House Warming Invitation Quotes

Is the Waffle House universally awesome? It is indeed, marvelous, an irony-free zone where everything is beautiful and nothing hurts; where everybody, regardless of race, creed, color, or degree of inebriation, is welcomed—its warm yellow glow a beacon of hope and salvation, inviting the hungry, the lost, the seriously hammered all across the South to come inside. A place of safety and nourishment. It never closes, it is always faithful, always there for you.

Judging by your look of stunned disbelief, Harry did not warn you that I was coming,” said Dumbledore pleasantly. “However, let us assume that you have invited me warmly into your house. It is unwise to linger overlong on doorsteps in these troubled times.

All great, simple images reveal a psychic state. The house, even more than the landscape, is a "psychic state," and even when reproduced as it appears from the outside, it bespeaks intimacy. Psychologists generally, and Francoise Minkowska in particular, together with those whom she has succeeded interesting in the subject, have studied the drawing of houses made by children, and even used them for testing. Indeed, the house-test has the advantage of welcoming spontaneity, for many children draw a house spontaneously while dreaming over their paper and pencil. To quote Anne Balif: "Asking a child to draw his house is asking him to reveal the deepest dream shelter he has found for his happiness. If he is happy, he will succeed in drawing a snug, protected house which is well built on deeply-rooted foundations." It will have the right shape, and nearly always there will be some indication of its inner strength. In certain drawings, quite obviously, to quote Mme. Balif, "it is warm indoors, and there is a fire burning, such a big fire, in fact, that it can be seen coming out of the chimney." When the house is happy, soft smoke rises in gay rings above the roof. If the child is unhappy, however, the house bears traces of his distress. In this connection, I recall that Francoise Minkowska organized an unusually moving exhibition of drawings by Polish and Jewish children who had suffered the cruelties of the German occupation during the last war. One child, who had been hidden in a closet every time there was an alert, continued to draw narrow, cold, closed houses long after those evil times were over. These are what Mme. Minkowska calls "motionless" houses, houses that have become motionless in their rigidity. "This rigidity and motionlessness are present in the smoke as well as in the window curtains. The surrounding trees are quite straight and give the impression of standing guard over the house". Mme. Minkowska knows that a live house is not really "motionless," that, particularly, it integrates the movements by means of which one accedes to the door. Thus the path that leads to the house is often a climbing one. At times, even, it is inviting. In any case, it always possesses certain kinesthetic features. If we were making a Rorschach test, we should say that the house has "K." Often a simple detail suffices for Mme. Minkowska, a distinguished psychologist, to recognize the way the house functions. In one house, drawn by an eight-year-old child, she notes that there is " a knob on the door; people go in the house, they live there." It is not merely a constructed house, it is also a house that is "lived-in." Quite obviously the door-knob has a functional significance. This is the kinesthetic sign, so frequently forgotten in the drawings of "tense" children. Naturally, too, the door-knob could hardly be drawn in scale with the house, its function taking precedence over any question of size. For it expresses the function of opening, and only a logical mind could object that it is used to close as well as to open the door. In the domain of values, on the other hand, a key closes more often than it opens, whereas the door-knob opens more often than it closes. And the gesture of closing is always sharper, firmer, and briefer than that of opening. It is by weighing such fine points as these that, like Francoise Minkowska, one becomes a psychologist of houses.

Yet inviting this man for dinner would mean the world to your partner. If it’s really important for you to support your partner, then you could invite this man over for dinner, greet him warmly at the door, welcome him into your house, and make him feel completely at home, even though you intensely dislike him. That’s willingness.

Instead, as the crystal splinters entered Hornwrack's brain, he experienced two curious dreams of the Low City, coming so quickly one after the other that they seemed simultaneous. In the first, long shadows moved across the ceiling frescoes of the Bistro Californium, beneath which Lord Mooncarrot's clique awaited his return to make a fourth at dice. Footsteps sounded on the threshold. The women hooded their eyes and smiled, or else stifled a yawn, raising dove-grey gloves to their blue, phthisic lips. Viriconium, with all her narcissistic intimacies and equivocal invitations welcomed him again. He had hated that city, yet now it was his past and it was he had to regret...The second of these visions was of the Rue Sepile. It was dawn, in summer. Horse-chestnut flowers bobbed like white wax candles above the deserted pavements. An oblique light struck into the street - so that its long and normally profitless perspective seemed to lead straight into the heart of a younger, more ingenuous city - and fell across the fronts of the houses where he had once lived, warming up the rotten brick and imparting to it a not unpleasant pinkish colour. Up at the second-floor casement window a boy was busy with the bright red geraniums arranged along the outer still in lumpen terra-cotta pots. He looked down at Hornwrack and smiled. Before Hornwrack could speak he drew down the lower casement and turned away. The glass which no separated them reflected the morning sunlight in a silent explosion; and Hornwrack, dazzled mistaking the light for the smile, suddenly imagined an incandescence which would melt all those old streets! Rue Sepile; the Avenue of Children; Margery Fry Court: all melted down! All the shabby dependencies of the Plaza of Unrealized Time! All slumped, sank into themselves, eroded away until nothing was left in his field of vision but an unbearable white sky above and the bright clustered points of the chestnut leaves below - and then only a depthless opacity, behind which he could detect the beat of his own blood, the vitreous humour of the eye. He imagined the old encrusted brick flowing, the glass cracking and melting from its frames even as they shrivelled awake, the sheds of paints flaring green and gold, the geraniums toppling in flames to nothing, not even white ash, under this weight of light! All had winked away like reflections in a jar of water glass, and only the medium remained, bright, viscid, vacant. He had a sense of the intolerable briefness of matter, its desperate signalling and touching, its fall; and simultaneously one of its unendurable durability He thought, Something lies behind all the realities of the universe and is replacing them here, something less solid and more permanent. Then the world stopped haunting him forever.

You would have thought, listening to my bowdlerized version of what was a tepid enough little life history, that rather than having received a warm and gracious letter from the famous writer inviting me to come and spend a pleasant evening in his house, I had made this journey to plead a matter of utmost personal urgency before the most stringent of inquisitors, and that if I made one wrong move, something of immeasurable value to me would be lost forever.

I spoke to Massasoit, the sachem of the Pokanoket, as a pniese should, with respect and honor. “Befriend the English,” I said. “Make them come to understand and support our people.” Massasoit did not listen at first. He watched silently through that winter. Then Samoset came to visit. He was a sachem of the Pemaquid people, who lived farther up the coast. He had done much trading with the English. He knew some of their language. “Let me talk with the Songlismoniak,” he said to Massasoit, nodding to me as he spoke. Massasoit agreed. The next day, March 16th of 1621, Samoset strode into the English settlement. “Welcome, English,” he said in their tongue. He showed them the two arrows in his hand. One had a flint arrowhead, the other had the arrowhead removed. The arrows symbolized what we offered them, either war or peace. The English placed a coat about his shoulders to warm him. They invited him into one of their houses. They gave him small water, biscuits and butter, pudding and cheese. “The food was so good,” Samoset said to me later, laughing as he spoke, “I decided to spend the night.” When he left the next day, he promised to return with a friend who spoke their language well. So it was that five days later, on the 22nd of March, I walked with Samoset back into my own village. Once Patuxet, now it was Plymouth. I looked around me. Though much was changed, I knew that I at last had returned to the land of my home. “Perhaps these men can share our land as friends,” I told my brother, at my side.

A LITTLE while, a little while, The weary task is put away, And I can sing and I can smile, Alike, while I have holiday. Where wilt thou go, my harassed heart-- What thought, what scene invites thee now What spot, or near or far apart, Has rest for thee, my weary brow? There is a spot, 'mid barren hills, Where winter howls, and driving rain; But, if the dreary tempest chills, There is a light that warms again. The house is old, the trees are bare, Moonless above bends twilight's dome; But what on earth is half so dear-- So longed for--as the hearth of home? The mute bird sitting on the stone, The dank moss dripping from the wall, The thorn-trees gaunt, the walks o'ergrown, I love them--how I love them all! Still, as I mused, the naked room, The alien firelight died away; And from the midst of cheerless gloom, I passed to bright, unclouded day. A little and a lone green lane That opened on a common wide; A distant, dreamy, dim blue chain Of mountains circling every side. A heaven so clear, an earth so calm, So sweet, so soft, so hushed an air; And, deepening still the dream-like charm, Wild moor-sheep feeding everywhere. THAT was the scene, I knew it well; I knew the turfy pathway's sweep, That, winding o'er each billowy swell, Marked out the tracks of wandering sheep. Could I have lingered but an hour, It well had paid a week of toil; But Truth has banished Fancy's power: Restraint and heavy task recoil. Even as I stood with raptured eye, Absorbed in bliss so deep and dear, My hour of rest had fleeted by, And back came labour, bondage, care.

Was this my last walk? The wind was blowing and it was cold. Annika hadn’t told me how cold Venice could be before I got there, even in summer. It was something I had to figure out for myself. With the wind blowing, the beach houses looked warm and inviting. From the outside they made it look so easy to be alive on Earth, to hunker down all cozy and warm. I wondered if it felt that way for the people inside them, like a relief to be out of the elements. Or did they quickly forget about the chill outside and take the warmth for granted?

How did we define “poverty-free”? After interviewing many borrowers about what a poverty-free life meant to them, we developed a set of ten indicators that our staff and outside evaluators could use to measure whether a family in rural Bangladesh lived a poverty-free life. These indicators are: (1) having a house with a tin roof; (2) having beds or cots for all members of the family; (3) having access to safe drinking water; (4) having access to a sanitary latrine; (5) having all school-age children attending school; (6) having sufficient warm clothing for the winter; (7) having mosquito nets; (8) having a home vegetable garden; (9) having no food shortages, even during the most difficult time of a very difficult year; and (10) having sufficient income-earning opportunities for all adult members of the family. We will be monitoring these criteria on our own and are inviting local and international researchers to help us track our successes and setbacks as we head toward our goal of a poverty-free Bangladesh.

The man exhaled and wondered. He thought about the squid, and he thought about summers divested of chill and abundant with the strange precocity of wild laughter, of warm days spent tracking footfalls in warm sands, of that electric mane of hair, as black as starlight, wheeling and blowing into her eyes and his mouth as the air accelerated over the water. He thought about the dresses, as candid and diaphanous as photographs captured of butterflies in flight, packed up, boxed in, sent away. He thought about domestic sounds smote to dark corners in dim rooms as vast and terrestrial as forsaken landscape, sounds that should not ever be pursued and evicted from this hillside house, sounds that had as much utility and purpose as the wood fashioned to stabilise the house, sounds who proved the most generous tenants he could have ever invited to share the burdensome wealth of his privacy, sounds who left like friends do when they mean not to return, without word or signal or symbol, but with the cruelty of caprice and the loveless whispers of memories receding to a breakwater of ruin. He thought about how sad he had become, and how ugly, and how fast. He thought about all the mornings covertly spoiled by a ramshackle attack of tears, he thought about the immeasurable distance from his house on its hill to the first forge of shoreline by the bay, he thought about the dialogue of terns and the sordid mystery of snow, but he fell asleep thinking about summers ended and the squid, at rest in a shoebox in the bathroom.

That New Year I was invited to stay with one of my old school buddies, Sam Sykes, at his house on the far northwestern coast of Sutherland, in Scotland. It is as wild and rugged a place as anywhere on earth, and I love it there. It also happens to boast one of my favorite mountains in the world, Ben Loyal, a pinnacle of rock and steep heather that overlooks a spectacular estuary. So I did not need much encouraging to go up to Sam’s and climb. This time up there, I was to meet the lady who would change my life forever; and I was woefully ill-prepared for the occasion. I headed up north primarily to train and climb. Sam told me he had some other friends coming up for New Year. I would like them, he assured me. Great. As long as they don’t distract me from training, I thought to myself. I had never felt more distant from falling in love. I was a man on a mission. Everest was only two months away. Falling in love was way off my radar. One of Sam’s friends was this young girl called Shara. As gentle as a lamb, beautiful and funny--and she seemed to look at me so warmly. There was something about this girl. She just seemed to shine in all she did. And I was totally smitten, at once. All I seemed to want to do was hang out with her, drink tea, chat, and go for nice walks. I tried to fight the feeling by loading up my backpack with rocks and heavy books, then going off climbing on my own. But all I could think about was this beautiful blond girl who laughed in the most adorable way at how ridiculous it was to carry Shakespeare up a mountain. I could sense already that this was going to be a massive distraction, but somehow, at the same time, nothing else seemed to matter. I found myself wanting to be with this girl all the time.

Gary Cooper called to invite me to a dinner party he was giving for Clark Gable at his house. When I accepted and he asked if I would mind picking up Barbara Stanwyck, I was delighted. I had always thought she was one of the greatest. The Lady Eve and Double Indemnity are two of my favorite films and feature two of the many terrific performances she gave through the years. I arrived at her door promptly at 6:30 P.M., a huge bouquet of pink peonies in hand. The maid said she would be right down, took the flowers, and offered me a glass of champagne. Barbara came down a few minutes later, looking terrific in something silver and slinky. She carried on about the flowers as the maid brought them in and joined me for some champagne. I was anxious to get things off to a good start with the right kind of small talk, but unfortunately I was out of touch with the latest gossip. I asked how and where her husband was. An expletive told me how she felt about her husband: “That son of a bitch ran off with some kraut starlet.” As I struggled to pull my foot out of my mouth, she started to laugh and said, “Don’t worry about it, baby, he’s not worth sweating over,” and the rest of the evening went like gangbusters. We arrived at 7:30 on the dot and were met at the door by Rocky, Mrs. Gary Cooper, who hugged Barbara and said, “He’s going to be so glad to see you.” Cooper and Stanwyck had made a couple of great films together, Meet John Doe and Ball of Fire, the latter for Sam Goldwyn, whom she liked even though she referred to him as “that tough old bastard.” Rocky sent Barbara out to the garden to see Coop, took my arm, and showed me around their lovely home. As we walked into the garden, I spotted him laughing with Barbara. Rocky took me over to meet him. He was tall, lean, warm, and friendly. The thing I remember most about him is the twinkle in his deep blue eyes, which were framed by thick dark lashes. He was a movie star.

Robert Jastrow and William Nierenberg, wrote a report questioning the evidence of global warming.15 They were soon invited to the White House to brief the Bush administration. One member of the Cabinet Affairs Office said of the report: “Everyone has read it. Everyone takes it seriously.”16 It wasn’t just the Bush administration that took these claims seriously; the mass media did, too. Respected media outlets such as the New York Times, the Washington Post, Newsweek, and many others repeated these claims as if they were a “side” in a scientific debate. Then the claims were repeated again and again and again—as in an echo chamber—by a wide range of people involved in public debate, from bloggers to members of the U.S. Senate, and even by the president and the vice president of the United States. In all of this, journalists and the public never understood that these were not scientific debates—taking place in the halls of science among active scientific researchers—but misinformation, part of a larger pattern that began with tobacco.

Bloodline by Stewart Stafford Stuart Richards, 5,001st in line to the British throne, A distant cousin of the king but hitherto unknown, He dreamt of the crown and his fair queen's hand, But there was no baiting the hook unless he had a plan. He chose to eliminate the competition, stood before him, Through a dark celebration, they'd never know what hit them, He sent out invitations to the 5, 000 heirs, Promising vast feasting, with music and fanfare He built a fake house front with a door and a sign, That said: "Welcome to the party. Now, kindly form a line." Behind the door, there awaited a cliff face and a fall, A master of deception, his warm smile greeted them all. He stood at the front door with a charming bow, And, welcoming each guest, he said: "In you go now!" He watched them disappear as they stepped through the door, Counting steps to ascension, lemmings queued up for more. Backslapping himself, inner cackling at his scheme, Imagining himself as king - glory rained down, it seemed, But his Machiavellian plotting had a monstrous flaw, One thing he'd forgotten that greedy eyes never saw. The king was still alive, and he was not amused, He got wind of this plot and responded unconfused, He sent his guards to arrest him for sedition in a fury, They swept him off his feet, planting him before a jury. Put on trial for treason - the verdict was most guilty, Execution set, he had the neck to beg for mercy, But the king was not budging and barked: "Off with his head!" An Axeman's reverse coronation, he joined the fallen dead. Halting 2,986th in line to the British throne, A distant cousin of the king, headless spirit flown, In jealous craving, dispossessed as ruler of the land, Crowned pride came before a fallen plan. © Stewart Stafford, 2023. All rights reserved.

Creating intimacy in our house makes it feel cozy, warm, inviting and familiar. That is actually what hygge is all about; it is about creating an environment that is to be enjoyed.   Our

f you're living in a place that's just not big enough for that huge Christmas tree you'd love to have, get branches of evergreen, balsam, or juniper and use them to outline mirrors, arrange on mantels or windowsills, or decorate tabletops and bookshelves. Add gold or silver balls or showcase your holiday collectibles among the branches, such as snow villages, angels, and Christmas teacups. And don't forget to use plenty of unlit candles in seasonal colors. If you do light them, make sure the branches are arranged so they're not a fire hazard. Add a nativity scene to set the significant tone of the season. Make your home warm and welcoming, overflowing with love and good cheer. hose food shows on TV don't have anything on me! Cooking with your friends-inviting them to sit with you while you prepare a fantastic meal is something I've been doing for years. More often, though, I'll put my friends to work. We all have fun pitching in. I've had some of my best conversations while I was stirring a pot of soup and someone else was tossing a salad. I've also had some of my closest times with my husband in that warm, creative room in our house. Good talk seems to happen naturally in the kitchen. And teamwork is great fun! No one is lonely; no one feels left out. Creativity flourishes as you work together.

I stand there, shivering slightly in a jacket that isn’t warm enough for the amount of time I’ve been standing out on this porch. I hear raised voices inside the house—Tim and his mother arguing. I can only imagine what they’re saying to each other. He doesn’t want to see me. That much is clear. After what feels like an eternity, the door swings open again. And there he is. Tim Reese. The boy next door. The guy I thought I was falling in love with before I temporarily sent him to prison for murder. Oh boy. He doesn’t look great. I remember how I swooned a bit when I saw him standing outside the elementary school on Josh’s first day of school. But now he looks tired and pale and about fifteen pounds thinner. And pissed off as hell. “Brooke.” His eyes are like daggers. “What are you doing here?” He doesn’t invite me in. He doesn’t even budge from the doorway. “Um.” I wish I had planned something to say. I could have written down a little speech. Why oh why didn’t I write out a speech? “I wanted to say hi.” His eyebrows shoot up. “Hi?” “And welcome home,” I add. There isn’t even a hint of a smile on Tim’s lips. “No thanks to you.” “Look…” I squirm on the porch. “This hasn’t been easy for me either, you know—” “I was in prison, Brooke.” “Yeah, well.” I raise my eyes to meet his. “Josh’s dad tried to kill me. So, you know, it hasn’t been any picnic.” “No kidding.” Tim folds his arms across his chest. He’s wearing just a sweater, and I’m cold in my coat, so he’s got to be freezing, but he doesn’t look it. “I’d been telling you all along that Shane was dangerous. Didn’t I tell you? Didn’t I warn you repeatedly?” I hang my head. He absolutely did. “The guy stabbed me in the gut.” His fingers go to the area on his abdomen where he still has that scar. “I was practically bleeding to death, barely conscious, and I dragged myself off the floor when I saw you make a run for it. I grabbed that baseball bat off the floor and hit Shane as hard

We are here to bring the interior designer inside all of us to life. To turn a house into a home full of style. To turn your space into a place that is always inviting and warm, like an embrace from your loved ones. We are here to help you create a space you always want to come back to. We search out the world’s most gifted artisans, find and develop fashion-forward trends, and handcraft exclusive products; always with you at the forefront of our mind.

She needs to rest, Joshua. I will bring her to you later." "That's all right, Aidan," Joshua said, man to man. "She needs to be in bed more than I do." Aidan grinned at him and took her out of the room, heedless of her squirming. "He is right, you know," he murmured against her neck. "You do need to be in bed. My bed." His breath was warm and teasing, an invitation she found nearly impossible to resist. "I think you're insatiable," she accused him, but her arms crept around his neck, and her body relaxed against his. "Where you are concerned, it is true," Aidan agreed. He was moving quickly through the house, into the tunnel, his body already tightening in anticipation. 

She lives in the coolest house. It’s really big and super modern. They even have a spa bath in the bathroom as well as a jacuzzi out by the pool. We talked about spending time sunbathing in her backyard as soon as the weather was warm enough. The lounge chairs that were scattered around the sides of the pool were so inviting that I had to try them out. Then when I found that they reclined right back, I lied there picturing myself during the summer months, just relaxing by that beautiful sparkling pool. Sara is so lucky! She seems to have pretty much everything a girl could wish for. Her bedroom has the prettiest pink wallpaper with a gorgeous white flower print as a feature wall. And her furniture is all white. She has a huge comfy bed with matching bedside tables. I’ve never known a girl our age to have a queen sized bed though. Even my parents only have a double bed and Sara’s bed seems enormous in comparison. The two hot pink chrome lamps that sit on her bedside tables are the coolest design and I just love the fluffy pink rug that spreads across the middle of her floor. And she even has

MY FIRST VISIT to the Oval took place just days after the election, when, following a long tradition, the Bushes invited Michelle and me for a tour of our soon-to-be home. Riding in a Secret Service vehicle, the two of us traveled the winding arc of the South Lawn entrance to the White House, trying to process the fact that in less than three months we’d be moving in. The day was sunny and warm, the trees still flush with leaves, and the Rose Garden overflowing with flowers. Washington’s prolonged fall provided a welcome respite, for in Chicago the weather had quickly turned cold and dark, an arctic wind stripping the trees bare of leaves, as if the unusually mild weather we had enjoyed on election night had been merely part of an elaborate set, to be dismantled as soon as the celebration was done.

Rex opened her bedroom door, letting a warm draft into the corridor. “I’ll light your candles,” he said, gesturing her to precede him into her sitting room. “You are doing more than performing a service, Eleanora. You allow me to raise difficult questions with absolute faith that my confidences will not be betrayed. You take my interests to heart. You instruct me on matters nobody has seen fit to include in my ducal education. I am indebted to you.” He was also attracted to her, and not in the casual sense he was attracted to any comely female. He liked watching her mind work. He liked arguing with her. He liked hearing the click of the abacus beads because she moved them around with the brisk speed of a sharpshooter wielding a favorite weapon. She closed the door, plunging the room into deep gloom. “Somebody kept my fires built up,” she said. “You cannot imagine what a luxury that is for me.” She wore a plain wool shawl when he wanted to wrap her in cashmere and silk. Her bun was drooping, and he yearned to unravel the lot and learn how long her hair was, learn the feel of it in his hands. He wanted…her. To cherish, explore, appreciate, and indulge. “The bedroom candles, if you please, Elsmore. I’ll not be using the parlor tonight.” A man intent on observing propriety would pass her the candle, bow, and wish her sound slumbers. Rex thought back over the day, when Eleanora had slept so trustingly against his side in the coach. She’d come to dinner with the barest minimum of a fuss. She’d patted his hand. She’d toed off her house slippers in his presence. She’d taken his arm as she’d traversed the steps. Now, she was inviting him into her bedroom on the most mundane of pretexts.

What is it about a fat body that is so offensive? How on earth does the melanin in my skin incite a frown? Have you seen this skin in the sun?! Whew! The golden undertones that highlight my cheekbones are glorious! The rolls that make up my person are warm and inviting. No one that has been embraced by them leaves unsatisfied. In my hands there is healing. In my presence, I house joy.

The reason to be warm to strangers is because simply creating connections with other people will improve your life. The warmth you give to others always finds its way back to you. Trust that the more you do this without expecting someone to invite you out to dinner, or someone to immediately click, the faster the right people find their way to you. You can think about it in terms of energy. You are opening up your energy, knowing that the people that are truly meant to be in your life are going to match it naturally. Loneliness is real. But you’re not stuck there. It’s hard to put yourself out there, but it’s harder to stay in your house and feel lonely. I’d rather have an awkward moment than continue to feel lonely. And I know you would too. And finally, give it a year.