Fern Frond Quotes

She sat very still, listening to a stream gurgling, the breeze soughing through upper branches, the melodious kloo-klack of ravens, the nyeep-nyeep of nuthatches - all sounds chokingly beautiful. She felt she could hear the cool clean breath of growing things - fern fronds, maple leaves, white trillium petals, tree trunks, each in its rightful place.

As the wise say, a sensible man looks after his garden, and a coward looks after his money; a just man cares about his city and a crazy man cares about the government; and a wise man studies the thickness of fern-fronds.

But he saw Naomi as the wind traveling over the field, always searching, never stopping, and never knowing that true piece is when you curl around one little piece of something. One little fern. One little frond. One person to love.

She surveyed the undergrowth and focused on a cluster of fern fronds curled tightly against the new life they had been given. She often wondered why the fern’s new existence was so firmly wound up. But she questioned their response no longer. Oaklee felt every muscle in her body want to curl up in self-protection, to comfort the pain, anger, and fear.

Taut, merry, nervous, expertly mounted, exquisitely clothed, haughty in their bright youth, the chevaliers of France poured from the disheveled clearing. Sunlit, all that morning, they spanned the glittering woods: diamond on diamond, grey on grey, riches on riches; bough and limb indistinguishable; skirts and meadows sewn in the same silks; skulls in antique fantasy knotted with rhizome and leafy with fern frond. Webs, manes, beards, spun the same smokelike filament; rime flashed; jewels sparked, red and fat, on rosebush and ring. Earth and animals wore the same livery. Jazerained in its berries, the oak tree matched their pearls, and paired their brilliant-sewn housings with low mosses underfoot, freshets winking half-ice in the pile.

But what my car needs is gas, not memories! How can you make a car go on memories?' B.D. scratched under her Admiral's hat. 'What'd you think gas was, girl? 'Course there's all sorts of fuel, wind and wishes and chocolate cake and collard greens and water and brawn, but you're wanting the kind that burns in an engine. That kind of gas is nothing more than the past stored up and fermented and kept down in the cellar of the earth till it's wanted. Gas is saved-up sunlight. Giant ferns and apples of immortality and dimetrodons and cyclopses and werewhales drank up the sun as it shone on their backs a million years ago and used it to be a bigger fern or make more werewhales or drop seeds of improbability.' Her otter's paws moved quick and sure, selecting a squat, square bottle here and a round rosy one there. 'It so happens sunshine has a fearful memory. It sticks around even after its favorite dimetrodon dies. Gets hard and wily. Turns into something you can touch, something you can drill, something you can pour. But it still remembers having one eye and slapping the ocean's face with a great heavy tail. It liked making more dinosaurs and growing a frond as tall as a bank. It likes to make things alive, to make things go.

Sadie scanned the wild tangle of greenery surrounding them. Ferns were striving towards the light, spiraled stems uncoiling into fronds. The sweet scent of honeysuckle mingled with the earthiness of recent rain. Summer rain. She'd always loved that smell, even more so when Bertie told her it was caused by a type of bacteria. It proved that good things could come from bad if the right conditions were applied. Sadie had a vested interest in believing that was true.

Her mother was peaceful. She was calm. The sight filled Alice with the kind of green hope she found at the bottom of rock pools at low tide but never managed to cup in her hands. The more time she spent with her mother in the garden, the more deeply Alice understood- from the tilt of Agnes's wrist when she inspected a new bud, to the light that reached her eyes when she lifted her chin, and the thin rings of dirt that encircled her fingers as she coaxed new fern fronds from the soil- the truest parts of her mother bloomed among her plants. Especially when she talked to the flowers. Her eyes glazed over and she mumbled in a secret language, a word here, a phrase there as she snapped flowers off their stems and tucked into her pockets. Sorrowful remembrance, she'd say as she plucked a bindweed flower from its vine. Love, returned. The citrusy scent of lemon myrtle would fill the air as she tore it from a branch. Pleasures of memory. Her mother pocketed a scarlet palm of kangaroo paw.

But he saw Naomi as the wind traveling over the field, always searching, never stopping, and never knowing that true peace is when you curl around one little piece of something. One little fern. One little frond. One person to love.

... crystal spheres imprisoning green lizards, salamanders, millefiori bouquets dragonflies, a basket of pears, butterflies alighted on a frond of fern, swirls of pink and white and blue and white, shimmering like fireworks, cobras ready to strike, pretty little arrangements of pansies, magnificent poinsettias ...

Three hours later, Cassandra limped into the quiet, empty conservatory. Soft ripples of light reflected from the indoor stream and jostled against shadows cast by ferns and palm fronds. It looked like the room of some underwater palace. Painfully she made her way to the steps of a small stone bridge and sat in a billow of blue silk organza skirts. Tiny crystal beads had been scattered among the multiple layers of delicate fabric, casting glints across the floor.

It’s pretty here,” Dex said. “I wouldn’t have imagined I’d say that about a place like this, but—” “Yes, it is,” Mosscap said, as if making a decision within itself. “It is. Dying things often are.” Dex raised an eyebrow. “That’s a little macabre.” “Do you think so?” said Mosscap with surprise. “Hmm. I disagree.” It absently touched a soft fern growing nearby, petting the fronds like fur. “I think there’s something beautiful about being lucky enough to witness a thing on its way out.

The Fairy Bride The fairy bride picked the lock And tiptoed through the summer wood She gave no mind to life behind Or shadows thrown by bad or good She gave no mind to wrong or right Or screeching call of owls at night She listened for the haunting cries That called her from her blushing bud Ferns unfurl a tickled fronds Laughing at her slightest brush Dewdrops glisten with green eyes Meadows sway with lightest hush A captive note arrests her breath Dreamers weave intricate maze Lithe and quick she shines the light Illuminating shadow glades She gives no mind to life and limb Or captor’s hiss from deep within Her purity will seize the thread Dangling loose from dreamer’s web She spins a silver spool of light To catch the rays of stars at night Now innocence can spread its wings Making haste for freedom flight She gives no mind to where they fly Or how tall grasses lift her high She clicks the lock and in she glides All nature hails the fairy bride

For one moment, she stood stock-still, drinking in the simple beauty of the marble fountain, the base of its pedestal wreathed in delicate fronds, that stood, glowing lambently in the soft white light, in the center of a small, secluded, fern-shrouded clearing. Water poured steadily from the pitcher of the partially clad maiden frozen forever in her task of filling the wide, scroll-lipped basin. The area had clearly been designed to provide the lady of the house with a private, refreshing, calming retreat in which to embroider, or simply rest and gather thoughts. In the moonlit night, surrounded by mysterious shadow and steeped in a silence rendered only more intense by the distant sighing of music and the silvery tinkle of the water, it was a hauntingly magical place. For three heartbeats, the magic held Patience immobile. Then, through the fine silk of her gown, she felt the heat of Vane's body. He did not touch her, but that heat, and the flaring awareness that raced through her, had her quickly stepping forward. Hauling in a desperate breath, she gestured to the fountain. "It's lovely." "Hmm," came from close behind. Too close behind. Patience found herself heading for a stone bench, shaded by a canopy of palms. Stifling a gasp, she veered away, toward the fountain.

Beyond a fence, they came to the swimming pool, which spilled over into a series of waterfalls and smaller rocky pools. The area was planted with huge ferns. “Isn’t this extraordinary?” Ed Regis said. “Especially on a misty day, these plants really contribute to the prehistoric atmosphere. These are authentic Jurassic ferns, of course.” Ellie paused to look more closely at the ferns. Yes, it was just as he said: Serenna veriformans, a plant found abundantly in fossils more than two hundred million years old, now common only in the wetlands of Brazil and Colombia. But whoever had decided to place this particular fern at poolside obviously didn’t know that the spores of veriformans contained a deadly beta-carboline alkaloid. Even touching the attractive green fronds could make you sick, and if a child were to take a mouthful, he would almost certainly die—the toxin was fifty times more poisonous than oleander. People were so naïve about plants, Ellie thought. They just chose plants for appearance, as they would choose a picture for the wall. It never occurred to them that plants were actually living things, busily performing all the living functions of respiration, ingestion, excretion, reproduction—and defense. But Ellie knew that, in the earth’s history, plants had evolved as competitively as animals, and in some ways more fiercely. The poison in Serenna veriformans was a minor example of the elaborate chemical arsenal of weapons that plants had evolved. There were terpenes, which plants spread to poison the soil around them and inhibit competitors; alkaloids, which made them unpalatable to insects and predators (and children); and pheromones, used for communication. When a Douglas fir tree was attacked by beetles, it produced an anti-feedant chemical—and so did other Douglas firs in distant parts of the forest. It happened in response to a warning alleochemical secreted by the trees that were under attack. People who imagined that life on earth consisted of animals moving against a green background seriously misunderstood what they were seeing. That green background was busily alive. Plants grew, moved, twisted, and turned, fighting for the sun; and they interacted continuously with animals—discouraging some with bark and thorns; poisoning others; and feeding still others to advance their own reproduction, to spread their pollen and seeds. It was a complex, dynamic process which she never ceased to find fascinating. And which she knew most people simply didn’t understand. But if planting deadly ferns at poolside was any indication, then it was clear that the designers of Jurassic Park had not been as careful as they should have been.

As a boy, I sometimes sat down from my wandering only to wake up an hour later, surprised to find I had fallen asleep in a warm patch of grass. That wouldn’t happen in bear country. When I walk in a place like Yellowstone, it’s always with a slight but solemn recognition of the slender possibility that I will die, that some wild animal will kill me. My senses come alive: I taste the air, listen for sounds beneath the wind. Suddenly, nature is not the backdrop to life, it is life itself, and I am no longer myself, but myself in nature. I note and classify even small changes: a shrew darting across the path, an updraft twisting a fern frond, a hummingbird gathering spiderweb for its nest. Light and form take on greater clarity, and given enough time to sink into these sensations , visual tricks will arise that are somewhere between vigilance and hallucination, such as seeing clearly every trembling leaf on a tree while in the same moment watching a bumblebee pass by in slow motion. As my senses reach outward, I spread away from myself. The world expands. It’s the closest a person can feel, I think, to being a flock of birds. The naturalist John Livingston described this perspective as a participatory state of mind, and speculated that among wild animals it is the ordinary form of consciousness. It would seem to have to be.

Western Red Cedar bark and cones are distinct. The foliage is not coniferous... the tree has flat intricate fronds that branch out like lace. It droops down, hanging fingers from each branch. In certain lights, it looks like a tree made of ferns.

she felt like a baby fern frond, uncurling from its tight uncertainty about facing life.

He told Chime, “I’ve been bait before—” Chime nodded. “I know, and I find that terrifying.” “—and I wasn’t talking to you.” He looked up at the smaller branch arching above them. Jade perched up there, partially concealed from this angle by the drooping fronds of a fern tree that had taken root on the broad branch. She said, “Not every problem can be solved by you trying to get yourself killed.

Maybe you have to be a bit touched to be a ruler, good or bad. For, as the wise say, a sensible man looks after his garden and a coward looks after his money; a just man cares about his city and a crazy man cares about the government; and a wise man studies the thickness of fern-fronds.

I drew the things of nature, leaves and berries, shore grasses and nuts and long fronds of fern. I drew a curlew perched at the end of a pier, and a cormorant with wings outstretched to catch the breeze. Drawing is a way to make sense of the world in my heart and mind. I speak through my drawing and sometimes I discover my own feelings that were hidden from me.

She brushed the goat away and slipped off the shirt, revealing a black ribbed tank top underneath. It put the flower garden climbing up her arm and spreading across her shoulder on full display. She'd gotten the tattoos one at a time, one or two a year, ever since her meltdown. Each one stood for something specific in the language of flowers. A white chrysanthemum bloomed on the inside of her wrist for truth. A fern frond arched across her inner arm for sincerity. Delicate yellow sprigs of rue traced their way up her bicep for grace and clarity. A pink rose for happiness peeked from her shoulder blade. Together they symbolized a woman who was discovering her true path in life, uncovering her authentic self on the journey.

I spend most of my Mondays with blood. I am a hematologist by training. I study blood and treat blood diseases, including cancers and precancers of white blood cells. On Monday, I arrive much earlier than my patients, when the morning light is still aslant across the black slate of the lab benches. I close the shutters and peer through the microscope at blood smears. A droplet of blood has been spread across a glass slide, to make a film of single cells, each stained with special dyes. The slides are like previews of books, or movie trailers. The cells will begin to reveal the stories of the patients even before I see them in person. I sit by the microscope in the darkened room, a notepad by my side, and whisper to myself as I go through the slides. It’s an old habit; a passerby might well consider me unhinged. Each time I examine a slide, I mumble out the method that my hematology professor in medical school, a tall man with a perpetually leaking pen in his pocket, taught me: “Divide the main cellular components of blood. Red cell. White cell. Platelet. Examine each cell type separately. Write what you observe about each type. Move methodically. Number, color, morphology, shape, size.” It is, by far, the favorite time of my day at work. Number, color, morphology, shape, size. I move methodically. I love looking at cells, in the way that a gardener loves looking at plants—not just the whole but also the parts within the parts: the leaves, the fronds, the precise smell of loam around a fern, the way the woodpecker has bored into the high branches of a tree. Blood speaks to me—but only if I pay attention.

Before Alderheart could reply, Fuzzball hurled himself at Jayfeather and crouched down beside him, beginning to part the fern fronds and clumps of moss as he searched for thorns. “Are you blind?” he asked Jayfeather, staring at his eyes. “What’s it like being blind? How did it happen?” Jayfeather opened his jaws: not to reply, Alderheart guessed, but to deliver a stinging rebuke. But Fuzzball chattered on obliviously. “Was it in a fight with a badger? Or a dog? Did the dog die? Is your belly hurting? How bad? Would you like me to rub it?” Turning his head, Jayfeather glared at Alderheart, almost as if he could see him. “When I get better, I’m going to kill you,” he grumbled.

Ferns with their fronds freely abound, fluffy like feathers and the /f/ sound.

The buzzing beneath my feet intensified as I neared the small pool of water. This had to be the gazing pool I'd heard about. Sheltered by tall, skinny evergreens and shrubs that held heavy clusters of small, delicate white flowers, it was shaded by the canopy of an old live oak tree that had moss growing at the base of its trunk. Curiosity drew me in. Faint ripples pulsed along the water's surface as the small pool burbled gently, peacefully, as if I relieved to be unburdened of its long-held secret about Bee. I studied the burbling, wondering what caused it, because it didn't appear that anyone had placed a running hose beneath its surface. There was no equipment at all. Just clear water. A knee-high mossy stone wall enclosed the pool, and ferns grew along its foundation, nestled snugly, their fronds rustling in the warm breeze. Suddenly I felt the urge to sit and stare into the water, and I absently smiled, thinking the gazing pool had been appropriately named.

I have a number of such wells in mind. In county Longford, not far from the town of Granard, a spring bubbles in some rough ground a few yards from the roadside. Climb the old wire fence where it ties into a tree, walk in a north-westerly direction, and look out for some unexpected ferns and water fronds; the big green blades will catch your eye.