β
And I think about all the things we could be
if we were never told our bodies were not built for them.
β
β
Elizabeth Acevedo (The Poet X)
β
The world is almost peaceful when you stop trying to understand it.
β
β
Elizabeth Acevedo (The Poet X)
β
I only know that learning to believe in the power of my own words has been the most freeing experience of my life. It has brought me the most light. And isn't that what a poem is? A lantern glowing in the dark.
β
β
Elizabeth Acevedo (The Poet X)
β
Burn it! Burn it. This is where the poems are,β I say, thumping a fist against my chest. βWill you burn me? Will you burn me, too?
β
β
Elizabeth Acevedo (The Poet X)
β
A queen
offers her hand to be kissed,
& can form it into a fist
while smiling the whole damn time.
β
β
Elizabeth Acevedo (Clap When You Land)
β
Maybe, the only thing that has to make sense
about being somebody's friend
is that you help them be their best self
on any given day. That you give them a home
when they don't want to be in their own.
β
β
Elizabeth Acevedo (The Poet X)
β
Just because your father's present, doesn't mean he isn't absent.
β
β
Elizabeth Acevedo (The Poet X)
β
Fight until you canβt breathe, & if you have to forfeit, you forfeit smiling, make them think you let them win.
β
β
Elizabeth Acevedo (Clap When You Land)
β
And sometimes focusing on what you can control is the only way to lessen the pang in your chest when you think about the things you can't.
β
β
Elizabeth Acevedo (With the Fire on High)
β
Late into the night I write and the pages of my notebook swell from all the words Iβve pressed onto them.
It almost feels like the more I bruise the page the quicker something inside me heals.
β
β
Elizabeth Acevedo (The Poet X)
β
I will never let anyone see my full heart and destroy it.
β
β
Elizabeth Acevedo (The Poet X)
β
The world is a turntable that never stops spinning; as humans we merely choose the tracks we want to sit out and the ones that inspire us to dance.
β
β
Elizabeth Acevedo (With the Fire on High)
β
I've had a lot of things to feel ashamed about and I've learned most of them are other people's problems, not mine.
β
β
Elizabeth Acevedo (With the Fire on High)
β
Their gazes and words
are heavy with all the things
they want you to be.
β
β
Elizabeth Acevedo (The Poet X)
β
My parents probably wanted a girl who would sit in the pews wearing pretty florals and a soft smile. They got combat boots and a mouth silent until itβs sharp as an island machete.
β
β
Elizabeth Acevedo (The Poet X)
β
My brother was born a soft whistle:
quiet, barely stirring the air, a gentle sound.
But I was born all the hurricane he needed
to lift - and drop- those that hurt him to the ground.
β
β
Elizabeth Acevedo (The Poet X)
β
...you can't control how people look at you, but you can control how far back you pull your shoulders and how high you lift your chin
β
β
Elizabeth Acevedo (With the Fire on High)
β
Pero, tΓΊ no eres fΓ‘cil.β
You sure ainβt an easy one.
β
β
Elizabeth Acevedo (The Poet X)
β
Can you be from a place
you have never been?
You can find the island stamped all over me,
but what would the island find if I was there?
Can you claim a home that does not know you,
much less claim you as its own?
β
β
Elizabeth Acevedo (Clap When You Land)
β
Maybe anger is like a river. Maybe it crumbles everything around it. Maybe it hides so many skeletons beneath the rolling surface.
β
β
Elizabeth Acevedo (Clap When You Land)
β
And isn't that what a poem is? A lantern glowing in the dark.
β
β
Elizabeth Acevedo (The Poet X)
β
When has anyone ever told me
I had the right to stop it all
without my knuckles, or my anger,
with just some simple words.
β
β
Elizabeth Acevedo (The Poet X)
β
We're different, this poet and I. In looks, in body,
in background. But I don't feel so different
when I listen to her. I feel heard.
β
β
Elizabeth Acevedo (The Poet X)
β
She tells me words give people permission to be their fullest self and aren't these the poems I most needed to hear?
β
β
Elizabeth Acevedo (The Poet X)
β
It's wild to miss someone so much, and yet in order to care for them you have to constantly say goodbye.
β
β
Elizabeth Acevedo (With the Fire on High)
β
But one thing I learned from the Saints,
when the crossroads are open to you, you must decide a path.
I will not stand still while the world makes my choices.
β
β
Elizabeth Acevedo (Clap When You Land)
β
When your body takes up more room than your voice, you are always the target of well-aimed rumors.
β
β
Elizabeth Acevedo (The Poet X)
β
The body is a funny piece of meat. How it inflates and deflates in order to keep you alive. But how simple words can fill you up or pierce the air out of you.
β
β
Elizabeth Acevedo (Clap When You Land)
β
And I know the past isn't a mirror image of the future, but it's a reflection of what can be; and when your first love breaks your heart, the shards of that can draw blood for a long, long time.
β
β
Elizabeth Acevedo (With the Fire on High)
β
It's about any of the words that bring us together and how we can form a home in them.
β
β
Elizabeth Acevedo (The Poet X)
β
Sometimes it seems like writing is the only way I keep from hurting.
β
β
Elizabeth Acevedo (The Poet X)
β
I feel like I'm being pulled in a hundred different directions and my feet are stuck in cement.
β
β
Elizabeth Acevedo (With the Fire on High)
β
You do not let your words stunt unknown possibilities.
β
β
Elizabeth Acevedo (Clap When You Land)
β
Your silence furnishes a dark house.
But even at the risk of burning,
the moth always seeks the light.
β
β
Elizabeth Acevedo (The Poet X)
β
One thing I know for sure is that reputations last longer than the time it takes to make them.
β
β
Elizabeth Acevedo (The Poet X)
β
How can you lose an entire person, only to gain a part of them back in someone entirely new?
β
β
Elizabeth Acevedo (Clap When You Land)
β
The patron saint of the ocean is known for containing many parts of herself: she is a nurturer, but she is also a ferocious defender. & so I remember that to walk this world you must be kind but also fierce.
β
β
Elizabeth Acevedo (Clap When You Land)
β
The way the words say what I mean,
how they twist and turn language,
how they connect with people.
How they build community.
β
β
Elizabeth Acevedo (The Poet X)
β
He is not elegant enough for a sonnett, too well-thought-out for a free write, taking too much space in my thoughts to ever be a haiku.
β
β
Elizabeth Acevedo (The Poet X)
β
Whatever we are to become, I'm glad that we can laugh through the uncomfortable moments.
β
β
Elizabeth Acevedo (With the Fire on High)
β
I've forced my skin as thick as I am.
β
β
Elizabeth Acevedo (The Poet X)
β
I close my eyes and let myself find in music what I've always searched for: a way away.
β
β
Elizabeth Acevedo (The Poet X)
β
If I say those words, if I snap apart the air with them, whatever is binding me together will split too.
β
β
Elizabeth Acevedo (Clap When You Land)
β
Where we come from leaves its fingerprints all over us, and if you know how to read the signs of a place, you know a little bit more who someone is.
β
β
Elizabeth Acevedo (With the Fire on High)
β
Maybe there are no words to say. I just want to be held.
β
β
Elizabeth Acevedo (The Poet X)
β
She is a nurturer but she is also a ferocious defender.
Remember that to walk this world, you must be kind but also fierce
β
β
Elizabeth Acevedo (Clap When You Land)
β
So he created a theater of his life / & got lost in all the different roles he had to play.
β
β
Elizabeth Acevedo (Clap When You Land)
β
Papi was a man split in two, / playing a game against himself. // But the problem with that / is that in order to win, you also always lose.
β
β
Elizabeth Acevedo (Clap When You Land)
β
She knew since she was little, the world would not sing her triumphs, but she took all of the stereotypes and put them in a chokehold until they breathed out the truth.
β
β
Elizabeth Acevedo (The Poet X)
β
Never, ever, let them see you sweat, negra. Fight until you canβt breathe, & if you have to forfeit, you forfeit smiling, make them think you let them win.
β
β
Elizabeth Acevedo (Clap When You Land)
β
the fear you have for someone elseβs life always eclipses the fear you have for your own.
β
β
Elizabeth Acevedo (With the Fire on High)
β
If I were on fire
who could I count on
to water me down?
If I were a pile of ashes
who could I count on
to gather me in a pretty urn?
If I were nothing but dust
would anyone chase the wind
trying to piece me back together?
β
β
Elizabeth Acevedo (The Poet X)
β
That's when I feel like a fake.
Because I nod, and clap, and "Amen" and Aleluya,"
all the while feeling like this house his house
is no longer one I want to rent.
β
β
Elizabeth Acevedo (The Poet X)
β
Sometimes someone says something and their words are like the catch of a gas stove, the click, click while youβre waiting for it to light up and flame big and blue...
β
β
Elizabeth Acevedo (The Poet X)
β
Cooking is about respect. Respect for the food, respect for your space, respect for your colleqgues and respect for your diners. The chef who ignores one of those is not a chef at all.
β
β
Elizabeth Acevedo (With the Fire on High)
β
People say that you're stuck with the family you're born into. And for most people, that's probably true. But we all make choices about people. Who we want to hold close, who we want to remain in our lives, and who we are just fine without.
β
β
Elizabeth Acevedo (With the Fire on High)
β
I am beginning to learn that life-altering news is often like a premature birth: ill-timed, catching someone unaware, emotionally unprepared & often where they shouldnβt be:
β
β
Elizabeth Acevedo (Clap When You Land)
β
i think of all the things we could be if we were not told our bodies were not made for them.
β
β
Elizabeth Acevedo (The Poet X)
β
....and my heart is one of Darwin's Finches, learning to fly.
β
β
Elizabeth Acevedo (The Poet X)
β
About a holy trinity that donβt include the mother.
β
β
Elizabeth Acevedo (The Poet X)
β
God, if you're a thing with ears:
please, please.
β
β
Elizabeth Acevedo (The Poet X)
β
If I were nothing but dust, would anyone chase the wind trying to piece me back together?
β
β
Elizabeth Acevedo (The Poet X)
β
There is freedom in coming and going for no other reason than because you can. There is freedom in choosing to sit and be still when everything is always telling you to move, move fast.
β
β
Elizabeth Acevedo (The Poet X)
β
I only know that learning to believe in the power of my own words has been the most freeing experience of my life. It has brought me the most light. And isnβt that what a poem is? A lantern glowing in the dark.
β
β
Elizabeth Acevedo (The Poet X)
β
And even that young I learned music can become a bridge
between you and a total stranger.
-Xiomara
β
β
Elizabeth Acevedo (The Poet X)
β
Sometimes the best way to love someone is to let them go.
β
β
Elizabeth Acevedo (The Poet X)
β
I wrap myself tight around the feelings I cannot share, an unopened present, a gift no one wants.
β
β
Elizabeth Acevedo (Clap When You Land)
β
Dreams are like the pieces of fluff that get caught in your hair; they stand out for a moment, but eventually you wash them away, or long fingers reach in & pluck them out & you appear as what everyone expects.
β
β
Elizabeth Acevedo (Clap When You Land)
β
When Iβm told girls Shouldnβt. Shouldnβt. Shouldnβt. When Iβm told To wait. To stop. To obey. When Iβm told not to be like Delilah. Lotβs Wife. Eve. When the only girl Iβm supposed to be was an impregnated virgin
β
β
Elizabeth Acevedo (The Poet X)
β
The world is almost peaceful
when you stop trying
to understand it.
β
β
Elizabeth Acevedo (The Poet X)
β
Freedom seems like such a big word. Something too big; maybe like a skyscraper I've glimpsed from the foot of the building but never been invited to climb.
β
β
Elizabeth Acevedo (The Poet X)
β
This whole time she's swallowed her words like bitter pills
not realizing they were slow-drip poison.
β
β
Elizabeth Acevedo (Clap When You Land)
β
If Medusa was Dominican and had a daughter, she might wonder at this curse. At how her blood is always becoming some fake hero's mission. Something to be slayed, conquered.
β
β
Elizabeth Acevedo (The Poet X)
β
But who knew the words,
when said by the right person,
by a boy who raises your temperature,
move heat like nothing else? Shoot a shock of warmth from your curls to your toes?
β
β
Elizabeth Acevedo (The Poet X)
β
Iβve learned to trust pretty words even less than a pretty face.
β
β
Elizabeth Acevedo (With the Fire on High)
β
There is freedom in choosing to sit and be still
when everything is always telling you to move, move fast.
β
β
Elizabeth Acevedo (The Poet X)
β
Swimming might be the closest to flying
a human being can get. There is something
about your body displacing water
in order to propel through space that makes you feel
Godtouched. That makes me understand evolution,
that we really must have crawled up from the sea.
β
β
Elizabeth Acevedo (Clap When You Land)
β
There is an artist my mother loved, Juan Gabriel, who was once asked in an interview if he was gay. His reply: What's understood need not be said. I remember how Mami's eyes fluttered to me like a bee on a flower acknowledging the pollen is sweet.
β
β
Elizabeth Acevedo (Clap When You Land)
β
Who knew death must be so damn polite?
β
β
Elizabeth Acevedo (Clap When You Land)
β
What's the point of God giving me life, if I can't live it as my own?
β
β
Elizabeth Acevedo (The Poet X)
β
And ainβt that what it means to be a sister? Holding things tight when the other one is falling apart?
β
β
Elizabeth Acevedo (With the Fire on High)
β
But even at the risk of burning,
the moth always seeks the light.
β
β
Elizabeth Acevedo (The Poet X)
β
Trust. Yourself, mainly, but the world, too.
β
β
Elizabeth Acevedo (With the Fire on High)
β
My little words
feel important, for just a moment.
This is a feeling I could get addicted to.
β
β
Elizabeth Acevedo (The Poet X)
β
And I think of all the things we could be
if we were never told our bodies were not built for them.
β
β
Elizabeth Acevedo (The Poet X)
β
Onward. Always onward.
I blow her a kiss
across the linoleum, &
whisper blessings under my breath,
divide a piece of God
from my heart
for her to carry.
I know she does the same for me.
β
β
Elizabeth Acevedo (Clap When You Land)
β
Is this what sisterhood is?
A negotiation of the things you make possible
out of impossible requests?
β
β
Elizabeth Acevedo (Clap When You Land)
β
I feel like something has risen inside me too, and it tastes a bit like hope.
β
β
Elizabeth Acevedo (With the Fire on High)
β
I will not stand still while the world makes my choices. This Yahaira will learn what carving your own way means.
β
β
Elizabeth Acevedo (Clap When You Land)
β
I think you should write about the one that scares you most. Taking risks and making choices in spite of fearβitβs what makes our life story compelling.
β
β
Elizabeth Acevedo (With the Fire on High)
β
Maybe, the only thing that has to make sense about being somebody's friend is that you help them be their best self on any given day. That you give them a home when they don't want to be in their own.
β
β
Elizabeth Acevedo (The Poet X)
β
After It happens when Iβm at bodegas. It happens when Iβm at school. It happens when Iβm on the train. It happens when Iβm standing on the platform. It happens when Iβm sitting on the stoop. It happens when Iβm turning the corner. It happens when I forget to be on guard. It happens all the time. I should be used to it. I shouldnβt get so angry when boysβand sometimes grown-ass menβ talk to me however they want, think they can grab themselves or rub against me or make all kinds of offers. But Iβm never used to it. And it always makes my hands shake. Always makes my throat tight. The only thing that calms me down after Twin and I get home is to put my headphones on. To listen to Drake. To grab my notebook, and write, and write, and write all the things I wish I could have said. Make poems from the sharp feelings inside, that feel like they could carve me wide open. It happens when I wear shorts. It happens when I wear jeans. It happens when I stare at the ground. It happens when I stare ahead. It happens when Iβm walking. It happens when Iβm sitting. It happens when Iβm on my phone. It simply never stops.
β
β
Elizabeth Acevedo (The Poet X)
β
Mami wanted me to be a lady:
sit up straight, cross my ankles,
let men protect me.
Papi wanted me to be a leader.
To think quick & strike hard,
to speak rarely, but when I did,
to always be heard. Me?
Playing chess taught me a queen is both:
deadly & graceful, poised & ruthless.
Quiet & cunning. A queen
offers her hand to be kissed,
& can form it into a fist
while smiling the whole damn time.
But what happens when those principles
only apply in a game? & in the real world,
I am not treated as a lady or a queen,
as a defender or opponent
but as a girl so many want to strike off the board.
β
β
Elizabeth Acevedo (Clap When You Land)
β
If you asked me what I was,
& you meant in terms of culture,
Iβd say Dominican.
No hesitation,
no question about it.
Can you be from a place
you have never been?
You can find the island stamped all over me,
but what would the island find if I was there?
Can you claim a home that does not know you,
much less claim you as its own?
β
β
Elizabeth Acevedo (Clap When You Land)
β
Thatβs what I learned, about him and most guys: who they are when theyβre giving you flowers and trying to get in your pants is not who they REALLY are when itβs no longer spring and theyβve found a new jawn to hang out with. And I know the past isnβt a mirror image of the future, but itβs a reflection of what can be; and when your first love breaks your heart, the shards of that can still draw blood for a long, long time.
β
β
Elizabeth Acevedo (With the Fire on High)
β
If you are not from an island.
you cannot understand
what it means to be of water:
to learn to curve around the bend,
to learn to rise with rain,
to learn to quench an outside thirst
while all the while
you grow shallow
until there is not one drop
left for you.
I know this is what Tia does not say.
Sand & soil & sinew & smiles:
all bartered. & who reaps? Who eats?
Not us. Not me.
β
β
Elizabeth Acevedo (Clap When You Land)
β
Every day I searched for new songs, and it was like applying for asylum. I just needed someone to help me escape from all the silence. I just needed people saying words about all the things that hurt them. And maybe this is why Papi stopped listening to music, because it can make your body want to rebel. To speak up. And even that young I learned music can become a bridge between you and a total stranger.
β
β
Elizabeth Acevedo (The Poet X)
β
Things you can buy
with half a million dollars:
a car that looks more
like a space creature than a car.
A designer platinum purse
to carry a small dog. A small dog.
A performance by your favorite
musical artist for your birthday.
A diamond-encrusted
bottle of Dominican rum.
A mansion. A yacht. A hundred
acres of land. Houses, but not homes.
All four years of college
or beautician school & certificate.
Five hundred flights
to the Dominican Republic.
A half million Dollar Store chess sets,
with their accompanying boxes.
A hundred thousand copies
of Shakespeare's The Tempest.
Apparently a father.
β
β
Elizabeth Acevedo (Clap When You Land)
β
It is easy in a moment like this to want to speak over this woman, to tell TΓa there is nothing more we can do, to say out loud the woman is lucky that her lungs still draw breath. But I learned young, you do not speak of the dying as if they are already dead. You do not call bad spirits into the room, & you do not smudge a person's dignity by pretending they are not still alive, & right in front of you, and perhaps about to receive a miracle. You do not let your words stunt unknown possibilities.
β
β
Elizabeth Acevedo (Clap When You Land)
β
The weird thing about the bible is that almost everything in it is a metaphor.
So it seems to me that when the bible describes church as a place where two or more people discuss God, they donβt mean just the cathedral like churches. I donβt know what, who or where God is; but if everything is a metaphor, I think he or she is a comparison to us. I think we are like, or as God. I think when we get together, and talk about ourselves, about being human, about what hurts us; we are also talking about God.
So thatβs also church, right?
I know this might seem blasphemous, but my priest tells me its okay to ask questions, even if they seem bizarre.
β
β
Elizabeth Acevedo (The Poet X)