Fictional Boyfriend Quotes

...he had a way of taking your hand which made it clear he'd have to be the one to let go.

She likes me.  I can tell.  Problem is, she won’t admit that to the boyfriends she brings over.

Why would he appear to be so freaking concerned about me to my fake boyfriend anyway? she thought. He needs to mind his own business and keep out of mine. Shallow, arrogant bastard!

I pull out my e-reader and get back to my fictional boyfriend. Lord knows he won't cheat on me.

Why couldn’t people understand that she just didn’t have an attraction for Daniel? She would not go out with Daniel “just to have a boyfriend.” She didn’t need that to define herself. She would rather be single than date just anyone, just to have a boyfriend.

I know I only have one arm, but I’d be proud to have you on it.

She wasn't his girlfriend. She was his bubblegum girl--only fun until she lost her flavor.

I have seen many cases like N. during the five years I've been in practice. I sometimes picture these unfortunates as men and women being pecked to death by predatory birds. The birds are invisible - at least until a psychiatrist who is good, or lucky, or both, sprays them with his version of Luminol and shines the right light on them - but they are nevertheless very real. The wonder is that so many OCDs manage to live productive lives, just the same. They work, they eat (often not enough or too much, it's true), they go to movies, they make love to their girlfriends and boyfriends, their wives and husbands . . . and all the time those birds are there, clinging to them and pecking away little bits of flesh.

The best boyfriends are the ones in books.

He felt a little lost, after that experience. Lost as the girls on their knees. It was a never-ending story of young girls losing themselves, such that they were no longer humans with any souls or characters, but pretty girls with fat asses and nice tits.

I shake my head. "Not my kind of scene. I'd rather be home with my book boyfriend." "I'll never get what you book sluts get out of a fictional man…" He shakes his head. "Boys in books are better.

I love it when he gives me that look he has that says, not just that he loves me, but that he always will. - Celestra Caine, FADE by Kailin Gow

I’m living in fiction. It’s perfectly okay to be in love with any and all fictional boyfriends, even if they aren’t yours.

The words ‘I love you’ are worthless when you don’t know who the 'I' is in that statement.

I don’t mean to take the bow off the end of your rain, but you gotta be smart about your first boyfriend.

Then he picks up the first book and holds it so Peter can read the title.    I Hadn’t Meant to Tell You This Peter quiets. Watches as Neil holds up the books one by one. Just Listen Stay You’re the One That I Want So Much Closer Where I Want to Be The Difference Between You and Me Positively Matched Perfect Wonder You Are Here Where I Belong I’ll Be There Along for the Ride The Future of Us Real Live Boyfriends Keep Holding On When Neil is through, Peter smiles and holds up his hand, gesturing Neil to wait there, to not say a word. He picks out two books from the YA section, then runs to the fiction section for a third. He is still smiling when he returns to Neil and shows his selections one by one. Take a Bow A Blind Man Can See How Much I Love You Keep Holding On

I’m not going to deny that I want to fuck you. I can’t promise a future or that I’ll be some sniveling boyfriend who pines away after you once I go back to L.A. But I will say that I have plans for you if you say yes. “I can promise you that I’m going to take you to new heights that you’ve never imagined. That I’ll make you feel pleasure so intense that you forget your name. I’ll fuck you so good, for so long that the only thing you’ll crave is my hands on your skin, my cock deep in your pussy. “If you let me, Tori, I’ll open up a whole new world to you. I’ll make you fly.

what can I say? Can’t beat fictional boyfriends. They’re the best. ***

I didn’t know there was a problem with having too many book boyfriends. So what if I coped with my lack of a love life by living vicariously through fictional characters? There were worse crimes.

I wanted her to notice me, to pay attention to me. It was an irrational desire, one I‘d never experienced before.

I was going to stick with my fictional book boyfriends until my soulmate showed up.

Doesn’t this feel wrong to you?” I cut in. “Lying to everyone? Acting like we’re this happy couple?

For years I’d been awaiting that overriding urge I’d always heard about, the narcotic pining that draws childless women ineluctably to strangers’ strollers in parks. I wanted to be drowned by the hormonal imperative, to wake one day and throw my arms around your neck, reach down for you, and pray that while that black flower bloomed behind my eyes you had just left me with child. (With child: There’s a lovely warm sound to that expression, an archaic but tender acknowledgement that for nine months you have company wherever you go. Pregnant, by contrast, is heavy and bulging and always sounds to my ear like bad news: “I’m pregnant.” I instinctively picture a sixteen-year-old at the dinner table- pale, unwell, with a scoundrel of a boyfriend- forcing herself to blurt out her mother’s deepest fear.) (27)

I wrote every day throughout my twenties. For a while, I had a boyfriend who was a musician, and he practiced every day. He played scales; I wrote small fictional scenes. It was the same idea - to keep your hand in your craft, to stay close to it. On bad days, when I felt no inspiration at all, I would set the kitchen timer for thirty minutes and make myself sit there and scribble something, anything. I had read an interview with John Updike where he said that some of the best novels you've ever read were written in an hour a day; I figured I could always carve out at least thirty minutes somewhere to dedicate myself to my work, no matter what else was going on or how badly I believed the work was going.

it’s like fantasizing about a book boyfriend. One-hundred-percent of the time, it’s fictional, which makes it harmless.” Rose

What’s there to figure out?” He shrugs. “We’re dating.

Says who? I happen to get very attached to my fictional boyfriends.

There is a desperation to a novel that is unsettling. The world so painstakingly re-created in miniature; this tiny diorama made of words. Why go to all this trouble, to create me, to seduce you, to enumerate so many different breakfast cereals? To make the cunning tiny apartment, the itsy-bitsy Jinx? It's like going to meet your new boyfriend's family for the first time and discovering they are all paid actors. It's almost easier to believe I'm real than to understand what's actually going on. The desperation that could have caused anyone to invent me in the first place. The urgency and need that would require creating an imaginary space of this size and level of detail. And it really makes you wonder: What kind of truth would require this many lies to tell?

But Quinn held the fuzzy handcuffs in his hands, looking them over closely, and he smiled. “Oh, hey, did you want to keep these for when your invisible boyfriend returns from his fake vacation?

He’s the type of king who’ll start wars for his queen. As scary as Aiden is, I love the way he looks at Elsa, the way his brows soften under his hard face, the way he tells her without words that he’s hers as much as she’s his. I’ve been watching them since they began, and I fell in love with them together worse than a fangirl falling for fictional heroes in romance novels. The fangirl is me, by the way. I have more book boyfriends

Tonight, I want to curl up with a good book and visit my fictional boyfriends. Now let me tell you, my list is long. I am the equivalent to Hugh Hefner, but instead of bunnies I have this ever-growing list of male characters that have stolen my heart. I

The Internet is a fad that is full of Tumbling and children who write explicit fan fiction pornography based upon my boyfriend’s books. They should be outside playing with pinecones or hula hoops or whatever it is children do these days, not talking about a fictional threesome that will never happen.

I’m not your boyfriend!” I snapped, trying to gently move her hands away from my body. “How can you say that?” Sara asked in horror. “It’s shockingly effortless,” I replied. “My vocal chords vibrate, and my mouth and tongue articulate. I can even do it without thinking.” I had to remind myself to stay calm, and sarcasm was the best way to do that. “When are you going to give me a key to your house so I don’t have to knock like some guest?” Sara asked, coming at me again. I backed away. “How about never? Is never good for you?” Sara, undeterred, said, “You’re the reason I go to therapy on Fridays.” “The plot thickens!” Gabby exclaimed for comedic relief.

I’ve had hundreds of boyfriends. So what if they’re fictional? Don’t you dare judge our love.

In The Vampires of Finistere, their best adventure, a young bride-to-be is abducted from under her boyfriend’s nose during a mysterious pagan fertility festival in Brittany. Underwater vampires are to blame,

Sliding Doors and Run Lola Run (1998)—These two movies, neither of which is technically science fiction, were released in the same year. We see the idea of timelines branching from a single point which lead to different outcomes. In the example of Sliding Doors, a separate timeline branches off of the first timeline and then exists in parallel for some time, overlapping the main timeline, before merging back in. In Run Lola Run, on the other hand, we see Lola trying to rescue her boyfriend Manni by rewinding what happened and making different choices multiple times. We see visually what running our Core Loop might look like in a real-world, high-stress situation.

her boyfriend when he tells her they are gypsies, two moths drunk on light, darting from the flower of one red sunset to the next; but several times she’s dozed off in the passenger seat and awakened from traitorous dreams of her old bedroom, soft pillows.

started reading a really good book by a new-to-me author who wrote alternate reality versions of Brontë novels and spent the next few weeks immersed in her backlist. I dated her fictional heroes instead in an unapologetic phase of serial book-boyfriend polygamy.

How to tell your pretend-boyfriend and his real boyfriend that your internal processors are failing: 1. The biological term is depression, but you don't have an official diagnostic (diagnosis) and it's a hard word to say. It feels heavy and stings your mouth. Like when you tried to eat a battery when you were small and your parents got upset. 2. Instead, you try to hide the feeling. But the dark stain has already spilled across your hardwiring and clogged your processor. You don't have access to any working help files to fix this. Tech support is unavailable for your model. (No extended warranty exists.) 3. Pretend the reason you have no energy is because you're sick with a generic bug. 4. You have time to sleep. Your job is canceling out many of your functions; robots can perform cleaning and maintenance in hotels for much better wage investment, and since you are not (yet) a robot, you know you will be replaced soon. 5. The literal translation of the word depression: you are broken and devalued and have no further use. 6. No one refurbishes broken robots. 7. Please self-terminate.

what I want to know is, is there a you independent of circumstances? Is there a way-down-deep me who is an actual, real person, the same person if she has money or not, the same person if she has a boyfriend or not, the same if she goes to this school or that school? Or am I only a set of circumstances?” “I don’t follow how that would make you fictional.” “I mean, I don’t control my thoughts, so they’re not really mine. I don’t decide if I’m sweating or get cancer or C. diff or whatever, so my body isn’t really mine. I don’t decide any of that—outside forces do. I’m a story they’re telling. I am circumstances.” She nodded. “Can you apprehend these outside forces?” “No, I’m not hallucinating,” I said. “It’s . . . like, I’m just not sure that I am, strictly speaking, real.” Dr. Singh placed her feet on the floor and leaned forward, her hands on her knees. “That’s very interesting,” she said. “Very interesting.” I felt briefly proud to be, for a moment anyway, not not uncommon. “It must be very scary, to feel that your self might not be yours. Almost a kind of . . . imprisonment?

She kept the picture, though. She carried it with her everywhere she traveled: Istanbul and Rome, Berlin where she lived for three moths, sharing a flat with two Swedes. One night they got blitzed and she showed them the picture. The blond boys smiled at her quizzically, handing it back. It meant nothing to anybody but her, which was part of the reason she could never get rid of it. It was the only part of her life that was real. She didn't know what to do with the rest. All the stories she knew were fiction, so she began to create new ones. She was the daughter of a doctor, an actor, a baseball player. She was taking a break from medical school. She had a boyfriend back home named Reese. She was white, she was black, she became a new person as soon as she crossed a border. She was always inventing her life.

She smiled too. 'Have you ever had a boyfriend this bad?' Her words hung in the air a moment. It was the first time any of them had ventured a guess. 'Worse,' he said, 'and girlfriends too. I have terrible taste.' Mary sat down next to him on the bench. 'Girlfriends too?' He nodded and lifted a glass of iced tea to his mouth. 'When you don't know what you're searching for,' he said, 'you have to look absolutely everywhere.

Well, I can’t really talk about it, but we’ve recently acquired a very promising new author who specialises in high-concept science fiction. And it got a starred review in Publishers Weekly and everything, and there were some wonderful pull quotes and the one we decided to run with especially recommended it to fans of another, more famous author of high-concept science fiction. So we put it on all the posters and there’s big campaign all over the Underground and it’s on the front of the book and it’s too late to change any of it.” Oliver was looking perplexed in a way that made me want to hug him. “That seems unalloyedly positive, Bridget.” “It would be.” She threw herself into the nearest free chair. “Except the more famous author in question was Philip K. Dick. And the pull quote was, ‘If you like Dick, you’ll love this.’ And no one spotted it until we started getting extremely disappointed reviews on Amazon.

It meant nothing to anybody but her, which was part of the reason she could never get rid of it. It was the only part of her life that was real. She didn’t know what to do with the rest. All the stories she knew were fiction, so she began to create new ones. She was the daughter of a doctor, an actor, a baseball player. She was taking a break from medical school. She had a boyfriend back home named Reese. She was white, she was black, she became a new person as soon as she crossed a border. She was always inventing her life.

What were you wearing? Why did you go to his empty house alone? Did you drink any alcohol or take any drugs before going to Samael's house? Do you have a boyfriend? If so, are you serious with him? Are you sexually active? What did you eat that day? Who cooked for you? Who dropped you off at Samael's house? I was mentally prodded, poked and attacked with quickfire questions that made no sense to me. My mind couldn't begin to fathom why they needed to know those things about me. I was astounded by how different it was this time. The worst question they asked me was: are you sure you didn't imagine it considering your past? Like it was my fault. Like I had imagined the sexual assault I had undergone. Like I had just assumed that he was that kind of guy because of what the monster did to me. I was on the verge of throwing up throughout the entire trial. My mum and dad both sat silently watching, looking like they were ready to burst. This was serious they kept on telling me. Sam was over eighteen. I could be ruining his life right now if I was wrong.

She laughed again. "You must go to the movies a lot. This is not Dracula, and the villain isn't Bela Lugosi. They took a good friend away from me, and they know I know. But, at any rate, I did try to find her boyfriend the day after she disappeared. I knew where he lived and I went there. His landlord said he'd left unexpectedly and he didn't know where he'd gone. Lucky for me he wasn't there, I suppose." She took another deep breath and squinted at her watch. "Oh, my Lord. I didn't realize it was that late. I really must be going.

But what I want to know is, is there a you independent of circumstances? Is there a way-down-deep me who is an actual, real person, the same person if she has money or not, the same person if she has a boyfriend or not, the same if she goes to this school or that school? Or am I only a set of circumstances?” “I don’t follow how that would make you fictional.” “I mean, I don’t control my thoughts, so they’re not really mine. I don’t decide if I’m sweating or get cancer or C. diff or whatever, so my body isn’t really mine. I don’t decide any of that—outside forces do. I’m a story

But since we’re on the topic of identity and narrative voice - here’s an interesting conundrum. You may know that The Correspondence Artist won a Lambda Award. I love the Lambda Literary Foundation, and I was thrilled to win a Lammy. My book won in the category of “Bisexual Fiction.” The Awards (or nearly all of them) are categorized according to the sexual identity of the dominant character in a work of fiction, not the author. I’m not sure if “dominant” is the word they use, but you get the idea. The foregrounded character. In The Correspondence Artist, the narrator is a woman, but you’re never sure about the gender of her lover. You’re also never sure about the lover’s age or ethnicity - these things change too, and pretty dramatically. Also, sometimes when the narrator corresponds with her lover by email, she (the narrator) makes reference to her “hard on.” That is, part of her erotic play with her lover has to do with destabilizing the ways she refers to her own sex (by which I mean both gender and naughty bits). So really, the narrator and her lover are only verifiably “bisexual” in the Freudian sense of the term - that is, it’s unclear if they have sex with people of the same sex, but they each have a complex gender identity that shifts over time. Looking at the various possible categorizations for that book, I think “Bisexual Fiction” was the most appropriate, but better, of course, would have been “Queer Fiction.” Maybe even trans, though surely that would have raised some hackles. So, I just submitted I’m Trying to Reach You for this year’s Lambda Awards and I had to choose a category. Well. As I said, the narrator identifies as a gay man. I guess you’d say the primary erotic relationship is with his boyfriend, Sven. But he has an obsession with a weird middle-aged white lady dancer on YouTube who happens to be me, and ultimately you come to understand that she is involved in an erotic relationship with a lesbian electric guitarist. And this romance isn’t just a titillating spectacle for a voyeuristic narrator: it turns out to be the founding myth of our national poetics! They are Emily Dickinson and Walt Whitman! Sorry for all the spoilers. I never mind spoilers because I never read for plot. Maybe the editor (hello Emily) will want to head plot-sensitive readers off at the pass if you publish this paragraph. Anyway, the question then is: does authorial self-referentiality matter? Does the national mythos matter? Is this a work of Bisexual or Lesbian Fiction? Is Walt trans? I ended up submitting the book as Gay (Male) Fiction. The administrator of the prizes also thought this was appropriate, since Gray is the narrator. And Gray is not me, but also not not me, just as Emily Dickinson is not me but also not not me, and Walt Whitman is not my lover but also not not my lover. Again, it’s a really queer book, but the point is kind of to trip you up about what you thought you knew about gender anyway.

I’m really enjoying my solitude after feeling trapped by my family, friends and boyfriend. Just then I feel like making a resolution. A new year began six months ago but I feel like the time for change is now. No more whining about my pathetic life. I am going to change my life this very minute. Feeling as empowered as I felt when I read The Secret, I turn to reenter the hall. I know what I’ll do! Instead of listing all the things I’m going to do from this moment on, I’m going to list all the things I’m never going to do! I’ve always been unconventional (too unconventional if you ask my parents but I’ll save that account for later). I mentally begin to make my list of nevers. -I am never going to marry for money like Natasha just did. -I am never going to doubt my abilities again. -I am never going to… as I try to decide exactly what to resolve I spot an older lady wearing a bright red velvet churidar kurta. Yuck! I immediately know what my next resolution will be; I will never wear velvet. Even if it does become the most fashionable fabric ever (a highly unlikely phenomenon) I am quite enjoying my resolution making and am deciding what to resolve next when I notice Az and Raghav holding hands and smiling at each other. In that moment I know what my biggest resolve should be. -I will never have feelings for my best friend’s boyfriend. Or for any friend’s boyfriend, for that matter. That’s four resolutions down. Six more to go? Why not? It is 2012, after all. If the world really does end this year, at least I’ll go down knowing I completed ten resolutions. I don’t need to look too far to find my next resolution. Standing a few centimetres away, looking extremely uncomfortable as Rags and Az get more oblivious of his existence, is Deepak. -I will never stay in a relationship with someone I don’t love, I vow. Looking for inspiration for my next five resolutions, I try to observe everyone in the room. What catches my eye next is my cousin Mishka giggling uncontrollably while failing miserably at walking in a straight line. Why do people get completely trashed in public? It’s just so embarrassing and totally not worth it when you’re nursing a hangover the next day. I recoil as memories of a not so long ago night come rushing back to me. I still don’t know exactly what happened that night but the fragments that I do remember go something like this; dropping my Blackberry in the loo, picking it up and wiping it with my new Mango dress, falling flat on my face in the middle of the club twice, breaking my Nine West heels, kissing an ugly stranger (Az insists he was a drug dealer but I think she just says that to freak me out) at the bar and throwing up on the Bandra-Worli sea link from Az’s car. -I will never put myself in an embarrassing situation like that again. Ever. I usually vow to never drink so much when I’m lying in bed with a hangover the next day (just like 99% of the world) but this time I’m going to stick to my resolution. What should my next resolution be?

When someone is judging you, it's unlikely that their judgment is actually about you. As I see it, we're all carrying around a bunch of suitcases. We have our insecurities suitcase. We have our stress suitcase. We have our guilt and our worries suitcases. Some suitcases we might have been carrying since our childhood, stories we were told about who we are that aren't even true. They're fiction that we were handed, picked up, believed, and still carry. Sometimes a person comes along with one of their suitcases, with their issues all packed up and ready to go, and they try to hand it to us. Do not pick up that suitcase! Do not pick it up! Because if you pick up their suitcase, you will be up all night, worrying if what they said about you is true, stressing yourself out, questioning yourself, getting bitter, and feeding your insecurities. Over a suitcase that never belonged to you in the first place. So if people keep trying to hand off their suitcases to you like you're a bellhop, you might need to break up with them the same way you would break off an unhealthy relationship with an emotionally abusive boyfriend. And as you go through life, trying to figure out how to ferry around those suitcases that do belong to you (and we all have our own stuff . . . the stuffiest of stuffs!), don't try to hand those off to someone else as a way to try to get rid of your pain. Instead, sit down with a friend or a great therapist and have a big, nonjudgmental "let's unpack these suitcases together" session.

The young lady then placed her hands on Kode’s shoulder, letting her cheek rest on top of the pile. The smile on her face was more than a victory smile. It was a happy sign of contentment. Eena wondered. “When do you suppose those two will get married?” She whispered the question to Kira who still had a firm grip on her arm. “Kode get married?” The incredulity on Kira’s face matched her brother’s strong outburst. “Who the hell says I’m gettin’ hitched?” Niki pushed herself away from her boyfriend’s shoulder; her upper lip curled into a resentful scowl at the negative way he had voiced his query. Eena had never meant for them to overhear. She stumbled over a justification for the question. “It’s just that you’ve been together for a while, you know, like a couple. Close. I mean, you’re always together so…I just figured…” she let the notion trail off. Kode looked queasy. “We’re always together ‘cause she bloody follows me around everywhere I go like I’m some freakin’ tour guide!” “Fine!” Niki exclaimed, holding her palms like a defensive wall in front of her. “I’ll leave if that’s what you want. I don’t need you! There’s plenty of other guys who’d love to get their lips on me!” With that outburst, the pretty Mishmorat twirled her body around, setting off on foot with both fists seared into her hips. Kode let her take about four steps before he darted over and dragged her back. She didn’t put up much of a fight, but her beautiful burgundy eyes refused to look at him. “Ungrateful woman,” he murmured. “No one asked you to leave.” Niki continued to glare up at the cloudy sky. Kode sighed a long, perturbed sound. His next words were mumbled like they were torturous to have to speak out loud. “Come on, Niki, you know I don’t want you to go. Who the hell’s gonna keep me in line if you’re gone?” That made the pretty Mishmorat smile. She breathed in deeply and then dropped her gaze onto her man. His face was a goofy grimace, hers a smug grin of satisfaction. Kode threw an arm roughly around his girlfriend and pulled her close to him. He then turned to Eena, shrugging one shoulder. “She’ll probably break down and marry me this summer,” he said. “That’s what I’m thinkin’ anyway.” Niki’s head went back to rest on Kode’s shoulder, right where it had started.

Kode’s older sister, Kira, was leaning over a display of jewelry, fisting a jade-green necklace in one hand. Her nose was two inches from the Braetic across the table, the two exchanging intimidating glares. Eena watched for a few seconds as Kira all but crawled over a pile of merchandise, her face scrunched up with resentment, yet enviably stunning as always. “Hey Kode,” the young queen whispered. “Hey, girl.” “What’s going on?” “Kira’s bartering.” Eena watched the fistful of necklace come within a whisker of smacking the merchant’s nose. “She isn’t going to hurt the guy, is she?” Kode snorted on a chuckle. “Not if the dude’s got any sense.” Validly concerned, Eena inched closer to the confrontation, straining to hear their growled dialogue. Kode and Niki crept closer too. Efren, however, stayed where he was, testing the flagpole’s ability to support his body weight. They watched the feisty Mishmorat hold up a small pouch and shake it in front of the Braetic’s eyes. Kira’s fingers curled like claws around the purse. She seemed to smirk for a second when the merchant flinched. In a blink he was back in her face again, shoving aside the purse. “What is she trying to trade?” Eena asked, her voice still hushed as though she might disturb the haggling taking place across the way. “Viidun coins,” Kode said. “Ef gave ‘em to her.” “Are they worth much?’ Kode grinned wryly, “He sure as hell don’t freakin’ think so.” Eena foresaw Niki’s disapproving smack to the back of Kode’s head before he even finished his sentence. He cursed at his girlfriend for the physical abuse, an unwise response that earned him an additional thump on the head. “Freakin’ tyrant,” Kode grumbled. “Vulgar grogfish,” Niki retorted. Still unable to hear well enough to satisfy her curiosity, Eena stole in closer to the scene of heated bartering. She stopped when Kira’s strong voice carried over the murmur of the crowd. Kode and his girlfriend were right on her heels. “This purse is worth ten of those gaudy necklaces. You oughta be payin’ me to take ‘em off your hands, Braetic!” “That alien money is worthless to me, Mishmorat. In all my life I’ve never left Moccobatran soil. And even if I were to take an interstellar trip someday, you’d never catch the likes of me on a barbarian planet like Rapador!” Kira jerked her head, causing her black, cascading hair to ripple over her shoulder. The action made the trader flinch again. His eyes tapered, appearing to fume over what he perceived as intentional bullying. “You ain’t gonna sell this crap to no one else,” the exotic Mishmorat said. “Be smart and take the money. Hell, you could make a dozen pieces of jewelry from these coins. Sell ’em all for ten times the worth of anything you got here.” The Braetic shoved his finger at Kira’s chest, breathing down her throat at the same time. “Why don’t you just take your pretty little backside away from my table and make your own Viidun jewelry. Sell it yourself and then come back with a reasonable offer for my necklace.” His palm opened flat, demanding she hand over the jade stones still in her fist. “You wanna make me?” Kira breathed. “What do you plan to do, steal it?” The merchant challenged her in a gesture, nostrils flaring. “I’m no thief, but I’m not above beating some sense into you ‘til you choose to barter like a respectable Braetic!” Caught up in the intense interaction, Kode supported his sister a little too loudly. “Teach the freakin’ crook a lesson, Sis!” Niki smacked her boyfriend upside the head without missing a beat.

So she’d named him after her favorite fictional boyfriend. “You’re my hero, Rhage.

So, like any typical girl, I lost myself in fiction, book boyfriends and a world where everything was most definitely better then reality

Another Friday night, another book boyfriend. I stopped counting at two-hundred. Which, let's face it, put me squarely within the parameters of a fictional slut.

Nettie Scott wandered through boyfriends like vagrants fishing through trash cans--occasionally find a meal, but mostly picking through scraps.

He’s the type of king who’ll start wars for his queen. As scary as Aiden is, I love the way he looks at Elsa, the way his brows soften under his hard face, the way he tells her without words that he’s hers as much as she’s his. I’ve been watching them since they began, and I fell in love with them together worse than a fangirl falling for fictional heroes in romance novels. The fangirl is me, by the way. I have more book boyfriends than I can count. Don’t judge.

Believe me when I say this Sherri, he saved your life. Stay clean in honor of his life. I’m going to give you my business card, it has my number and Jordon’s number. You can call us if you think of anything that could help us, also, even if all you need is to talk yourself out of doing drugs. We will be there to listen. Thanks for all your help, you have been a big help. We catch this guy, and your boyfriend will be smiling from heaven. Thank you, Sherri.

Looks like the coffee mug created a temporary eclipse on the coaster to impress the science freak in you!

Ready and eager. My kind of woman.

I won’t push you on that for now, but I do want to know about you, the real you. I know your body intimately; let me get to know your mind too.

Likely because book boyfriends are fictional, handsome, alluring in all ways. And big dicked.

He’s hot. Better than the sexiest book boyfriend. I blame those elusive fictional men on my failure to find a guy who’s good enough. Turns out, real men aren’t alpha with a beta core. If they’re alpha, they’re usually arrogant and self-absorbed. And the beta guys don’t provide me with enough of a challenge, so I’m destined for dating disasters.

She's probably planning on taking me out to a field and shooting me. Then she'll completely dismember me and ship my body parts off to my friends and family. When they take her to trial, she'll plead insanity and get away with it. Everyone will feel so bad for her, the poor sick girl who went crazy and killed her boyfriend. She'd end up a martyr somehow, and everyone would forget about it. Shit's messed up, man.

I should fictionalize it more, I should conceal myself. I should consider the responsibilities of characterization, I should conflate her two children into one, or reverse their genders, or otherwise alter them, I should make her boyfriend a husband, I should explicate all the tributaries of my extended family (its remarriages, its internecine politics), I should novelized the whole thing, I should make it multi-generational, I should work in my forefathers (stonemasons and newspapermen), I should let artifice create an elegant surface, I should make the events orderly, I should wait and write about it later, I should wait until I’m not angry, I shouldn’t clutter a narrative with fragments, with mere recollections of good times, or with regrets, I should make Meredith’s death shapely and persuasive, not blunt and disjunctive, I shouldn’t have to think the unthinkable, I shouldn’t have to suffer, I should address her here directly (these are the ways I miss you), I should write only of affection, I should make our travels in this earthly landscape safe and secure, I should have a better ending, I shouldn’t say her life was short and often sad, I shouldn’t say she had her demons, as I do too.

I’d rather have my fabulous fiction over a disappointing reality any day.

I happen to get very attached to my fictional boyfriends.

My ex-boyfriend was dramatic, adventurous, and selfish. At one time I thought I’d do anything to make him happy. I thought I might even love him, but I’d never told him that. He had me under his spell. That was before I found him sleeping with someone else. The three-year enchantment was broken after that. The magic lifted. Finding my boyfriend and a high school friend in bed together was horrific. Made me feel like I wasn’t good enough for him, and it took me a while to realize that wasn’t true. The aftermath of our breakup left me feeling utterly defeated, and my self-confidence plummeted to unimaginable depths—perhaps as low as the wreckage of a sunken ship or the depths of the Mariana Trench, which is known to be the deepest point in the ocean. It was that bad.

With my perfect pillow between my legs and my fictional boyfriend on the T.V., everything is just right in the world.

My Real Boyfriend is Fictional

Every reader I'd ever known had wanted nothing more than to fall into the arms of a book boyfriend, some fictional Darcy, a shade of a Byronic hero, all their own. So I did.

And just how does that benefit you as a reader? A voyeur, essentially. You have no intimate connection with these fictional characters.” “Says who? I happen to get very attached to my fictional boyfriends.” Yet another frown. “Boyfriends?” “I read a lot.

Eileen?" My voice came out in a squeak. "Yes?" "I'm going to kiss you." "You---yes," I managed, a moment before his hands caught me by the sides of my face, and drew me in for a kiss. And all notion that this was wrong, that he was off-limits, that tomorrow I would leave--- left my mind in an instant. I didn't care. Every reader I'd ever known had wanted nothing more than to fall into the arms of a book boyfriend, some fictional Darcy, a shade of a Byronic hero, all their own. So I did.

I dated her fictional heroes instead in an unapologetic phase of serial book-boyfriend polygamy.

Meanwhile, nobody said, Haha, dang, isn’t it bad enough that rape and assault and abuse and harassment and boyfriends doing the emotional psychosexual whatever equivalent of sticking their beefy hand into your brain and wearing it like a baseball mitt or a puppet so they can just really move it around and infinity et cetera happens to so, so, so, so, so, so, so, so, so many of us, and we can’t even talk about it without having to apologize afterward?

But real boyfriends suck. See: Dale. Whereas fictional ones never let me down. They come complete with a grand gesture and an HEA every dang time.

Do fictional boyfriends cry as much as I do?" I ask her. She laughs. "Only the really great ones." -pg. 305

Do fictional boyfriends cry as much as I do?’ I ask her. She laughs. ‘Only the really great ones.’” -pg. 305

I took care of the next guy in line while I checked out the girl who was boxing up a pecan pie and decorating it with some sort of fancy ribbon. Watching her wouldn’t be a hardship. She made the retro waitress uniform look good. If she looked as good from the front as she did from the back, maybe I would ask her out. She turned around and handed the box to the customer at the counter and my world turned sideways. It was Delia. My little sister’s annoying best friend. The girl who was practically a member of my family. When had she become hot? I blinked, hoping maybe I’d seen wrong. Nope. Same blonde hair with hot pink stripes, which I’d always thought was stupid. Now, wearing the Pie Princess tiara and some sort of glittery lip gloss she looked wild and kind of sexy. And that was just wrong.

She grappled his shoulder and pulled him closer; her nose in his neck and the memory-scent of her very first time; that sickly-sweet stench of day-old sweat and mall cologne... she wondered if he’d showered in the ten months since they last shared a bed.

When you first suspect that your girlfriend or boyfriend does not love you, you feel nervous and anxious. When you find out that he or she really does not love you, you feel sick and nauseated. Dismantling beliefs about what we are and how we function is not threatening at the level of the body, but it is profoundly threatening to our feeling and conception of what we are and our relations with others. Nervousness arises when we begin to suspect or anticipate that things are not as we had thought. Nausea is a reaction to the realization that we have been emotionally attached to a fiction, the fiction of an autonomous volitional self. Later you will feel ighter and clearer and emotionally alive. What you once resisted you now accept, often with a tinge of sadness because a cherished illusion has been shattered. Intellectual understanding does not have the same effects. While you may have a feeling of confidence in your comprehension, the emotional vitality is not present. The intention of formal meditation practice is to develop sufficient attention to see into the operation of patterns and take them apart, but this is only half of the practice. The other half is to exercise attention in your daily life so that your actions arise from presence rather than from reactive patterns.

So I go to the circulation desk, grab a piece of paper, and write, I like your books. Then I slip it to her as I walk by, which, in hindsight, was creepy as fuck and a terrible error in judgment.” “Why?” “Because I have abysmal penmanship.” I grab a paper napkin and ask Hollis if she has a pen—she does—then write I like your books. Hand it to her. “I like your boobs?” “It says books.” “It says boobs.” “See? Do you see now where this all went wrong? Do you see now where this story is headed?” “Don’t say another word or I’m going to choke on this taco.” Her skin is bright red and she’s about to burst out laughing; I can see her holding it in. She is about to freakin’ explode. Obviously I say more words. “So she thinks I’m telling her I like her tits—er, boobs—which were probably sagging down to the ground, mind you.” I shiver at the memory. “Instead of confronting me about it, the lady goes and tells the librarian there is a pervy sexual harasser on the premises. She goes and tells the security guard, and he yanks my audiobook selections out of my viselike grip and escorts me out. God, I was so humiliated—Betty from non-fiction and I made eye contact, and I’ve never felt so ashamed.” “Stop it.” Tears are welling up in her eyes. “No. She told her friend Ethel, who is a member of the Bellmont Readers, who told my mother.” “This is too much.” She’s swatting at the air between us. “You’re making this up.” “They took my card away, Hollis! You don’t joke about this shit. I’m no longer welcome at any library within the tri-state area, thanks to my shoddy handwriting

I was one to fall for strangers, to live in fiction more than reality. I had created a perfect romantic and mysterious character for me to pine over, when my very real boyfriend had proven human instead.

Fictional boyfriends were way more satisfying, in my experience. They almost always said the right thing, and when you got bored with them, you just put them back on the shelf.

I loved the tales of Dorothy L. Sayers and Margery Allingham. I read widely as a young woman, but always went back to traditional crime fiction for my comfort-reading. If I had a cold or had been dumped by my boyfriend, those were the books I returned to for escape and reassurance.

I took off my top because I didn’t know if I could.” “Mmm,” Eric said, nodding. “I’d never done a nude scene and I wasn’t sure that I would be able to do it. So I did it in real life and then I realized I could do it in the movie. I just, you know, forgot that other people could see me.” “That’s understandable. It must be difficult to shift back and forth between reality and fiction, especially with such an intense role. We can come back to that or leave it alone. For now, how about some Skee-Ball?” Annie nodded. “Annie,” she told herself, “shut up. Shut up, shut up, shut up.” When the pictures hit the Internet, fuzzy and low-resolution but without a doubt her, Annie’s parents sent her an e-mail that read: It’s about time you started playing with the idea of celebrity and the female form as viewed object. Her brother did not say or write a single word, seemed to disappear; perhaps that’s what happens when a sibling sees you naked. Her on-and-off boyfriend, currently off, called her and, when she answered the phone, said, “Is this a Fang thing? I mean, is it just inescapable that you’ll do weird shit?

Ruining the life of little innocent girls goes against my principles, my dear Snow White.

You don’t necessarily have to find your exact idea on Amazon.  It’s good to have something unique to offer the marketplace.  But it’s important to know if similar ideas sell well.   For instance, let’s say you’re in the fitness and nutrition tips for women market.  You’re not sure if this topic has a readership in the digital platform.  So you’ll hop over to Amazon.com to see what sells.   What you find is a variety of titles that sell (at least) 10+ copies each day: ** 1 Day Diet (#8,598) ** Running Sucks (#4,626) ** Flat Belly Diet (#10,823) ** The New Abs Diet for Women (#8,910) ** Six Weeks to Sleeveless and Sexy (#9,973) All these ideas are geared towards the fitness/nutrition for women market.  So this is good evidence that people are buying this kind of information.  Step #4: Find a Hook for Your Book Right now, you might have a single great idea or you might have a bunch of different topics.  What you need to do next is to take each idea and find an angle that will help it sell. It’s not enough to write about a benefit (i.e.: lose weight, get a girl, start a business).  Instead you want a compelling title that grabs people’s attention.  What you want is a “hook.” A hook is the desired outcome the reader receives when he or she applies what you teach.  Done correctly, the hook is an elevator pitch that explains your core concept in a punchy sentence.  Personally, I think it’s important to find your hook before you write your book.  That way you’ll have a rough idea of what information to include.  A hook can include a number of factors: ** An attention grabber (Running Sucks, Super Brain, Why Men Love Bitches) ** A benefit-driven title (Getting Things Done, How to Win Friends and Influence People, Love Yourself Like Your Life Depends on It) ** A time-specific result (4-Hour Work Week, The 17-Day Diet, 21 Days to a More Disciplined Life) ** A numbered list of content (21 Prayers of Gratitude, How to Make Him Beg to Be Your Boyfriend in 6 Simple Steps, 52 Small Changes) ** A keyword-specific title (Make Money Online, How to Lose Weight Fast, Get a Girlfriend) You can use more than one hook. Some people combine a few to come up with an interesting title. EXAMPLE: Last month I published an eBook titled: My Blog Traffic Sucks!  8 Simple Steps to Get 100,000 Visitors without Working 8 Days a Week. This was a unique hook because it had multiple factors in the title: ** An attention grabber (My Blog Traffic Sucks!)

Every reader I’d ever known had wanted nothing more than to fall into the arms of a book boyfriend, some fictional Darcy, a shade of a Byronic hero, all their own.