Feud Bette And Joan Quotes

You hang around that woman long enough," said Bette, "and you'll pick up all kinds of useless shit." Goodbye,

The tour kicked off in Boston, went on to Washington, and eighteen days later arrived in Los Angeles. "Our quota was $500 million, but we sold over one billion," said an exhausted Greer Garson. The MC of the show, Bob Hope, said this was his first patriotic tour, and he was seriously considering going out on another.

The story told, true or fabled, was that Rock was back in the pool house, taking a shower, when the lights went out. Suddenly he felt the warm, naked body of Joan Crawford beside him. "Sssh, baby," she whispered, "close your eyes and pretend I'm Clark Gable.*4

Everything was female. The books in the library scene were all by female authors. The photographs and art objects were all female. Even the animals—the monkeys, the dogs, the horses—were female. I'm not sure if audiences were aware of that, but there wasn't a single male represented in the entire film, although nine-tenths of the dialogue centered around them.

Cooper would also, inadvertently, bestow something on Joan. At home, he adored his mother and used to call her "Mommie Dearest." Inspired, Crawford would soon confer the title on herself.

To the world I may be Joan Crawford, but to my children I am 'Mommie Dearest,' and those two words mean everything to me," Crawford said in 1943 to Motion Picture magazine. "I

malapropisms.

Joan was also a faithful volunteer at the Hollywood Canteen. "I was there without fail every Monday night," she said. She was mobbed on her first visit, and was busy signing autographs when President Bette Davis walked in. "Hello, Joan!" said Bette. "We need you desperately, in the kitchen. There are dishes to be washed." "A

(Years later Adrian would confess that the padded shoulders also helped to distract attention from another Crawford liability, her big hips. "To offset her womanly hips, I developed the idea of broad shoulders," the designer told Womens Wear Daily.)

You're right, dear," said Joan, "I do want you to suffer. I want you to struggle and fear and worry the way I did. I want you to fight every step of the way, because when you suffer you don't forget. That's what it takes to become an actress, a star, something great; and not just a personality." Crawford's

That evening I went over to Metro and found this long platinum-blond wig. I took it home and styled it, with curls and ringlets at the nape of the neck. The next day I brought it to Bette. She put it on, looked in the mirror, and in a loud voice said, 'It's the NUTS! I love it!' She wore it through the entire picture, and she never knew that it was an old wig of Joan's—one that Miss Crawford wore in an early M-G-M movie." Norma

It was Ernie Haller, who had photographed Bette Davis in Jezebel and Vivien Leigh in Gone with the Wind, who was solely responsible for the visuals in Mildred Pierce, said Crawford. "Ernie was at the rehearsals. And so was Mr. [Anton] de Grot, who did the sets. I recall seeing Ernie's copy of the script and it was filled with notations and diagrams. I asked him if these were for special lights and he said, 'No, they're for special shadows.' Now, that threw me. I was a little apprehensive. I was used to the look of Metro, where everything, including the war pictures, was filmed in blazing white lights. Even if a person was dying there was no darkness. But when I saw the rushes of Mildred Pierce I realized what Ernie was doing. The shadows and half-lights, the way the sets were lit, together with the unusual angles of the camera, added considerably to the psychology of my character and to the mood and psychology of the film. And that, my dear, is film noir." "Mildred

While the rest of the cast flew on the company plane to San Francisco for three weeks of filming at the Curran Theater,

There's a little bit of a bitch in every woman - and a lot in every man. - Joan Crawford

She'd only become a monster to take care of herself in a monstrous business. Underneath she was a neurotic woman, deeply afraid and uncertain of everything except her own genius. - Frank Capra on Bette Davis