Fan Page Quotes

I've apparently been the victim of growing up, which apparently happens to all of us at one point or another. It's been going on for quite some time now, without me knowing it. I've found that growing up can mean a lot of things. For me, it doesn't mean I should become somebody completely new and stop loving the things I used to love. It means I've just added more things to my list. Like for example, I'm still beyond obsessed with the winter season and I still start putting up strings of lights in September. I still love sparkles and grocery shopping and really old cats that are only nice to you half the time. I still love writing in my journal and wearing dresses all the time and staring at chandeliers. But some new things I've fallen in love with -- mismatched everything. Mismatched chairs, mismatched colors, mismatched personalities. I love spraying perfumes I used to wear when I was in high school. It brings me back to the days of trying to get a close parking spot at school, trying to get noticed by soccer players, and trying to figure out how to avoid doing or saying anything uncool, and wishing every minute of every day that one day maybe I'd get a chance to win a Grammy. Or something crazy and out of reach like that. ;) I love old buildings with the paint chipping off the walls and my dad's stories about college. I love the freedom of living alone, but I also love things that make me feel seven again. Back then naivety was the norm and skepticism was a foreign language, and I just think every once in a while you need fries and a chocolate milkshake and your mom. I love picking up a cookbook and closing my eyes and opening it to a random page, then attempting to make that recipe. I've loved my fans from the very first day, but they've said things and done things recently that make me feel like they're my friends -- more now than ever before. I'll never go a day without thinking about our memories together.

Daemon was sprawled on his back, one arm stretched across the space beside him and the other rested across his bare stomach. Sheets were twisted around his narrow hips. His face was almost angelic in sleep, chiselled lines softened and lips relaxed. Thick lashes fanned the top of his cheeks. He looked so much younger at rest but, in a weird way, he was even more out of my league. His kind of masculine beauty was otherworldly and intimidating. Something that existed in between the pages of the books I read. Sometimes I had a hard time convincing myself he was real.

Marginalia Sometimes the notes are ferocious, skirmishes against the author raging along the borders of every page in tiny black script. If I could just get my hands on you, Kierkegaard, or Conor Cruise O'Brien, they seem to say, I would bolt the door and beat some logic into your head. Other comments are more offhand, dismissive - Nonsense." "Please!" "HA!!" - that kind of thing. I remember once looking up from my reading, my thumb as a bookmark, trying to imagine what the person must look like who wrote "Don't be a ninny" alongside a paragraph in The Life of Emily Dickinson. Students are more modest needing to leave only their splayed footprints along the shore of the page. One scrawls "Metaphor" next to a stanza of Eliot's. Another notes the presence of "Irony" fifty times outside the paragraphs of A Modest Proposal. Or they are fans who cheer from the empty bleachers, Hands cupped around their mouths. Absolutely," they shout to Duns Scotus and James Baldwin. Yes." "Bull's-eye." "My man!" Check marks, asterisks, and exclamation points rain down along the sidelines. And if you have managed to graduate from college without ever having written "Man vs. Nature" in a margin, perhaps now is the time to take one step forward. We have all seized the white perimeter as our own and reached for a pen if only to show we did not just laze in an armchair turning pages; we pressed a thought into the wayside, planted an impression along the verge. Even Irish monks in their cold scriptoria jotted along the borders of the Gospels brief asides about the pains of copying, a bird singing near their window, or the sunlight that illuminated their page- anonymous men catching a ride into the future on a vessel more lasting than themselves. And you have not read Joshua Reynolds, they say, until you have read him enwreathed with Blake's furious scribbling. Yet the one I think of most often, the one that dangles from me like a locket, was written in the copy of Catcher in the Rye I borrowed from the local library one slow, hot summer. I was just beginning high school then, reading books on a davenport in my parents' living room, and I cannot tell you how vastly my loneliness was deepened, how poignant and amplified the world before me seemed, when I found on one page A few greasy looking smears and next to them, written in soft pencil- by a beautiful girl, I could tell, whom I would never meet- Pardon the egg salad stains, but I'm in love.

There is nothing else in magic but the wild thought of the bird as it casts itself into the void. There is no creature upon the earth with such potential for magic. Even the least of them may fly straight out of this world and come by chance to the Other Lands. Where does the wind come from that blows upon your face, that fans the pages of your book? Where the harum-scarum magic of small wild creatures meets the magic of Man, where the language of the wind and the rain and the trees can be understood, there we will find the Raven King.

I'm not a big fan of inspiration. I'm too old to sit and wait for the muse to give me a little kiss... I write a lot, and I'm not afraid to make mistakes or to write badly. I can alsways fix something weak and dull. But I can't fix a blank page.

People think that libraries are quiet, but they really aren’t. They rumble with voices and footsteps and a whole orchestral range of book-related noises—the snap of covers clapping shut; the breathy whisk of pages fanning open; the distinctive thunk of one book being stacked on another; the grumble of book carts in the corridors.

Readers are often fans of Authors, but I, myself, am a fan of readers. They are the ones who breathe life into the pages that we give birth to, after all.

It is has been a long time since I have written one of my statuses about life. I have been very busy trying to promote my Fan page, Friends and services, and my books. However, I can tell you all one thing for certain. I am not a Quitter. I will not stop writing books. I will not stop pushing myself to succeed. I will not stop being who I am. I am a winner. Winning is an attitude. You take the good with the bad and you keep on going. It gets hard, you get tired and sometimes burnt out but you keep on going anyway, because you can. Winners have setbacks, but winners learn tighten their belts and go on. Winner look at what has gone wrong and instead of complaining they find ways of doing it better. Winners know that Rome was not built in a day and take every day as it comes. Winners do not whine, they roar.

Seriously, our nation is never going to be on the same page on issues like gun control, welfare, the economy, the environment, etc. I doubt we'll ever come to terms on tastes great or less filling and hybrids versus Hummers, and there will always be Yankees fans and Red Sox fans, and never the 'twain shall meet. Fortunately, all it takes for us to be of one mind is some buttercream frosting.

He’s not my biggest fan right now. He’s probably even deleted me from his Facebook page.

Freedom. It was all I could think about. I picked up a book and rubbed its worn cover, fanned through the pages, marveling over the power you could get from books.

Sometimes it's beautiful and we fall in love with all that story. Even after a thousand pages we don't want to leave the world the writer has made for us, or the make-believe people who live there. You wouldn't leave after two thousand pages, if there were two thousand. The Rings trilogy of J.R.R.Tolkien is a perfect example of this. A thousand pages of hobbits hasn't been enough for three generations of post-World War II fantasy fans; even when you add in that clumsy, galumphing dirigible of an epilogue, The Silmarillion, it hasn't been enough. Hence Terry Brooks, Piers Anthony, Robert Jordan, the questing rabbits of Watership Down, and half a hundred others. The writers of these books are creating the hobbits they still love and pine for; they are trying to bring Frodo and Sam back from the Grey Havens because Tolkien is no longer around to do it for them.

left her to work, grabbed a book that Holly had lent me, and tried to get past the second chapter. It was about vampires and werewolves and the love of a good woman. Apparently it had a lot of fans. I wasn’t amongst them. About thirty pages in and I’d already come to the conclusion that it was shit, but I figured it could only get better.

It seems simple to define what a library is—namely, it is a storeroom of books. But the more time I spent at Central, the more I realized that a library is an intricate machine, a contraption of whirring gears. There were days when I came to the library and planted myself near the center of the main corridor and simply watched the whirl and throb of the place. Sometimes people ambled by, with no apparent destination. Some people marched crisply, full of purpose. Many were alone, some were in pairs; occasionally they traveled in a gaggle. People think that libraries are quiet, but they really aren't. They rumble with voices and footsteps and a whole orchestral range of book-related noises—the snap of covers clapping shut; the breathy whisk of pages fanning open; the distinctive thunk of one book being stacked on another; the grumble of book carts in the corridors.

No really, Lainey. Give it a chance. Millions of readers can't be wrong." "That's like saying millions of boy-band fans can't be wrong," I mutter, but I flip through a few more pages.

...after our weekly trip to the library, she cleared the top of her dresser and set out her week's reading, stood them on their ends, pages fanned out, sending little puffs of text into the air.

Bright flashes of memory sparked through Kaz’s mind. A cup of hot chocolate in his mittened hands, Jordie warning him to let it cool before he took a sip. Ink drying on the page as he’d signed the deed to the Crow Club. The first time he’d seen Inej at the Menagerie, in purple silk, her eyes lined with kohl. The bone-handled knife he’d given her. The sobs that had come from behind the door of her room at the Slat the night she’d made her first kill. The sobs he’d ignored. Kaz remembered her perched on the sill of his attic window, sometime during that first year after he’d brought her into the Dregs. She’d been feeding the crows that congregated on the roof. “You shouldn’t make friends with crows,” he’d told her. “Why not?” she asked. He’d looked up from his desk to answer, but whatever he’d been about to say had vanished on his tongue. The sun was out for once, and Inej had turned her face to it. Her eyes were shut, her oil-black lashes fanned over her cheeks. The harbor wind had lifted her dark hair, and for a moment Kaz was a boy again, sure that there was magic in this world. “Why not?” she’d repeated, eyes still closed. He said the first thing that popped into his head. “They don’t have any manners.” “Neither do you, Kaz.” She’d laughed, and if he could have bottled the sound and gotten drunk on it every night, he would have. It terrified him.

So let’s talk a little about April May’s theory of tiered fame. Tier 1: Popularity You are a big deal in your high school or neighborhood. You have a peculiar vehicle that people around town recognize, you are a pastor at a medium-to-large church, you were once the star of the high school football team. Tier 2: Notoriety You are recognized and/or well-known within certain circles. Maybe you’re a preeminent lepidopterist whom all the other lepidopterists idolize. Or you could be the mayor or meteorologist in a medium-sized city. You might be one of the 1.1 million living people who has a Wikipedia page. Tier 3: Working-Class Fame A lot of people know who you are and they are distributed around the world. There’s a good chance that a stranger will approach you to say hi at the grocery store. You are a professional sports player, musician, author, actor, television host, or internet personality. You might still have to hustle to make a living, but your fame is your job. You’ll probably trend on Twitter if you die. Tier 4: True Fame You get recognized by fans enough that it is a legitimate burden. People take pictures of you without your permission, and no one would scoff if you called yourself a celebrity. When you start dating someone, you wouldn’t be surprised to read about it in magazines. You are a performer, politician, host, or actor whom the majority of people in your country would recognize. Your humanity is so degraded that people are legitimately surprised when they find out that you’re “just like them” because, sometimes, you buy food. You never have to worry about money again, but you do need a gate with an intercom on your driveway. Tier 5: Divinity You are known by every person in your world, and you are such a big deal that they no longer consider you a person. Your story is much larger than can be contained within any human lifetime, and your memory will continue long after your earthly form wastes away. You are a founding father of a nation, a creator of a religion, an emperor, or an idea. You are not currently alive.

Books. They tumbled from the bleeding sky like wounded birds. The spines snapping open and the pages fanning white. Black letters slipping off the slanted pages and falling, falling to the ground where they... Shatter.

Life is an open book. Time is an oscillating fan. I’ve had to learn to skim-read because before I can read more than a few paragraphs, That fucking airhead comes circling back, blowing pages like a medieval prostitute. The cool air feels nice, though. Sometimes, when my head aches, I let me eyes relax and I enjoy the breeze as the words blur.

Q: Do you have any advice for upcoming writers who want to pen weird stories? A: READ, damn it. Fill your brain to the bursting point with the good stuff, starting with writers that you truly enjoy, and then work your way backward and outward, reading those writers who inspired the writers you love best. That was my path as far as Weird/Horror Fiction, starting with Lovecraft, and then working my way backward/outward on the Weird Fiction spiderweb. And don’t limit your reading. Read it all, especially non-fiction and various news outlets. You’d be surprised by how many of my story ideas were born while listening to NPR, perusing a blog, or paging through Vanity Fair. Once you have your fuel squared away, just write what you love, in whatever style and genre. You’ll never have fun being someone you’re not, so be yourself. When a singer opens their mouth, what comes out is what comes out. Also, don’t be afraid to fail, and don’t be afraid to walk away. Writing isn’t for everyone, and that’s totally fine. One doesn’t need to be a writer to enjoy being a reader and overall fan of genre or wider fiction.

You see football isn’t just about 90 minutes, it‘s about passion and, yes, if you like, about life. We men will do things under the umbrella of football fandom that we would never dream of doing in any other sphere of life, and within the pages that follow I will try and explain why.

You are quarter ghost on your mother’s side. Your heart is a flayed peach in a bone box. Your hair comes away in clumps like cheap fabric wet. A reflecting pool gathers around your altar of plywood sub flooring and split wooden slats. You are rag doll prone. You are contort, angle and arc. Here you rot. Here you are a greening abdomen, slipping skin, flesh fly, carrion beetles. This is where bullets take shelter, where scythes find their function, breath loses its place on the page. This is where the page is torn out of every book before chapter’s close, this is slippage, this is a shroud of neglect pulled over the body, this is your chance to escape. Little wraith, bend light around your skin until it colors you clear, disappear like silica in a kiln, become glass and glass beads, become the staggered whir of an exhaust fan: something only noticed when gone. Become an origami swan. Fold yourself smaller than ever before. Become less. More in some ways but less in the way a famine is less. They will forgive you for not being satisfied with fitting in their hands. They will forgive you for dying to be a bird diminutive enough to fit in a mouth and not be crushed.

What was that sound? That rustling noise? It could be heard in the icy North, where there was not one leaf left upon one tree, it could be heard in the South, where the crinoline skirts lay deep in the mothballs, as still and quiet as wool. It could be heard from sea to shining sea, o'er purple mountains' majesty and upon the fruited plain. What was it? Why, it was the rustle of thousands of bags of potato chips being pulled from supermarket racks; it was the rustle of plastic bags being filled with beer and soda pop and quarts of hard liquor; it was the rustle of newspaper pages fanning as readers turned eagerly to the sports section; it was the rustle of currency changing hands as tickets were scalped for forty times their face value and two hundred and seventy million dollars were waged upon one or the other of two professional football teams. It was the rustle of Super Bowl week...

The rules for working on Tony’s shows were not to be found on the pages of any HR manual. There were behaviors perfectly acceptable in polite society that were unforgivable deal-breakers for Tony. Stingy tipper, vegan, mediocre, tea drinker, late, or a fan of Jimmy Buffett’s music, you’re off the show.

Thank you again for standing up for me.” He grumbled, “Stop it.” I smiled a little more genuinely. “I have this cream for bruises, let me go grab it.” Aiden jerked his head back like I was about to try to shove a hot dog in his mouth. “You know I don’t care about bruises.” “Too bad. I do. He can be black and purple tomorrow—and I freaking hope he is—but I’d rather you didn’t.” I winced at the small crack in his lip. “What did he have to do? Take a running start to reach your face?” Aiden burst out laughing, not even grimacing as his cut split wide. “Seriously, Aiden.” I reached up to touch his bruised jaw gently with my fingertips. “Did he sucker punch you?” The big guy shook his head. “He actually managed to get a fair shot in?” I wasn’t going to lie. I was a little disappointed. Aiden getting punched was almost like finding out Santa Claus wasn’t real. He’d gotten into a handful fights in his career before—I’d seen footage of it online when I shared it on his fan page because people were vicious and loved that kind of thing—and while he wasn’t this hotheaded asshole who liked to get into it for no reason, each time it happened, he beat the shit out of whoever tried to start something with him. It was impressive. What could I say? Then he gave me that dumb look that drove me nuts and I frowned. “No. I made sure he hit me first, and I let him do it twice before I hit him back,” he explained. This sneaky son of a bitch. I didn’t think I’d ever been so attracted to him before, and that included all the times I’d seen him in compression shorts. “So he’d get blamed for it?” One corner of his mouth pulled back in a smug half-smile.

Every player in every game is subjected to a cold and ceaseless accounting; no ball is thrown and no base is gained without an instant responding judgment—ball or strike, hit or error, yea or nay—and an ensuing statistic. This encompassing neatness permits the baseball fan, aided by experience and memory, to extract from a box score the same joy, the same hallucinatory reality, that prickles the scalp of a musician when he glances at a page of his score of Don Giovanni and actually hears bassos and sopranos, woodwinds and violins.

For Mallarmé, the perfect book was one whose pages have never been cut, their mystery forever preserved, like a bird's folded wing, or a fan never opened.

Which three authors, dead or alive, would you invite to a literary dinner party? is a question often asked of authors interviewed for The New York Times Book Review. What Edmund White said James Merrill said about a young fan: “Why does he want to meet us in the flesh? Doesn’t he realize the best part of us is on the page and all he’ll be meeting is an empty hive?

a lot of young viewers, but I also have a lot of older viewers. This chapter is for my older fans—those of you who are slightly more mature. If any kids are reading this book, turn the page now. This chapter is not appropriate for children. It’s for adults who experience adult situations, such as eating dinner before 6:00 and struggling to read menus in dim lighting conditions. Many adults, myself included, have trouble reading menus when they go out to eat at restaurants because the font is way too small. I know there are products to help with this problem, like reading and magnifying glasses, but I have a better idea. Make the font size larger. There should be a worldwide standard for menu font size. I’ve included a sample menu below with a suitable font size. You’ll notice

Lifting the pages of the book, I let them fan slowly by my eyes. Words, dimly familiar, but twisted all awry, like faces in a funhouse mirror, fled past, leaving no impression on the glassy surface of my brain.

Things That Arouse a Fond Memory of the Past Dried hollyhock. The objects used during the Display of Dolls. To find a piece of deep violet or grape-colored material that has been pressed between the pages of a notebook. It is a rainy day and one is feeling bored. To pass the time, one starts looking through some old papers. And then one comes across the letters of a man one used to love. Last year’s paper fan. A night with a clear moon.

The common denominator in all these problems is that the world is not a line of dominoes in which each event causes exactly one event and is caused by exactly one event. The world is a tissue of causes and effects that criss and cross in tangled patterns. The embarrassments for Hume's two theories of causation (conjunction and counterfactuals) can be diagrammed as a family of networks in which the lines fan in or out or loop around, as in the diagram on the following page.

Case 2:13-cv-45524-PAD Document 4 Filed 16/01/20 Page 152 of 285 UNITED STATES DISTRICT COURT – EASTERN DISTRICT OF CALIFORNIA Annotation for Exhibit D: Please note the date of this chapter. By this time the death of the victim had already taken place.

During my first few months of Facebooking, I discovered that my page had fostered a collective nostalgia for specific cultural icons. These started, unsurprisingly, within the realm of science fiction and fantasy. They commonly included a pointy-eared Vulcan from a certain groundbreaking 1960s television show. Just as often, though, I found myself sharing images of a diminutive, ancient, green and disarmingly wise Jedi Master who speaks in flip-side down English. Or, if feeling more sinister, I’d post pictures of his black-cloaked, dark-sided, heavy-breathing nemesis. As an aside, I initially received from Star Trek fans considerable “push-back,” or at least many raised Spock brows, when I began sharing images of Yoda and Darth Vader. To the purists, this bordered on sacrilege.. But as I like to remind fans, I was the only actor to work within both franchises, having also voiced the part of Lok Durd from the animated show Star Wars: The Clone Wars. It was the virality of these early posts, shared by thousands of fans without any prodding from me, that got me thinking. Why do we love Spock, Yoda and Darth Vader so much? And what is it about characters like these that causes fans to click “like” and “share” so readily? One thing was clear: Cultural icons help people define who they are today because they shaped who they were as children. We all “like” Yoda because we all loved The Empire Strikes Back, probably watched it many times, and can recite our favorite lines. Indeed, we all can quote Yoda, and we all have tried out our best impression of him. When someone posts a meme of Yoda, many immediately share it, not just because they think it is funny (though it usually is — it’s hard to go wrong with the Master), but because it says something about the sharer. It’s shorthand for saying, “This little guy made a huge impact on me, not sure what it is, but for certain a huge impact. Did it make one on you, too? I’m clicking ‘share’ to affirm something you may not know about me. I ‘like’ Yoda.” And isn’t that what sharing on Facebook is all about? It’s not simply that the sharer wants you to snortle or “LOL” as it were. That’s part of it, but not the core. At its core is a statement about one’s belief system, one that includes the wisdom of Yoda. Other eminently shareable icons included beloved Tolkien characters, particularly Gandalf (as played by the inimitable Sir Ian McKellan). Gandalf, like Yoda, is somehow always above reproach and unfailingly epic. Like Yoda, Gandalf has his darker counterpart. Gollum is a fan favorite because he is a fallen figure who could reform with the right guidance. It doesn’t hurt that his every meme is invariably read in his distinctive, blood-curdling rasp. Then there’s also Batman, who seems to have survived both Adam West and Christian Bale, but whose questionable relationship to the Boy Wonder left plenty of room for hilarious homoerotic undertones. But seriously, there is something about the brooding, misunderstood and “chaotic-good” nature of this superhero that touches all of our hearts.

This emphasis on the need for a conservative, traditionalist cultural context for libertarianism in his later years—and the way he turned venomously on every part of the libertarian movement not under the paleo tent in the pages of the newsletter he and Rockwell launched in 1990, the Rothbard/Rockwell Report—lost Rothbard many of his old fans and friends in the movement.

She was free in her wildness. She was a wanderess, a drop of free water. She belonged to no man and to no city. (by Roman Payne, from “The Wanderess.” How this quote became so popular, I have no idea. I wrote it about one woman: The heroine of “The Wanderess,” Saskia; yet I wrote these lines to describe Saskia at her best—praising the qualities of a heroine that all women should strive to have, or keep if they have them. I wrote these lines to make Saskia be like a statue of Psyche or Demeter. The masculine sculptor doesn’t see rock when he carves Aphrodite. He sees before him the carving of the perfect feminine creature. I was creating my ‘perfect feminine creature’ when I wrote about Saskia. She is completely wild and fearless in her dramatic performance of life. She knows that she may only have one life to live and that most people in her society wish to see her fail in her dream of living a fulfilled life. For if a woman acts and lives exactly as society wants her to live, she will never be truly happy, never fulfilled. For societies do not want girls and women to wander. I am surprised that this quote became so famous, since I didn’t spend more than a few seconds writing it. It was written merely as three sentences in a novel. I didn’t write it to be a solitary poem. This quote that touches so many people is no more than an arrangement of twenty-four words in a book of three-hundred pages. What touches me the most is when fans send me photos of tattoos they’ve had done of this quote—either a few words from it or the whole quote. The fact that these wonderful souls are willing to guard words that I’ve written on their precious skin for the rest of their lives makes me feel that what I am writing is worth something and not nothing. When I get depressed and feel the despair that haunts me from time to time, and cripples me, I look at these photos of these tattoos, and it helps me to think that what I am doing is important to some people, and it helps me to start writing again. Am I a masculine version of the wanderess in this quote? Of course I am! I am wild and fearless, I am a wanderer who belongs to no city and to nobody; I am a drop of free water. I am—to cite one of my other quotes—“free as a bird. King of the world and laughing!

Where are your monuments, your battles, martyrs? Where is your tribal memory? Sirs, in that gray vault. The sea. The sea has locked them up. The sea is History. First, there was the heaving oil, heavy as chaos; then, likea light at the end of a tunnel, the lantern of a caravel, and that was Genesis. Then there were the packed cries, the shit, the moaning: Exodus. Bone soldered by coral to bone, mosaics mantled by the benediction of the shark's shadow, that was the Ark of the Covenant. Then came from the plucked wires of sunlight on the sea floor the plangent harp of the Babylonian bondage, as the white cowries clustered like manacles on the drowned women, and those were the ivory bracelets of the Song of Solomon, but the ocean kept turning blank pages looking for History. Then came the men with eyes heavy as anchors who sank without tombs, brigands who barbecued cattle, leaving their charred ribs like palm leaves on the shore, then the foaming, rabid maw of the tidal wave swallowing Port Royal, and that was Jonah, but where is your Renaissance? Sir, it is locked in them sea sands out there past the reef's moiling shelf, where the men-o'-war floated down; strop on these goggles, I'll guide you there myself. It's all subtle and submarine, through colonnades of coral, past the gothic windows of sea fans to where the crusty grouper, onyx-eyed, blinks, weighted by its jewels, like a bald queen; and these groined caves with barnacles pitted like stone are our cathedrals, and the furnace before the hurricanes: Gomorrah. Bones ground by windmills into marl and cornmeal, and that was Lamentations - that was just Lamentations, it was not History; then came, like scum on the river's drying lip, the brown reeds of villages mantling and congealing into towns, and at evening, the midges' choirs, and above them, the spires lancing the side of God as His son set, and that was the New Testament. Then came the white sisters clapping to the waves' progress, and that was Emancipation - jubilation, O jubilation - vanishing swiftly as the sea's lace dries in the sun, but that was not History, that was only faith, and then each rock broke into its own nation; then came the synod of flies, then came the secretarial heron, then came the bullfrog bellowing for a vote, fireflies with bright ideas and bats like jetting ambassadors and the mantis, like khaki police, and the furred caterpillars of judges examining each case closely, and then in the dark ears of ferns and in the salt chuckle of rocks with their sea pools, there was the sound like a rumour without any echo of History, really beginning.

He couldn’t have known it, but among the original run of The History of Love, at least one copy was destined to change a life. This particular book was one of the last of the two thousand to be printed, and sat for longer than the rest in a warehouse in the outskirts of Santiago, absorbing the humidity. From there it was finally sent to a bookstore in Buenos Aires. The careless owner hardly noticed it, and for some years it languished on the shelves, acquiring a pattern of mildew across the cover. It was a slim volume, and its position on the shelf wasn’t exactly prime: crowded on the left by an overweight biography of a minor actress, and on the right by the once-bestselling novel of an author that everyone had since forgotten, it hardly left its spine visible to even the most rigorous browser. When the store changed owners it fell victim to a massive clearance, and was trucked off to another warehouse, foul, dingy, crawling with daddy longlegs, where it remained in the dark and damp before finally being sent to a small secondhand bookstore not far from the home of the writer Jorge Luis Borges. The owner took her time unpacking the books she’d bought cheaply and in bulk from the warehouse. One morning, going through the boxes, she discovered the mildewed copy of The History of Love. She’d never heard of it, but the title caught her eye. She put it aside, and during a slow hour in the shop she read the opening chapter, called 'The Age of Silence.' The owner of the secondhand bookstore lowered the volume of the radio. She flipped to the back flap of the book to find out more about the author, but all it said was that Zvi Litvinoff had been born in Poland and moved to Chile in 1941, where he still lived today. There was no photograph. That day, in between helping customers, she finished the book. Before locking up the shop that evening, she placed it in the window, a little wistful about having to part with it. The next morning, the first rays of the rising sun fell across the cover of The History of Love. The first of many flies alighted on its jacket. Its mildewed pages began to dry out in the heat as the blue-gray Persian cat who lorded over the shop brushed past it to lay claim to a pool of sunlight. A few hours later, the first of many passersby gave it a cursory glance as they went by the window. The shop owner did not try to push the book on any of her customers. She knew that in the wrong hands such a book could easily be dismissed or, worse, go unread. Instead she let it sit where it was in the hope that the right reader might discover it. And that’s what happened. One afternoon a tall young man saw the book in the window. He came into the shop, picked it up, read a few pages, and brought it to the register. When he spoke to the owner, she couldn’t place his accent. She asked where he was from, curious about the person who was taking the book away. Israel, he told her, explaining that he’d recently finished his time in the army and was traveling around South America for a few months. The owner was about to put the book in a bag, but the young man said he didn’t need one, and slipped it into his backpack. The door chimes were still tinkling as she watched him disappear, his sandals slapping against the hot, bright street. That night, shirtless in his rented room, under a fan lazily pushing around the hot air, the young man opened the book and, in a flourish he had been fine-tuning for years, signed his name: David Singer. Filled with restlessness and longing, he began to read.

Those who liked the pages of Democratic candidates had markedly different musical tastes from those who liked the pages of Republican candidates. Some of the differences can be explained by race and region. African American musicians, such as Michael Jackson, Mary J. Blige, Alicia Keys, and Beyoncé, are favorites of Democrats but not Republicans. The fans of noted Jamaican pacifist stoner Bob Marley lean particularly strongly to the left. But Democrats are attracted to more than just performers of color. Acts as diverse as Lady Gaga, Adele, Pink Floyd, and the Beatles are also especially popular in more-liberal precincts.

Each month Cohn brought Trump the latest Job Openings and Labor Turnover Survey, called JOLTS, conducted by the Bureau of Labor Statistics. He realized he was being an asshole by rubbing it in because each month was basically the same, but he didn’t care. “Mr. President, can I show this to you?” Cohn fanned out the pages of data in front of the president. “See, the biggest leavers of jobs—people leaving voluntarily—was from manufacturing.” “I don’t get it,” Trump said. Cohn tried to explain: “I can sit in a nice office with air conditioning and a desk, or stand on my feet eight hours a day. Which one would you do for the same pay?

You have asked too many questions. If you want more, you will have to win them.” He showed no sign of distraction now. As they played, he ignored her attempts to provoke him or make him laugh. “I’ve seen your tricks on others,” he said. “They won’t work with me.” He won. Kestrel waited, nervous, and wondered if the way she felt was how he felt when he lost. His voice came haltingly. “Will you play for me?” “Play for you?” Arin winced. In a more determined tone, he said, “Yes. Something I choose.” “I don’t mind. It’s only…people rarely ask.” He stood from the table, searched the shelves along the wall, and returned with a sheaf of sheet music. She took it. “It’s for the flute,” he said. “It will probably take you time to transpose it for the piano. I can wait. Maybe after our next game--” She fanned the paper impatiently to silence him. “It’s not that hard.” He nodded, then sat in the chair farthest away from the piano, by the glass garden doors. Kestrel was glad for his distance. She settled on the piano’s bench, flipping through the sheet music. The title and notations were in Herrani, the page yellow with age. She propped the paper on the piano’s rack, taking more time than necessary to neaten the sheets. Excitement coursed through her fingers as if she had already plunged her hands into the music, but that feeling was edged with a metallic lace of fear.

Before he left, Sartre took a small side trip to Araraquara, in the interior of São Paulo state, where he had an unlikely encounter with a Brazilian of truly global stature. The episode is retold in Joseph A. Page’s fine book The Brazilians: As Sartre stood outside a building conversing with a cadre of intellectuals, down the street came Pelé, the world’s greatest soccer star, accompanied by several fans. The two groups converged on a street corner. When they separated, the intellectuals realized they were now following Pelé, and Sartre was walking alone. The intellectuals ran back down the street, a bit embarrassed, and rejoined their French hero. According to Page, many residents still refer to the spot as “Pelé-Sartre Corner.

I struggle with words. Never could express myself the way I wanted. My mind fights my mouth, and thoughts get stuck in my throat. Sometimes they stay stuck for seconds or even minutes. Some thoughts stay for years; some have stayed hidden all my life. As a child, I stuttered. What was inside couldn't get out. I'm still not real fluent. I don't know a lot of good words. If I were wrongfully accused of a crime, I'd have a tough time explaining my innocence. I'd stammer and stumble and choke up until the judge would throw me in jail. Words aren't my friends. Music is. Sounds, notes, rhythms. I talk through music. Maybe that's why I became a loner, someone who loves privacy and doesn't reveal himself too easily. My friendliness might fool you. Come into my dressing room and I'll shake your hand, pose for a picture, make polite small talk. I'll be as nice as I can, hoping you'll be nice to me. I'm genuinely happy to meet you and exchange a little warmth. I have pleasant acquaintances with thousands of people the world over. But few, if any, really know me. And that includes my own family. It's not that they don't want to; it's because I keep my feelings to myself. If you hurt me, chances are I won't tell you. I'll just move on. Moving on is my method of healing my hurt and, man, I've been moving on all my life. Now it's time to stop. This book is a place for me to pause and look back at who I was and what I became. As I write, I'm seventy hears old, and all the joy and hurts, small and large, that I've stored up inside me...well, I want to pull 'em out and put 'em on the page. When I've been described on other people's pages, I don't recognize myself. In my mind, no one has painted the real me. Writers have done their best, but writers have missed the nitty-gritty. Maybe because I've hidden myself, maybe because I'm not an easy guy to understand. Either way, I want to open up and leave a true account of who I am. When it comes to my own life, others may know the cold facts better than me. Scholars have told me to my face that I'm mixed up. I smile but don't argue. Truth is, cold facts don't tell the whole story. Reading this, some may accuse me of remembering wrong. That's okay, because I'm not writing a cold-blooded history. I'm writing a memory of my heart. That's the truth I'm after - following my feelings, no matter where they lead. I want to try to understand myself, hoping that you - my family, my friends, my fans - will understand me as well. This is a blues story. The blues are a simple music, and I'm a simple man. But the blues aren't a science; the blues can't be broken down like mathematics. The blues are a mystery, and mysteries are never as simple as they look.

I still have no choice but to bring out Minerva instead.” “But Minerva doesn’t care about men,” young Charlotte said helpfully. “She prefers dirt and rocks.” “It’s called geology,” Minerva said. “It’s a science.” “It’s certain spinsterhood, is what it is! Unnatural girl. Do sit straight in your chair, at least.” Mrs. Highwood sighed and fanned harder. To Susanna, she said, “I despair of her, truly. This is why Diana must get well, you see. Can you imagine Minerva in Society?” Susanna bit back a smile, all too easily imagining the scene. It would probably resemble her own debut. Like Minerva, she had been absorbed in unladylike pursuits, and the object of her female relations’ oft-voiced despair. At balls, she’d been that freckled Amazon in the corner, who would have been all too happy to blend into the wallpaper, if only her hair color would have allowed it. As for the gentlemen she’d met…not a one of them had managed to sweep her off her feet. To be fair, none of them had tried very hard. She shrugged off the awkward memories. That time was behind her now. Mrs. Highwood’s gaze fell on a book at the corner of the table. “I am gratified to see you keep Mrs. Worthington close at hand.” “Oh yes,” Susanna replied, reaching for the blue, leatherbound tome. “You’ll find copies of Mrs. Worthington’s Wisdom scattered everywhere throughout the village. We find it a very useful book.” “Hear that, Minerva? You would do well to learn it by heart.” When Minerva rolled her eyes, Mrs. Highwood said, “Charlotte, open it now. Read aloud the beginning of Chapter Twelve.” Charlotte reached for the book and opened it, then cleared her throat and read aloud in a dramatic voice. “’Chapter Twelve. The perils of excessive education. A young lady’s intellect should be in all ways like her undergarments. Present, pristine, and imperceptible to the casual observer.’” Mrs. Highwood harrumphed. “Yes. Just so. Hear and believe it, Minerva. Hear and believe every word. As Miss Finch says, you will find that book very useful.” Susanna took a leisurely sip of tea, swallowing with it a bitter lump of indignation. She wasn’t an angry or resentful person, as a matter of course. But once provoked, her passions required formidable effort to conceal. That book provoked her, no end. Mrs. Worthington’s Wisdom for Young Ladies was the bane of sensible girls the world over, crammed with insipid, damaging advice on every page. Susanna could have gleefully crushed its pages to powder with a mortar and pestle, labeled the vial with a skull and crossbones, and placed it on the highest shelf in her stillroom, right beside the dried foxglove leaves and deadly nightshade berries. Instead, she’d made it her mission to remove as many copies as possible from circulation. A sort of quarantine. Former residents of the Queen’s Ruby sent the books from all corners of England. One couldn’t enter a room in Spindle Cove without finding a copy or three of Mrs. Worthington’s Wisdom. And just as Susanna had told Mrs. Highwood, they found the book very useful indeed. It was the perfect size for propping a window open. It also made an excellent doorstop or paperweight. Susanna used her personal copies for pressing herbs. Or occasionally, for target practice. She motioned to Charlotte. “May I?” Taking the volume from the girl’s grip, she raised the book high. Then, with a brisk thwack, she used it to crush a bothersome gnat. With a calm smile, she placed the book on a side table. “Very useful indeed.

I want to convince you that intellectual property is important, that it is something that any informed citizen needs to know a little about, in the same way that any informed citizen needs to know at least something about the environment, or civil rights, or the way the economy works. I will try my best to be fair, to explain the issues and give both sides of the argument. Still, you should know that this is more than mere description. In the pages that follow, I try to show that current intellectual property policy is overwhelmingly and tragically bad in ways that everyone, and not just lawyers or economists, should care about. We are making bad decisions that will have a negative effect on our culture, our kids’ schools, and our communications networks; on free speech, medicine, and scientific research. We are wasting some of the promise of the Internet, running the risk of ruining an amazing system of scientific innovation, carving out an intellectual property exemption to the First Amendment. I do not write this as an enemy of intellectual property, a dot-communist ready to end all property rights; in fact, I am a fan. It is precisely because I am a fan that I am so alarmed about the direction we are taking.

Cohn assembled every piece of economic data available to show that American workers did not aspire to work in assembly factories. Each month Cohn brought Trump the latest Job Openings and Labor Turnover Survey, called JOLTS, conducted y the Bureau of Labor Statistics. He realized he was being an asshole by rubbing it in because each month was basically the same, but he didn't care. "Mr. President, can I show this to you?" Cohn fanned out the pages of data in front of the president. "See, the biggest leavers of jobs--people leaving voluntarily--was from manufacturing." "I don't get it," Trump said. Cohn tried to explain: "I can sit in a nice office with air conditioning and a desk, or stand on my feet eight hours a day. Which one would you do for the same pay?" Cohn added, "People don't want to stand in front of a 2,000 degree blast furnace. People don't want to go into coal mines and get black lung. For the same dollars or equal ollars, they're going to choose something else." Trump wasn't buying it. Severl times Cohn just asked the president, "Why do you have these views?" "I just do," Trump replied. "I've had these views for 30 years." "That doesn't mean they're right," Cohn said. "I had the view for 15 years I could play professional football. It doesn't mean I was right.

If “bullshit,” as opposed to “bull,” is a distinctively modern linguistic innovation, that could have something to do with other distinctively modern things, like advertising, public relations, political propaganda, and schools of education. “One of the most salient features of our culture is that there is so much bullshit,” Harry Frankfurt, a distinguished moral philosopher who is professor emeritus at Princeton, says. The ubiquity of bullshit, he notes, is something that we have come to take for granted. Most of us are pretty confident of our ability to detect it, so we may not regard it as being all that harmful. We tend to take a more benign view of someone caught bullshitting than of someone caught lying. (“Never tell a lie when you can bullshit your way through,” a father counsels his son in an Eric Ambler novel.) All of this worries Frankfurt. We cannot really know the effect that bullshit has on us, he thinks, until we have a clearer understanding of what it is. That is why we need a theory of bullshit. Frankfurt’s own effort along these lines was contained in a paper that he presented more than three decades ago at a faculty seminar at Yale. Later, that paper appeared in a journal and then in a collection of Frankfurt’s writings; all the while, photocopies of it passed from fan to fan. In 2005, it was published as On Bullshit, a tiny book of sixty-seven spaciously printed pages that went on to become an improbable breakout success, spending half a year on the New York Times bestseller list.

1. Linus Malthus "Winning is just the snow that came down yesterday"   Founder of total football. Tactical revolutionary who created the foundation of modern football  저희는 7가지 철칙을 바탕으로 거래를 합니다. 고객들과 지키지못할약속은 하지않습니다 1.정품보장 2.총알배송 3.투명한 가격 4.편한 상담 5.끝내주는 서비스 6.고객님 정보 보호 7.깔끔한 거래 [경영항목] 엑스터시,신의눈물,lsd,아이스,캔디,대마초,떨,마리화나,프로포폴,에토미데이트,해피벌륜등많은제품판매하고있습니다 믿고 주문해주세요~저희는 제품판매를 고객님들과 신용과신뢰의 거래로 하고있습니다. 제품효과 못보실 그럴일은 없지만 만의하나 효과못보시면 저희가 1차재발송과 2차 환불까지 약속합니다 텔레【KC98K】카톡【ACD5】라인【SPR331】 The only winner in the international major tournament, Holland, the best soccer line of football 2. Sir Alex Ferguson Mr.Man Utd   The Red Boss The best director in soccer history (most of the past soccer coach rankings are the top picks) It is the most obvious that shows how important the director is in football.   Manchester United's 27-year-old championship, the spiritual stake of all United players and fans, Manchester United itself 3. Theme Mourinho "I do not pretend to be arrogant, because I'm all true, I am a European champion, I am not one of the cunning bosses around, I think I am Special One." The Special One The cost of counterattack after a player Charming world with charisma and poetry The director who has the most violent career of soccer directors 4. Pep Guardiola A man who achieved the world's first and only six treasures beyond treble. Make a team with a page of football history 5. Ottmar Hitzfeld Borussia Dortmund and Bayern are the best directors in Munich history. Legendary former football manager of Germany Sir Alex Ferguson's rival

It's a stupendous day for Dr. Seuss fans, with the announcement of a new, previously unpublished picture book, What Pet Should I Get? , to be released on July 28th.  When Dr. Seuss (aka Ted Geisel) passed away in 1991 he left behind pages of text and sketches for book ideas and projects he had worked on over the years but hadn't completed before his death. Where were these hidden gems, you might ask?  Locked away in a safe? Buried in the backyard? Hidden behind a secret wall in his hat closet?  No.  Like many utterly ordinary people, Seuss had a box in his office filled with a paper trail of ideas and bursts of creativity--only in this case, it was a veryspecial box of creative bits and pieces... Who knew, when his wife, Audrey Geisel, packed away that box shortly after Seuss' death, that when she opened it up over two decades later, she would discover the complete manuscript and illustrations for What Pet Should I Get? . I'm envisioning a ray of bright green and blue and red sunshine beaming down on that moment...  In point of fact, the brilliant colors of Seuss' stories came later in the evolution of his books, so color is being added to the black and white sketches of What Pet Should I Get? by Seuss' former art director, Cathy Goldsmith, who worked with him on the last book he published before his death, Oh, The Places You'll Go!   I can't even imagine the goosebumps Goldsmith must have felt to see and hold never-before-seen Seuss artwork... So while we have to wait until the sun is beating down and summer vacation is nearing an end before we can get our hands on a brand new Dr. Seuss story, can also look forward to hearing about what else was found in that treasure trove of Seussy goodness--two more stories are promised as a result of the findings.

Hi again ! My fav quote from "Kisses from Katie " By Katie J Davis frm page 174 As an 8 year old ,when I first started hearing Céline Dion’s songs, I did not realize that she was almost always singing about someone she is sooooo desperately in love with ! She has such longing and such agony as she is away from her lover .But now a I feel so much longing for my boyfriend whom Im losing .I see a lesson in this : I think the way Celine Dion feels about her lover is the way God must feel about the church ,which in some ways seems to have strayed so far from Him . I think God allowed me to REALLY MISS my boyfriend so I could catch a tiny glimpse of what God’s heart must feel as the church strays into religion and away from things that are so important to Him like helping the impoverished, unwanted people of the world . He longs and desires for my heart to come back to Him each and every minute of each and every day . God so deeply ,passionately , desperately loves us . He intensely longs for his lover to come back to his teachings of giving all we a have to Him ,our beloved , who lives in the hearts of the suffering poor people of this world and unite as a community in an effort to serve HIM in Them and I am so awed by his love for me .I feel so precious and dear to him that He is singing to me even more longingly and passionately than Celine Dion sings to her lover. That is pretty WONDERFUL !!! Satan is not a fan of God our love affair with God and so Satan is battling every day to keep us from giving our hearts to God. I am becoming more keenly aware than ever before of this battle between God and Satan to claim my heart . The devil tricks us into giving our hearts to materialistically selfish desires: wanting more and more for ourselves so we forget Love for God and our neighbor. So that we trade our noble inheritance : the precious treasure of LOVE God wants to shower on us which no money or processions can buy for more ME ME ME . No where in the bible does it say I deserve a reward (boy friend and material abundance ) here on this earth but it does say that I will have a joy so great that it is greater than all good things of this world combined . Colossians 3:23 says “Whatever work you do do it with all your heart (it does not say “and after this work you deserve a long hot bath and some me time “ it does say “Serve with all your heart since you KNOW that you will receive an in heritance in heaven from the Lord as a reward “ …And we KNOW in our hearts that God is ALL we need to overflow with joy …. (Matthew 19-21 says Do not lay up for your selves treasures in this world where moth and rust doth corrupt …..but lay up for yourselves treasure (Love for God )which will be yours for eternity “ Bless you , Dari

But…but that’s tragic! To go through life without color? Unable to appreciate art, or beauty?” He laughed. “Now, sweet-hold your brush before you paint me a martyr’s halo. It’s not as though I’m blind. I have a great appreciation for art, as I believe we’ve discussed. And as for beauty…I don’t need to know whether your eyes are blue or green or lavender to know that they’re uncommonly lovely.” “No one has lavender eyes.” “Don’t they?” His gaze caught hers and refused to let go. Leaning forward, he continued, “Did that tutor of yours ever tell you this? That your eyes are ringed with a perfect circle a few shades darker than the rest of the…don’t they call it the iris?” Sophia nodded. “The iris.” He propped his elbow on the table and leaned forward, his gaze searching hers intently. “An apt term it is, too. There are these lighter rays that fan out from the center, like petals. And when your pupils widen-like that, right there-your eyes are like two flowers just coming into bloom. Fresh. Innocent.” She bowed her head, mixing a touch of lead white into the sea-green paint on her palette. He leaned closer still, his voice a hypnotic whisper. “But when you take delight in teasing me, looking up through those thick lashes, so saucy and self-satisfied…” She gave him a sharp look. He snapped his fingers. “There! Just like that. Oh, sweet-then those eyes are like two opera dancers smiling from behind big, feathered fans. Coy. Beckoning.” Sophia felt a hot blush spreading from her bosom to her throat. He smiled and reclined in his chair. “I don’t need to know the color of your hair to see that it’s smooth and shiny as silk. I don’t need to know whether it’s yellow or orange or red to spend an inordinate amount of time wondering how it would feel brushing against my bare skin.” Opening his book to the marked page, he continued, “And don’t get me started on your lips, sweet. If I endeavored to discover the precise shade of red or pink or violet they are, I might never muster the concentration for anything else.” He turned a leaf of his book, then fell silent. Sophia stared at her canvas. Her pulse pounded in her ears. A bead of sweat trickled down the back of her neck, channeling down between her shoulder blades, and a hot, itchy longing pooled at the cleft of her legs. Drat him. He’d known she was taunting him with her stories. And now he sat there in an attitude of near-boredom, making love to her with his teasing, colorless words in a blatant attempt to fluster her. It was as though they were playing a game of cards, and he’d just raised the stakes. Sophia smiled. She always won at cards. “Balderdash,” she said calmly. He looked up at her, eyebrow raised. “No one has violet lips.” “Don’t they?” She laid aside her palette and crossed her arms on the table. “The slope of your nose is quite distinctive.” His lips quirked in a lopsided grin. “Really.” “Yes.” She leaned forward, allowing her bosom to spill against her stacked arms. His gaze dipped, but quickly returned to hers. “The way you have that little bump at the ridge…It’s proving quite a challenge.” “Is that so?” He bent his head and studied his book. Sophie stared at him, waiting one…two…three beats before he raised his hand to rub the bridge of his nose. Quite satisfactory progress, that. Definite beginnings of fluster.

Selling is crucial to your success because without the sale, you do not make any money. The great thing about writing a book to position yourself is that the book does a lot of the selling for you. People read the book and come to you for more answers. If you have products created to match the theme of your book, your platform (website) will do the selling for you. Automate as much of the process as you can with opt-in boxes, video sales landing pages and special offers. Make it as easy as you can for your fans and followers. Once your products are created, simply write about them, talk about them, and create articles from the content and say, “Yes” to interviews. The buzz created will point people back to your site where your automatic sales team is ready to take orders 24 hours a day.

Does that mean that if a man opens a woman's fiction book, all the words will slide off the page in a swoon, or flutter a fan and scamper away in horror? Or perhaps the book will explode to ensure no manly eye can read what he's not supposed to?

She loved us a lot. We were her whole world. And she was quite the poetess,’ she added, suddenly remembering something, and a half-smile surfacing through her tears.

Blyton is not demanding. She is not an expander of minds like any one of the imaginatively and linguistically gifted authors already mentioned or still to be discussed. Her great gift lies in proving beyond doubt to children that reading can be fun, and reliably so. That the marks on the page will translate into life and colour and movement with ease. This is a thing you can master, a foundation upon which you can build, and also a retreat into which you can escape. She makes it all possible, time and time again. It was for this reason that Roald Dahl – whose own professed primary aim in writing for children was always to entertain them and thus induct them into the world of books – went to bat for her when he was on the 1988 Committee on English in the National Curriculum. He fell out with the rest of the board on the issue of whether her books should be welcomed in schools. Despite being no fan of either the work or the woman (he played bridge with her once and said afterwards that she had the mind of a child) he thought they should be embraced because they got children reading. The rest of the board disagreed and Dahl resigned his place.

​‘Really? It’s hardly an obsession. I just admire her for taking a common story and turning it into a beautiful masterpiece. I mean, the story in Pride and Prejudice isn't something that none of us had heard before. But the way she's written it is. I just can’t explain it. Can’t find the right word for it. I just think she’s a genius.

I glide a finger along the raised golden edge of the title. I fan the pages and inhale the scent of fresh ink. I sigh in contentment when I think about how good it will be to lose myself in these pages. I’m so lost in thought,

I Imagine Them turning some dog-eared page tapping out a drum beat on the dash sorting the laundry digging for a matching sock buried in deep pockets breaking an egg on the side of a bowl fingering guitar strings Where are they now? tenderly holding a pen to paper furiously moving through air in concert with your conversation resting assuredly on the back of a chair oh to be the steering wheel or the spoon to have your palms pressed solidly upon me the full fan of your fingers curved to the slope of my shoulders oh to be warmed to be wrapped in hope to be healed by the laying on of your hands

Coffee half finished, Baldwin went back to stacks of pages, scanning the names, departure flights, dates, numbers in the party. He was looking for a man traveling alone, buying one-way tickets, or tickets with extended return dates. This was Aiden’s usual standard operating procedure. Baldwin was a fan of Occam’s Razor, figured all things being equal, starting with the most obvious answer was generally the best approach. It was 4:00 a.m. when he finally saw it. He flipped open the file of the eighth report and the name practically jumped off the page. “Gotcha,” he whispered.

The Power of Myth For screenwriting, Jon recommends The Writer’s Journey by Christopher Vogler, which he used to determine if Swingers was structurally correct. He is also a big fan of The Power of Myth, a video interview of Joseph Campbell by Bill Moyers. “With The Jungle Book, I really am going back and doubling down on the old myths.” TF: We recorded our podcast during the shooting of The Jungle Book, in his production office next to set. Months later, The Jungle Book was the #1 movie in the world and currently has a staggering 95% review average on Rotten Tomatoes. Long-Term Impact Trumps Short-Term Gross “Thanks to video, and later DVD and laser disc, everybody had seen this film [Swingers], and it had become part of our culture. That’s when I learned that it’s not always the movie that does the best [financially] that has the most impact, or is the most rewarding, or does the most for your career, for that matter.” Another Reason to Meditate “In the middle of [a meditation session], the idea for Chef hit me, and I let myself stop, which I don’t usually do, and I took out a pad. I scribbled down like eight pages of ideas and thoughts, [and then I] left it alone. If I look back on it, and read those pages, it really had 80% of the heavy lifting done, as far as what [Chef] was about, who was in it, who the characters were, what other movies to look at, what the tone was, what music I would have in it, what type of food he was making, the idea of the food truck, the Cuban sandwiches, Cuban music . . . so it all sort of grew out from that.

Tabby didn’t mince words when she gave a pointed warning to his fans in the pages of Castle Rock two months after Misery was published: “In some very real way, you, the readers, know this man very well. I would like to suggest that you do not know him at all. In seventeen years of marriage, I am still discovering things I did not know about Steve, and I hope he’s still discovering the unknown in me.

Then I was lookin at this obviously terrorized copy of an A-F encyclopedia splayed across the flame-tiled floor behind the toilet, all broken-spined with aged grainy pages spilling from its middle like gore spilling from the belly of a gutted fish. Most of the pages were full of smudged type speckled with urine fallout, but peeking at a sideways angle from beneath the top cover was a hint of a dual-colored map of the Americas, and just above that, bent and torn but still monstrously vivid, were the creeping whiskery legs of an arachnid fanning out over the continents.

If physicists want to develop a time machine, they should explore fear. Fear dilates and compresses time without limit. For desperate people awaiting rescue, every instant stretches into unendurable agony; for those awaiting death by cancer, the earth spins relentlessly, shortening the days until they pass like fanned pages in a book. Trapped in our bodies, perception is all, and the engine of perception is hunger for life.

Acclaim for the past works of Charles Martin “Beautiful writing . . . offers hope and redemption without too-neat resolution.” —Publishers Weekly regarding Maggie “. . . charming characters and twists that keep the pages turning.” —Southern Living, regarding When Crickets Cry Southern Living Book-of-the-Month selection, April 2006 “How is Charles Martin able to take mere words and breathe such vibrant life into them? Each character is drawn with an artist’s attention to detail, beauty and purpose. Readers won’t want the story to end because that means leaving these lovable people who have become so much more than just a name in a book.” —inthelibraryreviews.net regarding When Crickets Cry “[The Dead Don’t Dance is] an absorbing read for fans of faith-based fiction . . . [with] delightfully quirky characters . . . [who] are ingeniously imaginative creations.” —Publishers Weekly “[In When Crickets Cry,] Martin has created highly developed characters, lifelike dialogue, and a well-crafted story.” —Christian Book Previews.com “Martin spins an engaging story about healing and the triumph of love . . . Filled with delightful local color.” —Publishers Weekly regarding Wrapped in Rain “[O]ne of the best books I’ve been asked to review, and certainly the best one this year!” — bestfiction.tripod.com regarding When Crickets Cry “Charles Martin has proven himself a master craftsman. Double the story-telling ability of Nicholas Sparks, throw in hints of Michael Crichton and Don J. Snyder, and you have Charles Martin.

Rebecca Gleeson (an everyday schoolgirl on her way to school on the Monday morning eight o’clock train.) The Kingdom of Nought is a time tale legacy: accompanying her on the train Rebecca’s arch nemeses Rona Chadwick, the school bully. Rebecca a fan of poetry and fairy tales. “Tales of kindness and friendship.” She would say to herself. Rebecca was a reader of wonderful books that have a cult following. Unknown to Rebecca far away at the start of the universe dark and evil forces start to unbalance the natural order of day and night, good and evil. Weird things begin to happen as both Rebecca and Rona are transported back in time to The Kingdom of Nought to reinstate the benevolent balance within the kingdom. The adventure for the schoolgirls starts out strange and gets stranger, in the best way possible. Their meeting with the witch Sycorax is as creepy and evocative as you’d hope. The story combines mathematical realism with fantasy, blurring the edges in a way that high-lights that place where stories and real life convene, where magic contains truth. As you open the book and turn the pages you enter a strange place out-side time with amazing creatures and spectacular landscapes. An extremely addictive story that will take you to a magical place with a most unusual conclusion.

Welcome to my life around February of 2012 as I sat down to write Shift. My novel Wool had somehow become a New York Times bestseller, even though it was still a self-published book with some truly questionable cover art. Ridley Scott had snatched up the film rights. Publishers were offering me hundreds of thousands of dollars to take the book off my hands (the offers would soon reach seven figures). Reviews and fan e-mails were pouring in, asking for more, more, more. I had twenty years of not being able to finish a novel under my belt. I had thirty years of being disappointed with sequels as a reader. At the time, Eminem’s song “Lose Yourself” was popular, and I would jam the song every morning, firing myself up so as not to waste this opportunity. And then I decided to write a book that absolutely no one was asking for. No one except me. A word of advice here: If you love reading, you should really give writing a chance. The blank page can be whatever you want it to be. A sad scene, a happy scene, a love story, a tragedy. It’s all right there. You are in charge. You make the rules. Delight your every fancy. Right your every literary wrong.

The dog account’s popularity spread beyond her family and friends to a few thousand people. But on a Monday night in December 2012, the account started gaining fans around the world. After Toffey posted three pictures of Tuna on the Instagram blog that night, the dog’s following grew from 8,500 to 15,000 within 30 minutes. Dasher pulled to refresh the page: 16,000. By the next morning, Tuna was at 32,000 followers. Dasher’s phone started ringing with media requests from around the world. Anderson Cooper’s talk show offered to fly her to DC; she appeared via webcast, thinking it wouldn’t be feasible to take a vacation day. But as requests for appearances continued to come in, her friends warned her about what was coming before she realized it: she would have to quit her job at the Pacific Design Center in Los Angeles and run her dog’s account full-time. It sounded ridiculous, so she took a month off to test the theory. Sure enough, BarkBox, which made a subscription box for pet items, was willing to sponsor Dasher and her friend on an eight-city tour with Tuna. People in various cities came up to her, crying, telling her they were struggling with depression or anxiety and that Tuna was bringing them joy. “That was the first time that I realized how much weight these posts had for people,” Dasher later recalled. “And that’s also when I realized I wanted to do this full-time.” Her life became about managing Tuna’s fame. Berkley, part of Penguin Random House, signed her up to write a book titled Tuna Melts My Heart: The Underdog with the Overbite. That led to more brand deals, plus merchandising to put Tuna’s likeness on stuffed animals and mugs. In her book’s acknowledgments, she thanks Tuna most of all, but also Toffey for sharing the post that changed her life. The tastes of one Instagram employee directly affected her financial success, but also the habits of the two million people who now follow that dog—including Ariana Grande.

What in the three worlds are you doing?” I took stock of the mess of torn pages scattered around me like the fanned-out train of a dress. “Making paper animals. I’m taking requests for the next ten minutes only.” “A spider.” “How about a horse?” “A caterpillar.” “Can I tempt you with a horse?” He stared at me, unimpressed. “A stag.” “I’m sorry, did you say horse?” He pressed a finger between his brows, pushing upward as he sighed. “A fucking horse, then.” I flung the mangled paper I had been holding at him. “Enjoy

Fred gets off to change at the Northern line, and so does the young woman in the green cape; he notices that she has been reading Joseph Conrad’s Chance. He quickens his pace, for he is a Conrad fan; then, uncertain of what he’s going to say to her, slows down. The young woman gives him a regretful backward glance as she turns toward the stairs to the southbound platform.

Hovering her pencil above the fan of pristine pages, she savoured the musk of fresh paper

The pages turned by themselves as the fan moved through its arc and then stopped to reveal the crossword puzzle page. The answer to four across—‘7 letters. Caesar’s crossing caused certain war?’—had been neatly completed in blue ink. ‘Rubicon.

Initially working out of our home in Northern California, with a garage-based lab, I wrote a one page letter introducing myself and what we had and posted it to the CEOs of twenty-two Fortune 500 companies. Within a couple of weeks, we had received seventeen responses, with invitations to meetings and referrals to heads of engineering departments. I met with those CEOs or their deputies and received an enthusiastic response from almost every individual. There was also strong interest from engineers given the task of interfacing with us. However, support from their senior engineering and product development managers was less forthcoming. We learned that many of the big companies we had approached were no longer manufacturers themselves but assemblers of components or were value-added reseller companies, who put their famous names on systems that other original equipment manufacturers (OEMs) had built. That didn't daunt us, though when helpful VPs of engineering at top-of-the-food-chain companies referred us to their suppliers, we found that many had little or no R & D capacity, were unwilling to take a risk on outside ideas, or had no room in their already stripped-down budgets for innovation. Our designs found nowhere to land. It became clear that we needed to build actual products and create an apples-to-apples comparison before we could interest potential manufacturing customers. Where to start? We created a matrix of the product areas that we believed PAX could impact and identified more than five hundred distinct market sectors-with potentially hundreds of thousands of products that we could improve. We had to focus. After analysis that included the size of the addressable market, ease of access, the cost and time it would take to develop working prototypes, the certifications and metrics of the various industries, the need for energy efficiency in the sector, and so on, we prioritized the list to fans, mixers, pumps, and propellers. We began hand-making prototypes as comparisons to existing, leading products. By this time, we were raising working capital from angel investors. It's important to note that this was during the first half of the last decade. The tragedy of September 11, 2001, and ensuing military actions had the world's attention. Clean tech and green tech were just emerging as terms, and energy efficiency was still more of a slogan than a driver for industry. The dot-com boom had busted. We'd researched venture capital firms in the late 1990s and found only seven in the United States investing in mechanical engineering inventions. These tended to be expansion-stage investors that didn't match our phase of development. Still, we were close to the famous Silicon Valley and had a few comical conversations with venture capitalists who said they'd be interested in investing-if we could turn our technology into a website. Instead, every six months or so, we drew up a budget for the following six months. Via a growing network of forward-thinking private investors who could see the looming need for dramatic changes in energy efficiency and the performance results of our prototypes compared to currently marketed products, we funded the next phase of research and business development.

Blind Thrust makes good use of Marquis' background as a professional geologist. It is the novel's characters, however, that really stand out. Charles Quantrill is far from a cardboard villain, and as for the heroes, Joe and John Higheagle have a particularly endearing rapport. For suspense fans who enjoy science mixed with their thrills, the novel offers page-turning pleasures. --BlueInk Review

El hecho de que mi padre nos haya abandonado cuando eramos niños no significa que todos los hombres sean malos. Cuento "El Padre" Autor: David Cotos Publicado 26 de Agosto de 2012 en Fan Page de Observando Cine

A los dos pequeños hijos de la familia Ugarte, les gustaban los juguetes, pero más que eso preferían que sus padres, al levantarse y al acostarse, se acercarán a cada uno de ellos y les dijeran: Te quiero mucho, con un fuerte abrazo y beso en las mejillas. Cuento: El Cariño Autor: David Cotos Publicado 29 de Agosto de 2012 en Fan Page de Observando Cine

Te miré. Me morí. RIP, un cuento corto publicado el 4 de Mayo del 2015 en la Fan Page de Observando Cine.

Que bella es una mujer cuando se muestra imperfecta, sin pretensiones de ser lo que no es. Del Poema "Bella". Publicado originalmente en la Fan Page de Observando Cine con fecha 15 de Septiembre del año 2012.

Quiero ser tu poema de amor – dijo ella. Y yo, el lapicero que te escriba – le respondió él. Extracto del Cuento “Malú” Autor: David Cotos Publicado 27 de Octubre de 2012 en Fan Page de Observando Cine

      •   Allow your readers to post their comments and photos on your Timeline. This will encourage engagement, and it’s always nice to find a reader’s unexpected note or compliment on your Fan Page.

How to read this book: Even after I was told my father was dead, I believed (I still believe) that I could fix everything- that if I logged enough miles in my VW and kept telling stories through the countless dead ends and breakdowns, I could undo the terrible tree events…not that I should have expected to with this particular power, which is incomplete (as I was forced to sell a few stories and procedures for time-of-money), full of holes. Sure, the book turns on, lights up; its fans whirr and the bookengine crunches. But some of the pages are completely blank; others hang by a thread. the book’s transmission is shot, too, so don’t’ be surprised if the book slips from one version to the next as you’re reading .Finally, the thermostat’s misked, so you should expect sudden changes in temperature, the pages might get cold, or it may begin to snow between paragraphs, or you may turn the page and get hit with a faceful of rain or blinding beams of sunlight. So go ahead. Do it-open the book. See? You see me, right? And I see you. See? I am reading your face, your eyes, your lips. I know the sufferdust on your brow. I can see you reading, and I can tell, too, when you are here, when you are absent, what you’ve read and how it affects you. There is no more hiding. I see your chords- your fratures, your cold gifts, where and when you’ve hurt people…your stories are written right there on your face!

How about you have a contest?” “What? For a name or a minion?” “Why not both? We’ll setup a Hellbook fan page with pics of you doing superhero stuff and let the denizens of Hades choose your name. And at the same time, we’ll put out word we’re accepting applications to become your sidekick.” “Minion,

But the events that transpired on those various dates did not throw the city of Moscow into upheaval. When the page was torn from the calendar, the bedroom windows did not suddenly shine with the light of a million electric lamps; that Fatherly gaze did not suddenly hang over every desk and appear in every dream; nor did the drivers of a hundred Black Marias turn the keys in their ignitions and fan out into the shadowy streets. For the launch of the First Five-Year Plan, Bukharin’s fall from grace, and the expansion of the Criminal Code to allow the arrest of anyone even countenancing dissension, these were only tidings, omens, underpinnings. And it would be a decade before their effects were fully felt. No.

in “Wyrd Sisters was plagiarized from Shakespeare.” That was a book of mine and, yes, well, it certainly does add to the enjoyment if you’ve heard of a certain Scottish play and … er … where do I start?) Now add to this the growth of strange ideas about copyright. At one end of the spectrum I get nervous letters asking “Will it be all right if I name my cat after one of your characters?” At the other are the e-mails like: “I enjoyed the story so much that I’ve scanned it in and put it on my Web page … hope you don’t mind.” Copyright is either thought to exist in every single word, or not at all. In short, I began to worry, in this overheated atmosphere, about what would happen if I used a story line that a fan had already posted on the Net or on some fan-fiction Web page.

Look,” she said, opening it up, fanning its blank pages in his direction. “This is a book, too, and precious little is written in it. It’s just as accurate as the Grimmerie, and maybe more so. Don’t be chagrined by its blankness. Be liberated instead. Go on, it’s yours. I have never written a word in it worth saving, so what I give you isn’t magic or the benefit of my thinking, but my belief in the blankness of our futures. Charms only go so far. Here, take it. Whether you write your own story in it or not, that’s your affair.

Whether or not you are looking to house-train your German Shepherd Dog (GSD) or any other type of dog, this book will teach you the essentials of house-training your new puppy (or adult) dog without the need for "Crate Training" in a very easy and fun to read format. This book also serves as a photo-journal (with high-quality (HQ) high-definition (HD) picture on every page) documenting week by week the first few months of life of Sadie the German Shepherd Dog (GSD) Puppy (together with her dog friend Bad News Billy) that is suitable for children, and makes a very nice children's story-picture book for fans of German Shepherd Dogs (GSDs) of all ages. By reading this book you will learn: 1.) How to house-train your dog without "Crate Training". 2.) How to know when to take your dog out to urinate/defecate. 3.) The four most important concepts for your dog to learn first before anything else. 4.) The three ways to get your dog to do as you say. 5.) The four reasons why your dog will not bite you. 6.) The two ways to control your dog's "Danger Area". 7.) The two ways to teach your dog new behaviors. 8.) Positive Reinforcement vs. Correction of Negative Behaviors. 9.) Which foods are safe and unsafe for your dog to eat. 10.) How to teach your dog hand-signals as silent commands. 11.) How to teach your dog to urinate/defecate upon command. ...and much more!

Cecelia and Seamus both have a day off, Columbus Day, and I invite them to the bakehouse for... well, for no reason in particular at all. They show up mid afternoon while my hands are varnished with molasses and rye because I have it in my mind to tweak my mother's pumpernickel formulas. While I respect dark breads, I'm not a particular fan of eating them. I know I should offer the classic at least weekly, though, so I first find and then photocopy the pages in my mother's journals where she'd kept notes about her adventures in pumpernickel bread. She has three versions- one using the crumbs of stale rye bread, one with a hint of cocoa powder, and one featuring a commercial yeast booster- all of them with ingredients I want for my own version, and also with this and that I plan to eliminate.

Those are the doubting reactions of impetuous youth. Today, you learn something. Tomorrow you think you can already be letter perfect in technique. But the ‘system’ is not a hand me down suit that you can put on and walk off in, or a cookbook where all you need to do is find the page and there is your recipe. No, it is a whole way of life, you have to grow up in it, educate yourself in it for years. You cannot cram it into yourselves, you can assimilate it, take it into your blood and flesh, until it becomes second nature, becomes so organic as part of your being that you are trans-formed by it for all time. It is a system that must be studied in parts and then merged into a whole so that it can be understood in all its fundamentals. When you can spread it all out before you like a fan you will have attained a true grasp of it. You cannot hope to do this all at once.

Comic book fans come in many forms - Some attend comicon, Some visit the vatican, Some visit vrindavan. Some bury head in the bible, Some bury head in das kapital. When pages of books are prioritized over humanity, world gets infested with sheeple.

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What is this?” Raine asked, already peeling back the cover. He fanned the book’s lusciously thick pages. All of them were blank.  “A sketchbook,” Sidian said. “I gave Nyx some silvans before he went to Pashun. I told him which shop to go to and what to purchase. Ask me why.”  Raine looked up, his heart palpitating in his throat. “Why?”  “Because I love you.

The article featured interviews with Sheriff Joe Arpaio that were released by a federal judge in Arizona as part of a civil case, and are now preserved on our whistleblower Soundcloud page. Now, with President Trump locked at war with the Deep State, Montgomery is speaking out in public.

August 19, 2015, Montgomery turned over to FBI Director Jim Comey’s office 47 hard drives that he alleges contain over 600 million pages of documentation from Brennan’s and Clapper’s secret surveillance system.

The DOJ did not charge Wolfe with leaking classified information, though the document contained both “Secret” and “Top Secret” information about Carter Page.

remains a conundrum why Carter Page waited for over two and a half years before revealing his CIA past, while 40 million taxpayer dollars were burned on the Hoax Russian Collusion brush fire that consumed America.

The evidence indicates Mueller has destroyed or is suppressing Brady material. There was an original 302 created within five days — by FBI protocol — of the Jan. 24, 2016 ambush interview of General Flynn by two agents — Strzok and Special Agent Joe Pientka. It is mentioned in the Strzok-Page text messages and on page four of the recrafted 302 Mueller filed. Comey read the original 302 before he was fired.

Recently deceased 26-year-old investigative journalist Bre Payton reported at The Federalist on December 13, 2018 that a newly-released DOJ Office of the Inspector General report reveals that Mueller’s Special Counsel Investigation (SCI) Records Officer deleted text messages that Strzok and Page exchanged while working on the Russian Collusion investigation. Deleting government records is a violation of the Federal Records Act. Destruction of evidence is also considered a crime. “The 11-page report reveals that almost a month after Strzok was removed from Mueller’s team, his government-issued iPhone was wiped clean and restored to factory settings by another individual working in Mueller’s office” Payton reported.

She'd been a Marvel superhero fan ever since her tenth birthday, when her father had given her his old-school comic book collection, the pages tattered and worn from use. Unlike Sanjay, who admired the superheroes for their otherworldly powers, Daisy loved how they were committed to saving the world, even though they were all broken inside.

Camera Ready is a fabulous read that will have readers turning the pages wanting to know what will happen next. Perfect for fans of Sophie Kinsella and Jane Green.” — Manhattan Book Review

Oh yes. In fact, after dinner I’ll be reading you my latest fan fic. It’s four hundred and ninety thousand words. You’re not offended by three-hundred-page sex scenes involving Tribbles, are you?