Fever Series Quotes

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He pulls me around and kisses me. "You're Mac," he says. "And I'm Jericho. And nothing else matters. Never will. You exist in a place that is beyond all rules for me. Do you understand that?" I do. Jericho Barrons just told me he loves me.
Karen Marie Moning (Shadowfever (Fever, #5))
Hope strengthens. Fear kills.
Karen Marie Moning (Shadowfever (Fever, #5))
I didn’t ask. Some things are better left unsaid. He looked at me and I shivered. I never get enough of him. Never will. He lives. I breathe. I want. Him. Always. Fire to my ice. Ice to my fever. Later we would go to bed, and when he rose over me, dark and vast and eternal, I’d know joy.
Karen Marie Moning (Shadowfever (Fever, #5))
Although it may not seem like it, this isn’t a story about darkness. It’s about light. Kahlil Gibran says Your joy can fill you only as deeply your sorrow has carved you. If you’ve never tasted bitterness, sweet is just another pleasant flavor on your tongue. One day I’m going to hold a lot of joy.
Karen Marie Moning (Bloodfever (Fever, #2))
Jericho Barrons was my poison now.
Karen Marie Moning (Dreamfever (Fever, #4))
The key to resisting Voice," Barrons instructed, "is finding that place inside you no one else can touch. "You mean the sidhe-seer place?" I said, hopping like a one-legged chicken. "No, a different place. All people have it. Not just sidhe-seers. We're born alone and we die alone. That place." "I don't get it." "I know. That's why you're hopping.
Karen Marie Moning (Faefever (Fever, #3))
Unpredictable as a hungry lion, he might be feared by everyone else, but he never ripped out my throat, only licked me, and, if his tongue was a little rough sometimes, it was worth it to walk beside the king of the jungle.
Karen Marie Moning (Shadowfever (Fever, #5))
Barrons: "He got upset it wouldn't shut up and tore its head off." Mac: "The child?" I gasped
Karen Marie Moning (Shadowfever (Fever, #5))
Had he stood outside my door as I'd stood outside his, fists at his sides, lips drawn back? Did it have him as bad as it had me? Was it eating at him, gnawing at him with the same sharp vicious little teeth that wouldn't let me sleep? Yes, it was. I could see the rage of insatiable uninvited lust in every line of that dark, stoic face that had once been too subtly etched for me to read. I wasn't the only one lying awake at night, fevered with memories, tossing, turning, soaking my sheets, burning up--not for Fae sex, but him, damn it all to hell, him.
Karen Marie Moning (Dreamfever (Fever, #4))
I'll never be her first. But one day I'll be her last.
Karen Marie Moning (Feversong (Fever, #9))
I thought you were disgusted by the people that come to my club.” “They’re still people.” He presses the button again. “If you go outside, you will be killed. If you make noise, you will be sent outside. Don’t piss me off.” Just like that, Chester’s goes completely silent.
Karen Marie Moning (Iced (Fever, #6))
Most of all, I want you to know without a doubt that I've got your back. And your front. And your sides. I've got all of you and I'm not letting go.
Maya Banks (Fever (Breathless, #2))
I love you more eternal than pi.
Karen Marie Moning (Feversong (Fever, #9))
Psychotic rapists don't have friends." "I was unaware you were a psychotic rapist or I would not have offered." "Ha." -Mac and V'Lane
Karen Marie Moning
Dani: Crank it up. Lets get this party started. *I hand Dancer my iPod.* Lor: What is this crap. Where the hell is Hendrix on this thing? Jo: Did you get any Muse? Dani: Muse is something you do Jo: Distrubed is something you are Dancer: And Godsmacked is something you get Lor: Don't you have any Motley Crue or Van Halen? Christian: How about some Flogging Molly? Ryodan: Whats the deal with all the Linkin Park, for fuck's sake. Dancer: Mega has a crush on Chester Jo: You got any Adele? Dani: Got some Nicki Minaj. Ryodan: Somebody kill me now.
Karen Marie Moning (Iced (Fever, #6))
Velvet looks horrified. “If you are fool enough to address King R’jan, you will do it thus and in no other manner! ‘My King, Liege, Lord, and Master, your servant begs you grant it leave to speak.’” “Wow. Totally delusionary there.” “Good luck with that,” Ryodan says. “She doesn't beg to speak, or do anything else. You can lock her up, down, and sideways and it’s never going to happen.” I beam at him. I had no idea he thought so highly of me.
Karen Marie Moning (Iced (Fever, #6))
Mac: "It's not the sidhe-seers." He stopped and went very still. JZB: "Who is it?" Mac: "The MacKeltars." He was silent a long moment. Then he began to laugh, softly. JZB: "Well played, Ms. Lane." Mac: "I had a good teacher." JZB: "The best. Hop on one foot, Ms. Lane." Mac and Barrons
Karen Marie Moning
He did and said all the right things. Things that went straight to her heart, and worse, they inspired the one thing that she'd given up along time ago. Hope.
Maya Banks (Fever (Breathless, #2))
He’s happy, Yi-yi.” I went very still. “He, who?” “The one who danced you into love.
Karen Marie Moning (Feversong (Fever, #9))
The only reality you can control is the one you're willing to face.
Karen Marie Moning
Do you think a woman can give a man everything while still withholding her heart? We are not made that way! - Fiona
Karen Marie Moning (Dreamfever (Fever, #4))
Tramp stamp or get the fuck out.
Karen Marie Moning (Feverborn (Fever, #8))
Sometimes my dreams feel so real it's hard to believe they're just the subconscious's stroll across a whimsical map that has no true north.
Karen Marie Moning (Faefever (Fever, #3))
I smack myself in the forehead. “Holy priceless collection of Etruscan snoods, they’re not moving!” I exclaim. There’s a choking noise over my head somewhere. “Etruscan snoods?” I glow quietly inside. Some accomplishments mean more than others. I am officially the Shit. Now and forever. “Dude, watch your question marks. I just pried one out of you.” “I have no idea what you’re talking about.” “Admit it, you lost your eternal fecking composure.” “You have an obsession with a delusion about how I end my sentences. What the fuck are Etruscan snoods?” “Dunno. It’s just another of Robin’s sayings. Like, ‘Holy strawberries, Batman, we’re in a jam!’ ” “Strawberries.” “Or, ‘Holy Kleenex, Batman, it was right under our nose and we blew it!’
Karen Marie Moning (Iced (Fever, #6))
God, you have a beautiful laugh, and your smile. Jesus, it knocks the breath out of me." "You can't talk to me like that, nobody says things like that to a woman he just met. It's insane." "I just did. And I plan to keep saying them until you believe every word.
Maya Banks (Fever (Breathless, #2))
I love you, Dani Mega O’Malley,” Dancer said against my ear as he moved inside me. “More than the world is big. Deeper than the sky is blue. Truer than the universe is vast. I love you more eternal than pi.
Karen Marie Moning (Feversong (Fever, #9))
You're not pretty. Goddamn it, Dani. You're beautiful.
Karen Marie Moning (Feversong (Fever, #9))
We fuck up. Over and over. And we get back up and try to do better. That's all any of us do.
Karen Marie Moning (Feversong (Fever, #9))
it was my destiny.", FADE by Kailin Gow
Kailin Gow (Fever (Fade, #4))
I’ve always known what you need. Someone to rage at who’s strong enough to take all the pain and fury you have to dish out until you’ve burned it out of your system and nothing is left but a pile of ashes from which the Phoenix rises. Kid, woman, whatever the hell you are—I want to see you rise. Even if you have to hate me.
Karen Marie Moning (Feversong (Fever, #9))
The corners of his mouth twitched then he gave up the ghost and just flashed me one of those rare, full-on smiles that always made me catch my breath and stare. He's so damn beautiful and his smiles are sunshine in a black velvet sky, improbable and stunning.
Karen Marie Moning (Feversong (Fever, #9))
Lose the pessimism, Ms. Lane,” Barrons said when I informed him of my thoughts. “It’s a self-fulfilling prophecy.
Karen Marie Moning (Darkfever (Fever, #1))
Children of her type contrive the purest philosophies. Ada had worked out her own little system. Hardly a week had elapsed since Van’s arrival when he was found worthy of being initiated in her web of wisdom. An individual’s life consisted of certain classified things: "real things" which were unfrequent and priceless, simply "things" which formed the routine stuff of life; and "ghost things," also called "fogs," such as fever, toothache, dreadful disappointments, and death. Three or more things occurring at the same time formed a "tower," or, if they came in immediate succession, they made a "bridge." "Real towers" and "real bridges" were the joys of life, and when the towers came in a series, one experienced supreme rapture; it almost never happened, though. In some circumstances, in a certain light, a neutral "thing" might look or even actually become "real" or else, conversely, it might coagulate into a fetid "fog." When the joy and the joyless happened to be intermixed, simultaneously or along the ramp of duration, one was confronted with "ruined towers" and "broken bridges.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
You want to fight or fuck, Mac?" I bounced from foot to foot, wired with fury and sexual energy. I may never understand why I always feel them together around him but I sure as hell can enjoy it. "Both." "Think you can take me?" "Going to damn well try." "Think you'll survive it?" I stabbed a finger in his chest and smiled up at him. "I think I'm gonna own it. Jericho." He growled low in his chest. "Bring it the fuck on, Mac." I brought it.
Karen Marie Moning (Feverborn (Fever, #8))
Sometimes it felt like parenting amounted to a series of questionable decisions, one after another.
Megan Abbott (The Fever)
Choose the men you take to your bed by these criteria: they see the finest in you, enhance and defend it. When you fuck a man you are giving him A. Motherfucking. Gift. Be certain he deserves it. And bloody hell, don't have one-night stands. Commit to the action. Make it matter. Feel it and ride it all the way through.
Karen Marie Moning (High Voltage (Fever, #10))
I return my attention to the situation at hand and realize Reality—the impatient bitch—has made my decision for me. She does that a lot. You get busy planning your life, then it has the nerve to just go ahead and happen to you before you’re ready. Before you even get the chance to aim yourself right!
Karen Marie Moning (Iced (Fever, #6))
You don't grieve love; you celebrate that you had it.
Karen Marie Moning (High Voltage (Fever, #10))
The only thing that keeps us rooted in the past is our refusal to embrace the present. Dude, you gotta hug it with both arms and legs and hold on tight! The present is all we've got. That's why they call it a present!
Karen Marie Moning (Burned (Fever, #7))
I couldn't imagine Jericho Barrons as a child, going to school, face freshly scrubbed, hair neatly combed, lunch box in hand. He'd surely been spawned by some cataclysmic event of nature, to born.
Karen Marie Moning (Dreamfever (Fever, #4))
And there my dear Fio, you make one of Womankind's greatest mistakes: falling in love with a man's potential. We so rarely share the same view of it, and even more rarely care to achieve it. Stop pining for the man you think I could be - and take a good, long, hard look at the one I am.
Karen Marie Moning
August was almost over. The first cool touch of autumn moved slowly through the town and there was a softening and the first gradual burning fever of color in every tree, a faint flush and coloring in the hills, and the color of lions in the wheat fields. Now the pattern of days was familiar and repeated like a penman beautifully inscribing again and again, in practice, a series of it’s and w’s and m’s, day after day the line repeated in delicate rills.
Ray Bradbury (Dandelion Wine)
He’s trying not to laugh. I tell him I would have doomed mankind for him, and he tries not to laugh.
Karen Marie Moning (The Fever Series (Fever #1-5))
And I will get to climb on that big beautiful bike of yours and wrap my arms around you and lean into all that gorgeous hair and smell you, and hear you laugh and see your eyes flash fire. Or I may as well just kick it right now because you, Dani Mega O’Malley, make me feel alive like nothing else does.
Karen Marie Moning (Feversong (Fever, #9))
It’s often only in the lies we refuse to speak that any truth can be heard at all.
Karen Marie Moning (Darkfever (Fever, #1))
It’s all black and white to you, isn’t it?” “Gray is but another word for light black. Gray is never white. Only white is white. There are no shades of it.
Karen Marie Moning (Bloodfever (Fever, #2))
Swords, Lances, arrows, machine guns, and even high explosives have had far less power over the fates of nations than the typhus louse, the plague flea, and the yellow-fever mosquito. Civilizations have retreated from the plasmodium of malaria, and armies have crumbled into rabbles under the onslaught of cholera spirilla, or of dysentery and typhoid bacilli. Huge areas have bee devastated by the trypanosome that travels on the wings of the tsetse fly, and generations have been harassed by the syphilis of a courtier. War and conquest and that herd existence which is an accompaniment of what we call civilization have merely set the stage for these more powerful agents of human tragedy.
Hans Zinsser (Rats, Lice and History (Social Science Classics Series))
I'll give you until nine P.M. tomorrow to get the bloody hell out of this country and out of my way. The nerve. I'd had to bite my tongue on the juvenile impulse to snap, Or what? -you're not the boss of me, second only to an even more juvenile impulse to call my mom and wail, Nobody likes me here and I don't even know why!
Karen Marie Moning (Darkfever (Fever, #1))
It's hard to say what makes the mind piece things together in a sudden lightning flash. I've come to hold the human spirit in the highest regard. Like the body, it struggles to repair itself. As cells fight off infection and conquer illness, the spirit, too, has remarkable resilience. It knows when it is harmed, and it knows she the harm is too much to bear. If it deems the injury too great, the spirit cocoons the wound, in the same fashion that the body forms a cyst around infection, until the time comes that it can deal with it.
Karen Marie Moning
I said, my phone." I stand at the threshold and look in. The princess has her back to me, and Lor is beyond noticing anything. Ryodan and Barrons are another matter. They're too observant by far. There is also the small matter of the enormous possessiveness I feel where Barrons is concerned. I step inside and place my palm on the interior panel. Two males roar in unison. "Ms. Lane, you will not close-" "Mac, you will give me my f*ucking-" The door hisses closed behind me.
Karen Marie Moning (Burned (Fever, #7))
Ryodan finished filling the gas tank, opens the door, and gets back in. "Ow! If you sit on me one more time." I growl at him, "I'm going to kill you." "Good luck with that. Don't fucking move every time I get out. You're on my side of the seat again." "Watch out for my indent," I say crossly. "Hummer, Mac. Nothing causes indents. Except grenades." "I have several of those," Jada says. "Persist with your pointless bickering, I'll share one. Pin out." I ignore her. "I'm cramped. I need to stretch." "So, get out when I do." "I'm afraid you'll leave me behind since you can't see me." "I'd leave you behind if I could see you." "Christ, would the two of you just shut up?" Dageus growls. You've been at it for hours. I think I have a headache.
Karen Marie Moning (Burned (Fever, #7))
beneath the caged flutter of hope fear blooms in the liver as a spear where memory burns its fever across the spoke of my body
stephanie roberts (rushes from the river disappointment (Volume 53) (The Hugh MacLennan Poetry Series))
I’m no coward. But I’m no fool, either. I know when to fight, and I know when to survive to fight another day. *** I will not cease to exist. I will not die, no matter how much pain there is. I made a promise to someone. Someone who is my highest star, my brightest sun. Someone I want to be like. I wonder who it is. *** Inside that hollowed-out woman, there’s a place they can’t touch. There’s more to me than I thought there was. Something that no one and nothing can take away from me.
Karen Marie Moning (Dreamfever (Fever, #4))
Did you fuck him?” “Ah!” I yelled. “Of course not!” I rubbed my face with both hands and kept it buried there a minute. “Wouldn’t I be an addict if I did?” I raised my face. Barrons studied me, dark eyes cold. “Not if he protected you.” “They can do that? Really?” “Try not to sound so intrigued, Ms. Lane.
Karen Marie Moning (Bloodfever (Fever, #2))
He was standing right behind us, the epitome of stillness, one hand on the back of the sofa, dark hair slicked back from his face, his expression arrogant and cold. No surprise there. Barrons is arrogant and cold. He’s also wealthy, strong, brilliant, and a walking enigma. Most women seem to find him drop-dead sexy, too. Thankfully I’m not most women. I don’t get off on danger. I get off on a man with strong moral fiber. The closest Barrons ever gets to fiber is walking down the cereal aisle at the grocery store.
Karen Marie Moning (Bloodfever (Fever, #2))
Rowena was wrong. She was so wrong. There are only shades of gray. Black and white are nothing more than lofty ideals in our minds, the standards by which we try to judge things, and map out our place in the world in relevance to them. Good and evil, in their purest form, are as intangible and forever beyond our ability to hold in our hand as any Fae illusion. We can only aim at them, aspire to them, and hope not to get so lost in the shadows that we can no longer aim for the light.
Karen Marie Moning (The Fever Series (Fever #1-5))
All myths contain a grain of truth, Ms. Lane. I’ve handled books and artifacts that will never find their way into a museum or library, things no archaeologist or historian could ever make sense of. There are many realities pocketed away in the one we call our own. Most go blindly about their lives and never see beyond the ends of their noses. Some of us do.
Karen Marie Moning (Darkfever (Fever, #1))
You can't help yourself, can you? You think the only thing to do with a parade is rain on it. Some people know to enjoy the parade because, dude, the rain always comes back.
Karen Marie Moning (Iced (Fever, #6))
Sometimes it’s good to let people underestimate you,
Jessica Hawkins (Night Fever Complete Series (Night Fever #1-4))
Logic told him that being filthy had nothing to do with the strength of your heart or the functioning of your lungs.
James Dashner (The Maze Runner Series Complete Collection (Maze Runner): The Maze Runner; The Scorch Trials; The Death Cure; The Kill Order; The Fever Code)
Through the annals of history, women have paid a price for protection. One day, I won’t have to.
Karen Marie Moning (Faefever (Fever, #3))
I gave up smoking five years ago,’ Brandon confided. ‘Now it’s only the caffeine that holds me together.
Val McDermid (Val Mcdermid Seven-Book Bundle: The Mermaids Singing, The Wire in the Blood, The Last Temptation, The Torment of Others, Beneath the Bleeding, Fever of ... (Tony Hill and Carol Jordan Series))
Honorius Hatchard had been old Miss Hatchard's great-uncle; though she would undoubtedly have reversed the phrase, and put forward, as her only claim to distinction, the fact that she was his great-niece. For Honorius Hatchard, in the early years of the nineteenth century, had enjoyed a modest celebrity. As the marble tablet in the interior of the library informed its infrequent visitors, he had possessed marked literary gifts, written a series of papers called "The Recluse of Eagle Range," enjoyed the acquaintance of Washington Irving and Fitz-Greene Halleck, and been cut off in his flower by a fever contracted in Italy. Such had been the sole link between North Dormer and literature, a link piously commemorated by the erection of the monument where Charity Royall, every Tuesday and Thursday afternoon, sat at her desk under a freckled steel engraving of the deceased author, and wondered if he felt any deader in his grave than she did in his library.
Edith Wharton (Summer)
Why have you chosen to spare me?” “I want us to be…what is your word? Friends.” “Psychotic rapists don’t have friends.” “I was unaware you were a psychotic rapist or I would not have offered.” “Ha.
Karen Marie Moning (Bloodfever (Fever, #2))
KILL ME!” And then Newt’s eyes cleared, as if he’d gained one last trembling gasp of sanity, and his voice softened. “Please, Tommy. Please.” With his heart falling into a black abyss, Thomas pulled the trigger.
James Dashner (The Maze Runner Series Complete Collection (Maze Runner): The Maze Runner; The Scorch Trials; The Death Cure; The Kill Order; The Fever Code)
So it was that the Red Tower put into production its new, more terrible and perplexing, line of unique novelty items. Among the objects and constructions now manufactured were several of an almost innocent nature. These included tiny, delicate cameos that were heavier than their size would suggest, far heavier, and lockets whose shiny outer surface flipped open to reveal a black reverberant abyss inside, a deep blackness roaring with echoes. Along the same lines was a series of lifelike replicas of internal organs and physiological structures, many of them evidencing an advanced stages of disease and all of them displeasingly warm and soft to the touch. There was a fake disembodied hand on which fingernails would grow several inches overnight and insistently grew back should one attempt to clip them. Numerous natural objects, mostly bulbous gourds, were designed to produce a long, deafening scream whenever they were picked up or otherwise disturbed in their vegetable stillness. Less scrutable were such things as hardened globs of lava into whose rough, igneous forms were sent a pair of rheumy eyes that perpetually shifted their gaze from side to side like a relentless pendulum. And there was also a humble piece of cement, a fragment broken away from any street or sidewalk, that left a most intractable stain, greasy and green, on whatever surface it was placed. But such fairly simple items were eventually followed, and ultimately replaced, by more articulated objects and constructions. One example of this complex type of novelty item was an ornate music box that, when opened, emitted a brief gurgling or sucking sound in emulation of a dying individual's death rattle. Another product manufactured in great quantity at the Red Tower was a pocket watch in a gold casing which opened to reveal a curious timepiece whose numerals were represented by tiny quivering insects while the circling 'hands' were reptilian tongues, slender and pink. But these examples hardly begin to hint at the range of goods that came from the factory during its novelty phase of production. I should at least mention the exotic carpets woven with intricate abstract patterns that, when focused upon for a certain length of time, composed themselves into fleeting phantasmagoric scenes of a kind which might pass through a fever-stricken or even permanently damaged brain.
Thomas Ligotti (Teatro Grottesco)
That your sister?” Newt looked at him in surprise. “That’s right. Her name’s Lizzy.” A long pause, during which his head sank until it rested against the window. “At least, it used to be. They may think they have us all brainwashed with our new names, but no way I’ll ever forget hers.” “What did they change it to?” Thomas asked. “Sonya.
James Dashner (The Maze Runner Series Complete Collection (Maze Runner): The Maze Runner; The Scorch Trials; The Death Cure; The Kill Order; The Fever Code)
We could’ve stopped the spread of the disease a lot better than we’ve been able to cure the disease. But WICKED sucked up all the money and all the best people. Not only that, they gave us false hope, and nobody took the care they should’ve. Thought the magical cure would save them in the end. But if we wait any longer we’ll run out of people to save.
James Dashner (The Maze Runner Series Complete Collection (Maze Runner): The Maze Runner; The Scorch Trials; The Death Cure; The Kill Order; The Fever Code)
First of all, word is that the Flare is running rampant through this whole shuck city and that all kinds of corruption is going on to hide it because the ones who are sick are government bigwigs. They’re hiding the virus with the Bliss—it slows down the Flare so people who have it can blend in with everyone else, but the virus keeps spreading. My guess is it’s the same all over the world. There’s just no way to keep that beast out.
James Dashner (The Maze Runner Series Complete Collection (Maze Runner): The Maze Runner; The Scorch Trials; The Death Cure; The Kill Order; The Fever Code)
After a few moments and a series of clicks, I heard, “Jayne here. How can I help you?” “Actually, I’m the one that can help you.” “Ms. Lane,” he said flatly. “The one and only. You want to know what’s going on in this city, Inspector? Join me for tea this afternoon. Four o’clock. At the bookstore.” I caught myself on the verge of adding, in a deep announcer’s voice, and come alone. I’m the product of a generation that watches too much TV.
Karen Marie Moning (Faefever (Fever, #3))
He began his new life standing up, surrounded by cold darkness and stale, dusty air. Metal ground against metal; a lurching shudder shook the floor beneath him. He fell down at the sudden movement and shuffled backward on his hands and feet, drops of sweat beading on his forehead despite the cool air. His back struck a hard metal wall; he slid along it until he hit the corner of the room. Sinking to the floor, he pulled his legs up tight against his body, hoping his eyes would soon adjust to the darkness. With another jolt, the room jerked upward like an old lift in a mine shaft. Harsh sounds of chains and pulleys, like the workings of an ancient steel factory, echoed through the room, bouncing off the walls with a hollow, tinny whine. The lightless elevator swayed back and forth as it ascended, turning the boy’s stomach sour with nausea; a smell like burnt oil invaded his senses,
James Dashner (The Maze Runner Series Complete Collection (Maze Runner): The Maze Runner; The Scorch Trials; The Death Cure; The Kill Order; The Fever Code)
Nobody looks good in their darkest hour. But it’s those hours that make us what we are. We stand strong, or we cower. We emerge victorious, tempered by our trials, or fractured by a permanent, damning fault line. <***> It’s not fiction, and there’s no escape. The walls between the human world and Faery are coming down—and I hate to break it to you, but these fairies are so not Tinkerbells. <***> I’ve seen things that would make your skin crawl. I’ve done things that make my skin crawl.
Karen Marie Moning (Faefever (Fever, #3))
TIMELINE OF LAURA INGALLS WILDER’S LIFE 1865-Laura’s sister Mary is born in Pepin, Wisconsin 1867-Laura Ingalls is born in Pepin, Wisconsin 1869-The Ingallses move to Indian Territory, Kansas 1870-Caroline Ingalls, “Carrie,” is born in Kansas 1871-The Ingallses return to the Big Woods of Wisconsin 1874-Lives in a dugout near Walnut Grove, Minnesota 1875-Charles Frederick Ingalls, “Freddy,” is born 1876-Laura’s brother, Freddy, dies at nine months old Laura moves with her family to Burr Oak, Iowa 1877-Grace Ingalls is born in Burr Oak 1879-Mary becomes blind after a fever 1880-The Ingallses begin homesteading in De Smet, Dakota Territory 1885-Almanzo Wilder and Laura Ingalls marry 1886-Rose Wilder born in De Smet 1894-The Wilders move to Mansfield, Missouri 1932-Little House in the Big Woods is published when Laura is sixty-five 1954-Laura awarded the first Laura Ingalls Wilder Award, for her eight-book Little House series 1957-Laura (age ninety) dies at her Rocky Ridge home in Mansfield
Patricia Brennan Demuth (Who Was Laura Ingalls Wilder? (Who Was?))
So it was that the Red Tower put into production its terrible and perplexing line of unique novelty items. Among the objects and constructions now manufactured were several of an almost innocent nature. These included tiny, delicate cameos that were heavier than their size would suggest, far heavier, and lockets whose shiny outer surface flipped open to reveal a black reverberant abyss inside, a deep blackness roaring with echoes. Along the same lines was a series of lifelike replicas of internal organs and physiological structures, many of them evidencing an advanced stage of disease and all of them displeasingly warm and soft to the touch. There was a fake disembodied hand on which fingernails would grow several inches overnight, every night like clockwork. Numerous natural objects, mostly bulbous gourds, were designed to produce a long deafening scream whenever they were picked up or otherwise disturbed in their vegetable stillness. Less scrutable were such things as hardened globs of lava into whose rough igneous forms were set a pair of rheumy eyes that perpetually shifted their gaze from side to side like a relentless pendulum. And there was also a humble piece of cement, a fragment broken away from any street or sidewalk, that left a most intractable stain, greasy and green, on whatever surface it was placed. But such fairly simple items were eventually followed, and ultimately replaced, by more articulated objects and constructions. One example of this complex type of novelty item was an ornate music box that, when opened, emitted a brief gurgling or sucking sound in emulation of a dying individual's death rattle. Another product manufactured in great quantity at the Red Tower was a pocket watch in gold casing which opened to reveal a curious timepiece whose numerals were represented by tiny quivering insects while the circling "hands" were reptilian tongues, slender and pink. But these examples hardly begin to hint at the range of goods that came from the factory during its novelty phase of production. I should at least mention the exotic carpets woven with intricate abstract patterns that, when focused upon for a certain length of time, composed themselves into fleeting phantasmagoric scenes of the kind which might pass through a fever-stricken or even permanently damaged brain.
Thomas Ligotti (The Nightmare Factory)
Sand burns outside their windows in every direction. Compass needles spin in their twinned minds: everywhere they look, they are greeted by horizon, deep gulps of blue. People think of the green pastoral when they think of lovers in nature. Those English poets used the vales and streams to douse their lusts into verse. But the desert offers something that no forest brook or valley ever can: distance. A cloudless rooming house for couples. Skies that will host any visitors’ dreams with the bald hospitality of pure space. In terms of an ecology that can support two lovers in hot pursuit of each other, this is the place; everywhere you look, you’ll find monuments to fevered longing. Craters beg for rain all year long. Moths haunt the succulents, winging sticky pollen from flower to flower.
Joe Hill (The Best American Science Fiction and Fantasy 2015 (The Best American Series))
Is there a meaning in history? I do not wish to enter here into the problem of the meaning of ‘meaning’; I take it for granted that most people know with sufficient clarity what they mean when they speak of the ‘meaning of history’ or of the ‘meaning or purpose of life’10. And in this sense, in the sense in which the question of the meaning of history is asked, I answer: History has no meaning. In order to give reasons for this opinion, I must first say something about that ‘history’ which people have in mind when they ask whether it has meaning. So far, I have myself spoken about ‘history’ as if it did not need any explanation. That is no longer possible; for I wish to make it clear that ‘history’ in the sense in which most people speak of it simply does not exist; and this is at least one reason why I say that it has no meaning. How do most people come to use the term ‘history’? (I mean ‘history’ in the sense in which we say of a book that it is about the history of Europe—not in the sense in which we say that it is a history of Europe.) They learn about it in school and at the University. They read books about it. They see what is treated in the books under the name ‘history of the world’ or ‘the history of mankind’, and they get used to looking upon it as a more or less definite series of facts. And these facts constitute, they believe, the history of mankind. But we have already seen that the realm of facts is infinitely rich, and that there must be selection. According to our interests, we could, for instance, write about the history of art; or of language; or of feeding habits; or of typhus fever (see Zinsser’s Rats, Lice, and History). Certainly, none of these is the history of mankind (nor all of them taken together). What people have in mind when they speak of the history of mankind is, rather, the history of the Egyptian, Babylonian, Persian, Macedonian, and Roman empires, and so on, down to our own day. In other words: They speak about the history of mankind, but what they mean, and what they have learned about in school, is the history of political power. There is no history of mankind, there is only an indefinite number of histories of all kinds of aspects of human life. And one of these is the history of political power. This is elevated into the history of the world. But this, I hold, is an offence against every decent conception of mankind. It is hardly better than to treat the history of embezzlement or of robbery or of poisoning as the history of mankind. For the history of power politics is nothing but the history of international crime and mass murder (including, it is true, some of the attempts to suppress them). This history is taught in schools, and some of the greatest criminals are extolled as its heroes.
Karl Popper (The Open Society and Its Enemies)
known,” Dani said miserably. “She hangs here. Likes Chester’s. I been hunting her. Guess she knew it. Ow!” She touched her mouth. Her lips were cracked, oozing. It looked as if her teeth were about to start falling out. Tears stung my eyes. I slammed my palms into the frozen Gray Woman.
Karen Marie Moning (The Fever Series (Fever #1-5))
Fuego para su frío, hielo para su fuego
Karen Marie Moning (The Fever Series (Fever, #1-5))
Arrogance, like anger, is often a fatal flaw.
Karen Marie Moning (The Fever Series (Fever #1-5))
Plus, I've seen two of the Nine naked today. Nice bit of eye candy for a woman with a ferocious sweet tooth and no way to satisfy it.
Karen Marie Moning (Burned (Fever, #7))
She couldn’t lookaway from the feral lust on his face—the cording of his neck muscles, the tight clamp of his jaw, the baring of his teeth. It fed the heat building in her thighs and buttocks and belly. It stoked the fever raging out of control between her legs. She’d never been so freaking turned on in her life.
Amy Andrews (Playing It Cool (Sydney Smoke Rugby, #2))
She was taking back her life, fortifying herself after years of living for others.
Jessica Hawkins (Night Fever Complete Series (Night Fever #1-4))
Technicalities are not to be overlooked.” “Here’s
Jessica Hawkins (Night Fever Complete Series (Night Fever #1-4))
Not all of night is dark. There’s the moon, the stars.” “Just
Jessica Hawkins (Night Fever Complete Series (Night Fever #1-4))
I like a woman who doesn’t break when you bend her.” “Nadia
Jessica Hawkins (Night Fever Complete Series (Night Fever #1-4))
Her blood seemed to simultaneously rush and drain through and from her body.
Jessica Hawkins (Night Fever Complete Series (Night Fever #1-4))
She wasn’t a stalker. Just really enthusiastic.” “Redheads
Jessica Hawkins (Night Fever Complete Series (Night Fever #1-4))
Children played games for themselves, not their opponents. Lola
Jessica Hawkins (Night Fever Complete Series (Night Fever #1-4))
Nobody would tell her where she was going or how to get there anymore.
Jessica Hawkins (Night Fever Complete Series (Night Fever #1-4))
His concern focused on a series of illnesses that had struck his patients throughout the year—the mumps in January, jaw and mouth infections in February, scarlet fever in March, followed by influenza in July. “There was something in the heat and drought,” the good doctor speculated, “which was uncommon, in their influence upon the human body.
Jim Murphy (An American Plague: The True and Terrifying Story of the Yellow Fever Epidemic of 1793 (Newbery Honor Book))
Do you think love just goes away? Pops out of existence when it becomes too painful or inconvenient, as if you never felt it?
Karen Marie Moning (The Fever Series (Fever #1-7))
As early as the 1830s, missionaries in the Society Islands were already beginning to speak of depopulation. There were major epidemics in Tahiti of smallpox in 1841, dysentery in 1843, scarlet fever in 1847, measles in 1854. Much the same story can be told of Hawai‘i, which was also subject to wave after wave of imported disease. In 1848 and 1849, when Pinao was pregnant with her first child, a series of devastating epidemics struck the Hawaiian Islands. Measles, arriving from Mexico on an American frigate, and whooping cough, on a ship from California, hit at the same time, killing an estimated ten thousand people. Whole villages were prostrate, wrote one observer, “there not being persons enough in health to prepare food for the sick,” while “a large portion of the infants born in the Islands in 1848, even as large a proportion as nine-tenths in some parts, are supposed to be already in their graves.” No doubt there were other diseases in the mix as well; mumps, which had been in the islands some years earlier, was reported again, as were “pleurisy,” “bilious fever,” and something that was probably dysentery. The combined assault was especially hard upon the very young and the very old. “The aged,” wrote one observer, “have almost all disappeared from among us.
Christina Thompson (Sea People: The Puzzle of Polynesia)
The four known for targeting humans are transmitted from person to person by Anopheles mosquitoes. These four parasites possess wondrously complicated life histories, encompassing multiple metamorphoses and different forms in series: an asexual stage known as the sporozoite, which enters the human skin during a mosquito bite and migrates to the human liver; another asexual stage known as the merozoite, which emerges from the liver and reproduces in red blood cells; a stage known as the trophozoite, feeding and growing inside the blood cells, each of which fattens as a schizont and then bursts, releasing more merozoites to further multiply in the blood, and causing a spike of fever; a sexual stage known as the gametocyte, differentiated into male and female versions, which emerge from a later round of infected red blood cells, enter the bloodstream en masse, and are taken up within a blood meal by the next mosquito; a fertilized sexual stage known as the ookinete, which lodges in the gut lining of the mosquito, each ookinete ripening into a sort of egg sac filled with sporozoites; and then come the sporozoites again, bursting out of the egg sac and migrating to the mosquito’s salivary glands, where they lurk, ready to surge down the mosquito’s proboscis into another host.
David Quammen (Spillover: Animal Infections and the Next Human Pandemic)
close only counts in hand-grenades and horseshoes.
Karen Marie Moning (The Fever Series (Fever #1-7))
AlphaGo scored its first high-profile victory in March 2016 during a five-game series against the legendary Korean player Lee Sedol, winning four to one. While barely noticed by most Americans, the five games drew more than 280 million Chinese viewers. Overnight, China plunged into an artificial intelligence fever. The buzz didn’t quite rival America’s reaction to Sputnik, but it lit a fire under the Chinese technology community that has been burning ever since.
Kai-Fu Lee (AI Superpowers: China, Silicon Valley, and the New World Order)
Jon finally stopped his slow tease, and he forced his cock into Baltsaros, slow and hard until his hips were flush against the captain. When Baltsaros tensed and gave a small, pained grunt as Jon opened him up, Tom drew back, his eyes wide. His hand slid down from where it rested on Baltsaros’s side to his hips. Understanding dawned on his face as he realized exactly what was happening. With a raw-sounding moan, he shifted close enough that their cocks touched and pulled the captain’s leg up onto his thigh. Baltsaros’s pulse soared, and he felt a surge of lust from the naked desire in Tom’s eyes as the first mate held onto him while Jon fucked him slowly from behind. Jon’s teeth closed on skin again—there was no doubt in the captain’s mind that he would be marked and sore, but it made him groan in encouragement. With panted grunts, Jon fucked into him faster, more frantic, and Tom and Jon’s hands clawed lines of pain over his skin as he was savaged by the first mate’s fevered kiss. Then Jon let out a strangled cry and buried his face into the back of the captain’s neck as his thrusts went erratic, a few deep plunges followed by a series of shallow strokes that sent a sweet pulse into Baltsaros’s core.
Bey Deckard (Fated: Blood and Redemption (Baal's Heart, #3))
It did not induce brain fever, or harm her so, belles lectrices. If we went down under every stroke in that way as novelists assume, we should all be loved of Heaven if that love be shown by early graves, as the old Greeks say.
Ouida (Delphi Collected Works of Ouida (Illustrated) (Delphi Series Eight Book 26))
ALADYN and Devno! — those green stretching meadows, those rich dense forests, catching the golden glow of the sunshine of the East — those sloping hill-sides, with the clematis, and acacia, and wild vine clinging to them, and the laughing waters of lake and stream sleeping at their base — who could believe that horrible pestilential vapour stole up from them, like a murderer in the dark, and breathing fever, ague, and dysentery into the tents of a slumbering Army, stabbed the sleepers while they lay, unconscious of the assassin’s hand that was draining away their life and strength!
Ouida (Delphi Collected Works of Ouida (Illustrated) (Delphi Series Eight Book 26))
Fever-bright, Perceval listened. And then she folded her bony forearms one over the other and rested them on her knees, the chains a long silici-blue sweep framing her on either side, her chin pillowed on a bony wrist.
Elizabeth Bear (Dust (The Jacob's Ladder Series))
Their owners returned to Philadelphia each fall, leaving the resort a ghost town. Samuel Richards realized that mass-oriented facilities had to be developed before Atlantic City could become a major resort and a permanent community. From Richards’ perspective, more working-class visitors from Philadelphia were needed to spur growth. These visitors would only come if railroad fares cost less. For several years Samuel Richards tried, without success, to sell his ideas to the other shareholders of the Camden-Atlantic Railroad. He believed that greater profits could be made by reducing fares, which would increase the volume of patrons. A majority of the board of directors disagreed. Finally in 1875, Richards lost patience with his fellow directors. Together with three allies, Richards resigned from the board of directors of the Camden-Atlantic Railroad and formed a second railway company of his own. Richards’ railroad was to be an efficient and cheaper narrow gauge line. The roadbed for the narrow gauge was easier to build than that of the first railroad. It had a 3½-foot gauge instead of the standard 4 feet 8½ inches, so labor and material would cost less. The prospect of a second railroad into Atlantic City divided the town. Jonathan Pitney had died six years earlier, but his dream of an exclusive watering hole persisted. Many didn’t want to see the type of development that Samuel Richards was encouraging, nor did they want to rub elbows with the working class of Philadelphia. A heated debate raged for months. Most of the residents were content with their island remaining a sleepy little beach village and wanted nothing to do with Philadelphia’s blue-collar tourists. But their opinions were irrelevant to Samuel Richards. As he had done 24 years earlier, Richards went to the state legislature and obtained another railroad charter. The Philadelphia-Atlantic City Railway Company was chartered in March 1876. The directors of the Camden-Atlantic were bitter at the loss of their monopoly and put every possible obstacle in Richards’ path. When he began construction in April 1877—simultaneously from both ends—the Camden-Atlantic directors refused to allow the construction machinery to be transported over its tracks or its cars to be used for shipment of supplies. The Baldwin Locomotive Works was forced to send its construction engine by water, around Cape May and up the seacoast; railroad ties were brought in by ships from Baltimore. Richards permitted nothing to stand in his way. He was determined to have his train running that summer. Construction was at a fever pitch, with crews of laborers working double shifts seven days a week. Fifty-four miles of railroad were completed in just 90 days. With the exception of rail lines built during a war, there had never been a railroad constructed at such speed. The first train of the Philadelphia-Atlantic City Railway Company arrived in the resort on July 7, 1877. Prior to Richards’ railroad,
Nelson Johnson (Boardwalk Empire: The Birth, High Times, and Corruption of Atlantic City HBO Series Tie-In Edition)