
β
β
Jonathan Maberry (The King of Plagues (Joe Ledger, #3))
β
Against legitimacy is arrayed usurpation; against modest,
single-minded, righteous, and brave resistance to encroachment
is arrayed boastful, double-tongued, selfish, and treacherous
ambition to possess. God defend the right!"
"God often defends the powerful.
β
β
Charlotte BrontΓ«
β
Reigning doctrines are often called a "double standard".The term is misleading.It is more accurate to describe them as a single standard,clear and unmistakable,the standard that Adam Smith called the "vile maxim of the masters of mankind: ...All for ourselves,and nothing for other people." Much has changed since his day,but the vile maxim flourishes.
β
β
Noam Chomsky (Failed States: The Abuse of Power and the Assault on Democracy)
β
No," the Boss (Willie) corrected, "I'm not a lawyer. I know some law. In fact, I know a lot of law. And I made me some money out of law. That's why I can see what the law is like. It's like a single-bed blanket on a double bed and three folks in the bed and a cold night. There ain't ever enough blanket to cover the case, no matter how much pulling and hauling, and somebody is always going to nigh catch pneumonia. Hell, the law is like the pants you bought last year for a growing boy, but it is always this year and the seams are popped and the shankbone's to the breeze. The law is too short and too tight for growing humankind. The best you can do is do something and then make up some law to fit and by the time that law gets onto the books you would have done something different..." Willie Stark; All the King's Men
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β
Robert Penn Warren
β
Interesting how fashion is cyclical,β Jaccob said when she came out of the store with two black plastic bags. βGoth was the look when I was young, too.β
βItβs not a look,β Chuck said. βIβm just wearing my feelings on the outside.β
βUh huh.β His phone buzzed. βHang on a second."
He rolled up his sleeve to check his HUD, but the call hadnβt come through there.
Huh. He had to pick up his phone and check the read-out, which listed a phone number: an old school page. βThatβs funnyβ¦β
βDad, youβre doing that thing again,β Chuck said.
βWhat thing?β Jaccob asked.
βThat thing where you have to check every single doohickey you carry around.β
βI am not.β Jaccob took his hand out of his coat pocket, where heβd been reaching to check his police scanner or music player (he hadnβt decided which to use first).
β
β
Erik Scott de Bie (Cobalt City Double Feature)
β
Wal-Mart can't seem to grasp an essential fact: in 2006, the company has exactly the reputation it has earned. No, we don't give the company adequate credit for low prices. But the broken covenant Sam Walton had with how to treat store employees, the relentless pressure that hollows out companies and dilutes the quality of their products, the bullying of suppliers and communities, the corrosive secrecy, the way Wal-Mart has changed our own perception of price and quality, of value and durability--none of these is imaginary, or trivial, or easily changed with a fresh set of bullet points, an impassioned speech, and a website heavy with "Wal-Mart facts".
If Wal-Mart does in fact double the gas mileage of its truck fleet, and thereby double the gas mileage of every long-haul truck in America, that will be huge. It will change gas consumption in the United States in a single stroke. But it hasn't happened yet. And even if it does, it will not make Wal-Mart a good company or a good corporate partner or a good corporate citizen.
β
β
Charles Fishman (The Wal-Mart Effect: How the World's Most Powerful Company Really Works - and How It's Transforming the American Economy)
β
The Phoenix and the Turtle
Let the bird of loudest lay
On the sole Arabian tree
Herald sad and trumpet be,
To whose sound chaste wings obey.
But thou shrieking harbinger,
Foul precurrer of the fiend,
Augur of the fever's end,
To this troop come thou not near.
From this session interdict
Every fowl of tyrant wing,
Save the eagle, feather'd king;
Keep the obsequy so strict.
Let the priest in surplice white,
That defunctive music can,
Be the death-divining swan,
Lest the requiem lack his right.
And thou treble-dated crow,
That thy sable gender mak'st
With the breath thou giv'st and tak'st,
'Mongst our mourners shalt thou go.
Here the anthem doth commence:
Love and constancy is dead;
Phoenix and the Turtle fled
In a mutual flame from hence.
So they lov'd, as love in twain
Had the essence but in one;
Two distincts, division none:
Number there in love was slain.
Hearts remote, yet not asunder;
Distance and no space was seen
'Twixt this Turtle and his queen:
But in them it were a wonder.
So between them love did shine
That the Turtle saw his right
Flaming in the Phoenix' sight:
Either was the other's mine.
Property was thus appalled
That the self was not the same;
Single nature's double name
Neither two nor one was called.
Reason, in itself confounded,
Saw division grow together,
To themselves yet either neither,
Simple were so well compounded;
That it cried, "How true a twain
Seemeth this concordant one!
Love has reason, reason none,
If what parts can so remain."
Whereupon it made this threne
To the Phoenix and the Dove,
Co-supremes and stars of love,
As chorus to their tragic scene:
Beauty, truth, and rarity,
Grace in all simplicity,
Here enclos'd, in cinders lie.
Death is now the Phoenix' nest,
And the Turtle's loyal breast
To eternity doth rest,
Leaving no posterity:
'Twas not their infirmity,
It was married chastity.
Truth may seem but cannot be;
Beauty brag but 'tis not she;
Truth and beauty buried be.
To this urn let those repair
That are either true or fair;
For these dead birds sigh a prayer
β
β
William Shakespeare
β
I speak tonight for the dignity of man and the destiny of democracy. . . . At times history and fate meet at a single time in a single place to shape a turning point in man's unending search for freedom. So it was at Lexington and Concord. So it was a century ago at Appomattox. So it was last week in Selma, Alabama.
There, long-suffering men and women peacefully protested the denial of their rights as Americans. Many were brutally assaulted. One good man, a man of God, was killed.
There is no cause for pride in what has happened in Selma. There is no cause for self-satisfaction in the long denial of equal rights of millions of Americans. But there is cause for hope and for faith in our democracy in what is happening here tonight.
For the cries of pain and the hymns and protests of oppressed people have summoned into convocation all the majesty of this great Government--the Government of the greatest Nation on earth.
Our mission is at once the oldest and the most basic of this country: to right wrong, to do justice, to serve man.
In our time we have come to live with moments of great crisis. Our lives have been marked with debate about great issues; issues of war and peace, issues of prosperity and depression. But rarely in any time does an issue lay bare the secret heart of America itself. Rarely are we met with a challenge, not to our growth or abundance, our welfare or our security, but rather to the values and the purposes and the meaning of our beloved Nation.
The issue of equal rights for American Negroes is such an issue. And should we defeat every enemy, should we double our wealth and conquer the stars, and still be unequal to this issue, then we will have failed as a people and as a nation.
For with a country as with a person, "What is a man profited, if he shall gain the whole world, and lose his own soul ?"
There is no Negro problem. There is no Southern problem. There is no Northern problem. There is only an American problem.
. . . But even if we pass this bill, the battle will not be over. What happened in Selma is part of a far larger movement which reaches into every section and State of America. It is the effort of American Negroes to secure for themselves the full blessings of American life.
Their cause must be our cause too. Because it is not just Negroes, but really it is all of us, who must overcome the crippling legacy of bigotry and injustice.
And we shall overcome."
-Lyndon B. Johnson, 15 March 1965
β
β
Andrew Aydin John Lewis
β
Furthermore, their sexual oneness had been eroded by the natural duality of the planet, causing them to accentuate one aspect of their sexual forces (male or female) and subdue the other (the respective male or female opposite). No longer were they united, androgynous beings; they were now either predominantly masculine or feminine in their appearance and energy. Physically, then, their new Earthly form would need to reflect these changes by being either male or female. Asamee and her fellow "double-sexed" companions began the work of creating forms for these souls, male and female, separating their double-sexed natures into single-sexed physical projections, Amilius being the first to completely achieve this.
β
β
John Van Auken (Reincarnation & Karma: Our Soul's Past-Life Influences)
β
Except for the coconut cake (filled with Meyer lemon curd and glazed with brown sugar), most of the desserts she made for Walter were not her best or most original, but they were exemplars of their kind: portly, solid-citizen desserts, puddings of rice, bread, and noodles-sweets that the Pilgrims and other humble immigrants who had scraped together their prototypes would have bartered in a Mayflower minute for Greenie's blood-orange mousse, pear ice cream, or tiny white-chocolate eclairs. Walter had also commissioned a deep-dish apple pie, a strawberry marble cheesecake, and a layer cake he asked her to create exclusively for him. "Everybody expects one of those, you know, death-by-chocolate things on a menu like mine, but what I want is massacre by chocolate, execution by chocolate- firing squad by chocolate!" he told her.
So that very night, after tucking George in bed, Greenie had returned to the kitchen where she made her living, in a basement two blocks from her home, and stayed up till morning to birth a four-layer cake so dense and muscular that even Walter, who could have benched a Shetland pony, dared not lift it with a single hand. It was the sort of dessert that appalled Greenie on principle, but it also embodied a kind of uberprosperity, a transgressive joy, flaunting the potential heft of butter, that Protean substance as wondrous and essential to a pastry chef as fire had been to early man.
Walter christened the cake Apocalypse Now; Greenie held her tongue. By itself, this creation doubled the amount of cocoa she ordered from her supplier every month. After it was on his menu for a week, Walter bet her a lobster dinner that before the year was out, Gourmet would request the recipe, putting both of them on a wider culinary map.
β
β
Julia Glass (The Whole World Over)
β
I'm not convinced," Dodds said.
It was Thursday morning, just six hours after Bosch and Chu had ended their surveillance of Chang, with the suspect going to an apartment in Monterey Park and apparently retiring for the night.
"Well, Cap, you shouldn't be convinced yet," Bosch said. "That's why we want to continue the surveillance and get the wire."
"What I mean is, I'm not convinced it's the way to go," Dodds said, "Surveillance is fine. But a wire is a lot of work and effort for long-shot results."
Bosch understood. Dodds had an excellent repu tation as a detective, but he was now an administrator and about as far removed from the detective work in his division as a Houston oil executive is from the gas pump, He now worked with personnel numbers and budgets, He had to find ways of doing more with less and never allowing a dip in the statistics of arrests made and cases closed. That made him a realist and the reality was that electronic surveillance was very expensive. Not only did it take double-digit man hours to carefully draft a fifty plus-page affidavit secking court permission, but once permission was granted, a wiretap room had to be staffed twenty-four hours a day with a detective monitoring the line. Often a single-number tap led to other numbers needing to be tapped and under the law each line had to have its own monitor. Such an operation quickly sucked up overtime like a giant sponge. With the RHD's OT budget seriously down because of economic constraints on the department, Dodds was reluctant to give any of it up for what amounted to an investigation of the mur der of a South Side liquor store clerk. He would rather save it for a rainy day-a big-time media case that might come up and that would demand it.
β
β
Michael Connelly (Nine Dragons (Harry Bosch, #14; Harry Bosch Universe, #21))
β
Tina Fey is my comedy wife. I have known her for almost a double decade. We met each other when we were poor and single. Now we are both rich as shit and have husbands all over the world. People think of us as a "comedy teamβ and I am not quick to correct them. Why wouldnβt I want to connect myself to the fiercest and most talented voice in the comedy world?
β
β
Amy Poehler
β
To try am fully, evil needs to victories, not one. The first victory happens when an evil deed is perpetrated; the second victory, when evil is returned." 9
"in the Christian tradition, condemnation is an element of reconciliation, not an isolated independent judgment, even when reconciliation cannot be achi
Pp
ved. So we condemn most properly in the act of forgiving, and the act of separating the doer from the deed. That is how God in Christ condemned all wrongdoing." 15
"...unhealthy dreams and misdirected labors often become broken realities." 42
"...the story (of Christianity) frames what it means to remember rightly, and the God of this story makes remembering rightly possible." 44
"...peace can be honest and lasting only if it rests on the foundation of truth and justice." 56
"Seekers or truth, as distinct from alleged possessors of truth, will employ 'double vision'- they will give others the benefit of the doubt, they will inhabit imaginatively the world of others, and they will endeavor to view events in question from the perspective of others, not just their own." 57
"Those who love do not remember a persons evil deeds without also remembering her good deeds; they do not remember a person'a vices without also being mindful of their own failings. Thus the full story of wrongdoing becomes clear through the voice of love..."64
"...the highest aim of lovingly truthful memory seeks to bring about the repentance, forgiveness, and transformation of wrongdoers, and reconciliation between wrongdoers and their victims." 65
"And healing of the wrong without involving the wrong tour, therefore, can only be partial. To complete the healing, The relationship between the two needs to be mended. For Christians, this is what reconciliation is all about. Reconciliation with the wrongdoer completes the healing of the person who suffered the wrong.
84
Page 113: "Christ suffered in solidarity...what happened to him will also happen to him."
"The dangers of this memory reside in its orientation not just to the past but also to the future."
113
"But let us beware that some accounts of what it means for Christ to have died on behalf of the ungodly...negates the notion of his involvement as a third party." 113
"Christian churches are communities that keep themselves alive- more precisely, that God keeps alive- by keeping alive the memories of the exodus and the passion." 126
"...but often they (churches) simply fail to incorporate right remembering of wrong suffered into the celebration of holy Communion. And even when they do incorporate such remembrance, they often keep it neatly sequestered from the memory of the passion. That memory becomes simply the story of what God has done for us wrongdoers or for a suffers, while remaining mute about how we ourselves remember the wrongs. With such stopping short, suffered wrongs are remembered only for God to comfort us in our pain and lend religious legitimacy to whatever uses we want to put those memories. No wonder we sometimes find revenge celebrating its victory under the mantle of religiously sanctioned struggle for the faith, for self protection, for national preservation, for our way of life- all in the name of God and accompanied by celebration of the self sacrificial love of Christ!" 127
"Communities of sacred memory are, at their best, schools of right remembering - remembering that is truthful and just, that heals individuals without injuring others, that allows the past to motivate a just struggle for justice and the grace-filled work of reconciliation." 128
Quoting Kierkegaard: "no part of life out to have so much meaning for a person that he cannot forget it at any moment he wants to; on the other hand, every single part of life ought to have so much meaning for a person that he can remember it at any moment." 166
β
β
Mirslov Volf
β
Luke 17:5-6, a Lukan paraphrase of Mark 11:22-24, strikes a surprising note of pessimism: "The apostles said to the Lord, `Increase our faith!' And the Lord said, `If you had faith as a grain of mustard seed, you could say to this sycamine tree, "Be uprooted and planted in the sea!" and it would obey you."' The point is surely that, since such a thing is plainly never going to happen, you can see how little faith any one will ever have. It is like the rhetorical question of Luke 18:8, "When the Son of Man comes, will he find faith on earth?" The same double bind has caught the father of the deaf-mute epileptic in Mark 9:24, "1 believe; help my unbelief!" (How striking that the single most poignant and insightful New Testament statement about faith is made not by the Messiah or an apostle or prophet, but just by ... some guy!)
β
β
Robert M. Price (The Incredible Shrinking Son of Man: How Reliable is the Gospel Tradition?)
β
Octo-Horse Pirate placed a hand on the hilt of his rapier. "And if I decide to fight you?"
"Ha!" said Penelope. "You and what army?"
"Why, this one, of course."
Octo-Horse Pirate gave a whistle. Footsteps echoed from every direction as hundreds of figures stepped out of the shadows on the walls above and filled the perimeter of the courtyard. Several walked forward and stood next to Octo-Horse Pirate. Penelope's double was there, as were the doubles of the pirate crew. Anne thought she even recognized the faces of people she'd met during her first two quests, such as the villagers in the Black Desert and some of the guards from the Sapphire Palace. Every single one of them wore a dragon stone.
Doppelgangers.
Indeed, an entire army of them.
β
β
Wade Albert White (The Adventurer's Guide to Treasure (and How to Steal It) (Saint Lupin's Quest Academy for Consistently Dangerous and Absolutely Terrifying Adventures #3))
β
I AM THE SHADOW THAT DEVOURS ROCKS, mountains, forests, and rivers, the flesh of beasts and of men. I slice skin, I empty skulls and bodies. I cut off arms, legs, and hands. I smash bones and I suck out their marrow. But I am also the red moon that rises over the river, I am the evening air that rustles the tender acacia trees. I am the wasp and the flower.
Tam as much the wriggling fish as the still canoe, as much the net as the fisherman. I am the prisoner and his guard. I am the tree and the seed that grew into it. I am father and son. I am assassin and judge. I am the sowing and the harvest. I am mother and daughter. I am night and day. I am fire and the wood it devours. I am innocent and guilty. I am the beginning and the end. I am the creator and the destroyer.
"I am double."
To translate is never simple. To translate is to betray at the borders, it's to cheat, it's to trade one sentence for another. To translate is one of the only human activities in which one is required to lie about the details to convey the truth at large. To translate is to risk understanding better than others that the truth about a word is not single, but double, even triple, quadruple, or quintuple.
"What did he say?" everyone asked. "This is not the response we expected. The response we expected wouldn't be more than two words, possibly three. Everyone has a last name and a first name, two first names at most."
"He said that he is both death and life.
β
β
David Diop (At Night All Blood is Black)
β
I WAS THE CATCHER for the Lake Luzerne Dodgers, a catcher with meager talent, a catcher in awe of Danny and Teddy. Danny was the first baseman and Teddy, the coach's son, was the left fielder. They were natural athletes: they could hit fastballs (a small miracle of hand-eye coordination that I never mastered), and they glided around the base paths with the grace of gazelles. They were, to a ten-year-old who was batting .111, the embodiment of beauty and summer and health. As I drifted to sleep at night, it was often with the image of Danny, horizontal and three feet off the ground, spearing a line drive, or of Teddy stretching a single into a double by slipping under the tag. In the early hours of a chilly, August, upstate New York morning, my father woke me. "Danny's got polio," he said. A week later Teddy got it too. My parents kept me indoors, away from other kids. Little League was suspended, the season unfinished. The next time I saw Danny, his throwing arm was withered and he couldn't move his right leg. I never saw Teddy again. He died in the early fall. But the next summer, the summer of 1954, there was the Salk vaccine. All the kids got shots. Little League resumed. The Lake Luzerne Dodgers lost the opening game to the Hadley Giants. The fear that kept us housebound melted away and the community resumed its social life. The epidemic was over. No one else I knew ever got polio.
β
β
Martin E.P. Seligman (The Optimistic Child)
β
Over the next few years, the number of African Americans seeking jobs and homes in and near Palo Alto grew, but no developer who depended on federal government loan insurance would sell to them, and no California state-licensed real estate agent would show them houses. But then, in 1954, one resident of a whites-only area in East Palo Alto, across a highway from the Stanford campus, sold his house to a black family.
Almost immediately Floyd Lowe, president of the California Real Estate Association, set up an office in East Palo Alto to panic white families into listing their homes for sale, a practice known as blockbusting. He and other agents warned that a 'Negro invasion' was imminent and that it would result in collapsing property values. Soon, growing numbers of white owners succumbed to the scaremongering and sold at discounted prices to the agents and their speculators. The agents, including Lowe himself, then designed display ads with banner headlines-"Colored Buyers!"-which they ran in San Francisco newspapers. African Americans desperate for housing, purchased the homes at inflated prices. Within a three-month period, one agent alone sold sixty previously white-owned properties to African Americans. The California real estate commissioner refused to take any action, asserting that while regulations prohibited licensed agents from engaging in 'unethical practices,' the exploitation of racial fear was not within the real estate commission's jurisdiction. Although the local real estate board would ordinarily 'blackball' any agent who sold to a nonwhite buyer in the city's white neighborhoods (thereby denying the agent access to the multiple listing service upon which his or her business depended), once wholesale blockbusting began, the board was unconcerned, even supportive.
At the time, the Federal Housing Administration and Veterans Administration not only refused to insure mortgages for African Americans in designated white neighborhoods like Ladera; they also would not insure mortgages for whites in a neighborhood where African Americans were present. So once East Palo Alto was integrated, whites wanting to move into the area could no longer obtain government-insured mortgages. State-regulated insurance companies, like the Equitable Life Insurance Company and the Prudential Life Insurance Company, also declared that their policy was not to issue mortgages to whites in integrated neighborhoods. State insurance regulators had no objection to this stance. The Bank of America and other leading California banks had similar policies, also with the consent of federal banking regulators.
Within six years the population of East Palo Alto was 82 percent black. Conditions deteriorated as African Americans who had been excluded from other neighborhoods doubled up in single-family homes. Their East Palo Alto houses had been priced so much higher than similar properties for whites that the owners had difficulty making payments without additional rental income. Federal and state hosing policy had created a slum in East Palo Alto.
With the increased density of the area, the school district could no longer accommodate all Palo Alto students, so in 1958 it proposed to create a second high school to accommodate teh expanding student population. The district decided to construct the new school in the heart of what had become the East Palo Alto ghetto, so black students in Palo Alto's existing integrated building would have to withdraw, creating a segregated African American school in the eastern section and a white one to the west. the board ignored pleas of African American and liberal white activists that it draw an east-west school boundary to establish two integrated secondary schools.
In ways like these, federal, state, and local governments purposely created segregation in every metropolitan area of the nation.
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Richard Rothstein (The Color of Law: A Forgotten History of How Our Government Segregated America)
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you really want to use single or double quotes to surround a string in Python, instead of three single quotes, you can add a backslash (\) before each quotation mark within the string. This is called escaping.
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Jason R. Briggs (Python for Kids: A Playful Introduction to Programming)
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A stronger analogy to Eisenstein's analysis of the rising pattern in the music and the visuals can be found in the
contrapuntal practice in music whereby a theme is juxtaposed against either an augmented (the note values are
doubled) or diminished (the note values are halved) version of itself. The listener can thus simultaneously
experience two different temporal elaborations of the same melodic line across a single block of chronological
time, just as the viewer/listener in Alexander Nevsky can experience two different temporal elaborations of the
rising motion across a single block of chronological time. (Needless to say, an oppositional "counterpoint" could
also be set up by creating, for instance, an upward movement in the music and a downward one in the visuals.) But
the experience here is doubly enriched, since the simultaneity also includes two different modes of perception,
visual and aural, which is, one suspects, one of the underlying raisons d'Γͺtre of the gesamtkunstwerk. Even on the
simplest of levels, then, Eisenstein's "vertical montage" involves the simultaneous, layered presentation of a
number of different elements. For the first shot, these layers would stack up as follows:
1. Graphic perception (photography)
2. Musical perception (score)
3. Upward movement 1 (graphic)
4. Upward movement 2 (musical)
5. Synchronicity 1 (graphic)
6. Synchronicity 2 (musical)
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Royal S. Brown (Overtones and Undertones: Reading Film Music)
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I took off all my clothes, so as not to get any blood on them. Then I placed him [the victim] near a drain or in the bathtub, face up. I used a sharp knife at the top of the sternum and made a single cut down the middle of the upper torso. Once the initial cut was made, I could spread the wound and remove all the internal organs. Sometimes this would excite me to the point that I would become erect and couldnβt continue until I had brought myself to orgasm by simulating intercourse with the viscera. After a while, I cut the internal organs into fist-sized pieces and placed them in a double-wrapped garbage bag.
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Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
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Dahmer then cut the flesh off. He started by stripping the flesh from the arms and biceps, then the chest, and worked his way down to the feet. He sliced all the strips of flesh into small pieces and placed them into approximately three bags. He was careful not to place too much in each bag, about twenty-five pounds worth each. In the beginning, he then wrapped the skeleton in a sheet and pounded it into small parts with a sledgehammer, placing the upper torso in one bag and the lower in another. However, after he hit upon the idea of dissolving his victims in the muriatic acid, he simply dropped the dismembered skeletal remains into the industrial drum he had purchased. There, the acid would do its work. This was his usual pattern. βI normally used five double-wrapped garbage bags to dispose of a single body.
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Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")