Father Death Anniversary Quotes

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My parents died years ago. I was very close to them. I still miss them terribly. I know I always will. I long to believe that their essence, their personalities, what I loved so much about them, are - really and truly - still in existence somewhere. I wouldn't ask very much, just five or ten minutes a year, say, to tell them about their grandchildren, to catch them up on the latest news, to remind them that I love them. There's a part of me - no matter how childish it sounds - that wonders how they are. "Is everything all right?" I want to ask. The last words I found myself saying to my father, at the moment of his death, were "Take care." Sometimes I dream that I'm talking to my parents, and suddenly - still immersed in the dreamwork - I'm seized by the overpowering realization that they didn't really die, that it's all been some kind of horrible mistake. Why, here they are, alive and well, my father making wry jokes, my mother earnestly advising me to wear a muffler because the weather is chilly. When I wake up I go through an abbreviated process of mourning all over again. Plainly, there's something within me that's ready to believe in life after death. And it's not the least bit interested in whether there's any sober evidence for it. So I don't guffaw at the woman who visits her husband's grave and chats him up every now and then, maybe on the anniversary of his death. It's not hard to understand. And if I have difficulties with the ontological status of who she's talking to, that's all right. That's not what this is about. This is about humans being human.
Carl Sagan
This was a Wednesday. Woody’s dad died on a Wednesday. Exactly 164 weeks had passed since his dad died. Woody began working on “The Son’s Revenge: Faithfully Compiled Evidence of Monstrous Evil” on the second anniversary of his father’s death, sixty weeks earlier, when his hacking skills were refined to the point at which no security system, no digital defense, could stand against him.
Dean Koontz (Devoted)
Fellow-citizens, pardon me, allow me to ask, why am I called upon to speak here to-day? What have I, or those I represent, to do with your national independence? Are the great principles of political freedom and of natural justice, embodied in that Declaration of Independence, extended to us? And am I, therefore, called upon to bring our humble offering to the national altar, and to confess the benefits and express devout gratitude for the blessings resulting from your independence to us? I am not included within the pale of this glorious anniversary! Your high independence only reveals the immeasurable distance between us. The blessings in which you this day rejoice are not enjoyed in common. The rich inheritance of justice, liberty, prosperity, and independence bequeathed by your fathers is shared by you, not by me. The sunlight that brought life and healing to you has brought stripes and death to me. This Fourth of July is yours, not mine. You may rejoice, I must mourn. To drag a man in fetters into the grand illuminated temple of liberty, and call upon him to join you in joyous anthems, were inhuman mockery and sacrilegious irony. Do you mean, citizens, to mock me, by asking me to speak today? What, to the American slave, is your Fourth of July? I answer: a day that reveals to him, more than all other days of the year, the gross injustice and cruelty to which he is a constant victim. To him, your celebration is a sham; your boasted liberty, an unholy license; your national greatness, swelling vanity; your sounds of rejoicing are empty and heartless; your denunciation of tyrants, brass fronted impudence; your shouts of liberty and equality, hollow mockery; your prayers and hymns, your sermons and thanksgivings, with all your religious parade and solemnity, are, to Him, mere bombast, fraud, deception, impiety, and hypocrisy—a thin veil to cover up crimes that would disgrace a nation of savages. There is not a nation of the earth guilty of practices more shocking and bloody than are the people of these United States at this very hour. At a time like this, scorching irony, not convincing argument, is needed. O! had I the ability, and could reach the nation’s ear, I would, to-day, pour forth a stream, a fiery stream of biting ridicule, blasting reproach, withering sarcasm, and stern rebuke. For it is not light that is needed, but fire; it is not the gentle shower, but thunder. We need the storm, the whirlwind, the earthquake. The feeling of the nation must be quickened; the conscience of the nation must be roused; the propriety of the nation must be startled; the hypocrisy of the nation must be exposed; and the crimes against God and man must be proclaimed and denounced.
Frederick Douglass (Frederick Douglass: Selected Speeches and Writings)
Today is the thirty-seventh anniversary of my mother's death. I have thought of her, longed for her, every day of those thirty-seven years, and my father has, I think, thought of her almost without stopping. If fervent memory could raise the dead, she would be our Eurydice, she would rise like Lady Lazarus from her stubborn death to solace us. But all of our laments could not add a single second to her life, not one additional beat of the heart, nor a breath. The only thing my need could do was bring me to her. What will Clare have when I am gone? How can I leave her?
Audrey Niffenegger (The Time Traveler’s Wife)
Of course, the cadavers, in life, donated themselves freely to this fate, and the language surrounding the bodies in front of us soon changed to reflect that fact. We were instructed to no longer call them “cadavers”; “donors” was the preferred term. And yes, the transgressive element of dissection had certainly decreased from the bad old days. (Students no longer had to bring their own bodies, for starters, as they did in the nineteenth century. And medical schools had discontinued their support of the practice of robbing graves to procure cadavers—that looting itself a vast improvement over murder, a means once common enough to warrant its own verb: burke, which the OED defines as “to kill secretly by suffocation or strangulation, or for the purpose of selling the victim’s body for dissection.”) Yet the best-informed people—doctors—almost never donated their bodies. How informed were the donors, then? As one anatomy professor put it to me, “You wouldn’t tell a patient the gory details of a surgery if that would make them not consent.” Even if donors were informed enough—and they might well have been, notwithstanding one anatomy professor’s hedging—it wasn’t so much the thought of being dissected that galled. It was the thought of your mother, your father, your grandparents being hacked to pieces by wisecracking twenty-two-year-old medical students. Every time I read the pre-lab and saw a term like “bone saw,” I wondered if this would be the session in which I finally vomited. Yet I was rarely troubled in lab, even when I found that the “bone saw” in question was nothing more than a common, rusty wood saw. The closest I ever came to vomiting was nowhere near the lab but on a visit to my grandmother’s grave in New York, on the twentieth anniversary of her death. I found myself doubled over, almost crying, and apologizing—not to my cadaver but to my cadaver’s grandchildren. In the midst of our lab, in fact, a son requested his mother’s half-dissected body back. Yes, she had consented, but he couldn’t live with that. I knew I’d do the same. (The remains were returned.) In
Paul Kalanithi (When Breath Becomes Air)
On January 25, 1920, Sophie Halberstadt, mother of Ernst and Heinerle and pregnant with her third child, died just one day before her seventh wedding anniversary. The cause of death was fulminant influenza pneumonia (E. Freud et al., 1976, p. 26; Gay, 1988, p. 391; Schur, 1972, p. 318). Max took Ernst into the living room, sat him on his knee, and told him the one thing that no father wants to tell his child—that his mother was dead. Ernst shut down. Freud later wrote, “When this child was five and three-quarters, his mother died. Now that she was really ‘gone’ (‘o-o-o’), the little boy showed no signs of grief” (S. Freud, 1920/1955, SE 18, p. 16). Max set up, on the crossbeam of the door frame, a small swing on which Ernst anxiously swung for hours on end in a desperate attempt to soothe himself.
Daniel Benveniste (The Interwoven Lives of Sigmund, Anna and W. Ernest Freud: Three Generations of Psychoanalysis)
The Los Angeles Times printed a lie that had been leaked by the FBI, namely that the father of Seberg’s unborn child was a prominent Black Panther. Shocked by the story, Seberg immediately collapsed and went into labour. Her daughter died three days later. Seberg then attempted to commit suicide on the anniversary of the child’s death every year until 1979, when eventually she succeeded. Just over a year later, her husband, Gary, also killed himself.[cxxiv] Hoover had been directly involved in the operation to ruin Seberg’s life.
Matthew Alford (National Security Cinema: The Shocking New Evidence of Government Control in Hollywood)
Ba, my father, stopped singing karaoke on Sunday mornings. My aunts and grandparents on my mom’s side moved out, so we had all these rice bowls we never used anymore. And nobody ever talked about it. Every year, on her death anniversary, we would light incense for her. Then we ate in silence
Susan Lieu (The Manicurist's Daughter)