Blue Beetle Quotes

We've searched our database for all the quotes and captions related to Blue Beetle. Here they are! All 50 of them:

We've both got into the blue beetle. He got into the red door, I got into the white one.
Jim Butcher (Grave Peril (The Dresden Files, #3))
The Blue Beetle was not a clown car," I said severely. "It was a machine of justice.
Jim Butcher (Skin Game (The Dresden Files, #15))
I slammed the doors open a little harder than I needed to, stalked out to the Blue Beetle, and drove away with all the raging power the ancient four-cylinder engine should muster. Behold the angry wizard puttputt-putting away.
Jim Butcher (Summer Knight (The Dresden Files, #4))
The Blue Jay's Lullaby— Spiders and sowbugs and beetles and crickets,  Slugs from the roses and ticks from the thickets,   Grasshoppers, snails, and a quail's egg or two—    All to be regurgitated for you. Lullaby, lullaby, swindles and schemes,  Flying's not near as much fun as it seems.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
He fell into step beside me and we both got into the Blue Beetle — he got in the red door. I got in the white one, and we peered out over the grey hood[...]
Jim Butcher (Grave Peril (The Dresden Files, #3))
The Blue Beetle was not a clown car,” I said severely. “It was a machine of justice.
Jim Butcher (Skin Game (The Dresden Files, #15))
For some reason, she didn't want to take the motorcycle, so that left my car, the ever trusty (almost always) Blue Beetle, in old-school VW Bug that had seen me through one nasty scrape after another. More than once, it had been pounded badly, but always it had risen to do battle once more – if by battle one means driving somewhere at a sedate speed, without much acceleration and only middling gas mileage.
Jim Butcher (Side Jobs (The Dresden Files, #12.5))
If you’re not paying for something, you’re not the customer; you’re the product being sold. —Andrew Lewis, under the alias Blue_beetle, on the Web site MetaFilter
Eli Pariser (The Filter Bubble)
Nestled up against the wall, where Professor Quirrell had stumbled, glistened the crushed remains of a beautiful blue beetle.
Eliezer Yudkowsky (Harry Potter and the Methods of Rationality)
A beetle lumbered up onto her arm, and she stilled herself, enjoying the tickling feeling of its thread-thin feet. It was deep green with shimmers of blue and turquoise, with pitch-black legs. She kissed it very softly. If happiness were a color, it would be the color of this beetle, thought Wil.
Katherine Rundell (Cartwheeling in Thunderstorms)
I can't believe that any man would care enough to go to all that trouble. Not for me." He stopped pacing and approached her. He put his hands on her shoulders and forced her to meet his intense blue gaze. "I am wearing a cravat and cuff links at the godforsaken Beetle Ball. Does this not count as going to trouble for you?" "But...that's not for me. Not really." "Maddie, mo chridhe." His grip on her arms softened to a caress, and his gaze dropped to her mouth. "Like hell it isn't." -Maddie & Logan
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
Yves Klein said it was the essence of colour itself: the colour that stood for all other colours. A man once spent his entire life searching for a particular shade of blue that he remembered encountering in childhood. He began to despair of ever finding it, thinking he must have imagined that precise shade, that it could not possibly exist in nature. Then one day he chanced upon it. It was the colour of a beetle in a museum of natural history. He wept for joy.’ - "Zima Blue" by Alastair Reynolds
Alastair Reynolds
The mountain pine beetle is a tiny creature that chews through a lodgepole’s bark, gouges out a hollow in the wood and lays its eggs. The larvae hatch hungry and feed on the cambium layer, a tree’s most vital part, the annual layer of cells that makes up a growth ring. To prevent drowning in the tree’s sap, the beetle larvae can eject a choking fungus that not only halts the life-giving flow of sap, but stains the wood a grey-blue color.
Annie Proulx (Bird Cloud: A Memoir of Place)
This is what I think about when I shovel compost into a wheelbarrow, and when I fill the long flower boxes, then press into rows the limp roots of red impatiens— the instant hand of Death always ready to burst forth from the sleeve of his voluminous cloak. Then the soil is full of marvels, bits of leaf like flakes off a fresco, red-brown pine needles, a beetle quick to burrow back under the loam. Then the wheelbarrow is a wilder blue, the clouds a brighter white, and all I hear is the rasp of the steel edge against a round stone, the small plants singing with lifted faces, and the click of the sundial as one hour sweeps into the next.
Billy Collins (Picnic, Lightning)
Picnic, Lightning It is possible to be struck by a meteor or a single-engine plane while reading in a chair at home. Safes drop from rooftops and flatten the odd pedestrian mostly within the panels of the comics, but still, we know it is possible, as well as the flash of summer lightning, the thermos toppling over, spilling out on the grass. And we know the message can be delivered from within. The heart, no valentine, decides to quit after lunch, the power shut off like a switch, or a tiny dark ship is unmoored into the flow of the body’s rivers, the brain a monastery, defenseless on the shore. This is what I think about when I shovel compost into a wheelbarrow, and when I fill the long flower boxes, then press into rows the limp roots of red impatiens— the instant hand of Death always ready to burst forth from the sleeve of his voluminous cloak. Then the soil is full of marvels, bits of leaf like flakes off a fresco, red-brown pine needles, a beetle quick to burrow back under the loam. Then the wheelbarrow is a wilder blue, the clouds a brighter white, and all I hear is the rasp of the steel edge against a round stone, the small plants singing with lifted faces, and the click of the sundial as one hour sweeps into the next.
Billy Collins (Picnic, Lightning)
This time I saw. In a blue heaven was coiled an infinite snake of gold and green, with four eyes of fire, black fire and red, that darted rays in every direction; held within its coils was a great multitude of laughing children. And even as I looked, all this was blotted out. Crawling rivers of blood spread over the heaven, of blood purulent with nameless forms - mangy dogs with their bowels dragging behind them; creatures half elephant, half beetle; things that were but a ghastly bloodshot eye, set about with leathery tentacles; women whose skins heaved and bubbled like boiling sulphur, giving off clouds that condensed into a thousand other shapes, more hideous than their mother; these were the least of the denizens of these hateful rivers.
Aleister Crowley (The Drug and Other Stories)
His eye was caught by the iridescent back of a beetle that had been standing on the windowsill but that was now advancing steadily into his room. Two reddish purple stripes ran the length of its brilliant oval shell of green and gold. ...In the midst of time's dissolving whirlpool, how absurd that this tiny dot of richly concentrated brilliance should endure in a secure world of its own. ...At that moment, he almost persuaded himself that all its surroundings--leafy trees, blue sky, clouds, tiled roofs--were there purely to serve this beetle which in itself was the very hub, the very nucleus of the universe.
Yukio Mishima (Spring Snow (The Sea of Fertility, #1))
Full of the usual blights, mistakes, ruinous beetles and parasites, glorious for one week, bedraggled the next, my actual garden is always a mixed bag. As usual, it will fall far short of the imagined perfection. It is a chore. Hard work. I'll by turns aggressively weed and ignore it. The ground I tend sustains me in early summer, but the garden of the spirit is the place I go when the wind howls. This lush and fragrant expectation has a longer growing season than the plot of earth I'll hoe for the rest of the year. Raised in the mind's eye, nurtured by the faithful composting of orange rinds and tea leaves and ideas, it is finally the wintergarden that produces the true flowering, the saving vision.
Louise Erdrich (The Blue Jay's Dance: A Birth Year)
Well," Maura asked. "What does he want?" Blue shrugged from behind her mountain of broccoli. "What does a drug addict want? Nothing." Maura frowned over her plate of butter. "Sometimes everything." "Either way," Blue replied, "I can't see how we can offer that." The Gray Man politely interjected, "I could talk to him this evening for you." Blue stabbed a piece of broccoli. "Sounds great." Maura gave her a look. "What she means to say is, no thanks." "No," Blue said, brows beetled, " I meant to say, and can you make him feel worthless while you do?" "Blue Sargent!" Maura looked shocked. "I didn't raise you to be violent!" Calla, who'd inhaled some bacon while laughing, clutched the table until she stopped choking. "No," Blue said dangerously. "But sometimes bad things happen to good children." The Gray Man was amused. "The offer still stands until I go.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
He was the one, however, with whom no one wanted his or her picture taken, the one to whom no one wanted to introduce his son or daughter. Louis and Gage knew him; they had met him and faced him down in New England, some time ago. He was waiting to choke you on a marble, to smother you with a dry-cleaning bag, to sizzle you into eternity with a fast and lethal boggie of electricity—Available at Your Nearest Switchplate or Vacant Light Socket Right Now. There was death in a quarter bag of peanuts, an aspirated piece of steak, the next pack of cigarettes. He was around all the time, he monitored all the checkpoints between the mortal and the eternal. Dirty needles, poison beetles, downed live wires, forest fires. Whirling roller skates that shot nurdy little kids into busy intersections. When you got into the bathtub to take a shower, Oz got right in there too—Shower with a Friend. When you got on an airplane, Oz took your boarding pass. He was in the water you drank, the food you ate. Who’s out there? you howled into the dark when you were frightened and all alone, and it was his answer that came back: Don’t be afraid, it’s just me. Hi, howaya? You got cancer of the bowel, what a bummer, so solly, Cholly! Septicemia! Leukemia! Atherosclerosis! Coronary thrombosis! Encephalitis! Osteomyelitis! Hey-ho, let’s go! Junkie in a doorway with a knife. Phone call in the middle of the night. Blood cooking in battery acid on some exit ramp in North Carolina. Big handfuls of pills, munch em up. That peculiar blue cast of the fingernails following asphyxiation—in its final grim struggle to survive the brain takes all the oxygen that is left, even that in those living cells under the nails. Hi, folks, my name’s Oz the Gweat and Tewwible, but you can call me Oz if you want—hell, we’re old friends by now. Just stopped by to whop you with a little congestive heart failure or a cranial blood clot or something; can’t stay, got to see a woman about a breach birth, then I’ve got a little smoke-inhalation job to do in Omaha. And that thin voice is crying, “I love you, Tigger! I love you! I believe in you, Tigger! I will always love you and believe in you, and I will stay young, and the only Oz to ever live in my heart will be that gentle faker from Nebraska! I love you . . .” We cruise . . . my son and I . . . because the essence of it isn’t war or sex but only that sickening, noble, hopeless battle against Oz the Gweat and Tewwible. He and I, in our white van under this bright Florida sky, we cruise. And the red flasher is hooded, but it is there if we need it . . . and none need know but us because the soil of a man’s heart is stonier; a man grows what he can . . . and tends it.
Stephen King (Pet Sematary)
Even in the coldest weather, the harbor, the fields, the woods, all are alive. Blue jays fly, and brown winter wrens; finches feed on birch seed. Tiny, unseen things crawl, hunt, live, die. Lacewings hibernate under the loose bark on the trees. Caddis-fly larvae carry houses made from plant debris on their backs, and aphids huddle on the alders. Wood frogs sleep frozen beneath piles of leaf mold, and beetles and back swimmers, newts and spotted salamanders, their tails thick with stored fat, all flicker in the icy waters above. There are carpenter ants, and snow fleas, and spiders, and black mourning cloak butterflies that flit across the snow like burned paper. White-footed mice and woodland voles and pygmy shrews scurry through the slash, ever-wary of the foxes and weasels and the vicious, porcupine-hunting fishers that share the habitat. The snowshoe hare changes its coat to white in response to the diminishing daylight hours, the better to hide itself from its predators. Because the predators never go away.
John Connolly (Dark Hollow (Charlie Parker, #2))
It was good to emerge from this silent semi-darkness into a bright glade. Suddenly everything was different: the earth was warm; the air was in movement; you could smell the junipers in the sun; there were large, wilting bluebells which looked as though they had been cast from mauve-coloured metal, and wild carnations on sticky, resinous stems. You felt suddenly carefree; the glade was like one happy day in a life of poverty. The lemon-coloured butterflies, the polished, blue-black beetles, the ants, the grass-snake rustling through the grass, seemed to be joining together in a common task. Birch-twigs, sprinkled with fine leaves, brushed against his face; a grasshopper jumped up and landed on him as though he were a tree-trunk; it clung to his belt, calmly tensing its green haunches as it sat there with its round, leathery eyes and sheep-like face. The last flowers of the wild strawberries. The heat of the sun on his metal buttons and belt-clasp . . . No U-88 or night-flying Heinkel could ever have flown over this glade.
Vasily Grossman (Life and Fate (Stalingrad, #2))
There was death in a quarter bag of peanuts, an aspirated piece of steak, the next pack of cigarettes. He was around all the time, he monitored all the checkpoints between the mortal and the eternal. Dirty needles, poison beetles, downed live wires, forest fires. Whirling roller skates that shot nurdy little kids into busy intersections. When you got into the bathtub to take a shower, Oz got right in there too—Shower with a Friend. When you got on an airplane, Oz took your boarding pass. He was in the water you drank, the food you ate. Who’s out there? you howled into the dark when you were frightened and all alone, and it was his answer that came back: Don’t be afraid, it’s just me. Hi, howaya? You got cancer of the bowel, what a bummer, so solly, Cholly! Septicemia! Leukemia! Atherosclerosis! Coronary thrombosis! Encephalitis! Osteomyelitis! Hey-ho, let’ s go! Junkie in a doorway with a knife. Phone call in the middle of the night. Blood cooking in battery acid on some exit ramp in North Carolina. Big handfuls of pills, munch em up. That peculiar blue cast of the fingernails following asphyxiation—in its final grim struggle to survive the brain takes all the oxygen that is left, even that in those living cells under the nails. Hi, folks, my name’s Oz the Gweat and Tewwible, but you can call me Oz if you want— hell, we’re old friends by now. Just stopped by to whop you with a little congestive heart failure or a cranial blood clot or something; can’t stay, got to see a woman about a breach birth, then I’ve got a little smoke-inhalation job to do in Omaha.
Stephen King (Pet sematary)
She canted her wings and soared toward the top of it, where she could see a never-ending line of trees tossing violently in the wind. The hurricane made one more effort to throw her back into the sea, but she fought with her last reserves until she felt earth beneath her talons. She collapsed forward, clutching the wet soil for a moment, grateful to be alive. Keep going. They’re not safe yet. Clearsight pushed herself up and faced the trees. They were coming. The first two dragons she would meet in this strange new world. What would it be like to face unfamiliar tribes, completely different from the ones she knew? There wouldn’t be any NightWings like her here. No sand dragons, no sea dragons, no ice dragons. She’d glimpsed what these new dragons would look like, but she didn’t know anything yet about their tribes . . . or whether they would trust her. They stepped out of the trees, eyeing her with wary curiosity. Oh, they’re beautiful, she thought. One was dark forest green, the color of the trees all around them. His wings curved gracefully like long leaves on either side of him, and mahogany-brown underscales glinted from his chest. But it was the other who took Clearsight’s breath away. His scales were iridescent gold layered over metallic rose and blue, shimmering through the rain. He outshone even the RainWings she’d occasionally seen in the marketplace, and those were the most beautiful dragons in Pyrrhia. Not only that, but his wings were startlingly weird. There were four of them instead of two; a second pair at the back overlapped the front ones, tilting and dipping at slightly different angles from the first pair to give the dragon extra agility in the air. Like dragonflies, she realized, remembering the delicate insects darting across the ponds in the mountain meadows. Or butterflies, or beetles. She sat up and spread her front talons to show that she was harmless. “Hello,” she said in her very least threatening voice. The green one circled her slowly. The iridescent one sat down and gave her a small smile. She smiled back, although her heart was pounding. She knew she had to wait for them to make the first move. “Leefromichou?” said the green dragon finally, in a deep, calm voice. “Wayroot?” Take a breath. You knew it would be like this at first. “My name is Clearsight,” she said, touching her forehead. “I am from far over the sea.” She pointed at the churning ocean stretching way off to the east behind her. “Anyone speak Dragon?
Tui T. Sutherland (Darkstalker (Wings of Fire: Legends, #1))
Even more interesting is that with all these millions of "fortuitous" colors, it appears that particularity is so rampant that any object we identify as, say, "blue" shares almost nothing in common with any other object we might identify as the same color. We tend to think that color operates like crayons. We use one crayon to fill in a tree, a bird, jacket, and a roof. But it appears that the same color can be served by very different microstructures. For example, what we see as simple blue can be produced by incandescnce, transitions, vibrations, refraction, scattering, diffraction, etc. As Hardin points out, the "same blue" found in the sky, water, a rainbow, a beetle, a sapphire, the star Sirius, and a television dot results from very different microstructures. This may be a tough swallow for some Platonists who hope for a uniform basis for each color, but it should be a joy for those who seek to honor our God of the details. Like the true particularity of the persons of the Trinity, creation boasts in real individuality too.
Douglas M. Jones III
Dr. Freud said he would like to see me again,” she said, finally. “I just bet he would!” Irene laughed. “He collects beetles of all sorts, and you resemble a gray beetle that seems ordinary, but shine a light on it and it begins to shimmer like an opal—blue and green, all cool colors for you, I think. You know, when all of you had just arrived here, I admired your self-control. Here you were in a strange country, determined to rescue a woman you didn’t know from a danger you didn’t understand, all because a friend had asked you to. You were tired from a long journey, yet there you were, coolly making plans. Then later I realized it wasn’t self-control at all—it’s simply the way you are, like Sherlock. He can’t help it either. When there’s a problem to be solved, he sits down and solves it: rationally, efficiently.” Mary opened her mouth to protest. “I don’t mean that you’re emotionless, my dear. I just mean that your emotions are, themselves, efficient, rational. Please don’t misunderstand me—I admire you very much and I would like to be your friend. But you remind me of Sherlock more than anyone I’ve ever met.” “I think that’s a compliment?” said Mary. “I mean, I find him dreadfully aggravating, sometimes. . . .” “Don’t we all!
Theodora Goss (European Travel for the Monstrous Gentlewoman (The Extraordinary Adventures of the Athena Club, #2))
Dither and I like to take the ladies out. Last night Maggie showered her blue-black guts over the barstool at the Dirty Truth while I swung the bartender into the wall-sized mirror by his ankles. Dither put his many fingers into six fraternity brothers while Winnie sucked off the beer spigots, her shattered pelvis undulating obscenely, her hair and dress alive with blood beetles. Then we burst out into the streets. I sliced off heads all down Pleasant while Dither shoved swords up through the seats at the Calvin Theater. Winnie set bassinets afire at Cooley Dickinson while Maggie squatted to piss in the lobster tank in the Stop & Shop. We pinwheeled through the Bridge Street cemetery, upending ancient caskets and sending their contents into the grey sky until it looked like smoke from a great fire. It was a beautiful night; we poured wine into our lungs like drowning sots. In the pink morning we were stacked on the benches like cordwood. The sky was a sick yellow bruise. The sun was a cold dead eye. The winds raised up and shook the houses and thrashed the trees. A great fire is coming to Leeds. Pneumonic plagues and blood from the faucets and worms exploding up into bath tubs from the drains. You’re listening to WXXT. The time is 6:16 a.m. It is not too late to rise, rise and do what needs to be done. Up next, we’ve got Burton Stallhearse and the Grappling Grannies performing their version of “Dark Was the Night, Cold Was the Ground.
Matthew M. Bartlett (Creeping Waves)
Although leaves remained on the beeches and the sunshine was warm, there was a sense of growing emptiness over the wide space of the down. The flowers were sparser. Here and there a yellow tormentil showed in the grass, a late harebell or a few shreds of purple bloom on a brown, crisping tuft of self-heal. But most of the plants still to be seen were in seed. Along the edge of the wood a sheet of wild clematis showed like a patch of smoke, all its sweet-smelling flowers turned to old man's beard. The songs of the insects were fewer and intermittent. Great stretches of the long grass, once the teeming jungle of summer, were almost deserted, with only a hurrying beetle or a torpid spider left out of all the myriads of August. The gnats still danced in the bright air, but the swifts that had swooped for them were gone and instead of their screaming cries in the sky, the twittering of a robin sounded from the top of a spindle tree. The fields below the hill were all cleared. One had already been plowed and the polished edges of the furrows caught the light with a dull glint, conspicuous from the ridge above. The sky, too, was void, with a thin clarity like that of water. In July the still blue, thick as cream, had seemed close above the green trees, but now the blue was high and rare, the sun slipped sooner to the west and, once there, foretold a touch of frost, sinking slow and big and drowsy, crimson as the rose hips that covered the briar. As the wind freshened from the south, the red and yellow beech leaves rasped together with a brittle sound, harsher than the fluid rustle of earlier days. It was a time of quiet departures, of the sifting away of all that was not staunch against winter.
Richard Adams (Watership Down: Bigwig Learns a Lesson (Watership Down Mini Treasures))
Wittgenstein uses this beetle analogy to suggest that the felt states and sensations that occur in a person’s mind; things like smell, pain, love, happiness, sadness, and so on are things that no one can communicate sufficiently enough to share and reveal their experiences to others. I can never see your beetle, and you can never see mine. When we attempt to think and communicate about the beetle, though, the word has to be a word that everyone understands and can be taught for the word to have any meaning. According to Wittgenstein and many others, language is entirely social. This theory is known as the Private Language Argument, which proposes that no language can be understandable if it is solely to one individual. Rather, language is only formed through shared use amongst a community of others. Thus, the sensation of something might exist exclusively to one’s self, but it can never be understood in terms of language exclusively to one’s self. Meaning, we can never know if anyone experiences anything the same way we experience it, even if everyone talks about it in the same words. We can only assume. Arguably, trying to rationalize, communicate, and comprehend the mental experience of a sensation as it actually is, becomes inconceivable after a certain point. For example, one could say that fresh cut grass smells good, but when asked what it smells like, they would have to go on to say things like it smells natural or like the season of spring. If then asked, what that smells like, perhaps if one tried hard enough, they could come with a few other smells to compare it to, but they would eventually and inevitably reach the limits of language. There would be a final question of what it smells like that would have no answer. A sensation beyond words that no one besides the smeller could know for sure what is like. “Whereof one cannot speak, thereof one must be silent.” Wittgenstein writes when referring to the notion of subjective experience and that which exceeds language and logical understanding. Beyond the suggestions of language and shared meaning, arguably what is most thought-provoking about all of this is the notion that we can never know what it feels like to be anyone else other than our self. We can never know what the world might look, taste, smell, sound, and feel like from outside our own heads. We can never verify what anyone else’s color blue looks like, or what anyone else’s punch in the arm feels like, or what anyone else’s sense of love or happiness is like. We are all locked inside our minds, yelling out to each other in an attempt to find out, but never capable of entering anyone else’s to find out for sure. Even if the framework, structure, and wiring of each of our brains are mostly identical, the unknowable conscious psychological layer on top of it all transmutes the experience of neurological occurrences into something abstract, distanced enough from the measurable and communicable to ever know exactly what any of it is, where it comes from, and how it might change in different heads. Ultimately, no matter the philosophical stance or scientific theory, it is fair to argue that at a minimum no one can or will ever know what it means to have navigated and experienced this universe in the way that you have and will. Each moment that you experience, a particular sense or image of the world with your particular conditions of consciousness, is forever yours exclusively, withholding the mystery of what it means to actually be you for all of eternity. Perhaps we all feel and experience in nearly identical ways, or perhaps we all feel and experience in very dissimilar ways. Your version of blue, your sensation of pain, your experience of love, could perhaps be its only version of blue, its only version of pain, and its only version of love to ever exist in the entire universe. The point is, we don’t know because each of us holds the answer that no one can ever access.
Robert Pantano
Blue came from grinding a stone called lapis lazuli into dust. Red came from crushing tiny beetles. Yellow came from the juice of one kind of berry.
Roberta Edwards (Who Was Leonardo da Vinci? (Who Was?))
the sky was hot blue.
Rachel Joyce (Miss Benson's Beetle)
Somewhere," he told her, "somewhere else lived a boy and a girl beside the sea and as they grew older they grew more transparent. At first blue blood vessels and then bones bloomed beneath the skin but soon they could see the shapes of the world behind their bodies, the shudder of leaves like shadows in the brain, a butterfly's flutter in the mutter of the heart, beetles in the coils of the bowels. They watched wine whirl down each other's throats and the sun rise up each other's spines, stepping vertically vertebra to vertebra. Soon the only substance they obtained was when their bodies overlapped and so they clasped each other, peering for the vestiges of eyes, teeth, ears, smears against the landscape. And one day they kissed and disappeared.
Keith Miller
If you are not paying for it, you’re not the customer; you’re the product being sold
blue_beetle on Metacafe w.r.t. social networking websites collecting user data
Carl had the clear, bright, dark-blue eyes, fearless and direct, of his dead mother, and her brown hair with its glints of gold. He knew the secrets of bugs and had a sort of freemasonry with bees and beetles. Una never liked to sit near him because she never knew what uncanny creature might be secreted about him. Jerry refused to sleep with him because Carl had once taken a young garter snake to bed with him; so Carl slept in his old cot, which was so short that he could never stretch out, and had strange bed-fellows. Perhaps it was just as well that Aunt Martha was half blind when she made that bed. Altogether they were a jolly, lovable little crew, and Cecilia Meredith's heart must have ached bitterly when she faced the knowledge that she must leave them. "Where would you like to be buried if you were a Methodist?" asked Faith cheerfully. This opened up an interesting field of speculation. "There isn't much choice. The place is full," said Jerry. "I'd like that corner near the road, I guess.
L.M. Montgomery (Rainbow Valley (Anne of Green Gables, #7))
If you aren’t paying for something, you’re not the customer, you’re the product being sold. —MetaFilter user blue beetle
John Chisholm (Unleash Your Inner Company)
Here on our little blue planet. Here at this exact, tiny, special blink in time. Here, but only "here" in the way a beetle might be "there" on the sidewalk of Times Square during rush hour. Sure, the beetle can survive, but only for as long as it's not in the wrong place at the wrong time. Nobody's out to get that beetle... but nobody's watching where they're stepping, either.
Johnny B. Truant (The Universe Doesn't Give a Flying Fuck About You)
Aerodynamically there isn’t much you can do to enhance your Beetle’s handling. The Porsche style whale tale – um, tail is just that – a load of nonsense. It does no aerodynamic spoiling at all except to spoil your car ergonomically, and quite frankly, it looks like crap. It goes with blue LED lights under the car and (yuk) fur on the dashboard.
Christina Engela (Bugspray)
Me and the Blue Beetle kick ass. In a four-cylinder kind of way, but it still gets kicked.
Jim Butcher (Blood Rites (The Dresden Files, #6))
His mother died when he was in junior high, a single car crash on her way home from work after a shortcut through the local pub. By the time the firetrucks arrived with the jaws of life, her pale blue Volkswagen Beetle had fervently fucked a large oak tree, the orgasm of twisted metal, blood, and Mom body parts shot in a load along the edge of the road and into the brush.
Rebecca Rowland (The Rack: Stories Inspired By Vintage Horror Paperbacks)
a car park and the blue bit’s the water, it’s for the shark.
Lisette Starr (Martin Makes a Dinosaur Cake (Red Beetle Children's Picture Books Ages 3-8))
The First Water is the Body (excerpt) The Colorado River is the most endangered river in the United States—also, it is a part of my body. I carry a river. It is who I am: ‘Aha Makav. This is not metaphor. When a Mojave says, Inyech ‘Aha Makavch ithuum, we are saying our name. We are telling a story of our existence. The river runs through the middle of my body. --- What threatens white people is often dismissed as myth. I have never been true in America. America is my myth. --- When Mojaves say the word for tears, we return to our word for river, as if our river were flowing from our eyes. A great weeping is how you might translate it. Or a river of grief. --- I mean river as a verb. A happening. It is moving within me right now. --- The body is beyond six senses. Is sensual. An ecstatic state of energy, always on the verge of praying, or entering any river of movement. Energy is a moving river moving my moving body. In Mojave thinking, body and land are the same. The words are separated only by the letters ‘ii and ‘a: ‘iimat for body, ‘amat for land. In conversation, we often use a shortened form for each: mat-. Unless you know the context of a conversation, you might not know if we are speaking about our body or our land. You might not know which has been injured, which is remembering, which is alive, which was dreamed, which needs care. You might not know we mean both. --- What is this third point, this place that breaks a surface, if not the deep-cut and crooked bone bed where the Colorado River runs—a one-thousand-four-hundred-and-fifty-mile thirst—into and through a body? Berger called it the pre-verbal. Pre-verbal as in the body when the body was more than body. Before it could name itself body and be limited, bordered by the space body indicated. Pre-verbal is the place where the body was yet a green-blue energy greening, greened and bluing the stone, red and floodwater, the razorback fish, the beetle, and the cottonwoods’ and willows’ shaded shadows. Pre-verbal was when the body was more than a body and possible. One of its possibilities was to hold a river within it. --- If I was created to hold the Colorado River, to carry its rushing inside me, if the very shape of my throat, of my thighs is for wetness, how can I say who I am if the river is gone? --- Where I come from we cleanse ourselves in the river. I mean: The water makes us strong and able to move forward into what is set before us to do with good energy. We cannot live good, we cannot live at all, without water. If your builder could place a small red bird in your chest to beat as your heart, is it so hard for you to picture the blue river hurtling inside the slow muscled curves of my long body? Is it too difficult to believe it is as sacred as a breath or a star or a sidewinder or your own mother or your beloveds? If I could convince you, would our brown bodies and our blue rivers be more loved and less ruined? The Whanganui River in New Zealand now has the same legal rights of a human being. In India, the Ganges and Yamuna Rivers now have the same legal status of a human being. Slovenia’s constitution now declares access to clean drinking water to be a national human right. While in the United States, we are teargassing and rubber-bulleting and kenneling Natives trying to protect their water from pollution and contamination at Standing Rock in North Dakota. We have yet to discover what the effects of lead-contaminated water will be on the children of Flint, Michigan, who have been drinking it for years. America is a land of bad math and science. The Right believes Rapture will save them from the violence they are delivering upon the earth and water; the Left believes technology, the same technology wrecking the earth and water, will save them from the wreckage or help them build a new world on Mars. ---
Natalie Díaz (Postcolonial Love Poem)
telling herself not to think of Enid or her frock, or even what might have happened, but only nice things like blue sky and flowers,
Rachel Joyce (Miss Benson's Beetle)
HUGE BELL in the tower of the Council Edifice began to ring. The bell governed the people’s lives. It told them when to begin work and when to stop, when to gather for meetings, when to prepare for a hunt, celebrate an event, or arm for danger. Four bells—the third was resonating now—meant that the day’s business could end. For Kira, it meant the time to report to the Council of Guardians. She hurried toward the central plaza through the crowds of people leaving their workplaces. Matt was waiting on the steps as he had promised. Branch, beside him, was pawing excitedly at a large iridescent beetle, blocking its path again and again with a paw as the beetle tried unsuccessfully to waddle by. The dog looked up and wagged its crooked tail when Kira called a greeting. “What you got?” Matt asked, looking at the small bundle Kira carried on her back.
Lois Lowry (Gathering Blue)
As we passed through one of the gardens--most of the plants were held away from us by a mesh fence that had a current running through it, I noted--Yssa spoke from behind me, with a tone of controlled fear. “Pary.” I turned back to see a large beetle, almost as long as my palm, crawling on Akos’s cheek. Its wings had bright blue markings, and its antennae were bright, searching. There was another one on his throat, and a third on his arm. “Stay still,” Yssa told him. “Everyone else step back from him.” “Shit,” Pary said. “I take it these insects are poisonous,” Akos said. His Adam’s apple bobbed with a particularly hard swallow. “Very,” Yssa said. “We keep them here because they are very bright when they fly.” “And they avoid anything that is a particularly strong conduit for the current,” Pary added. “Like…people. Most people.” Akos’s eyes closed.
Veronica Roth (The Fates Divide (Carve the Mark, #2))
Yssa spoke from behind me, with a tone of controlled fear. “Pary.” I turned back to see a large beetle, almost as long as my palm, crawling on Akos’s cheek. Its wings had bright blue markings, and its antennae were bright, searching. There was another one on his throat, and a third on his arm. “Stay still,” Yssa told him. “Everyone else step back from him.” “Shit,” Pary said. “I take it these insects are poisonous,” Akos said.
Veronica Roth (The Fates Divide (Carve the Mark, #2))
Laugh with me, monkey. Bring impish tricks and mischievous heart. Help sorrow waft and cheer restore before the sun sets red. Run with me, tiger, with imposing stripes of orange and deafening growl. Cause enemies to cower and bring my spirit courage. Pull with me, water buffalo. Turn furrowed fields to golden rice that’s sweet. Show true resolve and the strength of a determined mind. Rest with me, turtle, with emerald shield and wisdom old as time. Teach me to value a strong home that will protect against the rain. Swim with me, fish, through renewing waters that are broad and deep and blue. Cleanse my body and keep it cool from the sun’s hot rays. Sing with me, bird. Trill nature’s song and carry tired limbs through indigo sky. Open my eyes to the world’s expanse and Nature’s wonder. Scurry with me, beetle. Remind of life’s short days and of precious time. Tap your violet legs about to keep me alert and prepared. Scurry, beetle—sing, bird—swim, fish—rest, turtle—pull, water buffalo—run, tiger—laugh, monkey. Play together in my dreams. Dance across nature’s sky. It’s now time that I must sleep.
Camron Wright (The Rent Collector)
about you.” It was an almost girlish statement as she walked forward, graceful in a white sari embroidered in blush pink and powder blue. “So human you look, though you wear wings,” she murmured. “Your skin must show every bruise, every wound.” Such a casual comment. Such a quiet threat. Elena answered with the truth. “Your skin is flawless.” A blink, as if she’d surprised the other angel. Then Anoushka inclined her head by the merest fraction. “I don’t think I’ve heard a compliment from another female angel for at least a hundred years.” A smile that should have been charming, and yet . . . “Will you walk with me?” “I’m afraid I’m headed to training.” She glimpsed Galen out of the corner of her eye, hoped he’d keep his distance. Right now, Anoushka did appear merely inquisitive. Any sign of aggression and things might get ugly. “Of course.” Anoushka waved her hand. “It must worry Raphael to have a mate who is so very weak.” Having the other angel at her back felt like beetles crawling over her skin. She was almost glad to fall into step beside Galen—right now, trying to protect herself from a weapons expert sounded like a far better bet than fencing with an angel who might be a true cobra. According to the rumors she’d heard, Anoushka had grown up drinking poison with her mother’s milk. A shiver skated across her body, and she was more than ready to throw herself into the gruelingly physical training. However, another one of Neha’s creations—Venom—interrupted the hand-to-hand combat session midway. The vampire had on his ubiquitous shades, his body clothed in a black on black suit. But, for once, his expression held no hint of mockery. “Come. Sara is waiting for you on the phone.” She was already walking at a fast clip beside him. “Has something happened to Zoe?” Fear for her goddaughter caught her by the throat. “You should speak to her directly.” Her wings brushed the steps as she walked up to Raphael’s office. She pulled them up instinctively, the action second nature now—thanks to having been put on her ass by Galen more than
Nalini Singh (Archangel's Kiss (Guild Hunter, #2))
I’d rather be attacked by ants than by a golden poison dart frog. It has enough poison in it to kill ten grown men. In that case, I’m glad I’m not a grown man yet. But I bet a golden poison dart frog wouldn’t want to get into a fight with a blue-ringed octopus. It’s only the size of a golf ball, but it has enough venom to kill twenty-six people.
Dan Gutman (My Weird School Fast Facts: Dogs, Cats, and Dung Beetles)
Broken worlds make broken people. Just like red and blue make purple. Except the people grow golden resolve like beetles.
Isaiah Qualls (Moonlight)
The things that are common to you, like windy mornings, starry skies, and old trees; beetles, strawberries, and doorbells; coffee, blue jeans, and summertime . . . are not common to us. Enjoy every flippin’ moment. ~ Notes from The Universe by Mike Dooley
Julie Merrick (Thoughts that Move Energy: Allowing Awareness Support Appreciation Empowerment)