β
I feel I stand in a desert with my hands outstretched, and you are raining down upon me.
β
β
Patricia Highsmith (The Price of Salt)
β
Do people always fall in love with things they can't have?'
'Always,' Carol said, smiling, too.
β
β
Patricia Highsmith (The Price of Salt)
β
It would be Carol, in a thousand cities, a thousand houses, in foreign lands where they would go together, in heaven and in hell.
β
β
Patricia Highsmith (The Price of Salt)
β
I know what they'd like, they'd like a blank they could fill in. A person already filled in disturbs them terribly.
β
β
Patricia Highsmith (The Price of Salt)
β
Perhaps it was freedom itself that choked her.
β
β
Patricia Highsmith (The Price of Salt)
β
What was it to love someone, what was love exactly, and why did it end or not end? Those were the real questions, and who could answer them?
β
β
Patricia Highsmith (The Price of Salt)
β
And she did not have to ask if this was right, no one had to tell her, because this could not have been more right or perfect.
β
β
Patricia Highsmith (The Price of Salt)
β
It always gets late with you. - Is that a compliment?
β
β
Patricia Highsmith (The Price of Salt)
β
I think people often try to find through sex things that are much easier to find in other ways.
β
β
Patricia Highsmith (The Price of Salt)
β
Happiness was like a green vine spreading through her, stretching fine tendrils, bearing flowers through her flesh.
β
β
Patricia Highsmith (The Price of Salt)
β
How was it possible to be afraid and in love... The two things did not go together. How was it possible to be afraid, when the two of them grew stronger together every day? And every night. Every night was different, and every morning. Together they possessed a miracle.
β
β
Patricia Highsmith (The Price of Salt)
β
My angel," Carold said. "Flung out of space.
β
β
Patricia Highsmith (The Price of Salt)
β
Was it love or wasn't it that she felt for Carol? And how absurd it was that she didn't even know. She had heard about girls falling in love, and she knew what kind of people they were and what they looked like. Neither she nor Carol looked like that. Yet the way she felt about Carol passed all the tests for love and fitted all the descriptions.
β
β
Patricia Highsmith (The Price of Salt)
β
She thought of people she had seen holding hands in movies, and why shouldn't she and Carol?
β
β
Patricia Highsmith (The Price of Salt)
β
What a strange girl you are.β
βWhy?β
βFlung out of space,β Carol said.
β
β
Patricia Highsmith
β
Her life was a series of zigzags. At nineteen, she was anxious.
β
β
Patricia Highsmith (The Price of Salt)
β
Then Carol slipped her arm under her neck, and all the length of their bodies touched fitting as if something had prearranged it. Happiness was like a green vine spreading through her, stretching fine tendrils, bearing flowers through her flesh. She had a vision of a pale white flower, shimmering as if seen in darkness, or through water. Why did people talk of heaven, she wondered
β
β
Patricia Highsmith (The Price of Salt)
β
January. It was all things. And it was one thing, like a solid door. Its cold sealed the city in a gray capsule. January was moments, and January was a year. January rained the moments down, and froze them in her memory: [...]Every human action seemed to yield a magic. January was a two-faced month, jangling like jester's bells, crackling like snow crust, pure as any beginning, grim as an old man, mysteriously familiar yet unknown, like a word one can almost but not quite define.
β
β
Patricia Highsmith (The Price of Salt)
β
Do you like her'
''Of course!' What a question! Like asking her if she believe in God.
β
β
Patricia Highsmith (The Price of Salt)
β
But when they kissed goodnight in bed, Therese felt their sudden release, that leap of response in both of them, as if their bodies were of some materials which put together inevitably created desire.
β
β
Patricia Highsmith (The Price of Salt)
β
What could be duller than past history!' Therese said, smiling. 'Maybe futures that won't have any history.
β
β
Patricia Highsmith (The Price of Salt)
β
I think friendships are the result of certain needs that can be completely hidden from both people, sometimes hidden forever.
β
β
Patricia Highsmith (The Price of Salt)
β
At any rate, Therese thought, she was happier than she ever had been before. And why worry about defining everything?
β
β
Patricia Highsmith (The Price of Salt)
β
I have had my dance with Folly, nor do I shirk the blame;
I have sipped the so-called Wine of Life and paid the price of shame;
But I know that I shall find surcease, the rest my spirit craves,
Where the rainbows play in the flying spray,
'Mid the keen salt kiss of the waves.
β
β
Eugene O'Neill
β
I let it boil and it's got scum on it," Carol said annoyedly. "I'm sorry."
But Therese loved it, because she knew this was exactly what Carol would always do, be thinking of something else and let the milk boil.
β
β
Claire Morgan (The Price of Salt)
β
Was life, were human relations like this always, Therese wondered. Never solid ground underfoot. Always like gravel, a little yielding, noisy so the whole world could hear, so one always listened, too, for the loud, harsh step of the intruder's foot.
β
β
Patricia Highsmith (The Price of Salt)
β
What a strange girl you are." "Why?" "Flung out of space," Carol said.
β
β
Patricia Highsmith (The Price of Salt)
β
They roared into the Lincoln Tunnel. A wild, inexplicable excitement mounted in Therese as she stared through the windshield. She wished the tunnel might cave in and kill them both, that their bodies might be dragged out together. She felt Carol glancing at her from time to time.
β
β
Patricia Highsmith (The Price of Salt)
β
The stuff of nightmare is their plain bread. They butter it with pain. They set their clocks by deathwatch beetles, and thrive the centuries. They were the men with the leather-ribbon whips who sweated up the Pyramids seasoning it with other people's salt and other people's cracked hearts. They coursed Europe on the White Horses of the Plague. They whispered to Caesar that he was mortal, then sold daggers at half-price in the grand March sale. Some must have been lazing clowns, foot props for emperors, princes, and epileptic popes. Then out on the road, Gypsies in time, their populations grew as the world grew, spread, and there was more delicious variety of pain to thrive on. The train put wheels under them and here they run down the log road out of the Gothic and baroque; look at their wagons and coaches, the carving like medieval shrines, all of it stuff once drawn by horses, mules, or, maybe, men.
β
β
Ray Bradbury (Something Wicked This Way Comes)
β
The stars are brilliant at this time of night
and I wander these streets like a ritual I donβt dare to break
for darling, the times are quite glorious.
I left him by the waterβs edge,
still waving long after the ship was gone
and if someone would have screamed my name I wouldnβt have heard for Iβve said goodbye so many times in my short life that farewells are a muscular task and Iβve taught them well.
Thereβs a place by the side of the railway near the lake where I grew up and I used to go there to burry things and start anew.
I used to go there to say goodbye.
I was young and did not know many people but I had hidden things inside that I never dared to show and in silence I tried to kill them,
one way or the other,
leaving sin on my body
scrubbing tears off with salt
and I built my rituals in farewells.
Endings I still cling to.
So I go to the ocean to say goodbye.
He left that morning, the last words still echoing in my head
and though he said heβd come back one day I know a broken promise from a right one
for I have used them myself and there is no coming back.
Minds like ours are canβt be tamed and the price for freedom is the price we pay.
I turned away from the ocean
as not to fall for its plea
for it used to seduce and consume me
and there was this one night
a few years back and I was not yet accustomed to farewells
and just like now I stood waving long after the ship was gone.
But I was younger then and easily fooled
and the ocean was deep and dark and blue
and I took my shoes off to let the water freeze my bones.
I waded until I could no longer walk and it was too cold to swim but still I kept on walking at the bottom of the sea for I could not tell the difference between the ocean and the lack of someone I loved and I had not yet learned how the task of moving on is as necessary as survival.
Then days passed by and I spent them with my work
and now Iβm writing letters I will never dare to send.
But there is this one day every year or so
when the burden gets too heavy
and I collect my belongings I no longer need
and make my way to the ocean to burn and drown and start anew
and it is quite wonderful, setting fire to my chains and flames on written words
and I stand there, starring deep into the heat until theyβre all gone.
Nothing left to hold me back.
You kissed me that morning as if youβd never done it before and never would again and now I write another letter that I will never dare to send, collecting memories of loss
like chains wrapped around my veins,
and if you see a fire from the shore tonight
itβs my chains going up in flames.
The time of moon i quite glorious.
We could have been so glorious.
β
β
Charlotte Eriksson (You're Doing Just Fine)
β
You ask if I miss you. I think of your voice, your hands, and your eyes when you look straight into mine. I remember your courage that I hadn't suspected, and it gives me courage.
β
β
Patricia Highsmith (The Price of Salt)
β
She had seen just now what she had only sensed before, that the whole world was ready to be their enemy, and suddenly what she and Carol had together seemed no longer love or anything happy but a monster between them, with each of them caught in a fist.
β
β
Patricia Highsmith (The Price of Salt)
β
The dusky and faintly sweet smell of her perfume came to Therese again, a smell suggestive of dark green silk, that was hers alone, like the smell of a special flower.
β
β
Patricia Highsmith (The Price of Salt)
β
She tried to keep her voice steady, but it was pretense, like pretending self-control when something you loved was dead in front of your eyes. They would have to separate here.
β
β
Patricia Highsmith (The Price of Salt)
β
Carol raised her hand slowly and brushed her hair back, once on either side, and Therese smiled because the gesture was Carol, and it was Carol she loved and would always love. Oh, in a different way now because she was a different person, and it was like meeting Carol all over again, but it was still Carol and no one else. It would be Carol, in a thousand cities, a thousand houses, in foreign lands where they would go together, in heaven and in hell. Therese waited. Then as she was about to go to her, Carol saw her, seemed to stare at her incredulously a moment while Therese watched the slow smile growing, before her arm lifted suddenly, her hand waved a quick, eager greeting that Therese had never seen before. Therese walked toward her.
β
β
Patricia Highsmith (The Price of Salt)
β
Love was supposed to be a kind of blissful insanity.
β
β
Patricia Highsmith (The Price of Salt)
β
Happiness was like a green vine spreading through her, stretching fine tendrils, bearing flowers through her flesh. She had a vision of a pale-white flower, shimmering as if seen in darkness, or through water. Why did people talk of heaven, she wondered.
β
β
Patricia Highsmith (The Price of Salt)
β
What else mattered except being with Carol, anywhere, anyhow?
β
β
Patricia Highsmith (The Price of Salt)
β
I'd had a little feeling of destiny. Because, you see, what I mean about affinities is true from friendships down to even the accidental glance at someone on the street-there's always a definite reason somewhere. I think even the poets would agree with me.
β
β
Patricia Highsmith (The Price of Salt)
β
I think of a sun like Beethoven, a wind like Debussy, and birdcalls like Stravinsky. But the tempo is all mine.
β
β
Patricia Highsmith (The Price of Salt)
β
Everyone has a price,β she said.
βBut clearly not everyone has a soul,
β
β
Ruta Sepetys (Salt to the Sea)
β
An inarticulate anxiety, a desire to know, know anything, for certain, had jammed itself in her throat so for a moment she felt she could hardly breathe. Do you think, do you think, it began. Do you think both of us will die violently someday, be suddenly shut off? But even that question wasnβt definite enough. Perhaps it was a statement after all: I donβt want to die yet without knowing you. Do you feel the same way, Carol? She could have uttered the last question, but she could not have said all that went before it.
β
β
Patricia Highsmith (The Price of Salt)
β
...It had all happened in that instant she had seen Carol standing in the middle of the floor, watching her. Then the realization that so much had happened after that meeting made her feel incredibly lucky suddenly. It was so easy for a man and woman to find each other, to find someone who would do, but for her to have found Carol-
β
β
Patricia Highsmith (The Price of Salt)
β
-ΒΏHay algo mΓ‘s aburrido que la historia del pasado? -dijo Therese sonriendo.
-QuizΓ‘ un futuro sin historia.
β
β
Patricia Highsmith (The Price of Salt)
β
But even that question wasnβt definite enough. Perhaps it was a statement after all: I donβt want to die yet without knowing you.
β
β
Patricia Highsmith (The Price of Salt)
β
Even the pearl at her earlobe looked alive, like a drop of water that a touch might destroy.
β
β
Patricia Highsmith (The Price of Salt)
β
She hated cleaning up after making something.
β
β
Patricia Highsmith (The Price of Salt)
β
It was easy, after all, simply to open the door and escape. It was easy, she thought, because she was not really escaping at all.
β
β
Patricia Highsmith (The Price of Salt)
β
A kiss, for instance, is not to be minimized, or its value judged by anyone else. I wonder do these men grade their pleasure in terms of whether their actions produce a child or not, and do they consider them more pleasant if they do. It is a question of pleasure after all, and whatβs the use of debating the pleasure of an ice cream cone versus a football game β or a Beethoven quartet versus the Mona Lisa. Iβll leave that to the philosophers.
β
β
Patricia Highsmith (The Price of Salt)
β
I think thereβs a definite reason for every friendship just as thereβs a reason why certain atoms unite and others donβtβcertain missing factors in one, or certain present factors in the other
β
β
Patricia Highsmith (The Price of Salt)
β
And she did not have to ask if this were right, no one had to tell her, because this could not have been more right or perfect.
β
β
Patricia Highsmith (The Price of Salt)
β
I'm not melancholic,' she protested, but the thin ice was under her feet again, the uncertainties. or was it that she always wanted a little more than she had, no matter how much she had?
β
β
Patricia Highsmith (The Price of Salt)
β
January. It was all things. And it was one thing, like a solid door. Its cold sealed the city in a gray capsule. January was moments, and January was a year. January rained the moments down, and froze them in her memory:
β
β
Patricia Highsmith (The Price of Salt)
β
Their eyes met at the same instant moment, Therese glancing up from a box she was opening, and the woman just turning her head so she looked directly at Therese. She was tall and fair, her long figure graceful in the loose fur coat that she held open with a hand on her waist, her eyes were grey, colorless, yet dominant as light or fire, and, caught by them, Therese could not look away. She heard the customer in front of her repeat a question, and Therese stood there, mute. The woman was looking at Therese, too, with a preoccupied expression, as if half her mind were on whatever is was she meant to buy here, and though there were a number of salesgirls between them, There felt sure the woman would come to her, Then, Then Therese saw her walk slowly towards the counter, heard her heart stumble to catch up with the moment it had let pass, and felt her face grow hot as the woman came nearer and nearer.
β
β
Patricia Highsmith (The Price of Salt)
β
A música vivia, mas o mundo estava morto. E a canção morreria um dia, pensou, mas como voltaria o mundo à vida? Como voltaria o seu sal?
β
β
Patricia Highsmith (The Price of Salt)
β
Carol was like a secret spreading through her.
β
β
Patricia Highsmith
β
She envied him. She envied him his faith there would always be a place, a home, a job, someone else for him. She envied him that attitude.
β
β
Patricia Highsmith (The Price of Salt)
β
... to live against one's grain, that is degeneration by definition.
β
β
Patricia Highsmith (The Price of Salt)
β
And the hopelessness of herself, of ever being the person she wanted to be and of doing the things that person would do. Had all her life been nothing but a dream, and was this real?
β
β
Patricia Highsmith (The Price of Salt)
β
January was a two-faced month, jangling like jesterβs bells, crackling like snow crust, pure as any beginning, grim as an old man, mysteriously familiar yet unknown, like a word one can almost but not quite define.
β
β
Patricia Highsmith (The Price of Salt, or Carol)
β
Don't you want to forget it, if it's past?"
"I don't know. I don't know just how you mean that."
"I mean, are you sorry?"
"No. Would I do the same thing again? Yes."
"Do you mean with somebody else, or with her?"
"With her," Therese said.
β
β
Patricia Highsmith (The Price of Salt)
β
I think people often try to find through sex things that are much easier to find in other ways.
β
β
Claire Morgan (The Price of Salt, or Carol)
β
Therese had read about that special pleasure people got from the fact that someone they loved was attractive in the eyes of other people, too. She simply didnβt have it.
β
β
Patricia Highsmith (The Price of Salt)
β
What a strange girl you are.β βWhy?β βFlung out of space,
β
β
Patricia Highsmith (The Price of Salt)
β
Finally, Carol said in a tone of hopelessness, "Darling, can I ask you to forgive me?"
The tone hurt Therese more than the question. "I love you, Carol."
"But do you see what it means?
β
β
Patricia Highsmith (The Price of Salt)
β
How indifferent he was to Carol after all, Therese thought. She felt he didn't see her, as he sometimes hadn't seen figures in rock or cloud formations when she had tried to point them out to him.
β
β
Patricia Highsmith (The Price of Salt)
β
But Carol had not betrayed her. Carol loved her more than she loved her child. That was part of the reason why she had not promised.
She was gambling now as she had gambled on getting everything from the detective that day on the road, and she lost then, too. And now she saw Carol's face changing, saw the little signs of astonishment and shock so subtle that perhaps only she in the world could have noticed them, and Therese could not think for a moment.
β
β
Patricia Highsmith (The Price of Salt)
β
She knew what bothered her at the store...It was that the store intensified things that had always bothered her, as long as she could remember. It was the pointless actions, the meaningless chores that seemed to keep her from doing what she wanted to do, might have done-and here it was the complicated procedures with moneybags, coat checkings, and time clocks that kept people from even serving the store as efficiently as they might-the sense that everyone was incommunicado with everyone else and living on an entirely wrong plane, so that the meaning, the message, the love, or whatever it was that each life contained, never could find its expression.
β
β
Patricia Highsmith (The Price of Salt)
β
Yes," Therese said. "What a strange girl you are." "Why?" "Flung out of space," Carol said.
β
β
Patricia Highsmith (The Price of Salt)
β
Yet the way she felt about Carol passed all the tests for love and fitted all the descriptions.
β
β
Patricia Highsmith (The Price of Salt)
β
Kick me out, she thought. What was in or out? How did one kick out an emotion?
β
β
Patricia Highsmith (The Price of Salt)
β
How do you ever expect to create anything if you get all your experiences second hand?
β
β
Claire Morgan (The Price of Salt)
β
I looked at my spices again. Salt for protection, cinnamon to enhance psychic ability, and pepper to drive away evil. I figured I should start with the cinnamon.
My first impulse was to snort it.
β
β
Jordan Castillo Price (Camp Hell (PsyCop, #5))
β
What was it to love someone, what was love exactly, and why did it end or not end? Those were the real questions, and who could answer them.
β
β
Patricia Highsmith (The Price of Salt)
β
She probably had all the time in the world, Therese thought, probably did nothing all day but what she felt like doing.
β
β
Patricia Highsmith (The Price of Salt)
β
She forced down her resentment, but it only grew heavy inside her, like a thing of substance.
β
β
Claire Morgan (The Price of Salt, or Carol)
β
My angel,β Carol said. βFlung out of space.
β
β
Claire Morgan (The Price of Salt)
β
Once the back of their hands brushed on the table, and Therese's skin there felt seperately alive and rather burning. There could not understand it, but it was so. Therese glanced at her face that was somewhat turned away, and again she knew that instant of half-recognition. And knew, too, that it was not to be believed. She had never seen the woman before. If she had, could she had forgotten?
β
β
Patricia Highsmith (The Price of Salt)
β
Therese was propped up on one elbow. The milk was so hot, she could barely let her lip touch it at first. The tiny sips spread inside her mouth and released a melange of organic flavors. The milk seemed to taste of bone and blood, of warm flesh, or hair, saltless as chalk yet alive as a growing embryo. It was hot through and through to the bottom of the cup, and Therese drank it down, as people in fairy tales drink the potion that will transform, or the unsuspecting warrior the cup that will kill, Then Carol came and took the cup, and Therese was drowsily aware that Carol asked her three questions, on that had to do with happiness, one about the store and one about the future. Therese heard herself answering. She heard her voice rise suddenly in a babble, like a spring that she had no control over, and she realized she was in tears. She was telling Carol all that she feared and disliked, of her loneliness, of Richard, and of gigantic disappointments.
β
β
Patricia Highsmith (The Price of Salt)
β
I think thereβs a definite reason for every friendship just as thereβs a reason why certain atoms unite and others donβtβcertain missing factors in one, or certain present factors in the otherβwhat do you think? I think friendships are the result of certain needs that can be completely hidden from both people, sometimes hidden forever.
β
β
Patricia Highsmith (The Price of Salt)
β
Do you like her?β βOf course!β What a question! Like asking her if she believed in God.
β
β
Claire Morgan (The Price of Salt)
β
The music lived, but the world was dead. And the song would die one day, she thought, but how would the world come back to life? How would its salt come back?
β
β
Claire Morgan (The Price of Salt)
β
Though all we have known is only a beginning.
β
β
Patricia Highsmith (The Price of Salt)
β
Oh, in a different way now, because she was a different person, and it was like meeting Carol all over again, but it was still Carol and no one else. It would be Carol, in a thousand cities, a thousand houses, in foreign lands where they would go together, in heaven and in hell.
β
β
Patricia Highsmith (The Price of Salt)
β
Is there a word? A friend, a companion, or maybe just a sharer. What good are words? I mean, I think people often try to find through sex, things that are much easier to find in other ways.
β
β
Claire Morgan (The Price of Salt)
β
An indefinite longing, that she had been only vaguely conscious of at times before, became now a recognizable wish. It was so absurd, so embarrassing a desire, that Therese thrust it from her mind.
β
β
Claire Morgan (The Price of Salt)
β
A rotten nut, a reeky pear,
A thing the cat left on the stair,
And lots of other things as well,
Each with a rather horrid smell.
These are Veruca's new found friends
That she will meet as she descends,
And this is the price she has to pay
For going so very far astray.
But now, my dears, we think you might
Be wondering-is it really right
That every single bit of blame
And all the scolding and the shame
Should fall upon Veruca Salt?
Is she the only one at fault?
For though she's spoiled, and dreadfully so,
A girl can't spoil herself, you know.
Who spoiled her, then? Ah, who indeed?
Who pandered to her every need?
Who turned her into such a brat?
Who are the culprits? Who did that?
Alas! You needn't look so far
To find out who these sinners are.
They are (and this is very sad)
Her loving parents, Mum and Dad.
And that is why we're glad they fell
Into the garbage chute as well.
β
β
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
β
Therese looked in vain, even for the dangling string. "Why did you do it?" Her voice was shrill with tears. "It was such a beautiful kite!" "It's only a kite!" Richard repeated. "I can make another kite!
β
β
Claire Morgan (The Price of Salt)
β
It was the seventh or eighth floor, she couldn't remember which. A streetcar crawled past the front of the hotel, and people on the sidewalk moved in every direction, with legs on either side of them, and it crossed her mind to jump.
β
β
Patricia Highsmith (The Price of Salt)
β
Caviar. How very nice of them," Carol said, looking inside a sandwich. "Do you like caviar?" "No. I wish I did." "Why?" Therese watched Carol take a small bite of the sandwich from which she had removed the top slice of bread, a bit where the most caviar was. "Because people always like caviar so much when they do like it," Therese said. Carol smiled, and went on nibbling, slowly. "It's an acquired taste. Acquired tastes are always more pleasant--an hard to get rid of.
β
β
Patricia Highsmith (Carol)
β
January. It was all things. And it was one thing, like a solid door. Its cold sealed the city in a gray capsule. January was moments, and January was a year. January rained the moments down, and froze them in her memory: the woman she saw peering anxiously by the light of a match at the names in a dark doorway, the man who scribbled a message and handed it to his friend before they parted on the sidewalk, the man who ran a block for a bus and caught it. Every human action seemed to yield a magic. January was a two-faced month, jangling like jesterβs bells, crackling like snow crust, pure as any beginning, grim as an old man, mysteriously familiar yet unknown, like a word one can almost but not quite define. A
β
β
Patricia Highsmith (The Price of Salt)
β
Carol wanted her with her, and whatever happened they would meet it without running. How was it possible to be afraid and in love, Therese thought. The two things did not go together. How was it possible to be afraid, when the two of them grew stronger together every day? And every night. Every night was different, and every morning. Together they possessed a miracle.
β
β
Patricia Highsmith (The Price of Salt)
β
That night, talking over the road map about their route tomorrow, talking as matter-of-factly as a couple of strangers, Therese thought surely tonight would not be like last night. But when they kissed good night in bed, Therese felt their sudden release, that leap of response in both of them, as if their bodies were of some materials, which put together inevitably created desire.
β
β
Patricia Highsmith (The Price of Salt)
β
world comes to realize what I felt going up the hill, then thereβll be a kind of right economy of living and of using and using up. Do you know what I mean?β Dannie had clenched his fist, but his eyes were bright as if he still laughed at himself. βDid you ever wear out a sweater
β
β
Patricia Highsmith (The Price of Salt)
β
One of the gabelleβs most irritating inventions was the sel du devoir, the salt duty. Every person in the Grande Gabelle over the age of eight was required to purchase seven kilograms (15.4 pounds) of salt each year at a fixed high government price. This was far more salt than could possibly be used, unless it was for making salt fish, sausages, hams, and other salt-cured goods. But using the sel du devoir to make salted products was illegal, and, if caught, the perpetrator would be charged with the crime of faux saunage, salt fraud, which carried severe penalties. Many simple acts were grounds for a charge of faux saunage. In the Camargue, shepherds who let their flocks drink the salty pond water could be charged with avoiding the gabelle.
β
β
Mark Kurlansky (Salt: A World History)
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Who I Am in Christ I Am Accepted Β John 1:12 I am Godβs child. John 15:15 I am Christβs friend. Romans 5:1 I have been justified. 1 Corinthians 6:17 I am united with the Lord, and I am one spirit with Him. 1 Corinthians 6:20 I have been bought with a price. I belong to God. 1 Corinthians 12:27 I am a member of Christβs Body. Ephesians 1:1 I am a saint. Ephesians 1:5 I have been adopted as Godβs child. Ephesians 2:18 I have direct access to God through the Holy Spirit. Colossians 1:14 I have been redeemed and forgiven of all my sins. Colossians 2:10 I am complete in Christ. I Am Secure Β Romans 8:1-2 I am free from condemnation. Romans 8:28 I am assured all things work together for good. Romans 8:31-34 I am free from any condemning charges against me. Romans 8:35-39 I cannot be separated from the love of God. 2 Corinthians 1:21-22 I have been established, anointed and sealed by God. Philippians 1:6 I am confident that the good work God has begun in me will be perfected. Philippians 3:20 I am a citizen of heaven. Colossians 3:3 I am hidden with Christ in God. 2 Timothy 1:7 I have not been given a spirit of fear, but of power, love and a sound mind. Hebrews 4:16 I can find grace and mercy in time of need. 1 John 5:18 I am born of God and the evil one cannot touch me. I Am Significant Β Matthew 5:13-14 I am the salt and light of the earth. John 15:1,5 I am a branch of the true vine, a channel of His life. John 15:16 I have been chosen and appointed to bear fruit. Acts 1:8 I am a personal witness of Christ. 1 Corinthians 3:16 I am Godβs temple. 2 Corinthians 5:17-21 I am a minister of reconciliation for God. 2 Corinthians 6:1 I am Godβs coworker (see 1 Corinthians 3:9). Ephesians 2:6 I am seated with Christ in the heavenly realm. Ephesians 2:10 I am Godβs workmanship. Ephesians 3:12 I may approach God with freedom and confidence. Philippians 4:13 I can do all things through Christ who strengthens me.
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Neil T. Anderson (Victory Over the Darkness: Realize the Power of Your Identity in Christ)
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She knew what bothered her at the store. It was the sort of thing she wouldnβt try to tell Richard. It was that the store intensified things that had always bothered her, as long as she could remember. It was the waste actions, the meaningless chores that seemed to keep her from doing what she wanted to do, might have doneβand here it was the complicated procedures with money bags, coat checkings, and time clocks that kept people even from serving the store as efficiently as they mightβthe sense that everyone was incommunicado with everyone else and living on an entirely wrong plane, so that the meaning, the message, the love, or whatever it was that each life contained, never could find its expression. It reminded her of conversations at tables, on sofas, with people whose words seemed to hover over dead, unstirrable things, who never touched a string that played. And when one tried to touch a live string, looked at one with faces as masked as ever, making a remark so perfect in its banality that one could not even believe it might be subterfuge. And the loneliness, augmented by the fact one saw within the store the same faces day after day, the few faces one might have spoken to and never did, or never could. Not like the face on the passing bus that seems to speak, that is seen once and at least is gone forever.
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Patricia Highsmith (The Price of Salt)
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How about some perfume?β Carol asked, moving toward her with the bottle. She touched Thereseβs forehead with her fingers, at the hairline where she had kissed her that day.
βYou remind me of the woman I once saw,β Therese said, βsomewhere off Lexington. Not you but the light. She was combing her hair up.β Therese stopped, but Carol waited for her to go on. Carol always waited, and she could never say exactly what she wanted to say. βEarly one morning when I was on the way to work, and I remember it was starting to rain, she floundered on. βI saw her in a window.β She really could not go on, about standing there for perhaps three or four minutes, wishing with an intensity that drained her strength that she knew the woman, that she might be welcome if she went to the house and knocked on the door, wishing she could do that instead of going on to her job at the Pelican Press.
βMy little orphan,β Carol said.
Therese smiled. There was nothing dismal, no sting in the word when Carol said it.
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Patricia Highsmith (The Price of Salt)
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That was when the Venetians made an important discovery. More money could be made buying and selling salt than producing it. Beginning in 1281, the government paid merchants a subsidy on salt landed in Venice from other areas. As a result, shipping salt to Venice became so profitable that the same merchants could afford to ship other goods at prices that undersold their competitors. Growing fat on the salt subsidy, Venice merchants could afford to send ships to the eastern Mediterranean, where they picked up valuable cargoes of Indian spices and sold them in western Europe at low prices that their non-Venetian competitors could not afford to offer. This meant that the Venetian public was paying extremely high prices for salt, but they did not mind expensive salt if they could dominate the spice trade and be leaders in the grain trade. When grain harvests failed in Italy, the Venetian government would use its salt income to subsidize grain imports from other parts of the Mediterranean and thereby corner the Italian grain market.
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Mark Kurlansky (Salt: A World History)
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The sole object of revolution was the abolition of senseless suffering. But it had turned out that the removal of this second kind of suffering was only possible at the price of a temporary enormous increase in the sum total of the first. So the question now ran: Was such an operation justified? Obviously it was, if one spoke in the abstract of βmankindβ; but, applied to βmanβ in the singular, to the cipher 2β4, the real human being of bone and flesh and blood and skin, the principle led to absurdity. As a boy, he had believed that in working for the Party he would find an answer to all questions of this sort. The work had lasted forty years, and right at the start he had forgotten the question for whose sake he had embarked on it. Now the forty years were over, and he returned to the boyβs original perplexity. The Party had taken all he had to give and never supplied him with the answer. And neither did the silent partner, whose magic name he had tapped on the wall of the empty cell. He was deaf to direct questions, however urgent and desperate they might be. And yet there were ways of approach to him. Sometimes he would respond unexpectedly to a tune, or even the memory of a tune, or of the folded hands of the PietΓ , or of certain scenes of his childhood. As if a tuning-fork had been struck, there would be answering vibrations, and once this had started a state would be produced which the mystics called βecstasyβ and saints βcontemplationβ; the greatest and soberest of modern psychologists had recognized this state as a fact and called it the βoceanic senseβ. And, indeed, oneβs personality dissolved as a grain of salt in the sea; but at the same time the infinite sea seemed to be contained in the grain of salt. The grain could no longer be localized in time and space. It was a state in which thought lost its direction and started to circle, like the compass needle at the magnetic pole; until finally it cut loose from its axis and travelled freely in space, like a bunch of light in the night; and until it seemed that all thoughts and all sensations, even pain and joy itself, were only the spectrum lines of the same ray of light, disintegrating in the prisma of consciousness.
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Arthur Koestler (Darkness at Noon)