“
Missing, one stunningly attractive teenage boy. Answers to 'Jace' or 'Hot Stuff
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
I think he’s handling it with grace. A lot of teenage boys would sulk, or lurk around under your window with a boom box.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
Never say no when you really want to say yes.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
I was crying a little for the boy I had wanted him to be and the boy he hadn’t turned out to be.
”
”
Gabrielle Zevin (Memoirs of a Teenage Amnesiac)
“
I was hoping they'd put up flyers like they do for lost cats," he said. "Missing, one stunningly attractive teenage boy. Answers to 'Jace' or 'Hot Stuff.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
No kissing?"
"Well, kissing, probably. But as for the rest of it..."
She brushed her cheek lightly against his. "It's okay with me if it's okay with you."
"Of course it's not okay with me. I'm a teenage boy. As far as I'm concerned, this is the worst thing that's happened since I found out why Magnus was banned from Peru.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Of course it's not okay with me, I'm a teenage boy. As far as I'm concerned, this is the worst thing that's happenedd since I found out why Magnus was banned from Peru" - Jace
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
I met a boy whose eyes showed me that the past, present and future were all the same thing.
”
”
Jennifer Elisabeth
“
Giving money and power to government is like giving whiskey and car keys to teenage boys.
”
”
P.J. O'Rourke
“
He broke up with me."
"Because you weren't in love with him. That's an iffy proposition, and I think he's handling with grace. A lot of teenage boys would sulk, or lurk around under your window with a boom box."
"No one has a boom box anymore. That was the eighties.
”
”
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
“
I wish I could draw you how I see you. I'd draw a boy with the most magnetic smile, and the kindest hands, and eyes that are gloomy, but can sometimes be bright. I'd draw a boy who deserves to see the ocean.
”
”
Jasmine Warga (My Heart and Other Black Holes)
“
I was born twice: first, as a baby girl, on a remarkably smogless Detroit day in January of 1960; and then again, as a teenage boy, in an emergency room near Petoskey, Michigan, in August of 1974.
”
”
Jeffrey Eugenides (Middlesex)
“
You’re a teenage boy. I have boobs. What part of the equation is missing?
”
”
Sarah Beth Durst (Drink, Slay, Love)
“
You're staring," Lana said.
"Yes. I am. I'm a teenage boy. Beautiful girls in wet underwear have a tendency to cause staring in teenage boys.
”
”
Michael Grant (Plague (Gone, #4))
“
SERIOUSLY? Is it because of Jesus? Are you, like, saving yourself for him?” Sex seemed simpler for Kelsey. She had the body of a Barbie and the sexually-charged brain of a teenage boy.
“No, Kelsey,” I said. “It would be a little difficult to save myself for someone who died over two thousand years ago.
”
”
Cora Carmack (Losing It (Losing It, #1))
“
The boys and girls in the clique. The awful names that they stick. You're never gonna fit in much kid, but it you're troubled and hurt, what you've got under your shirt will make them pay for the things that they did!
”
”
Gerard Way
“
Kitty's always saying how origin stories are important.
At college, when people ask us how we met, how will we answer them? The short story is, we grew up together. But that's more Josh's and my story. High school sweet-hearts? That's Peter and Gen's story. So what's ours, then?
I suppose I'll say it all started with a love letter.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
He pretended to stretch his arms, in order to shift even closer to her. (This isn’t in the history books, of course, but we’d like to point out that this was the first time a young man had ever tried that particular arm-stretch move on a young woman. Edward was the inventor of the arm stretch, a tactic that teenage boys have been using for centuries.)
”
”
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
“
There are many ways a self-respecting (not to mention sane) teenage girl might react to having a teenage boy suddenly in her bedroom in the middle of the night.
Hit.
Panic.
Flail.
Freeze.
”
”
Ally Carter (Only the Good Spy Young (Gallagher Girls, #4))
“
I was hoping they would put up flyers like they do for lost cats." He said. "Missing, one stunningly attractive teenage boy. Answers to 'Jace' or 'hotstuff'."
"You did not just say that."
"You don't like 'hotstuff'? You think 'sweet cheeks' might be better? "Love crumpet'? Really? That last one's stretching it a bit. Though, technically my family is British-
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
It was truly amazing, Clary thought, how much teenage boys were able to eat without ever gaining weight or making themselves sick.
-pg.68-
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
That was our mistake, I think. One of many mistakes. To believe that boys were acting with a logic that we could someday understand. To believe that their actions had any meaning beyond thoughtless impulse. We were like conspiracy theorists, seeing portent and intention in every detail, wishing desperately that we mattered enough to be the object of planning and speculation. But they were just boys. Silly and young and straightforward; they weren't hiding anything.
”
”
Emma Cline (The Girls)
“
She dumped me for the quarterback after she'd played my body like a banjo. So Sad."
"I bet"
"I'm serious. I was heartbroken."
"For how long?"
"A whole week." An eternity in the life of a teenage boy.
”
”
Nalini Singh (Play of Passion (Psy-Changeling, #9))
“
I’d found boys were fairly simple creatures to figure out, at least on a primal level—on a mind, heart, and soul matter they were about as confounding to me as thermal dynamics—and since primal was just a nice term for raging hormones, I decided to use their overabundance of teenage boy ones to my advantage.
”
”
Nicole Williams (Crash (Crash, #1))
“
I realized that, sure, I was a Spokane Indian. I belonged to that tribe. But I also belonged to the tribe of American immigrants. And to the tribe of basketball players. And to the tribe of bookworms. And the tribe of cartoonists. And the tribe of chronic masturbators. And the tribe of teenage boys. And the tribe of small-town kids. And the tribe of Pacific Northwesterners. And the tribe of tortilla chips-and-salsa lovers. And the tribe of poverty. And the tribe of funeral-goers. And the tribe of beloved sons. And the tribe of boys who really missed their best friends. It was a huge realization. And that's when I knew that I was going to be okay.
”
”
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
“
...real teenage boys aren't like characters in the books you read. They smell funny and are obsessed with video games and say dumb things. They're still learning, just like you.
”
”
Stacey Jay (Juliet Immortal (Juliet Immortal, #1))
“
Teenage boys, goaded by their surging hormones run in packs like the primal horde. They have only a brief season of exhilarating liberty between control by their mothers and control by their wives.
”
”
Camille Paglia
“
Most insensible, corrupt, cheap, disrespectful young girls run after bad, rude, cocky, nonsensical boys, but a mature, educated, thoughtful, virtuos lady opts for a wise, well breed, experienced, humble, modest gentleman.
”
”
Michael Bassey Johnson
“
You know...No boy is worth your teenage years!
”
”
Hayley Williams
“
Frank couldn't breathe underwater.
But where was he?
Percy turned in a full circle. Nothing. Then he glanced up. Hovering above him was a giant goldfish. Frank had turned -clothes, backpack, and all- into a koi the size of a teen-aged boy.
"dude." Percy sent his thoughts through the water, the way he spoke to other sea creatures. "A goldfish?"
Frank's voice came back to him: "I freaked. We were talking about goldfish, so it was on my mind. Sue me.
”
”
Rick Riordan
“
(Yes teenage boys who are fine always cry on their mothers’ shoulders until they leave a snot trail.)
”
”
Jordan Sonnenblick (Drums, Girls & Dangerous Pie (Drums, Girls & Dangerous Pie #1))
“
I’ve never gotten a love letter before. But reading these notes like this, one after the other, it feels like I have. It’s like . . . it’s like there’s only ever been Peter. Like everyone else that came before him, they were all to prepare me for this. I think I see the difference now, between loving someone from afar and loving someone up close. When you see them up close, you see the real them, but they also get to see the real you. And Peter does. He sees me, and I see him.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
He cleared his throat.
“You know this means that what we did what we almost did in Paris...”
“Going to the Eiffel Tower?”
He tucked a lock of hair behind her ear.
“You never let me off the hook for a single minute, do you? Never mind. It’s one of the things I love about you. Anyway, that other thing we almost did in Paris, that’s probably off the table for a while. Unless you want that whole baby-I’m-on-fire-when-we kiss thing to become freakishly literal.”
“No kissing?”
“Well, kissing, probably. But as for the rest of it…”
She brushed her cheek lightly against his. “It’s okay with me if it’s okay with you.”
“Of course it’s not okay with me. I’m a teenage boy. As far as I’m concerned, this is the worst thing that’s happened since I found out why Magnus was banned from Peru.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Think like a middle-aged man with OCD, a dead wife, and a teenage daughter.
Think like a woman with three teenage sons who once ran a golf cart into the side of their granddad's house."
"Cameron and Sean shouldn't have let me drive," Adam said in his own defense. "I was seven."
"You shouldn't have ASKED to drive. You were seven.
”
”
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
“
I was a teenage boy once too, you know," Uncle Mort said, popping back up. "I know what your brain looks like. It's a three-ring circus in there.
”
”
Gina Damico (Scorch (Croak, #2))
“
Teenage boys cannot be trusted. Their intentions are not pure.
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
Twenty years ago, teenage boys in the United States drank twice as much milk as soda; now they drink twice as much soda as milk.
”
”
Eric Schlosser (Fast Food Nation: The Dark Side of the All-American Meal)
“
I’m a teenage girl. He is my boy best friend. We would be everything to each other until we couldn’t.
”
”
Brittany Cavallaro (The Last of August (Charlotte Holmes, #2))
“
Buried deep-deep under that teenage boy exterior, you, Sebastian Hawkins, are a sweetheart.
”
”
Nyrae Dawn
“
We love men because they can never fake orgasms, even if they wanted to.
Because they write poems, songs, and books in our honor.
Because they never understand us, but they never give up.
Because they can see beauty in women when women have long ceased to see any beauty in themselves.
Because they come from little boys.
Because they can churn out long, intricate, Machiavellian, or incredibly complex mathematics and physics equations, but they can be comparably clueless when it comes to women.
Because they are incredible lovers and never rest until we’re happy.
Because they elevate sports to religion.
Because they’re never afraid of the dark.
Because they don’t care how they look or if they age.
Because they persevere in making and repairing things beyond their abilities, with the naïve self-assurance of the teenage boy who knew everything.
Because they never wear or dream of wearing high heels.
Because they’re always ready for sex.
Because they’re like pomegranates: lots of inedible parts, but the juicy seeds are incredibly tasty and succulent and usually exceed your expectations.
Because they’re afraid to go bald.
Because you always know what they think and they always mean what they say.
Because they love machines, tools, and implements with the same ferocity women love jewelry.
Because they go to great lengths to hide, unsuccessfully, that they are frail and human.
Because they either speak too much or not at all to that end.
Because they always finish the food on their plate.
Because they are brave in front of insects and mice.
Because a well-spoken four-year old girl can reduce them to silence, and a beautiful 25-year old can reduce them to slobbering idiots.
Because they want to be either omnivorous or ascetic, warriors or lovers, artists or generals, but nothing in-between.
Because for them there’s no such thing as too much adrenaline.
Because when all is said and done, they can’t live without us, no matter how hard they try.
Because they’re truly as simple as they claim to be.
Because they love extremes and when they go to extremes, we’re there to catch them.
Because they are tender they when they cry, and how seldom they do it.
Because what they lack in talk, they tend to make up for in action.
Because they make excellent companions when driving through rough neighborhoods or walking past dark alleys.
Because they really love their moms, and they remind us of our dads.
Because they never care what their horoscope, their mother-in-law, nor the neighbors say.
Because they don’t lie about their age, their weight, or their clothing size.
Because they have an uncanny ability to look deeply into our eyes and connect with our heart, even when we don’t want them to.
Because when we say “I love you” they ask for an explanation.
”
”
Paulo Coelho
“
Peter puts one arm around my waist, pulls me in, and, looking down at me, he says fiercely, "Neither of us wants to break up. So why should we? Because of some shit my mom said? Because your sister did it that way? You're not the same as your sister, Lra Jean. We're not the same as Margot and Sanderson or anybody else. We're you and me. And yeah, it's gonna be hard. But Lara Jean, I've never feel for another girl what I feel for you." He says it with all the certainty only a teenage boy can have, and I have never loved him more than at this very moment.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Can't you just see it? Can't you see us with gray hair, sitting at those late night football games. I'll be the dad with one eye on my football playing sons, and the other on our daughter, who if she looks anything like you, I will need to carry a gun to fight off all of those horny teenage boys.
”
”
Jennifer Foor (Risking Fate (Mitchell Family, #4))
“
But deciding not to have children is a very, very hard decision for a woman to make: the atmosphere is worryingly inconducive to saying, "I choose not to," or "it all sounds a bit vile, tbh." We call these women "selfish" The inference of the word "childless" is negative: one of lack, and loss. We think of nonmothers as rangy lone wolves--rattling around, as dangerous as teenage boys or men. We make women feel that their narrative has ground to a halt in their thirities if they don't "finish things" properly and have children.
”
”
Caitlin Moran (How to Be a Woman)
dream possessed by an american teenage boy
“
A teenage girl creaming while she listens to some boy-band, a monk digging on the God he hears in Gregorian chants, or John fucking Coltrane himself climbing up into the sky on a staircase made of sixteenth notes, it's all the same. If it takes you there, it's good.
”
”
Tad Williams
“
Before you leave here, Sir, you’re going to learn that one of the most brutal things in the world is your average nineteen-year-old American boy.
”
”
Philip Caputo (A Rumor of War)
“
My many years of living have not made the actions of teenage boys any less enigmatic.
”
”
Avery Williams (The Alchemy of Forever (Incarnation, #1))
“
They (teenage boys)don’t really listen to speeches or talks. They absorb incrementally, through hours and hours of observation.
”
”
Rob Lowe (Stories I Only Tell My Friends)
“
Empathy is what separates human beings from teenage boys.
”
”
Victor LaValle (Big Machine)
“
What a horrible feeling that is, to know that if the disease [AIDS] had primarily affected PTA presidents, or priests, or white teenage girls, the epidemic would have been ended years earlier, and tens of thousands, if not hundreds of thousands of lives would have been saved.
”
”
David Levithan (Two Boys Kissing)
“
Is everyone looking for me?"
She shook her head, pulling the robe closer. Suddenly she wanted to be covered up in front of him, in front of all that familiarity and beauty and that lovely predatory smile that said he was willing to do whatever with her, to her, no matter who was waiting in the hall.
“ I was hoping they„d put up flyers like they do for lost cats",he said. “Missing, one stunningly attractive teenage boy. Answers to „Jace,‟ or „Hot Stuff.‟”
“ You did not just say that.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
I just wouldn’t want to hook up with a guy unless I really, really like him, and in my
experience all boys can be classified as either assholes or bores, unless they’re both.
Maybe it’s a blessing, because the last thing I need is relationship drama to sidetrack me from my grades.
”
”
Daria Snadowsky (Anatomy of a Boyfriend (Anatomy, #1))
“
The boarded-up homes, the decaying storefronts, the aging church rolls, kids from unknown families who swaggered down the streets - loud congregations of teenage boys, teenage girls feeding potato chips to crying toddlers, the discarded wrappers tumbling down the block - all of it whispered painful truths.
”
”
Barack Obama (Dreams from My Father: A Story of Race and Inheritance)
“
Here's what vampires shouldn't be: pallid detectives that drink Bloody Marys and work only at night; lovelorn southern gentlemen; anorexic teenage girls; boy-toys with big dewy eyes. What should they be? Killers, honey. Stone killers that can't get enough of that tasty Type-A. Bad boys and girls. Hunters. In other words, Midnight America. Red, white and blue, accent on the red. Those vamps got hijacked by a lot of soft-focus romance.
(
American Vampire Vol. 1
: Introduction-"SUCK ON THIS" by Stephen King)
”
”
Stephen King
“
I was seventeen all over again, falling into intrigue with the boy who was an exquisite contradiction.
”
”
Blakney Francis (Someone I Used to Know)
“
I believe the potluck tradition of entertaining is the equivalent of a teenage boy wanting to have sex with his girlfriend but who is too scared to go to CVS to buy condoms. If you can’t handle providing all the courses for your dinner party, you can’t handle the hosting duties of a dinner party.
”
”
Mindy Kaling (Why Not Me?)
“
Teenage girls know more than we're given credit for. We sense danger even when everyone's telling us it's fine, he's a perfectly nice man, an upstanding member of our community, have you tasted his sugar-cream pie?
”
”
Nova Ren Suma (Slasher Girls & Monster Boys)
“
I clap my hands in delight. Is there anything more intoxicating than making a boy bend to your will?
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Only a teenage boy would agree to this: deceiving both our parents while repairing dangerous vehicles using money meant for my college education. He didn't see anything wrong with that picture. Jacob was a gift from the gods.
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
niyya possessed by an american teenage boy
“
And grumbling, he does it, in front of everybody, which is how I know he is utterly and completely mine.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
He felt a little lost, after that experience. Lost as the girls on their knees. It was a never-ending story of young girls losing themselves, such that they were no longer humans with any souls or characters, but pretty girls with fat asses and nice tits.
”
”
Jess C. Scott (Take-Out, Part 1)
“
I think that time might be different for young people. The minutes longer, stronger, more vibrant.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
This is two romantic things in a row, so I figure I should praise him accordingly, because the boy responds well to positive reinforcement.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
My “Best Woman” speech
Good evening everyone, my name is Rosie and as you can see Alex has
decided to go down the non-traditional route of asking me to be his best
woman for the day. Except we all know that today that title does not belong
to me. It belongs to Sally, for she is clearly his best woman.
I could call myself the “best friend” but I think we all know that today
that title no longer refers to me either. That title too belongs to Sally.
But what doesn’t belong to Sally is a lifetime of memories of Alex the
child, Alex the teenager, and Alex the almost-a-man that I’m sure he would
rather forget but that I will now fill you all in on. (Hopefully they all will
laugh.)
I have known Alex since he was five years old. I arrived on my first day
of school teary-eyed and red-nosed and a half an hour late. (I am almost sure
Alex will shout out “What’s new?”) I was ordered to sit down at the back of
the class beside a smelly, snotty-nosed, messy-haired little boy who had the
biggest sulk on his face and who refused to look at me or talk to me. I hated
this little boy.
I know that he hated me too, him kicking me in the shins under the table
and telling the teacher that I was copying his schoolwork was a telltale sign.
We sat beside each other every day for twelve years moaning about school,
moaning about girlfriends and boyfriends, wishing we were older and wiser and out of school, dreaming for a life where we wouldn’t have double maths
on a Monday morning.
Now Alex has that life and I’m so proud of him. I’m so happy that he’s
found his best woman and his best friend in perfect little brainy and annoying
Sally.
I ask you all to raise your glasses and toast my best friend Alex and his
new best friend, best woman, and wife, Sally, and to wish them luck and
happiness and divorce in the future.
To Alex and Sally!
”
”
Cecelia Ahern (Love, Rosie)
“
There on the dune, beside the table, one of the camel boys has his arm around the other, and they sit there like that as they watch the sun. The dunes are turning the same shades of adobe and aqua as the buildings of Marrakech. Two boys, arms around each other. To Less, it seems so foreign. It makes him sad. In his world, he never sees straight men doing this. Just as a gay couple cannot walk hand in hand down the streets of Marrakech, he thinks, two men, best friends, cannot walk hand in hand down the streets of Chicago. They cannot sit on a dune like these teenagers and watch a sunset in each other’s embrace. This Tom Sawyer love for Huck Finn.
”
”
Andrew Sean Greer (Less)
“
A teenage boy with a Mohawk sat across from me, sneering. I’d seen that look before. Why was it a problem to knit in public?
“My grandma knits.”
I ignored him.
“So what are you making, Grandma?” Mohawk’s voice was ugly.
I arched my eyebrow. “A cashmere cock ring. Your grandma ever knit one of those?”
The kid’s eyes grew wide, and he suddenly became very interested in a four-year-old issue of Teen Vogue.
”
”
Leslie Langtry ('Scuse Me While I Kill This Guy (Greatest Hits, #1))
“
And then I stand in front of God's Throne squinting up at His blazing glory and He says, 'You had your opportunities, boy. But did you listen? No. You went on heedlesly reading that garbagey magazine with pictures of naked girls in it. How juvenile! I gave geese more sense than that.'
Please, God. I'm only fourteen years old. A teenager. Have mercy. Be loving.
I was,' says God. 'For eons. And look at what it got me. You.'
God turns in disgust, just the way Daddy does. 'Sorry, but I'm the Creator. I take it personally. There are slugs and bugs and night-crawlers I feel better about having created - I mean, there are sparrows - I've got my eye on one right now. Is that sparrow consumed with lust? No. He mates in the spring and that's the end of it. Consider the lilies. Do they think about lily tits all the time? No. They look not and they lust not, and yet I say unto you that you will never be half as attractive as they. Therefore, I say unto you, think not about peckers and boobs and all that nonsense and your Heavenly Father will see that you meet a good woman and marry her, just as I do for the sparrow and walleye - yea verily, even the night-crawler and the eelpout. But I've told you this over and over for nineteen centuries. And now, verily, it's too late. Time's up, buster. Lights out! Game's over!
”
”
Garrison Keillor
“
I’m fifteen and I feel like girl my age are under a lot of pressure that boys are not under. I know I am smart, I know I am kind and funny, and I know that everyone around me keeps telling me that I can be whatever I want to be. I know all this but I just don’t feel that way. I always feel like if I don’t look a certain way, if boys don’t think I’m ‘sexy’ or ‘hot’ then I’ve failed and it doesn’t even matter if I am a doctor or writer, I’ll still feel like nothing. I hate that I feel like that because it makes me seem shallow, but I know all of my friends feel like that, and even my little sister. I feel like successful women are only considered a success if they are successful AND hot, and I worry constantly that I won’t be. What if my boobs don’t grow, what if I don’t have the perfect body, what if my hips don’t widen and give me a little waist, if none of that happens I feel like what’s the point of doing anything because I’ll just be the ‘fat ugly girl’ regardless of whether I do become a doctor or not.
I wish people would think about what pressure they are putting on everyone, not just teenage girls, but even older people – I watch my mum tear herself apart every day because her boobs are sagging and her skin is wrinkling, she feels like she is ugly even though she is amazing, but then I feel like I can’t judge because I do the same to myself. I wish the people who had real power and control the images and messages we get fed all day actually thought about what they did for once.
I know the girls on page 3 are probably starving themselves. I know the girls in adverts are airbrushed. I know beauty is on the inside. But I still feel like I’m not good enough.
”
”
Laura Bates (Everyday Sexism)
“
Leah looked at her parents, lost in their own fantasies, and decided that the three of them were a pretty pathetic family - but she wasn't sure who was more pathetic: the dateless girl spending the night of the big dance by herself in her bedroom, or the parents who foolishly believed a boy would arrive on their doorstep with flowers, a limo, and a promise to rescue their daughter from her solitude.
”
”
J.M. Reep (Leah)
“
He was Mo-Maw’s youngest son, but he was also her confidant, her lady’s maid, and errand boy. He was her one flattering mirror, and her teenage diary, her electric blanket, her doormat. He was her best pal, the dog she hardly walked, and her greatest romance. He was her cheer on a dreich morning, the only laughter in her audience. Jodie shunted him again but Mungo only grumbled and curled tighter around her. Her brother was her mother’s minor moon, her warmest sun, and at the exact same time, a tiny satellite that she had forgotten about. He would orbit her for an eternity, even as she, and then he, broke into bits.
”
”
Douglas Stuart (Young Mungo)
“
I would ask what it is you think you're doing, but... you are a teenager. I should have known better than to leave you in the car unattended. Next time, I'll seal you in there...probably with bricks. Maybe even mortar."
Nick ignored his dry tone. "Just so long as you make sure nothing can get inside to kill me, I'm good with that."
Ash frowned. "What are you talking about?"
"The kid dead on the ground. Fourteen, Ash. Fourteen. I'm fourteen."
"Yeah..."
"Ash, I'm fourteen"
"Got it. You're fourteen. I'm so proud you can count that high. It's a testament to the modern American educational system. But I should probably point out that you're no the only one. I'm told you go to a school with a whole class of -get this- kids who are fourteen."
Nick rolled his eyes at the sarcasm. No wonder his mom wanted to hurt him for it. He finally understood. "Yeah, but they're not dead. Someone's killing fourteen-year-old boys, which I happen to be one. The cops said so. This is the second one in a day who's been murdered."
"Yeah well given the lippiness of the average teenager, I can understand the urge"
"You're not funny."
"And you need to calm down. The only person you need to fear killing you when I'm around is me.
”
”
Sherrilyn Kenyon (Invincible (Chronicles of Nick, #2))
“
So I thought I’d feel different afterward, after the visible neon sign proclaiming 'virgin' had blinked out on my forehead. I’d spent years obessessing about it, so it seemed like somthing should have changed. Maybe it would have if I’d still been at Ceder Falls High School surrounded by the gossip and the braggadocio of teenage boys. But on my uncle's farm, nobody noticed, or at least nobody said anything. The next day, like every day, we dug corn, chopped wood, and carried water. And it didn’t really change much between Darla and me, either. Yes, making love was fun, but it wasn’t really any more fun than anything we’d already been doing together. Just different.
”
”
Mike Mullin (Ashfall (Ashfall, #1))
“
It’s a strange thing, being the parent of a teenager. One thing to raise a little boy, another entirely when a person on the brink of adulthood looks to you for wisdom. I feel like I have little to give. I know there are fathers who see the world a certain way, with clarity and confidence, who know just what to say to their sons and daughters. But I’m not one of them. The older I get, the less I understand. I love my son. He means everything to me. And yet, I can’t escape the feeling that I’m failing him. Sending him off to the wolves with nothing but the crumbs of my uncertain perspective.
”
”
Blake Crouch (Dark Matter)
“
I look up, and he’s searching my eyes, just like he did after kissing me for the first time in the rain. “What are you looking for?”
He doesn’t answer.
He doesn’t need to.
I know what he wants.
And it’s not fair.
“Just because we’re the only two teenagers on this whole ship doesn’t mean I have to love you. Why can’t I have a choice? Options?”
Elder steps back, stung.
“Look, it’s not that I don’t like you,” I say quickly, reaching for him. He jerks away. “It’s just…”
“Just what?” he growls.
Just that if I was back on Earth instead of on this damn ship, if I had met Elder at school or at a club or on a blind date, if I had my choice between Elder and every other boy in the world…Would I love him then?
Would he love me?
Love without choice isn’t love at all.
“Just that I don’t want to be with you just because there’s no one else.” [p.57-58]
”
”
Beth Revis (A Million Suns (Across the Universe, #2))
“
After all, we're currently living in a Bizarro society where teenagers are technology-obsessed, where the biggest sellers in every bookstores are fantasy novels about a boy wizard, and the blockbuster hit movies are all full of hobbits and elves or 1960s spandex superheroes. You don't have to go to a Star Trek convention to find geeks anymore. Today, almost everyone is an obsessive, well-informed aficionado of something. Pick your cult: there are food geeks and fashion geeks and Desperate Housewives geeks and David Mamet geeks and fantasy sports geeks. The list is endless. And since everyone today is some kind of trivia geek or other, there's not even a stigma anymore. Trivia is mainstream. "Nerd" is the new "cool.
”
”
Ken Jennings (Brainiac: Adventures in the Curious, Competitive, Compulsive World of Trivia Buffs)
“
We had been texting for exactly thirteen minutes, asking random questions, trying to figure out if we knew any of the same people, or if we liked the same kind of music--the usual interview process you go through when you're trying to get the job as boyfriend.
”
”
Jason Reynolds (The Boy in the Black Suit)
“
Eddie saw great things and near misses. Albert Einstein as a child, not quite struck by a run-away milk-wagon as he crossed a street. A teenage boy named Albert Schweitzer getting out of a bathtub and not quite stepping on the cake of soap lying beside the pulled plug. A Nazi Oberleutnant burning a piece of paper with the date and place of the D-Day Invasion written on it. He saw a man who intended to poison the entire water supply of Denver die of a heart attack in a roadside rest-stop on I-80 in Iowa with a bag of McDonald’s French fries on his lap. He saw a terrorist wired up with explosives suddenly turn away from a crowded restaurant in a city that might have been Jerusalem. The terrorist had been transfixed by nothing more than the sky, and the thought that it arced above the just and unjust alike. He saw four men rescue a little boy from a monster whose entire head seemed to consist of a single eye.
But more important than any of these was the vast, accretive weight of small things, from planes which hadn’t crashed to men and women who had come to the correct place at the perfect time and thus founded generations. He saw kisses exchanged in doorways and wallets returned and men who had come to a splitting of the way and chosen the right fork. He saw a thousand random meetings that weren’t random, ten thousand right decisions, a hundred thousand right answers, a million acts of unacknowledged kindness. He saw the old people of River Crossing and Roland kneeling in the dust for Aunt Talitha’s blessing; again heard her giving it freely and gladly. Heard her telling him to lay the cross she had given him at the foot of the Dark Tower and speak the name of Talitha Unwin at the far end of the earth. He saw the Tower itself in the burning folds of the rose and for a moment understood its purpose: how it distributed its lines of force to all the worlds that were and held them steady in time’s great helix. For every brick that landed on the ground instead of some little kid’s head, for every tornado that missed the trailer park, for every missile that didn’t fly, for every hand stayed from violence, there was the Tower.
And the quiet, singing voice of the rose. The song that promised all might be well, all might be well, that all manner of things might be well.
”
”
Stephen King (Wolves of the Calla (The Dark Tower, #5))
“
I've never had any summer lovin'. And I've never had any school year lovin', either. I've never had a boyfriend. I've never hooked up with a guy. And this morning, on my Internet browser, an article popped up about women marrying themselves. Even my wireless connection knows I'm alone.
”
”
Flynn Meaney (The Boy Recession)
“
A child who suffers from PTSD has made unsuccessful attempts to get help, and as the victimization continues, he stops asking for it. He withdraws socially, because he’s never quite sure when interaction is going to lead to another incident of bullying….
Different people have different responses to stress. In Peter’s case, I saw an extreme emotional vulnerability, which, in fact, was the reason he was teased. Peter didn’t play by the codes of boys. He wasn’t a big athlete. He wasn’t tough. He was sensitive. And difference is not always respected – particularly when you’re a teenager. Adolescence is about fitting in, not standing out.
”
”
Jodi Picoult (Nineteen Minutes)
“
Shall I tell her? Shall I be a kind and merciful narrator and take our girl aside? Shall I touch her new, red heart and make her understand that she is no longer one of the tribe of heartless children, nor even the owner of the wild and infant heart of thirteen-year-old girls and boys? Oh, September! Hearts, once you have them locked up in your chest, are a fantastic heap of tender and terrible wonders - but they must be trained. Beatrice could have told her all about it. A heart can learn ever so many tricks, and what sort of beast it becomes depends greatly upon whether it has been taught to sit up or to lie down, to speak or to beg, to roll over or to sound alarm, to guard or to attack, to find or to stay. But the trick most folk are so awfully fond of learning, the absolute second they've got hold of a heart, is to pretend they don't have one at all. It is the very first danger of the hearted. Shall I give fair warning, as neither you nor I was given?
”
”
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
“
He opened the door wearing an oversized wife-beater and dirty trunks to match. Funny, but he recognized me withouta struggle. Immediately, I assumed he was sober, which was a good thing. Yet, seeing me wasn’t expected or desired. For sure, I was the last person on his list of surprises. Jerry adjusted his head and sharpened his bloodshot eyes. It wasthen his booze-bated breath greeted me well before he did. Ok, he was in a stupor or maybe on the rebound. Next, soiled diapers stole the little oxygen I had left—and I was still OUTDOORS.
Yet somehow, I mustered enough wind to greet my brother. I tried to beat him to the punch and said, “What’s up bruh?” What happened next stomped my soul me for years to come! He never bothered to truly acknowledge me. Yet, heresponded without hesitation, “You know I can’t have
any company!” Then he violently slammed the door shut! Jerry was gone! I couldn’t differentiate
from being stupid or dumbstruck. I just stood silent on his porch all alone for about five minutes. I’d dealt with Jerry’s nastiness many times before. But he would initially warm up before dropping his hammer. Without a doubt, l was lost, confused, and bewildered like a teen-age boy losing a prom date. Foolishly, I used logic to dissect my embarrassment.
First, the guy scolded me as if I should’ve known better! To be fair, Jerry was the breadwinner. His wife left him years ago. That part I understood. Only a fool would have hung around his crazy ass. It was amazing they got together, let alone stayed that way long enough to create those children. Yet, all his kids were pushing the ages of twenty andabove. What the hell did he mean, “I can’t receive any company!” Of course, I heard those crying babies which madehim a granddaddy. That was strangely obvious to his existence. Yes, the cycle continues!
Second, I really didn’t care to go inside. I didn’t want to be in his business. I just wanted his input on Aunt Kathy’s memorial.
”
”
Harold Phifer (My Bully, My Aunt, & Her Final Gift)
“
if you're a teenaged babysitter caring for a mute toddler in a remote Maine cabin during a once-in-a-century blizzard while and escaped killers (bearing a strange resemblance to the handicapped boy you and your friends bulled of an embankment and left for dead all those years ago) roams the woods, you're probably in a horror movie.
”
”
Seth Grahame-Smith (How to Survive a Horror Movie (How to Survive))
“
A boy in my house was strange enough. But a guy who was that comfortable in someone else's house, around a parent? A boy who knew how to chop vegetables? A boy who voluntarily helped with everything? Was he one of those adults masqerading as a teenager! Was he a narc or something? Maybe there was a big drug problem at my school and twenty-five-year-old Robbie had been sent in to fix it.
Except that he'd been around since kindergarten, so unless the cops planned way ahead, that was out of the question.
”
”
Kieran Scott (Geek Magnet)
“
I clicked the gate shut and slipped down the alley. Through one fence after another, I caught glimpses of people in their dining rooms and living rooms, eating and watching TV dramas. Food smells drifted into the alley through kitchen windows and exhaust fans. One teenaged boy was practicing a fast passage on his electric guitar, with the volume turned down. In a second floor window, a tiny girl was studying at her desk, an earnest expression on her face. A married couple in a heated argument sent their voices out to the alley. A baby was screaming. A telephone rang. Reality spilled out into the alley like water from an overfilled bowl - as sound, as smell, as image, as plea, as response.
”
”
Haruki Murakami (The Wind-Up Bird Chronicle)
“
It is back to basics here,’ Jason said. ‘What women seek to find in a man is dictated by evolution and the role of the man as a hunter gatherer. Women want a bad boy who will treat them well but not so well that they will have nothing to bitch about to their female friends. Bitching about the male of the species is how females bond with each other…another one of evolutions little jokes.
”
”
J.D. Gallagher
“
But, if one cuts more deeply, the lonesome dove is Newt, a lonely teenager who is the unacknowledged son of Captain Call and a kindly whore named Maggie, who is now dead. So the central theme of the novel is not the stocking of Montana but unacknowledged paternity. All of the Hat Creek Outfit, including particularly Augustus McCrae, want Call to accept the boy as his son.
”
”
Larry McMurtry (Lonesome Dove (Lonesome Dove, #1))
“
I slowly came to recognize individual monks within the crowds of interchangeable orange robes and shaved heads. There were flirtatious and daring monks who stood on each other's shoulders to peek over the temple at you and call out "Hello, Mrs. Lady!" as you walked by. There were novices who snuck cigarettes at night outside the temple walls, the embers of their smokes glowing as orange as their robes. I saw a buff teenage monk doing push-ups, and I spotted another one with an unexpectdely gangsterish tattoo of a knife emblazoned on one golden shoulder. One night I'd eavesdropped while a handful of monks sang Bob Marley songs to each other underneath a tree in a temple garden, long after they should have been asleep. I'd even seen a knot of barely adolescent novices kickboxing each other - a display of good-natured competition, that like boys' games all over the world, carried the threat of turning truly violent at a moment's notice.
”
”
Elizabeth Gilbert (Committed: A Skeptic Makes Peace with Marriage)
“
Thank God for, as I posted earlier, the glow of work accomplished. Because a few seconds later, someone on the internet mentioned pie. I don’t blame them. It’s a good subject. But pie was mentioned and I remembered there was strawberry-rhubarb pie in the refrigerator. So I went there. And pie there was none. I suspect the teenaged boy has inhaled it. And now I cling to life and hope as best I can, because my world is dark and pieless.
”
”
Tad Williams
“
Those boys at the counter are too dreamy and young to do anything but drool as they watch Gillian. And, to her credit, Gillian is especially kind to them, even when Ephraim, the cook, suggests she kick them out. She understands that theirs might just be the last hearts she will break. When you're thirty-six and tired, when you've been living in places where the temperature rising to a hundred and ten and the air is so dry you have to use gallons of moisturizer, when you've been smacked around, late at night, by a man who loves bourbon, you start to realize that everything is limited, including your own appeal. You begin to look at young boys with tenderness, since they know so little and think they know so much. You watch teenage girls and feel shivers up and down your arms - those poor creatures don't know the first thing about time or agony or the price they're going to have to pay for just about anything.
”
”
Alice Hoffman (Practical Magic (Practical Magic, #1))
“
Everyone always knows what they're doing," he says abruptly, still not looking up from his hands, the little plastic pot and the old tattoo and the new white dressing on his left wrist. "You know what you're doing, you got your work and your friends and everything and miserable headfucky little teenage girly boys think you're amazing and, I don't know, you might've saved my life, who knows? I might be dead if it weren't for you and Olly but people can't keep looking after me all the time cos that ain't healthy neither, that's just as bad as people not giving a fuck at all. And, like... I'm trying to sort my head out and be a proper grown-up and get my degree and go to work and look after them kids and make sure my dad ain't kicking my sister round the house like a football but it's just so hard all the time, and I know I ain't got no right to complain cos that's just life, ain't it? Everyone's the same, least I ain't got money worries or nothing. I just don't know what I'm doing, everything's too hard. I can try and try forever but I can't be good enough for no one so what the fuck's the point?
”
”
Richard Rider (17 Black and 29 Red (Stockholm Syndrome, #2))
“
Teenage Turn-Ons
As played by Robert Pattinson in the Twilight Saga movies, Edward has a certain physical sex appeal thanks in part to the the actor's handsome features. but the appeal in both the movies and the novels has nothing to do with a bad-boy energy that so often translates into sexiness because, really, even when he's full-out vamp, there isn't that much of a bad boy to be found in his character. Curiously, the sexiness of the vampire Edward comes from his safeness. He is the ultimate fantasy man. Described in overly ripe prose, his physical perfection is glorious. He might be a little cool to the touch-but gosh! Look at him! He's youthful, with a perfect body, or the sort of man found in the pages of a million romance novels. And most important, he will do what ever it takes to keep his beloved Bella safe, whether the danger comes from the world or himself.
”
”
Laura Enright (Vampires' Most Wanted: The Top 10 Book of Bloodthirsty Biters, Stake-wielding Slayers, and Other Undead Oddities)
“
So I take it you and Gansey get along, then?” Maura’s expression was annoyingly knowing.
“Mom.”
“Orla told me about his muscle car,” Maura continued. Her voice was still angry and artificially bright. The fact that Blue was well aware that she’d earned it made the sting of it even worse. “You aren’t planning on kissing him, are you?”
“Mom, that will never happen,” Blue assured her. “You did meet him, didn’t you?”
“I wasn’t sure if driving an old, loud Camaro was the male equivalent of shredding your T-shirts and gluing cardboard trees to your bedroom walls.”
“Trust me,” Blue said. “Gansey and I are nothing like each other. And they aren’t cardboard. They’re repurposed canvas.”
“The environment breathes a sigh of relief.” Maura attempted another sip of her drink; wrinkling her nose, she shot a glare at Persephone. Persephone looked martyred. After a pause, Maura noted, in a slightly softer voice, “I’m not entirely happy about you’re getting in a car without air bags.”
“Our car doesn’t have air bags,” Blue pointed out.
Maura picked a long strand of Persephone’s hair from the rim of her glass. “Yes, but you always take your bike.”
Blue stood up. She suspected that the green fuzz of the sofa was now adhered to the back of her leggings. “Can I go now? Am I in trouble?”
“You are in trouble. I told you to stay away from him and you didn’t,” Maura said. “I just haven’t decided what to do about it yet. My feelings are hurt. I’ve consulted with several people who tell me that I’m within my rights to feel hurt. Do teenagers still get grounded? Did that only happen in the eighties?”
“I’ll be very angry if you ground me,” Blue said, still wobbly from her mother’s unfamiliar displeasure. “I’ll probably rebel and climb out my window with a bedsheet rope.”
Her mother rubbed a hand over her face. Her anger had completely burned itself out. “You’re well into it, aren’t you? That didn’t take long.”
“If you don’t tell me not to see them, I don’t have to disobey you,” Blue suggested.
“This is what you get, Maura, for using your DNA to make a baby,” Calla said.
Maura sighed. “Blue, I know you’re not an idiot. It’s just, sometimes smart people do dumb things.”
Calla growled, “Don’t be one of them.”
“Persephone?” asked Maura.
In her small voice, Persephone said, “I have nothing left to add.” After a moment of consideration, she added, however, “If you are going to punch someone, don’t put your thumb inside your fist. It would be a shame to break it.”
“Okay,” Blue said hurriedly. “I’m out.”
“You could at least say sorry,” Maura said. “Pretend like I have some power over you.
”
”
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
“
There is also the ceaseless outpouring of books on toilet training, separating one sibling's fist from another sibling's eye socket, expressing breast milk while reading a legal brief, helping preschoolers to "own" their feelings, getting Joshua to do his homework, and raising teenage boys so they become Sensitive New Age Guys instead of rooftop snipers or Chippendale dancers. Over eight hundred books on motherhood were published between 1970 and 2000; only twenty-seven of these came out between 1970 and 1980, so the real avalanch happened in the past twenty years. We've learned about the perils of "the hurried child" and "hyperparenting," in which we schedule our kids with so many enriching activities that they make the secretary of state look like a couch spud. But the unhurried child probably plays too much Nintendo and is out in the garage building pipe bombs, so you can't underschedule them either. Then there's the Martha Stewartization of America, in which we are meant to sculpt the carrots we put in our kids' lunches into the shape of peonies and build funhouses for them in the backyard; this has raised the bar to even more ridiculous levels than during the June Cleaver era.
”
”
Susan J. Douglas (The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women)
“
What I wanted to talk to you about was—”
He kissed me. At first he gently touched his lips to mine. e more exciting development was that in order to do this, he’d stepped very close. His chest was an inch
from mine. I could feel his heat. He tasted of blackberries. He leaned even closer and braced his muscular arms on the tree on either side of me.
When he broke the kiss to take a breath, I whispered, “Tree hugger.”
He opened his eyes, blue as the afternoon sky, and gave me this look. A combination of amusement and exasperation and hunger. He looked like a teenager making out
in the woods. Puzzling through this, I realized that I was gazing at him from the perspective of a six-year-old girl playing army and dodging rubber snakes.
But he was this teenager, and so was I. I felt the same need for him that he felt for me, like a force was drawing me forward into his heat. I just didn’t know how to say
it.
”
”
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
“
The children in my dreams
speak in Gujarati
turn their trusting faces to the sun
say to me
care for us nurture us
in my dreams I shudder and I run.
I am six
in a playground of white children
Darkie, sing us an Indian song!
Eight
in a roomful of elders
all mock my broken Gujarati
English girl!
Twelve, I tunnel into books
forge an armor of English words.
Eighteen, shaved head
combat boots -
shamed by masis
in white saris
neon judgments
singe my western head.
Mother tongue.
Matrubhasha
tongue of the mother
I murder in myself.
Through the years I watch Gujarati
swell the swaggering egos of men
mirror them over and over
at twice their natural size.
Through the years
I watch Gujarati dissolve
bones and teeth of women, break them
on anvils of duty and service, burn them
to skeletal ash.
Words that don't exist in Gujarati :
Self-expression.
Individual.
Lesbian.
English rises in my throat
rapier flashed at yuppie boys
who claim their people “civilized” mine.
Thunderbolt hurled
at cab drivers yelling
Dirty black bastard!
Force-field against teenage hoods
hissing
F****ing Paki bitch!
Their tongue - or mine?
Have I become the enemy?
Listen:
my father speaks Urdu
language of dancing peacocks
rosewater fountains
even its curses are beautiful.
He speaks Hindi
suave and melodic
earthy Punjabi
salty rich as saag paneer
coastal Kiswahili
laced with Arabic,
he speaks Gujarati
solid ancestral pride.
Five languages
five different worlds
yet English
shrinks
him
down
before white men
who think their flat cold spiky words
make the only reality.
Words that don't exist in English:
Najjar
Garba
Arati.
If we cannot name it
does it exist?
When we lose language
does culture die? What happens
to a tongue of milk-heavy
cows, earthen pots
jingling anklets, temple bells,
when its children
grow up in Silicon Valley
to become
programmers?
Then there's American:
Kin'uh get some service?
Dontcha have ice?
Not:
May I have please?
Ben, mane madhath karso?
Tafadhali nipe rafiki
Donnez-moi, s'il vous plait
Puedo tener…..
Hello, I said can I get some service?!
Like, where's the line for Ay-mericans
in this goddamn airport?
Words that atomized two hundred thousand Iraqis:
Didja see how we kicked some major ass in the Gulf?
Lit up Bagdad like the fourth a' July!
Whupped those sand-niggers into a parking lot!
The children in my dreams speak in Gujarati
bright as butter
succulent cherries
sounds I can paint on the air with my breath
dance through like a Sufi mystic
words I can weep and howl and devour
words I can kiss and taste and dream
this tongue
I take back.
”
”
Shailja Patel (Migritude)
“
Being a failed teenager is not a crime, but a predicament and a secret crucible. It is a fun-house mirror where distortion and mystification led to the bitter reflection that sometimes ripens into self knowledge. Time is the only ally of the humiliated teenager, who eventually discovers the golden boy of the senior class is a bloated, bald drunk at the twentieth reunion, and that the homecoming queen married a wife-beater and philanderer and died in a drug rehabilitation center before she was thirty. The prince of acne rallied in college and is now head of neurology, and the homeliest girl blossoms in her twenties, marries the chief financial officer of a national bank, and attends her reunion as president of the Junior League. But since a teenager is denied a crystal ball that will predict the future, there is a forced march quality to this unspeakable rite of passage. It is an unforgivable crime for teenagers not to be able to absolve themselves for being ridiculous creatures at the most hazardous time of their lives.
”
”
Pat Conroy (South of Broad)
“
Of course I know what she means. To make art in fandom is to follow your passion at the risk of never being taken seriously. I've written dozens of fics-put them together and you'd have several novels-but who knows what a college admissions officer will think of that as a pastime. Where does 12,000 Tumbler followers rate in relation to a spot in the National Honor Society in their minds? Every week I get anonymous messages in my inbox telling me I should write a real book. Well, haven't I already? What makes what I do different from "real writing"? Is it that I don't use original characters? I guess that makes every Hardy Boys edition, every Star Wars book, every spinoff, sequel, fairy-tale re-telling, historical romance, comic book reboot, and the music Hamilton "not real writing". Or is it that a real book is something printed, that you can hold in your hand, not something you write on the internet? Or is "real writing" something you sell in a store, not give away for free? No, I know it's none of these things. It's merely this: "real writing" is done by serious people, whereas fanfiction is written by weirdos, teenagers, degenerates, and women.
”
”
Britta Lundin (Ship It)
“
But the Esquire passage I found most poignant and revealing was this one: Mister Rogers' visit to a teenage boy severely afflicted with cerebral palsy and terrible anger. One of the boys' few consolations in life, Junod wrote, was watching Mister Rogers Neighborhood.
'At first, the boy was made very nervous by the thought that Mister Rogers was visiting him. He was so nervous, in fact, that when Mister Rogers did visit, he got mad at himself and began hating himself and hitting himself, and his mother had to take him to another room and talk to him. Mister Rogers didn't leave, though. He wanted something from the boy, and Mister Rogers never leaves when he wants something from somebody. He just waited patiently, and when the boy came back, Mister Rogers talked to him, and then he made his request. He said, 'I would like you to do something for me. Would you do something for me?' On his computer, the boy answered yes, of course, he would do anything for Mister Rogers, so then Mister Rogers said: I would like you to pray for me. Will you pray for me?' And now the boy didn't know how to respond. He was thunderstruck... because nobody had ever asked him for something like that, ever. The boy had always been prayed for. The boy had always been the object of prayer, and now he was being asked to pray for Mister Rogers, and although at first he didn't know how to do it, he said he would, he said he'd try, and ever since then he keeps Mister Rogers in his prayers and doesn't talk about wanting to die anymore, because he figures if Mister Rogers likes him, that must mean that God likes him, too.
As for Mister Rogers himself... he doesn't look at the story the same way the boy did or I did. In fact, when Mister Rogers first told me the story, I complimented him on being smart - for knowing that asking the boy for his prayers would make the boy feel better about himself - and Mister Rogers responded by looking at me first with puzzlement and then with surprise. 'Oh heavens no, Tom! I didn't ask him for his prayers for him; I asked for me. I asked him because I think that anyone who has gone through challenges like that must be very close to God. I asked him because I wanted his intercession.
”
”
Tim Madigan (I'm Proud of You: My Friendship with Fred Rogers)
“
The first school shooting that attracted the attention of a horrified nation occurred on March 24, 1998, in Jonesboro, Arkansas. Two boys opened fire on a schoolyard full of girls, killing four and one female teacher. In the wake of what came to be called the Jonesboro massacre, violence experts in media and academia sought to explain what others called “inexplicable.” For example, in a front-page Boston Globe story three days after the tragedy, David Kennedy from Harvard University was quoted as saying that these were “peculiar, horrible acts that can’t easily be explained.” Perhaps not. But there is a framework of explanation that goes much further than most of those routinely offered. It does not involve some incomprehensible, mysterious force. It is so straightforward that some might (incorrectly) dismiss it as unworthy of mention. Even after a string of school shootings by (mostly white) boys over the past decade, few Americans seem willing to face the fact that interpersonal violence—whether the victims are female or male—is a deeply gendered phenomenon. Obviously both sexes are victimized. But one sex is the perpetrator in the overwhelming majority of cases. So while the mainstream media provided us with tortured explanations for the Jonesboro tragedy that ranged from supernatural “evil” to the presence of guns in the southern tradition, arguably the most important story was overlooked. The Jonesboro massacre was in fact a gender crime. The shooters were boys, the victims girls. With the exception of a handful of op-ed pieces and a smattering of quotes from feminist academics in mainstream publications, most of the coverage of Jonesboro omitted in-depth discussion of one of the crucial facts of the tragedy. The older of the two boys reportedly acknowledged that the killings were an act of revenge he had dreamed up after having been rejected by a girl. This is the prototypical reason why adult men murder their wives. If a woman is going to be murdered by her male partner, the time she is most vulnerable is after she leaves him. Why wasn’t all of this widely discussed on television and in print in the days and weeks after the horrific shooting? The gender crime aspect of the Jonesboro tragedy was discussed in feminist publications and on the Internet, but was largely absent from mainstream media conversation. If it had been part of the discussion, average Americans might have been forced to acknowledge what people in the battered women’s movement have known for years—that our high rates of domestic and sexual violence are caused not by something in the water (or the gene pool), but by some of the contradictory and dysfunctional ways our culture defines “manhood.” For decades, battered women’s advocates and people who work with men who batter have warned us about the alarming number of boys who continue to use controlling and abusive behaviors in their relations with girls and women. Jonesboro was not so much a radical deviation from the norm—although the shooters were very young—as it was melodramatic evidence of the depth of the problem. It was not something about being kids in today’s society that caused a couple of young teenagers to put on camouflage outfits, go into the woods with loaded .22 rifles, pull a fire alarm, and then open fire on a crowd of helpless girls (and a few boys) who came running out into the playground. This was an act of premeditated mass murder. Kids didn’t do it. Boys did.
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Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help (How to End Domestic Violence, Mental and Emotional Abuse, and Sexual Harassment))