“
It's just that I don't want to be somebody's crush. If somebody likes me, I want them to like the real me, not what they think I am. And I don't want them to carry it around inside. I want them to show me, so I can feel it too.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
Do you know what it’s like to like someone so much you can’t stand it and know that they’ll never feel the same way?
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
Compassion hurts. When you feel connected to everything, you also feel responsible for everything. And you cannot turn away. Your destiny is bound with the destinies of others. You must either learn to carry the Universe or be crushed by it. You must grow strong enough to love the world, yet empty enough to sit down at the same table with its worst horrors.
”
”
Andrew Boyd (Daily Afflictions: The Agony of Being Connected to Everything in the Universe)
“
I love you. I hate you. I like you. I hate you. I love you. I think you’re stupid. I think you’re a loser. I think you’re wonderful. I want to be with you. I don’t want to be with you. I would never date you. I hate you. I love you…..I think the madness started the moment we met and you shook my hand. Did you have a disease or something?
”
”
Shannon L. Alder
“
I had to get over [him]. For months now, a stone had been sitting on my heart. I'd shed a lot of tears over [him], lost a lot of sleep, eaten a lot of cake batter. Somehow, I had to move on. [Life] would be hell if I didn't shake loose from the grip he had on my heart. I most definitely didn't want to keep feeling this way, alone in a love affair meant for two. Even if he'd felt like The One. Even if I'd always thought we'd end up together. Even if he still had a choke chain on my heart.
”
”
Kristan Higgins (All I Ever Wanted)
“
I swear, I end up feeling empty, like you've taken something out of me and I have to search my body for scars.
”
”
Richard Siken (Crush)
“
Mortals are such fragile things. Just tender feelings walking around exposed in their delicate shells...Easy to crush.
”
”
Melissa Marr (Wicked Lovely (Wicked Lovely, #1))
“
When God takes out the trash, don't go digging back through it. Trust Him.
”
”
Amaka Imani Nkosazana (Heart Crush)
“
Here's to the kids.
The kids who would rather spend their night with a bottle of coke & Patrick or Sonny playing on their headphones than go to some vomit-stained high school party.
Here's to the kids whose 11:11 wish was wasted on one person who will never be there for them.
Here's to the kids whose idea of a good night is sitting on the hood of a car, watching the stars.
Here's to the kids who never were too good at life, but still were wicked cool.
Here's to the kids who listened to Fall Out boy and Hawthorne Heights before they were on MTV...and blame MTV for ruining their life.
Here's to the kids who care more about the music than the haircuts.
Here's to the kids who have crushes on a stupid lush.
Here's to the kids who hum "A Little Less 16 Candles, A Little More Touch Me" when they're stuck home, dateless, on a Saturday night.
Here's to the kids who have ever had a broken heart from someone who didn't even know they existed.
Here's to the kids who have read The Perks of Being a Wallflower & didn't feel so alone after doing so.
Here's to the kids who spend their days in photobooths with their best friend(s).
Here's to the kids who are straight up smartasses & just don't care.
Here's to the kids who speak their mind.
Here's to the kids who consider screamo their lullaby for going to sleep.
Here's to the kids who second guess themselves on everything they do.
Here's to the kids who will never have 100 percent confidence in anything they do, and to the kids who are okay with that.
Here's to the kids.
This one's not for the kids,
who always get what they want,
But for the ones who never had it at all.
It's not for the ones who never got caught,
But for the ones who always try and fall.
This one's for the kids who didnt make it,
We were the kids who never made it.
The Overcast girls and the Underdog Boys.
Not for the kids who had all their joys.
This one's for the kids who never faked it.
We're the kids who didn't make it.
They say "Breaking hearts is what we do best,"
And, "We'll make your heart be ripped of your chest"
The only heart that I broke was mine,
When I got My Hopes up too too high.
We were the kids who didnt make it.
We are the kids who never made it.
”
”
Pete Wentz
“
Kung hindi mutual ang felings natin, pwes, gagawin kong mutual. Ayaw ko na rin sa'yo.
”
”
Ramon Bautista (Bakit Hindi Ka Crush ng Crush Mo?)
“
I was literally seeing stars, and every ragged breath I took felt like I was trying to breathe through broken glass.
On the upside, my crush on Archer was totally gone. Over. Once a boy has slammed his kneecap into your rib cage, I think any romantic feeling should naturally go the way of the ghost.
”
”
Rachel Hawkins (Hex Hall (Hex Hall, #1))
“
You're trying not to tell him you love him, and you're trying to choke down the feeling, and you're trembling, but he reaches over and he touches you, like a prayer for which no words exist, and you feel your heart taking root in your body, like you've discovered something you don't even have a name for.
”
”
Richard Siken (Crush)
“
Human beings are so made that the ones who do the crushing feel nothing; it is the person crushed who feels what is happening. Unless one has placed oneself on the side of the oppressed, to feel with them, one cannot understand.
”
”
Simone Weil (Lectures on Philosophy)
“
Be always drunken.
Nothing else matters:
that is the only question.
If you would not feel
the horrible burden of Time
weighing on your shoulders
and crushing you to the earth,
be drunken continually.
Drunken with what?
With wine, with poetry, or with virtue, as you will.
But be drunken.
And if sometimes,
on the stairs of a palace,
or on the green side of a ditch,
or in the dreary solitude of your own room,
you should awaken
and the drunkenness be half or wholly slipped away from you,
ask of the wind,
or of the wave,
or of the star,
or of the bird,
or of the clock,
of whatever flies,
or sighs,
or rocks,
or sings,
or speaks,
ask what hour it is;
and the wind,
wave,
star,
bird,
clock will answer you:
"It is the hour to be drunken!
”
”
Charles Baudelaire (Paris Spleen)
“
He was sweet and charming and smart... but my feelings for Wesley were way beyond that. I'd skipped the crush kiddie pool and jumped right into the deep, shark-infested ocean of emotions. And, if you'll forgive the dramatic metaphor, I was a lousy swimmer.
”
”
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
“
I don’t entirely understand how anyone gets a boyfriend. Or a girlfriend. It just seems like the most impossible odds. You have to have a crush on the exact right person at the exact right moment. And they have to like you back. A perfect alignment of feelings and circumstances. It’s almost unfathomable that it happens as often as it does.
”
”
Becky Albertalli (The Upside of Unrequited)
“
That crush of happiness, that feeling that this is what life’s about: being somewhere beautiful, with someone you love.
”
”
Emily Henry (People We Meet on Vacation)
“
When you decide to attack, keep calm and dash in quickly, forestalling the enemy...attack with a feeling of constantly crushing the enemy, from first to last.
”
”
Miyamoto Musashi (A Book of Five Rings: The Classic Guide to Strategy)
“
How good it feels when you've made a special place in the heart of the one you love!
”
”
Pratibha Malav (A Kind Of Commitment)
“
Be always drunken. Nothing else matters: that is the only question. If you would not feel the horrible burden of Time weighing on your shoulders and crushing you to the earth, be drunken continually.
Drunken with what? With wine, with poetry, or with virtue, as you will. But be drunken.
”
”
Eugene O'Neill (Long Day’s Journey into Night)
“
To wait. In our lives we know joy, anger, sorrow, and a hundred other emotions, but these emotions all together occupy a bare one percent of our time. The remaining ninety-nine percent is just living in waiting. I wait in momentary expectation, feeling as though my breasts are being crushed, for the sound in the corridor of the footsteps of happiness. Empty. Oh, life is too painful, the reality that confirms the universal belief that it is best not to be born.
”
”
Osamu Dazai (The Setting Sun)
“
I will fight any battle for you, crush any adversity. Because you are mine, beautiful girl. I love you so madly that the past before you feels sane...
”
”
Kresley Cole (Lothaire (Immortals After Dark, #11))
“
If you have feelings for someone, let them know. It doesn’t matter if they can be in your life or not. Maybe, it is just enough for both of you to release the truth, so healing can occur. The opposite is true, as well. If you don’t have feelings for someone then never let another person suggest that you do. Protect your reputation and be responsible for the wrong information spread about you. Never allow anyone to live with a false belief or unfounded hope about you. An honorable person sets the record straight, so that person can move on with their life.
”
”
Shannon L. Alder
“
Hope is a waking dream.' I let the words echo in my head. The quote reminded me of that feeling you get when you start to wake from a dream you don't want to leave. That crushing sensation in the center of your chest, like you are losing an important piece of yourself you won't ever get back.
”
”
Jennifer Rush (Altered (Altered, #1))
“
I nodded. “I’m sorry I let you down.”
“No, no, dear,” she said, turning forward. “I see potential in you. I worked in a factory when I was your age. I was dirty and hungry, and sometimes I was angry. But I had an undying crush on the prince of Illéa, and when I got the chance to make him my own, I learned to check those feelings. There’s a lot to be done from here, but it might not happen the way you want it to. You need to learn to accept that, okay?”
“Yes, Mom,” I joked.
She looked back at me, her face like stone.
“I mean, ma’am. Ma’am.”
Her eyes started glistening, and she blinked a few times, turning forward again. “If it ends as I suspect it will, Mom will be just fine.
”
”
Kiera Cass (The One (The Selection, #3))
“
Crush’ is too weak a word to describe how I feel. It doesn’t do you justice, but maybe it works for me. I am the one who is crushed. I’m crushed that we have only ever regarded each other as enemies. I’m crushed when the day ends and I haven’t said anything to you that isn’t cloaked in five layers of sarcasm.
”
”
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
“
It’s about the dream of second chances,” he says finally. He hasn’t raised his eyes from the paper on his desk and I feel him looking at me without looking when he uses his grandfather’s words. “The narrator doesn’t respect the beauty of life and the world around her, so it crushes her into the ground and once she’s dead, she realizes everything she took for granted and didn’t see right in front of her while she was alive. She’s begging for another chance to live again so she can appreciate it this time.”
“And does she get that chance?” she asks Josh while I desperately focus on the poster of literary terms on the wall and wait for absolution. When it comes, I barely hear it.
“She does.
”
”
Katja Millay (The Sea of Tranquility)
“
I don't get why we call it a crush when it feels more like a curse.
”
”
Julie Murphy (Dumplin' (Dumplin', #1))
“
I felt despair. The word’s overused and banalified now, despair, but it’s a serious word, and I’m using it seriously. For me it denotes a simple admixture — a weird yearning for death combined with a crushing sense of my own smallness and futility that presents as a fear of death. It’s maybe close to what people call dread or angst. But it’s not these things, quite. It’s more like wanting to die in order to escape the unbearable feeling of becoming aware that I’m small and weak and selfish and going without any doubt at all to die. It’s wanting to jump overboard.
”
”
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
“
She grows up feeling wrong, out of place, too dark, too tall, too unruly, too opinionated, too silent, too strange. She grows up with the awareness that she is merely tolerated, an irritant, useless, that she does not deserve love, that she will need to change herself substantially, crush herself down if she is to be married.
”
”
Maggie O'Farrell (Hamnet)
“
The mind of a writer can be a truly terrifying thing. Isolated, neurotic, caffeine-addled, crippled by procrastination, consumed by feelings of panic, self-loathing, and soul-crushing inadequacy. And that’s on a good day.
”
”
Robert De Niro
“
Just for future reference, don't use words like "love" anymore. It's a very sensitive word and it wears out quickly. Romeo barely says it, but John Hinckley filled up a whole journal with it. To put it into your terms, it's a currency that's easily devalued. Pretty soon you're saying it whenever you hang up the phone or whenever you leave. It turns into an apology. Then it's an excuse. Some assholes want it to be a bulletproof vest: don't hate me; I love you. But mostly it just means--more. More, more--give me something more. A couple of years from now, when you're on your own completely, if you really fall in love, if it really comes to that--and I pity you if it does--you have to look right down into the black of her eyes, right down into the emptiness in there and feel everything, absolutely everything she needs and you have to be willing to drown in it, Kevin. You'd have to want to be crushed, buried alive. Because that's what real love feels like--choking. They used to bury some women in their wedding dresses, you know. I thought it was because all those husbands were too cheap to spring for another gown, but now it makes sense: love is your first foot in the grave. That's why the second most abused word is "forever".
”
”
Peter Craig (Hot Plastic)
“
I think two of the fundamental facts of being a person are 1. We must go on, and 2. None of us ever walks alone. We may feel alone (in fact, we will feel alone), but even in the crushing grind of isolation, we aren't alone.
”
”
John Green (The Anthropocene Reviewed: Essays on a Human-Centered Planet)
“
Those who fail to exhibit positive attitudes, no matter the external reality, are seen as maladjusted and in need of assistance. Their attitudes need correction. Once we adopt an upbeat vision of reality, positive things will happen. This belief encourages us to flee from reality when reality does not elicit positive feelings. These specialists in "happiness" have formulated something they call the "Law of Attraction." It argues that we attract those things in life, whether it is money, relationships or employment, which we focus on. Suddenly, abused and battered wives or children, the unemployed, the depressed and mentally ill, the illiterate, the lonely, those grieving for lost loved ones, those crushed by poverty, the terminally ill, those fighting with addictions, those suffering from trauma, those trapped in menial and poorly paid jobs, those whose homes are in foreclosure or who are filing for bankruptcy because they cannot pay their medical bills, are to blame for their negativity. The ideology justifies the cruelty of unfettered capitalism, shifting the blame from the power elite to those they oppress. And many of us have internalized this pernicious message, which in times of difficulty leads to personal despair, passivity and disillusionment.
”
”
Chris Hedges
“
I don't want to be somebody's crush.if somebody likes me, i want them to like the real me, not what they think i am. And i don't want them to carry it around inside. I want them to show me,so i can feel it too. - Sam
”
”
Stephen Chbosky
“
Your female crushes were always floating past you, out of reach, but she touches your arm and looks directly at you and you feel like a child buying something with her own money for the first time.
”
”
Carmen Maria Machado (In the Dream House)
“
Butterflies??? Naah.. I feel the whole zoo inside me when I see you..
”
”
Himmilicious
“
Some may be more fortunate than others, and many might feel more like second bests, not sure how to survive. Not seeing the light on their path, they keep on living with fear. Albeit social security systems may be supportive existential anxiety subsists, crushing their identity. Only by converting 'fear' into a challenge, we can grit our teeth, strengthen resilience, and brighten up the dimness in our minds. ("A new life with Schengen"")
”
”
Erik Pevernagie
“
Jaeden laughed under her breath. "Caia, it's called a crush. Believe me, Ryder makes me feel the same horrible mixture of happiness and despair. Add a pinch of lykan volatility and you've got yourself the teenage hormonal party from Hades.
”
”
Samantha Young (Lunarmorte)
“
I want to know what it feels like to have crushes that could conceivably maybe one day turn into boyfriends.
”
”
Becky Albertalli (The Upside of Unrequited)
“
I don't feel that way anymore," Nico muttered. "I mean... I gave up on Percy. I was young and impressionable, and I-I don't...
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
I wanted to fuck her and ruin her for anyone else. I wanted to crush her wings and then put them back together again so she’d become dependent on me. I wanted her to need me. That dark, possessive, and dangerous feeling crawled through me every time she crossed my path.
Elena Abelli was my vice, and fuck if I’d let it kill me.
”
”
Danielle Lori (The Sweetest Oblivion (Made, #1))
“
Everything crushed in on me at once. Sure made me feel better- don’t feel bad about crying. Ever.
”
”
James Dashner (The Maze Runner (The Maze Runner, #1))
“
What do you want?
I want to stop living in fear. I want to stop coming up with excuses about why I'm not interested in dating. I want my family to know me. I want to get to learn more about Lisa. I want to stop feeling like everything I am is inadequate or makes me unworthy of love because of something I can't help.
”
”
Sara Farizan (Tell Me Again How a Crush Should Feel)
“
The sensation—it’s not sorrow, but something deeper—of being broken. Of being crushed so often, and so hatefully, that emotion becomes something you can only wish for. If only you could cry, because then you’d feel something. Instead, you feel nothing. Just . . . haze and smoke inside. Like you’re already dead.
”
”
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
“
The mind of a writer can be a truly terrifying thing. Isolated, neurotic, caffeine-addled, crippled by procrastination, consumed by feelings of panic, self-loathing, and soul-crushing inadequacy. And that’s on a good day."
[Academy Award ceremony, March 2, 2014]
”
”
Robert De Niro
“
My mother said the first boy—or man—is a crush.
You think you love them, but what you really love is how they make you feel. It’s not love. It’s lust. Lust for attention. Lust for danger. Lust to feel special. (...) The second is to learn about yourself. Your first crush has been crushed. You’re sad, but most of all, you’re angry. Angry enough to not let it happen again. (...) Love. When the lessons of your weakness with number one and your selfishness with number two sink in, and you find a medium. When you know who you are and you’re ready to welcome everything he is, and you’re not afraid anymore.
”
”
Penelope Douglas (Credence)
“
What do you care?" I barked, and his grip tightened enough on my wrists that I knew my bones would snap with a little more pressure.
"What do I care?" he breathed, wrath twisting his features. Wings - those membranous, glorious wings - flared from his back, crafted from the shadows behind him. "What do I care?"
But before he could go on, his head snapped to the door, then back to my face. The wings vanished as quickly as they had appeared, and then his lips were crushing into mine. His tongue pried my mouth open, forcing himself into me, into the space where I could still taste Tamlin. I pushed and trashed, but he held firm, his tongue sweeping over the roof of my mouth, against my teeth, claiming me -
The door was flung wide, and Amarantha's curved figure filled its space. Tamlin - Tamlin was beside her, his eyes slightly wide, shoulders tight as Rhys's lips still crushed mine.
Amarantha laughed, and a mask of stone slammed down on Tamlin's face. void of feeling, void of anything vaguely like the Tamlin I'd been tangled up with moments before.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
I wanted to drown inside a woman in the feeling and drooling of the love I could give her. I wanted her pulse to crush me with its intensity. That's what I wanted. That's what I wanted myself to be.
”
”
Markus Zusak (Getting the Girl (Wolfe Brothers, #3))
“
Simon?”
“Yeah?”
“Can you tell me a story?”
He blinked. “What kind of story?”
“Something where the good guys win and the bad guys lose. A nd stay dead.”
“So, like a fairy tale?” he said. He racked his brain. He knew only the Disney versions of fairy tales, and the first knew only the Disney versions of fairy tales, and the first image that came to mind was A riel in her seashell bra.
He’d had a crush on her when he was eight. Not that this seemed like the time to mention it.
“No.” The word was an exhaled breath. “We study fairy tales in school. A lot of that magic is real—but, anyway.
No, I want something I haven’t heard yet.”
“Okay. I’ve got a good one.” Simon stroked Isabelle’s hair, feeling her lashes flutter against his neck as she closed her eyes. “A long time ago, in a galaxy far, far away…
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Imagine this:
You’re driving.
The sky’s bright. You look great.
In a word, in a phrase, it’s a movie,
you’re the star.
so smile for the camera, it’s your big scene,
you know your lines.
I’m the director. I’m in a helicopter.
I have a megaphone and you play along,
because you want to die for love,
you always have.
Imagine this:
You’re pulling the car over. Somebody’s waiting.
You’re going to die
in your best friend’s arms.
And you play along because it’s funny, because it’s written down,
you’ve memorized it,
it’s all you know.
I say the phrases that keep it all going,
and everybody plays along.
Imagine:
Someone’s pulling a gun, and you’re jumping into the middle of it.
You didn’t think you’d feel this way.
There’s a gun in your hand.
It feels hot. It feels oily.
I’m the director
and i’m screaming at you,
I’m waving my arms in the sky,
and everyone’s watching, everyone’s
curious, everyone’s
holding their breath.
'Planet of Love
”
”
Richard Siken (Crush)
“
Preserve me from such cordiality! It is like handling briar-roses and may-blossoms - bright enough to the eye, and outwardly soft to the touch, but you know there are thorns beneath, and every now and then you feel them too; and perhaps resent the injury by crushing them in till you have destroyed their power, though somewhat to the detriment of your own fingers.
”
”
Anne Brontë (The Tenant of Wildfell Hall)
“
Love is a word that is overused these days, due to other lesser feelings often being mistaken for it. Infatuation, admiration, and attraction can pose as love, and can sometimes overwhelm us and fool us into thinking that we have found the real thing when we haven't. Those other feelings may be pleasant for a time, but they are not real love. Real love is rare. It's something that, quite honestly, I believe very few people ever truly experience.
”
”
Marian Vere (Once Upon A Second Chance)
“
A little background: Annabeth used to adventure with Hermes's son Luke. Over time, Annabeth developed a crush on Luke. As Annabeth got older, Luke developed feelings for her, too. Luke turned evil. Hermes blamed Annabeth for not preventing Luke from turning evil. Annabeth blamed Hermes for being a rotten dad and giving Luke the capacity to become evil in the first place. Luke died in war. Hermes and Annabeth blamed each other.
Confused? Welcome to my world.
”
”
Rick Riordan (The Demigod Diaries (The Heroes of Olympus, #2.5))
“
Jace looked at him meditatively.
“Congratulations,” he said. “I kind of feel like I missed an opportunity.”
“W-what?” Alec stammered.
Jace shrugged. “I always knew you had a crush on me, and I kind of had a crush on you, too. I thought you should know.”
“What?” Alec said again.
Clary sat up straight. “You know,” she said, “do you think there’s any chance that you two could…” She gestured between Jace and Alec. “It would be kind of hot.”
“No,” Magnus said. “I am a very jealous warlock.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
I’ll take you home whenever you want,” he says. “But if you want to stay, and you wake up screaming, it’s okay. I’ll make sure you’re okay. And if you want to stay, and then change your mind, I don’t mind driving you back at four a.m.”
I read once that not everyone thinks in words. I was shocked, imagining these other people who don’t use language to make sense of everyone and everything, who don’t automatically organize the world into chapters, pages, sentences.
Looking into Charlie’s face, I understand it. The way a crush of feeling and feathery impressions can move through your body, bypassing your mind. How a person can know there’s something worth saying but have no concept of what exactly that is. I’m not thinking in words.
”
”
Emily Henry (Book Lovers)
“
Once your soul is awakened, you never return to the sleepwalking state of mind. Some people become complacent in life. They are just going through the motions and not aware of truth. Seek the knowledge, wisdom, and the understandings that vivify your existence.
”
”
Amaka Imani Nkosazana (Heart Crush)
“
Many of us have set out on the path of enlightenment. We long for a release of self-hood in some kind of mystical union with all things. But that moment of epiphany—when we finally see the whole pattern and sense our place in the cosmic web—can be a crushing experience from which we never fully recover. Compassion hurts. When you feel connected to everything, you also feel responsible for everything. You can not turn away. Your destiny is bound to the destinies of others. You must either learn to carry the Universe or be crushed by it. You must grow strong enough to love the world, yet empty enough to sit down at the same table with its worst horrors. To seek enlightenment is to seek annihilation, rebirth, and the taking up of burdens. You must come prepared to touch and be touched by each and every thing in heaven and hell.
I am One with the Universe and it hurts.
”
”
Andrew Boyd (Daily Afflictions: The Agony of Being Connected to Everything in the Universe)
“
…there is also an underlying, less specific fear - what some might call an ontological or existential anxiety - that shrouds our days and seeps into our dreams. We feel empty and seek meaning. We feel empty and seek meaning. We yearn and know not what we yearn for. There is a black hole at the center of our understanding that engulfs and crushes our every attempt to explore it. Something is missing.
”
”
Jesse Browner
“
If outer events bring him to a position where he can bear them no longer and force him to cry out to the higher power in helplessness for relief, or if inner feelings bring humiliation and recognition of his dependence on that power, this crushing of the ego may open the door to grace.
”
”
Paul Brunton (Healing of the Self, the Negatives: Notebooks)
“
I couldn't bear the thought of Alex looking at me like I was a freak. It was bad enough that the looked at me as Jack's sister.
”
”
Sarah Alderson (Hunting Lila (Lila, #1))
“
Tell me, the poet says, the lie I need to feel safe, and tell me in your own voice, so I believe you. One more tale to stay alive.
”
”
Louise Glück
“
He seems to have become a part of my life and I'm disappointed if I don't see him. If I get to the end of the day without seeing someone who reminds me of him, I feel as if a dull shadow has fallen over me.
”
”
Dorothy Koomson (The Woman He Loved Before)
“
I know the kind of remorse that puts deep pain on your chest, the kind that feels as weighted as Atlas bearing the world. It’s soul-crushing.
”
”
Krista Ritchie (Addicted for Now (Addicted #3))
“
I feel love is like a cigarette –you know it is not good for you but by the time you realize, you are so addicted to it that you can't leave it.
”
”
Shreya Gupta
“
He’s not like any other guy I’ve dated or crushed on. And while he’s capable of making my blood boil like no one else, I feel a magnetic pull toward him that I can’t explain.
”
”
K.A. Tucker (The Simple Wild (Wild, #1))
“
Transmutation:
• Grapes must be
crushed to make wine
• Diamonds form
under pressure
• Olives are pressed to
release oil
• Seeds grow in
darkness
Whenever you feel crushed, under pressure, pressed, or in darkness, you’re in a powerful place of transformation/transmutation.
”
”
Lalah Delia
“
Linc, I have no idea what you're talking about. I actually thought that was kind of unbelievable as far as kisses go." I was glad we were in the dark and he couldn't see me blushing.
He made a sound somewhere between a sigh and a growl of frustration. He pulled me in for a hug, which I fell into, feeling crushed. I had the strangest feeling we were stealing this moment and no matter how tightly I held on, it wouldn't help. Lincoln's next words were soft and perhaps not even meant for me, but they burned their way right into my soul.
"Did you ever think we would be anything other than unbelievable?
”
”
Jessica Shirvington (Embrace (The Violet Eden Chapters, #1))
“
I want to tell you this story without having to confess anything,
without having to say that I ran out into the street to prove something,
that he didn't love me,
that I wanted to be possessed, thrown over, that I wanted to have the wounds
nailed shut.
I want to tell you this story without having to be in it:
Max in the wrong clothes. Max at the party, drunk again.
Max in the kitchen, in refrigerator Ught, his hands around the neck of a beer.
Tell me we're dead and I'll love you
even more.
I'm surprised that I say it with feeling.
There's a thing in my stomach about this. A simple thing. The last rung.
”
”
Richard Siken (Crush)
“
No man wants to give a woman the power to crush his ego, and baby, I hate to tell you this, because I like that you don’t realize how beautiful you are, but you are the kind of woman that could make a man feel like he has it all or make him feel like he has absolutely nothing.
”
”
Aurora Rose Reynolds (Until Nico (Until, #4))
“
I feel all agitated, like one of those snow globes you see resting peacefully on shop counters. I was perfectly happy being an ordinary, dull little Swiss village. But now Jack Harper’s come and shaken me up, and there are snowflakes all over the place, whirling around until I don’t know what I think anymore. And bits of glitter, too. Tiny bits of shiny, secret excitement.
”
”
Sophie Kinsella (Can You Keep a Secret?)
“
He had the uncanny capacity to know exactly what your weak point is, know what will make you feel small, to make you cringe," Joanna Hoffman said. "It's a common trait in people who are charismatic and know how to manipulate people. Knowing that he can crush you makes you feel weakened and eager for his approval, so then he can elevate you and put you on a pedestal and own you.
”
”
Walter Isaacson (Steve Jobs)
“
Yet each disappointment Ted felt in his wife, each incremental deflation, was accompanied by a seizure of guilt; many years ago, he had taken the passion he felt for Susan and folded it in half, so he no longer had a drowning, helpless feeling when he glimpsed her beside him in bed: her ropy arms and soft, generous ass. Then he’d folded it in half again, so when he felt desire for Susan, it no longer brought with it an edgy terror of never being satisfied. Then in half again, so that feeling desire entailed no immediate need to act. Then in half again, so he hardly felt it. His desire was so small in the end that Ted could slip it inside his desk or a pocket and forget about it, and this gave him a feeling of safety and accomplishment, of having dismantled a perilous apparatus that might have crushed them both. Susan was baffled at first, then distraught; she’d hit him twice across the face; she’d run from the house in a thunderstorm and slept at a motel; she’d wrestled Ted to the bedroom floor in a pair of black crotchless underpants. But eventually a sort of amnesia had overtaken Susan; her rebellion and hurt had melted away, deliquesced into a sweet, eternal sunniness that was terrible in the way that life would be terrible, Ted supposed, without death to give it gravitas and shape. He’d presumed at first that her relentless cheer was mocking, another phase in her rebellion, until it came to him that Susan had forgotten how things were between them before Ted began to fold up his desire; she’d forgotten and was happy — had never not been happy — and while all of this bolstered his awe at the gymnastic adaptability of the human mind, it also made him feel that his wife had been brainwashed. By him.
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
For so long, it was just my secret. It burned inside me, and I felt like I was carrying something important, something that made me who I was and made me different from everybody else. I took it with me everywhere, and there was never a moment when I wasn't aware of it. It was like I was totally awake, like I could feel every nerve ending in my body. Sometimes my skin would almost hurt from the force of it, that's how strong it was. Like my whole body was buzzing or something. I felt almost, I don't know, noble, like a medieval knight or something, carrying this secret love around with me.
”
”
Carolyn Parkhurst (Lost and Found)
“
How can it be that the people who are supposed to love me the most are here, so close, all lined up shiny and promising, yet I feel so alone?
”
”
Christina Meredith (Kiss Crush Collide)
“
Remember that feeling you described—the ‘horrific crush of humanity’ on your soul—maybe that’s another way of saying you’re afraid people will hurt you if you let them get close.
”
”
Glendy Vanderah (Where the Forest Meets the Stars)
“
He'd asked if I felt the pull. I could'nt deny that I did. And that it terrified me.
It wasn't like a crush. It wasn't like seeing a guy and thinking I'd like him to take me to the prom. It was soul-deep, as though he was everything, the one, forever. I had to remind myself that I barely knew the guy. But still I couldn't shake the feeling of being meant for each other - as corny as that sounded.
”
”
Rachel Hawthorne (Moonlight (Dark Guardian, #1))
“
I was scared for her, which was kind of a new feeling for me because I never really pay that much attention to anyone. Aves was just so destroyed after New Year’s Eve that I couldn’t help myself. I was either stepping up as the role of overprotective big brother, or I’d developed an impossible crush and was pissed off that someone dared hurt my woman. I had no idea which it was.
Turns out I was every bit as tangled up in our warped relationship as Avery and Aiden. Thanks a lot, moms. Prenatal yoga classes should be illegal.
”
”
Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
“
When he smiles at me, I feel like I'm sitting under a heat lamp. I live for the times when his fingers brush my leg at lunch, or when we pass in the hallways and he raises his eyebrows at me, like we have a secret. I should feel bad--and I do, most of the time--but how can I stop thinking about him when seeing his face makes me feel so alive?
”
”
Melissa C. Walker (Unbreak My Heart)
“
It’s like irresistible poison: I’m mesmerized by the way it’s making me feel though it has the potential to crush my soul and I drink it down anyway.
”
”
J.A. Redmerski (The Edge of Never (The Edge of Never, #1))
“
Tell me you like me,” he whispered. He was so close I could almost imagine the feel of his lips as they moved, but not quite.
I pursed mine together, trying to stop my mischievous smile. “No,” I replied.
He shook his head. “That’s not an acceptable answer.”
“Well, it’s the one you’re getting.” I laughed and he did too, releasing me and flopping onto his back.
”
”
Lacey Weatherford (Crush (Crush, #1))
“
You did,’ confirmed Nico. ‘But it was the way you did it. You made it clear that you wanted me around. You said you wanted me to come to the infirmary and help, because … because you could use a “friendly face”.’
‘It was true. And you did help.’
‘You brought me closer instead of rejecting me,’ Nico said, his voice cracking. ‘I’d never been called a friendly face. Ever. You made me rethink everything – my place in camp, my crush on Percy, my future. It took you scolding me like you were the camp director to make me realize that I was … wanted.
”
”
Rick Riordan (The Sun and the Star (The Nico di Angelo Adventures, #1))
“
On the upside,my crush on Archer was totally gone. Over. Once a boy has slammed his kneecap into your rib cage, I think any romantic feelings should naturally go the way of the ghost.
”
”
Rachel Hawkins (Hex Hall (Hex Hall, #1))
“
Mama glanced down at me. "Do you have a crush on him?"
"Not a crush." I shook my head. "More like an inflate. He makes me feel the opposite of crushed. He makes my heart feel like a balloon, like it's going to blow up and fly right out of my chest.
”
”
Natalie Lloyd (A Snicker of Magic)
“
It’s the ambiguity that throws people; they want to know which box to put you in.
”
”
Sara Farizan (Tell Me Again How a Crush Should Feel)
“
Never,” said he, as he ground his teeth, “never was anything at once
so frail and so indomitable. A mere reed she feels in my hand!” (And he
shook me with the force of his hold.) “I could bend her with my finger
and thumb: and what good would it do if I bent, if I uptore, if I crushed
her? Consider that eye: consider the resolute, wild, free thing looking
out of it, defying me, with more than courage—with a stern triumph.
Whatever I do with its cage, I cannot get at it—the savage, beautiful
creature! If I tear, if I rend the slight prison, my outrage will only let the
captive loose. Conqueror I might be of the house; but the inmate would
escape to heaven before I could call myself possessor of its clay dwellingplace.
And it is you, spirit—with will and energy, and virtue and purity—
that I want: not alone your brittle frame. Of yourself you could
come with soft flight and nestle against my heart, if you would: seized
against your will, you will elude the grasp like an essence—you will vanish
ere I inhale your fragrance.
”
”
Charlotte Brontë (Jane Eyre)
“
I grinned. “So you are human after all.” I touched his chest, feeling him breathe hard in and out. “I always thought you were made of steel, you know,” I said.
“Superman?” Nat arched his eyebrows.
“No, the Tin Man,” I answered back. I settled my head against his chest, turning my ear to listen to his heartbeat. “I sometimes wondered if you had a heart.” - Summer, Perfect Summer
”
”
Kailin Gow (Perfect Summer (Loving Summer, #3))
“
Talking about your feelings helps you let go of your anger. And it takes a lot of energy to be angry all the time.
”
”
Jennifer Echols (Major Crush)
“
Most of those who died did not die of hunger but of hatred. Feeling hatred diminishes you. It eats at your from within and attacks the immune system. When you have hatred inside you, it always crushes you in the end.
”
”
Tahar Ben Jelloun (This Blinding Absence of Light)
“
Just because something is addictive doesn't mean that you will get addicted to it. But . . . if your stomach ties up in knots while you count the seconds waiting for a phone call from that special someone . . . if you hear a loud buzzing in your ears when you see a certain person's car (or one just like it) . . . if your eyes burn when you hear a random love song or see a couple holding hands . . . if you suffer the twin agonies of craving for and withdrawing from a series of unrequited crushes or toxic relationships . . . if you always feel like you're clutching at someone's ankle and dragged across the floor as they try to leave the room . . . welcome to the club.
”
”
Ethlie Ann Vare
“
You think it hurts your feelings that girls talk about you behind your back, until they tell you to your face. And they each wanted a turn. Every time, it started with 'girlfriend' and ended with 'bitch.
”
”
Jennifer Echols (Major Crush)
“
Brother, please. I can’t lose her. I’m not like you and the others. I can pretend I have emotions, but they’re not there for anyone. There’s nothing inside of me except shadows. Lily drives the shadows away. She feels everything she can’t even stand to crush a fucking flower under her foot and I don’t feel anything unless I’m with her, I can’t lose that. I waited so long for her, I’ve loved her for years; she’s only loved me for a few weeks.
”
”
Jamie Begley (Shade's Fall (The Last Riders, #4))
“
We are living in a time when sensitivities are at the surface, often vented with cutting words. Philosophically, you can believe anything so as you do not claim it a better way. Religiously, you can hold to anything, so long as you do not bring Jesus Christ into it. If a spiritual idea is eastern, it is granted critical immunity; if western, it is thoroughly criticized. Thus, a journalist can walk into a church and mock its carryings on, but he or she dare not do the same if the ceremony is from eastern fold. Such is the mood at the end of the twentieth century. A mood can be a dangerous state of mind, because it can crush reason under the weight of feeling. But that is precisely what I believe postmodernism best represents - a mood.
”
”
Ravi Zacharias (Jesus Among Other Gods: The Absolute Claims of the Christian Message)
“
The mass is all which sets no value on itself──good or ill──based on specific grounds, but which feels itself "just like everything" ... The mass crushes beneath it everything which is different, everything that is excellent, individual, qualified and select. Anybody who is not like everybody, who does not think like everybody, runs the risk of being eliminated.
”
”
José Ortega y Gasset (La rebelión de las masas)
“
We gather here today,” said Robert, reaching out his arms expansively, “to honor my son, Alexander Gideon Lightwood, who has single-handedly destroyed the forces of the Endarkened and who defeated in battle the son of Valentine Morgenstern. Alec saved the life of our third son, Max. Along with his parabatai, Jace Herondale, I am proud to say that my son is one of the greatest warriors I have ever known.” He turned and smiled at Alec and Magnus. “It takes more than a strong arm to make a great warrior,” he went on. “It takes a great mind and a great heart. My son has both. He is strong in courage, and strong in love. Which is why I also wanted to share our other good news with you. As of yesterday, my son became engaged to be married to his partner, Magnus Bane—”
A chorus of cheers broke out. Magnus accepted them with a modest wave of his fork. Alec slid down in his chair, his cheeks burning. Jace looked at him meditatively.
“Congratulations,” he said. “I kind of feel like I missed an opportunity.”
“W-what?” Alec stammered.
Jace shrugged. “I always knew you had a crush on me, and I kind of had a crush on you, too. I thought you should know.”
“What?” Alec said again.
Clary sat up straight. “You know,” she said, “do you think there’s any chance that you two could ...” She gestured between Jace and Alec. “It would be kind of hot.”
“No,” Magnus said. “I am a very jealous warlock.”
“We’re parabatai,” Alec said, regaining his voice. “The Clave would—I mean—it’s illegal.”
“Oh, come on,” said Jace. “The Clave would let you do anything you wanted. Look, everyone loves you.” He gestured out at the room full of Shadowhunters. They were all cheering as Robert spoke, some of them wiping away tears. A girl at one of the smaller tables held up a sign that said, ALEC LIGHTWOOD, WE LOVE YOU.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
I was happy in the dream; but when I woke up it was with a feeling that I was falling apart, that I was cracking up from the inside and slowly falling to pieces. My heart was jumping and grating like a cold engine that doesn't want to start. My skin was crawling, and I couldn't manage a single clear thought. It was as if all my thoughts were crushed to bits just as they began to take shape. I didn't get much done that day.
”
”
Ninni Holmqvist (The Unit)
“
Sitting in the middle of my own constellation I can't imagine how I'll feel if you don't come.
”
”
Marisa Calin (Between You & Me)
“
Wind as old as Rome outside my window, inky fleece clouds against charcoal crushed velvet skies, fall feels soulful, like a LaBelle octave.
”
”
Brandi L. Bates (Soledad)
“
Revenge is as the tigers spring,
Deadly, and quick, and crushing; yet, as real
Torture is theirs, what they inflict they feel.
”
”
Lord Byron
“
Everything in the least connected with him has value for me; if someone even mentions his name it is like a little present to me--and I long to mention it myself, I start subjects leading up to it, and then feel myself going red. I keep swearing to myself not to speak of him again- and then an opportunity occurs and I jump at it.
”
”
Dodie Smith (I Capture the Castle)
“
Everyone had clearly spent far too long perfecting their appearance. I used to feel intimidated by people like this; now I see them as walking insecurity beacons, slaves to the perceived judgment of others, trapped within a self- perpetuating circle of crushing status anxiety.
”
”
Charlie Brooker
“
And it's a little different with every guy, so it's kind of hard to generalize—but if I had to describe the feeling of a crush, I'd say this: you just finished running a mile, and you have to throw up, and you're starving, but no food seems appealing, and your brain becomes fog, and you also have to pee. It's this close to intolerable. But I like it.
”
”
Becky Albertalli (The Upside of Unrequited (Simonverse, #2))
“
This is why crushes are terrible. You go from feeling like life is a flat path one needs only to cruise over to spending every second on an incline, or caught in a weightless, stomach-in-your-throat drop.
”
”
Emily Henry (Book Lovers)
“
It was insane to let a creature so perfectly beautiful and artlessly spirited and vulnerable as his wife venture out into a world that could crush her with casual unconcern, and he had no choice but to allow it. But he had no illusions about ever being comfortable with it. For the rest of his life, he would feel a stab of dread every time she walked out the door, leaving him there with his heart wide open.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
It is part of the irony of life that the strongest feelings of devoted gratitude of which human nature seems to be susceptible, are called forth in human beings towards those who, having the power entirely to crush their earthly existence, voluntarily refrain from using that power.
”
”
John Stuart Mill (The Subjection of Women)
“
But if I feel, may I never express?”
“Never!” declared Reason.
I groaned under her bitter sternness. Never - never - oh, hard word! This hag, this Reason, would not let me look up, or smile, or hope; she could not rest unless I were altogether crushed, cowed, broken-in, and broken down. According to her, I was born only to work for a piece of bread, to await the pains of death, and steadily through all life to despond. Reason might be right; yet no wonder we are glad at times to defy her, to rush from under her rod and give a truant hour to Imagination - her soft, bright foe, our sweet Help, our divine Hope.
”
”
Charlotte Brontë (Villette)
“
You’re wrong. I’m just irritated.” “Nah. You’re flattered.” He scooted away before she could shove him. They walked in silence for a minute before Sophie’s eyes dropped to her feet. “Could you really feel that I was irritated or were you guessing?” “You look worried—you wouldn’t have something to hide, would you? A secret crush, maybe?” “Never mind. Forget I asked.” He cracked up. “It’s almost too easy to annoy you, you know that?” She sighed.
”
”
Shannon Messenger (Keeper of the Lost Cities (Keeper of the Lost Cities, #1))
“
You’re in a car with a beautiful boy, and you’re trying not to tell him that you love him, and you’re trying to choke down the feeling, and you’re trembling, but he reaches over and he touches you, like a prayer for which no words exist, and you feel your heart taking root in your body, like you’ve discovered something you don’t even have a name for.
”
”
Richard Siken (Crush)
“
We have got to cool down. You’re driving me crazy.” I bit my lip as I stared up at him mischievously. “I thought that was the whole point.” He shook his head and groaned. “You really want me to get shot, don’t you?” “Not at all. We couldn’t do this anymore if you were.” I had no idea what made me feel so bold with him. I’d never behaved this way with anyone in my entire life, but I liked it. The things he made me feel were incredible.
”
”
Lacey Weatherford (Crush (Crush, #1))
“
I worry hope will crush me, the way love has so many times before.
Are they so different, hope and love? O & E in the same place, half of the other in each word.
Both swimming in unknowns.
I’ve been through the big changes. These ones should seem easier in comparison, I should be more prepared, but they don’t and I’m not.
Sometimes I feel like a broken-wing butterfly, clinging to a window screen.
Afraid to let go. Afraid to stay.
Wondering how much wing is enough to fly.
”
”
Erin Morgenstern
“
The truth is, everyone wants to believe they’re in love but no one really is. So to all the girls out there who are stuck between two minds about some stupid crush, I have news for you. If you have to wonder, if you have to question what you feel, then deep down you actually don’t give a shit. As for the rest of you who do get it, welcome to the club. If you know what it’s like to want someone so much you would kill for them. If you know what it’s like to feel someone so deep under your skin you would sacrifice everything to protect them—even if it screws up your own moral compass so you can’t see right from wrong. If you’re like me, then let me leave you with this: That’s what love is. Don’t let them tell you any different. Don’t tell yourself otherwise.
”
”
Lang Leav (Sad Girls)
“
Maybe it's not about whether my crushes work out in the end. Maybe it never was. Maybe it's about letting myself have them. Letting myself feel love and lust and heartbreak, my own version of magnificent misery in the process, and never changing my heart for anyone's benefit but my own. I don't mind being the lover, the one who waits, but I won't hesitate to love myself with all I've got in the meantime.
”
”
Racquel Marie (Ophelia After All)
“
He reaches for her hand and she gives it to him without thinking. For a second he holds it, his thumb moving over her knuckles. Then he lifts her hand to his mouth and kisses it. She feels pleasurably crushed under the weight of his power over her, the vast ecstatic depth of her will to please him. That’s nice, she says. He nods. She feels a low gratifying ache inside her body, in her pelvic bone, in her back.
”
”
Sally Rooney (Normal People)
“
Wanna rock you, girl, with a butterfly tunic. / No, I'm not gay, I'm just your emo enuch. / Gonna smile real shy, won't cop a feel, / 'cause I'm your virgin crush, your supersafe deal. / Let those other guys keep sexing. / You and me, we be texting / 'bout unicorns and rainbows and our perfect love. / Girl, we fit together like a hand in a glove. / Now I don't mean that nasty, tell your mum don't get mad. / I even wrote 'You're awesome' on your maxi pads.
”
”
Libba Bray (Beauty Queens)
“
He smelled so good, a mix of frost and something sharp, like peppermint. Lifting my head, I placed a kiss at the hollow of his neck, right beneath his jawbone, and he drew in a quiet breath, his hands curling into fists. I suddenly realized we were on a bed, alone in an isolated cabin, with no grownups-lucid ones anyway-to point fingers or condemn. My heart sped up, thudding in my ears, and I felt his heartbeat quicken, too.
Shifting slightly, I went to trace another kiss along his jaw, but he ducked his head and our lips met, and suddenly I was kissing him as if I were going to meld him into my body. His fingers tangled in my hair, and my hands slid beneath his shirt, tracing the hard muscles of his chest and stomach. He groaned, pulled me into his lap, and lowered us back onto the bed, being careful not to crush me.
My whole body tingled, senses buzzing, my stomach twisting with so many emotions I couldn't place them all. Ash was above me, his lips on mine, my hands sliding over his cool, tight skin. I couldn't speak. I couldn't think. All I could do was feel.
”
”
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
“
He was one of those people who made you feel like they either didn't know or didn't care that you were in the room and if they ever did acknowledge your existence it was bizarrely score one to you, and twenty years later they'd tell you they'd always had a crush on you but never had the courage to say anything and you'd tell them, What? I didn't even think you liked me? and they'd say, Are you crazy? I just never knew what to say!
”
”
Cecelia Ahern (The Time of My Life)
“
It feels like all the greatest kisses in one. Like kissing your high school crush, and the best friend you’ve fallen in love with, and the person you want to stand beside for as long as time will let you. It’s the starting gun and the finish line. It’s a surge of pleasure and satisfaction and rightness that reaches deep into my soul.
”
”
Carley Fortune (One Golden Summer)
“
Neuroscience tells us that it is highly improbable that we have souls, as everything we think and feel is no more or no less than the electrochemical chatter of our nerve cells. Our sense of self, our feelings and our thoughts, our love for others, our hopes and ambitions, our hates and fears all die when our brains die. Many people deeply resent this view of things, which not only deprives us of life after death but also seems to downgrade thought to mere electrochemistry and reduces us to mere automata, to machines. Such people are profoundly mistaken, since what it really does is upgrade matter into something infinitely mysterious that we do not understand. There are one hundred billion nerve cells in our brains. Does each one have a fragment of consciousness within it? How many nerve cells do we require to be conscious or to feel pain? Or does consciousness and thought reside in the electrochemical impulses that join these billions of cells together? Is a snail aware? Does it feel pain when you crush it underfoot? Nobody knows.
”
”
Henry Marsh (Do No Harm: Stories of Life, Death, and Brain Surgery)
“
I erupt from the dark, crushing tunnel into a flash of light and noise. A new kind of air surrounds me, dry and cold, as they wipe the last smears of home off my skin. I feel a sharp pain as they snip something, and suddenly I am less. I am no one but myself, tiny and feeble and utterly alone. I am lifted and swungthrough great heights across yawning distances, and given to Her. She wraps around me, so much bigger and softer than I ever imagined from inside,and I strain my eyes open. I see Her. She is immense, cosmic. She is the world. The world smiles down on me, and when She speaks it’s the voice of God, vast and resonant with meaning, but words unknowable, ringing gibberish in my blank white mind.
”
”
Isaac Marion (Warm Bodies (Warm Bodies, #1))
“
Lust, learn, and love,” she says, placing the condiments and touching her finger to the ketchup. “My mother said the first boy—or man—is a crush. You think you love them, but what you really love is how they make you feel. It’s not love. It’s lust. Lust for attention. Lust for danger. Lust to feel special.” She looks between us. “You’re needy with number one. Needy for someone to love you.
”
”
Penelope Douglas (Credence)
“
Be Drunken, Always. That is the point; nothing else matters. If you would not feel the horrible burden of Time weigh you down and crush you to the earth, be drunken continually.
Drunken with what? With wine, with poetry or with virtue, as you please. But be drunken.
And if sometimes, on the steps of a palace, or on the green grass in a ditch, or in the dreary solitude of your own room, you should awaken and find the drunkenness half or entirely gone, ask of the wind, of the wave, of the star, of the bird, of the clock, of all that flies, of all that speaks, ask what hour it is; and wind, wave, star, bird, or clock will answer you: "It is the hour to be drunken! Be Drunken, if you would not be the martyred slaves of Time; be drunken continually! With wine, with poetry or with virtue, as you please.
”
”
Charles Baudelaire
“
His lips hovered over hers.
“No,” he snarled.
Madison wasn’t sure to whom he was talking, but then his mouth was crushing hers, and her world became him—the touch and feel of his lips pressing down, forcing hers to respond. It wasn’t a gentle kiss or a sweet exploration. It was angry and raw, breathtaking and soul burning. Right now, she didn’t want gentle. She wanted hard and fast, him and her, on the floor, even the bear rug, both of them naked and sweating.
”
”
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
“
You’re one crazy S.O.B. You stole her right from under the guy she was with,” he whispered in awe. “I can’t believe you got her to go out with you. How’d you do that?”
“I paid attention to what was going on around me, which is what you need to do. Then you’ll start seeing the things you’re missing.”
“I have no idea what you mean, but feel free to teach me, Master Obi-Wan.”
I snorted and Cami looked at me. I smiled and she gave me a shy one back before turning toward the screen again.
”
”
Lacey Weatherford (Crush (Crush, #1))
“
Sometimes, when he was not near me, I thought, I will never let him 'Touch' me again. Then, when he 'Touched' me, I thought, it doesn't matter, it is only the body, it will soon be over. When it was over, I lay in the dark and listened to his breathing and dreamed of the 'Touch' of hands, of Giovanni's hands, or anybody's hands, hands which would have the power to crush me and make me whole again.
”
”
James Baldwin (Giovanni’s Room)
“
Jesus says. "Acknowledge and accept who I want to be for you: a Savior of boundless compassion, infinite patience, unbearable forgiveness, and love that keeps no score of wrongs. Quit projecting onto Me your own feelings about yourself. At this moment your life is a bruised reed and I will not crush it, a smoldering wick and I will not quench it. You are in a safe place."
Brennan Manning. Abba's Child: The Cry of the Heart for Intimate Belonging
”
”
Brennan Manning
“
It's like this when you fall hard for a musician. It's a crush with religious overtones. You listen to the songs and you memorize the words and the notes and this is a form of prayer. You attend the shows and this is the liturgy. You're interested in relics -- guitar picks, set lists, the sweaty napkin applied to His brow. You set up shrines in your room. It's not just about the music. It's about who you are when you listen to the music and who you wish to be and the way a particular song can bridge that gap, can make you feel the abrupt thrill of absolute faith.
”
”
Steve Almond (Rock and Roll Will Save Your Life: A Book by and for the Fanatics Among Us)
“
Tis to create, and in creating live
A being more intense, that we endow
With form our fancy, gaining as we give
The life we image, even as I do now.
What am I? Nothing: but not so art thou,
Soul of my thought! with whom I traverse earth,
Invisible but gazing, as I glow
Mix'd with thy spirit, blended with thy birth,
And feeling still with thee in my crush'd feelings' dearth.
”
”
Lord Byron (Selected Poems)
“
Her knee shot up and caught me unaware. I stumbled back a step, grunting, and bent over as the sick feeling in my gut twisted. “Fuck, woman. Did you have to crush my balls?” She must have lowered her head because I could feel her breath on my ear when she spoke. “One, don’t ever talk to me like that again. I’m a fucking lady.
”
”
Meghan March (Beneath This Ink (Beneath, #2))
“
Maybe a crush can be like a book you find at the library. First, you're drawn in by the cover. Then, you try to find out what it's about, so you read a little description on the jacket. Maybe, it's says exactly what you want to read, or maybe it's mysteriously vague and even more curious. Either way, you decide that you're going to choose this book knowing very little about it, but you have this excited feeling that if you dive in, you might be swept away.
”
”
Kelsey Hartwell (11 Paper Hearts (Underlined Paperbacks))
“
I didn’t do it on purpose.” His arms went around her. “I just . . . I just needed to keep you up here.” He walked her backward until her knees met the edge of her bed, and they both tumbled onto the mattress. “In this bed.”
He stroked her hair, fanning it out over the pillows, and framed her face in his hands. “But I couldn’t discern what it was you needed to feel safe. I tried everything. Finally, tonight, you gave me the answer. Light. So now you have as many candles as you please. But now it’s gone all wrong. Because you’re here in this bed. But I’m here, too. And God help me, Izzy.” His brow pressed to hers, and his weight settled over her, crushing and warm. “I don’t know how to leave.
”
”
Tessa Dare (Romancing the Duke (Castles Ever After, #1))
“
You still think I’m too optimistic, don’t you?” Shallan said.
“It’s not your fault,” Kaladin said. “I’d rather be like you. I’d rather not have lived the life I have. I would that the world was only full of people like you, Shallan Davar.”
“People who don’t understand pain.”
“Oh, all people understand pain,” Kaladin said. “That’s not what I’m talking about. It’s . . .”
“The sorrow,” Shallan said softly, “of watching a life crumble? Of struggling to grab it and hold on, but feeling hope become stringy sinew and blood beneath your fingers as everything collapses?”
“Yes.”
“The sensation—it’s not sorrow, but something deeper—of being broken. Of being crushed so often, and so hatefully, that emotion becomes something you can only wish for. If only you could cry, because then you’d feel something. Instead, you feel nothing. Just . . . haze and smoke inside. Like you’re already dead.”
He stopped in the chasm.
She turned and looked to him. “The crushing guilt,” she said, “of being powerless. Of wishing they’d hurt you instead of those around you. Of screaming and scrambling and hating as those you love are ruined, popped like a boil. And you have to watch their joy seeping away while you can’t do anything. They break the ones you love, and not you. And you plead. Can’t you just beat me instead?”
“Yes,” he whispered.
Shallan nodded, holding his eyes. “Yes. It would be nice if nobody in the world knew of those things, Kaladin Stormblessed. I agree. With everything I have.”
He saw it in her eyes. The anguish, the frustration. The terrible nothing that clawed inside and sought to smother her. She knew. It was there, inside. She had been broken.
Then she smiled. Oh, storms. She smiled anyway.
It was the single most beautiful thing he’d seen in his entire life.
“How?” he asked.
”
”
Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
“
Some might call me a “tease”, but don’t believe it. “Tease” implies that I owe him something, that I should feel guilty. As if my flirtation is forced on him and he merely tolerates it for an eventual pay-out. That’s bullshit. We both have goals in our little game; why should his goal (sex) take priority over mine (to mess with his head)? Is it because he’s a man?
In that case I must object on principle. Superhero Meda establishing gender-equality one almost-kiss at a time!
”
”
Eliza Crewe (Crushed (Soul Eaters, #2))
“
It was September, and there was a crackly feeling to the air. I was saying something that was making her laugh, and I couldn't stop looking at her. It was a little bit chilly, and her cheeks were pink, and her dark hair was flowing around her face. All I wanted for the rest of my life was to keep making her laugh like that. Sometimes our arms brushed against each other as we walked, and it was like I could feel the touch for minutes after it happened.
”
”
Carolyn Parkhurst (Lost and Found)
“
At nearly three in the morning sleepiness weighted my body as we lay there together so still. I heard his breathing even out as we both hovered in that place between wake and sleep. And then his hand wandered lazily down my back and over my hip until he was cupping the full curve of my behind, part of me that he’d actively avoided touching all night.
Scratch that sleepy thing.
His firm hands clutched me closer and I breathed a heady gust of air at his throat. I’d been careful all night not to be too vocal about how good his touches felt. I knew each noise would act as fuel, making it even harder for him. He rolled to his back, pulling me on top of him with both hands fully on my backside now.
“Kaidan,” I whispered.
Looking half-asleep, he shushed me with a hot kiss, pulling my hips to crush us together. I whimpered into his mouth.
“God, those little sounds,” he said against my lips. “I want to hear how you sound when I make you—”
“Kai!” I practically leaped off him, and he sat up, eyes blazing, licking his lips. I was breathing hard. He had to be as tired as me after our long day, and it was starting to weaken us big-time. Oh, how I’d love to indulge that weakness.
I scooted farther away.
“Maybe we should try to get some sleep,” I suggested, though I was feeling wide-awake now.
He stared at me with roaring passion. “I think a third shower might be necessary,” he said.
A silly laugh wanted to escape me, but there was no humor in his eyes. Only want.
”
”
Wendy Higgins (Sweet Peril (Sweet, #2))
“
No one knows loneliness like an atheist. When an average person feels isolated, he can call through the depths of his soul to One who knows him and sense an answer. An atheist cannot allow himself that luxury, for he has to crush the urge and remind himself
of its absurdity.
”
”
Jeffrey Lang (Struggling to Surrender: Some Impressions of an American Convert to Islam)
“
Let it be known--from this day forth, I vow to protect Meghan Chase, daughter of the Summer King, with my sword, my honor, and my life. Her desires are mine. Her wishes are mine. Should even the world stand against her, my blade will be at her side. And should it fail to protect her, let my own existence be forfeit. This I swear, on my honor, my True Name, and my life. From this day on..." His voice went even softer, but I still heard it as though he whispered it into my ear. "I am yours."
I couldn't stop the tears anymore. They clouded my vision and rolled down my cheeks, and I didn't bother to wipe them away. Ash stood, and I threw myself into his arms, feeling him tremble as he crushed me close. He was mine now, my knight, and nothing would come between us.
”
”
Julie Kagawa
“
My prayers, my tears, my wishes, fears, and lamentations, were witnessed by myself and heaven alone. When we are harassed by sorrows or anxieties, or long oppressed by any powerful feelings which we must keep to ourselves, for which we can obtain and seek no sympathy from any living creature, and which yet we cannot, or will not wholly crush, we often naturally seek relief in poetry—and often find it, too—whether in the effusions of others, which seem to harmonize with our existing case, or in our own attempts to give utterance to those thoughts and feelings in strains less musical, perchance, but more appropriate, and therefore more penetrating and sympathetic, and, for the time, more soothing, or more powerful to rouse and to unburden the oppressed and swollen heart.
”
”
Anne Brontë (Agnes Grey)
“
The point is: have you ever noticed how we crush a cockroach without further worry and feel no remorse in spite of being in fact terminating a life? That's it. We do so because we don't identify ourselves with a cockroach. Because it's very diffent from us. [...] Thinking from that side, I suppose some people tend to do the same towards others. I mean, they see from distance those they don't identify with on the spot, do you get me? It's as if the stranger, who doesn't belong to the same group as we do, was seen as an inferior being... Almost a cockroach!
”
”
Camilo Gomes Jr. (Em memória)
“
We've done so much together, wherever I go and whatever I see, I think of you. Newborn babies; the pattern on the plate that you can see under a paper-thin slice of sashimi; fireworks in August. The moon hidden behind the clouds over the ocean at night. When I'm sitting down someplace, inadvertently stepping on someone's toes, and have to apologize. And when someone picks up something I've dropped, and I thank him. When I see an elderly man tottering along,and wonder how much longer he has to live. Dogs and cats peeking out from alleyways. A beautiful view from a tall building. The warm blast of air you feel when you go down into a subway station. The phone ringing in the middle of the night. Even when I have crushes on other men, I always see you in the curve of their eyebrows."
"Yet I must remain calm, detached. It's a little like trying to ignore a plate of delicious food when you're really hungry. When it beckons you, there's no problem with enjoying the aroma and appreciating it with your eyes, but at some point you have to separate yourself and realize, like a professional waiter does, that it's not your own. It's my job to ignore those plates heaped with delicious morsels and just carry them where they need to go.
”
”
Banana Yoshimoto
“
As soon as she releases me, Galen grabs my hand and I don't even have time to gasp before he snatches me to the surface and pulls me toward shore, only pausing to dislodge his pair of swimming trunks from under his favorite rock, where he had just moments before taken the time to hide them.
I know the routine and turn away so he can change, but it seems like no time before he hauls me onto the beach and drags me to the sand dunes in front of my house. "What are you doing?" I ask. His legs are longer than mine so for every two of his strides I have to take three, which feels a lot like running.
He stops us in between the dunes. "I'm doing something that is none of anyone else's business." Then he jerks me up against him and crushes his mouth on mine. And I see why he didn't want an audience for this kiss. I wouldn't want an audience for this kiss, either, especially if the audience included my mother. This is our first kiss after he announced that he wanted me for his mate. This kiss holds promises of things to come.
When he pulls away I feel drunk and excited and nervous and filled with a craving that I'm not sure can ever be satisfied. And Galen looks startled. "Maybe I shouldn't have done that," he says. "That makes it about fifty times harder to leave, I think.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Every mistake I’ve made, every wrong I’ve repeated, every unhealed headache: I feel it all and more as the weight of my old world crushes me. If you looked inside me, I bet you’d find two different hearts beating for two different people, like the sun and moon up at the same time, a terrible eclipse I’m the only witness to.
My worlds collided and I can’t get up.
”
”
Adam Silvera (More Happy Than Not)
“
It's hard to describe the feeling. And I knew from Horus's memory that this kind of union was very rare-like the one time when the coin doesn't land heads or tails, but stands on it's edge, perfectly balanced. He did not control me. I did not use him for power. We acted as one.
Our voices spoke in harmony. "Now."
And the magic bonds that held us shattered.
My combat avatar formed around me, lifting me off the floor and encasing me with golden energy. I stepped forward and raised my sword. The falcon warrior mimicked the movement, perfectly attuned to my wishes.
Set turned and regarded me with cold eyes.
"So, Horus," he said. "You managed to find the pedals of your little bike, eh? That does not mean you can ride."
"I am Carter Kane," I said. "Blood of the Pharaohs, Eye of Horus. And now, Set-brother,uncle,traitor-I'm going to crush you like a gnat.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
I have decided that the hot, burning, inescapable pain is the worst. This pain comes when you finally begin to relax, you finally breathe, thinking that some issue is yesterday’s problem, when in fact it’s today’s problem, tomorrow’s problem, and the problem of every day after that. This pain comes when you pour everything into something, into someone, and they betray you so completely—so seemingly on a whim—that the pain crushes you and you feel as if you’re barely breathing, barely holding on to that small fraction of whatever is left inside of you begging you to go on, to not give up.
-Tessa
”
”
Anna Todd (After We Fell (After, #3))
“
There is a part of me that no one ever sees.
I hide behind a mask of heavy make-up and ever-changing hair and clothing. I try to reinvent myself. It doesn’t work. There are times when I am bone-crushingly sad. I just want to curl into a ball and hide from the rest of the world. But, I plaster on a smile and play the game for my family and friends. They call me a free spirit.
I wish I were free. I feel like I am imprisoned by my own mind.
”
”
Julia Crane (Anna)
“
Do not imagine that you will save yourself, however completely you surrender to us. No one who has once gone astray is ever spared. And even if we chose to let you live out the natural term of your life, still you would never escape from us. What happens to you here is for ever. Understand that in advance. We shall crush you down to the point from which there is no coming back. Things will happen to you from which you could not recover, if you lived a thousand years. Never again will you be capable of ordinary human feeling.
Everything will be dead inside you. Never again will you be capable of love, or friendship, or joy of living, or laughter, or curiosity, or courage, or integrity. You will be hollow. We shall squeeze you empty, and then we shall fill you with ourselves.
”
”
George Orwell (1984)
“
It’s just that I don’t want to be somebody’s crush. If somebody likes me, I want them to like the real me, not what they think I am. And I don’t want them to carry it around inside. I want them to show me, so I can feel it, too. I want them to be able to do whatever they want around me. And if they do something I don’t like, I’ll tell them.
”
”
Stephen Chbosky
“
If anything is horrible, if there is a reality that surpasses our worst dreams, it is this: to live, to see the sun, to be in full possession of manly vigor, to have health and joy, to laugh heartily, to rush toward a glory that lures you on, to feel lungs that breathe, a heart that beats, a mind that thinks, to speak, to hope, to love; to have mother, wife, children, to have sunlight, and suddenly, in less time than it takes to cry out, to plunge into an abyss, to fall, to roll, to crush, to be crushed, to see the heads of grain, the flowers, the leaves, the branches, unable to catch hold of anything, to feel your sword useless, men under you, horses over you, to struggle in vain, your bones broken by some kick in the darkness, to feel a heel gouging your eyes out of their sockets, raging at the horseshoe between your teeth, to stifle, to howl, to twist, to be under all this, and to say, ‘Just then I was a living man!
”
”
Victor Hugo
“
I endeavoured to crush these fears and to fortify myself for the trial which in a few months I resolved to undergo; and sometimes I allowed my thoughts, unchecked by reason, to ramble in the fields of Paradise, and dared to fancy amiable and lovely creatures sympathizing with my feelings and cheering my gloom; their angelic countenances breathed smiles of consolation. But it was all a dream; no Eve soothed my sorrows nor shared my thoughts ; I was alone. I remembered Adam's supplication to his Creator. But where was mine? He had abondoned me, and in the bitterness of my heart I cursed him."---Frankenstein's monster, Frankenstein
”
”
Mary Wollstonecraft Shelley (Frankenstein (Illustrated Classic Editions))
“
You come to know the pattern of your particular chemical bombardment. The numbness, the lack of focus, the artificial sense of peace when the meds first hit your system. The growing paranoia and anxiety as they wane. The worse you feel, the more you can get into the treacherous waters of your own thoughts. The greater the threat from the inside, the more you long for those waters, as if you've grown accustomed to the terrible tentacles that seek to draw you into their crushing embrace.
”
”
Neal Shusterman (Challenger Deep)
“
Some people are born with a vital and responsive energy. It not only enables them to keep abreast of the times; it qualifies them to furnish in their own personality a good bit of the motive power to the mad pace. They are fortunate beings. They do not need to apprehend the significance of things. They do not grow weary nor miss step, nor do they fall out of rank and sink by the wayside to be left contemplating the moving procession.
Ah! that moving procession that has left me by the road-side! Its fantastic colors are more brilliant and beautiful than the sun on the undulating waters. What matter if souls and bodies are failing beneath the feet of the ever-pressing multitude! It moves with the majestic rhythm of the spheres. Its discordant clashes sweep upward in one harmonious tone that blends with the music of other worlds--to complete God's orchestra.
It is greater than the stars--that moving procession of human energy; greater than the palpitating earth and the things growing thereon. Oh! I could weep at being left by the wayside; left with the grass and the clouds and a few dumb animals. True, I feel at home in the society of these symbols of life's immutability. In the procession I should feel the crushing feet, the clashing discords, the ruthless hands and stifling breath. I could not hear the rhythm of the march.
Salve! ye dumb hearts. Let us be still and wait by the roadside.
”
”
Kate Chopin (The Awakening)
“
I sit by the window and watch the rain and the leaves and the snow collide. They take turns dancing in the wind, performing choreographed routines for unsuspecting masses. The soldiers stomp stomp stomp through the rain, crushing leaves and fallen snow under their feet. Their hands are wrapped in gloves wrapped around guns that could put a bullet through a million possibilities. They don’t bother to be bothered by the beauty that falls from the sky. They don’t understand the freedom in feeling the universe on their skin. They don’t care.
”
”
Tahereh Mafi (Shatter Me (Shatter Me, #1))
“
The sorrow for the dead is the only sorrow from which we refuse to be divorced. Every other wound we seek to heal - every other affliction to forget; but this wound we consider it a duty to keep open - this affliction we cherish and brood over in solitude. Where is the mother who would willingly forget the infant that perished like a blossom from her arms, though every recollection is a pang? Where is the child that would willingly forget the most tender of parents, though to remember be but to lament? Who, even in the hour of agony, would forget the friend over whom he mourns? Who, even when the tomb is closing upon the remains of her he most loved, when he feels his heart, as it were, crushed in the closing of its portal, would accept of consolation that must be bought by forgetfulness? No, the love which survives the tomb is one of the noblest attributes of the soul. If it has its woes, it has likewise its delights; and when the overwhelming burst of grief is calmed into the gentle tear of recollection, when the sudden anguish and the convulsive agony over the present ruins of all that we most loved are softened away in pensive meditation on all that it was in the days of its loveliness - who would root out such a sorrow from the heart? Though it may sometimes throw a passing cloud over the bright hour of gaiety, or spread a deeper sadness over the hour of gloom, yet who would exchange it even for the song of pleasure, or the burst of revelry? No, there is a voice from the tomb sweeter than song. There is a remembrance of the dead to which we turn even from the charms of the living. Oh, the grave! The grave! It buries every error - covers every defect - extinguishes every resentment! From its peaceful bosom spring none but fond regrets and tender recollections.
”
”
Washington Irving
“
He slammed her door shut and spun her so she was facing him.
“One more for the road.” She stared at him with a perplexed expression but didn’t back away. “I want another taste,” he said, feeling his heart race. He leaned her against the car and crushed his lips against hers. This time she ran her fingers through his hair, making him moan. He wanted to touch the curves of her body through the thick fabric of her dress, but he forced himself to concentrate all his efforts on her sexy, soft, pouty lips. When he released her, they were both breathless. Her lips were chapped, and those golden eyes were on fire with a carnal sexuality. There was so much electricity between them that, if harnessed, they could power the whole damn city.
”
”
M.K. Schiller (The Do-Over)
“
The cruelty could not register for her. Bloodlust, she understood. Bloodlust, she was guilty of. She had lost herself in battle, too; she had gone further than she should have, she had hurt others when she should have stopped. But this—viciousness on this scale, wanton slaughter of this magnitude, against innocents who hadn’t even lifted a finger in self-defense, this she could not imagine doing. They surrendered, she wanted to scream at her disappeared enemy. They dropped their weapons. They posed no threat to you. Why did you have to do this? A rational explanation eluded her. Because the answer could not be rational. It was not founded in military strategy. It was not because of a shortage of food rations, or because of the risk of insurgency or backlash. It was, simply, what happened when one race decided that the other was insignificant. The Federation had massacred Golyn Niis for the simple reason that they did not think of the Nikara as human. And if your opponent was not human, if your opponent was a cockroach, what did it matter how many of them you killed? What was the difference between crushing an ant and setting an anthill on fire? Why shouldn’t you pull wings off insects for your own enjoyment? The bug might feel pain, but what did that matter to you? If you were the victim, what could you say to make your tormentor recognize you as human? How did you get your enemy to recognize you at all? And why should an oppressor care?
”
”
R.F. Kuang (The Poppy War (The Poppy War, #1))
“
I know you don't love me that way. Don't you think I know that by now? But you don't know how I feel about you. No one does."
"Tell me, then."
"Day, you mean more to me than some crush. When the entire world turned its back on me and left me to die, you took me in. You were the person that cared about what might happen to me. You were everything. Everything. You became my entire family - you were my parents and my siblings and my caretaker, my only friend and companion, you were both my protector and someone who needed protecting. You see? I didn't love you in the way you might've thought I did, although I can't deny that was part of it. But the way I feel goes beyond that.
”
”
Marie Lu (Champion (Legend, #3))
“
how shall I get through the months or years of my future life, in company with that man -- my greatest enemy -- for none could injure me as he has done? Oh! when I think how fondly, how foolishly I have loved him, how madly I have trusted him, how constantly I have laboured, and studied, and prayed, and struggled for his advantage, and how cruelly he has trampled on my love, betrayed my trust, scorned my prayers and tears, and efforts for his preservation --crushed my hopes, destroyed my youth's best feelings, and doomed me to a life of hopeless misery -- as far as man can do it -- it is not enough to say that I no longer love my husband -- I HATE him! The word stares me in the face like a guilty confession, but it is true: I hate him -- I hate him!
”
”
Anne Brontë (The Tenant of Wildfell Hall)
“
If there is anything terrible, if there exists a reality which surpasses dreams, it is this: to live, to see the sun, to be in full possession of viral force; to possess health and joy; to laugh valiantly; to rush toward a glory which one sees dazzling in front of one; to feel in ones's breast lounges which breath, a heart which beats, a will which reasons; to speak, think, hope, love; to have a mother, to have a wife, to have children, to have the light - and all at once, in the space of a shout, in less than a minute, to sink into an abyss; to fall, to roll, to crush, to be crushed,to see ears of wheat, flowers, leaves, branches; not to be able to catch hold of anything; to feel one's sword useless, men beneath one, horses on top of one; to struggle in vain, since ones bones have been broken by some kick in the darkness; to feel a heel which makes ones's eyes start from their sockets; to bite horses' shoes in one's rage,; to stifle. to yell, to writhe; to be beneath, and to say to one's self, "But just a little while ago I was a living man!
”
”
Victor Hugo (Les Misérables)
“
Happiness, she would explain, was when a person felt good, light, creative, content, loving and loved, and free. An unhappy person felt as if there were barriers crushing her desires and the talents she had inside. A happy woman was one who could exercise all kinds of rights, from the right to move to the right to create, compete, and challenge, and at the same time could be loved for doing so. Part of happiness was to be loved by a man who enjoyed your strength and was proud of your talents. Happiness was also about the right to privacy, the right to retreat from the company of others and plunge into contemplative solitude. Or sit by yourself doing nothing for a whole day, and not give excuses or feel guilty about it either. Happiness was to be with loved ones, and yet still feel that you existed as a separate being, that ou were not just there to make them happy. Happiness was when there was a balance between what you gave and what you took.
”
”
Fatema Mernissi (Dreams Of Trespass: Tales Of A Harem Girlhood)
“
You already know that the first thing that makes you foreign to a place is to be born poor in it; you don't need to emigrate to America to feel what you already felt when you were ten, looking up at the rickety concrete roof above your head and knowing that one more bad typhoon would bring it down to crush your bones and the bones of all your siblings sleeping next to you; or selling fruit by the side of the road to people who made sure to never really look at you, made sure not to touch your hands when they put the money in it. You've been foreign all your life. When you finally leave, all you're hoping for is a more bearable kind of foreignness.
”
”
Elaine Castillo (America Is Not the Heart)
“
Men of today seem to feel more acutely than ever the paradox of their condition. They know themselves to be the supreme end to which all action should be subordinated, but the exigencies of action force them to treat one another as instruments or obstacles, as means. The more widespread their mastery of the world, the more they find themselves crushed by uncontrollable forces. Though they are masters of the atomic bomb, yet it is created only to destroy them. Each one has the incomparable taste in his mouth of his own life, and yet each feels himself more insignificant than an insect within the immense collectivity whose limits are one with the earth's. Perhaps in no other age have they manifested their grandeur more brilliantly, and in no other age has this grandeur been so horribly flouted. In spite of so many stubborn lies, at every moment, at every opportunity, the truth comes to light, the truth of life and death, of my solitude and my bond with the world, of my freedom and my servitude, of the insignificance and the sovereign importance of each man and all men.
”
”
Simone de Beauvoir (The Ethics of Ambiguity)
“
...In our days many men have lived in this cruel manner, crushed against the bottom, but each for a relatively short period; so that we can perhaps ask ourselves if it is necessary or good to retain any memory of this exceptional human state.
To this question we feel that we have to reply in the affirmative. We are in fact convinced that no human experience is without meaning or unworthy of analysis, and that fundamental values, even if they are not positive, can be deduced from this particular world which we are describing…
”
”
Primo Levi (Survival in Auschwitz)
“
I missed you, Kitten,” he growled. Then his mouth crushed over mine, his kiss more filled with raw need than romantic welcome. That was fine; I felt the same way. Aside from my compulsive urge to run my hands over him to assure myself that he was really here, relief, happiness, and the most profound feeling of rightness zoomed through me, settling all the way to my core. I hadn’t realized how deeply I’d missed Bones until that very moment, hadn’t let myself acknowledge how everything felt off when I was apart from him. On some levels, it was frightening how much a part of me he’d become. It let me know just how much I’d crumble if anything happened to him. “Why didn’t you answer your mobile earlier?” Bones murmured once he lifted his head. “I tried you several times. Tried Mencheres, too. Even Tepesh. None of you answered. Scared the wits out of me, so I stowed away on a FedEx plane to make sure you were all right.” “You came all the way from Ohio because I didn’t answer the phone?” I was torn between laughter and disbelief. “God, Bones, that’s a little crazy.” And it was, except the part of me that had had images of his tombstone dancing in my head because he hadn’t answered his phone earlier was nodding in complete understanding. Despite all our protestations, we were so alike when it came to fear over the other’s safety, and I doubted we’d ever change. “Crazy,” I repeated, my voice roughening with the surge of emotion in me. “And have I told you lately. that your crazy side . . . is your sexiest side?” He chuckled before his mouth swooped back over mine in another dizzying kiss. Then he picked me up, brushing past Vlad and Mencheres without even a hello, though I doubted either of them was surprised.
”
”
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
“
My mother’s English has remained rudimentary during her forty-plus years living in the United States. When she speaks Korean, my mother speaks her mind. She is sharp, witty, and judgmental, if rather self-preening. But her English is a crush of piano keys that used to make me cringe whenever she spoke to a white person. As my mother spoke, I watched the white person, oftentimes a woman, put on a fright mask of strained tolerance: wide eyes frozen in trapped patience, smile widened in condescension. As she began responding to my mother in a voice reserved for toddlers, I stepped in. From a young age, I learned to speak for my mother as authoritatively as I could. Not only did I want to dispel the derision I saw behind that woman’s eyes, I wanted to shame her with my sobering fluency for thinking what she was thinking. I have been partly drawn to writing, I realize, to judge those who have unfairly judged my family; to prove that I’ve been watching this whole time.
”
”
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
“
When I look down into this fucked-out cunt of a whore I feel the whole world beneath me, a world tottering and crumbling, a world used up and polished like a leper's skull. If there were a man who dared to say all that he thought of this world there would not be left him a square foot of ground to stand on. When a man appears the world bears down on him and breaks his back. There are always too many rotten pillars left standing, too much festering humanity for man to bloom. The superstructure is a lie and the foundation is a huge quaking fear. If at intervals of centuries there does appear a man with a desperate, hungry look in his eye, a man that would turn the world upside down in order to create a new race, the love that he brings to the world is turned to bile and he becomes a scourge. If now and then we encounter pages that explode, pages that wound and sear, that wring groans and tears and curses, know that they come from a man with his back up, a man whose only defenses left are his words and his words are always stronger than the lying, crushing weight of the world, stronger than all the racks and wheels which the cowardly invent to crush out the miracle of personality. If any man ever dared to translate all that is in his heart, to put down what is really his experience, what is truly his truth, I think then the world would go to smash, that it would be blown to smithereens and no god, no accident, no will could ever again assemble the pieces, the atoms, the indestructible elements that have gone to make up the world.
”
”
Henry Miller (Tropic of Cancer (Tropic, #1))
“
Hemingway never said any of this.
It's all AI-generated bullshit.
The hardest lesson I’ve had to learn as an adult is the relentless need to keep going, no matter how shattered I feel inside."
This truth is both raw and universal. Life doesn’t pause when our hearts are heavy, our minds are fractured, or our spirits feel like they’re unraveling. It keeps moving—unrelenting, unapologetic—demanding that we move with it. There’s no time to stop, no pause for repair, no moment of stillness where we can gently piece ourselves back together. The world doesn’t wait, even when we need it to.
What makes this even harder is that no one really prepares us for it. As children, we grow up on a steady diet of stories filled with happy endings, tales of redemption and triumph where everything always falls into place. But adulthood strips away those comforting narratives. Instead, it reveals a harsh truth: survival isn’t glamorous or inspiring most of the time. It’s wearing a mask of strength when you’re falling apart inside. It’s showing up when all you want is to retreat. It’s choosing to move forward, step by painful step, when your heart begs for rest.
And yet, we endure. That’s the miracle of being human—we endure. Somewhere in the depths of our pain, we find reserves of strength we didn’t know we possessed. We learn to hold space for ourselves, to be the comfort we crave, to whisper words of hope when no one else does. Over time, we realize that resilience isn’t loud or grandiose; it’s a quiet defiance, a refusal to let life’s weight crush us entirely.
Yes, it’s messy. Yes, it’s exhausting. And yes, there are days when it feels almost impossible to take another step. But even then, we move forward. Each tiny step is proof of our resilience, a reminder that even in our darkest moments, we’re still fighting, still refusing to give up. That fight—that courage—is the quiet miracle of survival.
”
”
Ernest Hemingway
“
When I became convinced that the Universe is natural – that all the ghosts and gods are myths, there entered into my brain, into my soul, into every drop of my blood, the sense, the feeling, the joy of freedom. The walls of my prison crumbled and fell, the dungeon was flooded with light and all the bolts, and bars, and manacles became dust. I was no longer a servant, a serf or a slave. There was for me no master in all the wide world -- not even in infinite space. I was free -- free to think, to express my thoughts -- free to live to my own ideal -- free to live for myself and those I loved -- free to use all my faculties, all my senses -- free to spread imagination's wings -- free to investigate, to guess and dream and hope -- free to judge and determine for myself -- free to reject all ignorant and cruel creeds, all the "inspired" books that savages have produced, and all the barbarous legends of the past -- free from popes and priests -- free from all the "called" and "set apart" -- free from sanctified mistakes and holy lies -- free from the fear of eternal pain -- free from the winged monsters of the night -- free from devils, ghosts and gods. For the first time I was free. There were no prohibited places in all the realms of thought -- no air, no space, where fancy could not spread her painted wings -- no chains for my limbs -- no lashes for my back -- no fires for my flesh -- no master's frown or threat – no following another's steps -- no need to bow, or cringe, or crawl, or utter lying words. I was free. I stood erect and fearlessly, joyously, faced all worlds.
And then my heart was filled with gratitude, with thankfulness, and went out in love to all the heroes, the thinkers who gave their lives for the liberty of hand and brain -- for the freedom of labor and thought -- to those who fell on the fierce fields of war, to those who died in dungeons bound with chains -- to those who proudly mounted scaffold's stairs -- to those whose bones were crushed, whose flesh was scarred and torn -- to those by fire consumed -- to all the wise, the good, the brave of every land, whose thoughts and deeds have given freedom to the sons of men. And then I vowed to grasp the torch that they had held, and hold it high, that light might conquer darkness still.
”
”
Robert G. Ingersoll
“
When we are harassed by sorrows or anxieties, or long oppressed by any powerful feelings which we must keep to ourselves, for which we can obtain and seek no sympathy from any living creature, and which yet we cannot, or will not wholly crush, we often naturally seek relief in poetry— and often find it, too— whether in the effusions of others, which seem to harmonize with our existing case, or in our own attempts to give utterance to those thoughts and feelings in strains less musical, perchance, but more appropriate, and therefore more penetrating and sympathetic, and, for the time, more soothing, or more powerful to rouse and to unburden the oppressed and swollen heart.
”
”
Anne Brontë (Agnes Grey)
“
I always wondered what your type was, but I never imagined it would be a hard-core rocker!”
Here we go. I had been hoping he'd be too sleepy for this conversation.
“He's not my type. If I had a type it would be...nice. Not some hotheaded, egocentric male slut.”
“Did you just call him a male slut?” Jay laughed. “Dang, that's, like, the worst language I've ever heard you use.”
I glowered at him, feeling ashamed, and he laughed even harder.
“Oh, hey, I've got a joke for you. What do you call someone who hangs out with musicians?”
He raised his eyebrows and I shrugged. “I don't know. What?”
“A drummer!” I shook my head while he cracked up at his joke for another minute before hounding me again about Kaidan. “All right, so you talked about my CDs, you had some cultural confusion with some of his lingo, then you talked about hot dogs? That can't be everything. You looked seriously intense.”
“That's because he was intense, even though we weren't really talking about anything. He made me nervous.”
“You thought he was hot, didn't you?”
I stared out my window at the passing trees and houses. We were almost to school.
“I knew it!” He smacked the steering wheel, loving every second of my discomfort. “This is so weird. Anna Whitt has a crush.”
“Fine, yes. He was hot. But it doesn't matter, because there's something about him I don't like. I can't explain it. He's...scary.”
“He's not the boy next door, if that's what you mean. Just don't get the good-girl syndrome.”
“What's that?”
“You know. When a good girl falls for a bad boy and hopes the boy will fall in love and magically want to change his ways. But the only one who ends up changing is the girl.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
A psychotic world we live in. The madmen are in power. How long have we known this? Faced this?-And-how many of us do know it? Not Lotze. Perhaps if you know you are insane then you are not insane. Or you are becoming sane, finally. Waking up. I suppose only a few are aware of all this. Isolated persons here and there. But the broad masses...what do they think? All these hundreds of thousands in this city, here. Do they imagine that they live in a sane world? Or do they guess, glimpse the truth...?
But, he thought, what does it mean, insane? A legal definition. What do I mean? I feel it, see it, but what is it?
He thought, it is something they do, something they are. It is their unconsciousness. Their lack of knowledge about others. Their not being aware of what they do to others, the destruction they have caused and are causing. No, he thought. That isn't it. I don't know; I sense it, inuit it. But-they are purposely cruel...is that it? No. God, he thought, I can't find it, make it clear. Do they ignore parts of reality? Yes. But it is more. It is their plans. Yes, their plans. The conquering of the planets. Something frenzied and demented, as was their conquering of Africa, and before that, Europe and Asia.
Their view; it is cosmic. Not of man here, a child there, but an abstraction: race, land. Volk. Land. Blut. Ehre. Not of honorable men but of Ehre itself, honor; the abstract is real, the actual is invisible to them. Die Gute, but not good men, this good man. It is their sense of space and time. They see through the here, the now, into the vast black deep beyond, the unchanging. And that is fatal to life. Because eventually there will be no life; there was once only the dust particles in space, the hot hydrogen gases, nothing more, and it will come again. This is an interval, ein Augenblick. The cosmic process is hurrying on, crushing life back into the granite and methane; the wheel turns for all life. It is all temporary. And they-these madmen-respond to the granite, the dust, the longing of the inanimate; they want to aid Natur.
And, he thought, I know why. They want to be the agents, not the victims, of history. They identify with God's power and believe they are godlike. That is their basic madness. They are overcome by some archetype; their egos have expanded psychotically so that they cannot tell where they begin and the godhead leaves off. it is not hubris, not pride; it is inflation of the ego to its ultimate-confusion between him who worships and that which is worshiped. Man has not eaten God; God has eaten man.
What they do not comprehend is man's helplessness. I am weak, small, of no consequence to the universe. It does not notice me; I live on unseen. But why is that bad? Isn't it better that way? Whom the gods notice they destroy. Be small...and you will escape the jealousy of the great.
”
”
Philip K. Dick (The Man in the High Castle)
“
The world tried to crush you, and you refused to be shattered. You've recovered from every setback a stronger person, rising form the ashes only to astonish everyone around you. And you will continue to surprise and confuse those who underestimate you. It is an inevitability. A forgone conclusion. But you should know now that being a leader is a thankless occupation. Few will ever be grateful for what you do or for the changes you implement. Their memories will be short, convenient. Your every success will be scruntinized. Your accomplishments will be brushed aside, breeding only greater expectations from those around you. Your power will push you further away from your friends. You will be made to feel lonely. Lost. You will long for validation from those you once admired, agonizing between pleasing old friends and doing what is right. But you must never, ever let the idiots into your head. They will only lead you astray.
”
”
Tahereh Mafi (Restore Me (Shatter Me, #4))
“
I do a squat to demonstrate. Generally I do squats with weight – lots of it – but since the most physical exercise Chloe seems accustomed to is running her mouth. I figure I’d better start at the beginning. The very beginning.
“Okay?” I say, doing another since she didn’t mimic my motion the second time.
She watches my movement in the mirror. “One more time,” she says.
I comply, and then mutter a string of curses because Chloe Bellamy has just reached out in the middle of a busy gym and patted my ass.
“Very nice,” she says, sounding surprised.
“Chloe!”
She shrugs. “You just got so upset when I was ogling that other guy instead of you, so I wanted to make you feel good.
”
”
Lauren Layne (Crushed (Redemption, #2))
“
It is not a true civilization, and has nothing in it to satisfy a mature and fully developed human mind. It is attuned to the mentality of the galley-slave and the moron, and crushes relentlessly with disapproval, ridicule, and economic annihilation any sign of actually independent thought and civilised feeling whith chances to rise above its sodden level. It is a treadmill, squirrel-trap culture – drugged and frenzied with the hashish of industrial servitude and material luxury. It is wholly a material body-culture, and its symbol is the tiled bathroom and steam radiator rather than the Doric portico and the temple of philosophy. Its denizens do not live or know how to live.
”
”
H.P. Lovecraft
“
She wanted to touch him, to throw her arms around him — but something held her back. Maybe it was the fear that her arms would pass right through him, that she would have come all this way only to find a ghost after all.
As though he’d been able to read her thoughts, he slowly angled toward her. He raised his hands and held his palms out to her. Isobel lifted her own hands to mirror his. He pressed their palms together, his fingers folding down to lace through hers. She felt a rush of warmth course through her, a relief as pure and sweet as spring rain.
He was real. This was real. She had found him. She could touch him. She could feel him. Finally they were together. Finally, finally, they could forget this wasted world and go home.
"I knew it wasn’t true," she whispered. "I knew you wouldn’t stop believing." He drew her close.
Leaning into him, she felt him press his lips to her forehead in a kiss. As he spoke, the cool metal of his lip ring grazed her skin, causing a shudder to ripple through her.
"You..." His voice, low and breathy, reverberated through her, down to the thin soles of her slippers. "You think you’re different," he said. She felt his hands tighten around hers, gripping hard, too hard.
A streak of violet lightning split the sky, striking close behind them.
The house, Isobel thought. It had been struck. She could hear it cracking apart. She looked for only a brief moment, long enough to watch it split open.
"But you’re not," Varen said, calling her attention back to him. Isobel winced, her own hands surrendering under the suddenly crushing pressure of his hold. A face she did not recognize stared down at her, one twisted with anger — with hate.
"You," he scarcely more than breathed, "are just like every. Body. Else."
He moved so fast. Before she could register his words or the fact that she had once spoken them to him herself, he jerked her to one side. Isobel felt her feet part from the rocks. Weightlessness took hold of her as she swung out and over the ledge of the cliff.
As he let her go.
The wind whistled its high and lonely song in her ears. She fell away into the oblivion of the storm until she could no longer see the cliff — could no longer see him.
Only the slip of the pink ribbon as it unraveled from her wrist, floating up and away from her and out of sight forever.
”
”
Kelly Creagh (Enshadowed (Nevermore, #2))
“
Modern cultish groups also feel comforting in part because they help alleviate the anxious mayhem of living in a world that presents almost too many possibilities for who to be (or at least the illusion of such). I once had a therapist tell me that flexibility without structure isn’t flexibility at all; it’s just chaos. That’s how a lot of people’s lives have been feeling. For most of America’s history, there were comparatively few directions a person’s career, hobbies, place of residence, romantic relationships, diet, aesthetic—everything—could easily go in. But the twenty-first century presents folks (those of some privilege, that is) with a Cheesecake Factory–size menu of decisions to make. The sheer quantity can be paralyzing, especially in an era of radical self-creation, when there’s such pressure to craft a strong “personal brand” at the very same time that morale and basic survival feel more precarious for young people than they have in a long time. As our generational lore goes, millennials’ parents told them they could grow up to be whatever they wanted, but then that cereal aisle of endless “what ifs” and “could bes” turned out to be so crushing, all they wanted was a guru to tell them which to pick.
”
”
Amanda Montell (Cultish: The Language of Fanaticism—Understanding the Social Science of Cult Influence)
“
Girls like her, my grandfather once warned me, girls like her turn into women with eyes like bullet holes and mouths made of knives. They are always restless. They are always hungry. They are bad news. They will drink you down like a shot
of whisky. Falling in love with them is like falling down a flight of stairs. What no one told me, with all those warnings, is that even after you’ve fallen, even after you know how painful it is, you’d still get in line to do it again.
A girl like that, Grandad said, perfumes herself with ozone and metal filings. She wears trouble like a crown. If she ever falls in love, she’ll fall like a comet, burning the sky as she goes.
She was the epic crush of my childhood. She was the tragedy that made me look inside myself and see my corrupt heart. She was my sin and my salvation, come back from the grave to change me forever. Again. Back then, when she sat on my bed and told me she loved me, I wanted her as much as I have ever wanted anything.
There are no words for how much I will miss her, but I try to kiss her so that she’ll know. I try to kiss her to tell her the whole story of my love, the way I dreamed of her when she was dead, the way that every other girl seemed like a mirror that showed me her face. The way my skin ached for her. The way that kissing her made me feel like I was drowning and like I was being saved all at the same time. I hope she can taste all that, bittersweet, on my tongue.
”
”
Holly Black (Black Heart (Curse Workers, #3))
“
When she walks in that first Monday, of course I am awake - I am always up these days - I decide to lay it down. “Look”, I say, “I snort Ritalin. That’s what I do. I snort it all day long. I crush up the pills and inhale them like cocaine. I’m up to about forty a day. I can’t stop. I am planning to get help, to check into rehab or something like that, as soon as this book is finished. In the meantime, I can’t stop, and I am not going to.” She looks at me impassively. “I don’t care what you think about it. So you have a choice. I can sit here and do it in front of you, or I can keep running into the bathroom so you don’t have to see. Either way, it’s going to happen, so it’s just about how bad it’s going to make you feel to watch.”
She doesn’t seem to know what to say. She stares. I think she is going to cry. I think she wants to give me a hug, maybe, but there is an invisible cage, a delicate netting of glass, an ice sculpture surrounding me that no one can walk through. I’m cold. I’ve frozen into someone who just can’t be touched. I dare you to try.
”
”
Elizabeth Wurtzel (More, Now, Again: A Memoir of Addiction)
“
While Emma pressed the unlock button on her key fob, Aidan started walking away, but then he stopped. He turned back and shook his head. “Oh f*ck it.” Taking Emma totally off guard, he shoved her against the car. He wrapped his arms around her waist, jerking her flush against him. Electricity tingled through her at his touch, and his scent invaded her nostrils, making her feel lightheaded.
She squirmed in his arms. “What are you—”
He silenced her by leaning over and crushing his lips against hers. She protested by pushing her hands against his chest, but the warmth of his tongue sliding open her lips caused her to feel weak. Her arms fell limply at her sides.
Aidan’s hands swept from her waist and up her back. He tangled his fingers through her long hair as his tongue plunged in her mouth, caressing and teasing Emma’s. Her hands left her side to wrap around his neck, drawing him even closer to her. God, it had been so very long since someone had kissed her, and it had taken Travis a week to get up the nerve to kiss her like this. Aidan was hot and heavy right out of the gate.
Using his hips, Aidan kept her pinned against the car as he kept up his assault on her mouth. Just when she thought she couldn’t breathe and might pass out, he released her lips. Staring down at her with eyes hooded and drunk with desire, Aidan smiled. “Maybe that will help you with your decision.
”
”
Katie Ashley (The Proposition (The Proposition, #1))
“
People talk of sorrow as if it is soft, a thing of water and tears. But true sorrow is not soft. True sorrow is a thing of fire, and rock. It burns your heart, crushes your soul under the weight of mountains. It destroys, and even if you keep breathing, keep going, you die. The person you were moments ago dies... Gone. Everything solid, everything real, is gone. It doesn't come back. The world is forever fractured, so that you walk on the crust of an earth where you can always feel the heat under you, the press of lava, that is so hot it can burn flesh, melt bone, and the very air is poisonous. To survive, you swallow the heat. To keep from falling through and dying for real, you swallow all that hate. You push it down inside you, into that fresh grave that is all that is left of what you thought the world would be.
”
”
Laurell K. Hamilton (Blood Noir (Anita Blake, Vampire Hunter, #16))
“
A quiet but indomitable voice behind me said, “I believe this is my dance.”
It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze.
Kishan narrowed his eyes and said, “I believe it is the lady’s choice.”
Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor.
Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him.
He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist.
When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch.
I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger.
He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret.
He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.”
I nodded my head hesitantly.
“First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.”
He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.”
I sucked in a deep breath.
He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.”
He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer.
“Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it.
Ren’s expression changed as he watched my face. His look of sadness was replaced by one of concern for me.
What was the next step? What should I do? What do I say? How do I share what I’m feeling?
I remembered watching romance movies with my mom, and our favorite saying was “shut up and kiss her already!” We’d both get frustrated when the hero or heroine wouldn’t do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we’d both repeat our mantra. I could hear my mom’s humor-filled voice in my mind giving me the same advice: “Kells, shut up and kiss him already!”
So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him.
He froze. He didn’t kiss me back. He didn’t push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart.
I heard him move. He slid his hand under my elbow and turned me around. I couldn’t look at him. I just stared at his bare feet. He put a finger under my chin and tried to nudge my head up, but I still refused to meet his gaze.
“Kelsey. Look at me.” Lifting my eyes, they traveled from his feet to a white button in the middle of his shirt. “Look at me.”
My eyes continued their journey. They drifted past the golden-bronze skin of his chest, his throat, and then settled on his beautiful face. His cobalt blue eyes searched mine, questioning. He took a step closer. My breath hitched in my throat. Reaching out a hand, he slid it around my waist slowly. His other hand cupped my chin. Still watching my face, he placed his palm lightly on my cheek and traced the arch of my cheekbone with his thumb.
The touch was sweet, hesitant, and careful, the way you might try to touch a frightened doe. His face was full of wonder and awareness. I quivered. He paused just a moment more, then smiled tenderly, dipped is head, and brushed his lips lightly against mine.
He kissed me softly, tentatively, just a mere whisper of a kiss. His other hand slid down to my waist too. I timidly touched his arms with my fingertips. He was warm, and his skin was smooth. He gently pulled me closer and pressed me lightly against his chest. I gripped his arms.
He sighed with pleasure, and deepened the kiss. I melted into him.
How was I breathing? His summery sandalwood scent surrounded me. Everywhere he touched me, I felt tingly and alive.
I clutched his arms fervently. His lips never leaving mine, Ren took both of my arms and wrapped them, one by one, around his neck. Then he trailed one of his hands down my bare arm to my waist while the other slid into my hair. Before I realized what he was planning to do, he picked me up with one arm and crushed me to his chest.
I have no idea how long we kissed. It felt like a mere second, and it also felt like forever. My bare feet were dangling several inches from the floor. He was holding all my body weight easily with one arm. I buried my fingers into his hair and felt a rumble in his chest. It was similar to the purring sound he made as a tiger. After that, all coherent thought fled and time stopped.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
How are you giving it magic?” he said, through his teeth.
“I already found the path!” I said. “I’m just staying on it. Can’t you—feel it?” I asked abruptly, and held my hand cupping the flower out towards him; he frowned and put his hands around it, and then he said, “Vadiya rusha ilikad tuhi,” and a second illusion laid itself over mine, two roses in the same space—his, predictably, had three rings of perfect petals, and a delicate fragrance.
“Try and match it,” he said absently, his fingers moving slightly, and by lurching steps we brought our illusions closer together until it was nearly impossible to tell them one from another, and then he said, “Ah,” suddenly, just as I began to glimpse his spell: almost exactly like that strange clockwork on the middle of his table, all shining moving parts. On an impulse I tried to align our workings: I envisioned his like the water-wheel of a mill, and mine the rushing stream driving it around. “What are you—” he began, and then abruptly we had only a single rose, and it began to grow.
And not only the rose: vines were climbing up the bookshelves in every direction, twining themselves around ancient tomes and reaching out the window; the tall slender columns that made the arch of the doorway were lost among rising birches, spreading out long finger-branches; moss and violets were springing up across the floor, delicate ferns unfurling. Flowers were blooming everywhere: flowers I had never seen, strange blooms dangling and others with sharp points, brilliantly colored, and the room was thick with their fragrance, with the smell of crushed leaves and pungent herbs. I looked around myself alight with wonder, my magic still flowing easily. “Is this what you meant?” I asked him: it really wasn’t any more difficult than making the single flower had been. But he was staring at the riot of flowers all around us, as astonished as I was.
He looked at me, baffled and for the first time uncertain, as though he had stumbled into something, unprepared. His long narrow hands were cradled around mine, both of us holding the rose together. Magic was singing in me, through me; I felt the murmur of his power singing back that same song. I was abruptly too hot, and strangely conscious of myself. I pulled my hands free.
”
”
Naomi Novik (Uprooted)
“
Archer's necklace thing may have spared us the crushing headache and loss of breath, but it didn't make the landing any more graceful. We were tossed into a thick copse of trees as we came out of the blackness, and I immediately tripped over a huge exposed root, scraping my elbow on a branch as I went down.
Unfortunately, since the necklace was looped around both our necks, that meant Archer fell too. On top of me.
In another lifetime,that might have been kind of pleasant. And yeah, he still smelled nice, and as I grabbed his shoulders to push him away, I remembered that he was a lot stronger than his thin frame would suggest.
But none of that mattered. I didn't get to notice those things about him anymore.
The ground I was lying on was muddy, and I had a feeling I'd be pulling leaves and twigs out of my hair for all eternity. "Get off of me!" I mumbled against his collarbone, shoving at him. He rolled over onto his back, his sword clanging against a rock or exposed root, but thanks to the necklace, that just pulled me half on top of him.
"And here I thought you were playing hard to get," he whispered. Moonlight glinted in his eyes, and he sounded a little out of breath. I told myself it was just from the fall.
I thwacked his chest with the palm of my hand, then ducked my head underneath the necklace. Once I was free, I scooted away from him. "Let me guess," I hissed, nodding at the chain. "Something else you stole from Hex Hall."
He pushed himself to his feet. "Guilty."
"Where the heck was I while you were playing Grand Theft Cellar?"
"I only took a few things, and most of those I grabbed during those last few weeks when you weren't talking to me.
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Brain scans prove that patients who’ve sustained significant childhood trauma have brains that look different from people who haven’t. Traumatized brains tend to have an enlarged amygdala—a part of the brain that is generally associated with producing feelings of fear. Which makes sense. But it goes further than that: For survivors of emotional abuse, the part of their brain that is associated with self-awareness and self-evaluation is shrunken and thin.
Women who’ve suffered childhood sexual abuse have smaller somatosensory cortices—the part of the brain that registers sensation in our bodies. Victims who were screamed at might have an altered response to sound. Traumatized brains can result in reductions in the parts of the brain that process semantics, emotion and memory retrieval, perceiving emotions in others, and attention and speech. Not getting enough sleep at night potentially affects developing brains’ plasticity and attention and increases the risk of emotional problems later in life. And the scariest factoid, for me anyway: Child abuse is often associated with reduced thickness in the prefrontal cortex, the part of the brain associated with moderation, decision-making, complex thought, and logical reasoning.
Brains do have workarounds. There are people without amygdalae who don’t feel fear. There are people who have reduced prefrontal cortices who are very logical. And other parts of the brain can compensate, make up the lost parts in other ways. But overall, when I looked at the breadth of evidence, the results felt crushing.
The fact that the brain’s cortical thickness is directly related to IQ was particularly threatening to me. Even if I wasn’t cool, or kind, or personable, I enjoyed the narrative that I was at least effective. Intelligent. What these papers seemed to tell me is that however smart I am, I’m not as smart as I could have been had this not happened to me. The questions arose again: Is this why my pitches didn’t go through? Is this why my boss never respected me? Is this why I was pushed to do grunt work in the back room?
”
”
Stephanie Foo (What My Bones Know)
“
I don't understand this," I said softly. "I wanted to fuck you that first night on the raft, but that was just because I wanted to get off and you were there. I still want to fuck you, but the reasons are all different. I've never felt like this after sleeping with someone...or during it...shit. This didn't feel like I was fucking you...it was something else. I don't know what it is. I want to be with you, and touch you, and hold you. I have this overwhelming desire to protect you and make sure you're safe. Every time I look at you, it's like my chest gets crushed, and I just want to stare at you and hold on to you and tell you everything is going to be all right. I don't know what this is, Raine. I don't understand what you're doing to me."
I felt her fingers against my jaw and glanced down into her opened eyes. Fuck. She hadn't been asleep after all. Her mouth turned up into a beautiful smile, and her response ended me.
I love you too, Bastian.
”
”
Shay Savage (Surviving Raine (Surviving Raine, #1))
“
Discouragement, fear, and depression—
three villains who lurk in the dark.
They slip inside souls with a blindfold and goals
to shatter your dreams and extinguish your spark.
Their tactics are highly effective.
They crush a great many each day.
And under their spell it is easy to dwell
On fiascoes and failures that end in dismay.
The heart and the mind are left heavy.
The last speck of will is erased.
And nothing stays on when these villains are gone
but a mouthful of bile with the bitterest taste.
Alas! You must conquer the scoundrels!
Elude, dodge, and keep them at bay!
To feel fear slink in, boring under your skin,
is a sign that his brothers are well on their way.
So reach for your weapons against them!
Take hope and hard work in each hand!
Strap faith on your hips and a prayer on your lips
and show those debasers how firmly you stand!
Discouragement, fear and depression—
the truth should be known of these cads.
They’re empty and weak; it is your strength they seek.
Deny them and life is your wish in the bag.
”
”
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
“
If there is anything terrible, if there exists a reality which surpasses dreams, it is this: to live, to see the sun; to be in full possession of virile force; to possess health and joy; to laugh valiantly; to rush towards a glory which one sees dazzling in front of one; to feel in one’s breast lungs which breathe, a heart which beats, a will which reasons; to speak, think, hope, love; to have a mother, to have a wife, to have children; to have the light—and all at once, in the space of a shout, in less than a minute, to sink into an abyss; to fall, to roll, to crush, to be crushed; to see ears of wheat, flowers, leaves, branches; not to be able to catch hold of anything; to feel one’s sword useless, men beneath one, horses on top of one; to struggle in vain, since one’s bones have been broken by some kick in the darkness; to feel a heel which makes one’s eyes start from their sockets; to bite horses’ shoes in one’s rage; to stifle, to yell, to writhe; to be beneath, and to say to one’s self, “But just a little while ago I was a living man!
”
”
Victor Hugo (Les Misérables)
“
Goddess Rising
This is for the women
Who have walked with hidden shame
Stirring like all is well
Though weighted down in pain.
This is for her Inner Child
Who longs to forget
Her innocence stolen
Body, soul and spirit rent
into pieces- fragments-broken-bent
This is for the Maiden
Longing to belong
-To another -
In hopes
to make right the darkened wrongs
Not realizing-blinded by oozing wounds
Her own innate delicious power
Thick within her womb
This is for the Mother
Breaking eons of fettered chains
For the children she has birthed
Through blood and breaths of change
She calls them Redemption
Regardless of their names
This is for the Crone
Who called her shattered pieces Home
To herself-
To all her luminous bodies
Where she never dared to feel
Making strong her bones
Crushing~ oppressors
With the swaying of her hips
Her hands soaring like doves
Honey dripping from her lips
This is for the Wild Woman
Who traversed the Underground
Leaving her footprints
While taming the Hellhounds.
Like a seed breaking fallow ground
Emerging fruitful garden
No longer bound
By the nightmare of the past
Awakened from the Dream-
Of Separation
SHE. IS.- merging realms between.
This is for the woman, for the Goddess
For me
For you
Rising from our ashes
Making ALL things new~
”
”
Mishi McCoy
“
Artoo,
I'm switching back to regular handwriting. Calligraphy is hard, and I didn't bring my good pens. Or I need more practice.
Right now you're sitting across from me, probably writing HAGS 30 times in a row. I know a little bit of a lot of languages, but even so, I struggle to put this into words. Okay. I'm just going to do it.
First of all, I need you to know I'm not putting this out there with any hope of reciprocation. This is something I have to get off my chest (cliché, sorry) before we go our separate ways (cliché). It's the last day of school, and therefore my last chance.
"Crush" is too weak a word to describe how I feel. It doesn't do you justice, but maybe it works for me. I am the one who is crushed. I'm crushed that we have only ever regarded each other as enemies. I'm crushed when the day ends and I haven't said anything to you that isn't coated in five layers of sarcasm. I'm crushed, concluding this year without having known that you like melancholy music or eat cream cheese straight from the tub in the middle of the night or play with your bangs when you're nervous, as though you're worried they look bad. (They never do.)
You're ambitious, clever, interesting, and beautiful. I put "beautiful" last because for some reason, I have a feeling you'd roll your eyes if I wrote it first. But you are. You're beautiful and adorable and so fucking charming. And you have this energy that radiates off you, a shimmering optimism I wish I could borrow for myself sometimes.
You're looking at me like you can't believe I'm not done yet, so let me wrap this up before I turn it into a five-paragraph essay. But if this were an essay, here's the thesis statement:
I'm in love with you, Rowan Roth.
Please don't make too much fun of me at graduation?
Yours,
Neil P. McNair
”
”
Rachel Lynn Solomon (Today Tonight Tomorrow (Rowan & Neil, #1))
“
Smiling victoriously, he crushed me against his chest and kissed me again. This time, the kiss was bolder and playful. I ran my hands from his powerful shoulders, up to his neck, and pressed him close to me.
When he pulled away, his face brightened with an enthusiastic smile. He scooped me up and spun me around the room, laughing. When I was thoroughly dizzy, he sobered and touched his forehead to mine. Shyly, I reached out to touch his face, exploring the angles of his cheeks and lips with my fingertips. He leaned into my touch like the tiger did. I laughed softly and ran my hands up into his hair, brushing it away from his forehead, loving the silky feel of it.
I felt overwhelmed. I didn’t expect a first kiss to be so…life altering. In a few brief moments, the rule book of my universe had been rewritten. Suddenly I was a brand new person. I was as fragile as a newborn, and I worried that the deeper I allowed the relationship to progress, the worse that the deeper I allowed the relationship to progress, the worse it would be if Ren left. What would become of us? There was no way to know, and I realized what a breakable and delicate thing a heart was. No wonder I’d kept mine locked away.
He was oblivious to my negative thoughts, and I tried to push them into the back of my mind and enjoy the moment with him. Setting me down, he briefly kissed me again and pressed soft kisses along my hairline and neck. Then, he gathered me into a warm embrace and just held me close. Stroking my hair while caressing my neck, he whispered soft words in his native language. After several moments, he sighed, kissed my cheek, and nudged me toward the bed.
“Get some sleep, Kelsey. We both need some.”
After one last caress on my cheek with the back of his fingers, he changed into his tiger form and lay down on the mat beside my bed. I climbed into bed, settled under my quilt, and leaned over to stroke his head.
Tucking my other arm under my cheek, I softly said, “Goodnight, Ren.”
He rubbed his head against my hand, leaned into it, and purred quietly. Then he put his head on his paws and closed his eyes.
Mae West, a famous vaudeville actress, once said, “A man’s kiss is his signature.” I grinned to myself. If that was true, then Ren’s signature was the John Hancock of kisses.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Then someone else appeared from the crowd, and Annabeth's vision tunneled.
Percy smiled at her-that sarcastic, troublemaker's smile that had annoyed her for years but eventually had become endearing. His sea-green eyes were as gorgeous as she remembered. His dark hair was swept to one side, like he'd just come from a walk on the beach. He looked even better than he had six months ago-tanner and taller, leaner and more muscular.
Annabeth was to stunned to move. She felt that if she got any closer to him, all the molecules in her body might combust. She'd secretly had a crush on him sonar they were twelve years old. Last summer, she'd fallen for him hard. They'd been a happy couple together for four months-and then he'd disappeared.
During their separation, something had happened to Annabeth's feelings. They'd grown painfully intense-like she'd been forced to withdraw from a life-saving medication. Now she wasn't sure which was more excruciating-living with that horrible absence, or being with him again...
Annabeth didn't mean to, but she surged forward. Percy rushed toward her at the same time. The crowds tensed. Some reach d for swords that weren't there.
Percy threw his arms around her. They kissed, and for a moment nothing else mattered. An asteroid could have hit the planet and wiped out all life, Annabeth wouldn't have cared.
Percy smelled of ocean air. His lips were salty. Seaweed Brain, she thought giddily.
Percy pulled away and studied her face. "Gods, I never thought-"
Annabeth grabbed his wrist and flipped him over her shoulder. He slammed into the stone pavement. Romans cried out. Some surged forward, but Reyna shouted, "Hold! Stand down!"
Annabeth put her knee on Percy's chest. She pushed her forearm against his throat. She didn't care what the Romans thought. A white-hot lump of anger expanded in her chest-a tumor of worry and bitterness that she'd been carrying around since last autumn.
"Of you ever leave me again," she said, her eyes stinging, "I swear to all the gods-"
Percy had the nerve to laugh. Suddenly the lump of heated emotions melted inside Annabeth.
"Consider me warned," Percy said. "I missed you, too." Annabeth rose and helped him to his feet. She wanted to kiss him again SO badly, but she managed to restrain herself.
Jason cleared his throat. "So, yeah…It's good to be back…"
"And this is Annabeth," Jason said. "Uh, normally she doesn't judo-flip people.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
Why is it that because ye use hard drugs every cunt feels that they have a right tae dissect and analyse ye? Once ye accept that they huv that right, ye’ll join them in the search fir this holy grail, this thing that makes ye tick. Ye’ll then defer tae them, allowin yersel tae be conned intae believin any biscuit-ersed theory ay behaviour they choose tae attach tae ye. Then yir theirs, no yir ain; the dependency shifts from the drug to them. Society invents a spurious convoluted logic tae absorb and change people whae’s behaviour is outside its mainstream. Suppose that ah ken aw the pros and cons, know that ah’m gaunnae huv a short life, am ay sound mind etcetera, etcetera, but still want tae use smack? They won’t let ye dae it. They won’t let ye dae it, because it’s seen as a sign ay thir ain failure. The fact that ye jist simply choose tae reject whit they huv tae offer. Choose us. Choose life. Choose mortgage payments; choose washing machines; choose cars; choose sitting oan a couch watching mind-numbing and spirit-crushing game shows, stuffing fuckin junk food intae yir mooth. Choose rotting away, pishing and shiteing yersel in a home, a total fuckin embarrassment tae the selfish, fucked-up brats ye’ve produced. Choose life. Well, ah choose no tae choose life. If the cunts cannae handle that, it’s thair fuckin problem. As Harry Lauder sais, ah jist intend tae keep right on to the end of the road …
”
”
Irvine Welsh (Trainspotting)
“
Helen of Troy Does Counter Dancing
The world is full of women
who'd tell me I should be ashamed of myself
if they had the chance. Quit dancing.
Get some self-respect
and a day job.
Right. And minimum wage,
and varicose veins, just standing
in one place for eight hours
behind a glass counter
bundled up to the neck, instead of
naked as a meat sandwich.
Selling gloves, or something.
Instead of what I do sell.
You have to have talent
to peddle a thing so nebulous
and without material form.
Exploited, they'd say. Yes, any way
you cut it, but I've a choice
of how, and I'll take the money.
I do give value.
Like preachers, I sell vision,
like perfume ads, desire
or its facsimile. Like jokes
or war, it's all in the timing.
I sell men back their worst suspicions:
that everything's for sale,
and piecemeal. They gaze at me and see
a chain-saw murder just before it happens,
when thigh, ass, inkblot, crevice, tit, and nipple
are still connected.
Such hatred leaps in them,
my beery worshipers! That, or a bleary
hopeless love. Seeing the rows of heads
and upturned eyes, imploring
but ready to snap at my ankles,
I understand floods and earthquakes, and the urge
to step on ants. I keep the beat,
and dance for them because
they can't. The music smells like foxes,
crisp as heated metal
searing the nostrils
or humid as August, hazy and languorous
as a looted city the day after,
when all the rape's been done
already, and the killing,
and the survivors wander around
looking for garbage
to eat, and there's only a bleak exhaustion.
Speaking of which, it's the smiling
tires me out the most.
This, and the pretense
that I can't hear them.
And I can't, because I'm after all
a foreigner to them.
The speech here is all warty gutturals,
obvious as a slam of ham,
but I come from the province of the gods
where meaning are lilting and oblique.
I don't let on to everyone,
but lean close, and I'll whisper:
My mothers was raped by a holy swan.
You believe that? You can take me out to dinner.
That's what we tell all the husbands.
There sure are a lot of dangerous birds around.
Not that anyone here
but you would understand.
The rest of them would like to watch me
and feel nothing. Reduce me to components
as in a clock factory or abattoir.
Crush out the mystery.
Wall me up alive
in my own body.
They'd like to see through me,
but nothing is more opaque
than absolute transparency.
Look - my feet don't hit the marble!
Like breath or a balloon, I'm rising,
I hover six inches in the air
in my blazing swan-egg of light.
You think I'm not a goddess?
Try me.
This is a torch song.
Touch me and you'll burn.
”
”
Margaret Atwood (Morning in the Burned House: Poems)
“
At its most elemental level the human organism, like crawling life, has a mouth, digestive tract, and anus, a skin to keep it intact, and appendages with which to acquire food. Existence, for all organismic life, is a constant struggle to feed-a struggle to incorporate whatever other organisms they can fit into their mouths and press down their gullets without choking. Seen in these stark terms, life on this planet is a gory spectacle, a science-fiction nightmare in which digestive tracts fitted with teeth at one end are tearing away at whatever flesh they can reach, and at the other end are piling up the fuming waste excrement as they move along in search of more flesh. I think this is why the epoch of the dinosaurs exerts such a strange fascination on us: it is an epic food orgy with king-size actors who convey unmistakably what organisms are dedicated to. Sensitive souls have reacted with shock to the elemental drama of life on this planet, and one of the reasons that Darwin so shocked his time-and still bothers ours-is that he showed this bone crushing, blood-drinking drama in all its elementality and necessity: Life cannot go on without the mutual devouring of organisms. If at the end of each person’s life he were to be presented with the living spectacle of all that he had organismically incorporated in order to stay alive, he might well feel horrified by the living energy he had ingested. The horizon of a gourmet, or even the average person, would be taken up with hundreds of chickens, flocks of lambs and sheep, a small herd of steers, sties full of pigs, and rivers of fish. The din alone would be deafening. To paraphrase Elias Canetti, each organism raises its head over a field of corpses, smiles into the sun, and declares life good.
”
”
Ernest Becker (Escape from Evil)
“
Hypercritical, Shaming Parents
Hypercritical and shaming parents send the same message to their children as perfectionistic parents do - that they are never good enough. Parents often deliberately shame their children into minding them without realizing the disruptive impact shame can have on a child's sense of self. Statements such as "You should be ashamed of yourself" or "Shame on you" are obvious examples. Yet these types of overtly shaming statements are actually easier for the child to defend against than are more subtle forms of shaming, such as contempt, humiliation, and public shaming.
There are many ways that parents shame their children. These include belittling, blaming, contempt, humiliation, and disabling expectations.
-BELITTLING. Comments such as "You're too old to want to be held" or "You're just a cry-baby" are horribly humiliating to a child. When a parent makes a negative comparison between his or her child and another, such as "Why can't you act like Jenny? See how she sits quietly while her mother is talking," it is not only humiliating but teaches a child to always compare himself or herself with peers and find himself or herself deficient by comparison.
-BLAMING. When a child makes a mistake, such as breaking a vase while rough-housing, he or she needs to take responsibility. But many parents go way beyond teaching a lesson by blaming and berating the child: "You stupid idiot! Do you think money grows on trees? I don't have money to buy new vases!" The only thing this accomplishes is shaming the child to such an extent that he or she cannot find a way to walk away from the situation with his or her head held high.
-CONTEMPT. Expressions of disgust or contempt communicate absolute rejection. The look of contempt (often a sneer or a raised upper lip), especially from someone who is significant to a child, can make him or her feel disgusting or offensive. When I was a child, my mother had an extremely negative attitude toward me. Much of the time she either looked at me with the kind of expectant expression that said, "What are you up to now?" or with a look of disapproval or disgust over what I had already done. These looks were extremely shaming to me, causing me to feel that there was something terribly wrong with me.
-HUMILIATION. There are many ways a parent can humiliate a child, such as making him or her wear clothes that have become dirty. But as Gershen Kaufman stated in his book Shame: The Power of Caring, "There is no more humiliating experience than to have another person who is clearly the stronger and more powerful take advantage of that power and give us a beating." I can personally attest to this. In addition to shaming me with her contemptuous looks, my mother often punished me by hitting me with the branch of a tree, and she often did this outside, in front of the neighbors. The humiliation I felt was like a deep wound to my soul.
-DISABLING EXPECTATIONS. Parents who have an inordinate need to have their child excel at a particular activity or skill are likely to behave in ways that pressure the child to do more and more. According to Kaufman, when a child becomes aware of the real possibility of failing to meet parental expectations, he or she often experiences a binding self-consciousness. This self-consciousness - the painful watching of oneself - is very disabling. When something is expected of us in this way, attaining the goal is made harder, if not impossible.
Yet another way that parents induce shame in their children is by communicating to them that they are a disappointment to them. Such messages as "I can't believe you could do such a thing" or "I am deeply disappointed in you" accompanied by a disapproving tone of voice and facial expression can crush a child's spirit.
”
”
Beverly Engel (The Nice Girl Syndrome: Stop Being Manipulated and Abused -- And Start Standing Up for Yourself)
“
This time she is the one who leans forward. She is on her knees in front of him, grasping his shirt collar, pulling him close to her. He is clearly as startled by this as she herself is, but he allows himself to be drawn in. Their mouths meet, she moves even closer still until she is sitting on his lap takes his hands from her waist and puts them on her breasts, does everything but devour him, desperate to see if she can have something beyond her bondage with the razor.
Pictures of the accident start writhing beneath her closed lids, competing for attention with the image she holds of his face. A tidal wave of emotion threatens to engulf her. She is suddenly back in the basement with the bookcases. "I can't." Willow pushes him away. "I can't"
Willow claps her hands over her ears in a vain attempt to drown out the dreadful sounds of the accident. She jumps up, wheels away from him, fumbles in her pocket for the razor that she always keeps there. But just as she's preparing to slice, to save herself, to end the nightmare visions, Guy's hand clamps down on hers He pulls her down on the floor again roughly.
"No." He's shaking his head. "Not here. Not now. Not with me around."
"I have to." Willow is gasping. "Just let me do it!"
"All right then, you can cut yourself, but not like this, not like some concerned animal. You have to do it in front of me."
Willow doesn't flinch as she presses the blade into her flesh. She stares at Guy, aware that although she is fully clothed, she is completely bare before him. It hurts. It hurts badly, and within seconds the pain is swirling through her like an opiate, completely crowding out everything else.
"Oh my god. Oh my god!" Now Guy is the one who is clapping a hand over his mouth. "Stop it! I can't watch!" He grabs the razor and flings it around the room, grabs her arm and stares at the blood, grabs her and crushes her close.
Willow is so close that once again she's sitting in his lap. She's so close that they might as well be sharing the same breath.
"You won't let yourself feel anything but pain?" He holds her more tightly than she would have thought possible. She watches with half closed lids as he wipes the blood on her arm with his shirttail. Now that she's numbed herself, she'd like nothing more than to stay there with him, like this, forever. She just stays there like that, for as long as she possibly can.
”
”
Julia Hoban
“
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him.
I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!"
"I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.”
He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable.
"There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests.
I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough.
Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere.
"Letha? Where are you at?”
My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon.
Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze.
"Have you ever been with anyone before?" he asked wonderingly.
I shook my head.
"How did you ... I never imagined you doing that...”
"I learn fast.”
He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...”
"Tonight," I agreed.
He backed away then, eyes still smoldering. "I love you. You are my life.”
"I love you too." I smiled and watched him go.
”
”
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
“
The Idiot. I have read it once, and find that I don't remember the events of the book very well--or even all the principal characters. But mostly the 'portrait of a truly beautiful person' that dostoevsky supposedly set out to write in that book. And I remember how Myshkin seemed so simple when I began the book, but by the end, I realized how I didn't understand him at all. the things he did. Maybe when I read it again it will be different. But the plot of these dostoevsky books can hold such twists and turns for the first-time reader-- I guess that's b/c he was writing most of these books as serials that had to have cliffhangers and such.
But I make marks in my books, mostly at parts where I see the author's philosophical points standing in the most stark relief. My copy of Moby Dick is positively full of these marks. The Idiot, I find has a few...
Part 3, Section 5. The sickly Ippolit is reading from his 'Explanation' or whatever its called. He says his convictions are not tied to him being condemned to death. It's important for him to describe, of happiness: "you may be sure that Columbus was happy not when he had discovered America, but when he was discovering it." That it's the process of life--not the end or accomplished goals in it--that matter. Well. Easier said than lived!
Part 3, Section 6. more of Ippolit talking--about a christian mindset. He references Jesus's parable of The Word as seeds that grow in men, couched in a description of how people are interrelated over time; its a picture of a multiplicity.
Later in this section, he relates looking at a painting of Christ being taken down from the cross, at Rogozhin's house. The painting produced in him an intricate metaphor of despair over death "in the form of a huge machine of the most modern construction which, dull and insensible, has aimlessly clutched, crushed, and swallowed up a great priceless Being, a Being worth all nature and its laws, worth the whole earth, which was created perhaps solely for the sake of the advent of this Being." The way Ippolit's ideas are configured, here, reminds me of the writings of Gilles Deleuze. And the phrasing just sort of remidns me of the way everyone feels--many people feel crushed by the incomprehensible machine, in life. Many people feel martyred in their very minor ways. And it makes me think of the concept that a narrative religion like Christianity uniquely allows for a kind of socialized or externalized, shared experience of subjectivity. Like, we all know the story of this man--and it feels like our own stories at the same time.
Part 4, Section 7. Myshkin's excitement (leading to a seizure) among the Epanchin's dignitary guests when he talks about what the nobility needs to become ("servants in order to be leaders"). I'm drawn to things like this because it's affirming, I guess, for me: "it really is true that we're absurd, that we're shallow, have bad habits, that we're bored, that we don't know how to look at things, that we can't understand; we're all like that." And of course he finds a way to make that into a good thing. which, it's pointed out by scholars, is very important to Dostoevsky philosophy--don't deny the earthly passions and problems in yourself, but accept them and incorporate them into your whole person. Me, I'm still working on that one.
”
”
Fyodor Dostoevsky
“
SOPHIE WASN’T SURE HOW LONG she sat there staring blankly at her empty doorway. Could’ve been minutes. Could’ve been hours. It didn’t matter. No amount of time was going to quiet the chaos in her head. All it did was raise a whole lot of terrifying questions. Because even if Ro was right about Keefe’s feelings—and Sophie decided she wanted to see what would happen—this was so much bigger than just the two of them. Like… What would Grady and Edaline think? Sophie still didn’t know if she was actually allowed to date—much less date That Boy. And even if she was, there would surely be all kinds of annoying new rules and restrictions to deal with. Plus, Edaline would probably follow them around with a sappy, embarrassing smile, and Grady would make them sit through a series of horrifying Dad Talks. And what would her friends say when they found out? There’d been a time when Sophie had wondered if Biana had a crush on Keefe—and even though it seemed like Biana had gotten over it… what if she hadn’t? Better question: How would Fitz react? Keefe was Fitz’s best friend—and Fitz’s temper could be… challenging. The possibilities for drama were endless. Sophie’s insides twisted into knots on top of knots as she imagined the awkward conversations. And the stares. And the gossip. There would be So. Much. Gossip. She wanted to hide just thinking about it—and Keefe would probably love the attention. Did that prove they weren’t compatible? Or was she just looking for an excuse because she was scared? And why was she so scared? Keefe would honestly be… … … …a really awesome boyfriend. He was thoughtful. And supportive. And he could be incredibly sweet—when he was actually being serious instead of joking around with everybody. Though… maybe some of his jokes with her hadn’t just been teasing. Had some of it also been… flirting? If Ro were still there, she probably would’ve been nodding and shouting about the Great Foster Oblivion. And maybe she was right. Maybe Sophie had been too insecure to let herself see what was right in front of her. Or too distracted by her crush on Fitz. The last thought made her inner knots twist so much tighter. She’d liked Fitz for so long that she’d never even thought about liking someone else—and she was still trying to get over all of that. But… Did she want to risk missing out on something that might be… really great? Keefe’s face filled her mind, flashing his trademark smirk.
”
”
Shannon Messenger (Stellarlune (Keeper of the Lost Cities, #9))
“
I’ve been in your skin,” he taunted. “I know you inside and out. There’s nothing there. Do us all a favor and die so we can start working on another plan and quit thinking maybe you’ll grow the fuck up and be capable of something.”
Okay, enough! “You don’t know me inside and out,” I snarled. “You may have gotten in my skin, but you have never gotten inside my heart. Go ahead, Barrons, make me slice and dice myself. Go ahead, play games with me. Push me around. Lie to me. Bully me. Be your usual constant jackass self. Stalk around all broody and pissy and secretive, but you’re wrong about me. There’s something inside me you’d better be afraid of. And you can’t touch my soul. You will never touch my soul!”
I raised my hand, drew back the knife, and let it fly. It sliced through the air, straight for his head.
He avoided it with preternatural grace, a mere whisper of a movement, precisely and only as much as was required to not get hit.
The hilt vibrated in the wood of the ornate mantel next to his head.
“So, fuck you, Jericho Barrons, and not the way you like it. Fuck you—as in, you can’t touch me. Nobody can.”
I kicked the table at him. It crashed into his shins. I picked up a lamp from the end table. Flung it straight at his head. He ducked again. I grabbed a book. It thumped off his chest.
He laughed, dark eyes glittering with exhilaration.
I launched myself at him, slammed a fist into his face. I heard a satisfying crunch and felt something in his nose give.
He didn’t try to hit me back or push me away. Merely wrapped his arms around me and crushed me tight to his body, trapping my arms against his chest.
Then, when I thought he might just squeeze me to death, he dropped his head forward, into the hollow where my shoulder met my neck.
“Do you miss fucking me, Ms. Lane?” he purred against my ear. Voice resonated in my skull, pressuring a reply.
I was tall and strong and proud inside myself. Nobody owned me. I didn’t have to answer any questions I didn’t want to, ever again.
“Wouldn’t you just love to know?” I purred back. “You want more of me, don’t you, Barrons? I got under your skin deep. I hope you got addicted to me. I was a wild one, wasn’t I? I bet you never had sex like that in your entire existence, huh, O Ancient One? I bet I rocked your perfectly disciplined little world. I hope wanting me hurts like hell!”
His hands were suddenly cruelly tight on my waist.
“There’s only one question that matters, Ms. Lane, and it’s the one you never get around to asking. People are capable of varying degrees of truth. The majority spend their entire lives fabricating an elaborate skein of lies, immersing themselves in the faith of bad faith, doing whatever it takes to feel safe. The person who truly lives has precious few moments of safety, learns to thrive in any kind of storm. It’s the truth you can stare down stone-cold that makes you what you are. Weak or strong. Live or die. Prove yourself. How much truth can you take, Ms. Lane?”
Dreamfever
”
”
Karen Marie Moning
“
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night.
Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset.
All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic.
She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic.
When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all.
The boat rocked and an actual laugh pierced the quiet.
Tella froze.
The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses.
Tella’s skin prickled; gooseflesh rose on her bare arms.
At her feet a puddle of petals formed a seductive trail of red.
Tella might not have known Legend’s true name, but she knew he favored red and roses and games.
Was this his way of toying with her? Did he know what she was up to?
The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges.
She turned the knob.
And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine.
But none of it was for Tella.
It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch.
Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian.
They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of.
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
”
”
Stephanie Garber (Legendary (Caraval, #2))