Flint Stone Quotes

We've searched our database for all the quotes and captions related to Flint Stone. Here they are! All 67 of them:

The alchemist of the West has turned stone into glass But my alchemy has transmuted glass into flint Pharaohs of today have stalked me in vain
Muhammad Iqbal
Lee Jordan was finding it difficult not to take sides. 'So — after that obvious and disgusting bit of cheating —' 'Jordan!' growled Professor McGonagall. 'I mean after that open and revolting foul —' 'Jordan, I'm warning you —' 'All right, all right. Flint nearly kills the Gryffindor Seeker, which could happen to anyone, I'm sure, so a penalty to Gryffindor, taken by Spinnet, who puts it away, no trouble, and we continue play, Gryffindor still in possession.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Harry was speeding toward the ground when the crowd saw him clap his hand to his mouth as though he was going to be sick-he hit the field on all fours-coughed-and something gold fell into his hand. 'I've got the snitch!' he shouted, waving it above his head, and the game ended in complete confusion. 'He didn't catch it, he nearly swalloed it,' Flint was still howling twenty minutes later, but it made no difference-Harry hadn't broken any rules and Lee Jordan was still happily shouting the results-Gryffindor had won by 170 points to 60.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
Flint
 An emerald is as green as grass, A ruby red as blood; A sapphire shines as blue as heaven; A flint lies in the mud. A diamond is a brilliant stone, To catch the world’s desire; An opal holds a fiery spark; But a flint holds fire.
Christina Rossetti
Since our first, furry ancestor scraped flint on stone and banished night with fire, we have climbed heavenward on a ladder made of our own arrogance. But
Justin Cronin (The City of Mirrors (The Passage, #3))
Humans nowadays completely dominate the planet not because the individual human is far smarter and more nimble-fingered than the individual chimp or wolf, but because Homo sapiens is the only species on earth capable of cooperating flexibly in large numbers. Intelligence and toolmaking were obviously very important as well. But if humans had not learned to cooperate flexibly in large numbers, our crafty brains and deft hands would still be splitting flint stones rather than uranium atoms.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
In fact, as time goes by, it becomes easier and easier to replace humans with computer algorithms, not merely because the algorithms are getting smarter, but also because humans are professionalising. Ancient hunter-gatherers mastered a very wide variety of skills in order to survive, which is why it would be immensely difficult to design a robotic hunter-gatherer. Such a robot would have to know how to prepare spear points from flint stones, how to find edible mushrooms in a forest, how to use medicinal herbs to bandage a wound, how to track down a mammoth and how to coordinate a charge with a dozen other hunters. However, over the last few thousand years we humans have been specialising. A taxi driver or a cardiologist specialises in a much narrower niche than a hunter-gatherer, which makes it easier to replace them with AI.
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
She missed him the way someone might miss the sun in winter, though they still dread its heat. She missed the sound of his voice, the knowing in his touch, the flint-on-stone friction of their conversations, the way they fit together.
Victoria Schwab (The Invisible Life of Addie LaRue)
The Pomegranate The only legend I have ever loved is the story of a daughter lost in hell. And found and rescued there. Love and blackmail are the gist of it. Ceres and Persephone the names. And the best thing about the legend is I can enter it anywhere. And have. As a child in exile in a city of fogs and strange consonants, I read it first and at first I was an exiled child in the crackling dusk of the underworld, the stars blighted. Later I walked out in a summer twilight searching for my daughter at bed-time. When she came running I was ready to make any bargain to keep her. I carried her back past whitebeams and wasps and honey-scented buddleias. But I was Ceres then and I knew winter was in store for every leaf on every tree on that road. Was inescapable for each one we passed. And for me. It is winter and the stars are hidden. I climb the stairs and stand where I can see my child asleep beside her teen magazines, her can of Coke, her plate of uncut fruit. The pomegranate! How did I forget it? She could have come home and been safe and ended the story and all our heart-broken searching but she reached out a hand and plucked a pomegranate. She put out her hand and pulled down the French sound for apple and the noise of stone and the proof that even in the place of death, at the heart of legend, in the midst of rocks full of unshed tears ready to be diamonds by the time the story was told, a child can be hungry. I could warn her. There is still a chance. The rain is cold. The road is flint-coloured. The suburb has cars and cable television. The veiled stars are above ground. It is another world. But what else can a mother give her daughter but such beautiful rifts in time? If I defer the grief I will diminish the gift. The legend will be hers as well as mine. She will enter it. As I have. She will wake up. She will hold the papery flushed skin in her hand. And to her lips. I will say nothing.
Eavan Boland
Gormenghast, that is, the main massing of the original stone, taken by itself would have displayed a certain ponderous architectural quality were it possible to have ignored the circumfusion of those mean dwellings that swarmed like an epidemic around its outer walls. They sprawled over the sloping arch, each one half way over its neighbour until, held back by the castle ramparts, the innermost of these hovels laid hold on the great walls, clamping themselves thereto like limpets to a rock. These dwellings, by ancient law, were granted this chill intimacy with the stronghold that loomed above them. Over their irregular roofs would fall throughout the seasons, the shadows of time-eaten buttresses, of broken and lofty turrets, and, most enormous of all, the shadow of the Tower of Flints. This tower, patched unevenly with black ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven. At night the owls made of it an echoing throat; by day it stood voiceless and cast its long shadow.
Mervyn Peake (Titus Groan (Gormenghast, #1))
If one could run the story of that first human group like a speeded-up motion picture through a million years of time, one might see the stone in the hand change to the flint ax and the torch.
Loren Eiseley (The Immense Journey)
An idea sparked like flint striking stone. "If you were guilty and wanted to hide, where might you go first?" "Depends on what I'm guilty of. Dirty thoughts or wanton follies, I'd send myself straight to your quarters to be punished.
Kerri Maniscalco (Hunting Prince Dracula (Stalking Jack the Ripper, #2))
Laura was flint in a nest of thistledown. I say flint, not stone: a flint has a heart of fire.
Margaret Atwood (The Blind Assassin)
Let us love like the spark Between flint and stone In reckless abandonment, Promising no eternities, But promising only to seek out Upon each day’s sunrise Something to choose to love In each other.
Justin Wetch (Bending The Universe)
... Turn over that stone" - she pointed to a flint nearby - "and you will find a charlatan who will dazzle you with the favorable conjunction of Mercury and Venus, flatter your future, and sell you colored water for a gold piece. I can't be bothered with it. From me you get the actuality.
Ariana Franklin (Mistress of the Art of Death (Mistress of the Art of Death, #1))
A man who had been soaked in water, and smothered in mud, and lamed by stones, and cut by flints, and stung by nettles, and torn by briars; who limped, and shivered, and glared and growled; and whose teeth chattered in his head as he seized me by the chin.
Charles Dickens (Great Expectations)
Ideas are like the flint stone of wondrous works. You scratch at them until a spark flies ... then the world catches fire.
Gerard de Marigny (The Eagle's Plume (Archangel: Mission Log, #1))
A landscape fossilized, It's stone-wall patternings Repeated before our eyes In the stone walls of Mayo. Before I turned to go He talked about persistence, A congruence of lives, How, stubbed and cleared of stones, His home accrued growth rings Of iron, flint and bronze - "Belderg
Seamus Heaney (North)
The longer one stays here the more does the spirit of the moor sink into one’s soul, its vastness, and also its grim charm. When you are once out upon its bosom you have left all traces of modern England behind you, but on the other hand you are conscious everywhere of the homes and the work of prehistoric people. On all sides of you as you walk are the houses of these forgotten folk, with their graves and the huge monoliths which are supposed to have marked their temples. As you look at their grey stone huts against the scarred hillsides you leave your own age behind you, and if you were to see a skin-clad, hairy man crawl out from the low door, fitting a flint-tipped arrow on to the string of his bow, you would feel that the presence there was more natural than your own. The strange thing is that they should have lived so thickly on what must always have been most unfruitful soil. I am no antiquarian, but I could imagine that they were some unwarlike and harried race who were forced to accept that which none other would occupy.
Arthur Conan Doyle (The Hound of the Baskervilles (Sherlock Holmes, #5))
People say that certain sounds can melt a heart of stone. If there is anyone who has that sort of a heart―which I doubt (as far as I am aware hearts are made of fibrous materials, fluid sacs and pumping mechanisms)―if anyone does have a heart composed of granite or flint and therefore not at all prone to melting but just conceivably meltable when exposed to very beautiful sounds, then the sounds made by my cherrywood harp, I am confident, would do it. However, I had a feeling the heart of Ellie the Exmoor Housewife was completely lacking in stony components. I had a feeling it was made of much softer stuff.
Hazel Prior (Ellie and the Harpmaker)
It’s like we've been flung back in time," he said. "Here we are in the Stone Age, knowing all these great things after centuries of progress but what can we do to make life easier for the Stone Agers? Can we make a refrigerator? Can we even explain how it works? What is electricity? What is light? We experience these things every day of our lives but what good does it do if we find ourselves hurled back in time and we can’t even tell people the basic principles much less actually make something that would improve conditions. Name one thing you could make. Could you make a simple wooden match that you could strike on a rock to make a flame? We think we’re so great and modern. Moon landings, artificial hearts. But what if you were hurled into a time warp and came face to face with the ancient Greeks. The Greeks invented trigonometry. They did autopsies and dissections. What could you tell an ancient Greek that he couldn’t say, ‘Big Deal.’ Could you tell him about the atom? Atom is a Greek word. The Greeks knew that the major events in the universe can’t be seen by the eye of man. It’s waves, it’s rays, it’s particles." “We’re doing all right.” “We’re sitting in this huge moldy room. It’s like we’re flung back.” “We have heat, we have light.” “These are Stone Age things. They had heat and light. They had fire. They rubbed flints together and made sparks. Could you rub flints together? Would you know a flint if you saw one? If a Stone Ager asked you what a nucleotide is, could you tell him? How do we make carbon paper? What is glass? If you came awake tomorrow in the Middle Ages and there was an epidemic raging, what could you do to stop it, knowing what you know about the progress of medicines and diseases? Here it is practically the twenty-first century and you’ve read hundreds of books and magazines and seen a hundred TV shows about science and medicine. Could you tell those people one little crucial thing that might save a million and a half lives?” “‘Boil your water,’ I’d tell them.” “Sure. What about ‘Wash behind your ears.’ That’s about as good.” “I still think we’re doing fairly well. There was no warning. We have food, we have radios.” “What is a radio? What is the principle of a radio? Go ahead, explain. You’re sitting in the middle of this circle of people. They use pebble tools. They eat grubs. Explain a radio.” “There’s no mystery. Powerful transmitters send signals. They travel through the air, to be picked up by receivers.” “They travel through the air. What, like birds? Why not tell them magic? They travel through the air in magic waves. What is a nucleotide? You don’t know, do you? Yet these are the building blocks of life. What good is knowledge if it just floats in the air? It goes from computer to computer. It changes and grows every second of every day. But nobody actually knows anything.
Don DeLillo (White Noise)
THE BARROW In this high field strewn with stones I walk by a green mound, Its edges sheared by the plough. Crumbs of animal bone Lie smashed and scattered round Under the clover leaves And slivers of flint seem to grow Like white leaves among green. In the wind, the chestnut heaves Where a man's grave has been. Whatever the barrow held Once, has been taken away: A hollow of nettles and dock Lies at the centre, filled With rain from a sky so grey It reflects nothing at all. I poke in the crumbled rock For something they left behind But after that funeral There is nothing at all to find. On the map in front of me The gothic letters pick out Dozens of tombs like this, Breached, plundered, left empty, No fragments littered about Of a dead and buried race In the margins of histories. No fragments: these splintered bones Construct no human face, These stones are simply stones. In museums their urns lie Behind glass, and their shaped flints Are labelled like butterflies. All that they did was die, And all that has happened since Means nothing to this place. Above long clouds, the skies Turn to a brilliant red And show in the water's face One living, and not these dead." — Anthony Thwaite, from The Owl In The Tree
Anthony Thwaite
Working with flint, he had often caused small sparks, but he thought of it as the living spirit of the stone released as part of the process.
Jean M. Auel (The Mammoth Hunters (Earth's Children, #3))
Look — here they come, their eyes are hagstones & their words are shingle. They rise on the shore, rock-cored, flint beings, scattering chert to signal their passage, sending stones through time to foretell their seeings.
Robert Macfarlane (Ness)
I think you were here. Not in the vault, but close by. Where you could smell tears when the wind was right. Where you could hear the laughter of the men or boys who pushed over Heath Holmes’s stone and then likely urinated on his grave. In spite of the day’s heat, Holly felt cold. Given more time, she might have investigated those empty places. There was no danger; the outsider was long gone from Ohio. Very likely gone from Flint City, too. She snapped four pictures:
Stephen King (The Outsider)
He will give every man a spirit-home according to his deserts: If he has been a good man, he will have a good home; if he has been a bad man, he will have a bad home. This I believe, and all my people believe the same. We did not know there were other people besides the Indian until about one hundred winters ago, when some men with white faces came to our country. They brought many things with them to trade for furs and skins. They brought tobacco, which was new to us. They brought guns with flint stones on them, which frightened our women and children. Our people could not talk with these white-faced men, but they used signs which all people understand. These men were called Frenchmen, and they called our people “Nez Perce,” because they wore rings in their noses for ornaments. Although very few of our people wear them now, we are still called by the same name. These French trappers said a great many things to our fathers, which have been planted in our hearts. Some were good for us, but some were bad. Our
Kent Nerburn (The Wisdom of the Native Americans: Including The Soul of an Indian and Other Writings of Ohiyesa and the Great Speeches of Red Jacket, Chief Joseph, and Chief Seattle)
Fifteen brooms rose up, high, high into the air. They were off. “And the Quaffle is taken immediately by Angelina Johnson of Gryffindor — what an excellent Chaser that girl is, and rather attractive, too —” “JORDAN!” “Sorry, Professor.” The Weasley twins’ friend, Lee Jordan, was doing the commentary for the match, closely watched by Professor McGonagall. “And she’s really belting along up there, a neat pass to Alicia Spinnet, a good find of Oliver Wood’s, last year only a reserve — back to Johnson and — no, the Slytherins have taken the Quaffle, Slytherin Captain Marcus Flint gains the Quaffle and off he goes — Flint flying like an eagle up there — he’s going to sc– no, stopped by an excellent move by Gryffindor Keeper Wood and the Gryffindors take the Quaffle — that’s Chaser Katie Bell of Gryffindor there, nice dive around Flint, off up the field and — OUCH — that must have hurt, hit in the back of the head by a Bludger — Quaffle taken by the Slytherins — that’s Adrian Pucey speeding off toward the goalposts, but he’s blocked by a second Bludger — sent his way by Fred or George Weasley, can’t tell which — nice play by the Gryffindor Beater, anyway, and Johnson back in possession of the Quaffle, a clear field ahead and off she goes — she’s really flying — dodges a speeding Bludger — the goalposts are ahead — come on, now, Angelina — Keeper Bletchley dives — misses — GRYFFINDOR SCORE!” Gryffindor
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter #1))
Weak and trembling from passion, Major Flint found that after a few tottering steps in the direction of Tilling he would be totally unable to get there unless fortified by some strong stimulant, and turned back to the club-house to obtain it. He always went dead-lame when beaten at golf, while Captain Puffin was lame in any circumstances, and the two, no longer on speaking terms, hobbled into the club-house, one after the other, each unconscious of the other's presence. Summoning his last remaining strength Major Flint roared for whisky, and was told that, according to regulation, he could not be served until six. There was lemonade and stone ginger-beer. You might as well have offered a man-eating tiger bread and milk. Even the threat that he would instantly resign his membership unless provided with drink produced no effect on a polite steward, and he sat down to recover as best he might with an old volume of Punch. This seemed to do him little good. His forced abstemiousness was rendered the more intolerable by the fact that Captain Puffin, hobbling in immediately afterwards, fetched from his locker a large flask of the required elixir, and proceeded to mix himself a long, strong tumblerful. After the Major's rudeness in the matter of the half-crown, it was impossible for any sailor of spirit to take the first step towards reconciliation. Thirst is a great leveller. By the time the refreshed Puffin had penetrated half-way down his glass, the Major found it impossible to be proud and proper any longer. He hated saying he was sorry (no man more) and he wouldn't have been sorry if he had been able to get a drink. He twirled his moustache a great many times and cleared his throat--it wanted more than that to clear it--and capitulated. "Upon my word, Puffin, I'm ashamed of myself for--ha!--for not taking my defeat better," he said. "A man's no business to let a game ruffle him." Puffin gave his alto cackling laugh. "Oh, that's all right, Major," he said. "I know it's awfully hard to lose like a gentleman." He let this sink in, then added: "Have a drink, old chap?" Major Flint flew to his feet. "Well, thank ye, thank ye," he said. "Now where's that soda water you offered me just now?" he shouted to the steward. The speed and completeness of the reconciliation was in no way remarkable, for when two men quarrel whenever they meet, it follows that they make it up again with corresponding frequency, else there could be no fresh quarrels at all. This one had been a shade more acute than most, and the drop into amity again was a shade more precipitous.
E.F. Benson
Hymn to Mercury : Continued 11. ... Seized with a sudden fancy for fresh meat, He in his sacred crib deposited The hollow lyre, and from the cavern sweet Rushed with great leaps up to the mountain's head, Revolving in his mind some subtle feat Of thievish craft, such as a swindler might Devise in the lone season of dun night. 12. Lo! the great Sun under the ocean's bed has Driven steeds and chariot—the child meanwhile strode O'er the Pierian mountains clothed in shadows, Where the immortal oxen of the God Are pastured in the flowering unmown meadows, And safely stalled in a remote abode.— The archer Argicide, elate and proud, Drove fifty from the herd, lowing aloud. 13. He drove them wandering o'er the sandy way, But, being ever mindful of his craft, Backward and forward drove he them astray, So that the tracks which seemed before, were aft; His sandals then he threw to the ocean spray, And for each foot he wrought a kind of raft Of tamarisk, and tamarisk-like sprigs, And bound them in a lump with withy twigs. 14. And on his feet he tied these sandals light, The trail of whose wide leaves might not betray His track; and then, a self-sufficing wight, Like a man hastening on some distant way, He from Pieria's mountain bent his flight; But an old man perceived the infant pass Down green Onchestus heaped like beds with grass. 15. The old man stood dressing his sunny vine: 'Halloo! old fellow with the crooked shoulder! You grub those stumps? before they will bear wine Methinks even you must grow a little older: Attend, I pray, to this advice of mine, As you would 'scape what might appal a bolder— Seeing, see not—and hearing, hear not—and— If you have understanding—understand.' 16. So saying, Hermes roused the oxen vast; O'er shadowy mountain and resounding dell, And flower-paven plains, great Hermes passed; Till the black night divine, which favouring fell Around his steps, grew gray, and morning fast Wakened the world to work, and from her cell Sea-strewn, the Pallantean Moon sublime Into her watch-tower just began to climb. 17. Now to Alpheus he had driven all The broad-foreheaded oxen of the Sun; They came unwearied to the lofty stall And to the water-troughs which ever run Through the fresh fields—and when with rushgrass tall, Lotus and all sweet herbage, every one Had pastured been, the great God made them move Towards the stall in a collected drove. 18. A mighty pile of wood the God then heaped, And having soon conceived the mystery Of fire, from two smooth laurel branches stripped The bark, and rubbed them in his palms;—on high Suddenly forth the burning vapour leaped And the divine child saw delightedly.— Mercury first found out for human weal Tinder-box, matches, fire-irons, flint and steel. 19. And fine dry logs and roots innumerous He gathered in a delve upon the ground— And kindled them—and instantaneous The strength of the fierce flame was breathed around: And whilst the might of glorious Vulcan thus Wrapped the great pile with glare and roaring sound, Hermes dragged forth two heifers, lowing loud, Close to the fire—such might was in the God. 20. And on the earth upon their backs he threw The panting beasts, and rolled them o'er and o'er, And bored their lives out. Without more ado He cut up fat and flesh, and down before The fire, on spits of wood he placed the two, Toasting their flesh and ribs, and all the gore Pursed in the bowels; and while this was done He stretched their hides over a craggy stone.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
Over those 20,000 years humankind moved from hunting mammoth with stone-tipped spears to exploring the solar system with spaceships not thanks to the evolution of more dexterous hands or bigger brains (our brains today seem actually to be smaller). 17 Instead, the crucial factor in our conquest of the world was our ability to connect many humans to one another. 18 Humans nowadays completely dominate the planet not because the individual human is far smarter and more nimble-fingered than the individual chimp or wolf, but because Homo sapiens is the only species on earth capable of co-operating flexibly in large numbers. Intelligence and toolmaking were obviously very important as well. But if humans had not learned to cooperate flexibly in large numbers, our crafty brains and deft hands would still be splitting flint stones rather than uranium atoms. If cooperation is the key, how come the ants and bees did not beat us to the nuclear bomb even though they learned to cooperate en masse millions of years before us? Because their cooperation lacks flexibility. Bees cooperate in very sophisticated ways, but they cannot reinvent their social system overnight. If a hive faces a new threat or a new opportunity, the bees cannot, for example, guillotine the queen and establish a republic. Social mammals such as elephants and chimpanzees cooperate far more flexibly than bees, but they do so only with small numbers of friends and family members. Their cooperation is based on personal acquaintance. If I am a chimpanzee and you are a chimpanzee and I want to cooperate with you, I must know you personally: what kind of chimp are you? Are you a nice chimp? Are you an evil chimp? How can I cooperate with you if I don’t know you? To the best of our knowledge, only Sapiens can cooperate in very flexible ways with countless numbers of strangers. This concrete capability–rather than an eternal soul or some unique kind of consciousness–explains our mastery of planet Earth.
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
Over those 20,000 years humankind moved from hunting mammoth with stone-tipped spears to exploring the solar system with spaceships not thanks to the evolution of more dexterous hands or bigger brains (our brains today seem actually to be smaller).17 Instead, the crucial factor in our conquest of the world was our ability to connect many humans to one another.18 Humans nowadays completely dominate the planet not because the individual human is far smarter and more nimble-fingered than the individual chimp or wolf, but because Homo sapiens is the only species on earth capable of co-operating flexibly in large numbers. Intelligence and toolmaking were obviously very important as well. But if humans had not learned to cooperate flexibly in large numbers, our crafty brains and deft hands would still be splitting flint stones rather than uranium atoms. If cooperation is the key, how come the ants and bees did not beat us to the nuclear bomb even though they learned to cooperate en masse millions of years before us? Because their cooperation lacks flexibility. Bees cooperate in very sophisticated ways, but they cannot reinvent their social system overnight. If a hive faces a new threat or a new opportunity, the bees cannot, for example, guillotine the queen and establish a republic. Social mammals such as elephants and chimpanzees cooperate far more flexibly than bees, but they do so only with small numbers of friends and family members. Their cooperation is based on personal acquaintance. If I am a chimpanzee and you are a chimpanzee and I want to cooperate with you, I must know you personally: what kind of chimp are you? Are you a nice chimp? Are you an evil chimp? How can I cooperate with you if I don’t know you? To the best of our knowledge, only Sapiens can cooperate in very flexible ways with countless numbers of strangers. This concrete capability – rather than an eternal soul or some unique kind of consciousness – explains our mastery of planet Earth. Long
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Cat's Dream" How neatly a cat sleeps, sleeps with its paws and its posture, sleeps with its wicked claws, and with its unfeeling blood, sleeps with all the rings-- a series of burnt circles-- which have formed the odd geology of its sand-colored tail. I should like to sleep like a cat, with all the fur of time, with a tongue rough as flint, with the dry sex of fire; and after speaking to no one, stretch myself over the world, over roofs and landscapes, with a passionate desire to hunt the rats in my dreams. I have seen how the cat asleep would undulate, how the night flowed through it like dark water; and at times, it was going to fall or possibly plunge into the bare deserted snowdrifts. Sometimes it grew so much in sleep like a tiger's great-grandfather, and would leap in the darkness over rooftops, clouds and volcanoes. Sleep, sleep cat of the night, with episcopal ceremony and your stone-carved moustache. Take care of all our dreams; control the obscurity of our slumbering prowess with your relentless heart and the great ruff of your tail.
Pablo Neruda (The House in the Sand (Spanish Edition))
As an archeologist, when Thomsen divided the ages of man into Stone, Bronze, and Iron, naturally enough, he did so in accordance with the physical tools that defined each epoch. But what of man’s spiritual development? What of his moral development? I tell you, they progressed along the very same lines. In the Stone Age, the ideas in the caveman’s head were as blunt as the club in his hand; they were as rough as the flint from which he struck a spark. In the Age of Bronze, when a canny few discovered the science of metallurgy, how long did it take for them to fashion coins, crowns, and swords? That unholy trinity to which the common man was enslaved for the next one thousand years.” Mishka paused to consider the ceiling. “Then came the Age of Iron—and with it the steam engine, the printing press, and the gun. Here was a very different trinity, indeed. For while these tools had been developed by the Bourgeoisie to further their own interests, it was through the engine, the press, and the pistol that the Proletariat began to free itself from labor, ignorance, and tyranny.
Amor Towles (A Gentleman in Moscow)
We should think, as we gather riches, as we sit in positions of great honor, as we indulge in luxurious pleasures. All this only a dream, and moreover a short and frivolous dream. When we wake from it, there will be no riches in our hands. What, then is life? To be brief, the period for which human life lasts is only a point on a line, its very nature changeable, during which we see through a glass darkly. Our bodies are unreliable, our moods variable. Riches are a thorn, lust is a poison. Everything bodily is a running river that passes on. Life is a war; the stay of a guest in a foreign city; an existence full of suffering and effort. Great buildings and strong fortifications collapse; their strength does not help them. The hardest of stones erode. The greatest fame is forgotten after a man's death; the greatest worldly titles disappear like smoke. The most beautiful and praiseworthy thing a man can do before he dies is to devote his life to the untiring performance of virtuous acts, constantly seeking to practice prudence, justice, moderation, endurance; faith, hope, and unselfish love.
Eric Flint (1634: The Bavarian Crisis (Ring of Fire Series Book 6))
It was as Harry dodged another Bludger, which went spinning dangerously past his head, that it happened. His broom gave a sudden, frightening lurch. For a split second, he thought he was going to fall. He gripped the broom tightly with both his hands and knees. He’d never felt anything like that. It happened again. It was as though the broom was trying to buck him off. But Nimbus Two Thousands did not suddenly decide to buck their riders off. Harry tried to turn back toward the Gryffindor goalposts — he had half a mind to ask Wood to call time-out — and then he realized that his broom was completely out of his control. He couldn’t turn it. He couldn’t direct it at all. It was zigzagging through the air, and every now and then making violent swishing movements that almost unseated him. Lee was still commentating. “Slytherin in possession — Flint with the Quaffle — passes Spinnet — passes Bell — hit hard in the face by a Bludger, hope it broke his nose — only joking, Professor — Slytherins score — oh no . . .” The Slytherins were cheering. No one seemed to have noticed that Harry’s broom was behaving strangely. It was carrying him slowly higher, away from the game, jerking and twitching as it went.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter #1))
Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike-topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunchbacked makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed from kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries’ vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers; heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters’ sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etoliated lacquerers; mottled-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of the Last Chrysanthemum, where a puddle from last night’s rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
But how will you know when you’re in love? By your own admission, what you expect to feel is something imagined during moments of fancy.” He shuffled forward until their knees touched. “What if passion is a stepping stone to love? What if the joining of our bodies is the gateway to something far more profound?” Heavens, this man could induce the Lord to sin.
Adele Clee (The Mysterious Miss Flint (Lost Ladies of London, #1))
Where were Christians before Freud? Up a tree? Were the bereft of all crucial knowledge about man's relationship to God and his neighbor? Was the church's counseling a hopeless, primitive, stone-age activity that should have disappeared with flint knives? Were Christians shut up to sinful, harmful living before the advent of psychotherapy? Did God withhold truth for living until our present age?
Jay E. Adams (Theology of Christian Counseling, A)
The trees on either side were very tall and thin, like long, skeletal fingers reaching to the sky. The few remaining leaves were still as stone. Wind that had earlier been racing across the Fens like a possessed soul seemed, at last, to have exhausted itself and the girl could hear nothing. Except
Sharon J. Bolton (Dead Scared (Lacey Flint, #2))
All implements of war or industry known to the early Hawaiians were made either of wood, stone, or bone, as the islands are destitute of metals; but with these rude helps they laid up hewn-stone walls, felled trees, made canoes and barges, manufactured cloths and cordage, fashioned weapons, constructed dwellings and temples, roads and fish-ponds, and tilled the soil. They had axes, adzes and hammers of stone, spades of wood, knives of flint and ivory, needles of thorn and bone, and spears and daggers of hardened wood. They wove mats for sails and other purposes, and from the inner bark of the paper mulberry-tree beat out a fine, thin cloth called kapa, which they ornamented with colors and figures.
David Kalākaua (Legends & Myths of Hawaii)
She turns back once before she sweeps into the recesses of the office, her apple-seed mouth unshriveling very slightly. “It’s not that I don’t understand. Every woman has once wanted what she shouldn’t, what she can’t have. I wish…” Juniper wonders if Miss Stone was ever a little listening to her grandmother’s stories about the Maiden riding her white stag through the woods, the Mother striding into battle. If she once dreamed of wielding swords rather than slogans. Miss Stone gives her shoulders a stern little shake. “I wish we might make use of every tool in our pursuit of justice. But I’m afraid the modern woman cannot afford to be sidetracked by moonbeams and witch-tales.” Juniper smiles back as pleasantly as she knows how and Bella whispers, “yes, of course” beside her. But there’s a look in Bella’s eyes as she says it, a struck-flint spark that makes Juniper think that her sister doesn’t intend to give up her moonbeams or witch-tales at all; that maybe, she too, wants another kind of power.
Alix E. Harrow (The Once and Future Witches)
Listen close—my previous life was good. My mind has many pleasant memories: Camping on the Wensome’s chalk river shores, Running in green fields, picking spring flowers, Exploring the sand dunes and pine forests, A picnic on the mud flats, carefree days At home with my family in the village, Watching the terns, sedge warblers and swallows, Lessons in cooking and animal care, Untamed rivers and lakes, games with my friends, Sandy beaches, marshes, fens, and reed beds, The barn owl who liked to sing every night, Stirring conversations with my husband, Mundane chores alongside both my daughters, Magical countryside, large gray stone blocks, Tall flint walls in a nearby Roman town, Spongy saltmarsh, woodlands, and butterflies. It was all a gift, all blessed—and now I feel an unexpected clarity.
Ruth Ann Oskolkoff (The Bones of the Poor)
After World War II, Marxist archaeologists argued that Stone Age societies were economically self-sufficient and therefore incapable of warfare -that is until they excavated skeletons with flint arrows embedded in them.
Malcolm Potts (Sex and War: How Biology Explains Warfare and Terrorism and Offers a Path to a Safer World)
He stood there, watching it chuckling over the stones. The gnawing in his stomach was always there now. There was but little time left. Yet already some of the quietness of this place was seeping into him. The tension was going out of him, his muscles were mysteriously relaxing. It was long after the stars came out before he slept, and then for a time he was dreamless, but he awakened, and sat up in the chill night and lighted his pipe. He walked to the door, and the air felt strangely damp, the stars very clear. He listened into the night, but heard no sound.
Louis L'Amour (Flint)
Thomsen called the three periods the Stone Age, when most artifacts were made from stone and flint, the Bronze Age, when the first metal artifacts were created, and the Iron Age, from which time more advanced examples of metalworking were found.
Hourly History (The Stone Age: A History from Beginning to End (Prehistory))
She missed him the way someone might miss the sun in winter, though they still dread its heat. She missed the sound of his voice, the knowing in his touch, the flint-on-stone friction of their conversations, the way they fit together. He is gravity.
Victoria Schwab (The Invisible Life of Addie LaRue)
Great tracts of reindeer moss, for example: tiny stars and florets and inklings of an ancient flora growing on exhausted land. Crisp underfoot in summer, the stuff is like a patch of the arctic fallen into the world in the wrong place. Everywhere, there are bony shoulders and blades of flint. On wet mornings you can pick up shards knocked from flint cores by Neolithic craftsmen, tiny flakes of stone glowing in thin coats of cold water.
Helen Macdonald (H is for Hawk)
When Angelina had scored, Harry had done a couple of loop-the-loops to let off his feelings. Now he was back to staring around for the Snitch. Once he caught sight of a flash of gold, but it was just a reflection from one of the Weasleys’ wristwatches, and once a Bludger decided to come pelting his way, more like a cannonball than anything, but Harry dodged it and Fred Weasley came chasing after it. “All right there, Harry?” he had time to yell, as he beat the Bludger furiously toward Marcus Flint. “Slytherin in possession,” Lee Jordan was saying, “Chaser Pucey ducks two Bludgers, two Weasleys, and Chaser Bell, and speeds toward the — wait a moment — was that the Snitch?” A murmur ran through the crowd as Adrian Pucey dropped the Quaffle, too busy looking over his shoulder at the flash of gold that had passed his left ear. Harry saw it. In a great rush of excitement he dived downward after the streak of gold. Slytherin Seeker Terence Higgs had seen it, too. Neck and neck they hurtled toward the Snitch — all the Chasers seemed to have forgotten what they were supposed to be doing as they hung in midair to watch. Harry was faster than Higgs — he could see the little round ball, wings fluttering, darting up ahead — he put on an extra spurt of speed — WHAM! A roar of rage echoed from the Gryffindors below — Marcus Flint had blocked Harry on purpose, and Harry’s broom spun off course, Harry holding on for dear life. “Foul!” screamed the Gryffindors. Madam Hooch spoke angrily to Flint and then ordered a free shot at the goalposts for Gryffindor. But in all the confusion, of course, the Golden Snitch had disappeared from sight again. Down
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter #1))
We may compare cannibalism to the stone age, and the times of slavery to the iron and bronze epochs—slavery is as natural a step in human development as from bronze to iron. Whilst speaking of the stone age I may add that in Africa I have never been fortunate enough to find one flint arrowhead or any other flint implement, though I had my eyes about me as diligently as any of my neighbours. No roads are made; no lands levelled; no drains digged; no quarries worked, nor any of the changes made on the earth's surface that might reveal fragments of the primitive manufacture of stone. Yet
David Livingstone (The Last Journals of David Livingstone, in Central Africa, from 1865 to His Death: 1869-1873)
The scythe or sickle of Perseus was made from a hard stone and most Sumerian tools were made of flint; [some, like the sickles for cutting the barley were made simply of hard clay]. However, the sickle has a Khopesh-like shape and was referenced in the Rosetta Stone as the "sword". [The earliest known depiction of a Khopesh is from the Stele of Vultures, depicting King Eannatum of Lagash wielding the weapon]. And this very word means in the Semitic language, 'Lamb of Sacrifice'. So, not only were the sickle a pure Semitic tool for slaughtering the Aryan demons (e.g., Jewish Menorah, Hindu Manasa & Buddhist Mucalinda), it also symbolized the cleansing and purification of the Semitic heritage from the Aryan infiltration. That was not all what I have discovered so far; it turns out that the very etymological root of the word 'Gospel' in the Semitic tongue is derived from the word 'Naga' with the prefix of 'An-' added to it - signaling the opposing meaning therewith to undo the Aryan reversed Symbolism. Although the original Semitic word of 'Naga' means 'to save/deliver', the Aryan plagiarism and belligerent Symbolism against the Semitic tongue annexed the word to the point were the very same expression needed modification; this time real salvation was delivered from none other but God Himself through Scripture (i.e., The Gospel) and through delivering the blessed baby from the hands of satan - ushering thereby a new era of Prophecy.
Ibrahim Ibrahim (Quotable: My Worldview)
The average ancient forager could turn a flint stone into a spear point within minutes.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Since our first, furry ancestor scraped flint on stone and banished night with fire, we have climbed heavenward on a ladder made of our own arrogance.
Justin Cronin (The City of Mirrors (The Passage, #3))
One smiles often when reading incidents in their labors. A string of packhorses is so driven as to break up a congregation, and a fire-engine is brought out and played over the throng to achieve the same purpose. Hand-bells, old kettles, marrowbones and cleavers, trumpets, drums, and entire bands of music were engaged to drown the Preachers' voices. In one case the parish bull was let loose, and in others dogs were set to fight. The preachers needed to have faces set like flints, and so indeed they had. John Furz says,: "As soon as I began to preach, a man came straight forward, and presented a gun at my face; swearing that he would blow my brains out, if I spake another word. However, I continued speaking, and he continued swearing, sometimes putting the muzzle of the gun to my mouth, sometimes against my ear. While we were singing the last hymn, he got behind me, fired the gun, and burned off part of my hair." After this, my brethren, We ought never to speak of petty interruptions or annoyances. The proximity of a blunderbuss in the hands of a son of Belial is not very conducive to collected thought and clear utterance, but the experience of Furz was probably no worse than that of John Nelson, who coolly says, "But when I was in the middle of my discourse, one at the outside of the congregation threw a stone, which cut me on the head: however, that made the people give -greater attention, especially when they saw the blood run down my face; so that all was quiet till I had done, and was Singing a hymn.
Charles Haddon Spurgeon (Lectures To My Students)
But as love turns to grief, and grief becomes anger, so must anger yield to thought, in order to know itself. My symbolic properties were inarguable. Made by science, I was a perfect industrial product, the very embodiment of mankind’s indefatigable faith in itself. Since our first, furry ancestor scraped flint on stone and banished night with fire, we have climbed heavenward on a ladder made of our own arrogance.
Justin Cronin (The City of Mirrors (The Passage, #3))
is a sure source of silver, a place where gold is refined. 2Iron is taken from the earth; rock is smelted into copper. 3Humansx put an end to darkness, dig for ore to the farthest depths, into stone in utter darkness, 4open a shaft away from any inhabitant, places forgotten by those on foot, apart from any human they hang and sway. 5Earth--from it comes food-- is turned over below ground as by fire.y 6Its rocks are the source for lapis lazuli; there is gold dust in it. 7A path-- no bird of prey knows it; a hawk's eye hasn't seen it; 8proud beasts haven't trodden on it; a lion hasn't crossed over it. 9Humans thrust their hands into flint, pull up mountains from their roots, 10cut channels into rocks; their eyes see everything precious. 11They dam up the sources of rivers; hidden things come to light. Wisdom's value 12But wisdom, where can it be found; where is the place of understanding? 13Humankind doesn't know its value; it isn't found in the land of the living. 14The Deepz says, "It's not with me"; the Seaa says, "Not alongside me!" 15It can't be bought with gold; its price can't be measured in silver, 16can't be weighed against gold from Ophir, with precious onyx or lapis lazuli. 17Neither gold nor glass can compare with it; she can't be acquired with gold jewelry. 18Coral and jasper shouldn't be mentioned; the price of wisdom is more than rubies. 19Cushite topaz won't compare with her; she can't be set alongside pure gold. 20But wisdom, where does she come from? Where is the place of understanding? 21She's hidden from the eyes of all the living, concealed from birds of the sky. 22Destructionb and Death have said, "We've heard a report of her." 23God understands her way; he knows her place; 24for he looks to the ends of the earth and surveys everything beneath the heavens. 25In order to weigh the wind, to prepare a measure for waters, 26when he made a decree for the rain, a path for thunderbolts, 27then he observed it, spoke of it, established it, searched it out, 28and said to humankind: "Look, the fear of the LORD is wisdom; turning from evil is understanding.
Anonymous (CEB Common English Bible with Apocrypha)
The First Water is the Body (excerpt) The Colorado River is the most endangered river in the United States—also, it is a part of my body. I carry a river. It is who I am: ‘Aha Makav. This is not metaphor. When a Mojave says, Inyech ‘Aha Makavch ithuum, we are saying our name. We are telling a story of our existence. The river runs through the middle of my body. --- What threatens white people is often dismissed as myth. I have never been true in America. America is my myth. --- When Mojaves say the word for tears, we return to our word for river, as if our river were flowing from our eyes. A great weeping is how you might translate it. Or a river of grief. --- I mean river as a verb. A happening. It is moving within me right now. --- The body is beyond six senses. Is sensual. An ecstatic state of energy, always on the verge of praying, or entering any river of movement. Energy is a moving river moving my moving body. In Mojave thinking, body and land are the same. The words are separated only by the letters ‘ii and ‘a: ‘iimat for body, ‘amat for land. In conversation, we often use a shortened form for each: mat-. Unless you know the context of a conversation, you might not know if we are speaking about our body or our land. You might not know which has been injured, which is remembering, which is alive, which was dreamed, which needs care. You might not know we mean both. --- What is this third point, this place that breaks a surface, if not the deep-cut and crooked bone bed where the Colorado River runs—a one-thousand-four-hundred-and-fifty-mile thirst—into and through a body? Berger called it the pre-verbal. Pre-verbal as in the body when the body was more than body. Before it could name itself body and be limited, bordered by the space body indicated. Pre-verbal is the place where the body was yet a green-blue energy greening, greened and bluing the stone, red and floodwater, the razorback fish, the beetle, and the cottonwoods’ and willows’ shaded shadows. Pre-verbal was when the body was more than a body and possible. One of its possibilities was to hold a river within it. --- If I was created to hold the Colorado River, to carry its rushing inside me, if the very shape of my throat, of my thighs is for wetness, how can I say who I am if the river is gone? --- Where I come from we cleanse ourselves in the river. I mean: The water makes us strong and able to move forward into what is set before us to do with good energy. We cannot live good, we cannot live at all, without water. If your builder could place a small red bird in your chest to beat as your heart, is it so hard for you to picture the blue river hurtling inside the slow muscled curves of my long body? Is it too difficult to believe it is as sacred as a breath or a star or a sidewinder or your own mother or your beloveds? If I could convince you, would our brown bodies and our blue rivers be more loved and less ruined? The Whanganui River in New Zealand now has the same legal rights of a human being. In India, the Ganges and Yamuna Rivers now have the same legal status of a human being. Slovenia’s constitution now declares access to clean drinking water to be a national human right. While in the United States, we are teargassing and rubber-bulleting and kenneling Natives trying to protect their water from pollution and contamination at Standing Rock in North Dakota. We have yet to discover what the effects of lead-contaminated water will be on the children of Flint, Michigan, who have been drinking it for years. America is a land of bad math and science. The Right believes Rapture will save them from the violence they are delivering upon the earth and water; the Left believes technology, the same technology wrecking the earth and water, will save them from the wreckage or help them build a new world on Mars. ---
Natalie Díaz (Postcolonial Love Poem)
They also spent time relaying ancestors’ stories including the Stone Age Kentucky Derby, where saber tooth tigers raced and the haughty humans watched and drank their flint juleps.
J.S. Mason (A Dragon, A Pig, and a Rabbi Walk into a Bar...and other Rambunctious Bites)
Any complex technology is the product of many antecedents. Destroy the infrastructure of a society supporting such technology and, though the knowledge itself might not be lost, the society would lose the basis on which the tech was built. Members of a human civilization bombed back into the Stone Age are hardly going to be able to build computers from flint and wood.
Neal Asher (Hilldiggers (Polity Universe #15))
Their average height was somewhere between two-and-a-half and three feet, which meant that they hardly reached above Ganelon’s kneecap. They were colored a vile, poisonous green, covered with lumps like warts only about the size of doorknobs. Their tremendous breadth of shoulders and thick, massively-thewed arms and barrel chests reminded him of the Indigons he had battled on the Plains of Uth. Bald and hairless, with bullet heads, they had heavy prognathous jaws and long, lipless, gash-like mouths that made them look rather froggy. Froglike, too, were their ugly, goggling eyes which glistened in the moonlight like puddles of spilt ink. They didn’t wear any clothing to speak of, just odd bits, scraps and pieces of iron armor; but they bristled with weapons. Among these were flint-knives, stone axes, clubs roughly carven from petrified wood, and long spears made from slender stony stalactites, with obsidian blades for points. They had no ears, and conversed amongst themselves in clicks, squeaks and hissings. They also had no genitals, just bare tough flesh between their crooked little bowlegs, which terminated in ugly, four-toed feet. They emitted a vile medicinal stench, like iodine. The insides of their mouths were black. And they had fat white tongues, like plump worms.
Lin Carter (The Enchantress of World's End (Gondwane Epic Book 2))
Now, I want a nice fair game, all of you,” she said, once they were all gathered around her. Harry noticed that she seemed to be speaking particularly to the Slytherin Captain, Marcus Flint, a fifth year. Harry thought Flint looked as if he had some troll blood in him. Out of the corner of his eye he saw the fluttering banner high above, flashing Potter for President over the crowd. His heart skipped. He felt braver.
J.K. Rowling (Harry Potter and the Sorcerer’s Stone (Harry Potter, #1))
Stone Age men broke flint and found it cut things better than their own teeth did. We’ve created methods of transportation that work better than legs, and often do things we could only dream of, like flying. A hydraulic grip clamps on things better than a human hand. They’re all tools and nobody objects to them, so why should anyone object to creating minds that are better at thinking than our own, and rulers that are better at their job than those humans who would aspire to rule?
Neal Asher (The Line Of Polity (Agent Cormac, #2))
Instead of a helmet, Skarssen wore a tight-fitting leather mask fashioned in the form of some hideous amalgam of wolf and daemon, lacquered and pierced with fragments of stone. His eyes shone through the mask, cold flint to match the grey of his armour, and a black-bladed axe with an edge like napped obsidian was sheathed across his back.
Graham McNeill (A Thousand Sons (The Horus Heresy #12))
The Flintstone Block No.1: A whole nation has created the kindling Which owes you desperately But it hasn’t been specified Whether it’s the flintstone Or A firestorm? Block No.2: A piece of my happiness is in debt with the flintstone You’ve turned to the rocks But it’s for the flint stone. Block No.3: I’m in debt with the flintstone The whole world is in debt with the flintstone Block No.4: It has cast a spell For all your desires Behind the railing. Block No.5: I’m the mother of this Flintstone I’ve nourished it I’ve shed tears on it If the world is on fire I’m the one to blame. Block No.6: I’ve betrayed the heaven above God is disabled by it. Block No.7: And since then people have taken the vow of silence, … From 'Dating Noah’s Son' Rosa Jamali (TRANSLATED FROM ORIGINAL PERSIAN INTO ENGLISH BY ROSA JAMALI)
Rosa Jamali (Selected Poems of Rosa Jamali)
it was not made from china, was instead a type of stoneware—identifiable because of its opacity and semivitreous nature—whatever that meant. Chemical analysis indicated it was seventy percent clay mixed in with quartz, soda-lime glass, crushed flint, and grog. I Googled “grog” and decided they probably meant crushed fragments of previously fired china rather than cheap rum mixed with lime juice. It bore a superficial resemblance to Coade stone—ceramic stoneware—but comparative analysis of a sample provided by a specialist restoration company indicated it was not the same material, not least because it was manufactured using inferior London clay rather than the finer Ball clay from Dorset.
Ben Aaronovitch (Whispers Under Ground (Rivers of London #3))
And they were real, there in Pokehouse Wood, on the last of the quarter moon. They were flesh and blood. Human shaped but tall and thin, with long delicate faces and hands and black eyes. A woman stood ahead of us dressed in armor made not of metal, but of overlapping stone scales, slate possibly, polished to a bright blue-gray sheen. Like the scales of a fish, Zoe had said. Victoria might have called her a lady but I knew a Queen when I’m within genuflection distance. She wore a silver circlet upon her head with a single large sapphire at her brow. In her hand she held a straight spear of white wood tipped with a leaf-shaped flint blade. I’ve seen enough Time Team to know how sharp a blade like that could be. From her shoulders hung a cloak of white wool, and sheltered under one hem I could see a small figure with a pale worried face.
Ben Aaronovitch (Foxglove Summer (Rivers of London, #5))
through the air, and every now and then making violent swishing movements that almost unseated him. Lee was still commentating. “Slytherin in possession — Flint with the Quaffle — passes Spinnet — passes Bell — hit hard in the face by a Bludger, hope it broke his nose — only joking, Professor — Slytherins score — oh no . . .” The Slytherins were cheering. No one seemed to have noticed that Harry’s broom was behaving strangely. It was carrying him slowly higher, away from the game, jerking and twitching as it went. “Dunno what Harry thinks he’s doing,” Hagrid mumbled. He stared through his binoculars. “If I didn’ know better, I’d say he’d lost control of his broom . . . but he can’t have. . . .” Suddenly, people were pointing up at Harry all over the stands. His broom had started to roll over and over, with him only just managing to hold on. Then the whole crowd gasped. Harry’s broom had given a wild jerk and Harry swung off it. He
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))