Field Artillery Quotes

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Think you a little din can daunt mine ears? Have I not in my time heard lions roar? Have I not heard the sea, puffed up with winds, Rage like an angry boar chafed with sweat? Have I not heard great ordinance in the field, And Heaven's artillery thunder in the skies? Have I not in a pitched battle heard Loud 'larums, neighing steeds, and trumpets' clang? And do you tell me of a woman's tongue, That gives not half so great a blow to hear As will a chestnut in a farmer's fire? Tush! tush! fear boys with bugs. Grumio: For he fears none.
William Shakespeare (The Taming of the Shrew)
I've been a soldier all my life. I've fought from the ranks on up, you know my service. But sir, I must tell you now, I believe this attack will fail. No 15,000 men ever made could take that ridge. It's a distance of more than a mile, over open ground. When the men come out of the trees, they will be under fire from Yankee artillery from all over the field. And those are Hancock's boys! And now, they have the stone wall like we did at Fredericksburg. - Lieutenant General James Longstreet to General Robert E. Lee after the initial Confederate victories on day one of the Battle of Gettysburg.
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
All womankind, from the highest to the lowest love jokes; the difficulty is to know how they choose to have them cut; and there is no knowing that, but by trying, as we do with our artillery in the field, by raising or letting down their breeches, till we hit the mark.
Laurence Sterne
Arabella did not need backup. Most of the time she was the backup, the field artillery, and the air support, but Nevada taught me to always have an exit strategy.
Ilona Andrews (Diamond Fire (Hidden Legacy, #3.5))
Mad Rogan took in the canvas-covered vehicles. His eyebrows rose. “Is that a tank?” “Technically that’s a gun on tracks. Mobile field artillery. That’s a tank in the corner. His name is Romeo.” Mad Rogan shook his head in disbelief.
Ilona Andrews (Burn for Me (Hidden Legacy #1))
They were supposed to be the ones who would help us eighteen-year-olds to make the transition, who would guide us into adult life, into a world of work, of responsibilities, of civilized behaviour and progress – into the future. Quite often we ridiculed them and played tricks on them, but basically we believed in them. In our minds the idea of authority – which is what they represented – implied deeper insights and a more humane wisdom. But the first dead man that we saw shattered this conviction. We were forced to recognize that our generation was more honourable than theirs; they only had the advantage of us in phrase-making and in cleverness. Our first experience of heavy artillery fire showed us our mistake, and the view of life that their teaching had given us fell to pieces under that bombardment. While they went on writing and making speeches, we saw field hospitals and men dying: while they preached the service of the state as the greatest thing, we already knew that the fear of death is even greater. This didn’t make us into rebels or deserters, or turn us into cowards – and they were more than ready to use all of those words – because we loved our country just as much as they did, and so we went bravely into every attack. But now we were able to distinguish things clearly, all at once our eyes had been opened. And we saw that there was nothing left of their world. Suddenly we found ourselves horribly alone – and we had to come to terms with it alone as well.
Erich Maria Remarque (All Quiet on the Western Front)
Is Russian artillery,” he says. “Mostly hits right target. Mostly.
Marko Kloos (Fields of Fire (Frontlines, #5))
Tauride Palace, where “the entire square of Tauride Palace was filled with artillery, machine guns, field kitchens . . . Machine gun cartridge belts were piled up pell-mell.”5
Arthur Herman (1917: Lenin, Wilson, and the Birth of the New World Disorder)
As Boris Johnson has pointed out, it’s now an offence to swear at a police officer. So should you incur a public-spirited 50,000-volt warning shot – perhaps for brandishing your pension book in an aggressive manner or because a young PC has mistaken your tartan shopping trolley for a piece of field artillery – don’t accidentally shout “Oh fuck!” or you might get sent to prison.
David Mitchell (Thinking About It Only Makes It Worse: And Other Lessons from Modern Life)
Existence is sometimes what a forward artillery observer sees of enemy lines through field glasses. A distant and troubling view brought suddenly into focus with a wealth of obscene detail. It
Ken Bruen (The Guards (Jack Taylor, #1))
I went to Europe in 1917 with sixty-five lbs. on my back,” he told Hedda Hopper in a May 17, 1960, radio interview. To another interviewer, he quipped, “I learned to run the 100-yard dash in eight seconds flat, carrying a full pack.” He served for nineteen months as a private in the 101st Field Artillery Regiment in France. He never said much about what combat was like, except to confess that he was “severely frightened 500 times.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
The Turkish infantry were as fine as they had ever been, and their field artillery was presentable. But they had none of the modern weapons which from May, 1940, were proved to be decisive. Aviation was lamentably weak and primitive. They had no tanks or armoured cars, and neither the workshops to make and maintain them nor the trained men and staffs to handle them. They had hardly any anti-aircraft or anti-tank artillery. Their signal service was rudimentary. Radar was unknown to them. Nor did their warlike qualities include any aptitude for all these modern developments.
Winston S. Churchill (The Grand Alliance)
The vastness and deadly desolation of the field, the long-distance operation of steel machines, and the relay of every movement in the night drew an unyielding Titan’s mask over the proceedings. You moved toward death without seeing it; you were hit without knowing where the shot came from. Long since had the precision shooting of the trained marksman, the direct fire of guns, and with it the charm of the duel, given way to the concentrated fire of mechanized weapons. The outcome was a game of numbers: Whoever could cover a certain number of square meters with the greater mass of artillery fire, won.
Ernst Jünger (Sturm (German Edition))
My love, my dear, dear Shura, Don’t talk about my cross—first heave your own off your shoulders. How did I live last winter? I don’t know, but I think almost longingly of it now. Because I moved. There was movement inside me. I had energy to lie, to pretend to Dasha, to keep her alive. I walked, I was with Mama, I was too busy to die myself. Too busy hiding my love for you. But now I wake up and think, how am I going to go through the rest of my day until sleep? To ease myself back into life, I’ve surrounded myself with the villagers. You think it was bad before. I’m from morning till night helping Irina Persikova, who had to have her leg cut off in Molotov, infection or something. I think I like her because she carries my mother’s name. I think of Dasha. I grieve for my sister. But her face is not the last face I see before I sleep. Yours is. You are my hand grenade, my artillery fire. You have replaced my heart with yourself. Are you thinking of me with your rifle in your hands? What do we do? How do we keep you from dying? These thoughts consume my waking minutes. What can I do from here to keep you alive? Dead or wounded, those Soviets will leave you in the field. Who is going to heal you if you fall? Who is going to bury you if you die? Bury you like you deserve—with kings and heroes. Yours, Tatiana
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
eighteen-year-olds to make the transition, who would guide us into adult life, into a world of work, of responsibilities, of civilized behaviour and progress – into the future. Quite often we ridiculed them and played tricks on them, but basically we believed in them. In our minds the idea of authority – which is what they represented – implied deeper insights and a more humane wisdom. But the first dead man that we saw shattered this conviction. We were forced to recognize that our generation was more honourable than theirs; they only had the advantage of us in phrase-making and in cleverness. Our first experience of heavy artillery fire showed us our mistake, and the view of life that their teaching had given us fell to pieces under that bombardment. While they went on writing and making speeches, we saw field hospitals and men dying: while they preached the service of the state as the greatest thing, we already knew that the fear of death is even greater. This didn’t make us into rebels or deserters, or turn us into cowards – and they were more than ready to use all of those words – because we loved our country just as much as they did, and so we went bravely into every attack. But now we were able to distinguish things clearly, all at once our eyes had been opened. And we saw that there was nothing left of their world. Suddenly we found ourselves horribly alone – and we had to come to terms with it alone as well.
Erich Maria Remarque (All Quiet on the Western Front)
It is not that modern people are less intelligent than their grandparents: only that, being busier, they are less careful. They must learn to take short cuts, skimming through the columns of a newspaper, flicking over the pages of a book or magazine, deciding at each new paragraph or page whether to read it either attentively or cursorily, or whether to let it go unread. There is a running commentary in the mind. For example, in reading a Life of Napoleon: ‘page 9 … yes, he is still talking about Napoleon’s childhood and the romantic scenery of Corsica … something about James Boswell and Corsican independence … tradition of banditry … now back to the family origins again … wait a minute … no … his mother … more about her … yes … French Revolution … page 24, more about the French Revolution … still more … page 31, not interested … ah … Chapter 2, now he’s at the military school … I can begin here … but oughtn’t to waste time over this early part … in the artillery, was he? … but when do we get to the Italian campaign?’ And even when the reader does get to the Italian compaign and settles down comfortably to the story, he seldom reads a sentence through, word by word. Usually, he takes it in either with a single comprehensive glance as he would a stream or a field of cows that he was passing in the train, or with a series of glances, four or five words to a glance. And unless he has some special reason for studying the narrative closely, or is in an unusually industrious mood, he will not trouble about any tactical and geographical niceties of the campaign that are not presented with lively emphasis and perfect clarity. And, more serious still from the author’s point of view, he will not stop when the eye is checked by some obscurity or fancifulness of language, but will leave the point unresolved and pass on. If there are many such obstructions he will skim over them until his eye alights on a clear passage again.
Robert Graves (The Reader Over Your Shoulder: A Handbook for Writers of English Prose)
Existence is sometimes what a forward artillery observer sees of enemy lines through field glasses. A distant and troubling view brought suddenly into focus with a wealth of obscene detail.
Derek Raymond
The most important training involved the latest American breakthrough in communications technology: a handheld, portable, two-way radio transceiver that made ground-to-air communications possible for the first time. A predecessor of the mobile telephone, the equipment had been designed at the RCA electronics laboratories in New York before being refined and developed for the OSS by De Witt R. Goddard and Lieutenant Commander Stephen H. Simpson. The device would eventually become known as a “walkie-talkie,” but at the time of its invention this pioneering gizmo went by a more cumbersome and quaint title: the “Joan-Eleanor system.” “Joan” was the name for the handheld transmitter carried by the agent in the field, six inches long and weighing three pounds, with a collapsible antenna; “Eleanor” referred to the larger airborne transceiver carried on an aircraft flying overhead at a prearranged time. Goddard’s wife was named Eleanor, and Joan, a major in the Women’s Army Corps, was Simpson’s girlfriend. The Joan-Eleanor (J-E) system operated at frequencies above 250 MHz, far higher than the Germans could monitor. This prototype VHF (very high frequency) radio enabled the users to communicate for up to twenty minutes in plain speech, cutting out the need for Morse code, encryption, and the sort of complex radio training Ursula had undergone. The words of the spy on the ground were picked up and taped on a wire recorder by an operator housed in a special oxygen-fed compartment in the fuselage of an adapted high-speed de Havilland Mosquito bomber flying at over twenty-five thousand feet, outside the range of German anti-aircraft artillery. An intelligence officer aboard the circling aircraft could communicate directly with the agent below. As a system of communication from behind enemy lines, the J-E was unprecedented, undetectable by the enemy, easy to use, and so secret that it would not be declassified until 1976.
Ben Macintyre (Agent Sonya: Moscow's Most Daring Wartime Spy)
The date was November 23, 1965. One company was in contact. Machinegun fire rattled in the distance. Tom McEnry took pictures of artillery firing support for soldiers in the field. Just after eleven o’clock in the morning, McEnry complained about his light meter. “I can’t get a reading,” he said, shaking the small black instrument in front of him, banging it against his hand. At the same time, field commanders called in on their radios that something strange was happening. ‘I don’t know what it is,’ one officer called, ‘but it’s weird. It’s really gettin, uh, kinda eerie out here.’ The air became still. Insects went quiet. The artillery stopped firing. Radios were silent. The temperature, which had been about eighty-five degrees, dropped to around seventy or seventy-five. The light dimmed, though there were no clouds. The North Vietnamese broke contact. The war stopped. Someone said, ‘Look at the sun!’ Everyone looked up. A thin black disc appeared at the side of the white-yellow sun, obscuring part of it, blocking the light. ‘Far fucking out,’ a soldier said. ‘Would you believe it?’ said another. ‘A fucking ee-clipse? In fucking Veetnam?’ ‘I bet the VC think we done it,’ a GI said. ‘That’s why they took off.’ ‘Shee-it.’ Several minutes passed in near silence. The hand of an unseen presence seemed to move across the tropical savanna. No one spoke. Then the light brightened. The temperature warmed. Insects screeched. A few gunshots cracked. Field radios came alive with chatter and hiss. Artillery boomed. Helicopter blades whacked the air. The war, having skipped a beat, resumed as if nothing had happened.
John Laurence (The Cat From Hue: A Vietnam War Story)
Clutching a map and a field phone, Second Lieutenant Murphy leaped onto a burning tank destroyer and for an hour repulsed the enemy with a .50-caliber machine gun while calling in artillery salvos. He “killed them in the draws, in the meadows, in the woods,” a sergeant reported; the dead included a dozen Germans “huddled like partridges” in a nearby ditch. “Things seemed to slow down for me,” Murphy later said. “Things became very clarified.” De Lattre described the action as “the bravest thing man had ever done in battle,” but Murphy reflected that “there is no exhilaration at being alive.” He would receive the Medal of Honor. At last an Allied preponderance began to crush the pocket.
Rick Atkinson (The Guns at Last Light: The War in Western Europe 1944-1945 (The Liberation Trilogy))
Additionally, visitors can learn some interesting lessons in military logistics since a section of George Spangler’s acreage behind the hospital site served as a camp for some of the Army of the Potomac’s Reserve Artillery.8
Carol Reardon (A Field Guide to Gettysburg: Experiencing the Battlefield through Its History, Places, and People)
Each little field [had] one gate … so each a little battlefield… So the Germans fought in that one, and when they got pushed out they fought in the next one.” Patrick Delaforce, Royal Horse Artillery, 11th Armoured Division
Stephen Bull (World War II: Last War Heroes)
Of the 48 forward observers working with the 15th Field Artillery Battalion, 32 were evacuated for wounds or exposure in six days of battle.
Hugh M. Cole (The Ardennes: The Battle of the Bulge (US Military History of WW II Green Book))
Ten miles to the southeast the war went on, badly, for Drake and his men. With nearly a thousand troops already dug in on Djebel Ksaira, Drake decided to herd the rest of his command—now bivouacked in various wadis southeast of Sidi bou Zid—onto Garet Hadid, a slightly loftier escarpment four miles west of Ksaira. Soon 950 riflemen, musicians, cooks, and clerks were perched on the barren rock like nesting birds. Nearly one-third lacked weapons. After watching the artillery flee near Djebel Lessouda, Drake had called McQuillin at eight A.M. on a field phone to report the makings of a rout. When Old Mac disputed his characterization, Drake snapped, “I know what I’m talking about. I know panic when I see it.” McQuillin hesitated, then told Drake: “You are on the spot. Take command and stop it.” The
Rick Atkinson (An Army at Dawn: The War in Africa, 1942-1943)
My teeth clatter in my mouth as everything ripples and shudders in the storm of shells, whining, whizzing. The kid on the bicycle rolls out of sight. Untouched. A miracle. A dream. The shells abruptly cease and there is only the settling creak of the car seat, a scatter of twittering birds in the shrubs and trees. I could use some gum. Where do you buy gum so early besides the service station? It seems wrong to go there since we don't need any gasoline. We don't drive enough. A tank of gas lasts us forever. I get behind the wheel and in the mirror I can see my eyelids fluttering. I sit squeezing the steering wheel until I realize I haven't started the engine. The garage conceals me. I don't want to go out into the open. A horse whinnys – are they bringing up the artillery? It's the farm field where old Wallam tills a little garden, his yard is the biggest and runs alongside the back of ours to the farm where his family has their orchards. What's wrong with me? Sounds of explosions, bullets, voices of men. Volleys. I smell smoke. Burning things, festering ruptured corpses with maggots pulsing under horrible skin and the shells, the horse, it's hit, it shrieks, explodes apart – can we pull the gun by hand? The crew is dead too, bullets are making their bodies jump even after they have broken apart like smashed holiday nuts. I want to scream. Maybe I am? I begin breathing rapidly. I don't know how long I am there but I hear the screen door open and I key the ignition. “Car troubles?” Mr. Kincaid calls out to me from the front porch. “No troubles,” I say setting my arm out the window and holding the mirror to keep my hand steady. “Lovely day.” The sun was really rising, taking the temperature up with it, hot shards of searing light coming over the treetops to stab at everything that couldn't find the shade. I couldn't find the shade.
Leonard Mokos (The Bad Canadian)
And what’s happened to you?” Patton asks the young man. His name is Pvt. Paul Bennett. He has been in the army four years, serving with C Battery of the Seventeenth Field Artillery Regiment. He is just twenty-one years old. Until a friend died in combat, he had never once complained about battle. But he now shakes from convulsions. His red-rimmed eyes brim with tears. “It’s my nerves, sir. I can’t stand the shelling anymore.” “Your nerves, hell. You’re just a goddamned coward.” Bennett begins sobbing. Patton slaps him. “Shut up,” he orders, his voice rising. “I won’t have these brave men here who’ve been shot see a yellow bastard sitting here crying.” Patton hits him again, knocking off Bennett’s helmet, which falls to the dirt floor. “You’re a disgrace to the army and you’re going back to the front to fight,” he screams. “You ought to be lined up against a wall and shot. In fact, I ought to shoot you right now.” Patton
Bill O'Reilly (Killing Patton: The Strange Death of World War II's Most Audacious General)
The levelling glories of field artillery,’ he said, ‘beneath which all things are rendered equal.
Dan Abnett (The Saint (Gaunt's Ghosts #4-7))
I can tell from the crack of a rifle shot the type of weapon fired and what direction the bullet is traveling. I can listen to a mortar pop and know its size, how far away it is. I know instinctively when I should prep a tree line with artillery before I move into it. I know which draws and fields should be crossed on line, which should be assaulted, and which are safe to cross in column. ⁣ ⁣ I know where to place my men when we stop and form a perimeter. I can shoot a rifle and throw a grenade and direct air and artillery onto any target, under any circumstances. I can dress any type of wound, I have dressed all types of wounds, watered protruding intestines with my canteen to keep them from cracking under sun bake, patched sucking chests with plastic, tied off stumps with field expedient tourniquets. ⁣ ⁣ I can call in medevac helicopters, talk them, cajole them, dare them into any zone. I do these things, experience these things, repeatedly, daily. Their terrors and miseries are so compelling, and yet so regular, that I have ascended to a high emotion that is nonetheless a crusted numbness. I am an automaton, bent on survival, agent and prisoner of my misery. How terribly exciting. And how, to what purpose, will these skills serve me when this madness ends? ⁣ ⁣ What lies on the other side of all this? It frightens me. I haven't thought about it. I haven't prepared for it. I am so good, so ready for these things that were my birthright. I do not enjoy them. I know they have warped me. But it will be so hard to deal with a life empty of them.
James Webb (Fields of Fire)
General Huang Meixing, the 41-year-old commander of the 88th Infantry Division’s 264th Brigade, was leading an attack in the vicinity of the marine headquarters. His divisional commander Sun Yuanliang tried to contact him on the field phone, but was forced to wait. When he finally got through to Huang, he cracked a rare joke. “It took so long I thought you were dead,” he said. Just minutes afterwards, as if fate wanted to punish Sun Yuanliang for this bit of black humor, Huang Meixing’s command post was hit by an artillery grenade, killing him instantly.
Peter Harmsen (Shanghai 1937: Stalingrad on the Yangtze)
It was a good lie, whoever had come up with it. Blaming the Germans wasn’t an option—too many incriminating duds still littered our funkholes—but since the French 75-millimeter gun was also the main field weapon of the American artillery, guilt could be plausibly shifted in that direction.
Kathleen Rooney (Cher Ami and Major Whittlesey)
Behind them, filling the roads that converged on Liège came the infantry of Emmich’s assault force, rank after rank. Only the red regimental number painted on helmet fronts broke the monotony of field-gray Horse-drawn field artillery followed. The new leather of boots and harness creaked. Companies of cyclists sped ahead to seize road crossings and farmhouses and lay telephone wires. Automobiles honked their way through, carrying monocled Staff officers with orderlies holding drawn pistols sitting up front and trunks strapped on behind. Every regiment had its field kitchens on wheels, said to be inspired by one the Kaiser had seen at Russian maneuvers, with fires kindled and cooks standing up stirring the stew as the wagons moved. Such was the perfection of the equipment and the precision of the marching that the invaders appeared to be on parade.
Barbara W. Tuchman (The Guns of August)
There are unquestionably points at which Lewis believes the past to be preferable to the present. For example, Lewis’s battle scenes tend to emphasise the importance of boldness and bravery in personal combat. Battle is about hand-to-hand and face-to-face encounters between noble and dignified foes, in which killing is a regrettable but necessary part of securing victory. This is far removed from the warfare Lewis himself experienced in the fields around Arras in late 1917 and early 1918, where an impersonal technology hurled explosive death from a distance, often destroying friend as well as foe. There was nothing brave or bold about modern artillery or machine guns.
Alister E. McGrath (C. S. Lewis: A Life: Eccentric Genius, Reluctant Prophet)
It was between noon and one o'clock of 17 December, on the road between Modersheid and Ligneuville, that the German advance guard ran into an American truck convoy moving south from Malmédy. This was ill-fated Battery B of the 285th Field Artillery Observation Battalion. The convoy was shot up and the advance guard rolled on, leaving the troops to the rear to deal with the Americans who had taken to the woods and ditches. About two hours after, or so the dazed survivors later recalled, the Americans who had been rounded up were marched into a field where, at a signal, they were shot down by machine gun and pistol fire. A few escaped by feigning death, but the wounded who moved or screamed were sought out and shot through the head. At least eighty-six Americans were massacred here. This was not the first killing of unarmed prisoners chargeable to Kampfgruppe Peiper on 17 December. Irrefutable evidence shows that nineteen unarmed Americans were shot down at Honsfeld and fifty at Büllingen.135
Hugh M. Cole (The Ardennes - Battle of the Bulge (World War II from Original Sources))
If you're short of everything but enemy, you're in combat If you can see, you can be seen. If you can shoot, you can be shot. Incoming fire has the right of way. Don't look conspicuous, it draws fire. There is always a way, and it usually doesn't work. Try to look unimportant, they may be low on ammo. Professionals are predictable, it's the amateurs that are dangerous. The enemy invariably attacks on two occasions: -when you're ready for them. -when you're not ready for them. Teamwork is essential, it gives them someone else to shoot at. The enemy diversion you have been ignoring will be the main attack. If your attack is going well, then it's an ambush. Never draw fire, it irritates everyone around you. Anything you do can get you shot, including nothing. Never share a foxhole with anyone braver than yourself. If you're short of everything but the enemy, you're in a combat zone. Friendly fire isn't. Remember, a retreating enemy is probably just falling back and regrouping. If at first you don't succeed, call in artillery. Exceptions prove the rule, and destroy the battle plan. The enemy never watches until you make a mistake. One enemy soldier is never enough, but two is entirely too many. Whenever you have plenty of ammo, you never miss. Whenever you are low on ammo, you can't hit the broad side of a barn. Field experience is something you don't get until just after you need it. When you have sufficient supplies & ammo, the enemy takes 2 weeks to attack. When you are low on supplies & ammo the enemy decides to attack that night.
Rich Redman (Speed and Power v.0.6.5)
I knew that the first Europeans to arrive in Ethiopia had addressed the monarchs of that country as ‘Prester John.’ This use of the sacred relic as a war palladium – and as an effective one at that – was not, according to Archpriest Solomon [Gabre Selassie, Head of the Ethiopian Orthodox Church in Britain], just something that had happened in Ethiopia’s distant past. On the contrary: ‘As recently as 1896 when the King of Kings Menelik the Second fought against the Italian aggressors at the battle of Adowa in Tigray region, the priests carried the Ark of the Covenant into the field to confront the invaders. As a result of this, Menelik was very victorious and returned to Addis Abada in great honour.’ I re-read this part of the reply with considerable interest because I knew that Menelik II had indeed been ‘very victorious’ in 1896. In that year, under the command of General Baratieri, 17,700 Italian troops equipped with heavy artillery and the latest weapons had marched up into the Abyssinian highlands from the Eritrean coastal strip intent on colonizing the whole country. Menelik’s forces, though ill prepared and less well armed, had met them at Adowa on the morning of 1 March, winning in less than six hours what one historian had subsequently described as ‘the most notable victory of an African over a European army since the time of Hannibal.’ In a similar tone, the London Spectator of 7 March 1896 commented: ‘The Italians have suffered a great disaster… greater than has ever occurred to white men in Africa.
Graham Hancock (The Sign and the Seal: The Quest for the Lost Ark of the Covenant)
The whole West Woods erupted in a volcano of gunfire so heavy that the color-bearer of the 34th New York was hit five times in rapid succession before he toppled to the ground. The attack of Sedgwick’s division had turned into a crimson nightmare. Men were falling everywhere.75 As the gap widened between Greene’s Twelfth Corps brigades and Sedgwick’s left, the situation became critical. Early’s and Anderson’s Confederate brigades, along with Barksdale’s Mississippians, surged around the church, up the Hagerstown Turnpike and into the fields in the rear of Sedgwick’s hapless division.76
Kent Masterson Brown (Cushing of Gettysburg: The Story of a Union Artillery Commander)
I can tell from the crack of a rifle shot the type of weapon fired and what direction the bullet is traveling. I can listen to a mortar pop and know its size, how far away it is. I know instinctively when I should prep a treeline with artillery before I move into it. I know which draws and fields should be crossed on line, which should be assaulted, and which are safe to cross in column. I know where to place my men when we stop and form a perimeter. I can shoot a rifle and throw a grenade and direct air and artillery onto any target, under any circumstances. I can dress any type of wound, I have dressed all types of wounds, watered protruding intestines with my canteen to keep them from cracking under sunbake, patched sucking chests with plastic, tied off stumps with field-expedient tourniquets. I can call in medevac helicopters, talk them, cajole them, dare them into any zone. I do these things, experience these things, repeatedly, daily. Their terrors and miseries are so compelling, and yet so regular, that I have ascended to a high emotion that is nonetheless a crusted numbness. I am an automaton, bent on survival, agent and prisoner of my misery. How terribly exciting. And how, to what purpose, will these skills serve me when this madness ends? What lies on the other side of all this? It frightens me. I haven’t thought about it. I haven’t prepared for it. I am so good, so ready for these things that were my birthright. I do not enjoy them. I know they have warped me. But it will be so hard to deal with a life empty of them. And there are the daily sufferings. You ghosts have known them, but who else? I can sleep in the rain, wrapped inside my poncho, listening to the drops beat on the rubber like small explosions, then feeling the water pour in rivulets inside my poncho, soaking me as I lie in the mud. I can live in the dirt, sit and lie and sleep in the dirt, it is my chair and my bed, my floor and my walls, this clay. And like all of you, I have endured diarrhea as only an animal should endure it, squatting a yard off a trail and relieving myself unceremoniously, naturally, animally. Deprivations of food. Festering, open sores. Worms. Heat. Aching crotch that nags for fulfillment, any emptying hole that will relieve it. Who appreciates my sufferings? Who do I suffer for?
James Webb (Fields of Fire)