β
I like work: it fascinates me. I can sit and look at it for hours.
β
β
Jerome K. Jerome
β
I am very interested and fascinated how everyone loves each other, but no one really likes each other.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
Book collecting is an obsession, an occupation, a disease, an addiction, a fascination, an absurdity, a fate. It is not a hobby. Those who do it must do it.
β
β
Jeanette Winterson
β
Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that youβve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you canβt wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid itβs like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didnβt exist at all. A phone call or two during the day helps to get you through a long dayβs work and always brings a smile to your face. In their presence, thereβs no need for continuous conversation, but you find youβre quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that thereβs a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure thatβs so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.
β
β
Bob Marley
β
Sometimes it's a form of love just to talk to somebody that you have nothing in common with and still be fascinated by their presence.
β
β
David Byrne
β
I wanted so badly to lie down next to her on the couch, to wrap my arms around her and sleep. Not fuck, like in those movies. Not even have sex. Just sleep together in the most innocent sense of the phrase. But I lacked the courage and she had a boyfriend and I was gawky and she was gorgeous and I was hopelessly boring and she was endlessly fascinating. So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was drizzle and she was hurricane.
β
β
John Green (Looking for Alaska)
β
Itβs fascinating. You know all these words, and theyβre all English, but when you string them together into sentences, they just donβt make any sense.
β
β
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
β
There are only two kinds of people who are really fascinating: people who know absolutely everything, and people who know absolutely nothing.
β
β
Oscar Wilde
β
Book collecting is an obsession, an occupation, a disease, an addiction, a fascination, an absurdity, a fate. It is not a hobby. Those who do it must do it. Those who do not do it, think of it as a cousin of stamp collecting, a sister of the trophy cabinet, bastard of a sound bank account and a weak mind.
β
β
Jeanette Winterson
β
Itβs always been fascinating to me how things can be simultaneously true and false, how people can be good and bad all in one, how someone can love you in a way that is beautifully selfless while serving themselves ruthlessly.
β
β
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
β
Know your own happiness. You want nothing but patience- or give it a more fascinating name, call it hope.
β
β
Jane Austen (Sense and Sensibility)
β
My own sex, I hope, will excuse me, if I treat them like rational creatures, instead of flattering their fascinating graces, and viewing them as if they were in a state of perpetual childhood, unable to stand alone.
β
β
Mary Wollstonecraft (A Vindication of the Rights of Woman)
β
Fear doesn't shut you down; it wakes you up. I've seen it. It's fascinating." He releases me but doesn't pull away, his hand grazing my jaw, my neck. "Sometimes I just...want to see it again. Want to see you awake.
β
β
Veronica Roth (Divergent (Divergent, #1))
β
You think my first instinct is to protect you. Because you're small, or a girl, or a Stiff. But you're wrong."
He leans his face close to mine and wraps his fingers around my chin. His hand smells like metal. When was the last time he held a gun, or a knife? My skin tingles at the point of contact, like he's transmitting electricity through his skin.
"My first instinct is to push you until you break, just to see how hard I have to press." he says, his fingers squeezing at the word break. My body tenses at the edge in his voice, so I am coiled as tight as a spring, and I forget to breathe.
His dark eyes lifting to mine, he adds, "But I resist it."
"Why..." I swallow hard. "Why is that your first instinct?"
"Fear doesn't shut you down; it wakes you up. I've seen it. It's fascinating." He releases me but doesn't pull away, his hand grazing my jaw, my neck. "Sometimes I just want to see it again. Want to see you awake.
β
β
Veronica Roth (Divergent (Divergent, #1))
β
I can't imagine why you're so interested."
He shook his head. "Interested? We're talking about you. I'm fascinated.
β
β
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
β
Fascinating. You look all frail and breakable, but youβre really a violent little thing, arenβt you?
β
β
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
β
So you don't ever get angry at him?"
Jem laughed out loud. "I would hardly say that. Sometimes I want to strangle him."
"How on earth do you prevent yourself?"
"I go to my favorite place in London," said Jem, "and I stand and look at the water, and I think about the continuity of life, and how the river rolls on, oblivious of the petty upsets in our lives."
Tessa was fascinated. "Does that work?"
"Not really, but after that I think about how I could kill him while he slept if I really wanted to, and then I feel better.
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
I desire to be with you. I miss you. I feel lonely when I can't see you. I am obsessed with you, fascinated by you, infatuated with you. I hunger for your taste, your smell, the feel of your soul touching mine.
β
β
Jack Llawayllynn (Indulgence)
β
She was fascinated with words. To her, words were things of beauty, each like a magical powder or potion that could be combined with other words to create powerful spells.
β
β
Dean Koontz (Lightning)
β
We're fascinated by the words--but where we meet is in the silence behind them.
β
β
Ram Dass
β
Fascinating, isn't it, how often heroic and foolish turn out to be one and the same.
β
β
Marissa Meyer (Heartless)
β
I'm fascinated with the stories that we tell. Real histories become fantasies and fairy tales, morality tales and fables.
β
β
Kara Walker
β
Do whatever brings you to life, then. Follow your own fascinations, obsessions, and compulsions. Trust them. Create whatever causes a revolution in your heart.
β
β
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
β
Every intelligent individual wants to know what makes him tick, and yet is at once fascinated and frustrated by the fact that oneself is the most difficult of all things to know.
β
β
Alan W. Watts
β
I was gawky and she was gorgeous and I was hopelessly boring and she was endlessly fascinating. So I walked back to my room and collapsed on the bottom bunk, thinking that if people were rain, I was drizzle and she was hurricane.
β
β
John Green (Looking for Alaska)
β
As long as everyone's wearing their own pants."
"I see I have come in on a fascinating moment in the conversation.
β
β
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
β
We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we all existed in space like animals with identical skins, and that they knew everything about us though we couldnβt fathom them at all. We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
β
β
Jeffrey Eugenides (The Virgin Suicides)
β
And we all know love is a glass which makes even a monster appear fascinating.
β
β
Alberto Moravia (The Woman of Rome)
β
We knew, finally, that the girls were really women in disguise, that they understood love and even death, and that our job was merely to create the noise that seemed to fascinate them.
β
β
Jeffrey Eugenides (The Virgin Suicides)
β
I find this a fascinating phenomenon: the ability we have to manipulate ourselves so that the foundation of our beliefs is never shaken.
β
β
Muriel Barbery (The Elegance of the Hedgehog)
β
Itβs fascinating. How so much of love is about who you are with someone.
β
β
Emily Henry (People We Meet on Vacation)
β
THATβS MORTALS FOR YOU, Death continued. THEYβVE ONLY GOT A FEW YEARS IN THIS WORLD AND THEY SPEND THEM ALL IN MAKING THINGS COMPLICATED FOR THEMSELVES. FASCINATING.
β
β
Terry Pratchett (Mort (Discworld, #4; Death, #1))
β
The fascination of shooting as a sport depends almost wholly on whether you are at the right or wrong end of the gun.
β
β
P.G. Wodehouse (The Adventures of Sally)
β
That's the difference between girls and women: Girls find men fascinating. Women know better.
β
β
Candace Bushnell (One Fifth Avenue)
β
Do you know my biggest regret?" She asks. "That you turned into this bright, beautiful, fascinating person... and I can't take credit for any of it.
β
β
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
β
He'd noticed that sex bore some resemblance to cookery: it fascinated people, they sometimes bought books full of complicated recipes and interesting pictures, and sometimes when they were really hungry they created vast banquets in their imagination - but at the end of the day they'd settle quite happily for egg and chips. If it was well done and maybe had a slice of tomato.
β
β
Terry Pratchett (The Fifth Elephant (Discworld, #24; City Watch, #5))
β
People are fascinated by the rich: Shakespeare wrote plays about kings, not beggars.
β
β
Dominick Dunne
β
It frustrates and fascinates me that we'll never know for sure, that despite the best efforts of historians and scientists and poets, there are some things we'll just never know. What the first song sounded like. How it felt to see the first photograph. Who kissed the first kiss, and if it was any good.
β
β
Isaac Marion (Warm Bodies (Warm Bodies, #1))
β
Here is another secret: I have no business being fascinated by you.
β
β
Maggie Stiefvater (Lament: The Faerie Queen's Deception (Books of Faerie, #1))
β
That's why literature is so fascinating. It's always up for interpretation, and could be a hundred different things to a hundred different people. It's never the same thing twice.
β
β
Sara Raasch (Snow Like Ashes (Snow Like Ashes, #1))
β
What keeps life fascinating is the constant creativity of the soul.
β
β
Deepak Chopra (Life After Death: The Burden of Proof)
β
βI have always been fascinated by the ocean, to dip a limb beneath its surface and know that I'm touching eternity, that it goes on forever until it begins here again.
β
β
Lauren DeStefano (Wither (The Chemical Garden, #1))
β
Because your human joy fascinates meβthe way you experience things, in your life span, so wildly and deeply and all at once, is β¦ entrancing. Iβm drawn to it, even when I know I shouldnβt be, even when I try not to be.
β
β
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
β
I wondered if he ever thought of me, and hated the pang I felt when I told myself he didn't.
β
β
Sarah Dessen (Dreamland)
β
Pain was a fascinating horror
β
β
Aldous Huxley (Brave New World)
β
The only artists I have ever known who are personally delightful are bad artists. Good artists exist simply in what they make, and consequently are perfectly uninteresting in what they are. A great poet, a really great poet, is the most unpoetical of all creatures. But inferior poets are absolutely fascinating. The worse their rhymes are, the more picturesque they look. The mere fact of having published a book of second-rate sonnets makes a man quite irresistible. He lives the poetry that he cannot write. The others write the poetry that they dare not realize.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
No dragon can resist the fascination of riddling talk and of wasting time trying to understand it.
β
β
J.R.R. Tolkien (The Hobbit, or There and Back Again (The Lord of the Rings, #0))
β
I love you, he thought, looking at Win. I love every part of you, every thought and word... the entire complex, fascinating bundle of all the things you are. I want you with ten different kinds of need at once. I love all the seasons of you, the way you are now, the thought of how much more beautiful you'll be in the decades to come. I love you for being the answer to every question my heart could ask.
β
β
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
β
We are living in a culture entirely hypnotized by the illusion of time, in which the so-called present moment is felt as nothing but an infintesimal hairline between an all-powerfully causative past and an absorbingly important future. We have no present. Our consciousness is almost completely preoccupied with memory and expectation. We do not realize that there never was, is, nor will be any other experience than present experience. We are therefore out of touch with reality. We confuse the world as talked about, described, and measured with the world which actually is. We are sick with a fascination for the useful tools of names and numbers, of symbols, signs, conceptions and ideas.
β
β
Alan W. Watts
β
So what were you [Sonea] and Dorrien discussing before?' Akkarin asked.
She turned to regard him. 'Discussing?'
'Outside the farmhouse when I was buying the food.'
'Oh. Then. Nothing.'
He smiled and nodded. 'Nothing. Amazing subject, that one. Produces such fascinating reactions in people.
β
β
Trudi Canavan (The High Lord (Black Magician Trilogy, #3))
β
Those who travel to mountain-tops are half in love with themselves, and half in love with oblivion.
β
β
Robert Macfarlane (Mountains of the Mind: A History of a Fascination)
β
He grinned, and the grin changed his face completely. Ty when he was still and expressionless had an intensity that fascinated Kit; when he was smiling, he was extraordinary.
β
β
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
β
You know, itβs amazing to me the wounds we carry for eternity. But what has fascinated me most these last few years is how the right person can heal them. I remember a wise man once said to me that everyone deserves to be loved. Even you. (Zarek)
β
β
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
β
She turned to look at Sebastian, lying on the bed. He was shirtless, and even in the dim light the old whip weals across his back were visible. She had always been fascinated by Shadowhunters but had never thought she would find one whose personality she could stand for more than five minutes, until Sebastian.
β
β
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
β
People say I make strange choices, but theyβre not strange for me. My sickness is that Iβm fascinated by human behavior, by whatβs underneath the surface, by the worlds inside people.
β
β
Johnny Depp
β
You are my heart as it beats within my chest, my soul as it moves through my mind. The breath in my body that so fascinates you is your essence pouring in and out of me in a wave that drowns me over and over again until I cannot breathe for wanting you. Needing you.
β
β
Jacquelyn Frank (Elijah (Nightwalkers, #3))
β
I was always fascinated by people who are considered completely normal, because I find them the weirdest of all
β
β
Johnny Depp
β
It does little good to regret a choice. So often people say, βIf only I had known,β implying they wouldβve acted differently in a given situation. It is true that desires of the moment can blind oneβs sight of the future. Revenge is not as sweet as the adage claims. Yet who could pass a chance to taste it? And if the chance were allowed to slip by, would the fool regret his lack of action?Β
β
β
K. Ritz (Sheever's Journal, Diary of a Poison Master)
β
Words could betray you if you chose the wrong ones, or mean less if you used too many. Jokes could be grandly miscalculated, or stories deemed boring, and I'd learned early on that my sense of humor and ideas about what sorts of things were fascinating didn't exactly overlap with my friends'.
β
β
Robyn Schneider (The Beginning of Everything)
β
I borrowed this from Kyle. My other shirt was pretty filthy."
"Wow, you're wearing each other's clothes now. That's, like, best friend stuff."
"Feeling left out?" said Kyle. "I suppose you want to borrow a black T-shirt too."
"As long as everyone's wearing their own pants."
"I see have come in on a fascinating moment in the conversation." Eric poked his head through the curtain.
β
β
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
β
I never approve, or disapprove, of anything now. It is an absurd attitude to take towards life. We are not sent into the world to air our moral prejudices. I never take any notice of what common people say, and I never interfere with what charming people do. If a personality fascinates me, whatever mode of expression that personality selects is absolutely delightful to me.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
Death is like an old whore in a bar--I'll buy her a drink but I won't go upstairs with her
β
β
Ernest Hemingway (To Have and Have Not)
β
She is a soft, deadly creature. Kind and timid and terrifying. She's completely out of control and has no idea what she's capable of. And even though she hates me, I can't help but be fascinated by her. I'm enchanted by her pretend-innocence; jealous, even, of the power she wields so unwittingly. I want so much to be a part of her world. I want to know what it's like to be in her mind, to feel what she feels. It seems a tremendous weight to carry.
And now she's out there, somewhere, unleashed on society.
What a beautiful disaster.
β
β
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
β
You realize assuming can often lead to getting into trouble.
β
β
March Lions (The Last Sunset)
β
There's a Spanish proverb," he said, "that's always fascinated me. "Take what you want and pay for it, says God.'" "I don't believe in God," Daniel said, "but that principle seems, to me, to have a divinity of its own; a kind of blazing purity. What could be simpler, or more crucial? You can have anything you want, as long as you accept that there is a price and that you will have to pay it.
β
β
Tana French (The Likeness (Dublin Murder Squad, #2))
β
The person you have known a long tme is embedded in you like a jewel. The person you have just met casts out a few glistening beams & you are fascinated to see more of them. How many more are there? With someone you've barely met the curiosity is intoxicating.
β
β
Naomi Shihab Nye
β
Simon was looking at Jace as if he were both fascinating and also a little alarming. 'Did I--did we ever--did I bite you?'
Jace touched the scar on his throat. 'I can't believe you remember that.'
'Did we...roll around on the bottom of a boat?'
'Yes you bit me, yes, I kind of liked it, yes, let's not talk about it again,' said Jace. 'You're not a vampire anymore. Focus.
β
β
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
β
We?" Simon looked at him in disbelief. "Are you ever going home?"
"What, bored with my company already?"
"Let me ask you something," Simon said. "Do you find me fascinating to be around?"
"What was that?" Jace said. "Sorry, I think I fell asleep for a moment. Do, continue with whatever mesmerizing thing you were saying.
β
β
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
β
The Temple of Dendur," Zia said. "Actually it was built by the Romans - "
"When they occupied Egypt," Carter said, like this was delightful information. "Augustus commissioned it."
"Yes," Zia said.
"Fascinating," I murmured. "Would you two like to be left alone with a history textbook?
β
β
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
β
Oh, he did look like a deity β the perfect balance of danger and charm, he was at the same time fascinating and inaccessible, distant because of his demonstrated flawlessness, and possessing such strength of character that he was dismaying and at the same time utterly attractive in an enticing and forbidden way.
β
β
Simona Panova (Nightmarish Sacrifice (Cardew))
β
Your question is the most difficult in the world. It is not a question I can answer simply with yes or no. I am not an Atheist. I do not know if I can define myself as a Pantheist. The problem involved is too vast for our limited minds. May I not reply with a parable? The human mind, no matter how highly trained, cannot grasp the universe. We are in the position of a little child, entering a huge library whose walls are covered to the ceiling with books in many different tongues. The child knows that someone must have written those books. It does not know who or how. It does not understand the languages in which they are written. The child notes a definite plan in the arrangement of the books, a mysterious order, which it does not comprehend, but only dimly suspects. That, it seems to me, is the attitude of the human mind, even the greatest and most cultured, toward God. We see a universe marvelously arranged, obeying certain laws, but we understand the laws only dimly. Our limited minds cannot grasp the mysterious force that sways the constellations. I am fascinated by Spinoza's Pantheism. I admire even more his contributions to modern thought. Spinoza is the greatest of modern philosophers, because he is the first philosopher who deals with the soul and the body as one, not as two separate things.
β
β
Albert Einstein
β
A Frenchman's self-assurance stems from his belief that he is mentally and physically irresistibly fascinating to both men and women. An Englishman's self-assurance is founded on his being a citizen of the best organized state in the world and on the fact that, as an Englishman, he always knows what to do, and that whatever he does as an Englishman is unquestionably correct. An Italian is self-assured because he is excitable and easily forgets. A Russian is self-assured simply because he knows nothing and does not want to know anything, since he does not believe in the possibility of knowing anything fully.
β
β
Leo Tolstoy (War and Peace)
β
He has a fascination with mortals.
Raphael had said that to her before she'd woken with wings of midnight and dawn.
"Why are you starting at me, Ellie?" Illium said without taking his eyes from the blade dancing around his fingers.
The words were instinctive, something she might as easily have said to rib Ransom. "You're so pretty, it's difficult to resist."
A flashing grin, a hint of that aristocratic English accent in his response. "It's hard to be me, it's true.
β
β
Nalini Singh (Archangel's Consort (Guild Hunter, #3))
β
Itβs the unknown that draws people.
β
β
E.A. Bucchianeri (Brushstrokes of a Gadfly (Gadfly Saga, #1))
β
I love you, he thought, looking at Win. I love every part of you, every thought and word... the entire complex, fascinating bundle of all the things you are. I want you with ten different kinds of need at once. I love all the seasons of you, the way you are now, the thought of how much more beautiful you'll be in the decades to come. I love you for being the answer to every question my heart could ask.
And it seemed so easy, once he capitulated. It seemed natural and right.
Kev wasn't certain if he was surrendering to Win or to his own passion for her. Only that there was no more holding back. He would take her. And he would give her everything he had, every part of his soul, even the broken pieces.
β
β
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
β
I have had the best day ever more times that I can remember. So yes,
I believe I am ready to die if that is what is needed to live as I want to.
β
β
Hendri Coetzee (Living the Best Day Ever)
β
You get your intuition back when you make space for it, when you stop the chattering of the rational mind. The rational mind doesn't nourish you. You assume that it gives you the truth, because the rational mind is the golden calf that this culture worships, but this is not true. Rationality squeezes out much that is rich and juicy and fascinating.
β
β
Anne Lamott (Bird by Bird)
β
Gods, religions and national boundaries are absolutely imaginary. They don't tend to exist. As soon as you pull back half a mile and look down at the Earth there are no national boundaries. There aren't even national boundaries when you get down and walk around. They're just imaginary lines we draw on maps. I just get fascinated by people who assume that things that are imaginary have no relevance to their lives.
β
β
Neil Gaiman
β
I walked past Malison, up Lower Main to Main and across the road. I didnβt need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward.Β
I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer.
We were almost to the cemetery before he asked where we were going. I answered with another question. βDo you like living in the High Lordβs kitchens?β
He, of course, replied, βNo.β
βWell, weβre going to a better place.β
When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calecβs cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds.
Malison moved beside me. βItβs a graveyard.β
βAre you afraid of ghosts?β I asked.
βMy fatherβs a ghost,β he whispered.
I asked if he wanted to learn how to throw a knife. He said, βYes,β as I knew he would.Β He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. Iβd spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined.Β
Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path.
βArenβt you going to show me?β Malison prompted, as if to echo my prayer.
β
β
K. Ritz (Sheever's Journal, Diary of a Poison Master)
β
But when his accusers rose to speak they brought none of the charges I was expecting; they merely had several points of disagreement with him about their peculiar religion and about someone called Jesus, a dead man whom Paul alleged to be alive β¦ Jonathan read on, fascinated by the story, there were so many interesting details. But then he paused β was it the true story it said it was?
β
β
Elizabeth Tebby Germaine (A MAN WHO SEEMED REAL: A story of love, lies, fear and kindness)
β
These days, I've been trying to classify my thoughts into two categories: "Things I can change," and "Things I can't." It seems to help me sort through what to really stress about. But there I go again, over-planning and over-organizing my over-thinking! I write songs about my adventures and misadventures, most of which concern love. Love is a tricky business. But if it wasn't, I wouldn't be so enthralled with it. Lately I've come to a wonderful realization that makes me even more fascinated by it: I have no idea what I'm doing when it comes to love. No one does! There's no pattern to it, except that it happens to all of us, of course. I can't plan for it. I can't predict how it'll end up. Because love is unpredictable and it's frustrating and it's tragic and it's beautiful. And even though there's no way to feel like I'm an expert at it, it's worth writing songs about -- more than anything else I've ever experienced in my life.
β
β
Taylor Swift (Taylor Swift Songbook: Guitar Recorded Versions)
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He was like one of those pictures full of small errors, the kind you could only pick out by searching the image from every angle, and even then, a few always slipped by. On the surface, Eli seemed perfectly normal, but now and then Victor would catch a crack, a sideways glance, a moment when his roommate's face and his words, his look and his meaning, would not line up. Those fleeting slices fascinated Victor. It was like watching two people, one hiding in the other's skin. And their skin was always too dry, on the verge of cracking and showing the color of the thing beneath.
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Victoria E. Schwab (Vicious (Villains, #1))
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The alchemist picked up a book that someone in the caravan had brought. Leafing through the pages, he found a story about Narcissus.
The alchemist knew the legend of Narcissus, a youth who knelt daily beside a lake to contemplate his own beauty. He was so fascinated by himself that, one morning, he fell into the lake and drowned. At the spot where he fell, a flower was born, which was called the narcissus.
But this was not how the author of the book ended the story.
He said that when Narcissus died, the goddesses of the forest appeared and found the lake, which had been fresh water, transformed into a lake of salty tears.
'Why do you weep?' the goddesses asked.
'I weep for Narcissus," the lake replied.
'Ah, it is no surprise that you weep for Narcissus,' they said, 'for though we always pursued him in the forest, you alone could contemplate his beauty close at hand.'
'But... was Narcissus beautiful?' the lake asked.
'Who better than you to know that?' the goddesses asked in wonder. 'After all, it was by your banks that he knelt each day to contemplate himself!'
The lake was silent for some time. Finally, it said:
'I weep for Narcissus, but I never noticed that Narcissus was beautiful. I weep because, each time he knelt beside my banks, I could see, in the depths of his eyes, my own beauty reflected.'
'What a lovely story,' the alchemist thought.
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Paulo Coelho (The Alchemist)
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So why do they call it the crease?β Dex asks in fascination after the second period commences. βAnd why does it sound so dirty?β On my other side, Allie leans in to grin at Dexter. βBabe, everything about hockey sounds dirty. Five-hole? Poke check? Backdoor?β She sighs. βCome home with me one time and listen to my dad yell Jam it in! over and over again when he watches hockey, and then you can talk to me about dirty. Not to mention uncomfortable.
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Elle Kennedy (The Deal (Off-Campus, #1))
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Humans had built a world inside the world, which reflected it in pretty much the same way as a drop of water reflected the landscape. And yet ... and yet ...
Inside this little world they had taken pains to put all the things you might think they would want to escape from β hatred, fear, tyranny, and so forth. Death was intrigued. They thought they wanted to be taken out of themselves, and every art humans dreamt up took them further in. He was fascinated.
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Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
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One of the biggest, and possibly the biggest, obstacle to becoming a writer... is learning to live with the fact that the wonderful story in your head is infinitely better, truer, more moving, more fascinating, more perceptive, than anything you're going to manage to get down on paper. (And if you ever think otherwise, then you've turned into an arrogant self-satisfied prat, and should look for another job or another avocation or another weekend activity.) So you have to learn to live with the fact that you're never going to write well enough. Of course that's what keeps you trying -- trying as hard as you can -- which is a good thing.
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Robin McKinley
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And the truth is that I'm not, Ed, is what I wanted to tell you. I'm not arty like everyone says who doesn't know me, I don't paint, I can't draw, I play no instrument, I can't sing. I'm not in plays, I wanted to say, I don't write poems. I can't dance except tipsy at dances. I'm not athletic, I'm not a goth or a cheerleader, I'm not treasurer or co-captain. I'm not gay and out and proud, I'm not that kid from Sri Lanka, not a triplet, a prep, a drunk, a genius, a hippie, a Christian, a slut, not even one of those super-Jewish girls with a yarmulke gang wishing everyone a happy Sukkoth. I'm not anything, this is what I realized ... I like movies, everyone knows I do -- I love them -- but I will never be in charge of one because my ideas are stupid and wrong in my head. There's nothing different about that, nothing fascinating, interesting, worth looking at.
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Daniel Handler (Why We Broke Up)
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We could never understand why the girls cared so much about being mature, or why they felt compelled to compliment each other, but sometimes, after one of us had read a long portion of the diary out loud, we had to fight back the urge to hug one another or tell each other how pretty we were. We felt the imprisonment of being a girl, the way it made your mind active and dreamy, and how you ended up knowing which colors went together. We knew that the girls were our twins, that we allexisted in space like animals with identical skins, and that they knew everything about us though we couldn'y fathom them at all. We knew finally that the girls were really woman in diquise, that they understood love even death, and that our job was merely to create the noise that seemed to fascinate them.
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Jeffrey Eugenides (The Virgin Suicides)
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What do I sound like?" I asked, more breathily than I intended. God, so predictable.
He considered his answer for a moment before he gave it. "Dissonant," he said finally.
"Meaning?"
Another long pause. "Unstable."
Hmm.
He shook his head. "Not the way you're thinking," he said, the shadow of a smile on his lips. "In music, consonant chords are points of arrival. Rest. There's no tension," he tried to explain. "Most pop music hooks are consonant, which is why most people like them. They're catchy but interchangeable. Boring. Dissonant intervals, however, are full of tension," he said, holding my gaze. "You can't predict which way they're going to go. It makes limited people uncomfortable - frustrated, because they don't understand the point, and people hate what they don't understand. But the ones who get it," he said, lifting a hand to my face, "find it fascinating. Beautiful." He traced the shape of my mouth with his thumb. "Like you.
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Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
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I measure every Grief I meet
With narrow, probing, Eyes;
I wonder if It weighs like Mine,
Or has an Easier size.
I wonder if They bore it long,
Or did it just begin?
I could not tell the Date of Mine,
It feels so old a pain.
I wonder if it hurts to live,
And if They have to try,
And whether, could They choose between,
It would not be, to die.
I note that Some --
gone patient long --
At length, renew their smile.
An imitation of a Light
That has so little Oil.
I wonder if when Years have piled,
Some Thousands -- on the Harm
Of early hurt -- if such a lapse
Could give them any Balm;
Or would they go on aching still
Through Centuries above,
Enlightened to a larger Pain
By Contrast with the Love.
The Grieved are many,
I am told;
The reason deeper lies, --
Death is but one
and comes but once,
And only nails the eyes.
There's Grief of Want
and Grief of Cold, --
A sort they call "Despair";
There's Banishment from native Eyes,
In sight of Native Air.
And though I may not guess the kind
Correctly, yet to me
A piercing Comfort it affords
In passing Calvary,
To note the fashions of the Cross,
And how they're mostly worn,
Still fascinated to presume
That Some are like My Own.
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Emily Dickinson (I'm Nobody! Who Are You? (Scholastic Classics))
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I've noticed a fascinating phenomenon in my thirty years of teaching: schools and schooling are increasingly irrelevant to the great enterprises of the planet. No one believes anymore that scientists are trained in science classes or politicians in civics classes or poets in English classes. The truth is that schools don't really teach anything except how to obey orders. This is a great mystery to me because thousands of humane, caring people work in schools as teachers and aides and administrators, but the abstract logic of the institution overwhelms their individual contributions. Although teachers to care and do work very, very hard, the institution is psychopathic -- it has no conscience. It rings a bell and the young man in the middle of writing a poem must close his notebook and move to a different cell where he must memorize that humans and monkeys derive from a common ancestor.
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John Taylor Gatto (Dumbing Us Down: The Hidden Curriculum of Compulsory Schooling)
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There is a distinct difference between "suspense" and "surprise," and yet many pictures continually confuse the two. I'll explain what I mean.
We are now having a very innocent little chat. Let's suppose that there is a bomb underneath this table between us. Nothing happens, and then all of a sudden, "Boom!" There is an explosion. The public is surprised, but prior to this surprise, it has seen an absolutely ordinary scene, of no special consequence. Now, let us take a suspense situation. The bomb is underneath the table and the public knows it, probably because they have seen the anarchist place it there. The public is aware the bomb is going to explode at one o'clock and there is a clock in the decor. The public can see that it is a quarter to one. In these conditions, the same innocuous conversation becomes fascinating because the public is participating in the scene. The audience is longing to warn the characters on the screen: "You shouldn't be talking about such trivial matters. There is a bomb beneath you and it is about to explode!"
In the first case we have given the public fifteen seconds of surprise at the moment of the explosion. In the second we have provided them with fifteen minutes of suspense. The conclusion is that whenever possible the public must be informed. Except when the surprise is a twist, that is, when the unexpected ending is, in itself, the highlight of the story.
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Alfred Hitchcock
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Beau's gaze made my cheeks flush. A pleased grin touched his lips and I suddenly wanted to know how those lips would feel pressed against mine. I couldn't take my eyes off them. Even when his smile vanished I continued staring at his mouth.
"You're gonna have to stop doing that Ash," Beau whispered huskily and closed the space between us. His body was suddenly pressed against mine. I managed to shake my fascination with his lips and gaze up into his eyes. He was staring down at me with a hungry gleam I wasn't accustomed to seeing. But I liked it. I liked it a lot.
"Ash, I'm trying real hard to be good. Good isn't my thing but Sawyers important to me. Please remember I've got limits and you studying my mouth like you want a taste is pushing me dangerously close to the edge of those limits.
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Abbi Glines (The Vincent Boys (The Vincent Boys, #1))
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As the hours, the days, the weeks, the seasons slip by, you detach yourself from everything. You discover, with something that sometimes almost resembles exhilaration, that you are free. That nothing is weighing you down, nothing pleases or displeases you. You find, in this life exempt from wear and tear and with no thrill in it other than these suspended moments, in almost perfect happiness, fascinating, occasionally swollen by new emotions. You are living in a blessed parenthesis, in a vacuum full of promise, and from which you expect nothing. You are invisible, limpid, transparent. You no longer exist. Across the passing hours, the succession of days, the procession of the seasons, the flow of time, you survive without joy and without sadness. Without a future and without a past. Just like that: simply, self evidently, like a drop of water forming on a drinking tap on a landing.
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Georges Perec (Things: A Story of the Sixties / A Man Asleep)
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I adore the way fan fiction writers engage with and critique source texts, by manipulating them and breaking their rules. Some of it is straight-up homage, but a lot of [fan fiction] is really aggressive towards the source text. One tends to think of it as written by total fanboys and fangirls as a kind of worshipful act, but a lot of times youβll read these stories and itβll be like βWhat if Star Trek had an openly gay character on the bridge?β And of course the point is that they donβt, and they wouldnβt, because they donβt have the balls, or they are beholden to their advertisers, or whatever. Thereβs a powerful critique, almost punk-like anger, being expressed thereβwhich I find fascinating and interesting and cool.
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Lev Grossman
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Independence is the luxury of all those people who are too confident, and busy, and popular, and attractive to be just plain old lonely. And make no mistake, lonely is absolutely the worst thing to be. Tell someone that you've got a drink problem, or an eating disorder, or your dad died when you were a kid even, and you can almost see their eyes light up with the sheer fascinating drama and pathos of it all, because you've got an issue, something for them to get involved in, to talk about and analyse and discuss and maybe even cure. But tell someone youβre lonely and of course theyβll seem sympathetic, but look very carefully and you'll see one hand snaking behind their back, groping for the door handle, ready to make a run for it, as if loneliness itself were contagious. Because being lonely is just so banal, so shaming, so plain and dull and ugly.
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David Nicholls (Starter for Ten)
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It always does seem to me that I am doing more work than I should do. It is not that I object to the work, mind you; I like work: it fascinates me. I can sit and look at it for hours. I love to keep it by me: the idea of getting rid of it nearly breaks my heart.
You cannot give me too much work; to accumulate work has almost become a passion with me: my study is so full of it now, that there is hardly an inch of room for any more. I shall have to throw out a wing soon.
And I am careful of my work, too. Why, some of the work that I have by me now has been in my possession for years and years, and there isnβt a finger-mark on it. I take a great pride in my work; I take it down now and then and dust it. No man keeps his work in a better state of preservation than I do.
But, though I crave for work, I still like to be fair. I do not ask for more than my proper share.
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Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
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Isnβt it so weird how the number of dead people is increasing even though the earth stays the same size, so that one day there isnβt going to be room to bury anyone anymore? For my ninth birthday last year, Grandma gave me a subscription to National Geographic, which she calls βthe National Geographic.β She also gave me a white blazer, because I only wear white clothes, and itβs too big to wear so it will last me a long time. She also gave me Grandpaβs camera, which I loved for two reasons. I asked why he didnβt take it with him when he left her. She said, βMaybe he wanted you to have it.β
I said, βBut I was negative-thirty years old.β She said, βStill.β Anyway, the fascinating thing was that I read in National Geographic that there are more people alive now than have died in all of human history. In other words, if everyone wanted to play Hamlet at once, they couldnβt, because there arenβt enough skulls!
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Jonathan Safran Foer
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In a traditional German toilet, the hole into which shit disappears after we flush is right at the front, so that shit is first laid out for us to sniff and inspect for traces of illness. In the typical French toilet, on the contrary, the hole is at the back, i.e. shit is supposed to disappear as quickly as possible. Finally, the American (Anglo-Saxon) toilet presents a synthesis, a mediation between these opposites: the toilet basin is full of water, so that the shit floats in it, visible, but not to be inspected. [...] It is clear that none of these versions can be accounted for in purely utilitarian terms: each involves a certain ideological perception of how the subject should relate to excrement. Hegel was among the first to see in the geographical triad of Germany, France and England an expression of three different existential attitudes: reflective thoroughness (German), revolutionary hastiness (French), utilitarian pragmatism (English). In political terms, this triad can be read as German conservatism, French revolutionary radicalism and English liberalism. [...] The point about toilets is that they enable us not only to discern this triad in the most intimate domain, but also to identify its underlying mechanism in the three different attitudes towards excremental excess: an ambiguous contemplative fascination; a wish to get rid of it as fast as possible; a pragmatic decision to treat it as ordinary and dispose of it in an appropriate way. It is easy for an academic at a round table to claim that we live in a post-ideological universe, but the moment he visits the lavatory after the heated discussion, he is again knee-deep in ideology.
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Slavoj Ε½iΕΎek (The Plague of Fantasies (Wo Es War Series))
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Today," she told it, "death comes to all your circuits. Will it be slow and systematic or fast and brutal?" Considering, she circled it, "Tough decision. I've waited so long for this moment. Dreamed of it."
Showing her teeth, she began to roll up her sleeves.
"What," Roarke asked from the doorway that connected their work areas, "is that?"
"The former bane of my existence. The Antichrist of technology. Do we have a hammer?"
Studying the pile on the floor, he walked in. "Several, I imagine, of various types."
"I want all of them. Tiny little hammers, big, wallbangers, and everything in between."
"Might one ask why?"
"I'm going to beat this thing apart, byte by byte, until there's nothing left but dust from the last trembling chip."
"Hmmm." Roarke crouched down, examined the pitifully out-of-date system. "When did you haul this mess in here?"
"Just now. I had it in the car. Maybe I should use acid, just stand here and watch it hiss and dissolve. That could be good."
Saying nothing, Roarke took a small case out of his pocket, opened it, and chose a slim tool. With a few deft moves, he had the housing open.
"Hey! Hey! What're you doing?"
"I haven't seen anything like this in a decade. Fascinating. Look at this corrosion. Christ, this is a SOC chip system. And it's cross-wired."
When he began to fiddle, she rushed over and slapped at his hands. "Mine. I get to kill it."
"Get a grip on yourself," he said absently and delved deeper into the guts. "I'll take this into research."
"No. Uh-uh. I have to bust it apart. What if it breeds?
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J.D. Robb (Witness in Death (In Death, #10))