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Since I was a child, I've made images of women who were trees. I'm not sure where it came from, certainly I had not heard of the Tree of Life, or Goddesses associated with trees. I had never heard of Goddesses. But women with roots and leaves became a personal iconography for me. In early drawings friends somehow grew leaves. In later lithographs there She was. A 9-foot-long painting I called "Gaia" (1986) for my MFA program showed the Goddess as a Trinity before the Barron Tree: I wanted them to confront the viewer with the loss, destruction and disrespect our civilization has wrought on the Tree of Life that sustains us. And there are many other works that show female figures rooted and, importantly for me, intertwined within the Earth.
I realize now it was Asherah, the Great Mother, I was seeking. Asherah who was banished from the Judeo-Christian Bible. Banished from what became the religious underpinning of Western civilization as the Patriarchs of Jerusalem created the first monotheistic religion – which uniquely featured a solitary male deity with no female counterpart.
Yet it is not easy to eliminate half the human race from sanctity, although the his-story of Western religion demonstrates a long and continuing effort to do just that, sometimes by erasure or demonization, sometimes by mythic co-option. It is interesting, for example, to note that the ubiquitous ancient “trinity” of a 3-part Goddess, such as the Greek Persephone/Demeter/Hecate, is a Trinity that represented the cycles of nature as personified within the ancient Great Mother. This Trinity re-occurs, probably as a result of Patriarchal re-assignment, as the masculine Hindu Brahma/Vishnu/Shiva Trinity (Creator/Sustainer/Destroyer) in Hinduism. Certainly, the European Pagan Trinity was absorbed into Christianity, masculinized as the Father, Son, and Holy Ghost.
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