Farmer Father Quotes

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The day your education makes you roll your eyes at your father. The day your exposure makes you call your own mother uncivilized, the day your amazing foreign degrees make you cringe as your driver speaks pidgin english, may you never forget your grandfather was a farmer from Oyo state who never understood english.
Ijeoma Umebinyuo (Questions for Ada)
He roared at me furiously for ten minutes after he finally managed to put out the sulky and determined fire, calling me a witless muttonheaded spawn of pig farmers-"My father's a wood-cutter," I said- "adOf axe-swinging lummocks!" he snarled.
Naomi Novik (Uprooted)
Let's begin with an easy agreement. Before his death, your father and I were negotiating for a small area of land on our borders, near Libeth. The Carthyan land has a spring that my farmers need for their crops. Carthya has other spings nearby, so you won't miss it." "My father wouldn't have missed it, but I would," I said, with no actual idea of what spring he meant. "It happens to be my favourite water source in all of Carthya, and I won't part with it.
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
The father is the head of the home; the mother is the heart of the home; the children are the reward, the joy and the life of the home.
Angus Buchan (Faith Like Potatoes: The Story of a Farmer Who Risked Everything for God)
I think people have an instinct for a family. You look until you find a mother, a father, a sister, a brother. They don't have to be blood relatives. They just have to love you. And when you find them, you don't have to look anymore.
Nancy Farmer (The Lord of Opium (Matteo Alacran, #2))
It was muskets that won the Revolution. And don't forget it was axes, and plows that made this country.- Father Wilder
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
There was a long pause while she hated everyone impartially: Tor for behaving like a farmer's son whose pet chicken has just been insulted; her father, for being so immovably kingly; and Perlith for being Perlith.
Robin McKinley (The Hero and the Crown (Damar, #2))
It's work, son," Father said. "That's what money is; it's hard work.
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
Almanzo couldn't understand how Father knew that he wasn't looking at the preacher, if Father was looking at the preacher himself. But Father always did know.
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
Popcorn is American. Nobody but the Indians ever had popcorn, till after the Pilgrim Fathers came to America. On
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
An artist is the magician put among men to gratify--capriciously--their urge for immortality. The temples are built and brought down around him, continuously and contiguously, from Troy to the fields of Flanders. If there is any meaning in any of it, it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities. What now of the Trojan War if it had been passed over by the artist's touch? Dust. A forgotten expedition prompted by Greek merchants looking for new markets. A minor redistribution of broken pots. But it is we who stand enriched, by a tale of heroes, of a golden apple, a wooden horse, a face that launched a thousand ships--and above all, of Ulysses, the wanderer, the most human, the most complete of all heroes--husband, father, son, lover, farmer, soldier, pacifist, politician, inventor and adventurer...
Tom Stoppard (Travesties)
I have a good eye," said Benjamin. "Most of the time I can look at a person and see their whole life. Small things give them away. That farmer, for instance. I could tell by the way he tied his shoes that he'd never traveled more than twenty miles from his home, and it was unlikely that he'd follow us for long. And that Father John of yours. I knew he had something hidden in that sleeve. And I knew he'd use it on you. The only thing I didn't know was if you deserved it.
Hannah Tinti (The Good Thief)
That's the noise that made the Redcoats run!" Mr. Paddock said to Father. "Maybe," Father said, tugging his beard. "But it was muskets that won the Revolution. And don't forget it was axes and plows that made this country." "That's so, come to think of it," Mr. Paddock said.
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
Major Major's father was a sober God-fearing man whose idea of a good joke was to lie about his age. He was a long-limbed farmer, a God-fearing, freedom-loving, law-abiding rugged individualist who held that federal aid to anyone but farmers was creeping socialism. He advocated thrift and hard work and disapproved of loose women who turned him down. His specialty was alfalfa, and he made a good thing out of not growing any. The government paid him well for every bushel of alfalfa he did not grow. The more alfalfa he did not grow, the more money the government gave him, and he spent every penny he didn't earn on new land to increase the amount of alfalfa he did not produce. Major Major's father worked without rest at not growing alfalfa. On long winter evenings he remained indoors and did not mend harness, and he sprang out of bed at the crack of noon every day just to make certain that the chores would not be done. He invested in land wisely and soon was not growing more alfalfa than any other man in the county. Neighbors sought him out for advice on all subjects, for he had made much money and was therefore wise. “As ye sow, so shall ye reap,” he counseled one and all, and everyone said, “Amen.
Joseph Heller (Catch-22)
I tell you the truth - for a long, long time these farmers have worked like horses and cattle; and like horses and cattle they have died. The reason our religion has penetrated this territory like water flowing into dry earth is that it has given this group of people a human warmth they never previously knew. For the first time they have met men who treated them like human beings. It was the human kindness and charity of the fathers that touched their hearts.
Shūsaku Endō (Silence)
The farmers who were hiring Lincoln complained that he was lazy, “awful lazy.” He admitted it. “My father taught me to work,” he said, “but he never taught me to love it.
Dale Carnegie (Lincoln The Unknown)
For out of this modern civilization economic royalists carved new dynasties. New kingdoms were built upon concentration of control over material things. Through new uses of corporations, banks and securities, new machinery of industry and agriculture, of labor and capital—all undreamed of by the fathers—the whole structure of modern life was impressed into this royal service. There was no place among this royalty for our many thousands of small business men and merchants who sought to make a worthy use of the American system of initiative and profit. They were no more free than the worker or the farmer. Even honest and progressive-minded men of wealth, aware of their obligation to their generation, could never know just where they fitted into this dynastic scheme of things. It was natural and perhaps human that the privileged princes of these new economic dynasties, thirsting for power, reached out for control over Government itself. They created a new despotism and wrapped it in the robes of legal sanction. In its service new mercenaries sought to regiment the people, their labor, and their property.
Franklin D. Roosevelt (FDR: Selected Speeches of President Franklin D. Roosevelt)
The tale is told by royalty and vagabonds alike, nobles and peasants, hunters and farmers, the old and the young. The tale comes from every corner of the world, but no matter where it is told, it is always the same story. ...Some say that, once upon a time, she had a prince, a father, a society of friends. Others say that she was once a wicked queen, a worker of illusions, a girl who brought darkness across the lands. Still others say that she once had a sister, and that she loved her dearly. Perhaps all of these are true. These are only rumors, of course, and make little more than a story to tell around the fire. But it is told. And thus they live on. - "The Midnight Star," a folktale.
Marie Lu (The Midnight Star (The Young Elites, #3))
When I went to first grade and the other children said that their fathers were farmers, I simply didn't believe them. I agreed in order to be polite, but in my heart I knew that those men were impostors, as farmers and as fathers, too. In my youthful estimation, Laurence Cook defined both categories. To really believe that others even existed in either category was to break the First Commandment.
Jane Smiley (A Thousand Acres)
Cattle did not have to be led to water. They came eagerly to the trough and drank while Almanzo pumped, then they hurried back to the warm barns, and each went to its own place. Each cow turned into her own stall and put her head between her own stanchions. They never made a mistake. Whether this was because they had more sense than horses, or because they had so little sense that they did everything by habit, Father did not know.
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
The tale is told by royalty and vagabonds alike, nobles and peasants, hunters and farmers, the old and the young. The tale comes from ever corner of the world, but no matter where it is told, it is always the same story, A boy on horseback, wandering at night, in the woods or on the plains or along the shores. The sound of a lute drifts in the evening air. Over head are the stars of a clear sky, a sheet of light so bright that he reaches up, trying to touch them. He stops and descends from his horse. Then he waits. He waits until exactly midnight, when the newest constellation in the sky blinks into existence. If you are very quiet and do not look away, you may see the brightest star in the constellation glow steadily brighter. It brightens until it overwhelms every other star in the sky, brightens until it seems to touch the ground, and then the glow is gone, and it its place is a girl. Her hair and lashes are painted a shifting silver, and a scar crosses one side of her face. She is dressed in Sealand silks and a necklace of sapphire. Some say that, once upon a time, she had a prince, a father, a society of friends. Other say that she was once a wicked queen, a worker of illusions, a girl who brought darkness across the lands. Still others say that she once had a sister, and that she loved her dearly. Perhaps all of these are true. She walks to the boy, tilts her head up at him, and smiles. He bends down to kiss her. Then he helps her onto the horse, and she rides away with him to a faraway place, until they can no longer be seen. These are only rumors, of course, and make little more than a story to tell around the fire. But it is told. And thus they live on. --"The Midnight Star", a folktale
Marie Lu (The Midnight Star (The Young Elites, #3))
I tell you the truth - for a long, long time these farmers have worked like horses and cattle; and like horses and cattle they have died. The reason our religion has penetrated this territory like water flowing into dry earth is that it has given to this group of people a human warmth they never previously knew. For the first time they have met men who treated them like human beings. It was the human kindness and charity of the fathers that touched their hearts.
Shūsaku Endō (Silence)
...and that's how the tournament started, the Million Dollar World Series of Monopoly... ...Jess and Pete thought alike -- like city boys, my father would have said, looking for the payoff in a situation rather than the pitfall. Rose and Ty and I played like farmers, looking for pitfalls, holes, drop-offs, something small that will tip the tractor, break it, eat into your time, your crop, the profits that already exist in your mind, and not only as a result of crop projections and long-range forecasts, but also as an ideal that has never been attained, but could be this year.
Jane Smiley (A Thousand Acres)
In the Old Testament…God is the owner of the vineyard. Here He is the Keeper, the Farmer, the One who takes care of the vineyard. Jesus is the genuine Vine, and the Father takes care of Him…In the Old Testament it is prophesied that the Lord Jesus would grow up before Him as a tender plant and as a root out of the dry ground. Think how often the Father intervened to save Jesus from the devil who wished to slay Him. The Father is the One who cared for the Vine, and He will care for the branches, too.
J. Vernon McGee (Thru the Bible Commentary Vol. 38: The Gospels(John 1-10))
Farmers aren't rich. They have land but no money." Actually, my father didn't even have that much land. He had once stood on the porch and flung his arms out and said, "Someday kids, all this will be yours." But his knuckles hit the porch supports. Even the porch wasn't that big.
Lorrie Moore
On the one hand, I was happy to have a proper diagnosis. Aside from a trust fund and a royal title, that was really the only thing I'd ever wanted in life. On the other hand, I was offended to learn that my brain was defective. Or, I suppose I should say, "differently abled." One thing I was not was surprised. Four generations of manic depression on my mother's side of the family. Three of autism on my father's side. Drug addict uncles, a pyromaniac cousin, a couple of schizophrenics and suicides, several flesh-and-blood geniuses, and a pecan farmer. You just cannot mix those raw ingredients together and then stick them inside my mother for nine months and expect something normal to come out. It's a wonder I wasn't born with a set of horns.
Augusten Burroughs (Lust & Wonder)
Well then, we went and had tea with Henry James today…and Henry James fixed me with his staring blank eye—it is like a childs marble—and said ‘My dear Virginia, they tell me—they tell me—they tell me—that you—as indeed being your fathers daughter nay your grandfathers grandchild—the descendant I may say of a century—of a century—of quill pens and ink—ink—ink pots, yes, yes, yes, they tell me—ahm m m—that you, that you, that you write in short.’ This went on in the public street, while we all waited, as farmers wait for the hen to lay an egg—do they?—nervous, polite, and now on this foot now on that.
Virginia Woolf
These were the kids destined to live the hardworking lives of their parents and take up their fathers' trades, the future farmers, homemakers and baby makers, if they could scoot through these few years of wild pounding hormones without getting hurt or hurting someone else. If they could keep out of jail for this short stretch, most would go on to be the spine of American society - fixing the cars, working the factories, growing the food and fighting the wars.
Bruce Springsteen (Born to Run)
The day your education makes you roll your eyes at your father. The day your exposure makes you call your own mother uncivilized, the day your amazing foreign degrees make you cringe as your driver speaks pidgin english, may you never forget your grandfather was a farmer from Oyo state who never understood english.
Ijeoma Umebinyuo (Questions for Ada)
And cried for mamma, at every turn'-I added, 'and trembled if a country lad heaved his fist against you, and sat at home all day for a shower of rain.-Oh, Heathcliff, you are showing a poor spirit! Come to the glass, and I'll let you see what you should wish. Do you mark those two lines between your eyes, and those thick brows, that instead of rising arched, sink in the middle, and that couple of black fiends, so deeply buried, who never open their windows boldly, but lurk glinting under them, like devil's spies? Wish and learn to smooth away the surly wrinkles, to raise your lids frankly, and change the fiends to confident, innocent angels, suspecting and doubting nothing, and always seeing friends where they are not sure of foes-Don't get the expression of a vicious cur that appears to know the kicks it gets are its desert, and yet, hates all the world, as well as the kicker, for what it suffers.' 'In other words, I must wish for Edgar Linton's great blue eyes, and even forehead,' he replied. 'I do - and that won't help me to them.' 'A good heart will help you to a bonny face, my lad,' I continued, 'if you were a regular black; and a bad one will turn the bonniest into something worse than ugly. And now that we've done washing, and combing, and sulking - tell me whether you don't think yourself rather handsome? I'll tell you, I do. You're fit for a prince in disguise. Who knows, but your father was Emperor of China, and your mother an Indian queen, each of them able to buy up, with one week's income, Wuthering Heights and Thrushcross Grange together? And you were kidnapped by wicked sailors, and brought to England. Were I in your place, I would frame high notions of my birth; and the thoughts of what I was should give me courage and dignity to support the oppressions of a little farmer!
Emily Brontë (Wuthering Heights)
Major Major’s father was a sober God-fearing man whose idea of a good joke was to lie about his age. He was a long-limbed farmer, a God-fearing, freedom-loving, law-abiding rugged individualist who held that federal aid to anyone but farmers was creeping socialism. He advocated thrift and hard work and disapproved of loose women who turned him down.
Joseph Heller (Catch-22)
Major Major's father was a sober God-fearing man whose idea of a good joke was to lie about his age. He was a long-limbed farmer, a God-fearing, freedom-loving, law-abiding rugged individualist who held that federal aid to anyone but farmers was creeping socialism. He advocated thrift and hard work and disapproved of loose women who turned him down.
Joseph Heller (Catch-22)
The doctrine of vocation deals with how God works through human beings to bestow His gifts. God gives us this day our daily bread by means of the farmer the banker, the cooks, And the lady at the check-out counter. He creates new life – the most amazing miracle of all – by means of mothers and fathers. He protects us by means of the police officers, firemen, and our military. He creates. Through artists. He heals by working through doctors, nurses, and others whom He has gifted, equipped, and called to the medical professions.
Gene Edward Veith Jr.
But Owen, he hath not a farmer's heart-/ This apple falls quite near his father's tree - Beru
Ian Doescher
Then Father said: “If the teacher has to thrash you again, Royal, I’ll give you a thrashing you’ll remember.
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
Midwives’ experience of fathers is incidental but proficient, like a farmer’s knowledge of bird migration or the behavior of clouds.
Michael Chabon (Werewolves in Their Youth)
Father always maintained that a man would do more work in twelve hours, if he had a rest and all the egg-nog he could drink, morning and afternoon.
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
The American Constitution was carefully rigged by the noteholders, land speculators, rum runners, and slave holders who were the Founding Fathers, so that it would be next to impossible for upstart dirt farmers and indebted masses to challenge the various forms of private property held by these well read robber barons. Through this Constitution, the over-privileged attempted to rule certain topics out of order for proper political discussion. To bring these topics up in polite conversation was to invite snide invective, charges of personal instability, or financial ruin.
G. William Domhoff (Fat Cats & Democrats: The Role of the Big Rich in the Party of the Common Man)
A man opposite me shifted his feet, accidentally brushing his foot against mine. It was a gentle touch, barely noticeable, but the man immediately reached out to touch my knee and then his own chest with the fingertips of his right hand, in the Indian gesture of apology for an unintended offence. In the carriage and the corridor beyond, the other passengers were similarly respectful, sharing, and solicitous with one another. At first, on that first journey out of the city into India, I found such sudden politeness infuriating after the violent scramble to board the train. It seemed hypocritical for them to show such deferential concern over a nudge with a foot when, minutes before, they'd all but pushed one another out of the windows. Now, long years and many journeys after that first ride on a crowded rural train, I know that the scrambled fighting and courteous deference were both expressions of the one philosophy: the doctrine of necessity. The amount of force and violence necessary to board the train, for example, was no less and no more than the amount of politeness and consideration necessary to ensure that the cramped journey was as pleasant as possible afterwards. What is necessary! That was the unspoken but implied and unavoidable question everywhere in India. When I understood that, a great many of the characteristically perplexing aspects of public life became comprehensible: from the acceptance of sprawling slums by city authorities, to the freedom that cows had to roam at random in the midst of traffic; from the toleration of beggars on the streets, to the concatenate complexity of the bureaucracies; and from the gorgeous, unashamed escapism of Bollywood movies, to the accommodation of hundreds of thousands of refugees from Tibet, Iran, Afghanistan, Africa, and Bangladesh, in a country that was already too crowded with sorrows and needs of its own. The real hypocrisy, I came to realise, was in the eyes and minds and criticisms of those who came from lands of plenty, where none had to fight for a seat on a train. Even on that first train ride, I knew in my heart that Didier had been right when he'd compared India and its billion souls to France. I had an intuition, echoing his thought, that if there were a billion Frenchmen or Australians or Americans living in such a small space, the fighting to board the train would be much more, and the courtesy afterwards much less. And in truth, the politeness and consideration shown by the peasant farmers, travelling salesmen, itinerant workers, and returning sons and fathers and husbands did make for an agreeable journey, despite the cramped conditions and relentlessly increasing heat. Every available centimetre of seating space was occupied, even to the sturdy metal luggage racks over our heads. The men in the corridor took turns to sit or squat on a section of floor that had been set aside and cleaned for the purpose. Every man felt the press of at least two other bodies against his own. Yet there wasn't a single display of grouchiness or bad temper
Gregory David Roberts
If you have a million fans and no talent, you’re still not a success. a million students and no lesson, you’re still not a teacher. a million sermons and no compassion, you’re still not a priest. a million children and no affection, you’re still not a father. a million anniversaries and no devotion, you’re still not a husband. If you have a million sheep and no courage, you’re still not a shepherd. a million seeds and no harvest, you’re still not a farmer. a million titles and no integrity, you’re still not a champion. a million thoughts and no insights, you’re still not a philosopher. a million predictions and no prophecy, you’re still not a prophet. If you have a million soldiers and no unity, you’re still not an army. a million monks and no camaraderie, you’re still not a monastery. a million cities and no borders, you’re still not a country. a million musicians and no harmony, you’re still not an orchestra. a million armies and no strategy, you’re still not a general. If you have a million titles, and no influence, you’re still not a leader; a million ideas and no creations, you’re still not an artist. a million theories, and no facts, you’re still not a scholar; a million books, and no wisdom, you’re still not a sage; a million virtues, and no love, you’re still not a saint.
Matshona Dhliwayo
My grandfather spoke of the influx of Mexican farmworkers and how it was bringing an unwelcome element to the valley and my father asked how the farmers were supposed to get the work done without the help of the migrants.
William Kent Krueger (Ordinary Grace)
Usually, if you ask someone on the island where they come from, they say something like Round about Skarmouth or Back side of Thisby, the hard side or Stone's throw from Tholla. But not me. I remember being small, clutching my father's lined hand, and some wind-beaten old farmer who looked like he'd been dug out of the sod asking, "Where you from, girl?" I answered, in a voice too loud for my tiny freckled self, "The Connolly House." He said ,"What's that, now?" And I replied back, "Where we Connollys live. Because I'm one." And then -- I am still a bit embarrassed about this part of it, as it speaks to a black part of my character -- added, "And you're not.
Maggie Stiefvater (The Scorpio Races)
Marie’s father was a farmer—yes, always—but he was also a reader. These were his two occupations, he told me. “Are you a reader, son?” he asked early. “Yes, sir.” “That’s good. A heap of books is the only foundation a man needs.
Virginia Reeves (Work Like Any Other)
On the farm,” she said quietly, “mothers fly away like migrating birds. And fathers die too young. This is why farmers have daughters. to keep things going in the meantime, until it’s our time to grow wings. Go soaring across the sky.
Kelly Barnhill (The Crane Husband)
dinner. I would climb over the farmer’s fence and toss back to my father samples of the crop I was harvesting. It could be ears of corn or tomatoes or whatever was in season. That’s what you had to do to get by and put food on the table. But the farmers weren’t any too happy with our ideas about sharing in nature’s bounty. Some nights they’d be waiting for us with shotguns. Some farmer would chase me, and I’d jump over the fence and get hit in the butt with birdshot. One
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
I think that people have an instinct for a family. You look until you find a mother, a father, a sister, a brother. They don't have to be blood relatives. They just have to love you. And when you find them, you don't have to look anymore.
Nancy Farmer (The Lord of Opium (Matteo Alacran, #2))
Yes, and our sister's sons are candid now about a creepy business which used to worry them a lot: They cannot find their mother or their father in their memories anywhere - not anywhere. The goat farmer, whose name is James Carmalt Adams, Jr., said this about it to me, tapping his forehead with his fingertips: "It isn't the museum, it should be." The museums in children's minds, I think, automatically empty themselves in times of utmost horror - to protect the children from eternal grief.
Kurt Vonnegut Jr. (Slapstick, or Lonesome No More!)
That was a cold, late spring. The dawns were chilly, and at noon the sunlight was cool. The trees unfolded their leaves slowly; the peas and beans, the carrots and corn, stood waiting for warmth and did not grow. When the rush of spring’s work was over, Almanzo had to go to school again. Only small children went to the spring term of school, and he wished he were old enough to stay home. He didn’t like to sit and study a book when there were so many interesting things to do. Father hauled the fleeces to the carding-machine in Malone, and brought home the soft, long rolls of wool, combed out straight and fine. Mother didn’t card her own wool any more, since there was a machine that did it on shares. But she dyed it. Alice and Eliza Jane were gathering roots and barks in the woods, and Royal was building huge bonfires in the yard. They boiled the roots and the bark in big caldrons over the fires, and they dipped the long skeins of wool thread that Mother had spun, and lifted them
Laura Ingalls Wilder (Farmer Boy: Little House on the Prairie #2)
Most of what's known about religious practices in pre-Hispanic Mexico has come to us through a Catholic parish priest named Hernando Ruiz de Alarcón, one of the few who ever became fluent in the Nahuatl language. He spent the 1620s writing his "Treatise on the Superstitions and Heathen Customs that Today Live Among the Indians Native to This New Spain". He'd originally meant it to be something of a "field guide to the heathens" to help priests recognize and exterminate indigenous religious rites and their practitioners. In the process of his documentation, though, it's clear from his writings that Father Ruiz de Alarcón grew sympathetic. He was particularly fascinated with how Nahuatl people celebrated the sacred in ordinary objects, and encouraged living and spirit realities to meet up in the here and now. He noted that the concept of "death" as an ending did not exactly exist for them. When Aztec people left their bodies, they were presumed to be on an exciting trip through the ether. It wasn't something to cry about, except that the living still wanted to visit with them. People's sadness was not for the departed, but for themselves, and could be addressed through ritual visiting called Xantolo, an ordinary communion between the dead and the living. Mexican tradition still holds that Xantolo is always present in certain places and activities, including marigold fields, the cultivation of corn, the preparation of tamales and pan de muerto. Interestingly, farmers' markets are said to be loaded with Xantolo.
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
don't let your imagination run off with theirs. There is no proof that he did anything to our father. When farmers fear for their livestock, they take down every wolf indiscriminately - don't let the pack do that. Maybe someone like Sam did this, but not Sam.
Lish McBride
My father sometimes asks me if I feel untethered and irresponsible not owning anything. I tell him I feel the opposite: I feel a deep connection to the primeval. I feel like an ancient hunter-gatherer who owns nothing as he wends his way through the complexities of nature, conjuring up a tool just in time for its use and then leaving it behind as he moves on. It is the farmer who needs a barn for his accumulation. The digital native is free to race ahead and explore the unknown. Accessing rather than owning keeps me agile and fresh, ready for whatever is next.
Kevin Kelly (The Inevitable: Understanding the 12 Technological Forces That Will Shape Our Future)
His oldest child from his second marriage, Matthew, stayed up all the night before he was buried, putting his father’s history on a wooden tombstone. He began with his father’s name on the first line, and on the next, he put the years ofhis father’s coming and going. Then all the things he knew his father had been. Husband. Father. Farmer. Grandfather. Patroller. Tobacco Man. Tree Maker. The letters ofthe words got smaller and smaller as the boy, not quite twelve, neared the bottom ofthe wood because he had never made a headstone for anyone before so he had not compensated for all that he would have to put on it. The boy filled up the whole piece ofwood and at the end of the last line he put a period. His father’s grave would remain, but the wooden marker would not last out the year. The boy knew better than to put a period at the end ofsuch a sentence. Something that was not even a true and proper sentence, with subject aplenty, but no verb to pull it all together. A sentence, Matthew’s teacher back in Virginia had tried to drum into his thick Kinsey head, could live without a subject, but it could not live without a verb.
Edward P. Jones (The Known World)
For one who sets himself to look at all earnestly, at all in purpose toward truth, into the living eyes of a human life: what is it he there beholds that so freezes and abashes his ambitious heart? What is it, profound behind the outward windows of each one of you, beneath touch even of your own suspecting, drawn tightly back at bay against the backward wall and blackness of its prison cave, so that the eyes alone shine of their own angry glory, but the eyes of a trapped wild animal, or of a furious angel nailed to the ground by his wings, or however else one may faintly designate the human 'soul,' that which is angry, that which is wild, that which is untamable, that which is healthful and holy, that which is competent of all advantaging within hope of human dream, that which most marvelous and most precious to our knowledge and most extremely advanced upon futurity of all flowerings within the scope of creation is of all these the least destructible, the least corruptible, the most defenseless, the most easily and multitudinously wounded, frustrated, prisoned, and nailed into a cheating of itself: so situated in the universe that those three hours upon the cross are but a noble and too trivial an emblem how in each individual among most of the two billion now alive and in each successive instant of the existence of each existence not only human being but in him the tallest and most sanguine hope of godhead is in a billionate choiring and drone of pain of generations upon generations unceasingly crucified and is bringing forth crucifixions into their necessities and is each in the most casual of his life so measurelessly discredited, harmed, insulted, poisoned, cheated, as not all the wrath, compassion, intelligence, power of rectification in all the reach of the future shall in the least expiate or make one ounce more light: how, looking thus into your eyes and seeing thus, how each of you is a creature which has never in all time existed before and which shall never in all time exist again and which is not quite like any other and which has the grand stature and natural warmth of every other and whose existence is all measured upon a still mad and incurable time; how am I to speak of you as 'tenant' 'farmers,' as 'representatives' of your 'class,' as social integers in a criminal economy, or as individuals, fathers, wives, sons, daughters, and as my friends and as I 'know' you?
James Agee (Let Us Now Praise Famous Men)
Bear with me a moment, now. Chicken-sexing. Since hens have a far greater commercial value than males, cocks, roosters, it is apparently vital to determine the sex of a newly hatched chick. In order to know whether to expend capital on raising it or not, you see. A cock is nearly worthless, apparently, on the open market. The sex characteristics of newly hatched chicks, however, are entirely internal, and it is impossible with the naked eye to tell whether a given chick is a hen or a cock. This is what I have been told, at any rate. A professional chicken-sexer, however, can nevertheless tell. The sex. He can go through a brood of freshly hatched chicks, examining each one entirely by eye, and tell the poultry farmer which chicks to keep and which are cocks. The cocks are to be allowed to perish. “Hen, hen, cock, cock, hen,” and so on and so forth. This is apparently in Australia. The profession. And they are nearly always right. Correct. The fowl determined to be hens do in fact grow up to be hens and return the poultry farmer’s investment. What the chicken-sexer cannot do, however, is explain how he knows. The sex. It’s apparently often a patrilineal profession, handed down from father to son. Australia, New Zealand. Have him hold up a new-hatched chick, a young cock shall we say, and ask him how he can tell that it is a cock, and the professional chicken-sexer will apparently shrug his shoulders and say “Looks like a cock to me.” Doubtless adding “mate,” much the way you or I would add “my friend” or “sir.
David Foster Wallace (Brief Interviews with Hideous Men: Stories)
Her father's old books were all she could command, and these she wore out with much reading. Inheriting his refined tastes, she found nothing to attract her in the society of the commonplace and often coarse people about her. She tried to like the buxom girls whose one ambition was to "get married," and whose only subjects of conversation were "smart bonnets" and "nice dresses." She tried to believe that the admiration and regard of the bluff young farmers was worth striving for; but when one well-to-do neighbor laid his acres at her feet, she found it impossible to accept for her life's companion a man whose soul was wrapped up in prize cattle and big turnips.
Louisa May Alcott (Work: A Story of Experience)
A farmer’s son brought a black powder from city. Gifting it to his father, he said, “This powder is called Hair Dye. It can make you look young like the movie actors.” The farmer could not sleep that night. In the morning, he returned the powder to his son and said, “I can’t use this powder. If I become young, I will stop getting the monthly old age pension.” Your soul can shift to a better version of you or a completely different character. Your question, “But what will happen to this character” is like the apprehensions of that farmer. If your attachment to this character is strong, you will come back in this character. You will not shift permanently to some other character.
Shunya
Max raised the mallet. He stared into her face and wished he could say he was sorry, that he didn't want to do it. When he slammed the mallet down, with an echoing bang, he heard a high, piercing scream and almost screamed himself, believing for an instant it was her, still somehow alive; then realized it was Rudy. Max was powerfully built, with his, deep water-buffalo chest and Dutch farmer's shoulders. With the first blow he had driven the stake over two-thirds of the way in. He only needed to bring the mallet down once more. The blood that squelched up around the wood was cold and had a sticky, viscous consistency. Max swayed, his head light. His father took his arm. 'Goot,' Abraham whispered into his ear, his arms around him, squeezing him so tightly his ribs creaked. Max felt a little thrill of pleasure - an automatic reaction to the intense, unmistakable affection of his father's embrace - and was sickened by it. 'To do offense to the house of the human spirit, even after its tenant depart, is no easy thing, I know.' ("Abraham's Boys")
Joe Hill (20th Century Ghosts)
At first my father owned slaves, but by and by he sold them, and hired others by the year from the farmers. For a girl of fifteen he paid twelve dollars a year and gave her two linsey-wolsey frocks and a pair of “stogy” shoes—cost, a modification of nothing; for a negro woman of twenty-five, as general house servant, he paid twenty-five dollars a year and gave her shoes and the aforementioned linsey-wolsey frocks; for a strong negro woman of forty, as cook, washer, etc., he paid forty dollars a year and the customary two suits of clothes; and for an able bodied man he paid from seventy-five to a hundred dollars a year and gave him two suits of jeans and two pairs of “stogy” shoes—an outfit that cost about three dollars. But times have changed.
Mark Twain (Autobiography of Mark Twain: The Complete and Authoritative Edition, Volume 1)
IMAGINE A FARMER walked down a backcountry road and saw another farmer repairing a fence. His young sons were helping him. “Why are you letting your sons help you?” the first farmer asked. “It’s going to take five times as long. You should just do it yourself.” “Oh, but you’ve made a mistake,” the second farmer said. “You think I’m repairing a fence. I’m not. I’m raising my sons.
Jon Tyson (The Intentional Father: A Practical Guide to Raise Sons of Courage and Character (Includes Activities, Rites of Passage, and Steps for Parenting Boys. ... for Dads, Grandpas, and Expectant Fathers))
They say he has kept his identity a secret to guard against assassins. They say that he liberated us from foreign domination and gave us independence. They tell us Pol Pot makes us work hard because he wants to purify our spirit and help us achieve beyond our potential as farmers. They say he has a round face, full lips, and kind eyes. I wonder if his kind eyes can see us starving.
Loung Ung (First They Killed My Father: A Daughter of Cambodia Remembers)
The cannons leaped backward, the air was full of flying grass and weeds. Almanzo ran with all the other boys to feel the warm muzzles of the cannons. Everybody was exclaiming about what a loud noise they had made. “That’s the noise that made the Redcoats run!” Mr. Paddock said to Father. “Maybe,” Father said, tugging his beard. “But it was muskets that won the Revolution. And don’t forget it was axes and plows that made this country.
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
Simply put, the emphasis was therefore on maintaining a society of farmers and lumberjacks, with a small cadre of lawyers, priests, doctors, and politicians to oversee it. Money and business were left to les Anglais. This situation grew untenable, of course, by the mid-twentieth century, and a number of thinkers, artists, and writers (of whom my father was one) fomented the Quiet Revolution, making education, urbanization, and secularism key pillars of modern Quebec.
Justin Trudeau (Common Ground)
He held up his right hand. On the third finger was another thick gold band. The audience burst into applause and hallelujahs. I kept trying to make sense of it, and kept coming up short. Here were people who routinely used their computers to stay in touch with their friends and get the news of the day, people who took weather satellites and lung transplants for granted, people who expected to live lives thirty and forty years longer than those of their great-grandparents. Here they were, falling for a story that made Santa and the Tooth Fairy look like gritty realism. He was feeding them shit and they were loving it. I had the dismaying idea that he was loving it, too, and that was worse. This was not the man I'd known in Harlow, or the one who had taken me in that night in Tulsa. Although when I thought of how he had treated Cathy Morse's bewildered and brokenhearted farmer father, I had to admit this man had been on the way even then. I don't know if he hates these people, I thought, but he holds them in contempt.
Stephen King (Revival)
While he turned and twisted the strips, the thin outer bark fell off in flakes, leaving the soft, white, inside bark. The whip would have been white, except that Almanzo’s hands left a few smudges. He could not finish it before chore-time, and the next day he had to go to school. But he braided his whip every evening by the heater, till the lash was five feet long. Then Father lent him his jack-knife, and Almanzo whittled a wooden handle, and bound the lash to it with strips of moosewood bark. The whip was done. It would be a perfectly good whip until it dried brittle in the hot summer. Almanzo could crack it almost as loudly as Father cracked a blacksnake whip. And he did not finish it a minute too soon, for already he needed it to give the calves their next lesson. Now he had to teach them to turn to the left when he shouted, “Haw!” and to turn to the right when he shouted “Gee!” As soon as the whip was ready, he began. Every Saturday morning he spent in the barnyard, teaching Star and Bright. He never whipped them; he only cracked the whip.
Laura Ingalls Wilder (Farmer Boy: Little House on the Prairie #2)
It’s about to rain forks and knives,” Winterborne reported, water drops glittering on his hair and the shoulders of his coat. He reached for a glass of champagne from a silver tray on the table, and raised it in Tom’s direction. “Good luck it is, for the wedding day.” “Why is that, exactly?” Tom asked, disgruntled. “A wet knot is harder to untie,” Winterborne said. “The marriage bond will be tight and long lasting.” Ethan Ransom volunteered, “Mam always said rain on a wedding day washed away the sadness of the past.” “Not only are superstitions irrational,” Tom said, “they’re inconvenient. If you believe in one, you have to believe them all, which necessitates a thousand pointless rituals.” Not being allowed to see the bride before the ceremony, for example. He hadn’t had so much as a glimpse of Cassandra that morning, and he was chafing to find out how she was feeling, if she’d slept well, if there was something she needed. West came into the room with his arms full of folded umbrellas. Justin, dressed in a little velveteen suit, was at his heels. “Aren’t you supposed to be upstairs in the nursery with your little brother?” St. Vincent asked his five-year-old nephew. “Dad needed my help,” Justin said self-importantly, bringing an umbrella to him. “We’re about to have a soaker,” West said briskly. “We’ll have to take everyone out to the chapel as soon as possible, before the ground turns to mud. Don’t open one of these indoors: It’s bad luck.” “I didn’t think you were superstitious,” Tom protested. “You believe in science.” West grinned at him. “I’m a farmer, Severin. When it comes to superstitions, farmers lead the pack. Incidentally, the locals say rain on the wedding day means fertility.” Devon commented dryly, “To a Hampshireman, nearly everything is a sign of fertility. It’s a preoccupation around here.” “What’s fertility?” Justin asked. In the sudden silence, all gazes went to West, who asked defensively, “Why is everyone looking at me?” “As Justin’s new father,” St. Vincent replied, making no effort to hide his enjoyment, “that question is in your province.” West looked down into Justin’s expectant face. “Let’s ask your mother later,” he suggested. The child looked mildly concerned. “Don’t you know, Dad?
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
My grandfather spoke of the influx of Mexican farmworkers and how it was bringing an unwelcome element to the valley and my father asked how the farmers were supposed to get the work done without the help of the migrants. Liz said that when she saw the migrant families in town they were always clean and polite and the children well behaved and she felt bad that often the entire family, young children and all, had to labor in the fields to earn a living. My grandfather said, “If they’d just learn to speak English.” Jake and I often suffered through this kind of discussion in silence.
William Kent Krueger (Ordinary Grace)
Browne had written Religio Medici in the prose of 1642, with all its archaic spellings and speech. As a young physician, I was obsessed with that book, kept at it like a farmer trying to drain a bog that his father before him had failed to drain. It was a futile task, and yet I was desperate to learn its secrets, tossing it aside in frustration, then picking it up again, unsure that it had anything for me but, in sounding the words, sensing that it did. I felt that I lacked some critical receptor for the letters to sing, to impart their meaning. It remained opaque, no matter how hard I tried.
Paul Kalanithi (When Breath Becomes Air)
I could do anything—be anything. I could be a blackberry farmer. I could worry about phone bills and nipping out to the corner shop for milk and bread of a morning. Little Declan Jr. could learn to walk and talk with his real father, alive and well, and I could teach him how to wear a waistcoat with just the right amount of tragic charm, take him to school in a few years, maybe makehim a little sister to look out for, someone to keep him on his toes. He could play a sport—tennis, maybe, or football. I’d attend parent-teacher meetings and have after-work drinks with the neighbors, talking about how well so-and-so is doing, and why yes, Declan Jr. is learning to play the piano. Top of his class, you know—he has his mother’s grace… I could see all of that, as clear in my mind as sunlight on fresh snow, and so much more. Just living day to day. One morning we could have picnics, my family and I, next to blue glacial lakes. One afternoon my son would be old enough to meet a girl, get in a fight, need to shave. One evening his sister will need help with her homework, and he’ll complain, but he’ll help. And then one day the Elder Gods would descend from a blood-red sky in chariots lashed together from bone and flame and take away all my blackberries.
Joe Ducie (Knight Fall (The Reminiscent Exile, #3))
In families it’s hard to trace the story. If you’re in it the Plot Points aren’t clearly marked. You don’t know when things turn until much later. You think each day is pretty much as dull as any other, and if there is something happening it’s not happening in your family and it’s definitely not happening in Faha. You think your own oddness is normal. You think Nan harvesting a lifetime of Clare Champions is normal. You think having a grandfather who published a book but didn’t want his name on it is normal, having a father who wants to be a poet but has to be a farmer, who has no clue about farming, and won’t publish any poems, all Normal.
Niall Williams (History of the Rain)
All right, Almanzo!” Almanzo slapped Bess with the lines and shouted: “Giddap, Bess!” Bess began to walk around the capstan, and the capstan began to wind up the rope. The rope pulled the ends of the levers toward the press, and the inner ends of the levers pushed its loose bottom upward. The bottom slowly rose, squeezing the hay. The rope creaked and the box groaned, till the hay was pressed so tight it couldn’t be pressed tighter. Then Father shouted, “Whoa!” And Almanzo shouted, “Whoa, Bess!” Father climbed up the hay-press and ran ash withes through narrow cracks in the box. He pulled them tight around the bale of hay, and knotted them firmly. Mr. Weed unfastened the cover, and up popped the bale of hay, bulging between tight ash-withes. It weighed 250 pounds, but Father lifted it easily.
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
Mathias remembered that once when he was a boy, he'd gone up to a pile of red apples that lay in the market cart, in the market near Stolberg where his father often took him. He'd always loved apples, and he couldn't resist the temptation of grabbing one out of the pile. He chose the closest, a splendid red piece of fruit that he would never forget because of his overwhelming desire to take it and hide it in the folds of his clothing. A moment after Mathias reached out and snatched it, the pile slid and applies tumbled down all around him. The farmer, who knew his father, would have been satisfied with an apology. But his father, a successful craftsman who was well-known and respected in the town, had insisted on purchasing an entire basketful of apples, because of the trouble Mathias had caused. Mathias got the worst scolding his father had ever given him. Not because of the money, but for the small act of petty thievery, which an upright man like his father would never tolerate. He shouldered his punishment, and in the end was only allowed to eat as single apple from the basket. He spent the night thinking about the pile. He had to remove only one and the whole thing had come down. He wondered if the same thing might happen with any tower, no matter how majestic and imposing it might seem, were someone to remove the right stone from the base. The thought stayed with him throughout his life. Venice now seemed a lot like that pile of apples. If three murders truly represented an irresistible opportunity, then which nobleman would have seized it, knowing that such a thing would cause La Serenissima and everything it represented to come crashing down?
Riccardo Bruni (The Lion and the Rose)
I have never known a boy who did not love the Warrior. I am old, though, and being old, I love the Smith. Without his labor, what would the Warrior defend? Every town has a smith, and every castle. They make the plows we need to plant our crops, the nails we use to build our ships, iron shoes to save the hooves of our faithful horses, the bright swords of our lords. No one could doubt the value of a smith, and so we name one of the Seven in his honor, but we might as easily have called him the Farmer or the Fisherman, the Carpenter or the Cobbler. What he works at makes no matter. What matters is, he works. The Father rules, the Warrior fights, the Smith labors, and together they perform all that is rightful for a man. Just as the Smith is one aspect of the godhead, the Cobbler is one aspect of the Smith. It was he who heard my prayer and healed my feet.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire #4))
Your Eve was wise, John. She knew that Paradise would make her mad, if she were to live forever with Adam and know no other thing but strawberries and tigers and rivers of milk. She knew they would tire of these things, and each other. They would grow to hate every fruit, every stone, every creature they touched. Yet where could they go to find any new thing? It takes strength to live in Paradise and not collapse under the weight of it. It is every day a trial. And so Eve gave her lover the gift of time, time to the timeless, so that they could grasp at happiness. ... And this is what Queen Abir gave to us, her apple in the garden, her wisdom--without which we might all have leapt into the Rimal in a century. The rite bears her name still. For she knew the alchemy of demarcation far better than any clock, and decreed that every third century husbands and wives should separate, customs should shift and parchmenters become architects, architects farmers of geese and monkeys, Kings should become fishermen, and fishermen become players of scenes. Mothers and fathers should leave their children and go forth to get other sons and daughters, or to get none if that was their wish. On the roads of Pentexore folk might meet who were once famous lovers, or a mother and child of uncommon devotion--and they would laugh, and remember, but call each other by new names, and begin again as friends, or sisters, or lovers, or enemies. And some time hence all things would be tossed up into the air once more and land in some other pattern. If not for this, how fastened, how frozen we would be, bound to one self, forever a mother, forever a child. We anticipate this refurbishing of the world like children at a holiday. We never know what we will be, who we will love in our new, brave life, how deeply we will wish and yearn and hope for who knows what impossible thing! Well, we anticipate it. There is fear too, and grief. There is shaking, and a worry deep in the bone. Only the Oinokha remains herself for all time--that is her sacrifice for us. There is sadness in all this, of course--and poets with long elegant noses have sung ballads full of tears that break at one blow the hearts of a flock of passing crows! But even the most ardent lover or doting father has only two hundred years to wait until he may try again at the wheel of the world, and perhaps the wheel will return his wife or his son to him. Perhaps not. Wheels, and worlds, are cruel. Time to the timeless, apples to those who live without hunger. There is nothing so sweet and so bitter, nothing so fine and so sharp.
Catherynne M. Valente (The Habitation of the Blessed (A Dirge for Prester John, #1))
My father was a constable and died while performing his duty. My brother-in-law and partner died while performing his duty. I saw the effects those deaths had on my mother and sister, and I cannot, in good conscience, do that to a woman I . . .” Her spirits sank as he trailed off. “What a shame, Detective. I suppose that such a woman would then marry a factory worker, or other laborer, or a man in any one of a number of dangerous professions. Or perhaps a banker, who is accidently trampled in the street by a runaway carriage. Or a farmer who contracts consumption at the village autumn fete and succumbs to it weeks later.” She shook her head and pulled back. He released her, remaining silent, watching her. She shrugged, stuffing the pen and notebook into her reticule. “We are all going to die someday, and what a pity it would be to lose the possibility for happy opportunities because of fear.
Nancy Campbell Allen (The Matchmaker's Lonely Heart (Matchmakers, #1))
Village life certainly brought the first farmers some immediate benefits, such as better protection against wild animals, rain and cold. Yet for the average person, the disadvantages probably outweighed the advantages. This is hard for people in today’s prosperous societies to appreciate. Since we enjoy affluence and security, and since our affluence and security are built on foundations laid by the Agricultural Revolution, we assume that the Agricultural Revolution was a wonderful improvement. Yet it is wrong to judge thousands of years of history from the perspective of today. A much more representative viewpoint is that of a three-year-old girl dying from malnutrition in first-century China because her father’s crops have failed. Would she say, ‘I am dying from malnutrition, but in 2,000 years, people will have plenty to eat and live in big air-conditioned houses, so my suffering is a worthwhile sacrifice’? What
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Alas, great is my sorrow. Your name is Ah Chen, and when you were born I was not truly pleased. I am a farmer, and a farmer needs strong sons to help with his work, but before a year had passed you had stolen my heart. You grew more teeth, and you grew daily in wisdom, and you said 'Mommy' and 'Daddy' and your pronunciation was perfect. When you were three you would knock at the door and then you would run back and ask, 'Who is it?' When you were four your uncle came to visit and you played the host. Lifting your cup, you said, 'Ching!' and we roared with laughter and you blushed and covered your face with your hands, but I know that you thought yourself very clever. Now they tell me that I must try to forget you, but it is hard to forget you. "You carried a toy basket. You sat at a low stool to eat porridge. You repeated the Great Learning and bowed to Buddha. You played at guessing games, and romped around the house. You were very brave, and when you fell and cut your knee you did not cry because you did not think it was right. When you picked up fruit or rice, you always looked at people's faces to see if it was all right before putting it in your mouth, and you were careful not to tear your clothes. "Ah Chen, do you remember how worried we were when the flood broke our dikes and the sickness killed our pigs? Then the Duke of Ch'in raised our taxes and I was sent to plead with him, and I made him believe that we could not pay out taxes. Peasants who cannot pay taxes are useless to dukes, so he sent his soldiers to destroy our village, and thus it was the foolishness of your father that led to your death. Now you have gone to Hell to be judged, and I know that you must be very frightened, but you must try not to cry or make loud noises because it is not like being at home with your own people. "Ah Chen, do you remember Auntie Yang, the midwife? She was also killed, and she was very fond of you. She had no little girls of her own, so it is alright for you to try and find her, and to offer her your hand and ask her to take care of you. When you come before the Yama Kings, you should clasp your hands together and plead to them: 'I am young and I am innocent. I was born in a poor family, and I was content with scanty meals. I was never wilfully careless of my shoes and my clothing, and I never wasted a grain of rice. If evil spirits bully me, may thou protect me.' You should put it just that way, and I am sure that the Yama Kings will protect you. "Ah Chen, I have soup for you and I will burn paper money for you to use, and the priest is writing down this prayer that I will send to you. If you hear my prayer, will you come to see me in your dreams? If fate so wills that you must yet lead an earthly life, I pray that you will come again to your mother's womb. Meanwhile I will cry, 'Ah Chen, your father is here!' I can but weep for you, and call your name.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
When I moved to the U.S. at six, I was unrecognizable to my mother. I was angry, chronically dissatisfied, bratty. On my second day in America, she ran out of the room in tears after I angrily demanded that she buy me a pack of colored pencils. You're not you! she sputtered between sobs, which brought me to a standstill. She couldn't recognize me. That's what she told me later, that this was not the daughter she had last seen. Being too young, I didn't know enough to ask: But what did you expect? Who am I supposed to be to you? But if I was unrecognizable to her, she was also unrecognizable to me. In this new country, she was disciplinarian, restrictive, prone to angry outbursts, easily frustrated, so fascist with arbitrary rules that struck me, even as a six-year-old, as unreasonable. For most of my childhood and adolescence, my mother was my antagonist. Whenever she'd get mad, she'd take her index finger and poke me in the forehead. You you you you you, she'd say, as if accusing me of being me. She was quick to blame me for the slightest infractions, a spilled glass, a way of sitting while eating, my future ambitions (farmer or teacher), the way I dressed, what I ate, even the way I practiced English words in the car..She was the one to deny me: the extra dollar added to my allowance; an extra hour to my curfew; the money to buy my friends' birthday presents, so that I was forced to gift them, no matter what the season, leftover Halloween candy. In those early days, we lived so frugally that we even washed, alongside the dishes in the sink, used sheets of cling wrap for reuse. She was the one to punish me, sending me to kneel in the bathtub of the darkened bathroom, carrying my father's Casio watch with an alarm setting to account for when time was up. Yet it was I who would kneel for even longer, going further and further, taking more punishment just to spite her, just to show that it meant nothing. I could take more. The sun moved across the bathroom floor, from the window to the door.
Ling Ma (Severance)
one for Bunce and one for Bean. The tents surrounded Mr. Fox’s hole. And the three farmers sat outside their tents eating their supper. Boggis had three boiled chickens smothered in dumplings, Bunce had six doughnuts filled with disgusting goose-liver paste, and Bean had two gallons of cider. All three of them kept their guns beside them. Boggis picked up a steaming chicken and held it close to the fox’s hole. “Can you smell this, Mr. Fox?” he shouted. “Lovely tender chicken! Why don’t you come up and get it?” The rich scent of chicken wafted down the tunnel to where the foxes were crouching. “Oh, Dad,” said one of the Small Foxes, “couldn’t we just sneak up and snatch it out of his hand?” “Don’t you dare!” said Mrs. Fox. “That’s just what they want you to do.” “But we’re so hungry!” they cried. “How long will it be till we get something to eat?” Their mother didn’t answer them. Nor did their father. There was no answer to give. As darkness fell, Bunce and Bean switched on the powerful headlamps of the two tractors and shone them on to the hole.
Roald Dahl (Fantastic Mr. Fox)
Major Major’s father was a sober God-fearing man whose idea of a good joke was to lie about his age. He was a long-limbed farmer, a God-fearing, freedom-loving, law-abiding rugged individualist who held that federal aid to anyone but farmers was creeping socialism. He advocated thrift and hard work and disapproved of loose women who turned him down. His specialty was alfalfa, and he made a good thing out of not growing any. The government paid him well for every bushel of alfalfa he did not grow. The more alfalfa he did not grow, the more money the government gave him, and he spent every penny he didn’t earn on new land to increase the amount of alfalfa he did not produce. Major Major’s father worked without rest at not growing alfalfa. On long winter evenings he remained indoors and did not mend harness, and he sprang out of bed at the crack of noon every day just to make certain that the chores would not be done. He invested in land wisely and soon was not growing more alfalfa than any other man in the county. Neighbors sought him out for advice on all subjects, for he had made much money and was therefore wise. “As ye sow, so shall ye reap,” he counseled one and all, and everyone said, “Amen.
Joseph Heller (Catch-22)
I want you to give me a straight answer," Declan said. "Are you even thinking about going to college?" "No." It was satisfying and terrible to say it out loud, a trigger pulled, the explosion over within a second. Ronan looked around for bodies. Declan swayed; the bullet had clearly at least grazed him near a vital organ. With effort, he got the arterial spray under control. "Yeah, I figured. So the endgame is making this a career for you, isn't it?" This was not, in fact, what Ronan wanted. Although he wanted to be free to dream, and free to live at the Barns, he did not want to dream in order to be able to live at the Barns. He wanted to be left alone to repair all of the buildings, to raise his father's cattle from their supernatural sleep, to populate the fields with new animals to be eaten and sold, and to turn the very rearmost field into a giant mudslick suitable for driving cars around in circles. This, to Ronan, represented a romantic ideal that he would do much to achieve. He wasn't sure how to tell his brother this in a persuasive, unembarrassing way, though, so he'd said, in an unfriendly way, "I was actually thinkin' of being a farmer." "Ronan, for fuck's sake," Declan said. "Can we have a serious conversation for once?" Ronan flipped him the bird with swift proficiency.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
A Girl's Garden" A neighbor of mine in the village Likes to tell how one spring When she was a girl on the farm, she did A childlike thing. One day she asked her father To give her a garden plot To plant and tend and reap herself, And he said, 'Why not?' In casting about for a corner He thought of an idle bit Of walled-off ground where a shop had stood, And he said, 'Just it.' And he said, 'That ought to make you An ideal one-girl farm, And give you a chance to put some strength On your slim-jim arm.' It was not enough of a garden Her father said, to plow; So she had to work it all by hand, But she don't mind now. She wheeled the dung in a wheelbarrow Along a stretch of road; But she always ran away and left Her not-nice load, And hid from anyone passing. And then she begged the seed. She says she thinks she planted one Of all things but weed. A hill each of potatoes, Radishes, lettuce, peas, Tomatoes, beets, beans, pumpkins, corn, And even fruit trees. And yes, she has long mistrusted That a cider-apple In bearing there today is hers, Or at least may be. Her crop was a miscellany When all was said and done, A little bit of everything, A great deal of none. Now when she sees in the village How village things go, Just when it seems to come in right, She says, 'I know! 'It's as when I was a farmer...' Oh never by way of advice! And she never sins by telling the tale To the same person twice.
Robert Frost
Most of the mortgaged farmers. Most of the white-collar workers who had been unemployed these three years and four and five. Most of the people on relief rolls who wanted more relief. Most of the suburbanites who could not meet the installment payments on the electric washing machine. Such large sections of the American Legion as believed that only Senator Windrip would secure for them, and perhaps increase, the bonus. Such popular Myrtle Boulevard or Elm Avenue preachers as, spurred by the examples of Bishop Prang and Father Coughlin, believed they could get useful publicity out of supporting a slightly queer program that promised prosperity without anyone's having to work for it. The remnants of the Kuklux Klan, and such leaders of the American Federation of Labor as felt they had been inadequately courted and bepromised by the old-line politicians, and the non-unionized common laborers who felt they had been inadequately courted by the same A.F. of L. Back-street and over-the-garage lawyers who had never yet wangled governmental jobs. The Lost Legion of the Anti-Saloon League—since it was known that, though he drank a lot, Senator Windrip also praised teetotalism a lot, while his rival, Walt Trowbridge, though he drank but little, said nothing at all in support of the Messiahs of Prohibition. These messiahs had not found professional morality profitable of late, with the Rockefellers and Wanamakers no longer praying with them nor paying. Besides these necessitous petitioners, a goodish number of burghers who, while they were millionaires, yet maintained that their prosperity had been sorely checked by the fiendishness of the bankers in limiting their credit. These were the supporters who looked to Berzelius Windrip to play the divine raven and feed them handsomely when he should become President, and from such came most of the fervid elocutionists who campaigned for him through September and October.
Sinclair Lewis (It Can't Happen Here)
I wondered what was going on in neuroscience that might bear upon the subject. This quickly led me to neuroscience’s most extraordinary figure, Edward O. Wilson. Wilson’s own life is a good argument for his thesis, which is that among humans, no less than among racehorses, inbred traits will trump upbringing and environment every time. In its bare outlines his childhood biography reads like a case history for the sort of boy who today winds up as the subject of a tabloid headline: DISSED DORK SNIPERS JOCKS. He was born in Alabama to a farmer’s daughter and a railroad engineer’s son who became an accountant and an alcoholic. His parents separated when Wilson was seven years old, and he was sent off to the Gulf Coast Military Academy. A chaotic childhood was to follow. His father worked for the federal Rural Electrification Administration, which kept reassigning him to different locations, from the Deep South to Washington, D.C., and back again, so that in eleven years Wilson attended fourteen different public schools. He grew up shy and introverted and liked the company only of other loners, preferably those who shared his enthusiasm for collecting insects. For years he was a skinny runt, and then for years after that he was a beanpole. But no matter what ectomorphic shape he took and no matter what school he went to, his life had one great center of gravity: He could be stuck anywhere on God’s green earth and he would always be the smartest person in his class. That remained true after he graduated with a bachelor’s degree and a master’s in biology from the University of Alabama and became a doctoral candidate and then a teacher of biology at Harvard for the next half century. He remained the best in his class every inch of the way. Seething Harvard savant after seething Harvard savant, including one Nobel laureate, has seen his reputation eclipsed by this terribly reserved, terribly polite Alabamian, Edward O. Wilson. Wilson’s field within the discipline of biology was zoology; and within zoology, entomology, the study of insects; and within entomology, myrmecology, the study of ants. Year after year he studied
Tom Wolfe (Hooking Up (Ceramic Transactions Book 104))
… The frayed and gritty edges of everyone’s world were being worried away by neighbors you’d never noticed until the air spilled over with the tragedy of their loss. The war had taken them or their children; killed them, lost them, torn off body parts, shipped them back brain-fried…. … Tales fell from hearts in heavy, wet tones of grief and confusion…. … Even when rare moments of relative calm and clarity crept briefly through our days, they crawled in with head hanging through that most familiar of all tunnels, our sense of loss. Each new friend seemed only to step in and announce himself with his last breath. Why hadn’t we loved him earlier when there had been more time? That overriding sense of loss was the dismal cloud through which you viewed the world. Dreading life’s relentless advance, but knowing your locks could never keep it out…. … As the late 60’s gave in and died, and I trudged through my first year as an art student in college, even the old folks were growing up. Their World War II glories clouded over. Someone had shot the president, his brother, and a great civil rights leader, dragging us all out of our warm, snuggly innocence. People seemed infested by life, burdened by the stifling weight of it, until we could only force shallow, labored breaths. Each new day was just an old one playing through again, a dust-laden August, a storm always riding right on top of you that never quite cut loose. It settled into your joints until they grew achy, too heavy to lift; tarring all hearts with a dark, heavy plaque. Days stuck together as walking and breathing grew tedious. Until even my bubbly sister couldn’t offer up a smile without a shadow lurking inside it. We trudged through life as our mighty nation killed our sons and broke our buddies, defending itself from skinny barefoot farmers with sticks, in rice swamps somewhere on the other side of existence, where you couldn’t tell the good guys from the bad. Some lost tiny nowhere that hadn’t even existed when you’d been a kid; when the world had been innocent and untainted. Back when Father Knew Best, Beaver’s mom fed his dad all the answers, and Annie Oakley never had to shoot to kill…. - From “Entertaining Naked People
Edward Fahey (Entertaining Naked People)
Meanwhile, Matthew took the empty place beside Daisy’s. “Miss Bowman,” he said softly. Daisy couldn’t manage a word. Her gaze lifted to his smiling eyes, and it seemed that emotions sprang from her in a fountain of warmth. She had to look away from him before she did something foolish. But she remained intensely aware of his body next to hers. Westcliff and Matthew entertained the group with an account of how their carriage had gotten stuck in mire. Luckily they had been helped by a passing farmer with an ox-drawn wagon, but in the process of freeing the vehicle, all participants had been covered with mud from head to toe. And apparently the episode had left the ox in quite an objectionable temper. By the time the story was finished, everyone at the table was chuckling. The conversation turned to the subject of the Shakespeare festival, and Thomas Bowman launched into an account of the visit to Stratford-on-Avon. Matthew asked a question or two, seeming fully engaged in the conversation. Suddenly Daisy was startled to feel his hand slide into her lap beneath the table. His fingers closed over hers in a gentle clasp. And all the while he took part in the conversation, talking and smiling easily. Daisy reached for her wine with her free hand and brought it to her lips. She took one sip, and then another, and nearly choked as Matthew played lightly with her fingers beneath the table. Sensations that had lain quiescent for a week kindled into vibrant life. Still not looking at her, Matthew gently slid something over her ring finger, past the knuckle, until it fit neatly at the base. Her hand was returned to her lap as a footman came to replenish the wine in their glasses. Daisy looked down at her hand, blinking at the sight of the glittering yellow sapphire surrounded by small round diamonds. It looked like a white-petaled flower. Her fingers closed tightly, and she averted her face to hide a betraying flush of pleasure. “Does it please you?” Matthew whispered. “Oh, yes.” That was the extent of their communication at dinner. It was just as well. There was too much to be said, all of it highly private. Daisy steeled herself for the usual long rituals of port and tea after dinner, but she was gratified when it seemed that everyone, even her father, was inclined to retire early. As it appeared the elderly vicar and his wife were ready to return home, the group dispersed without much fanfare. Walking with Daisy from the dining hall, Matthew murmured, “Will I have to scale the outside wall tonight, or are you going to leave your door unlocked?” “The door,” Daisy replied succinctly. “Thank God.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
The process of receiving teaching depends upon the student giving something in return; some kind of psychological surrender is necessary, a gift of some sort. This is why we must discuss surrendering, opening, giving up expectations, before we can speak of the relationship between teacher and student. It is essential to surrender, to open yourself, to present whatever you are to the guru, rather than trying to present yourself as a worthwhile student. It does not matter how much you are willing to pay, how correctly you behave, how clever you are at saying the right thing to your teacher. It is not like having an interview for a job or buying a new car. Whether or not you will get the job depends upon your credentials, how well you are dressed, how beautifully your shoes are polished, how well you speak, how good your manners are. If you are buying a car, it is a matter of how much money you have and how good your credit is. But when it comes to spirituality, something more is required. It is not a matter of applying for a job, of dressing up to impress our potential employer. Such deception does not apply to an interview with a guru, because he sees right through us. He is amused if we dress up especially for the interview. Making ingratiating gestures is not applicable in this situation; in fact it is futile. We must make a real commitment to being open with our teacher; we must be willing to give up all our preconceptions. Milarepa expected Marpa to be a great scholar and a saintly person, dressed in yogic costume with beads, reciting mantras, meditating. Instead he found Marpa working on his farm, directing the laborers and plowing his land. I am afraid the word guru is overused in the West. It would be better to speak of one’s “spiritual friend,” because the teachings emphasize a mutual meeting of two minds. It is a matter of mutual communication, rather than a master-servant relationship between a highly evolved being and a miserable, confused one. In the master-servant relationship the highly evolved being may appear not even to be sitting on his seat but may seem to be floating, levitating, looking down at us. His voice is penetrating, pervading space. Every word, every cough, every movement that he makes is a gesture of wisdom. But this is a dream. A guru should be a spiritual friend who communicates and presents his qualities to us, as Marpa did with Milarepa and Naropa with Marpa. Marpa presented his quality of being a farmer-yogi. He happened to have seven children and a wife, and he looked after his farm, cultivating the land and supporting himself and his family. But these activities were just an ordinary part of his life. He cared for his students as he cared for his crops and family. He was so thorough, paying attention to every detail of his life, that he was able to be a competent teacher as well as a competent father and farmer. There was no physical or spiritual materialism in Marpa’s lifestyle at all. He did not emphasize spirituality and ignore his family or his physical relationship to the earth. If you are not involved with materialism, either spiritually or physically, then there is no emphasis made on any extreme. Nor is it helpful to choose someone for your guru simply because he is famous, someone who is renowned for having published stacks of books and converted thousands or millions of people. Instead the guideline is whether or not you are able actually to communicate with the person, directly and thoroughly. How much self-deception are you involved in? If you really open yourself to your spiritual friend, then you are bound to work together. Are you able to talk to him thoroughly and properly? Does he know anything about you? Does he know anything about himself, for that matter? Is the guru really able to see through your masks, communicate with you properly, directly? In searching for a teacher, this seems to be the guideline rather than fame or wisdom.
Chögyam Trungpa (Cutting Through Spiritual Materialism)
And as we see from the parable of the farmer and his daughter who were travelling to Jericho in a wagon when they fell among thieves, and all was taken from them save some jewels that the daughter contrived to hide in her vagina. After the thieves had gone, she gave these jewels to her father, to raise his heart again. And her father said unto her: "If only your mother was here. We could have saved the horse and the wagon also.
Robert Nye
And as we see from the parable of the farmer and his daughter who were travelling to Jericho in a wagon when they fell among thieves, and all was taken from them save some jewels that the daughter contrived to hide in her vagina. After the thieves had gone, she gave these jewels to her father, to raise his heart again. And her father said unto her: "If only your mother was here. We could have saved the horse and the wagon also.
Robert Nye, Merlin
Third of the four “Greats" of haiku. His father was a peasant farmer and packhorse hostler, in what we today call the Japan Alps. “Issa” literally means “one tea,” indicating that life is as empty as froth on a cup of tea.
Faubion Bowers (The Classic Tradition of Haiku: An Anthology (Dover Thrift Editions: Poetry))
As the days went by, Wilbur grew and grew. He ate three big meals a day. He spent long hours lying on his side, half asleep, dreaming pleasant dreams. He enjoyed good health and he gained a lot of weight. One afternoon, when Fern was sitting on the stool, the oldest sheep walked into the barn, and stopped to pay a call on Wilbur. 'Hello!' she said. 'Seems to me you're putting on weight.' 'Yes, I guess I am,' replied Wilbur. 'At my age it's a good idea to keep gaining.' 'Just the same, I don't envy you,' said the old sheep. 'You know why they're fattening you up, don't you?' 'No,' said Wilbur. 'Well, I don't like to spread bad news,' said the sheep, 'but they're fattening you up because they're going to kill you, that's why.' 'They're going to what?' screamed Wilbur. Fern grew rigid on her stool. 'Kill you. Turn you into smoked bacon and ham,' continued the old sheep. 'Almost all young pigs get murdered by the farmer as soon as the real cold weather sets in. There's a real conspiracy around here to kill you at Christmastime. Everybody is in the plot - Lurvy, Zuckerman, even John Arable.' 'Mr. Arable?' sobbed Wilbur. 'Fern's father?' 'Certainly. When a pig is to be butchered, everybody helps. I'm an old sheep and I see the same thing, same old business, year after year. Arable arrives with his .22, shoots the...' 'Stop!' screamed Wilbur. 'I don't want to die! Save me, somebody! Save me!' Fern was just about to jump up when a voice was heard. 'Be quiet, Wilbur!' said Charlotte, who had been listening to this awful conversation.
E.B. White
Sunday, January 25 God ’s Word Accomplishes His Purposes “As the rain and the snow come down from heaven, and do not return. . . without watering the earth and making it bud and flourish, so that it yields seed for the sower and bread for the eater, so is my word that goes out from my mouth: It will not return to me empty, but will accomplish what I desire and achieve the purpose for which I sent it.” ISAIAH 55:10-11 NIV Farmers and ranchers settled this country, especially in the move to the West. Many immigrants came into the country looking for land, which was plentiful here. With a general population shift to the cities where people can find jobs, farming and ranching isn’t as prominent. For many the experience of planting a field with seed, waiting on God to send the rain at the right times, giving the plants the moisture they need to bud and flourish, and seeing the crop through harvest is only something they read about. The Lord uses this analogy to describe what happens when God’s Word goes out in a sermon, in verses memorized, or in the written word. God promises that when His Word is planted in someone, it doesn’t go to waste. It may take a long time to see it take root and grow and be harvested, but it will. For it will not return to God until it has achieved the purpose for which He sent it. So moms of wayward children, take heart. God is still working. Father, thank You for the promises of Your Word that we can hang on to when life gets hard.
Various (Daily Wisdom for Women 2015 Devotional Collection - January (None))
It measures just 9 inches in circumference, weighs only about 5 ounces, and it made of cork wound with woolen yarn, covered with two layers of cowhide, and stiched by hand precisely 216 times. It travels 60 feet 6 inches from the pitcher's mound to home--and it can cover that distance at nearly 100 miles an hour. Along the way it can be made to twist, spin, curve, wobble, rise, or fall away. The bat is made of turned ash, less than 42 inches long, not more than 2 3/4 inches in diameter. The batter has only a few thousandths of a second to decide to hit the ball. And yet the men who fail seven times out of ten are considered the game's greatest heroes. It is played everywhere. In parks and playground and prison yards. In back alleys and farmers fields. By small children and by old men. By raw amateurs and millionare professionals. It is a leisurely game that demands blinding speed. The only game where the defense has the ball. It follows the seasons, beginning each year with the fond expectancy of springtime and ending with the hard facts of autumn. Americans have played baseball for more than 200 years, while they conquered a continent, warred with one another and with enemies abroad, struggled over labor and civil rights and the meaning of freedom. At the games's heart lie mythic contradictions: a pastoral game, born in crowded cities; an exhilarating democratic sport that tolerates cheating and has excluded as many as it has included; a profoundly conservative game that sometimes manages to be years ahead of its time. It is an American odyssey that links sons and daughters to father and grandfathers. And it reflects a host of age-old American tensions: between workers and owners, scandal and reform, the individual and the collective. It is a haunted game, where each player is measured by the ghosts of those who have gone before. Most of all, it is about time and timelessness, speed and grace, failure and loss, imperishable hope, and coming home.
John Chancellor
After Quibell and Green, the following decades saw the wide adoption of those evolutionary principles of intellectual development so alluringly described by the likes of Freud and Frazer. These held that the ‘primitive’ – that is, the non-Western mind which, they imagined, was expressed in Narmer’s Palette – was the opposite of the scientific mind and close to the world of ‘feeling’ and to mystical and childish thoughts, where savage passions lurk just beneath the surface. Once again, this was based on the assumption that the behaviour of ancient peoples was similar to that of nineteenth-century tribal communities which had been studied and evaluated by the founding fathers of anthropology – people who often shared the same attitude to their subjects as their colonial administrators and whose view of their subjects has now become a part of intellectual history. And yet the vision still prevails. Kings like Narmer are portrayed as living in a time when humans were ‘closer to nature’ than we are today, and Narmer, the first pharaoh, is presented as a primal hero whose killing gesture symbolized the struggle of humanity emerging from the chaos of the primitive world. Thus everything is explained; ancient people were automatons with no facility for thoughtfulness, and all you have to do for their explanation is to find the key with which to wind up their imaginary clockwork. As for the early kings, caught in imaginary wars and forever planning for a mumbo-jumbo afterlife, Narmer’s gesture is explained as a method of filling his contemporaries with shock and awe.
John Romer (A History of Ancient Egypt: From the First Farmers to the Great Pyramid)
the briefest of moments before he let out a strange laugh and punched my arm and broke off into a breathless run. There was the empty look on the faces of farmers the year the rains never came, the stoop in their shoulders as they wandered barefoot through their barren, cracked fields, bending over every so often to crumble earth between their fingers; and their desperation the following year when the rains lasted for over a month, swelling the river and fields until the streets gushed with water and swept as high as my waist and families scrambled to rescue their goats and their hens even as chunks of their huts washed away.
Barack Obama (Dreams from My Father: A Story of Race and Inheritance)
Karl became the biggest farmer in Ashland, but my father’s legend became even bigger. It was said he could charm anyone, just by walking through the room. It was said he was blessed with a special power. But my father was humble, and he said it wasn’t that at all. He just liked people, and people liked him. It was that simple, he said.
Daniel Wallace (Big Fish)
I hear the Son and Father saw a Song in his Farmer.
Petra Hermans (Voor een betere wereld)
The seven official founders were as follows: •  Michael Cusack from Carron, County Clare, a teacher •  Maurice Davin from Carrick-on-Suir, County Tipperary, a farmer •  John Wyse Power, a journalist, editor of the Leinster Leader and an ‘associate of the extreme section of Irish Nationalism’ •  James K. Bracken, a building contractor and a monumental mason from Templemore, County Tipperary, who was a prominent member of the Irish Republican Brotherhood •  Joseph P. O’Ryan, who was born in Carrick-on-Suir and practised as a solicitor in Callan and Thurles •  John McKay, a Belfast man then working as a journalist with the Cork Examiner •  District Inspector St George McCarthy, who was born in Bansha, County Tipperary and who was a member of the Royal Irish Constabulary stationed at Templemore THE UNOFFICIAL LIST As well as the official founders a number of other people are reputed to have been present at the meeting. They include Frank Moloney from Nenagh, William Foley from Carrick-on-Suir and Thurles residents T.K. Dwyer, Charles Culhane, William Delahunty, John Butler and Michael Cantwell. There is a strong Kilkenny tradition that Henry Joseph Meagher, father of the famous Lory, Jack Hoyne, who played on Kilkenny’s first All-Ireland winning side in 1904, and a third Tullaroan man, Ned Teehan, also attended the foundation meeting
Seamus J. King (The Little Book of Hurling)
When Almanzo went into these great barns, he always went through the Horse-Barn’s little door. He loved horses. There they stood in their roomy box-stalls, clean and sleek and gleaming brown, with long black manes and tails. The wise, sedate work-horses placidly munched hay. The three-year-olds put their noses together across the bars, they seemed to whisper together. Then softly their nostrils whooshed along one another’s necks; one pretended to bite, and they squealed and whirled and kicked in play. The old horses turned their heads and looked like grandmothers at the young ones. But the colts ran about excited, on their gangling legs, and stared and wondered. They all knew Almanzo. Their ears pricked up and their eyes shone softly when they saw him. The three-year-olds came eagerly and thrust their heads out to nuzzle at him. Their noses, prickled with a few stiff hairs, were soft as velvet, and on their foreheads the short, fine hair was silky smooth. Their necks arched proudly, firm and round, and the black manes fell over them like a heavy fringe. You could run your hand along those firm, curved necks, in the warmth under the mane. But Almanzo hardly dared to do it. He was not allowed to touch the beautiful three-year-olds. He could not go into their stalls, not even to clean them. Father would not let him handle the young horses or the colts. Father didn’t trust him yet, because colts and young, unbroken horses are very easily spoiled.
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
Nate got out of the car and was rather surprised to see his father smile at Rhoda. That was a quick turnaround. She was like some sort of horse whisperer but with grumpy old farmers instead
Suzanne Fortin (Beyond a Broken Sky)
... Meanwhile the Wizard's men began draining the badlands to get at the ruby deposits. It never worked, of course. They managed to chase the Qadlings out and kill them, round them up in settlement camps for their own protection and starve them. They despoiled the badlands, raked up the rubies, and left. My father went barmy over it. There never were enough rubies to make it worth the effort; we still have canal system to run that legendary water from the Vinkus all the way cross-country to Munchkinland. And the drought, after a few promising reprieves, continues unabated. The Animals are recalled to the lands of their ancestors, a ploy to give the farmers a sense of control over something anyway. It's a systematic marginalizing of populations, Glinda, that's what the Wizard's all about." "We were talking about your childhood," said Glinda. "Well that's it, that's all part of it. You can't divorce your particulars from politics," said Elphaba.
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))