Fast And Furious 1 Quotes

We've searched our database for all the quotes and captions related to Fast And Furious 1. Here they are! All 29 of them:

It's like the piano and the cello are being poured into my body, the same way the IV and blood transfusions are. And the memories of my life as it was, and the flashes of it as it might be, are coming so fast and furious. I feel like I can no longer keep up with them but they keep coming and everything is colliding, until I cannot take anymore. Until I cannot be like this a second longer.
Gayle Forman (If I Stay (If I Stay, #1))
And then we jerked to a stop. Jared was blocking the exit. "Have you lost your mind, Ian?" he asked, shocked and outraged. "What are you doing to her?" "Did you know about this?" Ian shouted back, shoving me toward Jared and shaking me at him. "You're going to hurt her!" "Do you know what she's planning?" Ian roared. Jared stared at Ian, his face suddenly closed off. He didn't answer. That was answer enough for Ian. Ian's fist struck Jared so fast that I missed the blow - I just felt the lurch in his body and saw Jared reel back into the dark hall. "Ian, stop," I begged. "You stop," he growled back at me. He yanked me through the arch into the tunnel, then pulled me north. I had to almost run to keep up with his longer stride. "O´Shea!" Jared shouted after us. "I'm going to hurt her?" Ian roared back over his shoulder, not breaking pace. "I am? You hypocritical swine!" There was nothing but silence and blackness behind us now. I stumbled in the dark, trying to keep up. He jerked me along faster, and my breath caught in a moan, almost like a cry of pain. The sound made Ian stumble to a stop. His breathing was hoarse in the darkness. "Ian, Ian, I..." I chocked, unable to finish. I didn't know what to say, picturing his furious face. His arms caught me abruptly, yanking my feet out from under me and then catching my shoulders before I could fall. He started running forward again, carrying me now. His hands were not rough and angry like before; he cradled me against his chest.
Stephenie Meyer (The Host (The Host, #1))
They think that you won't hit back - that you'll just lower your eyes and hide. And sometimes, to protect yourself, to make it go away, you do. But sometimes, you find yourself standing in exactly the right position, wielding exactly the right weapon to hit back. So I hit. I hit fast and hard and furious. I hit with nothing but the language whispered between circuits and wire, the language that can bring people to their knees.
Marie Lu (Warcross (Warcross, #1))
But sometimes, you find yourself standing in exactly the right position, wielding exactly the right weapon to hit back. So I hit. I hit fast and hard and furious...And in spite of everything, I’d do it all over again.
Marie Lu (Warcross (Warcross, #1))
Maybe I was wrong, and maybe someday I’ll look back and regret lashing out like that. I’m still not entirely sure why I threw myself into the fire over this specific incident. But sometimes, people kick you to the ground at recess because they think the shape of your eyes is funny. They lunge at you because they see a vulnerable body. Or a different skin color. Or a difficult name. They think that you won’t hit back—that you’ll just lower your eyes and hide. And sometimes, to protect yourself, to make it go away, you do. But sometimes, you find yourself standing in exactly the right position, wielding exactly the right weapon to hit back. So I hit. I hit fast and hard and furious. I hit with nothing but the language whispered between circuits and wire, the language that can bring people to their knees. And in spite of everything, I’d do it all over again.
Marie Lu (Warcross (Warcross, #1))
The top 1% holds nearly half of the financial wealth, the greatest concentration of wealth of any industrialized nation, more concentrated than at any time since the Depression. In 1980, on average, CEOs earned 42 times the salary of the average worker, and these days they earn about 476 times that salary. Since 1980, the rich have been getting richer fast and furiously and hard-working people in the middle are sliding down the greasy slope who never imagined this could happen to them. The concentration of wealth and power in the hands of a few is the death knell of democracy. No republic in the history of humankind has survived this.
Garrison Keillor (Homegrown Democrat: A Few Plain Thoughts from the Heart of America)
Some loves take months or years to blossom. But some blow in like a storm over the sea, so fast and furious and wonderful it about bowls you over.
Melissa Tagg (Autumn by the Sea (Muir Harbor #1))
And the memories of my life as it was, and the flashes of it as it might be, are coming so fast and furious. I feel like I can no longer keep up with them but they keep coming and everything is colliding, until I cannot take it anymore. Until I cannot be like this one second longer. There is a blinding flash, a pain that rips through me for one searing instant, a silent scream from my broken body. For the first time, I can sense how fully agonizing staying will be.
Gayle Forman (If I Stay (If I Stay, #1))
So what are we watching, anyway?” “Fast six.” I realized the polite thing to do would have been to ask if he liked the Fast & Furious series, but if he didn’t, I couldn’t date him anyway. “And if I haven’t seen one through five?” “Then you’re basically un-American. Besides, what’s there to know? Fast cars, pretty girls, hot guys, stealin’ stuff in ways that could never happen… aaand you’re all caught up.” His beautifully chocolate brown eyes went skyward. “Let me guess, you’re a Rock fan?” “And Paul Walker, and Tyrese… the Asian guy, and a little Vin Diesel action doesn’t go amiss either. Any way you look, you win.” “I haven’t liked the Rock since SmackDown.” I pretended to clasp my hands in prayer and closed my eyes. “Let him keep his gay card, Lord, for he knows not what he says.” He grinned. “You’re lucky you’re fine.” “Am I?” I lifted my brows. A queen did need his compliments, after all.
S.E. Harmon (Stay with Me (The PI Guys, #1))
the reverend bishop, knowing that Pelagia found it easier to think with her knitting in her hands, told her, “You may knit.” The pointed steel needles began clacking furiously and Mitrofanii frowned as he recalled what dreadful creations those deceptively deft hands brought into the world. At Eastertide the sister had presented the bishop with a white scarf adorned with the letters CA for “Christ is Arisen,” rendered so crookedly that they seemed already to have celebrated the ending of the fast with some gusto. “Who is this for?” His Grace
Boris Akunin (Sister Pelagia and the White Bulldog (Sister Pelagia Mysteries, #1))
In the car ahead, Jane was thinking fast and furiously. She had felt the purpose for which Tarzan had asked a few words with her, and she knew that she must be prepared to give him an answer in the very near future. He was not the sort of person one could put off, and somehow that very thought made her wonder if she did not really fear him. And could she love where she feared? She realized the spell that had been upon her in the depths of that far-off jungle, but there was no spell of enchantment now in prosaic Wisconsin. Nor did the immaculate young Frenchman appeal to the primal woman in her, as had the stalwart forest god. Did she love him? She did not know—now. She glanced at Clayton out of the corner of her eye. Was not here a man trained in the same school of environment in which she had been trained—a man with social position and culture such as she had been taught to consider as the prime essentials to congenial association? Did not her best judgment point to this young English nobleman, whose love she knew to be of the sort a civilized woman should crave, as the logical mate for such as herself? Could she love Clayton? She could see no reason why she could not. Jane was not coldly calculating by nature, but training, environment and heredity had all combined to teach her to reason even in matters of the heart. That she had been carried off her feet by the strength of the young giant when his great arms were about her in the distant African forest, and again today, in the Wisconsin woods, seemed to her only attributable to a temporary mental reversion to type on her part—to the psychological appeal of the primeval man to the primeval woman in her nature. If he should never touch her again, she reasoned, she would never feel attracted toward him. She had not loved him, then. It had been nothing more than a passing hallucination, super-induced by excitement and by personal contact. Excitement would not always mark their future relations, should she marry him, and the power of personal contact eventually would be dulled by familiarity. Again she glanced at Clayton. He was very handsome and every inch a gentleman. She should be very proud of such a husband.
Edgar Rice Burroughs (Tarzan of the Apes (Tarzan, #1))
It was her acceptance that brought him back to sanity. This woman was not in a trance; she was offering herself freely because she felt his raging need, because she trusted him to stop before he hurt her, before he killed her. Mikhail’s tongue lapped across her breast, closed the wound. He lifted his head, his dark eyes still glowing with the beast, the taste of her in his mouth, on his lips. He swore softly, bitterly, his self-loathing total. She was under his protection. He had never hated himself or his kind more. She had freely given of herself and he had taken selfishly, the beast in him so strong he had given in to the ecstasy of uniting with one’s lifemate. He gathered her limp body to him, cradled her in his arms. “You will not die, Raven.” He was furious with himself. Had he done this on purpose? In some dark corner of his mind, had he wanted this to happen? He would try to find the answer to the question at a later date. Right now she needed blood, and she needed it fast. “Stay with me, little one. I remained in this world because of you. You will have to be strong for both of us. Can you hear me, Raven? Do not leave me. I can make you happy. I know I can.
Christine Feehan (Dark Prince (Dark, #1))
And I’d made a promise not to do anything stupid or reckless. For all those reasons, I was still breathing. Remembering that promise, I felt a twinge of guilt, but what I was doing right now didn’t really count. It wasn’t like I was taking a blade to my wrists. Jess’s eyes were round, her mouth hung open. Her question about suicide had been rhetorical, I realized too late. “Go eat,” I encouraged her, waving toward the fast food. I didn’t like the way she looked at me. “I’ll catch up in a minute.” I turned away from her, back to the men who were watching us with amused, curious eyes. “Bella, stop this right now!” My muscles locked into place, froze me where I stood. Because it wasn’t Jessica’s voice that rebuked me now. It was a furious voice, a familiar voice, a beautiful voice—soft like velvet even though it was irate. It was his voice—I was exceptionally careful not to think his name—and I was surprised that the sound of it did not knock me to my knees, did not curl me onto the pavement in a torture of loss. But there was no pain, none at all. In the instant that I heard his voice, everything was very clear. Like my head had suddenly surfaced out of some dark pool. I was more aware of everything—sight, sound, the feel of the cold air that I hadn’t noticed was blowing sharply against my face, the smells coming from the open bar door. I looked around myself in shock. “Go back to Jessica,” the lovely voice ordered, still angry. “You promised—nothing stupid.
Stephenie Meyer (The Twilight Saga Complete Collection (Twilight, #1-4, Bree Tanner))
It did not take long for the entire town of Beldingsville to learn that the great New York doctor had said Pollyanna Whittier would never walk again; and certainly never before had the town been so stirred. Everybody knew by sight now the piquant little freckled face that had always a smile of greeting; and almost everybody knew of the "game" that Pollyanna was playing. To think that now never again would that smiling face be seen on their streets—never again would that cheery little voice proclaim the gladness of some everyday experience! It seemed unbelievable, impossible, cruel. In kitchens and sitting rooms, and over back-yard fences women talked of it, and wept openly. On street corners and in store lounging-places the men talked, too, and wept—though not so openly. And neither the talking nor the weeping grew less when fast on the heels of the news itself, came Nancy's pitiful story that Pollyanna, face to face with what had come to her, was bemoaning most of all the fact that she could not play the game; that she could not now be glad over—anything. It was then that the same thought must have, in some way, come to Pollyanna's friends. At all events, almost at once, the mistress of the Harrington homestead, greatly to her surprise, began to receive calls: calls from people she knew, and people she did not know; calls from men, women, and children—many of whom Miss Polly had not supposed that her niece knew at all. Some came in and sat down for a stiff five or ten minutes. Some stood awkwardly on the porch steps, fumbling with hats or hand-bags, according to their sex. Some brought a book, a bunch of flowers, or a dainty to tempt the palate. Some cried frankly. Some turned their backs and blew their noses furiously. But all inquired very anxiously for the little injured girl; and all sent to her some message—and it was these messages which, after a time, stirred Miss Polly to action. First came Mr. John Pendleton. He came without his crutches to-day. "I don't need to tell you how shocked I am," he began almost harshly. "But can—nothing be done?" Miss Polly gave a gesture of despair. "Oh, we're 'doing,' of course, all the time. Dr. Mead prescribed certain treatments and medicines that might help, and Dr. Warren is carrying them out to the letter, of course. But—Dr. Mead held out almost no hope.
Eleanor H. Porter (Pollyanna (Pollyanna, #1))
He didn’t know what the fuck it was, but it was more than a fast and furious lay, his typical pump and dump.
Cristin Harber (Winters Heat (Titan, #1))
Change rained fast and furious on me for the next fortnight.
Robin Hobb (Assassin's Apprentice (Farseer Trilogy, #1))
Marry me.” “Excuse me? Look, this is the twenty-first century. A woman doesn’t get married because some asshole threatens her. Come on! That’s just absurd.” Well, that did it. Now he was furious. He stood up so fast I thought he was going to knock over the sofa and me with it. Then he began to pace while he growled, “I’m fully aware of the century, Aimee. The point is, that ‘asshole’ can wreak havoc on your life like you’ve never seen. You cannot ignore him and hope he’ll go away. You need protection, and I can provide it. It’s really that simple,
Lora Ann (Branded (Strand Brothers, #1))
Caleb’s expression was thunderous. “Where the hell have you been?” he growled, his arms folded across his chest. “I stayed the night in a boarding house,” Lily answered as she climbed down from the surrey. “Did you and Winola and Rupert have a nice dinner together?” He glared at her. “Get in that house!” “And do what?” Lily retorted. “Write ‘I will not disobey my husband’ a thousand times?” “Move!” Caleb roared. Lily’s aplomb fled in an instant, and she dashed toward the door of the cabin. “I’ll thank you to remember that I’m in the family way,” she was quick to say. She was recalling that other time, when Caleb would have paddled her if Velvet hadn’t happened along just in time to prevent it. Inside the cabin Caleb set Lily in a chair and proceeded to deliver a lecture that was, in many ways, worse than a spanking. He shouted, he listed the perils of traveling alone, he swore by all that was holy that if Lily ever did such a stupid thing again he’d wring her neck. Lily’s eyes were wide by the time he began to wind down, and when he sent her to the bedroom she went. When Caleb came to her it was from a different direction than expected. A terrible racket arose on the other side of the bedroom wall, and Lily watched in horrified amazement as an ax bit through the new wood. Furiously Caleb shaped a rude door. “Now,” he said, tossing the ax behind him, “it’s all one house. Welcome to our bedroom, Mrs. Halliday.” Lily was convinced she’d married a madman. “You stay away from me,” she said, scooting backwards on the bed. She didn’t move fast enough. Caleb caught hold of one of her legs, lifted it high, and began untying her shoelace. “There isn’t a chance in hell of that, sodbuster,” he said, and then he began rolling Lily’s stocking down. She trembled as his hand caressed her inner thigh for the briefest moment. “Not a chance in hell.” Only when the lovemaking was over and Caleb had risen from the bed did Lily’s pride come back into its own. The moment he stepped through the hacked-out opening into his side of the house she moved the bureau in front of the opening. “You stay on your side,” she said when she saw him through the opening above the chest of drawers, “and I’ll keep to mine.” As usual, Caleb had expected his romantic attentions to make everything all right between them. “Damn it, Lily,” he growled, bracing his hands on the bureau top and leaning forward ominously, “we’re married!” “As far as I’m concerned, we can just forget that unfortunate fact.” “That’s fine with me,” Caleb snapped. And then he turned and stormed away. Lily
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
She also drove like a cast member from the Fast and Furious movies and didn’t have any problems throwing him over her shoulder.
Mila Rossi (Going the Distance (No Excuses #1))
Transparency and the rule of law will be the touchstones of this administration,” President Obama declared back in 2009. Rarely has there been a greater gap between what a politician said and what he did. Indeed, in the mold of Richard Nixon, the White House asserted dubious claims of executive privilege to avoid scrutiny in the Fast and Furious scandal. But Obama is publicly oblivious to the contradictions. At a media awards dinner in March 2016, President Obama scolded the press for enabling a candidate like Donald Trump and suggested it had a greater responsibility than to hand someone a microphone. But as far as Jake Tapper on CNN was concerned “the messenger was a curious one.” He succinctly reviewed the Obama administration’s deplorable record on transparency and openness and concluded: “Maybe, just maybe, your lecturing would be better delivered to your own administration.” Speaking with some passion, Tapper told his viewers: “Many believe that Obama’s call for us to probe and dig deeper and find out more has been made far more difficult by his administration than any in recent decades. A far cry from the assurances he offered when he first took office.” Tapper noted that Obama promised to run the “most transparent administration in history.” “Obama hasn’t delivered,” ProPublica reporter Justin Elliott wrote in the Washington Post in March 2016. “In fact, FOIA has been a disaster under his watch.” Elliott went on to write: Newly uncovered documents (made public only through a FOIA lawsuit) show the Obama administration aggressively lobbying against reforms proposed in Congress. The Associated Press found last year that the administration had set a record for censoring or denying access to information requested under FOIA, and that the backlog of unanswered requests across the government had risen by 55 percent, to more than 200,000. A recent analysis found the Obama administration set a record of failing nearly 130,000 times to respond to public records requests under the Freedom of Information Act.1 Tapper closed his broadcast by quoting former Washington Post executive editor Leonard Downie, who helped break the Watergate scandal and said in 2013 that Obama had the “most aggressive” administration toward the press since Richard Nixon.
Tom Fitton (Clean House: Exposing Our Government's Secrets and Lies)
I love the wheels, I mean steering wheel.
Amit Kalantri (Wealth of Words)
Face the facts. Your life is too perfect. You probably lie awake at night, fantasizing about spicin’ up all that lily whiteness you live in.” But damn it, I get a whiff of vanilla from her perfume or lotion. It reminds me of cookies. I love cookies, so this is not good at all. “Gettin’ near the fire, chica, doesn’t necessarily mean you’ll get burned.” “You touch her and you’ll regret it, Fuentes,” Colin’s voice rings out. He resembles a burro, with his big white teeth and ears sticking out from his buzz cut. “Get the hell away from her.” “Colin,” Brittany says. “It’s okay. I can handle this.” Burro Face brought reinforcements: three other pasty white dudes, standing behind him for backup. I size up Burro Face and his friends to see if I can take them all on, and decide I could give all four a run for their money. “When you’re strong enough to play in the big leagues, jock boy, then I’ll listen to the mierda flyin’ out of your mouth,” I say. Other students are gathering around us, leaving room for a fight that is sure to be fast, furious, and bloody. Little do they know Burro Face is a runner. This time he’s got backup, though, so maybe he’ll stay to duke it out. I’m always prepared for a fight, been in more of ‘em than I can count on my fingers and toes. I’ve got the scars to prove it. “Colin, he’s not worth it,” Brittany says. Thanks, mamacita. Right back at ya. “You threatening me, Fuentes?” Colin barks, ignoring his girlfriend. “No, asshole,” I say, staring him down. “Little dicks like you make threats.” Brittany parks her body in front of Colin and puts her hand on his chest. “Don’t listen to him,” she says. “I’m not afraid of you. My dad’s a lawyer,” Colin brags, then puts his arm around Brittany. “She’s mine. Don’t ever forget that.” “Then keep a leash on her,” I advise. “Or she might be tempted to find a new owner.” My friend Paco comes up beside me. “Andas bien, Alex?” “Yeah, Paco,” I tell him, then watch as two teachers walk down the hall escorted by a guy in a police uniform. This is what Adams wants, perfectly planned to get my ass kicked out of school. I’m not falling into his trap only to end up on Aguirre’s hit list. “Si, everything’s bien.” I turn to Brittany. “Catch ya later, mamacita. I’m looking forward to researching our chemistry.” Before I leave and save myself from suspension on top of my detention, Brittany sticks that perky nose of hers in the air as if I’m the scum of the earth.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
He shivered under the big hands that manipulated him. They were doing more than just looking for a quick fuck—the touches were lingering, like burning hot ribbons along his skin. His cock ached as Tom touched him, fingers digging into his skin, like Tom wanted Prophet to remember him, remember this. And fuck, he would. Knew that already, because his body wanted more. He didn’t know why he needed this so badly. Tommy thrust against him, the piercings rolling inside him in just the right places, his hand on Prophet’s cock. Prophet’s climax was like a gathering storm, swirling furiously, thunderously fast and uncontrolled, part wrath, part beauty, mixed with a little pain, and oh fuck, yes. Tom kept up a steady stream of dirty talk. Maybe it was the drugs, but Prophet didn’t think so. It was a mix of English and Cajun French and Prophet’s orgasm was long and drawn out, left him wrecked, weakened, unable to stop shuddering. Tom
S.E. Jakes (Catch a Ghost (Hell or High Water, #1))
He was dismayed to find that his English—despite years of mandatory instruction in school, months of private lessons with a Bible studies PhD from Exeter visiting Israel to research Christ, repeated encounters with every episode of every season of Sex and the City (subtitled), sporadic encounters with Fast & Furious 1–6 (undubbed), and an aborted reading of the collected works of Sherlock Holmes (abridged)—sucked.
Joshua Cohen (Moving Kings)
At the same time, Meng Hao burst out from the thick forest, a worried expression on his face. Behind him were seven or eight psychic demonic apes. They were furious and extremely fast. They pursued Meng Hao with unbridled fury.
Er Gen (Patriarch Reliance (I Shall Seal the Heavens 我欲封天 #1))
Try to remember, you’re not a hot rod. You don’t ever need to “fill ’er up.” The difference between feeling “satisfied” and feeling “full” after a meal is about 1,000 calories. Then, even worse, there are about 2,500 calories between feeling full and feeling “stuffed”! So if you go to town on that all-you-can-eat Chinese buffet, and leave the place feeling stuffed, you may have wolfed down as many as 4,000 unneeded calories. A typical reaction is to do some cardio the next day to “burn off those calories.” But to burn that many calories with cardio would require, for example, jogging nonstop for 20 hours. The problem is not burning calories, which is done even while you sleep, but that we cram too many calories into our mouth. Get into the habit of eating until you are no longer hungry, not until you are completely stuffed. Remember, if you follow my advice, you’ll be eating again in 2.5 – 3.5 hours. Take your time, chew your food, and relax. It takes 15 – 20 minutes for the body to register how full it actually is. Eating fast and furious can be a hard habit to break. But you’ll very quickly notice improved energy and well-being once you make the change to frequent, smaller meals.
Mark Lauren (You Are Your Own Gym: The Bible of Bodyweight Exercises)
He had to clap his hands to his mouth to stop himself from screaming. He whirled around. His heart was pounding far more furiously than when the book had screamed — for he had seen not only himself in the mirror, but a whole crowd of people standing right behind him. But the room was empty. Breathing very fast, he turned slowly back to the mirror.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, # 1))
Solaris Sweat trickled down my back, sending an icy chill up my spine. Winter was definitely coming. I ignored the cold and focused on the smack of my vintage Converse on the tarmac. I was almost there. The airplane hangar was like a beacon in the darkness, the shiny white metal brilliant against the backdrop of night. The red and white flag on its domed roof flapped furiously in the wind, an ominous reminder of where I was. Tires squealed just behind me, and I dove behind a stack of wooden crates. My breath came hard and fast. Now that my footfalls weren’t drowning out the sound, my panting
G.K. DeRosa (Dark Fates (The Vampire Prophecy #1))
What made the movie business unique in the history of corporate capitalism is captured in the screenwriter William Goldman’s maxim, true for many decades: “nobody knows anything.” No other industry pumped out so many products so frequently with so little foreknowledge of whether they would be any good. The only feasible business strategy, it appeared, was to sign up the best creative talent, trust your strongest hunches about what looked likely to appeal to millions of people, and hope you ended up with Back to the Future instead of Ishtar. Over the past few years, however, something big has happened: finally, people in Hollywood do know something. What they know is that branded franchises work. People say they want new ideas and fresh concepts, but in reality they most often go to the multiplex for familiar characters and concepts that remind them of what they already know they like. Big name brands like Marvel, Harry Potter, Fast & Furious, and Despicable Me consistently gross more than $1 billion at the global box office, not only raking in huge profits, but justifying studios’ very existence and the jobs of everyone who works on their glamorous lots. This change has happened slowly over about a decade in Hollywood, making it hard to appreciate its magnitude. But now it is undeniable that the dawn of the franchise film era is the most meaningful revolution in the movie business since the studio system ended, in the 1950s.
Ben Fritz (The Big Picture: The Fight for the Future of Movies)