Modern Family Funny Quotes

Now, as I understand it, the bards were feared. They were respected, but more than that they were feared. If you were just some magician, if you'd pissed off some witch, then what's she gonna do, she's gonna put a curse on you, and what's gonna happen? Your hens are gonna lay funny, your milk's gonna go sour, maybe one of your kids is gonna get a hare-lip or something like that — no big deal. You piss off a bard, and forget about putting a curse on you, he might put a satire on you. And if he was a skilful bard, he puts a satire on you, it destroys you in the eyes of your community, it shows you up as ridiculous, lame, pathetic, worthless, in the eyes of your community, in the eyes of your family, in the eyes of your children, in the eyes of yourself, and if it's a particularly good bard, and he's written a particularly good satire, then three hundred years after you're dead, people are still gonna be laughing, at what a twat you were.

Though I have started emailing with one of my fellow readers whenever there's something important to say about Modern Family or Friday Night Lights, and with another when I notice her updates on Goodreads.com.

It’s funny to me that most of the cooking in the world is done by women, and yet when you look at modern Western cuisine, it’s largely based on what a few dead Frenchmen have opined to be the correct way of doing things. It’s funny how these old European men used a label like “mother sauce” when there were no women to be found anywhere near those old professional kitchens. Cooking was something women did to nourish and nurture their families, whereas for men it was largely something they did professionally to gain money and status.

Foreword As a true blue Southern girl I have often wondered…if preppies could have their own handbook…why not us? And now at last, my two good friends Deborah Ford and Edie Hand have written the definitive handbook for Southern gals raised in the South. One must simply not leave home without it! It deserves a place on your shelf between Gone With the Wind and the Memphis Junior League cookbook, and I predict in years to come it will be passed down to daughters along with the family silver and great-grandmother’s lace doilies. It is funny, wise, charming, and smart, just like the two gals who wrote it. As modern Southern women we have learned to network with one another and share all the good advice and recipes and rules of accepted behavior that have been handed down to us (it’s a rough world out there). And so in keeping with that wonderful tradition I would like to share some advice my own wise Southern mother gave to me. When I was in high school contemplating whether to take Home Economics or not, my mother exclaimed: “Oh no, darling…you must never learn to cook and clean or they will expect you to do it!” It is advice that has served me well throughout the years. Good luck in all you do! -Fannie Flagg

Penny’s house was a standard three-bedroom postwar suburban home. The décor wasn’t what I would call gaudy, but it was definitely froofy. Kind of like a ten-year-old had been allowed to order anything she wanted from the Sears catalog. Everything had a damn ruffle on it. It didn’t suit my idea of Penny. When we got to the doorway of her room, I noticed how dramatically different it was from the rest of the house. Her bed was covered in a simple black comforter, and everything projected a modern aesthetic—sharp angles, cold, and minimalist. “Do you live in here with a vampire?” “Ha-ha, very funny. You can sit there and wait for me.” I sat at her glass desk in an office-style chair as she tossed clothes out of her bag and into a hamper. “Some of this furniture is from my dad’s old office, so it’s pretty sterile.” “Seems like you have different tastes from the rest of your family. No ruffles and flowers?” “I like flowers,” she said absently. “What, like Venus flytraps?” “If you grew up with all this frilly shit, you’d be over it, too. I mean, do you know any other families who still use doilies? Every surface is literally covered in them.

I was watching a documentary that described a night at Thomas Jefferson’s house Monticello. After the meal each night the family, with their guests, would retire into the parlor to drink tea and spend 3-4 hours discussing things they learned or were pondering lately. Without the television or other individualistic electronic means of entertainment I think we’d still do this to avoid boredom. When I first heard about this practice my first thought was, “Oh, that’s what a family does.” I grew up in an age where it was natural to entertain myself or go off with friends but it makes sense that, in the absence of these things, a family would need to learn to interact and really enjoy each other’s company. So 3-4 times per week we have an informal meal followed by what we simply call “family time.” This can be done around the dining room table or the coffee table but it’s been an amazing experience. I begin by asking if anyone learned or had any ideas or questions they’ve been pondering about God. We move from that topic into a more general question like, “Did anyone learn anything today or have something they want to discuss?” We share stories from the day, passages of things we’ve read, watch funny videos or play a family game. At the end we often talk about what’s in store for tomorrow and pray together.

There was so much that was “right” about my friend’s Mr. Right. He was my age, also an indie parent to a young son. He was smart, funny, and handsome. We both valued family above all else. He really in many ways was everything I thought I was looking for in a partner. The only thing that was missing was that magic, the sense that we had been brought together by a force greater than ourselves. Within three months, we knew that what we had was good, but it wasn’t what either of us really desired.

Florida City?” Coleman dropped a Vicodin. “So that’s what that string of motels is called?” Serge nodded. “Actually a funny story. Used to be called Detroit.” Coleman swigged a pint of Rebel Yell. “Now you’re making fun of me because I’m wrecked.” “Swear to God. You can look it up,” said Serge. “I wouldn’t shit you.” “I know,” said Coleman. “I’m your favorite turd.” “And naming it Detroit wasn’t even an accident, like the other times when two pioneer families set up shop in the sticks and there’s no one else around to stop them, and they’re chugging moonshine by the campfire, ‘What should we call this place?’ ‘Fuck it, I already spent enough effort today running from wild pigs,’ and then you end up with a place called Toad Suck, Arkansas—you can look that up, too. Except modern-day Florida City started as an ambitious land development with hard-sell advertising and giant marketing geniuses behind the project. Then they had the big meeting to concoct a name: ‘I got it! What do people moving to Florida really want? To be in Michigan!

Gothic is the genre of fear. Our fascination with it is almost always revived during times of instability and panic. In the wake of the French Revolution, the Marquis de Sade described the rise of the genre as 'the inevitable product of the revolutionary shock with which the whole of Europe resounded,' and literary critics in the late eighteenth century mocked the work of early gothic writers Anne Radcliffe and Matthew Lewis by referring to it as 'the terrorist school' of writing. As Fred Botting writes in Gothic, his lucid introduction to the genre, it expresses our unresolved feelings about 'the nature of power, law, society, family and sexuality' and yet is extremely concerned with issues of social disintegration and collapse. It's preoccupied with all that is immoral, fantastic, suspenseful, and sensational and yet prone to promoting middle-class values. It's interested in transgression, but it's ultimately more interested in restitution; it alludes to the past yet is carefully attuned to the present; it's designed to evoke excessive emotion, yet it's thoroughly ambivalent; it's the product of revolution and upheaval, yet it endeavors to contain their forces; it's terrifying, but pretty funny. And, importantly, the gothic always reflects the anxieties of its age in an appropriate package, so that by the nineteenth century, familiar tropes representing external threats like crumbling castles, aristocratic villains, and pesky ghosts had been swallowed and interiorized. In the nineteenth century, gothic horrors were more concerned with madness, disease, moral depravity, and decay than with evil aristocrats and depraved monks. Darwin's theories, the changing roles of women in society, and ethical issues raised by advances in science and technology haunted the Victorian gothic, and the repression of these fears returned again and again in the form of guilt, anxiety, and despair. 'Doubles, alter egos, mirrors, and animated representations of the disturbing parts of human identity became the stock devices,' Botting writes, 'signifying the alienation of the human subject from the culture and language in which s/he is located.' In the transition from modernity to post-modernity, the very idea of culture as something stable and real is challenged, and so postmodern gothic freaks itself out by dismantling modernist grand narratives and playing games. In the twentieth century, 'Gothic [was] everywhere and nowhere,' and 'narrative forms and devices spill[ed] over from worlds of fantasy and fiction into real and social spheres.

But there is another variety of the older child that gets ugly. This is the child who is being resistant in an “eff you” kind of way. This child will look right at you while he’s peeing on the floor. You will know if you have this variety. It will feel aggressive, and you will feel hostage to your child. This behavior needs to be addressed head on. This is not funny and can lead to serious issues later on. You must deal with this as behavior and behavior only. Do whatever you would do as if he looked you right in the eyes and said, “Eff you.” ’Cause that’s kind of what he’s doing. I highly suggest contacting a family therapist if this is happening. This actually is not at all about potty training. I do think it’s serious, and I do think you should seek help and not take it lightly. Bottom line: when you have a child over three, potty training needs to be addressed in a very straightforward manner. It needs to be done, and done now, at almost any cost. The child over three is much more likely to have bigger problems. I know so many parents are fearful of seeming “hard-core”—they don’t want to traumatize their kid. I get that, totally. I never want to see a kid traumatized, either. But in my humble opinion, getting kicked out of kindergarten for potty training issues is a lot more traumatizing than having parents who are super strict now.