“
Whenever you are about to find fault with someone, ask yourself the following question: What fault of mine most nearly resembles the one I am about to criticize?
”
”
Marcus Aurelius (Meditations)
“
Why waste my anger on you when the fault is mine? I should have anticipated another betrayal from you, one more mad grasp at some kind of childish ideal. But I seem to be a victim of my own wishes where you are concerned.” His expression hardened. “What have you come here for, Alina?”
I answered him honestly. “I wanted to see you.”
I caught the briefest glimpse of surprise before his face shuttered again. “There are two thrones on that dais. You could see me any time you liked.
”
”
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
“
I turn and I slowly walk away and I don't look back. It has always been a fault of mine, but it is the way I am. I never look back. Never.
”
”
James Frey (A Million Little Pieces)
“
It is your responsibility to find fault with me, it is mine to hear you out. But don't expect me to change.
”
”
John Irving (A Prayer for Owen Meany)
“
You deserve someone better than me. Someone young and idealistic…someone who can experience things for the first time along with you. I'm not always kind, and I have more faults than I'd care to name. All I can promise is that I'll want you until my last breath.
”
”
Lisa Kleypas (Because You're Mine (Capitol Theatre, #2))
“
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can't stop pissing on fire hydrants...I am an animal like any other. Hazel is different. she walks lightly, old man. She walks lightly upon the earth. She knows the truth: We're as likely to hurt the universe as we are to help it, and we're not likely to do either.
People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad. It's triumphant. It's heroic. Isn't that the real heroism?
The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention.
”
”
John Green (The Fault in Our Stars)
“
It sounded like a dragon breathing in time with me, like I had this pet dragon who was cuddled up next to me and cared enough about me to time his breaths to mine.
”
”
John Green (The Fault in Our Stars)
“
She was like me in lineaments-- her eyes
Her hair, her features, all, to the very tone
Even of her voice, they said were like to mine;
But soften'd all, and temper'd into beauty;
She had the same lone thoughts and wanderings,
The quest of hidden knowledge, and a mind
To comprehend the universe: nor these
Alone, but with them gentler powers than mine,
Pity, and smiles, and tears-- which I had not;
And tenderness-- but that I had for her;
Humility-- and that I never had.
Her faults were mine-- her virtues were her own--
I loved her, and destroy'd her!
”
”
Lord Byron (The Poetical Works of Lord Byron)
“
For I hope my Friends will pardon me, when I declare, I know none of them without a Fault; and I should be sorry if I could imagine, I had any Friend who could not see mine. Forgiveness, of this Kind, we give and demand in Turn.
”
”
Henry Fielding (The History of Tom Jones, a Foundling)
“
I don't want those things from you. I love your faults and imperfections. Your kind heart. The scars that match mine, and the struggles to find ourselves. I want your humanness. Nothing else.
”
”
A.G. Howard (Ensnared (Splintered, #3))
“
I didn't marry you because you were perfect. I didn't even marry you because I loved you. I married you because you gave me a promise. That promise made up for your faults. And the promise I gave you made up for mine. Two imperfect people got married and it was the promise that made the marriage. And when our children were growing up, it wasn't a house that protected them; and it wasn't our love that protected them--it was that promise.
”
”
Thornton Wilder (The Skin of Our Teeth)
“
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempts to survive our deaths...The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention.
”
”
John Green (The Fault in Our Stars)
“
I'm not such an idiot that I don't realize that if a man calls me a nigger it's his fault the first time, but mine if he has the opportunity to do it again.
”
”
Nella Larsen (Passing)
“
Van Houten,
I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently.
Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
(Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.)
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either.
People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox.
After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse.
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
We all have faults, mine is being wicked.
”
”
James Thurber
“
To my son,
If you are reading this letter, then I am dead.
I expect to die, if not today, then soon. I expect that Valentine will kill me. For all his talk of loving me, for all his desire for a right-hand man, he knows that I have doubts. And he is a man who cannot abide doubt.
I do not know how you will be brought up. I do not know what they will tell you about me. I do not even know who will give you this letter. I entrust it to Amatis, but I cannot see what the future holds. All I know is that this is my chance to give you an accounting of a man you may well hate.
There are three things you must know about me. The first is that I have been a coward. Throughout my life I have made the wrong decisions, because they were easy, because they were self-serving, because I was afraid.
At first I believed in Valentine’s cause. I turned from my family and to the Circle because I fancied myself better than Downworlders and the Clave and my suffocating parents. My anger against them was a tool Valentine bent to his will as he bent and changed so many of us. When he drove Lucian away I did not question it but gladly took his place for my own. When he demanded I leave Amatis, the woman I love, and marry Celine, a girl I did not know, I did as he asked, to my everlasting shame.
I cannot imagine what you might be thinking now, knowing that the girl I speak of was your mother. The second thing you must know is this. Do not blame Celine for any of this, whatever you do. It was not her fault, but mine. Your mother was an innocent from a family that brutalized her. She wanted only kindess, to feel safe and loved. And though my heart had been given already, I loved her, in my fashion, just as in my heart, I was faithful to Amatis. Non sum qualis eram bonae sub regno Cynarae. I wonder if you love Latin as I do, and poetry. I wonder who has taught you.
The third and hardest thing you must know is that I was prepared to hate you. The son of myslef and the child-bride I barely knew, you seemed to be the culmination of all the wrong decisions I had made, all the small compromises that led to my dissolution. Yet as you grew inside my mind, as you grew in the world, a blameless innocent, I began to realize that I did not hate you. It is the nature of parents to see their own image in their children, and it was myself I hated, not you.
For there is only one thing I wan from you, my son — one thing from you, and of you. I want you to be a better man than I was. Let no one else tell you who you are or should be. Love where you wish to. Believe as you wish to. Take freedom as your right.
I don’t ask that you save the world, my boy, my child, the only child I will ever have. I ask only that you be happy.
Stephen
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
Hey!" I yell. Everyone turns around and looks at us. I glance at Six and her eyes are wide. I inhale a deep breath, then turn back to the table. Specifically to Holder. "She fist bumped me,"I say, pointing at Six. "It's not my fault. She hates purses and she fist bumped me, then she made me push her on the damn merry-go-round. After that, she demanded to see where I had sex in the park, then she forced me to sneak into my own bedroom. She's weird and half the time I can't keep up with her, but she thinks I'm funny as hell. And Chunk asked me this morning if I wanted to love her someday, and I realized I've never hoped I could love someone more than I want to love her. So every single one of you who has an issue with us dating is going to have to get over it because..." I pause and turn toward Six. "Because you fist bumped me and I could care less who knows we're together. I'm not going anywhere and I don't want to go anywhere so stop thinking I'm into you because I'm not supposed to be into you." I lift my hands and tilt her face toward mine. "I'm into you because you're awesome. And because you let me accidentally touch your boob." She's smiling wider than I've ever seen her smile. "Daniel Wesley, where'd you learn those smooth moves?" I laugh. "Not moves, Six. Charisma.
”
”
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
“
We relinquished our freedom that day, and we were more than happy to see it go. From that moment on we lived in true freedom, the freedom to point to someone else and say “They told me to do it! It’s their fault, not mine.” The freedom, God help us, to say “I was only following orders.”-World War Z
”
”
Max Brooks (World War Z: An Oral History of the Zombie War)
“
We have been lost to each other for so long. My name means nothing to you. My memory is dust. This is not your fault, or mine. The chain connecting mother to daughter was broken and the word passed to the keeping of men, who had no way of knowing.
”
”
Anita Diamant (The Red Tent)
“
Cal's touch has not erased Maven's. My memories are still there, still just as painful as they were yesterday. And as much as I try, I have not forgotten the canyon that will always stretch between us. No kind of love can erase his faults, just like none can erase mine.
”
”
Victoria Aveyard (King's Cage (Red Queen, #3))
“
Edward spoke in a voice so peaceful and gentle that it made the words strangely more threatening. "I'm not going to kill you now, because it would upset Bella."
"Hmph," I grumbled.
Edward turned slightly to throw me a quick smile. His face was still calm. "It would bother you in the morning," he said, brushing his fingers across my cheek.
The he turned back to Jacob. "But if you ever bring her back damaged again--and I don't care whose fault it is; I don't care if she merely trips, or if a meteor falls out of the sky and hits her in the head--if you return her to me in less than the perfect condition that I left her in, you will be running with three legs. Do you understand that, mongrel?"
Jacob rolled his eyes.
"who's going back?" I muttered
Edward continued as if he hadn't heard me. "And if you ever kiss her again, I wiil break your jaw for her," he promised, his voice still gentle and velvet deadly.
"What if she wants me to?" Jacob drawled, arrogant.
"Hah!" I snorted.
"If that's what she wants, then I won't object." Edward shrugged, untroubled. "You might want to wait for her to say it, rather than trust your interpretation of body language-but it's your face."
Jacob grinned.
"You wish," I grumbled.
"Yes, he does," Edward murmured.
"Well, if you're done rummaging through my head," Jacob said with a think edge of annoyance, "why don't you go take care of her hand?"
"One more thing," Edward said slowly. "I'll be fighting for her, too. You should know that. I'm not taking anything for granted, and I'll be fighting twice as hard as you will."
"Good," Jacob growled. "it's no fun beating someone who forfeits."
She is mine." Edward's low voice was suddenly dark, not as composed as before, "i did't say I would fight fair."
"Neither did I."
"Best of luck."
Jacob nodded. "Yes, may the best man win."
"That sounds about right...pup.
”
”
Stephenie Meyer (Eclipse)
“
It wasn't his, it wasn't my fault,
we both had nothing except patience,
but Death has none.
I saw him come (how meanly!)
and I watched him as he took and took:
none of it I could claim as mine.
”
”
Rainer Maria Rilke (The Book of Images)
“
And it was different because I'd already lost her so many times, so many ways, in my head. And different because she was never really mine to lose.
And different because this wasn't my fault.
”
”
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
“
His heart still hammered away but he was strangely relieved. "Stop saying that, Sarah. You have nothing to be sorry about. This is my fault and intend on fixing it. But I won't let you back out now, sweetheart. I can't. It may not be too late for you but there's no turning back for me."
~Angel~
Forever Mine
”
”
Elizabeth Reyes (Forever Mine (The Moreno Brothers, #1))
“
This is my fault. Mine. Making her think I'd be here for her.
”
”
Julie Anne Peters (By the Time You Read This, I'll Be Dead)
“
she had something I could not have, and so I resented her—but I realized the fault was mine and not hers.
”
”
Sharon Shinn (Summers at Castle Auburn)
“
I laughed but before I could agree with the hairdressers that she was crazy, she said, 'What's the world for if you can't make it up the way you want it?'
" 'The way I want it?'
" 'Yeah. The way you want it. Don't you want it to be something more than what it is?'
" 'What'st eh point? I can't change it.'
" 'That's the point. If you don't, it will change you and it'll be your fault cause you let it. I let it. And messed up my life.'
" 'Mess it up how?'
" 'Forgot it.'
" 'Forgot?'
" 'Forgot it was mine. My life. I just ran up and down the streets wishing I was somebody else.
”
”
Toni Morrison (Jazz (Beloved Trilogy, #2))
“
Here's the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That's what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, "They'll remember me now," but (a) they don't remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
...
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can't stop pissing on fire hydrants. I know it's silly and useless--epically useless in my current state--but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We're as likely to hurt the universe as we are to help it, and we're not likely to do either.
People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad, Van Houten. It's triumphant. It's heroic. Isn't that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn't actually invent anything. He just noticed that people with cowpox didn't get smallpox.
...
But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
...
What else? She is so beautiful. You don't get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don't get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
So, Acheron," Kyrian said, hijacking their conversation. "What happened to your car? I saw the busted fender on it. How unlike you to crash into anything."
Nick cringed as Acheron turned towards him with an arched brow.
"Hey now," Nick said, holding his hands up in defence of himself, "it was not my fault.I was minding my own business when the trash can went suicidal, came out of nowhere, and jumped in front of the car."
"It was on the curb, Nick," Ash said drily. "Along with a number of screaming pedestrians, running for their lives."
"That's your story. I'm sticking to mine... And there ought to be a law about homicidal trash cans, and fines for people who put them on the street. They're really dangerous.... Just saying.
”
”
Sherrilyn Kenyon (Inferno (Chronicles of Nick, #4))
“
Wretchedly gorgeous. Wickedly innocent. Irrevocably mine. Our hearts were tarnished. Stained. And guilty.
Unpredictable to a fault.
And bound to break.
”
”
L.J. Shen (The Kiss Thief)
“
No kind of love can erase his faults, just like none can erase mine.
”
”
Victoria Aveyard (King's Cage (Red Queen, #3))
“
Now my charms are all o'erthrown,
And what strength I have's mine own, -
Which is most faint: now, 'tis true,
I must be here confined by you...
But release me from my bands
With the help of your good hands:
Gentle breath of yours my sails
Must fill, or else my project fails,
Which was to please: now I want
Spirits to enforce, art to enchant;
And my ending is despair,
Unless I be relieved by prayer,
Which pierces so, that it assaults
Mercy itself, and frees all faults.
As you from crimes would pardon'd be,
Let your indulgence set me free.
”
”
William Shakespeare (The Tempest)
“
What am I supposed to do, be all ‘woe is me’ for the rest of my life? I still get access to the same sunrises everyone else does, the same 24 hours in a day. And if I don’t take advantage of those things, it’s my own fault.
”
”
Lucy Score (Pretend You're Mine (Benevolence, #1))
“
They say that people who live next to waterfalls don't hear the water. It was terrible at first. We couldn't stand to be in the house for more than a few hours at a time. The first two weeks were filled with nights of intermittent sleep and quarreling for the sake of being heard over the water. We fought so much just to remind ourselves that we were in love, and not in hate. But the next weeks were a little better. It was possible to sleep a few good hours each night and eat in only mild discomfort. [We] still cursed the water, but less frequently, and with less fury. Her attacks on me also quieted. It's your fault, she would say. You wanted to live here. Life continued, as life continues, and time passed, as time passes, and after a little more than two months: Do you hear that? I asked her one of the rare mornings we sat at the table together. Hear it? I put down my coffee and rose from my chair. You hear that thing? What thing? she asked. Exactly! I said, running outside to pump my fist at the waterfall. Exactly! We danced, throwing handfuls of water in the air, hearing nothing at all. We alternated hugs of forgiveness and shouts of human triumph at the water. Who wins the day? Who wins the day, waterfall? We do! We do! And this is what living next to a waterfall is like. Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren's will be. But we learn to live in that love.
”
”
Jonathan Safran Foer (Everything is Illuminated)
“
The unfortunate part is that you, my dear friend, will never know, and I shall never be able to tell you, how what you say to me is translated inside me. You did not speak Turkish, no. We both employed, you and I, the same language, the same words. But is it our fault, yours and mine, if words in themselves are empty? Empty, my dear friend. You fill them with your meaning, as you speak them to me; while I, in taking them in, inevitably fill them with my own. We thought we understood each other; we did not understand each other at all.
”
”
Luigi Pirandello (One, No One and One Hundred Thousand)
“
It wasn't you're fault," I whisper. And then out of self-protection more than anything else, I bring the glory. I don't warn him or anything. I don't damp it down. I bring it. The room fills with light.
"This is what I am," I say, my hair ablaze around my head.
He squints at me. his jaw juts out a little in pure stubbornness. He stands his ground
"I know," he says.
I take a step towards him, close the space between us, put my glowing hand against his cheek. He starts to tremble. "This is what I am," I say again and my wings are out now.
His knees wobble, but he fights it. He puts his hand at my waist, turns me, pulls me closer, which surprises me.
"I can accept that," he whispers, and holds his breath, and leans in to kiss me
His lips brush mine for an instant, and an emotion like victory tears through him, but he pulls away and glances at the front door. Groans.
Christian is standing in the doorway.
"Wow," Tucker says, trying to grin. "You really know how to cramp a guy's style."
His legs give out. He falls to his knees.
My light blinks off.
”
”
Cynthia Hand (Boundless (Unearthly, #3))
“
Like something happened to Preppy. That wasn’t your fault, dick slick. It was mine. I literally couldn’t dodge that bullet. See what I did there? Oh my shit I’m hilarious.
”
”
T.M. Frazier (Lawless (King, #3))
“
They didn’t warn me that heartache doesn’t always have someone to blame. Sometimes it’s no one’s fault (it’s probably all mine).
”
”
Courtney Peppernell (Pillow Thoughts (Pillow Thoughts, #1))
“
Do you know about the spoons? Because you should. The Spoon Theory was created by a friend of mine, Christine Miserandino, to explain the limits you have when you live with chronic illness. Most healthy people have a seemingly infinite number of spoons at their disposal, each one representing the energy needed to do a task. You get up in the morning. That’s a spoon. You take a shower. That’s a spoon. You work, and play, and clean, and love, and hate, and that’s lots of damn spoons … but if you are young and healthy you still have spoons left over as you fall asleep and wait for the new supply of spoons to be delivered in the morning. But if you are sick or in pain, your exhaustion changes you and the number of spoons you have. Autoimmune disease or chronic pain like I have with my arthritis cuts down on your spoons. Depression or anxiety takes away even more. Maybe you only have six spoons to use that day. Sometimes you have even fewer. And you look at the things you need to do and realize that you don’t have enough spoons to do them all. If you clean the house you won’t have any spoons left to exercise. You can visit a friend but you won’t have enough spoons to drive yourself back home. You can accomplish everything a normal person does for hours but then you hit a wall and fall into bed thinking, “I wish I could stop breathing for an hour because it’s exhausting, all this inhaling and exhaling.” And then your husband sees you lying on the bed and raises his eyebrow seductively and you say, “No. I can’t have sex with you today because there aren’t enough spoons,” and he looks at you strangely because that sounds kinky, and not in a good way. And you know you should explain the Spoon Theory so he won’t get mad but you don’t have the energy to explain properly because you used your last spoon of the morning picking up his dry cleaning so instead you just defensively yell: “I SPENT ALL MY SPOONS ON YOUR LAUNDRY,” and he says, “What the … You can’t pay for dry cleaning with spoons. What is wrong with you?” Now you’re mad because this is his fault too but you’re too tired to fight out loud and so you have the argument in your mind, but it doesn’t go well because you’re too tired to defend yourself even in your head, and the critical internal voices take over and you’re too tired not to believe them. Then you get more depressed and the next day you wake up with even fewer spoons and so you try to make spoons out of caffeine and willpower but that never really works. The only thing that does work is realizing that your lack of spoons is not your fault, and to remind yourself of that fact over and over as you compare your fucked-up life to everyone else’s just-as-fucked-up-but-not-as-noticeably-to-outsiders lives. Really, the only people you should be comparing yourself to would be people who make you feel better by comparison. For instance, people who are in comas, because those people have no spoons at all and you don’t see anyone judging them. Personally, I always compare myself to Galileo because everyone knows he’s fantastic, but he has no spoons at all because he’s dead. So technically I’m better than Galileo because all I’ve done is take a shower and already I’ve accomplished more than him today. If we were having a competition I’d have beaten him in daily accomplishments every damn day of my life. But I’m not gloating because Galileo can’t control his current spoon supply any more than I can, and if Galileo couldn’t figure out how to keep his dwindling spoon supply I think it’s pretty unfair of me to judge myself for mine. I’ve learned to use my spoons wisely. To say no. To push myself, but not too hard. To try to enjoy the amazingness of life while teetering at the edge of terror and fatigue.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
As his parted lips met mine, I started to feel breathless in a new and fascinating way.
”
”
John Green (The Fault in Our Stars)
“
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths.
”
”
John Green (The Fault in Our Stars)
“
I turn and I slowly walk away and I don’t look back. It has always been a fault of mine, but it is the way I am. I never look back. Never.
”
”
James Frey (A Million Little Pieces)
“
I kept thinking that it sounded like a dragon breathing in time with me, like I had this pet dragon who was cuddled up next to me and cared enough about me to time his breaths to mine. I was thinking about that as I sank into sleep.
”
”
John Green (The Fault in Our Stars)
“
When you’re reading a book and you can’t
focus, ask yourself, ‘How much is the writer’s fault, and how much is mine?’ Be honest. That’s how you’ll know if you should set it aside forever or for a few hours.
”
”
Laura Nowlin (If Only I Had Told Her (If He Had Been with Me #2))
“
I don’t think we’re in love anymore.
I think about sex constantly.
I hate your parents. I’m pretty sure they hate me.
Do you have any idea how fucked up this is?
I’ve been sleeping with my back to you for months now,
and you haven’t touched me once.
I almost went home with the guy who gave me change
at the bank. I almost asked his name.
I don’t think we’re in love anymore.
We don’t kiss like we used to. Your lips are always
cold and mine are always chapped.
Neither of us even apologize.
I haven’t shaved in days and you haven’t noticed.
I am insatiable.
I am a disaster just waiting to remember
the storm in her bones.
I am proud of this.
I want someone to fuck me so hard
that something inside of me snaps
and I can’t stop screaming ‘I love you, oh my God, I love you.’
I don’t think we’re in love anymore.
Sometimes, I genuinely think the sky is bleeding, and I don’t
know how to stop it.
I don’t think I am capable of staying put.
My bags are already packed. I’ve been waiting for you
to check the bedroom.
I don’t think we’re in love anymore.
I don’t know whose fault it is.
Let’s stop trying to make a broken thing work.
We were brave for trying.
We were brave for trying.
”
”
Caitlyn Siehl
“
Lassiter skidded in from the billiards room, the fallen angel glowing from his black-and-blond hair and white eyes, all the way down to his shitkickers. Then again, maybe the illumination wasn’t his nature, but that gold he insisted on wearing.
He looked like a living, breathing jewelry tree.
“I’m here. Where’s my chauffeur hat?”
“Here, use mine,” Butch said, outing a B Sox cap and throwing it over. “It’ll help that hair of yours.”
The angel caught the thing on the fly and stared at the red S. “I’m sorry, I can’t.”
“Do not tell me you’re a Yankees fan,” V drawled. “I’ll have to kill you, and frankly, tonight we need all the wingmen we’ve got.”
Lassiter tossed the cap back. Whistled. Looked casual.
“Are you serious?” Butch said. Like the guy had maybe volunteered for a lobotomy. Or a limb amputation. Or a pedicure.
“No fucking way,” V echoed. “When and where did you become a friend of the enemy—”
The angel held up his palms. “It’s not my fault you guys suck—”
Tohr actually stepped in front of Lassiter, like he was worried that something a lot more than smack talk was going to start flying. And the sad thing was, he was right to be concerned. Apart from their shellans, V and Butch loved the Sox above almost everything else—including sanity.
”
”
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
“
You keep doin' what you doin' and the white man don't got to do it no more. He ain't got to sell you or put you in a coal mine to own you. He'll own you just as is, and he'll say you the one who did it. He'll say it's your fault.
”
”
Yaa Gyasi (Homegoing)
“
And then we were kissing. My hand let go of the oxygen cart and I reached up for his neck, and he pulled me up by my waist onto my tiptoes. As his parted lips met mine, I started to feel breathless in a new and fascinating way. The space around us evaporated, and for a weird moment I really liked my body, this cancer-ruined thing I'd spent years dragging around suddenly seemed worth the struggle, worth the chest tubes and PICC lines and the ceaseless bodily betrayal of the tumors.
”
”
John Green (The Fault in Our Stars)
“
Are there any Nazis left that I could hunt down and bring to justice?” Augustus asked while we leaned over the vitrines reading Otto’s letters and the gutting replies that no, no one had seen his children after the liberation.
“I think they’re all dead. But it’s not like the Nazis had a monopoly on evil.”
“True,” he said. “That’s what we should do, Hazel Grace: We should team up and be this disabled vigilante duo roaring through the world, righting wrongs, defending the weak, protecting the endangered.”
Although it was his dream and not mine, I indulged it. He’d indulged mine, after all. “Our fearlessness shall be our secret weapon,” I said.
“The tales of our exploits will survive as long as the human voice itself,” he said.
“And even after that, when the robots recall the human absurdities of sacrifice and compassion, they will remember us.”
“They will robot-laugh at our courageous folly,” he said. “But something in their iron robot hearts will yearn to have lived and died as we did: on the hero’s errand.
”
”
John Green (The Fault in Our Stars)
“
There are a lot of things that aren’t your fault. Or mine, either. Not the fault of prophecies, or curses, or DNA, or absurdity. Not the fault of Structuralism or the Third Industrial Revolution. We all die and disappear, but that’s because the mechanism of the world itself is built on destruction and loss. Our lives are just shadows of that guiding principle. Say the wind blows. It can be a strong, violent wind or a gentle breeze. But eventually every kind of wind dies out and disappears. Wind doesn’t have form. It’s just a movement of air.
”
”
Haruki Murakami (Kafka on the Shore)
“
I made this resolution today. I will try to excel in all things yet if I am excelled, without fault of mine, I will not be mortified. I will not withhold from any one the praise which I think his due; nor will I allow myself to envy another's praise or to feel jealousy when I hear him praised. May God help me to keep it.
”
”
Salmon P. Chase
“
And so I have to ask Myself: whose memory is at fault? Mine or his? Might he in fact be remembering conversations that never happened?
”
”
Susanna Clarke (Piranesi)
“
It’s a fault of mine, to be quick to judge or to want the world to function according to my laws.
”
”
Nita Prose (The Maid (Molly the Maid, #1))
“
It’s not my fault that these are the problems I’ve been put on this earth to deal with, right? They’re petty, they piss me off, and they’re all mine
”
”
Megan McCafferty (Sloppy Firsts (Jessica Darling, #1))
“
It’s not Love. But what fault is it of mine
if my affections do not become
Love? Very much my fault, I would say,
when I can live from day to day
on mad purity, blind pity…
Make a scandal of meekness.
But the violence of the senses and intellect
that has confounded me for years
was the only way.
”
”
Pier Paolo Pasolini (Selected Poetry of Pier Paolo Pasolini, The: A Bilingual Edition)
“
I could blame my lack of a happy ending on Edward all day long but the truth was that my own dissatisfaction with my life wasn't anybody's fault but mine. I'd been looking for a man to sweep me off my feet when I should have been looking for one who willing to pick up the pieces. Not some fictional hero, but a real flesh-and-blood man. Someone who would love me for the long haul.
”
”
Beth Pattillo (Jane Austen Ruined My Life)
“
He stops kissing, but his lips stay touching mine, lightly, like a feather would. "I'm bad for you, Sarah. I won't ever be the gentleman you need."
"Maybe I don’t want gentle."
He pulls something from his dress pants and presses it into my hand. "And that is my fault.
”
”
Tara Brown (The Lonely (The Lonely, #1))
“
It’s not really impressive when there isn’t another option. What am I supposed to do, be all ‘woe is me’ for the rest of my life? I still get access to the same sunrises everyone else does, the same 24 hours in a day. And if I don’t take advantage of those things, it’s my own fault.
”
”
Lucy Score (Pretend You're Mine (Benevolence, #1))
“
But I have one want which I have never yet been able to satisfy; and the absence of the object of which I now feel as a most severe evil. I have no friend, Margaret: when I am glowing with the enthusiasm of success, there will be none to participate my joy; if I am assailed by disappointment, no one will endeavour to sustain me in dejection. I shall commit my thoughts to paper, it is true; but that is a poor medium for the communication of feeling. I desire the company of a man who could sympathise with me; whose eyes would reply to mine. You may deem me romantic, my dear sister, but I bitterly feel the want of a friend. I have no one near me, gentle yet courageous, possessed of a cultivated as well as of a capacious mind, whose tastes are like my own, to approve or amend my plans. How would such a friend repair the faults of your poor brother!
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
I keep wondering, if all of it is my fault. Where does it start, Tieren? With Holland’s choice, or with mine?”
The priest looked at him, eyes bright within his tired face, and shook his head. For once, the old man didn’t seem to have the answer.
”
”
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
“
My lord, will you be true?
Who, I? Alas, it is my vice, my fault:
Whiles others fish with craft for great opinion,
I with great truth catch mere simplicity;
Whilst some with cunning gild their copper crowns,
With truth and plainness I do wear mine bare.
Fear not my truth: the moral of my wit
Is "plain and true"; there's all the reach of it.
”
”
William Shakespeare (Troilus and Cressida)
“
Life seems like a cup of glory held to my lips just now. But there must be some bitterness in it - there is in every cup. I shall taste mine some day. Well, I hope I shall be strong and brave to meet it. And I hope it won't be through my own fault that it will come.
”
”
L.M. Montgomery (Anne Of The Island)
“
...DAMNATION!'
No device of the printer's art, not even capital letters, can indicate the intensity of that shriek of rage. Emerson is known to his Egyptian workers by the admiring sobriquet of Father of Curses. The volume as well as the content of his remarks earned him the title; but this shout was extraordinary even by Emerson's standards, so much so that the cat Bastet, who had become more or less accustomed to him, started violently, and fell with a splash into the bathtub.
The scene that followed is best not described in detail. My efforts to rescue the thrashing feline were met with hysterical resistance; water surged over the edge of the tub and onto the floor; Emerson rushed to the rescue; Bastet emerged in one mighty leap, like a whale broaching, and fled -- cursing, spitting, and streaming water. She and Emerson met in the doorway of the bathroom.
The ensuing silence was broken by the quavering voice of the safragi, the servant on duty outside our room, inquiring if we required his assistance. Emerson, seated on the floor in a puddle of soapy water, took a long breath. Two of the buttons popped off his shirt and splashed into the water. In a voice of exquisite calm he reassured the servant, and then transferred his bulging stare to me.
I trust you are not injured, Peabody. Those scratches...'
The bleeding has almost stopped, Emerson. It was not Bastet's fault.'
It was mine, I suppose,' Emerson said mildly.
Now, my dear, I did not say that. Are you going to get up from the floor?'
No,' said Emerson.
He was still holding the newspaper. Slowly and deliberately he separated the soggy pages, searching for the item that had occasioned his outburst. In the silence I heard Bastet, who had retreated under the bed, carrying on a mumbling, profane monologue. (If you ask how I knew it was profane, I presume you have never owned a cat.)
”
”
Elizabeth Peters (The Deeds of the Disturber (Amelia Peabody, #5))
“
It was long before I could believe that human learning had no clear answer to this question. For a long time it seemed to me, as I listened to the gravity and seriousness wherewith Science affirmed its positions on matters unconnected with the problem of life, that I must have misunderstood something. For a long time I was timid in the presence in learning, and I fancied that the insufficiency of the answers which I received was not its fault, but was owing to my own gross ignorance, but this thing was not a joke or a pastime with me, but the business of my life, and I was at last forced, willy-nilly, to the conclusion that these questions of mine were the only legitimate questions underlying all knowledge, and that it was not I that was in fault in putting them, but science in pretending to have an answer for them.
”
”
Leo Tolstoy (A Confession)
“
Before that experience, I had often felt the kind of alone that comes from the suspicion that you are not only genetically different from those around you, but different in your very soul...[then] I was a different kind of alone. I was alone and ashamed of myself...it was no one's fault but mine.
”
”
Jillian Lauren (Some Girls: My Life in a Harem)
“
How strange it is to realize now that although I was frightened of the emptiness between us, that emptiness was not his fault but mine: I was waiting to see what he would give me, how he would entertain me. And yet I was incapable of being profoundly interested in him or, maybe, in anyone. Just the reverse of what I thought at the time, when it seemed so simple: he was too callow, or too cautious, or just too young, not complex enough yet, and so he did not entertain me, and it was his fault.
”
”
Lydia Davis (The End of the Story)
“
Pip, dear old chap, life is made of ever so many partings welded together, as I may say, and one man’s a blacksmith, and one’s a whitesmith, and one’s a goldsmith, and one’s a coppersmith. Diwisions among such must come, and must be met as they come. If there’s been any fault at all to-day, it’s mine. You and me is not two figures to be together in London; nor yet anywheres else but what is private, and beknown, and understood among friends. It ain’t that I am proud, but that I want to be right, as you shall never see me no more in these clothes. I’m wrong in these clothes. I’m wrong out of the forge, the kitchen, or off th’ meshes. You won’t find half so much fault in me if you think me in forge dress, with my hammer in my hand, or even my pipe. You won’t find half so much fault in me if, supposing as you should ever wish to see me, you come and put your head in at the forge window and see Joe the blacksmith, there, at the old anvil, in the old burnt apron, sticking to the old work. I’m awful dull, but I hope I’ve beat out something nigh the rights of this at last. And so God bless you, dear old Pip, old chap, God bless you!
”
”
Charles Dickens (Great Expectations)
“
I ran across an excerpt today (in English translation) of some dialogue/narration from the modern popular writer, Paulo Coelho in his book: Aleph.(Note: bracketed text is mine.)... 'I spoke to three scholars,' [the character says 'at last.'] ...two of them said that, after death, the [sic (misprint, fault of the publisher)] just go to Paradise. The third one, though, told me to consult some verses from the Koran. [end quote]' ...I can see that he's excited. [narrator]' ...Now I have many positive things to say about Coelho: He is respectable, inspiring as a man, a truth-seeker, and an appealing writer; but one should hesitate to call him a 'literary' writer based on this quote. A 'literary' author knows that a character's excitement should be 'shown' in his or her dialogue and not in the narrator's commentary on it. Advice for Coelho: Remove the 'I can see that he's excited' sentence and show his excitement in the phrasing of his quote.(Now, in defense of Coelho, I am firmly of the opinion, having myself written plenty of prose that is flawed, that a novelist should be forgiven for slipping here and there.)Lastly, it appears that a belief in reincarnation is of great interest to Mr. Coelho ... Just think! He is a man who has achieved, (as Leonard Cohen would call it), 'a remote human possibility.' He has won lots of fame and tons of money. And yet, how his preoccupation with reincarnation—none other than an interest in being born again as somebody else—suggests that he is not happy!
”
”
Roman Payne
“
How differently would the world view Christians if we focused on our own failings rather than on society’s? As I read the New Testament I am struck by how little attention it gives to the faults of the surrounding culture. Jesus and Paul say nothing about violent gladiator games or infanticide, both common practices among the Romans. In a telling passage, the apostle Paul responds fiercely to a report of incest in the Corinthian church. He urges strong action against those involved but quickly clarifies, “not at all meaning the people of this world. . . . What business is it of mine to judge those outside the church? Are you not to judge those inside? God will judge those outside.
”
”
Philip Yancey (Vanishing Grace: What Ever Happened to the Good News?)
“
Yet I had not been many days shut up with them before I began to be ashamed of my first judgment, when I had drawn away from them at the Ferry pier, as though they had been unclean beasts. No class of man is altogether bad, but each has its own faults and virtues; and these shipmates of mine were no exception to the rule. Rough they were, sure enough; and bad, I suppose; but they had many virtues. They were kind when it occurred to them, simple even beyond the simplicity of a country lad like me, and had some glimmerings of honesty.
”
”
Robert Louis Stevenson (Kidnapped)
“
Now I happen to possess the bump of locality. It is not a virtue; I make no boast of it. It is merely an animal instinct that I cannot help. That things occasionally get in my way—mountains, precipices, rivers, and such like obstructions—is no fault of mine. My instinct is correct enough; it is the earth that is wrong. I led them by the middle road. That the middle road had not character enough to continue for any quarter of a mile in the same direction; that after three miles up and down hill it ended abruptly in a wasps’ nest, was not a thing that should have been laid to my door. If the middle road had gone in the direction it ought to have done, it would have taken us to where we wanted to go, of that I am convinced.
”
”
Jerome K. Jerome (Three Men on the Bummel)
“
They accuse me--Me--the present writer of
The present poem--of--I know not what,--
A tendency to under-rate and scoff
At human power and virtue, and all that;
And this they say in language rather rough.
Good God! I wonder what they would be at!
I say no more than has been said in Dante's
Verse, and by Solomon and by Cervantes;
By Swift, by Machiavel, by Rochefoucault;
By Fenelon, by Luther and by Plato;
By Tillotson, and Wesley, and Rousseau,
Who knew this life was not worth a potato.
'Tis not their fault, nor mine, if this be so--
For my part, I pretend not to be Cato,
Nor even Diogenes.--We live and die,
But which is best, you know no more than I.
”
”
Lord Byron (Don Juan)
“
There are a lot of things that aren't your fault. Or mine, either. Not the fault of prophecies, or curses, or DNA, or absurdity. Not the fault of Structuralism or the Third Industrial Revolution. We all die and disappear, but that's because the mechanism of the world itself is built on destruction and loss. Our lives are just shadows of that guiding principle. Say the wind blows. It can be a strong, violent wind or a gentle breeze. But eventually every kind of wind dies out and disappears. Wind doesn't have form. It's just a movement of air. You should listen carefully, and then you'll understand the metaphor.
”
”
Haruki Murakami
“
The BiPAP essentially took control of my breathing away from me, which was intensely annoying, but the great thing about it was that it made all this noise, rumbling with each inhalation and whirring as I exhaled. I kept thinking that it sounded like a dragon breathing in time with me, like I had this pet dragon who was cuddled up next to me and cared enough about me to time his breaths to mine. I was thinking about that as I sank into sleep.
”
”
John Green (The Fault in Our Stars)
“
What’s happening here? What’s going on? Then you hear yourself mumbling: “Dogs fucked the Pope, no fault of mine. Watch out! … Why money? My name is Brinks; I was born … born? Get sheep over side … women and children to armored car … orders from Captain Zeep.” Ah, devil ether—a total body drug. The mind recoils in horror, unable to communicate with the spinal column. The hands flap crazily, unable to get money out of the pocket … garbled laughter and hissing from the mouth … always smiling. Ether is the perfect drug for Las Vegas.
”
”
Hunter S. Thompson (Fear and Loathing in Las Vegas)
“
But it is a maxim of mine that men (being superior creatures) are bound to improve women—if they can. When a woman wants me to do anything (my daughter, or not, it doesn't matter), I always insist on knowing why. The oftener you make them rummage their own minds for a reason, the more manageable you will find them in all the relations of life. It isn't their fault (poor wretches!) that they act first and think afterwards; it's the fault of the fools who humour them.
”
”
Wilkie Collins (The Moonstone - Special 'Magic' Edition)
“
Beginning to feel that her brother was being rather too harsh on Lillian Bowman, Livia frowned. “She’s a very pretty girl, Marcus.”
“A pretty facade isn’t enough to make up for the flaws in her character.”
“Which are?”
Marcus made a faint scoffing sound, as if Miss Bowman’s faults were too obvious to require enumeration. “She’s manipulative.”
“So are you, dear,” Livia murmured.
He ignored that. “She’s domineering.”
“As are you.”
“She’s arrogant.”
“Also you,” Livia said brightly.
Marcus glowered at her. “I thought we were discussing Miss Bowman’s faults, not mine.”
“But you seem to have so much in common,” Livia protested, rather too innocently.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
I could just remember how my father used to say that the reason for living was to get ready to stay dead a long time. And when I would have to look at them day after day, each with his and her secret and selfish thought, and blood strange to each other blood and strange to mine, and think that this seemed to be the only way I could get ready to stay dead, I would hate my father for having ever planted me. I would look forward to the times when they faulted, so I could whip them. When the switch fell I could feel it upon my flesh; when it welted and ridged it was my blood that ran, and I would think with each blow of the switch: Now you are aware of me! Now I am something in your secret and selfish life, who have marked your blood with my own for ever and ever.
”
”
William Faulkner (As I Lay Dying)
“
Laughter rose from the clatter of china and silver, and I felt so very close to Zora's circle but not quite in it. It wasn't Zora's fault, because she addressed me often and encouraged her cousins to speak to me - once or twice with kicks beneath the table.
But she couldn't know that the light on her circle paled to the light in mine. Even though I looked at the cousins, admiring their smiles and pretty laughter, I found myself drawn back to Nathaniel Witherspoon. And each time I caught him looking at me. At my mouth.
”
”
Saundra Mitchell (The Vespertine (The Vespertine, #1))
“
To one degree or another we all fight against preconceptions nearly every day. The wisest people I know don't compare their fight to that of others. Everything is relative through the lens of personal struggle.
Heroes come in all shapes and sizes... mine are often those who are fighting their fight in public. Unashamed. Proud. An example.
Heroes aren't perfect. They have faults and flaws. They stumble from time to time. They are heroes, though, because they correct themselves... and set an example, intended or not, for the world observing them... even, and especially, to those who would love nothing more than to see them fail.
Stay Strong!
”
”
Dennis Sharpe
“
You were broken before I ever took you to the Everneath.Remember how you were when you showed up on my doorstep? That had nothing to do with me.You came broken and that was the fault of this world.Not mine."
I nodded again,a little less aggressively. "Why do you care if I get hurt?"
All he said was, "I hate to see it.Whether you go with me or not,I don't like you getting hurt." But his face seemed to say more.As if there were something he wasn't telling me.
Before I could ask him about it,his iPhone vibrated in his pocket. He pulled it out,read the screen, and then walked over to the window. "We'll finish this later."
"Tell me why you care," I said.
He put his hands on the windowsill. "Because it's you. Despite what you think of me,your pain will always be my pain."
"There has to be more to it than that. What aren't you telling me,Cole?"
He grinned. "How are you so good at reading me when you can't read anyone else around you?" He sighed, and as he climbed out the window,he said, "I love it.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
God speed fair Helena! whither away?
HELENA
Call you me fair? that fair again unsay.
Demetrius loves your fair: O happy fair!
Your eyes are lode-stars; and your tongue's sweet air
More tuneable than lark to shepherd's ear,
When wheat is green, when hawthorn buds appear.
Sickness is catching: O, were favour so,
Yours would I catch, fair Hermia, ere I go;
My ear should catch your voice, my eye your eye,
My tongue should catch your tongue's sweet melody.
Were the world mine, Demetrius being bated,
The rest I'd give to be to you translated.
O, teach me how you look, and with what art
You sway the motion of Demetrius' heart.
HERMIA
I frown upon him, yet he loves me still.
HELENA
O that your frowns would teach my smiles such skill!
HERMIA
I give him curses, yet he gives me love.
HELENA
O that my prayers could such affection move!
HERMIA
The more I hate, the more he follows me.
HELENA
The more I love, the more he hateth me.
HERMIA
His folly, Helena, is no fault of mine.
HELENA
None, but your beauty: would that fault were mine!
”
”
William Shakespeare (A Midsummer Night’s Dream)
“
It is the well educated who will improve society—and they will improve it, at first, by criticizing it, and we are giving them the tools to criticize it. Naturally, as students, the brighter of them will begin their improvements upon society by criticizing us.” To Owen, old Archie Thorndike would sing a slightly different song: “It is your responsibility to find fault with me, it is mine to hear you out. But don’t expect me to change. I’m not going to change; I’m going to retire! Get the new headmaster to make the changes; that’s when I made changes—when I was new.” “WHAT CHANGES DID YOU MAKE?” Owen Meany asked. “That’s another reason I’m retiring!” old Thorny told Owen amiably. “My memory’s shot!
”
”
John Irving (A Prayer for Owen Meany)
“
You've always been a know-it-all. Well, you're about to find out how much you don't know."
"Believe me," I muttered, "I'm the first one to admit that I have no clue about any of this stuff. I had nothing to do with it. This isn't my baby."
"Then give it to Social Services." She was getting agitated. "Whatever happens to him will be your fault, not mine. Get rid of him if you can't handle the responsibility."
"I can handle it," I said, my voice quiet. "It's okay, Mom. I'll take care of him. You don't have to worry about anything."
She subsided like a child who had just been mollified by a lollipop. "You'll have to learn the way I did," she said after a moment, reaching down to adjust her toe ring.
A hint of satisfaction edged her tone as she added, "The hard way.
”
”
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
“
She has been unkind to you, no doubt; because you see, she dislikes your cast of character, as Miss Scatcherd does mine; but how minutely you remember all she has done and said to you! What a singularly deep impression her injustice seems to have made on your heart! No ill-usage so brands its record on my feelings. Would you not be happier if you tried to forget her severity, together with the passionate emotions it excited? Life appears to me too short to be spent in nursing animosity or registering wrongs. We are, and must be, one and all, burdened with faults in this world: but the time will soon come when, I trust, we shall put them off in putting off our corruptible bodies; when debasement and sin will fall from us with this cumbrous frame of flesh, and only the spark of the spirit will remain, - the impalpable principle of light and thought, pure as when it left the Creator to inspire the creature: whence it came it will return; perhaps again to be communicated to some being higher than man - perhaps to pass through gradations of glory, from the pale human soul to brighten to the seraph! ...
”
”
Charlotte Brontë (Jane Eyre)
“
Our minds are creative and knowledgeable.
Yet time and time again, our needs and wants fell on deaf ears. We were told we weren’t good enough. We were abused mentally, physically, and emotionally. We were told with nasty sarcastic remarks at times, and here and there maybe a laugh that made the insult worse; “It would be your word against mine, and guess who they are going believe? Not you.”
One by one we took a chance to speak up, but our voices weren’t heard. They tried to make us feel threatened; as if we were going to lay down and be stepped on like shit on the bottom on their shoe. We interrupted their comfort zone and showed them their time was up!
Their time of talking and belittling us this way has expired. They tried, but they failed to realize we are strong and we will never give up.
Their time of thinking they can touch us inappropriately and we will keep quiet has expired. No! We will rise up and bring the world to its feet. Trust me… We will be seen and heard!
Their time of trying to break us down has expired. No! We can move mountains!
Their time of pointing their fingers at us and putting F.E.A.R (False Evidence Appearing Real) into our minds by making us believe it is our fault has expired. No! It is not our fault. It never was!
Their time of nasty insults has expired. They fail to realize we catch every nasty word and throw back the insult to show we can give as good as we get.
Their time of preying off vulnerable women who have to “make a deal” to get a higher position they earned has expired. No! Your “man”ipulation has no effect. We, as women, have full ownership of our minds, bodies, and souls.
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
I had now been a servant for three years, and could act the part well enough by that time. But Nancy was very changeable, two-faced you might call her, and it wasn't easy to tell what she wanted from one hour to the next. One minute she would be up on her high horse and ordering me about and finding fault, and the next minute she would be my best friend, or pretend to be, and would put her arm through mine, and say I looked tired, and should sit down with her, and have a cup of tea. It is much harder to work for such a person, as just when you are curtsying and Ma'am-ing them, they turn around and upbraid you for being so stiff and formal, and want to confide in you, and expect the same in return. You cannot ever do the correct thing with them.
”
”
Margaret Atwood (Alias Grace)
“
I pass off a few more résumés and jet away from her and that cinnamon smell, reserving the last paper in my hand so I can finish reading it. “Whoa—hello. What's this?” I mumble, staring at the paper. “Jess Jordan's How to be Normal Checklist, by Kika Jordan? Who's Kika?” I laugh.
The way her face has turned whiter than the ice at the sports complex, I think this paper is no joke.
“Kika's my little sister. Hand that over!”
Do the right thing. Like she said, this is private information. None of my business.
Only, it could possibly be my business.
Indirectly. Not her fault…not mine…
Jess's eyes have turned wild, exposed. “She made the list for me—as a joke. It's revenge. Last week I made her one on personal hygiene called: How NOT to Repel All Mankind.
”
”
Anne Eliot (Almost)
“
Oh, how awful is truth on earth! That exquisite creature, that gentle spirit, that heaven - she was a tyrant, she was the insufferable tyrant and torture of my soul! I should be unfair to myself if I didn't say so! You imagine I didn't love her? Who can say that I did not love her! Do you see, it was a case of irony, the malignant irony of fate and nature! We were under a curse, the life of men in general is under a curse! (mine in particular). Of course, I understand now that I made some mistake! Something went wrong. Everything was clear, my plan was clear as daylight: "Austere and proud, asking for no moral comfort, but suffering in silence." And that was how it was. I was not lying, I was not lying! "She will see for herself, later on, that it was heroic, only that she had not known how to see it, and when, some day, she divines, it she will prize me ten times more and will abase herself in the dust and fold her hands in homage" - that was my plan. But I forgot something or lost sight of it. There was something I failed to manage. But, enough, enough! And whose forgiveness am I to ask now? What is done is done. By bolder, man, and have some pride! It is not your fault!...
Well, I will tell the truth, I am not afraid to face the truth; it was her fault, her fault!
”
”
Fyodor Dostoevsky (The Gentle Spirit)
“
I feel him beside me, hear the even sound of his breathing, smell the delicious saltiness of his skin.
I have missed him.
I move to face him, and that’s when the pain reminds me that I’ve recently been stabbed. I bury my face in the pillow, but it doesn’t quite muffle my yelp.
“Emma?” Galen says groggily. I feel his hand in my hair, stroking the length of it. “Don’t move, angelfish. Stay on your stomach. I’ll go tell Rachel you’re ready for more pain medicine.”
Immediately I disobey and turn my face up to him. He shakes his head. “I’ve recently learned where your stubbornness comes from.”
I grimace/smile. “My mom?”
“Worse. King Antonis. The resemblance is uncanny.” He leans down and presses his lips to mine and all too quickly springs back up. “Now, be a good little deviant and stay put while I go get more pain meds.”
“Galen,” I say.
“Hmmm?”
“How bad am I hurt?”
He caresses the outline of my cheek. His touch could disintegrate me. “Hurt at all is bad enough for me.”
“Yeah, but you’ve always been a baby about this stuff.” I grin at his faux offense.
“Your mother says it’s only a flesh wound. She’s been treating it.”
“Mom is here?”
“She’s downstairs. Uh…You should know that Grom is here, too.”
Grom left the tribunal and headed for land? Did that mean it all ended badly? Well, even worse than my getting impaled? An urgent need to know everything about everything shimmies through me. “Whoa. Sit. Talk. Now.”
He laughs. “I will, I promise. But I want to make you comfortable first.”
“Well, then, you need to come over here and switch places with the bed.” A blush fills my cheeks, but I don’t care. I need him. All of him. It feels like forever since we’ve talked like this, just me and him. But talking usually doesn’t last long. Lips were made for other things, too. And Galen is especially good at the other things.
He walks back and squats by the bed. “You have no idea how tempting that is.” It seems like the violet of his eyes gets darker. It’s the color they get when he has to pull away from me, when we’re about to violate a bunch of Syrena laws if we don’t stop. “But you’re not well enough to…” He runs a hand through his hair. “I’ll go get Rachel. Then we can talk.”
I’m a little surprised that his argument didn’t begin with “But the law…” That is what has stopped us in the past. Now the only thing that appears to be stopping us is my stabby condition.
What’s changed?
And why am I not excited about it? I used to get so frustrated when he would pull away. But a small part of me loved that about him, his respect for the law and for the tradition of his people. His respect for me. Respect is a hard thing to come by when picking from among human boys. Is that respect gone?
And is it my fault?
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Dear friends, he began, there is no timetable for happiness; it moves, I think, according to rules of its own. When I was a boy I thought I'd be happy tomorrow, as a young man I thought it would be next week; last month I thought it would be never. Today, I know it is now. Each of us, I suppose has at least one person who thinks that our manifest faults are worth ignoring; I have found mine, and am content. When we are far from home we think of home; I, who am happy today, think of those in Scotland for whom such happiness might seem elusive; may such powers as listen to what is said by people like me, in olive groves like this, grant to those who want a friendship a friend, attend to the needs of those who have little, hold the hand of those who are lonely, allow Scotland, our place, our country, to sing in the language of her choosing that song she has always wanted to sing, which is of brotherhood, which is of love.
”
”
Alexander McCall Smith (The Importance of Being Seven (44 Scotland Street, #6))
“
The devil delights in reminding us daily of all our mistakes from the past. On Monday he reminds us of Saturday and Sunday’s failures; on Tuesday he reminds us of sins committed on Monday, and so on. One morning I was spending my time with the Lord, thinking about my problems and all the areas in which I had failed, when suddenly the Lord spoke to my heart: “Joyce, are you going to fellowship with Me or with your problems?” It is our fellowship with God that helps and strengthens us to overcome our problems. We are strengthened through our union with Him. If we spend our time with God fellowshipping with our mistakes from yesterday, we never receive strength to overcome them today. Meditating on all of our faults and failures weakens us, but meditating on God’s grace and willingness to forgive strengthens us: For by the death He died, He died to sin [ending His relation to it] once for all; and the life that He lives, He is living to God [in unbroken fellowship with Him]. Even so consider yourselves also dead to sin and your relation to it broken, but alive to God [living in unbroken fellowship with Him] in Christ Jesus. (Romans 6:10-11, emphasis mine) Our
”
”
Joyce Meyer (Approval Addiction: Overcoming Your Need to Please Everyone)
“
In a section of The Vaccine Book titled “Is it your social responsibility to vaccinate your kids?” Dr. Bob asks, “Can we fault parents for putting their own child’s health ahead of that of the kids around him?” This is meant to be a rhetorical question, but Dr. Bob’s implied answer is not mine. In another section of the book, Dr. Bob writes of his advice to parents who fear the MMR vaccine, “I also warn them not to share their fears with their neighbors, because if too many people avoid the MMR, we’ll likely see the disease increase significantly.” I do not need to consult an ethicist to determine that there is something wrong there, but my sister clarifies my discomfort. “The problem is in making a special exemption just for yourself,” she says. This reminds her of a way of thinking proposed by the philosopher John Rawls: Imagine that you do not know what position you are going to hold in society—rich, poor, educated, insured, no access to health care, infant, adult, HIV positive, healthy immune system, etc.—but that you are aware of the full range of possibilities. What you would want in that situation is a policy that is going to be equally just no matter what position you end up in. “Consider relationships of dependence,” my sister suggests. “You don’t own your body—that’s not what we are, our bodies aren’t independent. The health of our bodies always depends on choices other people are making.” She falters for a moment here, and is at a loss for words, which is rare for her. “I don’t even know how to talk about this,” she says. “The point is there’s an illusion of independence.
”
”
Eula Biss (On Immunity: An Inoculation)
“
To those who may have wisely kept their fancies within the boundary of the fields we know it is difficult for me to tell of the land to which Alveric had come, so that in their minds they can see that plain with its scattered trees and far off the dark wood out of which the palace of Elfland lifted those glittering spires, and above them and beyond them that serene range of mountains whose pinnacles took no colour from any light we see. Yet it is for this very purpose that our fancies travel far, and if my reader through fault of mine fail to picture the peaks of Elfland my fancy had better have stayed in the fields we know. Know then that in Elfland are colours more deep than are in our fields, and the very air there glows with so deep a lucency that all things seen there have something of the look of our trees and flowers in June reflected in water. And the colour of Elfland, of which I despaired to tell, may yet be told, for we have hints of it here; the deep blue of the night in Summer just as the gloaming has gone, the pale blue of Venus flooding the evening with light, the deeps of lakes in the twilight, all these are hints of that colour. And while our sunflowers carefully turned to the sun, some forefather of the rhododendrons must have turned a little towards Elfland, so that some of that glory dwells with them to this day.
”
”
Lord Dunsany (The King of Elfland's Daughter)
“
I opened myself up to the kiss and kissed him back with enthusiasm. Putting all my secret emotions and tender feelings into the embrace, I wound my arms around his neck and slid my hands into his hair. Pulling his body that much closer to mine, I embraced him with all the warmth and affection that I wouldn’t allow myself to express verbally.
He paused, shocked for a brief instant, and then quickly adjusted his approach, escalating into a passionate frenzy. I shocked myself by matching his energy. I ran my hands up his powerful arms and shoulders and then down his chest. My senses were in turmoil. I felt wild. Eager. I clutched at his shirt. I couldn’t get close enough to him. He even smelled delicious.
You’d think that several days of being chased by strange creatures and hiking through a mysterious kingdom would make him smell bad. In fact, I wanted him to smell bad. I’m sure I did. I mean, how can you expect a girl to be fresh as a daisy while traipsing through the jungle and getting chased by monkeys. It’s just not possible.
I desperately wanted him to have some fault. Some weakness. Some…imperfection. But Ren smelled amazing-like waterfalls, a warm summer day, and sandalwood trees all wrapped up in a sizzling, hot guy.
How could a girl defend herself from a perfect onslaught delivered by a pefect person? I gave up and let Mr. Wonderful take control of my senses. My blood burned, my heart thundered, my need for him quickened, and I lost all track of time in his arms. All I was aware of was Ren. His lips. His body. His soul. I wanted all of him.
Eventually, he put his hands on my shoulders and gently separated us. I was surprised that he had the strength of will to stop because I was nowhere near being able to. I blinked my eyes open in a daze. We were both breathing hard.
“That was…enlightening,” he breathed. “Thank you, Kelsey.”
I blinked. The passion that had dulled my mind dissipated in an instant, and my mind sharply focused on a new feeling. Irritation.
“Thank you? Thank you! Of all the-“ I slammed up the steps angrily and then spun around to look down at him. “No! Thank you, Ren!” My hands slashed at the air. “Now you got what you wanted, so leave me alone!” I ran up the stairs quickly to put some distance between us.
Enlightening? What was that about? Was he testing me? Giving me a one-to-ten score on my kissing ability? Of all the nerve?
I was glad that I was mad. I could shove all the other emotions into the back of my mind and just focus on the anger, the indignation.
He leapt up the stairs two at a time. “That’s not all I want, Kelsey. That’s for sure.”
“Well, I no longer care about what you want!”
He shot me a knowing look and raised an eyebrow. Then, he lifted his foot out of the opening, placed it on the dirt, and instantly changed back into a tiger.
I laughed mockingly. “Ha!” I tripped over a stone but quickly found my footing. “Serves you right!” I shouted angrily and stumbled blindly along the dim path.
After figuring out where to go, I marched off in a huff. “Come on, Fanindra. Let’s go find Mr. Kadam.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Why then I do but dream on sovereignty,
Like one that stands upon a promontory
And spies a far-off shore where he would tread,
Wishing his foot were equal with his eye,
And chides the sea that sunders him from thence,
Saying, he'll lade it dry to have his way:
So do I wish the crown, being so far off,
And so I chide the means that keeps me from it,
And so, I say, I'll cut the causes off,
Flattering me with impossibilities,
My eye's too quick, my hear o'erweens too much,
Unless my hand and strength could equal them.
Well, say there is no kingdom then for Richard;
What other pleasure can the world afford?
I'll make my heaven in a lady's lap,
And deck my body in gay ornaments,
And witch sweet ladies with my words and looks.
O miserable thought! and more unlikely
Than to accomplish twenty golden crowns!
Why, love forswore me in my mother's womb;
And for I should not deal in her soft laws,
She did corrupt frail nature with some bribe,
To shrink mine arm up like a wither'd shrub,
To make an envious mountain on my back,
Where sits deformity to mock my body;
To shape my legs of an unequal size,
To disproportion me in every part,
Like to a chaos, or an unlick'd bear-whelp
That carries no impression like the dam.
And am I then a man to be belov'd?
O monstrous fault, to harbor such a thought!
Then since this earth affords no joy to me
But to command, to check, to o'erbear such
As are of better person than myself,
I'll make my heaven to dream upon the crown,
And whiles I live, t' account this world but hell,
Until my misshap'd trunk that bears this head
Be round impaled with a glorious crown.
And yet I know not how to get the crown,
For many lives stand between me and home;
And I - like one lost in a thorny wood,
That rents the thorns, and is rent with the thorns,
Seeking a way, and straying from the way,
Not knowing how to find the open air,
But toiling desperately to find it out -
Torment myself to catch the English crown;
And from that torment I will free myself,
Or hew my way out with a bloody axe.
Why, I can smile, and murther whiles I smile,
And cry "Content" to that which grieves my heart,
And wet my cheeks with artificial tears,
And frame my face to all occasions.
I'll drown more sailors than the mermaid shall,
I'll slay more gazers than the basilisk,
I'll play the orator as well as Nestor,
Deceive more slily than Ulysses could,
And like a Simon, take another Troy.
I can add colors to the chameleon,
Change shapes with Proteus for advantages,
And set the murtherous Machevil to school.
Can I do this, and cannot get a crown?
Tut, were it farther off, I'll pluck it down.
”
”
William Shakespeare (King Henry VI, Part 3)
“
It’s no one’s fault really,” he continued. “A big city cannot afford to have its attention distracted from the important job of being a big city by such a tiny, unimportant item as your happiness or mine.”
This came out of him easily, assuredly, and I was suddenly interested. On closer inspection there was something aesthetic and scholarly about him, something faintly professorial. He knew I was with him, listening, and his grey eyes were kind with offered friendliness. He continued:
“Those tall buildings there are more than monuments to the industry, thought and effort which have made this a great city; they also occasionally serve as springboards to eternity for misfits who cannot cope with the city and their own loneliness in it.” He paused and said something about one of the ducks which was quite unintelligible to me.
“A great city is a battlefield,” he continued. “You need to be a fighter to live in it, not exist, mark you, live. Anybody can exist, dragging his soul around behind him like a worn-out coat; but living is different. It can be hard, but it can also be fun; there’s so much going on all the time that’s new and exciting.”
I could not, nor wished to, ignore his pleasant voice, but I was in no mood for his philosophising.
“If you were a negro you’d find that even existing would provide more excitement than you’d care for.”
He looked at me and suddenly laughed; a laugh abandoned and gay, a laugh rich and young and indescribably infectious. I laughed with him, although I failed to see anything funny in my remark.
“I wondered how long it would be before you broke down and talked to me,” he said, when his amusement had quietened down. “Talking helps, you know; if you can talk with someone you’re not lonely any more, don’t you think?”
As simple as that. Soon we were chatting away unreservedly, like old friends, and I had told him everything.
“Teaching,” he said presently. “That’s the thing. Why not get a job as a teacher?”
“That’s rather unlikely,” I replied. “I have had no training as a teacher.”
“Oh, that’s not absolutely necessary. Your degrees would be considered in lieu of training, and I feel sure that with your experience and obvious ability you could do well.”
“Look here, Sir, if these people would not let me near ordinary inanimate equipment about which I understand quite a bit, is it reasonable to expect them to entrust the education of their children to me?”
“Why not? They need teachers desperately.”
“It is said that they also need technicians desperately.”
“Ah, but that’s different. I don’t suppose educational authorities can be bothered about the colour of people’s skins, and I do believe that in that respect the London County Council is rather outstanding. Anyway, there would be no need to mention it; let it wait until they see you at the interview.”
“I’ve tried that method before. It didn’t work.”
“Try it again, you’ve nothing to lose. I know for a fact that there are many vacancies for teachers in the East End of London.”
“Why especially the East End of London?”
“From all accounts it is rather a tough area, and most teachers prefer to seek jobs elsewhere.”
“And you think it would be just right for a negro, I suppose.” The vicious bitterness was creeping back; the suspicion was not so easily forgotten.
“Now, just a moment, young man.” He was wonderfully patient with me, much more so than I deserved. “Don’t ever underrate the people of the East End; from those very slums and alleyways are emerging many of the new breed of professional and scientific men and quite a few of our politicians. Be careful lest you be a worse snob than the rest of us. Was this the kind of spirit in which you sought the other jobs?
”
”
E.R. Braithwaite (To Sir, With Love)
“
Do you get it now,Becks?" Jack wrapped a finger around a long strand of my hair, and we were quiet as it slipped through his grip.
"You haven't moved on?"
He chuckled. "I have a lifetime of memories made up of chestnut wars and poker games and midnight excursions and Christmas Dances...It's all you. It's only ever been you.I love you." The last part seemed to escape his lips unintentionally, and afterward he closed his eyes and put his head in his hands,as if he had a sudden headache. "I've gotta not say that out loud."
The sight of how messed up he was made me want to wrap my arms around him and fold him into me and cushion him from everything that lay ahead.
Instead,I reached for his hand. Brought it to my lips. Kissed it.
He raised his head and winced. "You shouldn't do that," he said, even though he didn't pull his hand away.
"Why?"
"Because...it'll make everything worse...If you don't feel-"
His voice cut off as I kissed his hand again, pausing with his fingers at my lips. He let out a shaky sigh and his hair flopped forward. Then he looked at my lips for a long moment. "What if...?"
I bit my lower lip. "What?"
"What if we could be like this again?" He leaned in closer with a smile, and as he did,he said, "Are you going to steal my soul?"
"Um...it's not technically your soul that..."
I couldn't finish my sentence. His lips brushed mine, and I felt the whoosh of transferring emotions,but it wasn't as strong as the last time. The space inside me was practically full again. The Shades were right. Six months was just long enough to recover.
He kept his lips touching mine when he asked, "Is it okay?"
Okay in that I wasn't going to suck him dry anymore. Not okay in that my own emotions were in hyperdrive. Only our lips touched.Thankfully there was space between us everywhere else.
He took my silence to mean it was safe. We held our lips together, tentative and still.
But he didn't let it stay that casual for long.He pressed his lips closer, parting his mouth against mine. I shivered,and he put his arms around me and pulled me closer so that our bodies were touching in so many places.
He pulled back a little.His breath was on my lips.
"What is it?" I asked.
"I dreamed of you every night." He briefly touched his lips to mine again. "It felt so real.And when I'd wake up the next morning,it was like your disappearance was fresh. Like you'd left me all over again."
I lowered my chin and tucked my head into his chest. "I'm sorry."
He sighed and tightened his grip around me. "It never got easier.But the dreams themselves." I felt him shake his head. "It's like I had a physical connection to you. They were so real. Every night,you were in my room with me. It was so real."
I tilted my head back so I could face him again, realizing for the first time how difficult it must've been for Jack. I kissed his chin, his cheek, and then his lips. "I'm sorry," I said again.
He shook his head. "It's not your fault I dreamed of you, Becks.I just want to know if it was as real as it felt."
"I don't know," I said. But I told him about the book I'd read on Orpheus and Eurydice, and my theory that it was her connection to Orpheus that saved her.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
She narrowed her eyes at him. She wanted to tell him that it was his fault, that she would never have tripped if he’d just stayed the same old Jay he’d always been, gangly and childlike. But she knew that she was being irrational. He was bound to grow up eventually; she’d just never imagined that he’d grow up so well. Instead she accused him: “Well, maybe if you hadn’t pushed me I wouldn’t have fallen.” She made the outlandish accusation with a completely straight face.
He shook his head. “You’ll never be able to prove it. There were no witnesses—it’s just your word against mine.”
She giggled and hopped down. “Yeah, well, who’s gonna believe you over me? Weren’t you the one who shoplifted a candy bar from the Safeway?” She limped over to the sink while she taunted him with her words, and she washed the dirt from the minor scrapes on her palms.
“Whatever! I was seven. And I believe you were the one who handed it to me and told me to hide it in my sleeve. Technically that makes you the mastermind of that little operation, doesn’t it?” He came up behind her, and reaching around her, he poured some of the antibacterial wash onto her hands.
She was taken completely off guard by the intimate gesture. She froze as she felt his chest pressing against her back until that was all she could think about for the moment and the temporarily forgot how to speak. She watched as the red scrapes fizzed with white bubbles from the disinfectant. He leaned over her shoulder, setting the bottle down and pulling her hands up toward him. He blew on them too. Violet didn’t even notice the sting this time.
And then it was over. He released her hands, and as she stood there, dazed, he handed her a clean towel to dry them on.
When she turned around to face him, she realized that she had been the only one affected by the moment, that his touch had been completely innocent.
He was looking at her like he was waiting for her to say something, and she was suddenly aware that her mouth was still open. She finally gathered her wits enough to speak again. “Yeah, well, maybe if you hadn’t done it right in front of the cashier, we might have gotten away with it. Instead, you got both of us grounded for stealing.”
He didn’t miss a beat, and he seemed unaware of her temporary lapse. “And some might say that our grounding saved us from a life of crime.”
She hung the towel over the oven’s door handle. “Maybe it saved me, but the jury’s still out on you. I always thought you were kind of a bad seed.”
He gave her a questioning look. “Seriously, a ‘bad seed’, Vi? When did you turn ninety and start saying things like ‘bad seed’?”
She pushed him as she walked by, even though he really wasn’t in her way. He gave her a playful shove from behind and teased her, “Don’t make me trip you again.”
Now more than ever, Violet hoped that this crush of hers passed soon, so she could get back to the business of being just friends. Otherwise, this was going to be a long—and painful—year.
”
”
Kimberly Derting (The Body Finder (The Body Finder, #1))
“
The first symptom of true love in a young man
is timidity; in a young girl, boldness. This is surprising, yet nothing is more simple. It is the two sexes tending
to approach each other and assuming, each the other’s
qualities.
That day, Cosette’s glance drove Marius beside himself,
and Marius’ glance set Cosette to trembling. Marius went
away confident, and Cosette uneasy. From that day forth,
they adored each other.
The first thing that Cosette felt was a confused and profound
melancholy. It seemed to her that her soul had become
black since the day before. She no longer recognized it. The
whiteness of soul in young girls, which is composed of coldness
and gayety, resembles snow. It melts in love, which is
its sun.
Cosette did not know what love was. She had never heard
the word uttered in its terrestrial sense. She did not know
what name to give to what she now felt. Is any one the less ill
because one does not know the name of one’s malady?
She loved with all the more passion because she loved ignorantly.
She did not know whether it was a good thing or a
bad thing, useful or dangerous, eternal or temporary, allowable
or prohibited; she loved. She would have been greatly
astonished, had any one said to her: ‘You do not sleep? But
that is forbidden! You do not eat? Why, that is very bad! You
have oppressions and palpitations of the heart? That must
not be! You blush and turn pale, when a certain being clad
in black appears at the end of a certain green walk? But that
is abominable!’ She would not have understood, and she
would have replied: ‘What fault is there of mine in a matter
in which I have no power and of which I know nothing?’
It turned out that the love which presented itself was
exactly suited to the state of her soul. It was admiration
at a distance, the deification
of a stranger. It was the apparition of youth to youth, the
dream of nights become a reality yet remaining a dream,
the longed-for phantom realized and made flesh at last, but
having as yet, neither name, nor fault, nor spot, nor exigence,
nor defect; in a word, the distant lover who lingered
in the ideal, a chimaera with a form. Any nearer and more
palpable meeting would have alarmed Cosette at this first
stage, when she was still half immersed in the exaggerated
mists of the cloister. She had all the fears of children and
all the fears of nuns combined. The spirit of the convent,
with which she had been permeated for the space of five
years, was still in the process of slow evaporation from her
person, and made everything tremble around her. In this
situation he was not a lover, he was not even an admirer, he
was a vision. She set herself to adoring Marius as something
charming, luminous, and impossible.
As extreme innocence borders on extreme coquetry, she
smiled at him with all frankness.
Every day, she looked forward to the hour for their walk
with impatience, she found Marius there, she felt herself
unspeakably happy, and thought in all sincerity that she
was expressing her whole thought when she said to Jean
Valjean:—
‘What a delicious garden that Luxembourg is!’
Marius and Cosette were in the dark as to one another.
They did not address each other, they did not salute each
other, they did not know each other; they saw each other;
and like stars of heaven which are separated by millions of
leagues, they lived by gazing at each other.
It was thus that Cosette gradually became a woman and
developed, beautiful and loving, with a consciousness of
beauty and in ignorance of love.
”
”
Victor Hugo