Inserting Quotes

Holy [Insert your choice of a swear word here]," said Fang stunned.

Insert the biggest, most awkward silence in the history of big awkward silences.

Sometimes I think illness sits inside every woman, waiting for the right moment to bloom. I have known so many sick women all my life. Women with chronic pain, with ever-gestating diseases. Women with conditions. Men, sure, they have bone snaps, they have backaches, they have a surgery or two, yank out a tonsil, insert a shiny plastic hip. Women get consumed.

The key to a successful relationship isn’t just in the words, it’s in the choice of punctuation. When you’re in love with someone, a well-placed question mark can be the difference between bliss and disaster, and a deeply respected period or a cleverly inserted ellipsis can prevent all kinds of exclamations.

Rather, to change a habit, you must keep the old cue, and deliver the old reward, but insert a new routine.

After all, it's all kinds of things that make up a life, right? The big, like falling in love and spending time with your family, and the little....like blow drying your hair, applying concealer, and cursing those magazine inserts. It all counts. It has to.

Granny sighed. "You have learned something," she said, and thought it safe to insert a touch of sternness into her voice. "They say a little knowledge is a dangerous thing, but it is not one half so bad as a lot of ignorance.

I wonder at my incapacity for easy banter, smooth conversation, empty words to fill awkward moments. I don't have a closet filled with umms and ellipses ready to insert at the beginnings and ends of sentences. I don't know how to be a verb, an adverb, any kind of modifier. I'm a noun through and through.

It's an odd thing to think about, but try imagining that your breakup is a disease. If you were told that you had a serious yet curable disease, would you go get hammered on a regular basis? Eat two bags of Oreos? Chain-smoke, pop, pills, get stoned, or fuck around? NO YOU WOULDN'T. You would take great care of yourself and cut all the unhealthy things out of your life. Because you love yourself, and even if you don't right now, WE DO. So put the (insert vice here) and start moving on.

Maybe pulling her emotions out and inserting in his logic would change this morbid course. But damn if he’d joke about it like she did.

Did you ever, when you were little, endure your parents’ warnings, then wait for them to leave the room, pry loose protective covers and consider inserting some metal object into an electrical outlet? Did you wonder if for once you might light up the room? When you were big enough to cross the street on your own, did you ever wait for a signal, hear the frenzied approach of a fire truck and feel like stepping out in front of it? Did you wonder just how far that rocket ride might take you? When you were almost grown, did you ever sit in a bubble bath, perspiration pooling, notice a blow dryer plugged in within easy reach, and think about dropping it into the water? Did you wonder if the expected rush might somehow fail you? And now, do you ever dangle your toes over the precipice, dare the cliff to crumble, defy the frozen deity to suffer the sun, thaw feather and bone, take wing to fly you home?

We're trying to be grown-up and love each other and understand how the hell you're supposed to insert USB leads. We're looking for something to cling on to, something to fight for, something to look forward to. We're doing all we can to teach our children how to swim. We have all of this in common, yet most of us remain strangers, we never know what we do to each other, how your life is affected by mine. Perhaps we hurried past each other in a crowd today, and neither of us noticed, and the fibers of your coat brushed against mine for single moment and then we were gone. I don't know who you are. But when you get home this evening, when this day is over and the night takes us, allow yourself a deep breath. Because we made it through this day as well. There'll be another one along tomorrow.

Sometimes you can be inserted into another person's life just by witnessing something you were never really supposed to be a part of.

Madame Bellwings, Memoir Elf Coordinator, was not at all pleased with this request, because elves who write the memoirs of teenage girls have the habit of returning to the magical realm with atrocious grammar. They can't seem to shake the phrases "watever" and "no way," and they insert the word like into so many sentences that the other elves start slapping them...and for no apparent reason occasionally call out the name Edward Cullen.

They dragged the air mattress up to the widow's walk and eventually figured out how it was supposed to inflate, but Lucas had to read the instructions in Spanish because the English ones were nearly incomprehensible. Hilariously so. "Insert mouth to the purpose inflation," Helen whispered. ... "Expel lung into inflator tube," Lucas whispered back. "That sounds like it would hurt.

On how to make boys like you: the third way is to be come something called "hot" Now Katie I would argue that there are at least two distinct definitions of hot. There is the like normal human definition which is that individual seems suitable for mating. And then theirs the weird culturally constructed definition of hot which is that individual is malnourished and has probably had plastic bags inserted into her breasts. Now boys might find that hot now but I don't think there's anything inherently hot about it like if you went back to the 18th century and ask a fifteen year old boy would you like to marry a woman who has had plastic bags needlessly inserted into her breasts that fifteen year old boy would probably be like: "What's plastic?

What are the stars but points in the body of God where we insert the healing needles of our terror and longing? --Gravity's Rainbow, V699

Alliance - In international politics, the union of two thieves who have their hands so deeply inserted in each other's pockets that they cannot separately plunder a third.

Now Gansey grinned, the warmth of discovery starting to course through him. "So, pop quiz, Mr Parrish. Three things that appear in the vicinity of ley lines?" "Black dogs," Adam said indulgently. "Demonic presences." "Camaros," Ronan inserted. Gansey continued as if he hadn't spoken. "And ghosts. Ronan, queue up the evidence if you would.

Too bad. Game over. Insert new fucking quarter.

Wade instantly falls on one knee. "Oh, dear maiden. Please allow me to insert my member into your cavern of pleasure and take you to heights only the immortals have known.

I will pull your pancreas out through your nose and feed it back to you in a drip inserted into your anus is that clear?

Suddenly, details seemed extremely important. Details were something to grab on to, a way to insert myself into the story.

History is made only by those who oppose history (not by those who insert themselves into it, or even reshape it).

She's easy to use." Laszlo pointed at the doll's neck. "You remove the clamp, insert the small funnel, select two quarts of your favorite blood from Romatech Industries, and fill her up." I see. Does she light up when she's running low?" Laszlo frowned. "I suppose I could put in an indicator light-

I think if you went back to the eighteenth century and you asked a fifteen year old boy, 'Would you like to marry a woman who has had plastic bags needlessly inserted into her breasts?', that fifteen year old boy would probably be like, 'what's plastic?'.

Reading, for me, is like this: consumptive, pleasing, calming, as much as edifying. It's how I feel after a good dinner. That's why I do it so often: It feels wonderful. The book is mind and I insert myself into it, cover it entire, ear my way through every last slash and dot. That's something you can do with a book, unlike television or movies or the Internet. You can eat it, or mark it, like a dog does on a hydrant.

You can't wish for more wishes or for vague generalities like happiness that are impossible to grant. Your wish has to be something specific enough that I can use my wand to make it happen. Oh, and recently there's been a ban on inserting yourself into the Twilight series. The Cullens are tired of different teenage girls pinging into their story every time they turn around.

Stories are propaganda, virii that slide past your critical immune system and insert themselves directly into your emotions.

Happiness. Sorrow. Emotions are fickle things. Sadness, joy, anger, love. How did the universe think to invent emotions and insert them into human beings?

He wanted to dream a man; he wanted to dream him with minute integrity and insert him into reality.

I can build a hyperphase jump gate, I'm sure I could have figured sex out. Insert Tab M into Slot F. Repeat until done.

Be the best. Work harder, work smarter. Exceed every expectation. But also, be invisible, imperceptible. Don’t make anyone uncomfortable. Don’t inconvenience. Exist in the negative only, the space around. Do not insert yourself into the main narrative. Go unnoticed. Become the air. Open your eyes.

Broadly, therefore, the three even now lurching across the deserted planks of the Brass Bridge were dead drunk assassins and the men behind them were bent on inserting the significant comma.

Boredom forces you to ring people you haven’t seen for eighteen years and halfway through the conversation you remember why you left it so long. Boredom means you start to read not only mail-order catalogues but also the advertising inserts that fall on the floor. Boredom gives you half a mind to get a gun and go berserk in the local shopping centre, and you know where this is going. Eventually, boredom means you will take up golf.

Heck, that woman out there looked like she was getting more from one kiss than Jessica had ever gotten from the whole insert-dick-move-around shebang.

But to change an old habit, you must address an old craving. You have to keep the same cues and rewards as before, and feed the craving by inserting a new routine.

Every novel is an ideal plane inserted into the realm of reality.

We lost them in the vastness of their dresses and found them again, squeezed the pulp of their bodies and inhaled the perfume of their exertion. A few of us grew brave enough to insert our legs between theirs and to press our agony against them.

You just cant help wanting to protect him, can you! Because he's a pathetic little- [f-slur insert]" - Harry (that f-ing annoying dork) *Nick punches him* OMG YES NICK!! YOU GO NICK!! THATS WHAT HE DESERVE!!

Indeed, it is nearly impossible for any person inserted in a modern cultural context to escape the haze of the zeitgeist and develop a truly unbiased, critical, and personal worldview.

Teach her that if you criticize X in women but do not criticize X in men, then you do not have a problem with X, you have a problem with women. For X please insert words like “anger,” “ambition,” “loudness,” “stubbornness,” “coldness,” “ruthlessness.

The profit motive is the most potent source of collective motivation and the most efficient means for society to solve its problems. Anywhere you insert a profit motive - people will self assemble groups, leverage resources, and implement processes all in the effort to satisfy that profit motive.

The thing about developing an addiction is that it happens so quietly, you don’t know how much trouble you’re in until it’s to late. It tiptoes through the rooms of your mind and body, gently inserting hooks and strings into every cell, until you don’t know where you end and it beginigs. And untangling that web is nearly impossible.

Faith is an insertion of absolute conviction that is assume without reason and is defended against all reason.

I am a Prince," he replied, being rather dense. "It is the function of a Prince—value A—to kill monsters—value B—for the purpose of establishing order—value C—and maintaining a steady supply of maidens—value D. If one inserts the derivative of value A (Prince) into the equation y equals BC plus CD squared, and sets it equal to zero, giving the apex of the parabola, namely, the point of intersection between A (Prince) and B (Monster), one determines value E—a stable kingdom. It is all very complicated, and if you have a chart handy I can graph it for you.

It was summer and moonlight and we had lemonade to drink, and we held the cold glasses in our hands, and Dad read the stereo-newspapers inserted into the special hat you put on your head and which turned the microscopic page in front of the magnifying lens if you blinked three times in succession.

Carnal embrace is sexual congress, which is the insertion of the male genital organ into the female genital organ for purposes of procreation and pleasure. Fermat’s last theorem, by contrast, asserts that when x, y and z are whole numbers each raised to power of n, the sum of the first two can never equal the third when n is greater than 2.

He looked like his brother, in a harder way, like Declan Lynch had been inserted into a pencil sharpener and Ronan Lynch had been taken out after Declan's teeth were even; Ronan's were bared. Declan's eyes were narrow; Ronan's were arrow slits. Declan's hair was curled; Ronan's was obliterated. Declan looked like the kind of person you forgot you'd ever seen. Ronan looked like the kind of person that made you cross to the other side of the street.

What are stars but points in the body of God where we insert the healing needles of our terror and longing?

What is [insert name here]? Does it taste good?

And you’re overthinking things, Charming.  Do the math.  Naked, interested man, check.  Wet, willing woman, double check.  Now insert part A into slot B and we can move on to the engineering portion of our quiz today.

when you’re sitting on a plane 40, 000 feet up in the air, looking out the window, dreaming of your future and how bright it appears to be, or maybe just watching the drops of rain being pushed into different designs from the force of air at 400 mph, well, life feels good. it feels safe, your seat belt is on and your feet are up. then the oxygen masks fall, the plane jumps, snaps and jolts. people start to scream, babies burst out crying, people start praying all in time to the overhead announcement that we’re gonna crash. right then, as your life flashes before your eyes, you hear yourself say, “god, if you get me outta this one, i’ll stop [insert lie here] forever.” right then the nose of the plane pulls up and the captain says, “wow, that was a close one, folks. we’re ok, we’ll be landing in thirty minutes and we’re all safe and sound, sorry for the scare…” that’s how getting hooked on junk is, and when the kick is over you can’t believe you ever got on that plane in the first place. the question is, will you ever fly again?

Think it a vile habit to alter works of good composers, to omit parts of them, or to insert new-fashioned ornaments. This is the greatest insult you can offer to Art.

His ambition was to insert his dreams into the world, and if they were the wrong dreams, then he would dream them in solitude.

Insert the biggest, most awkward silence in the history of big awkward silences. I stare at him. I'm suddenly exhausted by all the lies I've told him. He's my friend, and I lie to him every day. He deserves better. I wish I could tell him then, more than anything I've ever wanted. I wish I could stand in front of him and truly be myself and tell him everything. But it's against the rules.

There are many other little refinements too, Mr. Bohlen. You'll see them all when you study the plans carefully. For example, there's a trick that nearly every writer uses, of inserting at least one long, obscure word into each story. This makes the reader think that the man is very wise and clever. So I have the machine do the same thing. There'll be a whole stack of long words stored away just for this purpose." Where?" In the 'word-memory' section," he said, epexegetically.

It was to a moribund horse, and Mr. Sidlow, describing the treatment to date, announced that he had been pushing raw onions up the horse’s rectum; he couldn’t understand why it was so uneasy on its legs. Siegfried had pointed out that if he were to insert a raw onion in Mr. Sidlow’s rectum, he, Mr. Sidlow, would undoubtedly be uneasy on his legs.

The point is, I can’t tell you how to succeed. But I can tell you how not to: Give in to the shame of being rejected and put your manuscript—or painting, song, voice, dance moves, [insert passion here]—in the coffin that is your bedside drawer and close it for good. I guarantee you that it won’t take you anywhere. Or you could do what this writer did: Give in to your obsession instead.

We cannot come together if we do not recognize our differences first. These differences are best articulated when women of color occupy the center of the discourse while white women remain silent, actively listen, and do not try to reinforce supremacy by inserting themselves in the middle of the discussion.

literally: This word should be deleted. All too often, actions described as “literally” did not happen at all. As in, “He literally jumped out of his skin.” No, he did not. Though if he literally had, I’d suggest raising the element and proposing the piece for page one. Inserting “literally” willy-nilly reinforces the notion that breathless nitwits lurk within this newsroom. Eliminate on sight—the usage, not the nitwits. The nitwits are to be captured

Simone’s mother was an unfortunate mistake. Palackas, Simone’s father, was a bound demon who stumbled across her one night while he was carrying out an order for his master. One thing led to another…he inserted part A into slot B, and he fell in love with her... (Jaden)

Japan and Hong Kong are steadily whittling away at the last of the elephants, turning their tusks (so much more elegant left on the elephant) into artistic carvings. In much the same way, the beautiful furs from leopard, jaguar, Snow leopard, Clouded leopard and so on, are used to clad the inelegant bodies of thoughtless and, for the most part, ugly women. I wonder how many would buy these furs if they knew that on their bodies they wore the skin of an animal that, when captured, was killed by the medieval and agonizing method of having a red-hot rod inserted up its rectum so as not to mark the skin.

The dog did not move as the needle was inserted, and, as the barbiturate began to flow into the vein, the anxious expression left his face and the muscles began to relax. By the time the injection was finished, the breathing had stopped.

How can you be sure?" "I'm a doctor, Jenna. And a scientist." "Does that make you an authority on everything? What about a soul, Father? When you were so busy implanting all your neural chips, did you think about that? Did you snip my soul from my old body, too? Where did you put it? Show me! Where? Where in all this groundbreaking technology did you insert my soul?

For a moment she was convinced she was still dreaming. That she’d fallen asleep while reading one of JR Ward’s Brotherhood of The Black Dagger romances and had inserted herself into a dream based on the book. Any moment now he was going to start growling Mine Mine Mine and let loose with some spicy bonding scent. Or flash a massive set of fangs.

Step 6: Stop enjoying things ironically. Just enjoy them Know what? I love Britney Spears and Forever 21. And I could pretend like it’s this whole meta thing where I’m not actually enjoying it but rather just making this esoteric statement on lowbrow culture, but (insert handjob motion here). The truth is that I love trashy dance pop and the garments that are its clothing equivalent. You don’t need to make your tastes a self-conscious statement about who you are. Just unapologetically like the things you like.

If the years of youth are experienced slowly, while the later years of life hurtle past at an ever-increasing speed, it must be habit that causes it. We know full well that the insertion of new habits or the changing of old ones is the only way to preserve life, to renew our sense of time, to rejuvenate, intensify, and retard our experience of time—and thereby renew our sense of life itself. That is the reason for every change of scenery and air..

Yes. They are the words that finally turned me into the hermit I have now become. It was quite sudden. I saw them, and I knew what I had to do." The sign read: "Hold stick near center of its length. Moisten pointed end in mouth. Insert in tooth space, blunt end next to gum. Use gentle in-out motion." "It seemed to me," said Wonko the Sane, "that any civilization that had so far lost its head as to need to include a set of detailed instructions for use in a package of toothpicks, was no longer a civilization in which I could live and stay sane.

My mind went back to that picture in the obstetrics book. A cow standing in the middle of a gleaming floor while a sleek veterinary surgeon in a spotless parturition overall inserted his arm to a polite distance. He was relaxed and smiling, the farmer and his helpers were smiling, even the cow was smiling. There was no dirt or blood or sweat anywhere. That man in the picture had just finished an excellent lunch and had moved next door to do a bit of calving just for the sheer pleasure of it, as a kind of dessert. He hadn't crawled shivering from his bed at two o'clock in the morning and bumped over twelve miles of frozen snow, staring sleepily ahead till the lonely farm showed in the headlights. He hadn't climbed half a mile of white fell-side to the doorless barn where his patient lay.

I thought you'd be better at this." "Why?" Bridget shrugged. "'Cause your dad's a cop." "Right," Matt said, shifting his body so he wasn't blocking the light. "Why wouldn't he teach me Breaking and Entering 101?" Bridget stifled a yawn. "Might be helpful now." "Patience, grasshopper." Matt inserted a second metal prong into the lock. "I know a few tricks." Bridget heard a soft click, and Matt raised his eyebrows in an unspoken "I told you so" before twisting the handle. The door swung open. "Slick, MacGyver," Bridget whispered, patting him on the head. "Remind me to give you a cookie.

That afternoon he told me that the difference between human beings and animals was that human beings were able to dream while awake. He said the purpose of books was to permit us to exercise that faculty. Art, he said, was a controlled madness… He said books weren't made of themes, which you could write essays about, but of images that inserted themselves into your brain and replaced what you were seeing with your eyes.

...no mind ever grew fat on a diet of novels. The pleasure which they occasionally offer is far too heavily paid for: they undermine the finest characters. They teach us to think ourselves into other men's places. Thus we acquire a taste for change. The personality becomes dissolved in pleasing figments of imagination. The reader learns to understand every point of view. Willingly he yields himself to the pursuit of other people's goals and loses sight of his own. Novels are so many wedges which the novelist, an actor with his pen, inserts into the closed personality of the reader. The better he calculates the size of the wedge and the strength of the resistance, so much the more completely does he crack open the personality of the victim. Novels should be prohibited by the State.

What is magic? Then there is the witches' explanation, which comes in two forms, depending on the age of the witch. Older witches hardly put words to it at all, but may suspect in their hearts that the universe really doesn't know what the hell is going on and consists of a zillion trillion billion possibilities, and could become any one of them if a trained mind rigid with quantum certainty was inserted into the crack and twisted; that, if you really had to make someone's hat explode, all you needed to do was twist into that universe where a large number of hat molecules all decide at the same time to bounce off in different directions. Younger witches, on the other hand, talk about it all the time and believe it involves crystals, mystic forces, and dancing about without yer drawers on. Everyone may be right, all at the same time. That's the thing about quantum.

If you've spent any time trolling the blogosphere, you've probably noticed a peculiar literary trend: the pervasive habit of writers inexplicably placing exclamation points at the end of otherwise unremarkable sentences. Sort of like this! This is done to suggest an ironic detachment from the writing of an expository sentence! It's supposed to signify that the writer is self-aware! And this is idiotic. It's the saddest kind of failure. F. Scott Fitzgerald believed inserting exclamation points was the literary equivalent of an author laughing at his own jokes, but that's not the case in the modern age; now, the exclamation point signifies creative confusion. All it illustrates is that even the writer can't tell if what they're creating is supposed to be meaningful, frivolous, or cruel. It's an attempt to insert humor where none exists, on the off chance that a potential reader will only be pleased if they suspect they're being entertained. Of course, the reader isn't really sure, either. They just want to know when they're supposed to pretend to be amused. All those extraneous exclamation points are like little splatters of canned laughter: They represent the "form of funny," which is more easily understood (and more easily constructed) than authentic funniness.

Life was not to be sitting in hot amorphic leisure in my backyard idly writing or not-writing, as the spirit moved me. It was, instead, running madly, in a crowded schedule, in a squirrel cage of busy people. Working, living, dancing, dreaming, talking, kissing — singing, laughing, learning. The responsibility, the awful responsibility of managing (profitably) 12 hours a day for 10 weeks is rather overwhelming when there is nothing, noone, to insert an exact routine into the large unfenced acres of time — which it is so easy to let drift by in soporific idling and luxurious relaxing. It is like lifting a bell jar off a securely clockwork-like functioning community, and seeing all the little busy people stop, gasp, blow up and float in the inrush, (or rather outrush,) of the rarified scheduled atmosphere — poor little frightened people, flailing impotent arms in the aimless air. That's what it feels like: getting shed of a routine. Even though one had rebelled terribly against it, even then, one feels uncomfortable when jounced out of the repetitive rut. And so with me. What to do? Where to turn? What ties, what roots? as I hang suspended in the strange thin air of back-home?

Do you like Cam?” the girl asked me casually. I wondered how she knew him—I thought he’d been a nobody just like me. “I barely even know him,” I told her, and her face relaxed. She was relieved. I recognized that look in her eyes—dreamy and hopeful. It must have been the way I looked when I used to talk about Conrad, used to try to think of ways to insert his name into conversation. It made me sad for her, for me.

Where the preamble declares that coercion is a departure from the plan of the holy author of our religion, an amendment was proposed, by inserting the word "Jesus Christ," so that it should read "a departure from the plan of Jesus Christ, the holy author of our religion." The insertion was rejected by a great majority, in proof that they meant to comprehend, within the mantle of it's protection, the Jew and the Gentile, the Christian and Mahometan, the Hindoo, and infidel of every denomination.

Shards of glass slip down the wall and into the sink. IT pulls away from me, puzzled. I reach in and wrap my fingers around a triangle of glass. I hold it to Andy Evans's neck. He freezes. I push just hard enough to raise one drop of blood. He raises his arms over his head. My hand quivers. I want to insert the glass all the way through his throat, I want to hear him scream. I look up. I see the stubble on his chin, a fleck of white in the corner of his mouth. His lips are paralyzed. He cannot speak. That's good enough. Me: "I said no.

One has to be wounded in order to become a healer. This is the local image of a universal mythological motif, which is described in Eliade's book about the initiation of medicine men and shamans. Nobody becomes either one or the other without first having been wounded, either cut open by the initiator and having certain magical stones inserted into his body, or a spear thrown at his neck, or some such thing. Generally, the experiences are ecstatic – stars or ghost-like demons – hit them or cut them open, but always they have to be pierced or cut apart before they become healers, for that is how they acquire the capacity for healing others.

But sometimes you simply can't make yourself feel like acting. And in those situations, motivational advice risks making things worse, by surreptitiously strengthening your belief that you need to feel motivated before you act. By encouraging an attachment to a particular emotional state, it actually inserts an additional hurdle between you and your goal. The subtext is that if you can't make yourself feel excited and pleased about getting down to work, then you can't get down to work.

When we think of people fitting together, we may think of a man inserting himself into a woman, but there are many ways we overlook. The way ears are thin as construction paper, allowing me to press the side of my face against his chest. Fingers can be interlaced without getting tangled. One hand can create a tiny chair for one chin. We are designed to bend and fold, to comfort ourselves and each other. We have so many small parts that need tending to.

Fifteen Ways to Stay Alive 1. Offer the wolves your arm only from the elbow down. Leave tourniquet space. Do not offer them your calves. Do not offer them your side. Do not let them near your femoral artery, your jugular. Give them only your arm. 2. Wear chapstick when kissing the bomb. 3. Pretend you don’t know English. 4. Pretend you never met her. 5. Offer the bomb to the wolves. Offer the wolves to the zombies. 6. Only insert a clean knife into your chest. Rusty ones will cause tetanus. Or infection. 7. Don’t inhale. 8. Realize that this love was not your trainwreck, was not the truck that flattened you, was not your Waterloo, did not cause massive haemorrhaging from a rusty knife. That love is still to come. 9. Use a rusty knife to cut through most of the noose in a strategic place so that it breaks when your weight is on it. 10. Practice desperate pleas for attention, louder calls for help. Learn them in English, French, Spanish: May Day, Aidez-Moi, Ayúdame. 11. Don’t kiss trainwrecks. Don’t kiss knives. Don’t kiss. 12. Pretend you made up the zombies, and only superheroes exist. 13. Pretend there is no kryptonite. 14. Pretend there was no love so sweet that you would have died for it, pretend that it does not belong to someone else now, pretend like your heart depends on it because it does. Pretend there is no wreck — you watched the train go by and felt the air brush your face and that was it. Another train passing. You do not need trains. You can fly. You are a superhero. And there is no kryptonite. 15. Forget her name.

There's always moral instruction whether the writer inserts it deliberately or not. The least effective moral instruction in fiction is that which is consciously inserted. Partly because it won't reflect the storyteller's true beliefs, it will only reflect what he BELIEVES he believes, or what he thinks he should believe or what he's been persuaded of. But when you write without deliberately expressing moral teachings, the morals that show up are the ones you actually live by. The beliefs that you don't even think to question, that you don't even notice-- those will show up. And that tells much more truth about what you believe than your deliberate moral machinations.

Labelling is no longer a liberating political act but a necessity in order to gain entrance into the academic industrial complex and other discussions and spaces. For example, if so called “radical” or “progressive” people don’t hear enough “buzz” words (like feminist, anti-oppression, anti-racist, social justice, etc.) in your introduction, then you are deemed unworthy and not knowledgeable enough to speak with authority on issues that you have lived experience with. The criteria for identifying as a feminist by academic institutions, peer reviewed journals, national bodies, conferences, and other knowledge gatekeepers is very exclusive. It is based on academic theory instead of based on lived experiences or values. Name-dropping is so elitist! You're not a "real" feminist unless you can quote, or have read the following white women: (insert Women's Studies 101 readings).

The symptoms of a writer who hasn’t found their way clear of the needs of Self yet are easy to spot. I should say the symptoms are easy for everyone else to spot, that is, and not so easy for the writer themself to see. You’ll see a writer who does not trust the characters to speak and move on their own, but has to puppeteer them; a writer who does not trust the reader to understand what’s written. One who must insert parentheticals in various forms to explain the work to the reader; flashbacks to explain; big black blocks of text on the page to explain; question-and-answer dialog between characters who aren’t in a courtroom; walk-and-talk characters with their mouths full of dialog of what the story is about; too many stage directions that make the script read like a novel…

The long poem of walking manipulates spatial organizations, no matter how panoptic they may be: it is neither foreign to them (it can take place only within them) nor in conformity with them (it does not receive its identity from them). It creates shadows and ambiguities within them. It inserts its multitudinous references and citations into them (social models, cultural mores, personal factors). Within them it is itself the effect of successive encounters and occasions that constantly alter it and make it the other's blazon: in other words, it is like a peddler carrying something surprising, transverse or attractive compared with the usual choice. These diverse aspects provide the basis of a rhetoric. They can even be said to define it.

Dauntless traitors crowded the hallway; the Erudite crowd the execution room, but there, they have made a path for me already. Silently they study me as I walk to the metal table in the center of the room. Jeanine stands a few steps away. The scratches on her face show through hastily applied makeup. She doesn’t look at me. Four cameras dangle from the ceiling, one at each corner of the table. I sit down first, wipe my hands off on my pants, and then lie down. The table is cold. Frigid, seeping into my skin, into my bones. Appropriate, perhaps, because that is what will happen to my body when all the life leaves it; it will become cold and heavy, heavier than I have ever been. As for the rest of me, I am not sure. Some people believe that I will go nowhere, and maybe they’re right, but maybe they’re not. Such speculations are no longer useful to me anyway. Peter slips an electrode beneath the collar of my shirt and presses it to my chest, right over my heart. He then attaches a wire to the electrode and switches on the heart monitor. I hear my heartbeat, fast and strong. Soon, where that steady rhythm was, there will be nothing. And then rising from within me is a single thought: I don’t want to die. All those times Tobias scolded me for risking my life, I never took him seriously. I believed that I wanted to be with my parents and for all of this to be over. I was sure I wanted to emulate their self-sacrifice. But no. No, no. Burning and boiling inside me is the desire to live. I don’t want to die I don’t want to die I don’t want to! Jeanine steps forward with a syringe full of purple serum. Her glasses reflect the fluorescent light above us, so I can barely see her eyes. Every part of my body chants it in unison. Live, live, live. I thought that in order to give my life in exchange for Will’s, in exchange for my parents’, that I needed to die, but I was wrong; I need to live my life in the light of their deaths. I need to live. Jeanine holds my head steady with one hand and inserts the needle into my neck with the other. I’m not done! I shout in my head, and not at Jeanine. I am not done here! She presses the plunger down. Peter leans forward and looks into my eyes. “The serum will go into effect in one minute,” he says. “Be brave, Tris.” The words startle me, because that is exactly what Tobias said when he put me under my first simulation. My heart begins to race. Why would Peter tell me to be brave? Why would he offer any kind words at all? All the muscles in my body relax at once. A heavy, liquid feeling fills my limbs. If this is death, it isn’t so bad. My eyes stay open, but my head drops to the side. I try to close my eyes, but I can’t—I can’t move. Then the heart monitor stops beeping.

It means this War was never political at all, the politics was all theatre, all just to keep the people distracted…secretly, it was being dictated instead by the needs of technology…by a conspiracy between human beings and techniques, by something that needed the energy-burst of war, crying, “Money be damned, the very life of [insert name of Nation] is at stake,” but meaning, most likely, dawn is nearly here, I need my night’s blood, my funding, funding, ahh more, more…The real crises were crises of allocation and priority, not among firms—it was only staged to look that way—but among the different Technologies, Plastics, Electronics, Aircraft, and their needs which are understood only by the ruling elite… Yes but Technology only responds (how often this argument has been iterated, dogged, humorless as a Gaussian reduction, among the younger Schwarzkommando especially), “All very well to talk about having a monster by the tail, but do you think we’d’ve had the Rocket if someone, some specific somebody with a name and a penis hadn’t wanted to chuck a ton of Amatol 300 miles and blow up a block full of civilians? Go ahead, capitalize the T on technology, deify it if it’ll make you feel less responsible—but it puts you in with the neutered, brother, in with the eunuchs keeping the harem of our stolen Earth for the numb and joyless hardons of human sultans, human elite with no right at all to be where they are—” We have to look for power sources here, and distribution networks we were never taught, routes of power our teachers never imagined, or were encouraged to avoid…we have to find meters whose scales are unknown in the world, draw our own schematics, getting feedback, making connections, reducing the error, trying to learn the real function…zeroing in on what incalculable plot? Up here, on the surface, coal-tars, hydrogenation, synthesis were always phony, dummy functions to hide the real, the planetary mission yes perhaps centuries in the unrolling…this ruinous plant, waiting for its Kabbalists and new alchemists to discover the Key, teach the mysteries to others…

Okay.' I can feel the letters vomit off my tongue. O. K. A. Y. I watch the vet insert the syringe into the catheter and inject the second drug. And then the adventures come flooding back: The puppy farm. The gentle untying of the shoelace. THIS! IS! MY! HOME! NOW! Our first night together. Running on the beach. Sadie and Sophie and Sophie Dee. Shared ice-cream cones. Thanksgivings. Tofurky. Car rides. Laughter. Eye rain. Chicken and rice. Paralysis. Surgery. Christmases. Walks. Dog parks. Squirrel chasing. Naps. Snuggling. 'Fishful Thinking.' The adventure at sea. Gentle kisses. Manic kisses. More eye rain. So much eye rain. Red ball. The veterinarian holds a stethoscope up to Lily's chest, listening for her heartbeat. All dogs go to heaven. 'Your mother's name is Witchie-Poo.' I stroke Lily behind her ears the way that used to calm her. 'Look for her.' OH FUCK IT HURTS. I barely whisper. 'She will take care of you.

Because I grew up around Danny and Phillip, I discovered the truth about the male language very early in life. What I learned is there are three basic responses that most guys will use when shouldered with the major task of having to answer the question, How do I look? by the fairer sex. Although I have never confirmed it, I am convinced that boys are taken aside in school, probably in fifth grade when the girls watch the film about getting their periods, and are taught the following three responses: You look like shit. (Translation: You look bad. Just go back to bed and start over tomorrow. I really shouldn't be seen with you like this.) You look fine. (Translation: You look good enough to be seen with.) You look hot. (Translation: I want you.) They also must teach them there is only one acceptable variation to these responses and to use it sparingly. The variation is simple. They just throw a REALLY into the sentence. The following are examples I have witnessed: JJ, you REALLY look like shit. (Translation: You must be very hung over, or sick, or having an extremely bad hair day. I really don't want to be seen with you.) REALLY, JJ, your hair looks fine. (Translation: Your hair looks the same to me as it always does, even though you spent an hour fixing it, so stop messing with it and lets go because you look good enough to be seen with.) And… (Insert cheerleader's name here) looks REALLY Hot. (Translation: I REALLY want her.)

Clark had always been fond of beautiful objects, and in his present state of mind, all objects were beautiful. He stood by the case and found himself moved by every object he saw there, by the human enterprise each object had required. Consider the snow globe. Consider the mind that invented those miniature storms, the factory worker who turned sheets of plastic into white flakes of snow, the hand that drew the plan for the miniature Severn City with its church steeple and city hall, the as**sembly-line worker who watched the globe glide past on a conveyer belt somewhere in China. Consider the white gloves on the hands of the woman who inserted the snow globes into boxes, to be packed into larger boxes, crates, shipping containers. Consider the card games played belowdecks in the evenings on the ship carrying the containers across the ocean, a hand stubbing out a cigarette in an overflowing ashtray, a haze of blue smoke in dim light, the cadences of a half dozen languages united by common profanities, the sailors’ dreams of land and women, these men for whom the ocean was a gray-line horizon to be traversed in ships the size of overturned skyscrapers. Consider the signature on the shipping manifest when the ship reached port, a signature unlike any other on earth, the coffee cup in the hand of the driver delivering boxes to the distribution center, the secret hopes of the UPS man carrying boxes of snow globes from there to the Severn City Airport. Clark shook the globe and held it up to the light. When he looked through it, the planes were warped and caught in whirling snow.

Telling a lie is an act with a sharp focus. It is designed to insert a particular falsehood at a particular point in a set or system of beliefs, in order to have that point occupied by the truth. This requires a degree of craftsmanship, in which the teller of the lie submits to objective constraints imposed by what he takes to be the truth. The liar is inescapably concerned with truth-values. In order to invent a lie at all, he must think he knows what is true. And in order to invent an effective lie, he must design his falsehood under the guidance of that truth. On the other hand, a person who takes to bullshit his way through has much more freedom. His focus is panoramic rather than particular. He does not limit himself to inserting a certain falsehood at a specific point, and thus he is not constrained by the truths surrounding that point or intersecting it. He is prepared, so far as is required, to fake the context as well. This freedom from the constraints to which the liar must submit does not necessarily mean, of course, that his task is easier than the task of the liar. But the mode of creativity upon which it relies is less analytical and less deliberative than that which is mobilized in lying. It is more expansive and independent, with more spacious opportunities for improvisation, color and imaginative play. This is less a matter of craft than of art. Hence the familiar notion of the 'bullshit artist'.

Thomas Jefferson, that owner of many slaves, chose to begin the Declaration of Independence by directly contradicting the moral basis of slavery, writing "we hold these truths to be self-evident, that all men are created equal, and that they are endowed by their Creator with certain inalienable Rights ..." thus undercutting simultaneously any argument that Africans were racially inferior, and also that they or their ancestors could ever have been justly and legally deprived of their freedom. In doing so, however, he did not propose some radically new conception of rights and liberties. Neither have subsequent political philosophers. For the most part, we've just kept the old ones, but with the word "not" inserted here and there. Most of our most precious rights and freedoms are a series of exceptions to an overall moral and legal framework that suggests we shouldn't really have them in the first place.

I think we're the only ones in the building," he says. "Then no one will mind when I do this!" I jump onto the desk and parade back and forth. St. Clair belts out a song, and I shimmy to the sound of his voice. When he finishes,I bow with a grand flourish. "Quick!" he says. "What?" I hop off the desk. Is Nate here? Did he see? But St. Clair runs to the stairwell. He throws open the door and screams. The ehco makes us both jump, and then together we scream again at the top of our lungs. It's exhilarating. St. Clair chases me to the elevator,and we ride it to the rooftop. He hangs back but laughs as I spit off the side, trying to hit a lingerie advertisement. The wind is fierce,and my aim is off,so I race back down two flights of stairs. Our staircase is wide and steady, so he's only a few feet behind me. We reach his floor. "Well," he says. Our conversation halts for the first time in hours. I look past him. "Um.Good night." "See you tomorrow? Late breakfast at the creperie?" "That'd be nice." "Unless-" he cuts himself off. Unless what? He's hesitant, changed his mind. The moment passes. I give him one more questioning look, but he turns away. "Okay." It's hard to keep the disappointment out of my voice. "See you in the morning." I take the steps down and glance back.He's staring at me. I lift my hand and wave. He's oddly statuesque. I push through the door to my floor,shaking my head. I don't understand why things always go from perfect to weird with us. It's like we're incapable of normal human interaction. Forget about it,Anna. The stairwell door bursts open. My heart stops. St. Clair looks nervous. "It's been a good day. This was the first good day I've had in ages." He walks slowly toward me. "I don't want it to end. I don't want to be alone right now." "Uh." I can't breathe. He stops before me,scanning my face. "Would it be okay if I stayed with you? I don't want to make you uncomfortable-" "No! I mean..." My head swims. I can hardly think straight. "Yes. Yes, of course,it's okay." St. Clair is still for a moment. And then he nods. I pull off my necklace and insert my key into the lock. He waits behind me. My hand shakes as I open the door.

Roarke didn't quite make it to Eve's office. He found her down the corridor, in front of one of the vending machines. She and the machine appeared to be in the middle of a vicious argument. "I put the proper credits in, you blood-sucking, money-grubbing son of a bitch." Eve punctuated this by slamming her fist where the machine's heart would be, if it had one. ANY ATTEMPT TO VANDALIZE, DEFACE, OR DAMAGE THIS UNIT IS A CRIMINAL OFFENSE. The machine spoke in a prissy, singsong voice Roarke was certain was sending his wife's blood pressure through the roof. THIS UNIT IS EQUIPPED WITH SCANEYE, AND HAS RECORDED YOUR BADGE NUMBER. DALLAS, LIEUTENANT EVE. PLEASE INSERT PROPER CREDIT, IN COIN OR CREDIT CODE, FOR YOUR SELECTION. AND REFRAIN FROM ATTEMPTING TO VANDALIZE, DEFACE, OR DAMAGE THIS UNIT. "Okay, I'll stop attempting to vandalize, deface, or damage you, you electronic street thief. I'll just do it." She swung back her right foot, which Roarke had cause to know could deliver a paralyzing kick from a standing position. But before she could follow through he stepped up and nudged her off balance. "Please, allow me, Lieutenant." "Don't put any more credits in that thieving bastard," she began, then hissed when Roarke did just that. "Candy bar, I assume. Did you have any lunch?" "Yeah, yeah, yeah. You know it's just going to keep stealing if people like you pander to it." "Eve, darling, it's a machine. It does not think." "Ever hear of artificial intelligence, ace?" "Not in a vending machine that dispenses chocolate bars.

I later learned that while Elsie was at Crownsville, scientists often conducted research on patients there without consent, including one study titled "Pneumoencephalographic and skull X-ray studies in 100 epileptics." Pneumoencephalography was a technique developed in 1919 for taking images of the brain, which floats in a sea of liquid. That fluid protects the brain from damage, but makes it very difficult to X-ray, since images taken through fluid are cloudy. Pneumoencephalography involved drilling holes into the skulls of research subjects, draining the fluid surrounding their brains, and pumping air or helium into the skull in place of the fluid to allow crisp X-rays of the brain through the skull. the side effects--crippling headaches, dizziness, seizures, vomiting--lasted until the body naturally refilled the skull with spinal fluid, which usually took two to three months. Because pneumoencephalography could cause permanent brain damage and paralysis, it was abandoned in the 1970s. "There is no evidence that the scientists who did research on patients at Crownsville got consent from either the patients of their parents. Bases on the number of patients listed in the pneumoencephalography studyand the years it was conducted, Lurz told me later, it most likely involved every epileptic child in the hospital including Elsie. The same is likely true of at lest on other study called "The Use of Deep Temporal Leads in the Study of Psychomotor Epilepsy," which involved inserting metal probes into patients' brains.

Several years ago, researchers at the University of Minnesota identified 568 men and women over the age of seventy who were living independently but were at high risk of becoming disabled because of chronic health problems, recent illness, or cognitive changes. With their permission, the researchers randomly assigned half of them to see a team of geriatric nurses and doctors—a team dedicated to the art and science of managing old age. The others were asked to see their usual physician, who was notified of their high-risk status. Within eighteen months, 10 percent of the patients in both groups had died. But the patients who had seen a geriatrics team were a quarter less likely to become disabled and half as likely to develop depression. They were 40 percent less likely to require home health services. These were stunning results. If scientists came up with a device—call it an automatic defrailer—that wouldn’t extend your life but would slash the likelihood you’d end up in a nursing home or miserable with depression, we’d be clamoring for it. We wouldn’t care if doctors had to open up your chest and plug the thing into your heart. We’d have pink-ribbon campaigns to get one for every person over seventy-five. Congress would be holding hearings demanding to know why forty-year-olds couldn’t get them installed. Medical students would be jockeying to become defrailulation specialists, and Wall Street would be bidding up company stock prices. Instead, it was just geriatrics. The geriatric teams weren’t doing lung biopsies or back surgery or insertion of automatic defrailers. What they did was to simplify medications. They saw that arthritis was controlled. They made sure toenails were trimmed and meals were square. They looked for worrisome signs of isolation and had a social worker check that the patient’s home was safe. How do we reward this kind of work? Chad Boult, the geriatrician who was the lead investigator of the University of Minnesota study, can tell you. A few months after he published the results, demonstrating how much better people’s lives were with specialized geriatric care, the university closed the division of geriatrics.

I know people who read interminably, book after book, from page to page, and yet I should not call them 'well-read people'. Of course they 'know' an immense amount; but their brain seems incapable of assorting and classifying the material which they have gathered from books. They have not the faculty of distinguishing between what is useful and useless in a book; so that they may retain the former in their minds and if possible skip over the latter while reading it, if that be not possible, then--when once read--throw it overboard as useless ballast. Reading is not an end in itself, but a means to an end. Its chief purpose is to help towards filling in the framework which is made up of the talents and capabilities that each individual possesses. Thus each one procures for himself the implements and materials necessary for the fulfilment of his calling in life, no matter whether this be the elementary task of earning one's daily bread or a calling that responds to higher human aspirations. Such is the first purpose of reading. And the second purpose is to give a general knowledge of the world in which we live. In both cases, however, the material which one has acquired through reading must not be stored up in the memory on a plan that corresponds to the successive chapters of the book; but each little piece of knowledge thus gained must be treated as if it were a little stone to be inserted into a mosaic, so that it finds its proper place among all the other pieces and particles that help to form a general world-picture in the brain of the reader. Otherwise only a confused jumble of chaotic notions will result from all this reading. That jumble is not merely useless, but it also tends to make the unfortunate possessor of it conceited. For he seriously considers himself a well-educated person and thinks that he understands something of life. He believes that he has acquired knowledge, whereas the truth is that every increase in such 'knowledge' draws him more and more away from real life, until he finally ends up in some sanatorium or takes to politics and becomes a parliamentary deputy. Such a person never succeeds in turning his knowledge to practical account when the opportune moment arrives; for his mental equipment is not ordered with a view to meeting the demands of everyday life. His knowledge is stored in his brain as a literal transcript of the books he has read and the order of succession in which he has read them. And if Fate should one day call upon him to use some of his book-knowledge for certain practical ends in life that very call will have to name the book and give the number of the page; for the poor noodle himself would never be able to find the spot where he gathered the information now called for. But if the page is not mentioned at the critical moment the widely-read intellectual will find himself in a state of hopeless embarrassment. In a high state of agitation he searches for analogous cases and it is almost a dead certainty that he will finally deliver the wrong prescription.

Let us take a limited example and compare the war machine and the state apparatus in the context of the theory of games. Let us take chess and Go, from the standpoint of game pieces, the relations between the pieces and the space involved. Chess is a game of the State, or of the court: the emperor of China played it. Chess pieces are coded; they have an internal nature and intrinsic properties from which their movements, situations, and confrontations derive. They have qualities; a knight remains a knight, a pawn a pawn, a bishop a bishop. Each is like a subject of the statement endowed with relative power, and these relative powers combine in a subject of enunciation, that is, the chess player or the game’s form of interiority. Go pieces, I contrast, are pellets, disks, simple arithmetic units, and have only an anonymous, collective, or third-person function: “It” makes a move. “It” could be a man, a woman, a louse, an elephant. Go pieces are elements of a nonsubjectified machine assemblage with no intrinsic properties, only situational ones. Thus the relations are very different in the two cases. Within their milieu of interiority, chess pieces entertain biunivocal relations with one another, and with the adversary’s pieces: their functioning is structural. One the other hand, a Go piece has only a milieu of exteriority, or extrinsic relations with nebulas or constellations, according to which it fulfills functions of insertion or situation, such as bordering, encircling, shattering. All by itself, a Go piece can destroy an entire constellation synchronically; a chess piece cannot (or can do so diachronically only). Chess is indeed a war, but an institutionalized, regulated, coded war with a front, a rear, battles. But what is proper to Go is war without battle lines, with neither confrontation nor retreat, without battles even: pure strategy, whereas chess is a semiology. Finally, the space is not at all the same: in chess, it is a question of arranging a closed space for oneself, thus going from one point to another, of occupying the maximum number of squares with the minimum number of pieces. In Go, it is a question of arraying oneself in an open space, of holding space, of maintaining the possibility of springing up at any point: the movement is not from one point to another, but becomes perpetual, without aim or destination, without departure or arrival. The “smooth” space of Go, as against the “striated” space of chess. The nomos of Go against the State of chess, nomos against polis. The difference is that chess codes and decodes space, whereas Go proceeds altogether differently, territorializing and deterritorializing it (make the outside a territory in space; consolidate that territory by the construction of a second, adjacent territory; deterritorialize the enemy by shattering his territory from within; deterritorialize oneself by renouncing, by going elsewhere…) Another justice, another movement, another space-time.