Fan Forever Quotes

Every one of my fans is so special to me

I wonder if I messed up today I wonder how the fans expressions were But I’m happy of who I’ve become Someone that can make others scream for joy

Never will I or have I told fans that I love them, even with something as innocent as this. I’ve only loved one person in my life and those words are saved for my girl and now my son.

How many loves do you get in a lifetime? How many people do you get to call yours? There are all sorts of loves in this world, not all of them, but most of them are beautiful. Some are old, some noble, some brave. Others are dishonourable and weak and make you so by association. Some are a low whisper on a sombre night, some are maddening. Some you can’t ignore—they slow-burn inside of you, never quite going out completely but you’re too scared to dare try to fan that flame. Some loves you pretend you don’t feel, even when you can, even when you know you do, even if he’s the first thing you think of in the morning, even if he’s like a match in the darkened room of your heart—because loving something how you love him is a painful love that puts rocks in your pockets and melancholy in your eyeballs and if time has taught you anything it’s that it doesn’t matter. You’ll love him forever anyway.

A thump thump thump noise that was so unfamiliar, and yet I couldn't quite place it. But I knew it. It was---"Mmm-hmmm," Monica murmured, just as Wes came view into the path. He was running, his pace quick and steady. He was in shorts, his shirt off, staring ahead as he passed. His back was tan and gleaming with sweat. God god!" she said finally, fanning her face with her hand, "I've seen it a million times but it just never gets old. Never.

Nothing good happens after two a.m. Unless you happen to be a fan of watching people play flip cup for hours on end. Not me. No, I’d much prefer to be in my flannel pajamas with a cup of Night-Night tea and a book, thank you very much.

Now, I was a fan of the simple pleasures in life: grilled cheese sandwiches without black flecks on the crust, jeans that didn't pinch the better parts of me, an inch of vodka, ten to twelve hours of sleep. - Cole St Clair, Forever.

We were both avid James Dean fans..."Dream as if you will live forever, live as if you will die today.

... If the dead can come back to this earth and move unseen around those they loved, I shall always be near you; in the garish day and in the darkest night—amidst your happiest scenes and gloomiest hours—always, always; and if there be a soft breeze upon your cheek, it shall be my breath; or if the cool air fans your throbbing temple, it shall be my spirit passing by.

Every work of art is one half of a secret handshake, a challenge that seeks the password, a heliograph flashed from a tower window, an act of hopeless optimism in the service of bottomless longing. Every great record or novel or comic book convenes the first meeting of a fan club whose membership stands forever at one but which maintains chapters in every city -- in every cranium -- in the world. Art, like fandom, asserts the possibility of fellowship in a world built entirely from the materials of solitude. The novelist, the cartoonist, the songwriter, knows the gesture is doomed from the beginning but makes it anyway, flashes his or her bit of mirror, not on the chance that the signal will be seen or understood but as if such a chance existed.

He said focus. The word focus. I hear angels singing. Everything goes dark except for a light that beams down on Sean. It is a God-given sign- like when people see the Virgin Mary in their grilled cheese, except this isn't religious and I'm actually not a big fan of dairy. I stare at the back of his head. His HEAD. Something I see every day but never really see because it's been there forever. Since the first day of third grade. I crumple up my web. I don't need it. Praise be, the Focus Gods have spoken. I am going to write about Sean Griswold's Head.

I thought time stretched out forever. I thought I had the rest of my life to make this decision. But I realized I am on a clock and it runs differently for me. I am female. There was never much time and I have wasted so much already.

First and forever fan the flame of your faith, because all things are possible to them that believe.

Ketika muda, berusaha meraih mimpi itu tidak mudah. Terkadang jatuh dan melukai diri sendiri. Namun, jika kita terus berusaha, berlari, dan berpegang pada harapan, masa muda seolah tidak akan berakhir. Karena muda atau tidak, hanya perkara angka dan usia. Sepanjang kita masih punya mimpi dan terus berupaya mewujudkannya, percayalah bahwa kita akan tetap muda selamanya.

The performance of masculinity, and its conflation with genius, has not been a great thing for women, who are simultaneously the genius’s victims and forever excluded from the club of genius.

For people who make up stories for a living, that is the ultimate success: knowing that, when the book closes, when the series ends, the adventure is not over. It goes on without the creator, in the minds of the people who love it. You can’t stop the signal. Once it’s broadcast, it continues on forever, pulsing past star clusters, lighting up new worlds, collecting new fans, till the end of time itself.

For Mallarmé, the perfect book was one whose pages have never been cut, their mystery forever preserved, like a bird's folded wing, or a fan never opened.

At any rate, without quite knowing what dissatisfied me about the robot stories I read, I waited for something better, and I found it in the December 1938 issue of Astounding Science Fiction. That issue contained “Helen O’Loy” by Lester del Rey, a story in which a robot was portrayed sympathetically. It was, I believe, only his second story, but I was a del Rey fan forever after.

My future plans are simple. I’m going to love God forever. I’m going to love my family and friends forever. I’m going to love my fans forever. And I’m going to love you “Forever and Ever, Amen.

You want me, Charlie?” Josie’s voice was strong with emotion. “Yes, yes Josie I do.” “Well, brother I come with a price. It’s the cost of loyalty and glittering devotion. I am expensive even if your heart’s made of gold. My love is irreplaceable if you are fortunate to afford it. Returns are forever though Charlie since I won’t double back again. So, consider your intentions carefully!

She had been lying there, facedown in the water long before the tide had turned at 3.04 that morning. Her eyes were staring into the river, her blonde hair first fanning out, then drawing back under her head with the wash of the water, like a pulsating jellyfish. The belt of her raincoat was caught on the branches of an overhanging tree and she’d been hooked, destined to forever flap against the corner of the broken pier with outstretched arms. She wasn’t going anywhere now; she was simply bobbing up and down with the rhythm of the water - and she hadn’t blinked in a long while.

The whole issue was almost unbelievably meaningless and small. He thought about the word “meaning” and tried to summon up his baby’s face without looking at the photo, but all he could get was the heft of a full diaper and the plastic mobile over his crib turning in the breeze that the box fan in the doorway made. He imagined that the clock’s second hand possessed awareness and knew that it was a second hand and that its job was to go around and around inside a circle of numbers forever at the same slow, unvarying machinelike rate, going no place it hadn’t already been a million times before, and imagining the second hand was so awful it made his breath catch in his throat, and he looked quickly around to see if any of the examiners near him had heard it or were looking at him.

This woman controls my heartbeats. Every love lyric I sing each night is made for her. Every melody chases her heartbeat, and every chorus begs for her love. It has been brought to my attention that a few people on my management team have chosen to approach the love of my life and tell her that she wasn't good for my image. Due to her looks and the past she had no say in creating, they said she wasn't good enough. It's true, we grew up in the same town, but that didn't mean our home lives were built on the same steady foundation. I was blessed enough to never know struggle. This girl had to fight tooth and nail for everything she was given. She sacrificed her own youth, because she didn't want her little sister to go into the foster system. She gave up love, in order for me to go chase my dreams. She gives and gives in order to make others happy, because that's the person she is. She's the most beautiful human being alive, and for anyone--especially people who are supposed to be in my corner--to say differently disgusts me to my core. I am not a robot. I hurt, I ache, I love, and I cry. And it breaks me to live in a world where I have to be afraid of showing who I really am in order to gain followers. So if you don't like this fact--that I am not single and that I am hopelessly in love--then that's fine. If I lose fans over this, I'm okay with that. I will make every sacrifice in the world from this point on in order to give my love fully to the woman who has given more than she ever should've had to give. I love you, Haze. From the new moon to the fullest. From now until forever.

Once upon a time, mystery fans had to solve puzzles on their own; now, you not only didn’t need to be the one to solve it, you didn’t even need to be hanging around on the website where someone else had solved it. An Ana Lucia flashback episode in the second season showed Jack’s father, Christian, visiting a blonde Australian woman. Not long after it aired, I saw someone on the Television Without Pity message boards passing along a theory they had read on a different site suggesting that this woman was Claire’s mother, that Christian was her father, and that Jack and Claire were unwitting half-siblings. I hadn’t connected those dots myself, but the theory immediately made sense to me. When I interviewed Cuse that summer, he mentioned Christian Shephard, and I said, “And he’s Claire’s father, too, right?” Cuse looked like he was about to have a heart attack.

My Dearest, Can you forgive me? In a world that I seldom understand, there are winds of destiny that blow when we least expect them. Sometimes they gust with the fury of a hurricane, sometimes they barely fan one’s cheek. But the winds cannot be denied, bringing as they often do a future that is impossible to ignore. You, my darling, are the wind that I did not anticipate, the wind that has gusted more strongly than I ever imagined possible. You are my destiny. I was wrong, so wrong, to ignore what was obvious, and I beg your forgiveness. Like a cautious traveler, I tried to protect myself from the wind and lost my soul instead. I was a fool to ignore my destiny, but even fools have feelings, and I’ve come to realize that you are the most important thing that I have in this world. I know I am not perfect. I’ve made more mistakes in the past few months than some make in a lifetime. I was wrong to deny what was obvious in my heart: that I can’t go on without you. You were right about everything. I tried to deny the things you were saying, even though I knew they were true. Like one who gazes only backward on a trip across the country, I ignored what lay ahead. I missed the beauty of a coming sunrise, the wonder of anticipation that makes life worthwhile. It was wrong of me to do that, a product of my confusion, and I wish I had come to understand that sooner. Now, though, with my gaze fixed toward the future, I see your face and hear your voice, certain that this is the path I must follow. It is my deepest wish that you give me one more chance. For the first few days after you left, I wanted to believe that I could go on as I always had. But I couldn’t. I knew in my heart that my life would never be the same again. I wanted you back, more than I imagined possible, yet whenever I conjured you up, I kept hearing your words in our last conversation. No matter how much I loved you, I knew it wasn’t going to be possible unless we—both of us—were sure I would devote myself fully to the path that lay ahead. I continued to be troubled by these thoughts until late last night when the answer finally came to me. Oh, I am sorry, so very sorry, that I ever hurt you. Maybe I’m too late now. I don’t know. I love you and always will. I am tired of being alone. I see children crying and laughing as they play in the sand, and I realize I want to have children with you. I am sick and sad without you. As I sit here in the kitchen, I am praying that you will let me come back to you, this time forever.

It's funny the things you think will last forever when you're young. I figured I'd work until I died. But even work stops at some point. And you find yourself looking around, taking stock of your life, and you realize that you don't give a shit about where you worked, or what you did to bring in money, but you care about the lives you touched. The love you shared. The family you created. You care about who is standing beside you when the shit hits the fan.

This afternoon, being on Fair Haven Hill, I heard the sound of a saw, and soon after from the Cliff saw two men sawing down a noble pine beneath, about forty rods off. I resolved to watch it till it fell, the last of a dozen or more which were left when the forest was cut and for fifteen years have waved in solitary majesty over the sprout-land. I saw them like beavers or insects gnawing at the trunk of this noble tree, the diminutive manikins with their cross-cut saw which could scarcely span it. It towered up a hundred feet as I afterward found by measurement, one of the tallest probably in the township and straight as an arrow, but slanting a little toward the hillside, its top seen against the frozen river and the hills of Conantum. I watch closely to see when it begins to move. Now the sawers stop, and with an axe open it a little on the side toward which it leans, that it may break the faster. And now their saw goes again. Now surely it is going; it is inclined one quarter of the quadrant, and, breathless, I expect its crashing fall. But no, I was mistaken; it has not moved an inch; it stands at the same angle as at first. It is fifteen minutes yet to its fall. Still its branches wave in the wind, as it were destined to stand for a century, and the wind soughs through its needles as of yore; it is still a forest tree, the most majestic tree that waves over Musketaquid. The silvery sheen of the sunlight is reflected from its needles; it still affords an inaccessible crotch for the squirrel’s nest; not a lichen has forsaken its mast-like stem, its raking mast,—the hill is the hulk. Now, now’s the moment! The manikins at its base are fleeing from their crime. They have dropped the guilty saw and axe. How slowly and majestic it starts! as it were only swayed by a summer breeze, and would return without a sigh to its location in the air. And now it fans the hillside with its fall, and it lies down to its bed in the valley, from which it is never to rise, as softly as a feather, folding its green mantle about it like a warrior, as if, tired of standing, it embraced the earth with silent joy, returning its elements to the dust again. But hark! there you only saw, but did not hear. There now comes up a deafening crash to these rocks , advertising you that even trees do not die without a groan. It rushes to embrace the earth, and mingle its elements with the dust. And now all is still once more and forever, both to eye and ear. I went down and measured it. It was about four feet in diameter where it was sawed, about one hundred feet long. Before I had reached it the axemen had already divested it of its branches. Its gracefully spreading top was a perfect wreck on the hillside as if it had been made of glass, and the tender cones of one year’s growth upon its summit appealed in vain and too late to the mercy of the chopper. Already he has measured it with his axe, and marked off the mill-logs it will make. And the space it occupied in upper air is vacant for the next two centuries. It is lumber. He has laid waste the air. When the fish hawk in the spring revisits the banks of the Musketaquid, he will circle in vain to find his accustomed perch, and the hen-hawk will mourn for the pines lofty enough to protect her brood. A plant which it has taken two centuries to perfect, rising by slow stages into the heavens, has this afternoon ceased to exist. Its sapling top had expanded to this January thaw as the forerunner of summers to come. Why does not the village bell sound a knell? I hear no knell tolled. I see no procession of mourners in the streets, or the woodland aisles. The squirrel has leaped to another tree; the hawk has circled further off, and has now settled upon a new eyrie, but the woodman is preparing [to] lay his axe at the root of that also.

In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain

I think it is unethical to be kept alive by machines. I told Jim yes, he could pull the plug. But I had one caveat before I signed my name: If Jim got remarried to some climbing, comedy fan–girl skank, my vengeful and capricious ghost would haunt him forever.

Tell me what you want, my love," he rasped through parted lips. "Tell me now." "You, Staff, you. Forever and always. Please." "Only Staff?" "Yes, yes. Please, my love. Put out the fire." "But first I have to fan it brighter," he said low, and moved into her instantly.

We also learned our own history and I was so grateful that such richness comes from our family stories. Now we will forever remember the day that a Russian cellist spoke the heart of Czech people. Rostropovich loved Prague and so he viewed that performance as a personal tragedy.

But where should he begin? - Well, then, the trouble with the English was their: Their: In a word, Gibreel solemnly pronounced, their weather. Gibreel Farishta floating on his cloud formed the opinion that the moral fuzziness of the English was meteorologically induced. 'When the day is not warmer than the night,' he reasoned, 'when the light is not brighter than the dark, when the land is not drier than the sea, then clearly a people will lose the power to make distinctions, and commence to see everything - from political parties to sexual partners to religious beliefs - as much-the-same, nothing-to-choose, give-or-take. What folly! For truth is extreme, it is so and not thus, it is him and not her; a partisan matter, not a spectator sport. It is, in brief, heated. City,' he cried, and his voice rolled over the metropolis like thunder, 'I am going to tropicalize you.' Gibreel enumerated the benefits of the proposed metamorphosis of London into a tropical city: increased moral definition, institution of a national siesta, development of vivid and expansive patterns of behaviour among the populace, higher-quality popular music, new birds in the trees (macaws, peacocks, cockatoos), new trees under the birds (coco-palms, tamarind, banyans with hanging beards). Improved street-life, outrageously coloured flowers (magenta, vermilion, neon-green), spider-monkeys in the oaks. A new mass market for domestic air-conditioning units, ceiling fans, anti-mosquito coils and sprays. A coir and copra industry. Increased appeal of London as a centre for conferences, etc.: better cricketeers; higher emphasis on ball-control among professional footballers, the traditional and soulless English commitment to 'high workrate' having been rendered obsolete by the heat. Religious fervour, political ferment, renewal of interest in the intellegentsia. No more British reserve; hot-water bottles to be banished forever, replaced in the foetid nights by the making of slow and odorous love. Emergence of new social values: friends to commence dropping in on one another without making appointments, closure of old-folks' homes, emphasis on the extended family. Spicier foods; the use of water as well as paper in English toilets; the joy of running fully dressed through the first rains of the monsoon. Disadvantages: cholera, typhoid, legionnaires' disease, cockroaches, dust, noise, a culture of excess. Standing upon the horizon, spreading his arms to fill the sky, Gibreel cried: 'Let it be.

Phoenix." Tezuka's unfinished masterpiece. "Phoenix" is the Christ of manga's ode to change... Resurrection... Since I am such a noted manga scholar, you might think my life has always been a roaring success... But the truth is that I'm forever attempting to be reborn out of the flames of my own misery and painfully obvious worthlessness.

IN 1925, MADISON GRANT’S The Passing of the Great Race was translated into German where it was read by a disgruntled corporal who had recently been sent to prison for his part in a riot against the government in Bavaria: Adolf Hitler. After reading the book, the 36-year-old revolutionary sent a fan letter to Grant: “This book is my Bible,” he wrote. During his nine months in prison, Hitler had read several books by American eugenicists, calling his prison stay “his university.” Hitler would soon launch a national movement that would forever damn the field of eugenics to the lower reaches of hell. But, despite popular belief, what was about to happen in Germany didn’t start on a rallying stand in Munich; it started in a law office in New York City.

You are right, you can read a book anywhere. But there is something truly spectacular about finding a quiet, tranquil place where you can be undisturbed -- and just escape into a book for a few hours." She wraps her arms around herself as she walks towards me. "The truth is your body will age and fail, but your imagination will stay young forever. Books are just sustenance for the soul.

Monstrous Sea Private Message 2:54 p.m. 28 - Oct -16 rainmaker: Hey, it’s Wallace. Please tell me I blew your mind again. You make the best face when your mind is being blown. MirkerLurker: Whoa that sounded dirty. rainmaker: Too much? MirkerLurker: Ummmmmmmmmm rainmaker: Too much. Noted. MONSTROUS SEA FORUMS USER PROFILE rainmaker * Fanfiction Moderator AGE: Not telling you LOCATION: NO INTERESTS: MS. Writing things.Campfires. Sweaters. Sleeping in. Dogs. Followers 1,350,199 | Following 54 | Posts 9,112 [Unique Works 144] UPDATES View earlier updates Oct 20 2016 The next chapter of the Auburn Blue fanfic will probably be a little late. Just started at the new school. So, that’s fun. Oct 21 2016 Thanks to @joojooboogee for my new avatar! #DallasRainerForever Oct 23 2016 If math homework were a real person, I’d be doing 25 to life. #Mathslaughter Oct 24 2016 There might actually be other MS fans at this school. THANK JESUS I’M SAVED. Oct 26 2016 Life is destroying me today. No time to write. Stupid math. #Mathslaughter Oct 27 2016 Definitely another MS fan at this school. Pros: Awesome; Not alone; Pretty girl. Cons: Pretty girl. #Fuuuuuuuuck Oct 28 2016 Heyyyy let’s not talk about the pretty girl anymore okay she’s probably looking at this.

The world has accepted hard-core fans' argument. Batman, this children's character who dresses up in a costume to effect the change he wishes to see in the world via face punching, is serious. And awesome. And definitely not gay. And, most importantly, now and forever, badass. This is the Batman narrative that now permeates the culture—the narrative that doesn't like nobody touching its stuff and doesn't want any of you homos touching it, neither.

I played the last Born This Way ball here in Montreal. I was so badly injured, and I had been injured for like, a few shows. And I didn’t want anybody to know, because I didn’t want to disappoint fans, and I didn’t want to cancel. I remember, I was dancing on the stage - Sheisse - with a big castle behind me, and I was in some kinda fuckin’ pain, I’ll tell you. But you just kept cheering, all of you kept cheering for me. And I never told any of you what was wrong, I never said anything. But when I was saying goodbye, some fans that I picked out of the pit, backstage.. These two girls looked at me, and I’ll never forget it. They passed me a McQueen cane with a skull on it. And they looked right at me, and I knew that they knew I needed the cane to walk. I don’t know how they knew, or why they brought it, but it was one of the most special moments of my life, I’ll never forget it. That you could feel what I was thinking, like we’re one. We are friends. I made a decision on that day, and I thought I had made it long ago.. that I would never let you down again, and I would always put my fans first. The music, the magic of this music and these concerts, I hope that you remember them forever. You pretty girls putting flowers in each others hair… And you sweet boys, painting your faces like the sad clown that I was when I no longer heard your applause. How you whisper to each others ears, and you whisper, its okay. I was born this way. I will never forget these moments. you’re my little gypsy kingdom, and I love you.

Now I see in that laughter a good deal of desperation and sadness. About to leave the haven of our separate universities and be thrown out onto the brutal free-spinning of the world, as we walked arm in arm through the snow, we carried with us, if only unconsciously, the knowledge that it would be our last holiday together; and we drank and laughed and sneered with the resolute sadness of men who knew that tomorrow we'd be trying to free our own mortgaged Buicks from our own snowlocked drives. That is what most of us ended up doing. I didn't; but I don't question that my friends were right and I wrong, that they were happy and I not, that theirs was the hard and mine the easy way. What always saddened me on confronting them was the surety that had I been foolish enough to bring up "old times," none would have allowed himself a memory of sticking his finger into the vaporous and flaky air and shouting, "Shovel, you f*cking dummies!" A self-destructively romantic man, I accepted our jeering defiance as a pact; forever.

And just as the first one steps off the cliff, onto air, the forever nothing below, they ignite into the ochre-red sparks of monarchs. Thousands of monarchs pour over the edge, fan into the white air, like a bloodier hitting water. I race through the field as if my cliff was never written into this story, as if I was no heavier than the words in my name. And like a word, I hold no weight in this world yet still carry my own life. And I throw it ahead of me until what I left behind becomes exactly what I'm running toward--like I'm part of a family.

You want a physicist to speak at your funeral. You want the physicist to talk to your grieving family about the conservation of energy, so they will understand that your energy has not died. You want the physicist to remind your sobbing mother about the first law of thermodynamics; that no energy gets created in the universe, and none is destroyed. You want your mother to know that all your energy, every vibration, every Btu of heat, every wave of every particle that was her beloved child remains with her in this world. You want the physicist to tell your weeping father that amid energies of the cosmos, you gave as good as you got. And at one point you’d hope that the physicist would step down from the pulpit and walk to your brokenhearted spouse there in the pew and tell him that all the photons that ever bounced off your face, all the particles whose paths were interrupted by your smile, by the touch of your hair, hundreds of trillions of particles, have raced off like children, their ways forever changed by you. And as your widow rocks in the arms of a loving family, may the physicist let her know that all the photons that bounced from you were gathered in the particle detectors that are her eyes, that those photons created within her constellations of electromagnetically charged neurons whose energy will go on forever. And the physicist will remind the congregation of how much of all our energy is given off as heat. There may be a few fanning themselves with their programs as he says it. And he will tell them that the warmth that flowed through you in life is still here, still part of all that we are, even as we who mourn continue the heat of our own lives. And you’ll want the physicist to explain to those who loved you that they need not have faith; indeed, they should not have faith. Let them know that they can measure, that scientists have measured precisely the conservation of energy and found it accurate, verifiable and consistent across space and time. You can hope your family will examine the evidence and satisfy themselves that the science is sound and that they’ll be comforted to know your energy’s still around. According to the law of the conservation of energy, not a bit of you is gone; you’re just less orderly. Amen.

The truth is Matt Groening and David X. Cohen created a program that was much more than your typical cartoon. In fact, they created the gold standard of high-quality TV. The quality of Futurama has been recognized both by its fans and its peers. It has won five Emmys, seven Annie Awards, and two Writers Guild of America Awards, as well as receiving two Environmental Media Awards. With crisp 3-D animation and challenging storylines that engage issues in philosophy, mathematics, physics, normalcy, and the environment, Futurama has forever changed the public’s perception of what’s possible with a TV cartoon.

It is true. I did fall asleep at the wheel. We nearly went right off a cliff down into a gorge. But there were extenuating circumstances.” Ian snickered. “Are you going to pull out the cry-baby card? He had a little bitty wound he forgot to tell us about, that’s how small it was. Ever since he fell asleep he’s been trying to make us believe that contributed.” “It wasn’t little. I have a scar. A knife fight.” Sam was righteous about it. “He barely nicked you,” Ian sneered. “A tiny little slice that looked like a paper cut.” Sam extended his arm to Azami so she could see the evidence of the two-inch line of white marring his darker skin. “I bled profusely. I was weak and we hadn’t slept in days.” “Profusely?” Ian echoed. “Ha! Two drops of blood is not profuse bleeding, Knight. We hadn’t slept in days, that much is true, but the rest . . .” He trailed off, shaking his head and rolling his eyes at Azami. Azami examined the barely there scar. The knife hadn’t inflicted much damage, and Sam knew she’d seen evidence of much worse wounds. “Had you been drinking?” she asked, her eyes wide with innocence. Those long lashes fanned her cheeks as she gaze at him until his heart tripped all over itself. Sam groaned. “Don’t listen to him. I wasn’t drinking, but once we were pretty much in the middle of a hurricane in the South Pacific on a rescue mission and Ian here decides he has to go into this bar . . .” “Oh, no.” Ian burst out laughing. “You’re not telling her that story.” “You did, man. He made us all go in there, with the dirtbag we’d rescued, by the way,” Sam told Azami. “We had to climb out the windows and get on the roof at one point when the place flooded. I swear ther was a crocodile as big as a house coming right at us. We were running for our lives, laughing and trying to keep that idiot Frenchman alive.” “You said to throw him to the crocs,” Ian reminded. “What was in the bar that you had to go in?” Azami asked, clearly puzzled. “Crocodiles,” Sam and Ian said simultaneously. They both burst out laughing. Azami shook her head. “You two could be crazy. Are you making these stories up?” “Ryland wishes we made them up,” Sam said. “Seriously, we’re sneaking past this bar right in the middle of an enemy-occupied village and there’s this sign on the bar that says swim with the crocs and if you survive, free drinks forever. The wind is howling and trees are bent almost double and we’re carrying the sack of shit . . . er . . . our prize because the dirtbag refuses to run even to save his own life—” “The man is seriously heavy,” Ian interrupted. “He was kidnapped and held for ransom for two years. I guess he decided to cook for his captors so they wouldn’t treat him bad. He tried to hide in the closet when we came for him. He didn’t want to go out in the rain.” “He was the biggest pain in the ass you could imagine,” Sam continued, laughing at the memory. “He squealed every time we slipped in the mud and went down.” “The river had flooded the village,” Sam added. “We were walking through a couple of feet of water. We’re all muddy and he’s wiggling and squeaking in a high-pitched voice and Ian spots this sign hanging on the bar.

Comparing marriage to football is no insult. I come from the South where football is sacred. I would never belittle marriage by saying it is like soccer, bowling, or playing bridge, never. Those images would never work, only football is passionate enough to be compared to marriage. In other sports, players walk onto the field, in football they run onto the field, in high school ripping through some paper, in college (for those who are fortunate enough) they touch the rock and run down the hill onto the field in the middle of the band. In other sports, fans cheer, in football they scream. In other sports, players ‘high five’, in football they chest, smash shoulder pads, and pat your rear. Football is a passionate sport, and marriage is about passion. In football, two teams send players onto the field to determine which athletes will win and which will lose, in marriage two families send their representatives forward to see which family will survive and which family will be lost into oblivion with their traditions, patterns, and values lost and forgotten. Preparing for this struggle for survival, the bride and groom are each set up. Each has been led to believe that their family’s patterns are all ‘normal,’ and anyone who differs is dense, naïve, or stupid because, no matter what the issue, the way their family has always done it is the ‘right’ way. For the premarital bride and groom in their twenties, as soon as they say, “I do,” these ‘right’ ways of doing things are about to collide like two three hundred and fifty pound linemen at the hiking of the ball. From “I do” forward, if not before, every decision, every action, every goal will be like the line of scrimmage. Where will the family patterns collide? In the kitchen. Here the new couple will be faced with the difficult decision of “Where do the cereal bowls go?” Likely, one family’s is high, and the others is low. Where will they go now? In the bathroom. The bathroom is a battleground unmatched in the potential conflicts. Will the toilet paper roll over the top or underneath? Will the acceptable residing position for the lid be up or down? And, of course, what about the toothpaste? Squeeze it from the middle or the end? But the skirmishes don’t stop in the rooms of the house, they are not only locational they are seasonal. The classic battles come home for the holidays. Thanksgiving. Which family will they spend the noon meal with and which family, if close enough, will have to wait until the nighttime meal, or just dessert if at all? Christmas. Whose home will they visit first, if at all? How much money will they spend on gifts for his family? for hers? Then comes for many couples an even bigger challenge – children of their own! At the wedding, many couples take two candles and light just one often extinguishing their candle as a sign of devotion. The image is Biblical. The Bible is quoted a man shall leave his father and mother and be joined to his wife, and the two shall become one. What few prepare them for is the upcoming struggle, the conflict over the unanswered question: the two shall become one, but which one? Two families, two patterns, two ways of doing things, which family’s patterns will survive to play another day, in another generation, and which will be lost forever? Let the games begin.

When Lizzie pushed past me, she offered me a sly wink and nothing else. Not a hello. Not a smile. Not an anything, and I couldn’t have been more grateful to her in this moment. Keeping my eyes trained on her, I watched as she lowered herself down between Feely and another lad with a shaved head, directly opposite Hughie. This girl. Messy as fuck or not, this girl had my unconditional support. I had a girlfriend and a son to go home to that I wouldn’t have if she hadn’t taken a second to talk me down from the edge that night. The thought of what could have happened—what would have happened—if she hadn’t intervened meant that I would be forever indebted to her. My son had a father because of her, and whenever the shit hit the fan for her, because it would hit the fan, then she would have my backing. Yeah, for the rest of the school year, she would come under the same umbrella that Tadhg and Shannon did.

Your charming charm is a super sexy mega power that is simply impossible to overcome. Sweetest gourmet, I adore your gorgeous body, when I see you, only one word sounds in my head: yum, I will give myself completely to you. I will always love only you unconsciously, unconsciously, your gently erotic image sat in the depths of my mind completely. From your amazingly contagious beauty, your mouth opens and speechless is lost. Dizzyingly, stunningly beautiful, you are like a giant tornado, from which everything attracts you. And the heart and soul yearn all the time only for you. It doesn't matter if you love me or not, the main thing is that I still love you, and in my subconscious mind, I will only love you forever. Your luxurious appearance of the highest quality, this is a workshop, the filigree work of Mother Nature, this is just a masterpiece that constitutes a unique example of true beauty, you have no equal, you are a girl of high caliber. You are absolutely beautiful to such an extent, so beautiful, so exotic, erotic, and your image sounds poetic like very beautiful music of love, that I’m just afraid and shy to come to you, I’m afraid to talk to you, as if standing next to a goddess, or with a super mega star, a world scale model that even aliens probably know. My heart beats more often, I can’t talk normally, from excitement, goosebumps all over my body, and it just shakes. All these are symptoms of true love for you, well, simply: oh), wow). To be your boyfriend and husband is the greatest honor in the world, he knelt before you with flowers in his hands. Your appearance is perfect just like Barbie. You are so beautiful that only you want to have sex forever, countless, infinite number of times. You are unattainable, you are like a star whose light of the soul, like a searchlight, illuminates me in the deep darkness of solitude. In love with you thorough. You are simply amazingly beautiful. You are the best of the best. Goddess of all goddesses, empress of all empresses, queen of all queens. More beautiful you just can not imagine a girl. Sexier than you just can not be anything. Beautiful soul just is not found. There was nothing more perfect than you and never will be, simply because I think so. Laponka, I'm your faithful fan, you are my only idol, idol, icon of beauty. It doesn't matter who you are, I will accept you any. Because in any case I am eager to be only with you. You have a sexy smile, and your sensual look is just awesome. And from your voice and look a pleasant shiver all over your body. You are special, the best that is in all worlds, universes and dimensions. You're just a sight for sore eyes. To you I feel the most powerful, love and sexual inclination. You're cooler than any Viagra and afrodosiak. From your beauty just cling to the constraints and embarrassment.

i didn’t sign up to be part of a freak show. let’s just send him back north and be done with it.” “why do you hate him? why do you hate him so much, that you’d wish such a thing on him?” “because i’m sick of him getting everything he wants just because he’s kevin day. do you know what fame gets you, shitface? everything. all he has to do is ask for it, and someone will give it to him. doesn’t matter what. doesn’t matter who. the world is dying to give him everything he wants. when he broke his hand, his fans cried for him. they flooded our locker room with letters and flowers. the amazing kevin day can’t play anymore, they said. their lives were over. they’d grieve the loss forever. but tell me, when’s the last time anyone cried for you? never, right? they’re there for kevin every step of the way, but where were they when we needed them?” “so you’re jealous.” “his life is not more important than mine just because he’s more talented.” - seth & neil

If talking pictures could be said to have a father, it was Lee De Forest, a brilliant but erratic inventor of electrical devices of all types. (He had 216 patents.) In 1907, while searching for ways to boost telephone signals, De Forest invented something called the thermionic triode detector. De Forest’s patent described it as “a System for Amplifying Feeble Electric Currents” and it would play a pivotal role in the development of broadcast radio and much else involving the delivery of sound, but the real developments would come from others. De Forest, unfortunately, was forever distracted by business problems. Several companies he founded went bankrupt, twice he was swindled by his backers, and constantly he was in court fighting over money or patents. For these reasons, he didn’t follow through on his invention. Meanwhile, other hopeful inventors demonstrated various sound-and-image systems—Cinematophone, Cameraphone, Synchroscope—but in every case the only really original thing about them was their name. All produced sounds that were faint or muddy, or required impossibly perfect timing on the part of the projectionist. Getting a projector and sound system to run in perfect tandem was basically impossible. Moving pictures were filmed with hand-cranked cameras, which introduced a slight variability in speed that no sound system could adjust to. Projectionists also commonly repaired damaged film by cutting out a few frames and resplicing what remained, which clearly would throw out any recording. Even perfect film sometimes skipped or momentarily stuttered in the projector. All these things confounded synchronization. De Forest came up with the idea of imprinting the sound directly onto the film. That meant that no matter what happened with the film, sound and image would always be perfectly aligned. Failing to find backers in America, he moved to Berlin in the early 1920s and there developed a system that he called Phonofilm. De Forest made his first Phonofilm movie in 1921 and by 1923 he was back in America giving public demonstrations. He filmed Calvin Coolidge making a speech, Eddie Cantor singing, George Bernard Shaw pontificating, and DeWolf Hopper reciting “Casey at the Bat.” By any measure, these were the first talking pictures. However, no Hollywood studio would invest in them. The sound quality still wasn’t ideal, and the recording system couldn’t quite cope with multiple voices and movement of a type necessary for any meaningful dramatic presentation. One invention De Forest couldn’t make use of was his own triode detector tube, because the patents now resided with Western Electric, a subsidiary of AT&T. Western Electric had been using the triode to develop public address systems for conveying speeches to large crowds or announcements to fans at baseball stadiums and the like. But in the 1920s it occurred to some forgotten engineer at the company that the triode detector could be used to project sound in theaters as well. The upshot was that in 1925 Warner Bros. bought the system from Western Electric and dubbed it Vitaphone. By the time of The Jazz Singer, it had already featured in theatrical presentations several times. Indeed, the Roxy on its opening night in March 1927 played a Vitaphone feature of songs from Carmen sung by Giovanni Martinelli. “His voice burst from the screen with splendid synchronization with the movements of his lips,” marveled the critic Mordaunt Hall in the Times. “It rang through the great theatre as if he had himself been on the stage.

To the delight of visiting American sailors, the British still had a military base there, Changi, and shared it with those stout lads from Down Under, the Australians, who naturally came supplied with Down Under lassies. Australian women were the glory of Singapore. These tall, lithe creatures with tanned, muscular legs and striking white teeth that were forever being displayed in dazzling smiles somehow completed the picture, made it whole. You ran into them at Raffles, the old hotel downtown with ceiling fans and rattan chairs and doddery old gentlemen in white suits sipping gin. You ran into them in the lobbies and restaurants of the new western hotels and in the bazaars and emporiums. You saw them strolling the boulevards and haggling with small Chinese women in baggy trousers for sapphires and opals. You saw them everywhere, young, tan, enjoying life, the center of attention wherever they were. It helped that their colorful tropical frocks contrasted so vividly with the drab trousers and white shirts that seemed to be the Singaporean national costume. They were like songbirds surrounded by sparrows. “If Qantas didn’t bring them here, the United Nations should supply them as a gesture of good will to all human kind.” Flap Le Beau stated this conclusion positively to Jake Grafton and the Real McCoy as they stood outside Raffles Hotel surveying the human parade on the sidewalk. “I think I’m in love,” the Real McCoy told his companions. “I want one of those for my very own.

Vim?” “Sweetheart?” The whispered endearment spoken with sleepy sensuality had Sophie’s insides fluttering. Was this what married people did? Cuddled and talked in shadowed rooms, gave each other bodily warmth as they exchanged confidences? “What troubles you about going home?” He was quiet for a long moment, his breath fanning across her neck. Sophie felt him considering his words, weighing what to tell her, if anything. “I’m not sure exactly what’s amiss, and that’s part of the problem, but my associations with the place are not at all pleasant, either.” Was that…? His lips? The glancing caress to her nape made Sophie shiver despite the cocoon of blankets. “What do you think is wrong there?” Another kiss, more definite this time. “My aunt and uncle are quite elderly, though Uncle Bert and Aunt Essie seem the type to live forever. I’ve counted on them living forever. You even taste like flowers.” Ah, God, his tongue… a slow, warm, wet swipe of his tongue below her ear, like a cat, but smoother than a cat, more deliberate. “Nobody lives forever.” The nuzzling stopped. “This is lamentably so. My aunt writes to me that a number of family heirlooms have gone missing, some valuable in terms of coin, some in terms of sentiment.” His teeth closed gently on the curve of her ear. What was this? He wasn’t kissing her, exactly, nor fondling the parts other men had tried to grope in dark corners—though Sophie wished he might try some fondling. “Do you think you might have a thief among the servants?” He slipped her earlobe into his mouth and drew on it briefly. “Perhaps, though the staff generally dates back to before the Flood. We pay excellent wages; we pension those who seek retirement, those few who seek retirement.” “Is some sneak thief in the neighborhood preying on your relations, then?” It was becoming nearly impossible to remain passively lying on her side. She wanted to be on her back, kissing him, touching his hair, his face, his chest… “Or has some doughty old retainer merely misplaced some of the silver?” Vim muttered right next to her ear. “You’ll sort it out.

Before they’re done my internal monologue is already going through the paces: Robert Loggia’s sure had some interesting parts over the years, hasn’t he? Like when he played that growly assistant football coach in Necessary Roughness. And that leads me to: Hey, you know who else made an appearance in that movie? Roger Craig. And the next thing you know, I’m at Memorial Stadium. Again. This time it’s 1981, and Roger’s dressed in red, jetting 94 yards down the Astroturf for a touchdown, with a pair of Florida State defenders helplessly flapping along in his wake. The school record for longest run from scrimmage that was, and it stood for twenty years, until Eric Crouch got 95 with that impossible run at Mizzou. And that gets me to consider: Who’d win in a footrace between Crouch and Craig, if Craig were in his prime, of course? Hmmm…

That's right, Yahweh, who will forever judge us on our performance of good or evil, did not want us to know the difference between them! And was so dead serious about it that he told Man he would kill him if he ate the fruit and learned it!

Before the 1940’s, if one woman in an audience stood up and shrieked at the top of her lungs throughout an entire show she’d have been carted off to an asylum. By the mid-forties, however, entire audiences behaved like that, screaming, tearing at their clothes and hair, leaving their seats to board the stage. On December 30th, 1942, while Frank Sinatra sang at the Paramount Theater in New York, the behavior of the audience changed, and a part of our relationship to well-known people changed forever. Psychiatrists and psychologists of the day struggled to explain the phenomenon. They recalled medieval dance crazes, spoke of “mass frustrated love” and “mass hypnosis.” The media age did bring a type of mass hypnosis into American life. It affects all of us to some degree, and some of us to a great degree. Before the advent of mass-media, a young girl might have admired a performer from afar, and it would have been acceptable to have a passing crush. It would not have been acceptable if she pursued the performer to his home, or if she had to be restrained by police. It would not have been acceptable to skip school in order to wait for hours outside a hotel and then try to tear pieces of clothing from the passing star. Yet that unhealthy behavior became “normal” in the Sinatra days. In fact, audience behavior that surprised everyone in 1942 was expected two years later when Sinatra appeared again at the Paramount Theater. This time, the 30,000 screaming, bobby-soxed fans were joined by a troop of reporters. The media were learning to manipulate this new behavior to their advantage. Having predicted a commotion, 450 police officers were assigned to that one theater, and it appeared that society had learned to deal with this phenomenon. It had not. During the engagement, an 18-year old named Alexander Ivanovich Dorogokupetz stood up in the theater and threw an egg that hit Sinatra in the face. The show stopped, and for a moment, a brief moment, Sinatra was not the star. Now it was Dorogokupetz mobbed by audience members and Dorogokupetz who had to be escorted out by police. Society had not learned to deal with this, and still hasn’t. Dorogokupetz told police: “I vowed to put an end to this monotony of two years of consecutive swooning. It felt good.” Saddled with the least American of names, he had tried to make one for himself in the most American way, and but for his choice of a weapon, he would probably be as famous today as Frank Sinatra. Elements in society were pioneering the skills of manipulating emotion and behavior in ways that had never been possible before: electronic ways. The media were institutionalizing idolatry. Around

Before the 1940’s, if one woman in an audience stood up and shrieked at the top of her lungs throughout an entire show she’d have been carted off to an asylum. By the mid-forties, however, entire audiences behaved like that, screaming, tearing at their clothes and hair, leaving their seats to board the stage. On December 30th, 1942, while Frank Sinatra sang at the Paramount Theater in New York, the behavior of the audience changed, and a part of our relationship to well-known people changed forever. Psychiatrists and psychologists of the day struggled to explain the phenomenon. They recalled medieval dance crazes, spoke of “mass frustrated love” and “mass hypnosis.” The media age did bring a type of mass hypnosis into American life. It affects all of us to some degree, and some of us to a great degree. Before the advent of mass-media, a young girl might have admired a performer from afar, and it would have been acceptable to have a passing crush. It would not have been acceptable if she pursued the performer to his home, or if she had to be restrained by police. It would not have been acceptable to skip school in order to wait for hours outside a hotel and then try to tear pieces of clothing from the passing star. Yet that unhealthy behavior became “normal” in the Sinatra days. In fact, audience behavior that surprised everyone in 1942 was expected two years later when Sinatra appeared again at the Paramount Theater. This time, the 30,000 screaming, bobby-soxed fans were joined by a troop of reporters. The media were learning to manipulate this new behavior to their advantage. Having predicted a commotion, 450 police officers were assigned to that one theater, and it appeared that society had learned to deal with this phenomenon. It had not. During the engagement, an 18-year old named Alexander Ivanovich Dorogokupetz stood up in the theater and threw an egg that hit Sinatra in the face. The show stopped, and for a moment, a brief moment, Sinatra was not the star. Now it was Dorogokupetz mobbed by audience members and Dorogokupetz who had to be escorted out by police. Society had not learned to deal with this, and still hasn’t. Dorogokupetz told police: “I vowed to put an end to this monotony of two years of consecutive swooning. It felt good.” Saddled with the least American of names, he had tried to make one for himself in the most American way, and but for his choice of a weapon, he would probably be as famous today as Frank Sinatra. Elements in society were pioneering the skills of manipulating emotion and behavior in ways that had never been possible before: electronic ways. The media were institutionalizing idolatry.

Life's full of baggage, you know? Some of it is heavier than others, but it's always there. Nothing's perfect, and that's a good thing. Life would be pretty boring and easy if there were no challenges.

Trina fans her armpits, "I'm sweating, I think I need more deodorant. Kitty, do I smell?

Ways To Break This Southern Girl’s Heart after Diane Lato's “Easy Ways To Break My Heart” – give her unsweetened tea. there are no two more terrible words to a southern girl when put together – tell her you're an alabama fan. you've gotta know that she's gonna bleed volunteer orange ‘til the end no matter – tell her you don't like the mountains. her heart has east tennessee sunrises imprinted on it… and she wants to show you every sunlit, treelined, starkissed view – turn down the volume when ‘country girl' by ray lamontagne comes on. papa used to play it for her on the porch, and she's gotta hear every bit of it, every time – you wanna really crush her heart? then ask to meet her daddy. because he isn't in her heart anymore. he was the first one who broke it, and in too many ways, long ago – and if you wanna just completely shatter her into pieces… then try to give her an ordinary love. because she needs love like wildfire. like forever-fire. until every last southern sun sets. till the stars burn out. and to know her heart is finally safe… with you …she needs to know that breaking her heart is the very last thing you would ever want to do.

Ways To Break This Southern Girl’s Heart after Diane Lato's "Easy Ways To Break My Heart" - give her unsweetened tea. there are no two more terrible words to a southern girl when put together - tell her you're an alabama fan. you've gotta know that she's gonna bleed volunteer orange ‘til the end no matter - tell her you don't like the mountains. her heart has east tennessee sunrises imprinted on it... and she wants to show you every sunlit, treelined, starkissed view - turn down the volume when 'country girl' by ray lamontagne comes on. papa used to play it for her on the porch, and she's gotta hear every bit of it, every time - you wanna really crush her heart? then ask to meet her daddy. because he isn't in her heart anymore. he was the first one who broke it, and in too many ways, long ago - and if you wanna just completely shatter her into pieces... then try to give her an ordinary love. because she needs love like wildfire. like forever-fire. until every last southern sun sets. till the stars burn out. and until her heart is finally safe... with you ...she needs to know that breaking her heart is the very last thing you would ever want to do.

willing to close large distances in response to calls. Does that make them stupid? No! Due to the vastness of the landscape these birds often call home, it’s not uncommon for a walk-about tom to respond and come to a live-hen call that barely tickles his eardrums. When calling Merriam’s birds, I prefer to run calls that carry great distances and cut the all-to-often howling western wind. My favorite reach-out-and-touch-their-ears Merriam’s call is a trusty box call. Box calls get a bad rap. When I give seminars, I hear a lot of negative comments about them. They’re too easy to use. Every hunter on the planet hammers away on them. They don’t work on public land. You can’t get the exact pitch you want. I could go on forever with the complaints I’ve heard from hunters about box calls. Here’s my opinion on the matter. They work great to cut the western winds. They also work great when trying to raise the interest of a distant tom. On multiple occasions, I’ve been able to sit behind a quality spotting scope and watch a tom 500 yards away take notice of my box call. Once you master them, box calls can produce pitch-perfect tones. I especially feel this is the case when using a true chalk-on-wood system. Another Merriam’s eardrum ringer is an aluminum pot-and-peg call. I’ve found aluminum pot calls carry great distances. I’m also a fan of glass. What I love about pot-and-peg calls is that I can easily adjust the volume and pitch simply by swapping strikers. And that’s not all. Once you really know what you’re doing, these calls produce, in my opinion, simply the best turkey tones. Like many turkey fanatics, my go-to call is a diaphragm. Through this wonderful

six reasons why email is the best: My company AppSumo generates $65 million a year in total transactions. And you know what? Nearly 50 percent of that comes from email. This percentage has been consistent for more than ten years. Don’t believe me? I have 120,000 Twitter followers, 750,000 YouTube subscribers, and 150,000 TikTok fans—and I would give them all up for my 100,000 email subscribers. Why? Every time I send an email, 40,000 people open it and consume my content. I’m not hoping the platform gods will allow me to reach them. On the other platforms, anywhere between 100 and 1 million people pay attention to my content, but it’s not consistent or in my control. I know what you’re saying: “C’mon, Noah, email is dead.” Now ask yourself, when was the last time you checked your email? Exactly. Email is used obsessively by over 4 billion people! It’s the largest way of communicating at scale that exists today. Eighty-nine percent of people check it EVERY DAY! Social media decides who and how many people you’re seen by. One tweak to the algorithm, and you’re toast. Remember the digital publisher LittleThings? Yeah, no one else does, either. They closed after they lost 75 percent of their 20,000,000 monthly visitors when Facebook changed its algorithm in 2018. CEO Joe Speiser says it killed his business and he lost $100 million. You own your email list. Forever. If AppSumo shuts down tomorrow, my insurance policy, my sweet sweet baby, my beloved, my email list comes with me and makes anything I do after so much easier. Because it’s mine. It also doesn’t cost you significant money to grow your list or to communicate with your list, whereas Facebook or Google ads consistently cost money.

What are you looking to do?” Aaron asked as we walked into his workroom. “Nothing too complicated,” I said, displaying my wrist. “I want Bailey’s name on my wrist.” Aaron exhaled slowly. “Are you sure? The Johanssons don’t play when it comes having their women’s names on their wrists. It’s forever shit for them. That’s how I knew Cooper wasn’t fucking around with Farah.” “Bailey’s mine, but I can’t find a way to make her truly believe. When I try, it feels like just words. I know her name on my wrist is a word too, but maybe it’s one that she’ll know means forever.” “Fair enough. Just know once the Johansson boys see her name on your wrist, it’s like you’ve gotten on one knee and proposed. Trust me that Bailey and Jodi will be talking wedding dates behind your back. If you lose interest or cheat or break it off, it’s not going down softly. The shit will hit the fan.” “The only way Bailey gets rid of me is to put me in the ground.

When we began shooting Deliverance, Burt was in a place where the depth of his talent hadn’t been truly recognized. Our director, John Boorman, must be given all the credit for seeing his greatness and for insisting on Burt for the plum role of Lewis Medlock. Ned Beatty, Ronny Cox, and I, his costars, became his great fans, and Burt knew what we all came to know: that his performance would expose his enormous talent to the world and change his career forever. Look at the scene where Lewis saves the team from the mountain men. He takes total command of a dangerous situation and delivers a powerful aria in the middle of those woods. It’s a sensational piece of acting. I think we all did our parts well, but it was Burt who rose up and showed his full stature in that central great moment. The success of the film has everything to do with his performance. The story is

Being a famous writer is great. But there is a limit for it. For what extend can you be famous, and what would you achieve? True, your books will be best sellers, your blog writings and tweets will be hits, fans will love you, and what next? We all die to reach ‘there’ as budding writers, but once we reach ‘it’, we think, what next? Is this what we wanted all our lives? To grab all the leading awards, write best sellers, to be loved, to be known and heard? Will they help us achieve inner peace? I believe the utmost important thing is achieving inner peace, not money and fame. A writer should write to achieve inner peace forgetting all other things. Money, fame, fans are not going to last forever, but inner peace is.

In 1991, a college sophomore studying music in the American Midwest made the mistake of selling some drugs to the wrong person. Until then, he hadn’t done much more than smoke pot and sell some of it to his friends. Petty vandalism at his high school was as high stakes as his criminal career had been. Then, as these things tend to go when you’re just 18 years old, he tried to push the envelope and test his boundaries. He started experimenting with hard drugs like LSD. But he was naive, and the brashness of youth got the best of him. He sold some of that LSD outside his circle—to an undercover policeman. And as if his luck couldn’t get worse, like a scene out of a TV movie of the week, the judge, under pressure to make an example out of this young man, sentenced him to 6 to 25 years in prison. It’s a faceless, timeless story that transcends race, class, and region. A young kid makes a mistake that forever changes their lives and their family’s lives as well. We are all too familiar with how stories like this usually end: The kid spends their most impressionable years behind bars and comes out worse than when they went in. Life on the outside is too difficult to contend with; habits learned on the inside are too difficult to shed. They reoffend; their crimes escalate. The cycle continues. This story, however, is a little different. Because this young man didn’t go back to jail. In fact, after being released in less than 5 years on good behavior, he went on to become one of the best jazz violinists in the world. He left prison with a fire lit underneath him—to practice, to repent, to humble himself, to hustle, and to do whatever it took to make something of his life. No task was too small, no gig was too tiny, no potential fan was too disinterested for him not to give it everything he had. And he did. The story is a little different for another reason, too. That young man’s name is Christian Howes. He is my older brother.

For many, satisfaction comes with a price tag. If you just had enough money you could order it off the internet or buy it off the shelf. But Jesus wants to be our satisfaction. He described himself as living water that quenches our thirst forever. Money becomes a substitute for God because it promises to do for us what he wants to do for us. In

Fans of conspiracy theories will be disappointed to learn that Barbie's proportions were not the result of some misogynistic plot. They were dictated by the mechanics of clothing construction. The doll is one-sixth the size of a person, but the fabrics she wears are scaled for people. Barbie's middle, her first designer explained, had to be disproportionately narrow to look proportional in clothes. The inner seam on the waistband of a skirt involves four layers of cloth—and four thicknesses of human-scale fabric on a one-sixth-human-scale doll would cause the doll's waist to appear dramatically larger than her hips.

Swicord is not a New Age nut; she's a writer. And even after mega-wrangles with Mattel's management—the musical was sketched out but never produced—she is still a fan of the doll. "Barbie," she said, "is bigger than all those executives. She has lasted through many regimes. She's lasted through neglect. She's survived the feminist backlash. In countries where they don't even sell makeup or have anything like our dating rituals, they play with Barbie. Barbie embodies not a cultural view of femininity but the essence of woman." Over the course of two interviews with Swicord, her young daughters played with their Barbies. I watched one wrap her tiny fist around the doll's legs and move it forward by hopping. It looked as if she were plunging the doll into the earth—or, in any event, into the bedroom floor. And while I handle words like "empowering" with tongs, it's a good description of her daughters' Barbie play. The girls do not live in a matriarchal household. Their father, Swicord's husband, Nicholas Kazan, who wrote the screenplay for Reversal of Fortune, is very much a presence in their lives. Still, the girls play in a female-run universe, where women are queens and men are drones. The ratio of Barbies to Kens is about eight to one. Barbie works, drives, owns the house, and occasionally exploits Ken for sex. But even that is infrequent: In one scenario, Ken was so inconsequential that the girls made him a valet parking attendant. His entire role was to bring the cars around for the Barbies.

We were the fans’ friends,” Artie says now, and Berry agrees: “It really was a unique relationship that was built between the team and the city.

I do like football fans, though, contrary to most people of my skinny-train-enthusiast build. I like how merry they all are. They mean things good-naturedly. I find it sweet that they sing such girly songs with such conviction. The West Ham theme, for example, begins: “I’m forever blowing bubbles, pretty bubbles in the air”, which is the least manly thing you could ever hear anyone sing, and yet they bellow it with all the testosterone they have in them. What’s more, it’s a song completely ill-chosen to be a football anthem, as it’s about hoping you achieve your dreams but never doing so; after the first two lines, the song continues, “they fly so high, nearly reach the sky, then like my dreams they fade and die; fortune’s always hiding, I’ve looked everywhere; I’m forever blowing bubbles, pretty bubbles in the air”. It’s poetic, humble and very sweet. Bless those lovely little football fans.

Priests   Yahweh chose the Levites to be your priests and ministers forever. They will get no inheritance in the Promised Land and will own nothing because they have Yahweh. They will live on the food sacrificed to him (Deut. 8:1–2).   The priests will eat the shoulders, internal organs, and head meat from the sacrifices, and they get the first taste of your harvests and new wine, and the first wool sheared. They are chosen by Yahweh (Deut.18:3–5).   Any Levite from anywhere can minister at Yahweh's temple, even if he’s broke (Deut. 18:6–8).   Obey the Levitical priests regarding defiling skin diseases. Remember what Yahweh did to Miriam (Deut. 24:8–9).

supplies.£ Ron murmured/ "Which

There are always those ifs when something goes wrong. We can't blame ourselves. It's just a bunch of little choices that don't mean anything till the shit hits the fan, and then you look back and see how you got there. And you find a whole string of ifs going back forever.

How many people do you get to call yours? There are all sorts of loves in this world, not all of them, but most of them are beautiful. Some are old, some noble, some brave. Others are dishonourable and weak and make you so by association. Some are a low whisper on a sombre night, some are maddening. Some you can’t ignore—they slowburn inside of you, never quite going out completely but you’re too scared to dare try to fan that flame. Some loves you pretend you don’t feel, even when you can, even when you know you do, even if he’s the first thing you think of in the morning, even if he’s like a match in the darkened room of your heart—because loving something how you love him is a painful love that puts rocks in your pockets and melancholy in your eyeballs and if time has taught you anything it’s that it doesn’t matter. You’ll love him forever anyway.

Even though we so often pray, “Come, Holy Spirit,” the gift of the Spirit is already given. The Holy Spirit has already come. We all are temples of the Holy Spirit, equally, objectively, and forever! The only difference is the degree that we know it, draw upon it, and consciously believe it. All the scriptural images of the Spirit are dynamic—flowing water, descending dove or fire, and rushing wind. If there’s never any movement, energy, excitement, deep love, service, forgiveness, or surrender, we can be pretty sure we aren’t living out of the Spirit. If our whole lives are just going through the motions, if there’s never any deep conviction, we aren’t connected to the Spirit. We would do well to fan into flame the gift that we already have.  God doesn’t give God’s Spirit to those of us who are worthy, because none of us are worthy. God gives God’s Spirit in this awakened way to those who want it. [...] Rely upon it. Know that it has already been given. 

Aren’t Tucker and Nate so cute together?” Ava asks, barely able to contain her laughter. “Honestly, those two are just the cutest little couple,” I respond eyeing Nate with his arm around Tucker’s shoulder. “I’m seriously worried those two are going to dump your asses for each other,” Harper laughs from beside us. “Man, I’d pay to see that!” Riley says out loud. “Riley!” All three of us exclaim. “What? You have to admit that it would be pretty hot. Your guys are pretty damn fine.” Riley grins, fanning herself.

If she wanted him a fraction of the amount he wanted her, this would be the beginning of a fan-fucking-tastic forever.

Let it forever be a warning to all of us that even the most democratic of leaders can gain support from courts for unconstitutional actions when panic among their citizens is fanned by the media, which in turn thrive on such events.

Chiefs Kingdom Forever” (Verse 1) We’re Kansas City Chiefs fans born and raised, True and blue, we stand amazed, Mahomes and Kelce, leading the way, With their trick plays, they light up the day. (Chorus) We’re goin’ for three in a row, To the Super Bowl, let’s go, let’s go! Chiefs Kingdom, loud and proud, We’ll cheer 'em on, in every crowd. (Verse 2) From Arrowhead to the big stage, Our team’s the best, we set the gauge, With every pass and every run, We’re in it till the game is won. (Chorus) We’re goin’ for three in a row, To the Super Bowl, let’s go, let’s go! Chiefs Kingdom, loud and proud, We’ll cheer 'em on, in every crowd. (Bridge) Through the highs and the lows, In the rain, in the snow, We’re Chief fans till the end, With our team, we’ll always stand. (Chorus) We’re goin’ for three in a row, To the Super Bowl, let’s go, let’s go! Chiefs Kingdom, loud and proud, We’ll cheer 'em on, in every crowd. (Outro) So raise your voices, let it be known, In Chiefs Kingdom, we’ve found our home, Mahomes and Kelce, leading the way, We’re Chiefs fans, come what may.

How many loves do you get in a lifetime? How many people do you get to call yours? There are all sorts of loves in this world, not all of them, but most of them are beautiful. Some are old, some noble, some brave. Others are dishonourable and weak and make you so by association. Some are a low whisper on a sombre night, some are maddening. Some you can’t ignore—they slow-burn inside of you, never quite going out completely but you’re too scared to dare try to fan that flame. Some loves you pretend you don’t feel, even when you can, even when you know you do, even if he’s the first thing you think of in the morning, even if he’s like a match in the darkened room of your heart—because loving something how you love him is a painful love that puts rocks in your pockets and melancholy in your eyeballs and if time has taught you anything it’s that it doesn’t matter. You’ll love him forever anyway.

Afterward we recited the entire poem together. "The bed is lit by moonlight I think it is the light of an early winter morning Looking up, I enjoy the full moon in the night sky Bending over, I miss my hometown" We all know that poem is about a scholor who is traveling and missing his home, but on that night and forever after I believed it was about us. Snow Flower was my home and I was hers.

Love is not wanting the thing you love to ever end. I was in love with A Fan’s Notes, just like my dad was. And I was in love with my dad, just like I was in love with A Fan’s Notes. I wanted both of them to last forever.

I decided, that Walt Disney magic that only Vince has, and when he dies it’ll be gone forever. Hunter was smart enough to hire half the indies and take Instagram selfies with them, but he ain’t got the magic. Shane would probably stick an M80 up his ass and light it if he thought that’s what fans wanted to see, but he ain’t got it either. Fortunately, though, when Vince is gone, that magic will live on in the hearts and minds of the fans forever.

just 100 True Fans. To be more specific, if you build a committed group of 100 True Fans, who each are willing to pay you $1,000 a year, then you’ve got a financially sustainable platform funded to the tune of $100,000 a year.

Your protagonist could spend their whole life in limbo, forever trapped in a state of constant discontent. If nothing comes along that forces them to change, you can bet they never will.

The year was 1967. The nation lived with this constant low-level anxiety about nuclear war. Some researchers had decided to study how people would actually respond during a nuclear attack. Right there in downtown Chicago, they’d built a nuclear fallout shelter and asked for volunteers. For some reason Carter’s mother had thought it a good idea to raise her hand, and so without Carter’s fully understanding why, he and his parents and his five siblings were taken to the shelter. “There’s barely enough room for four hundred people,” he recalled. “There’s concrete floors with no pillows or blankets. To eat, you had crackers, plus water that tasted like bleach. There’s one light that’s powered by a bike, so someone has to ride the bike to keep the light on. But the bike also can power a fan, so you had to choose between the light and the fan. It’s hot as hell.” The only creature comfort allowed was cigarettes. So the whole place filled with smoke. There Carter and his family remained for three days. The researchers stepped around them, taking notes. “They wanted to watch how people would behave,” said Carter. “So I got to watch, too.” What he realized, as he watched, was that there was no way a nuclear war would be anything like that. “My mom would be at home, and we’d be at school, and my dad would be at work,” he said. “We’d all be separated. We wouldn’t know how to get to the shelter, and that’s not where we’d go anyway.” His mind unspooled a different scenario that left him with a conviction that nuclear fallout shelters were probably a dumb idea. “Going through that experience forever changed my vision of these events.

When I was a very small boy, Halley’s comet visited our solar system. For a long time I did not see the giant in the sky because I was not permitted to remain up after sundown. My chums had seen it and had told me perfectly amazing things about it. Also I had heard of what were called “comet pills.” The theory was that if the pills were taken according to directions, then when the tail of the comet struck the earth one would not be consumed. One night I was awakened by my mother, who told me to dress quickly and come with her out into the backyard to see the comet. I shall never forget it if I live forever. My mother stood with me, her hand resting on my shoulder, while I, in utter, speechless awe, beheld the great spectacle with its fan of light spreading across the heavens. The silence was like that of absolute motion. Finally, after what seemed to me an interminable time interval, I found my speech. With bated breath I said, “What will happen to us if that comet falls out of the sky?” My mother’s silence was so long that I looked from the comet to her face, and there I beheld something in her countenance that I had seen only once before, when I came into her room and found her in prayer. When she spoke, she said, “Nothing will happen to us, Howard; God will take care of us.” O simplehearted mother of mine, in one glorious moment you put your heart on the ultimate affirmation of the human spirit! Many things have I seen since that night. Times without number I have learned that life is hard, as hard as crucible steel; but as the years have unfolded, the majestic power of my mother’s glowing words has come back again and again, beating out its rhythmic chant in my own spirit. Here are the faith and the awareness that overcome fear and transform it into the power to strive, to achieve, and not to yield.

Izzy, when you give your heart to someone, you’re trusting them not to break it. You can’t hold yourself back forever

Oh yes. In fact, after dinner I’ll be reading you my latest fan fic. It’s four hundred and ninety thousand words. You’re not offended by three-hundred-page sex scenes involving Tribbles, are you?

How many loves do you get in a lifetime? How many people do you get to call yours? There are all sorts of loves in this world, not all of them, but most of them are beautiful. Some are old, some noble, some brave. Others are dishonourable and weak and make you so by association. Some are a low whisper on a sombre night, some are maddening. Some you can’t ignore—they slow-burn inside of you, never quite going out completely but you’re too scared to dare try to fan that flame. Some loves you pretend you don’t feel, even when you can, even when you know you do, even if he’s the first thing you think of in the morning, even if he’s like a match in the darkened room of your heart—because loving something how you love him is a painful love that puts rocks in your pockets and melancholy in your eyeballs and if time has taught you anything it’s that it doesn’t matter. You’ll love him forever anyway.

How many loves do you get in a lifetime? How many people do you get to call yours? There are all sorts of loves in this world, not all of them, but most of them are beautiful. Some are old, some noble, some brave. Others are dishonourable and weak and make you so by association. Some are a low whisper on a sombre night, some are maddening. Some you can’t ignore—they slowburn inside of you, never quite going out completely but you’re too scared to dare try to fan that flame. Some loves you pretend you don’t feel, even when you can, even when you know you do, even if he’s the first thing you think of in the morning, even if he’s like a match in the darkened room of your heart—because loving something how you love him is a painful love that puts rocks in your pockets and melancholy in your eyeballs and if time has taught you anything it’s that it doesn’t matter. You’ll love him forever anyway.

In the Age of Legends," Moiraine went on, "some Aes Sedai could fan life and health to flame if only the smallest spark remained. Those days are gone, though-perhaps forever. So much was lost; not just the making of angreal. So much that could be done which we dare not even dream of, if we remember it at all. There are far fewer of us now. Some talents are all but gone, and many that remain seem weaker. Now there must be both will and strength for the body to draw on, or even the strongest of us can do nothing in the way of Healing. It is fortunate, that your father is a strong man, both in body and spirit. As it is, he used up much of his strength in the fight for life, but all that is left now is for him to recuperate. That will take time, but the taint is gone.

Sword Maiden found herself clawing at her generous chest. It was not pure or becoming. But she had never imagined a day like this would come. She had never imagined that she would once again be able to feel these feelings. She had thought them forever beyond her grasp, but now she clung to them. It was nothing. A broken woman had talked to a broken man. Nothing more than that. But now she knew the truth of the warmth that blossomed in her chest. It was a long-smoldering spark, unexpectedly fanned into a raging flame. Perhaps it could be compared to a hearth shared with another person: all things well, no cares, a peaceful sleep.

If you do decide to try nicotine, be careful which products you use. Don’t smoke or vape. Use oral (spray, gum, or lozenge) products instead. I’m a fan of the start-up Lucy, which makes nicotine products with clean ingredients and no industrial artificial sweeteners.

She would never again subject herself to the embarrassment of sitting at a lonely table with a stack of pretty books and trying to avoid eye contact with customers trying not to get too close. She knew other writers, a few anyway, and she had heard the horror stories of showing up at a bookstore and being greeted by the friendly faces of the employees and volunteers, and wondering how many of them might actually be customers and book buyers, and watching them glance around nervously in search of potential fans, and then seeing them drift away forever when it became apparent that the beloved author was about to lay an egg.

I'm a fan first. I believed Duke Ellington when he said there's no bad music, just some of it is presented badly. As a kid, hanging around Church Street, the presentation of music was so powerful, I couldn't help but jump for joy. I had discovered art, or truth, or whatever you want to call it; I had seen a light I'd follow forever.

The Black Lake

Days tick by, as you expect them to. Like fanning pages in a calendar. You make plans. Sometimes you forget them. Sometimes you keep them. Sometimes cancel them. But you never doubt you can make them. You let things—mundane things, like bad traffic or getting caught in the pouring rain or rude, inconsiderate people—ruin your day, not realizing how precious said day is. How unique. How this day will never come again. No day will look quite like it. And that’s how you look back, years after, wondering where all the time went.” When she saw what was on my face, though, she’d added quickly, “But I learned a long time ago that maybe a reminder of the fact that we aren’t here forever is exactly what we need to make the most out of life. And I learned that because of you.

While other London clubs in fancier neighborhoods—Arsenal, Tottenham, Chelsea—have all enjoyed long periods as the capital’s preeminent team with championships and trophies to their name, glory has always remained tantalizingly out of West Ham’s grasp. Not that their fans are unduly concerned; they embrace their status as the city’s gruff, blue-collar underdogs with a healthy slice of gallows humor. When Harry Redknapp, a former player at the club, went to inspect the club’s trophy cabinet after taking over as manager, “Lord Lucan, Shergar, and two Japanese prisoners of war fell out,” he wrote. Even the club’s anthem, “I’m Forever Blowing Bubbles,” is an old Broadway tune about shattered dreams and disappointment, and it’s bellowed by thousands of supporters wearing the team’s claret and blue jerseys before every game.

Music and Headphones — No Bad Boyz fan would ever be without her tunes and a

If you were destined to be a poet, then you won't brainstorm for lines that rhymes. If you were destined to be a celebrity, then you shouldn't start searching for fans. If you are truly a god, then let others worship you!