Woad Quotes

This is how we prepare for war, I thought as a dark peace wove between the queen and me. This is how we face the unexpected—not by our swords and our shields and our armor. Not even by the woad we paint upon our skin. We are ready because of sisterhood, because our bonds go deeper than blood. We rise for the queens of our past, and for the queens to come.

Ruddy hell, the cold smacked my face with an iron spade! Now I knew why northerners go in for beards, woad, and body grease.

Going somewhere?” Tamlin asked. His voice was not entirely of this world. I suppressed a shudder. “Midnight snack,” I said, and I was keenly aware of every movement, every breath I took as I neared him. His bare chest was painted with whorls of dark blue woad, and from the smudges in the paint, I knew exactly where he’d been touched. I tried not to notice that they descended past his muscled midriff. I was about to pass him when he grabbed me, so fast that I didn’t see anything until he had me pinned against the wall. The cookie dropped from my hand as he grasped my wrists. “I smelled you,” he breathed, his painted chest rising and falling so close to mine. “I searched for you, and you weren’t there.” He reeked of magic. When I looked into his eyes, remnants of power flickered there. No kindness, none of the wry humor and gentle reprimands. The Tamlin I knew was gone. “Let go,” I said as evenly as I could, but his claws punched out, imbedding in the wood above my hands. Still riding the magic, he was half-wild. “You drove me mad,” he growled, and the sound trembled down my neck, along my breasts until they ached. “I searched for you, and you weren’t there. When I didn’t find you,” he said, bringing his face closer to mine, until we shared breath, “it made me pick another.” I couldn’t escape. I wasn’t entirely sure that I wanted to. “She asked me not to be gentle with her, either,” he snarled, his teeth bright in the moonlight. He brought his lips to my ear. “I would have been gentle with you, though.” I shuddered as I closed my eyes. Every inch of my body went taut as his words echoed through me. “I would have had you moaning my name throughout it all. And I would have taken a very, very long time, Feyre.” He said my name like a caress, and his hot breath tickled my ear. My back arched slightly. He ripped his claws free from the wall, and my knees buckled as he let go. I grasped the wall to keep from sinking to the floor, to keep from grabbing him—to strike or caress, I didn’t know. I opened my eyes. He still smiled—smiled like an animal. “Why should I want someone’s leftovers?” I said, making to push him away. He grabbed my hands again and bit my neck. I cried out as his teeth clamped onto the tender spot where my neck met my shoulder. I couldn’t move—couldn’t think, and my world narrowed to the feeling of his lips and teeth against my skin. He didn’t pierce my flesh, but rather bit to keep me pinned. The push of his body against mine, the hard and the soft, made me see red—see lightning, made me grind my hips against his. I should hate him—hate him for his stupid ritual, for the female he’d been with tonight … His bite lightened, and his tongue caressed the places his teeth had been. He didn’t move—he just remained in that spot, kissing my neck. Intently, territorially, lazily. Heat pounded between my legs, and as he ground his body against me, against every aching spot, a moan slipped past my lips. He jerked away. The air was bitingly cold against my freed skin, and I panted as he stared at me. “Don’t ever disobey me again,” he said, his voice a deep purr that ricocheted through me, awakening everything and lulling it into complicity.

woad,

He wore boots, but they were mostly covered by coarse woad-coloured trousers made of homespun wool. Elizabeth suspected that wherever he came from, they did not have a spinning wheel but still used the drop spindle with a whorl.

I resisted the temptation to turn around and stick out my tongue in derision at Beliquose. After all, there was no telling when or if we should meet again, and I certainly did not need him saying, 'Ah yes, Poe, the fellow whose trespasses i could have forgiven in their entirety... except for the tongue thing. Yes, for that, you must surely die.

And why did this Probert pretend to be so Welsh? I remembered that like me he’d been awarded nought for Welsh in School Certificate. Such a result, in that language, means an almost psychotic ignorance. It’s standard practice, of course, with writers of Probert’s allegiance to pretend to be wild valley babblers, woaded with pit-dirt and sheep-shit, thinking in Welsh the whole time and obsessed by terrible beauty, etc., but in fact they tend to come from comfortable middle-class homes, have a good urban education, never go near a lay preacher and couldn’t even order a pint in Welsh, falling back, as Probert had done earlier in the evening, on things like the Welsh for big Jesus. (And don’t tell me they can think in Welsh without knowing the language. Ever tried thinking in Bantu?)

I woke up dead. Not only dead...but in hell. I had always been somewhat sketchy on what the afterlife - were there actually such a thing - would be like for a person such as I. From all accounts and all my imaginings, I figured it would be one of two things. Either I would be surrounded by great, burning masses that were endlessly immolating souls in torment... or else I would find myself trapped within my own mind as a helpless bystander, condemned to watching me live out my life over and over again and powerless to do anything to change any of it. When idle speculation prompted me to dwell on these two options, I would find myself drawn invariably to the former, since the later was just too hideous to contemplate. ... I was almost afraid to open my eyes, because once I did, I would know one way or the other. Perhaps I could have just lain there forever. Perhaps I was supposed to. Perhaps that was my true condemnation: to simply reside in hell with my eyes closed afraid of opening them lest matters deteriorate even further than they already had. This, in turn, made me dwell on the fact that every time I had believed things couldn’t get worse, they promptly had done so with almost gleeful enthusiasm .

Elspeth reached up a tentative hand to comfort him, palming the cheek that wasn’t covered with woad. He wrapped an arm around her waist and tugged her closer. Her lips parted. His tongue swept in. Her belly clenched, and a warm glow settled between her legs. He left her lips and began kissing her chin, her cheeks, her neck. “Ach! Ye’re sweet, lass.” Pity dissipated like morning mist. Instead, little wisps of pleasure followed his mouth’s path. The stubble of his beard grazed the tops of her breasts, and her nipples tightened almost painfully. She sucked her breath over her teeth to keep from crying out in pleasure and surprise when his palm covered her breast, the pressure sweet even through the stiff boning of her pink silk bodice.

Falken navigated the veil of hedgerow and shrubs beside the trail where they’d stopped and found a copse in the meadow. There, he undid his britches and sighed in relief as he broke his warm, golden seal upon the taupe bark of his chosen tree. A finch landed on a low strung branch next to the boy and regarded him. “Don’t watch me. Shoo!” The bird chirped in defiance and Falken waved his hand at it, distracting him from the fine, universal art of not peeing on himself. “Shoo, birdie!” The bird remained still. Falken looked down at a wet patch on his woad-dyed trousers. “Now look what you made me do!” he cursed, and the bird took off, satisfied.

constant reminder for me to take care that the words from my mouth might only be ones that were necessary, kind, and above all, true.

the Dyers’ Company could trace their skills back to the ancient British liking for donning warpaint. ‘The secret of dyeing wools and woollen goods was familiar to those who pursued that craft, as it was little more than an evolution from the British custom of staining the person with woad or some other pigment’, according to a nineteenth-century history of the Dyers’ Company.

The most commonly used dyestuff was woad, which gave a good blue. It was imported from the English possessions around Bordeaux in Gascony, and increasingly grown as a field crop in England

The process of manufacturing the dye was quite elaborate. The woad leaves were crushed to a pulp in a mill, and then moulded into balls, which were allowed to dry in the sun . . . until the pulp began to ferment. A crust formed over the balls, and care was taken to ensure that this did not split. When fermentation was complete the balls were pulped again in the mill and again formed into cakes. The whole cycle was repeated a third time before the fully-fermented balls were thoroughly dried and sent off to the dyer. It took a hundredweight of leaves to produce 10lb of the final dye, and the ammoniacal stench of the fermentation process was so disgusting that Elizabeth I issued a proclamation that woad production had to cease in any town through which she was passing.3

The Ancient Britons’ secret weapon? Woad could be mixed with yellow from the meadow plant weld, or from another native plant, dyer’s greenweed (genista tinctoria; despite its English name it dyed yellow), to give the green that Robin Hood and his merry men famously wore. Red, another favourite medieval colour, could be obtained from the roots of another native plant, madder. Mixed with woad it produced a soft purple. A deeper purple came from a lichen, orchil, imported from Norway, or ‘brasil’, a wood imported from the East Indies and correspondingly expensive. The deepest purple came from kermes, derived from insects from the Mediterranean basin called by the Italians ‘vermilium’ (‘little worms’, hence vermilion) and by the English ‘grains’. Its cost limited it to the most luxurious textiles. A good pink could be had from the resin of dragon’s blood trees, although some medieval authorities traced it to the product of a battle between elephants and dragons in which both protagonists died. Most of these dyestuffs needed a mordant to give some degree of light-fastness – usually alum, imported from Turkey and Greece.

But to most of the English, their history is just that, history. The contrast is with Scotland or Ireland, where every self-respecting adult considers themselves to belong to an unbroken tradition stretching back to the wearing of woad: oppressed peoples remember their history.

(Don’t let the media fool you, ang moh. An absent education often only exacerbates a fierce intelligence, and lipstick’s the woad of the modern Amazon.)