Famous Rome Quotes

Any time a famous rich kid screws up, people want to know about it. Makes them feel good.

In the naivete of their youth, they believed Fate to be a kind mistress. None of them were prepared for the beast that was about to pick them up by the throats and shake them until their teeth rattled.

Triumphantly, he announced their deaths to the cheering crowd in a famous one-word euphemism: vixere, 'they have lived' – that is, 'they're dead'.

America for Me 'Tis fine to see the Old World and travel up and down Among the famous palaces and cities of renown, To admire the crumblyh castles and the statues and kings But now I think I've had enough of antiquated things. So it's home again, and home again, America for me! My heart is turning home again and there I long to be, In the land of youth and freedom, beyond the ocean bars, Where the air is full of sunlight and the flag is full of stars. Oh, London is a man's town, there's power in the air; And Paris is a woman's town, with flowers in her hair; And it's sweet to dream in Venice, and it's great to study Rome; But when it comes to living there is no place like home. I like the German fir-woods in green battalions drilled; I like the gardens of Versailles with flashing foutains filled; But, oh, to take your hand, my dear, and ramble for a day In the friendly western woodland where Nature has her sway! I know that Europe's wonderful, yet something seems to lack! The Past is too much with her, and the people looking back. But the glory of the Present is to make the Future free-- We love our land for what she is and what she is to be. Oh, it's home again, and home again, America for me! I want a ship that's westward bound to plough the rolling sea, To the blessed Land of Room Enough, beyond the ocean bars, Where the air is full of sunlight and the flag is full of stars.

Genius' was a word loosely used by expatriot Americans in Paris and Rome, between the Versailles Peace treaty and the Depression, to cover all varieties of artistic, literary and musical experimentalism. A useful and readable history of the literary Thirties is Geniuses Together by Kay Boyle-Joyce, Hemingway, Scott Fitzgerald, Pound, Eliot and the rest. They all became famous figures but too many of them developed defects of character-ambition, meanness, boastfulness, cowardice or inhumanity-that defrauded their early genius. Experimentalism is a quality alien to genius. It implies doubt, hope, uncertainty, the need for group reassurance; whereas genius works alone, in confidence of a foreknown result. Experiments are useful as a demonstration of how not to write, paint or compose if one's interest lies in durable rather than fashionable results; but since far more self-styled artists are interested in frissons á la mode rather than in truth, it is foolish to protest. Experimentalism means variation on the theme of other people's uncertainties.

And some of the modern admirers of the gentle philosopher-emperor Marcus Aurelius would be less admiring if they reflected on the brutality of his suppression of the Germans, proudly illustrated in the scenes of battle that circle their way up his commemorative column that still stands in the centre of Rome; though less famous, it was clearly intended to rival Trajan’s and was carefully built just a little taller (see plate 10). 70.

As a famous historian once said, in all its history, Rome deigned to fear two people; one was Hannibal, the other was a woman.

SPQR takes its title from another famous Roman catchphrase, Senatus PopulusQue Romanus, ‘The Senate and People of Rome’.

Sometimes people decide not to like me for the most arbitrary reasons. Sometimes it's just because I'm famous, and successful people make them uncomfortable. Sometimes it's because I voted differently than them. And sometimes it's because I frowned outside their favorite yogurt shop and now they want to cancel me forever because they think I'm against yogurt.

Men in public life did their best to avoid accidental events or actions from being seen as unlucky. On a famous occasion during the civil war, Caesar tripped when disembarking from a ship on the shores of Africa and fell flat on his face. With his talent for improvisation, he spread out his arms and embraced the earth as a symbol of conquest. By quick thinking he turned a terrible omen of failure into one of victory.

lands studded with famous cities already ancient when Romulus was born.

The two most famous cities in Greece, whose rivalry had once been so calamitous,

Cicero had the men summarily executed, with not even a show trial. Triumphantly, he announced their deaths to the cheering crowd in a famous one-word euphemism: vixere, ‘they have lived’ – that is, ‘they’re dead’.

MOUSE, n. An animal which strews its path with fainting women. As in Rome Christians were thrown to the lions, so centuries earlier in Otumwee, the most ancient and famous city of the world, female heretics were thrown to the mice.

Verres had Gavius thrown into prison, tortured and crucified, on the specious grounds that he was a spy for Spartacus. Roman citizenship should have protected him from this degrading punishment. So, as he was flogged, the poor man repeatedly cried out, ‘Civis Romanus sum’ (‘I am a Roman citizen’), but to no avail. Presumably, when they chose to repeat this phrase, both Palmerston and Kennedy (see p. 137) must have forgotten that its most famous ancient use was as the unsuccessful plea of an innocent victim under a sentence of death imposed by a rogue Roman governor.

Finally, the cognomen, a personal surname, was particular to its holder or his branch of the family. It often had a jokey or down-to-earth ring: so, for example, “Cicero” is Latin for “chickpea” and it was supposed that some ancestor had had a wart of that shape on the end of his nose. When Marcus was about to launch his career as an advocate and politician, friends advised him to change his name to something less ridiculous. “No,” he replied firmly, “I am going to make my cognomen more famous than those of men like Scaurus and Catulus.” These were two leading Romans of the day, and the point of the remark was that “Catulus” was the Latin for “whelp” or “puppy,” and “Scaurus” meant “with large or projecting ankles.

It was necessary, therefore, to Moses that he should find the people of Israel in Egypt enslaved and oppressed by the Egyptians, in order that they should be disposed to follow him so as to be delivered out of bondage. It was necessary that Romulus should not remain in Alba, and that he should be abandoned at his birth, in order that he should become King of Rome and founder of the fatherland. It was necessary that Cyrus should find the Persians discontented with the government of the Medes, and the Medes soft and effeminate through their long peace. Theseus could not have shown his ability had he not found the Athenians dispersed. These opportunities, therefore, made those men fortunate, and their high ability enabled them to recognize the opportunity whereby their country was ennobled and made famous.

We marched him to the turfy shack where he lived with his parents and while the youth sulked Petronius Longus put the whole moral issue in succinct terms to them: Ollia’s father was a legionary veteran who had served in Egypt and Syria for over twenty years until he left with double pay, three medals, and a diploma that made Ollia legitimate; he now ran a boxers’ training school where he was famous for his high-minded attitude and his fighters were notorious for their loyalty to him… The old fisherman was a toothless, hapless, faithless cove you would not trust too near you with a filleting knife, but whether from fear or simple cunning he co-operated eagerly. The lad agreed to marry the girl and since Silvia would never abandon Ollia here, we decided that the fisherboy had to come back with us to Rome. His relations looked impressed by this result. We accepted it as the best we could achieve.

The vast majority of all the ancient Greek literature that has survived comes from this period of imperial rule. To give a sense of scale, the work of just one of these writers – Plutarch, the second-century CE biographer, philosopher, essayist and priest of the famous Greek oracle at Delphi – extends to as many modern pages as all the surviving work of the fifth century BCE put together, from the tragedies of Aeschylus to the history of Thucydides.

As he fell, Caesar cried out in Greek to Brutus, ‘You too, child’, which was either a threat (‘I’ll get you, boy!’) or a poignant regret for the disloyalty of a young friend (‘You too, my child?’), or even, as some suspicious contemporaries imagined, a final revelation that Brutus was, in fact, his victim’s natural son and that this was not merely assassination but patricide. The famous Latin phrase ‘Et tu, Brute?’ (‘You too, Brutus?’) is an invention of Shakespeare’s.

In the Roman psyche the East had long been a place of danger, but also a place of plenty. The first Emperor Augustus famously said of Rome that he found a city built in brick but left it in marble – all that money had to come from somewhere. India was repeatedly described in Roman sources as a land of unimaginable wealth. Pliny the Elder complained that the Roman taste for exotic silks, perfumes and pearls consumed the city. ‘India and China [and Arabia] together drain our Empire. That is the price that our luxuries and our womankind cost us.’ It was the construction of the Via Egnatia and attendant road-systems that physically allowed Rome to expand eastwards, while the capture of Egypt intensified this magnetic pull. Rome had got the oriental bug, and Byzantium, entering into a truce with the Romans in 129 BC following the Roman victory in the Macedonian Wars that kick-started Gnaeus Egnatius’ construction of the Via Egnatia, was a critical and vital destination before all longer Asian journeys began.

During the Reformation, one of Martin Luther’s chief complaints about the Catholic Church was that it was full of corruption and fraud. He argued that the cult of the saints, in particular, was riddled with forged relics and superstitious practices. It is rumored that Luther’s epiphany about the Catholic Church came as he ascended the legendary Scala Sancta in Rome in 1510. These “Holy Stairs” are believed to have been the very steps on which Jesus ascended to be tried by Pilate in Jerusalem. To this day pilgrims who ascend the stairs on their knees are granted an indulgence that knocks nine years off their time in purgatory for each of the twenty-eight steps. Luther purportedly became so disillusioned with indulgences and relics after this event that he famously complained, “What lies there are about relics! . . . How does it happen that eighteen apostles are buried in Germany when Christ had only twelve?

The nature of the case, and the history of the Mysteries, alike show that this book could be none other than the "Book Pet-Rome;" that is, the "Book of the Grand Interpreter," in other words, of Hermes Trismegistus, the great "Interpreter of the Gods." In Egypt, from which Athens derived its religion, the books of Hermes were regarded as the divine fountain of all true knowledge of the Mysteries. In Egypt, therefore, Hermes was looked up to in this very character of Grand Interpreter, or "Peter-Roma." In Athens, Hermes, as is well known, occupied precisely the same place, and, of course, in the sacred language, must have been known by the same title. The priest, therefore, that in the name of Hermes explained the Mysteries, must have been decked not only with the keys of Peter, but with the keys of "Peter-Roma." Here, then, the famous "Book of Stone" begins to appear in a new light, and not only so, but to shed new light on one of the darkest and most puzzling passages of Papal history.

It was a wise policy in that false prophet, Alexander, who though now forgotten, was once so famous, to lay the first scene of his impostures in Paphlagonia, where, as Lucian tells us, the people were extremely ignorant and stupid, and ready to swallow even the grossest delusion. People at a distance, who are weak enough to think the matter at all worth enquiry, have no opportunity of receiving better information. The stories come magnified to them by a hundred circumstances. Fools are industrious in propagating the imposture; while the wise and learned are contented, in general, to deride its absurdity, without informing themselves of the particular facts, by which it may be distinctly refuted. And thus the impostor above mentioned was enabled to proceed, from his ignorant Paphlagonians, to the enlisting of votaries, even among the Grecian philosophers, and men of the most eminent rank and distinction in Rome; nay, could engage the attention of that sage emperor Marcus Aurelius; so far as to make him trust the success of a military expedition to his delusive prophecies. 23 The advantages are so great, of starting an imposture among an ignorant people, that, even though the delusion should be too gross to impose on the generality of them (which, though seldom, is sometimes the case) it has a much better chance for succeeding in remote countries, than if the first scene had been laid in a city renowned for arts and knowledge. The most ignorant and barbarous of these barbarians carry the report abroad. None of their countrymen have a large correspondence, or sufficient credit and authority to contradict and beat down the delusion. Men’s inclination to the marvellous has full opportunity to display itself. And thus a story, which is universally exploded in the place where it was first started, shall pass for certain at a thousand miles distance. But had Alexander fixed his residence at Athens, the philosophers of that renowned mart of learning had immediately spread, throughout the whole Roman empire, their sense of the matter; which, being supported by so great authority, and displayed by all the force of reason and eloquence, had entirely opened the eyes of mankind. It is true; Lucian, passing by chance through Paphlagonia, had an opportunity of performing this good office. But, though much to be wished, it does not always happen, that every Alexander meets with a Lucian, ready to expose and detect his impostures.

Italian cuisine is the most famous and beloved cuisine in the world for a reason. Accessible, comforting, seemingly simple but endlessly delicious, it never disappoints, just as it seems to never change. It would be easy to give you, dear reader, a book filled with the al dente images of the Italy of your imagination. To pretend as if everything in this country is encased in amber. But Italian cuisine is not frozen in time. It's exposed to the same winds that blow food traditions in new directions every day. And now, more than at any time in recent or distant memory, those forces are stirring up change across the country that will forever alter the way Italy eats. That change starts here, in Rome, the capital of Italy, the cradle of Western civilization, a city that has been reinventing itself for three millennia- since, as legend has it, Romulus murdered his brother Remus and built the foundations of Rome atop the Palatine Hill. Here you'll find a legion of chefs and artisans working to redefine the pillars of Italian cuisine: pasta, pizza, espresso, gelato, the food that makes us non-Italians dream so ravenously of this country, that makes us wish we were Italians, and that stirs in the people of Italy no small amount of pride and pleasure.

Leonardo da Vinci, was brought to the Vatican in 1513 by the new pope, Leo X, and given a list of commissions to create for the greater glory of the pope and his family. After three years of living in the papal palace and exploring Rome, the great Leonardo had produced almost nothing. The furious Pope Leo decided to have a surprise showdown with the capricious artist and intimidate him into completing some of his commissions. In the middle of the night, surrounded by several imposing Swiss Guardsmen, the pope burst through the door to Leonardo’s private palace chambers, thinking to shake him out of a sound sleep. Instead, he was horrified to find Leonardo wide awake, with a pair of grave robbers, in the midst of dissecting a freshly stolen corpse—right under the pope’s own roof. Pope Leo let out a nonregal scream and had the Swiss soldiers immediately pack up Leonardo’s belongings and throw them and the divine Leonardo himself outside the fortress wall of the Vatican, never to return again. Shortly afterward, Leonardo decided it was probably healthier to get out of Italy and move to France, where he spent the rest of his days. This, by the way, is why the great Italian genius’s most famous oil paintings, including the Mona Lisa, are all in Paris, in the Louvre museum.

So much for Caligula as emperor; we must now tell of his career as a monster.... He lived in habitual incest with all his sisters, and at a large banquet he placed each of them in turn below him, while his wife reclined above. Many men of honourable rank were first disfigured with the marks of branding-irons and then condemned to the mines, to work at building roads, or to be thrown to the wild beasts; or else he shut them up in cages on all fours, like animals, or had them sawn asunder. Not all these punishments were for serious offences, but merely for criticising one of his shows, or for never having sworn by his genius. Having asked a man who had been recalled from an exile of long standing, how in the world he spent his time there, the man replied by way of flattery: "I constantly prayed the gods for what has come to pass, that Tiberius might die and you become emperor." Thereupon Caligula, thinking that his exiles were likewise praying for his death, sent emissaries from island to island to butcher them all. Wishing to have one of the senators torn to pieces, he induced some of the members to assail him suddenly, on his entrance into the House, with the charge of being a public enemy, to stab him with their styles, and turn him over to the rest to be mangled; and his cruelty was not sated until he saw the man's limbs, members, and bowels dragged through the streets and heaped up before him. He used to say that there was nothing in his own character which he admired and approved more highly than what he called his ἀδιατρεψία, that is to say, his shameless impudence. He seldom had anyone put to death except by numerous slight wounds, his constant order, which soon became well-known, being: "Strike so that he may feel that he is dying." When a different man than he had intended had been killed, through a mistake in the names, he said that the victim too had deserved the same fate. He even used openly to deplore the state of his times, because they had been marked by no public disasters, saying that the rule of Augustus had been made famous by the Varus massacre, and that of Tiberius by the collapse of the amphitheatre at Fidenae,​ while his own was threatened with oblivion because of its prosperity; and every now and then he wished for the destruction of his armies, for famine, pestilence, fires, or a great earthquake. While he was lunching or revelling capital examinations by torture were often made in his presence, and a soldier who was adept at decapitation cut off the heads of those who were brought from prison. At a public banquet in Rome he immediately handed a slave over to the executioners for stealing a strip of silver from the couches, with orders that his hands be cut off and hung from his neck upon his breast, and that he then be led about among the guests.

Although Zolla no longer associated with Julius Evola, he nevertheless arranged for me to meet Italy’s most famous crypto-traditionalist writer who was a very controversial figure because of his espousal of the cause of Mussolini during the Second World War. I had already read some of Evola’s works, many of which are now being translated into English and are attracting some attention in philosophical circles. But based on the image I had of him as an expositor of traditional doctrines including Yoga, I was surprised to see him, now crippled as a result of a bomb explosion in 1945, living in the center of Rome in a large old apartment which was severe and fairly dark and without works of traditional art which I had expected to see around him. He had piercing eyes and gazed directly at me as we spoke about knightly initiation, myths and symbols of ancient Persia, traditional alchemy and Hermeticism and similar subjects. While he extolled the ancient Romans and their virtues, he spoke pejoratively about his contemporary Italians. When I asked him what happened to those Roman virtues, he said they traveled north to Germany and we were left with Italian waiters singing o sole mio! He also seemed to have little knowledge or interest in esoteric Christianity and refuse to acknowledge the presence of a sapiental current in Christianity. It was surprising for me to see an Italian sitting a few minutes from the Vatican, with his immense knowledge of various esoteric philosophies from the Greek to the Indian, being so impervious to the inner realities of the tradition so close to his home.

The Sublician is the oldest of our bridges, although it has been destroyed and rebuilt several times. The very name refers to the heavy timbers of which it was once built, but the present bridge is of stone. For many generations it was the only bridge over the Tiber at Rome, because the Etruscans lived on the other bank, and Rome was strong enough to defend only one bridge at a time. The most famous story concerning the bridge is the one about Horatius Cocles, who is said to have held off the army of Lars Porsena single-handed while the Romans dismantled the bridge behind him. There are several versions of this celebrated tale. In one of them, Horatius is simply the point man of a wedge of Romans. In another, he held the bridge with two companions, who fell at his side before the bridge was destroyed. In a third, Horatius held the bridge alone right from the first. Personally, I think only the first version has any truth to it. I have been in many battles and skirmishes and played a heroic part in none of them. But I have seen last-ditch stands and delaying actions in plenty, and I have never seen a place, however narrow, that could be defended against an army by a single man for more than a minute or so. No matter how strong and skillful you are, while one man engages you, somebody else can always thrust a spear over the rim of your shield. And then there are the arrows and sling-stones that always fly about in such profusion when men thirst for one another’s blood. Supposedly, when the bridge was destroyed, Horatius somehow found leisure to address a prayer to Tiberinus, god of the river, and leaped in fully armed and swam across to great applause, to be rewarded richly by the citizenry. Another version has him drowning, which is what usually happens when a man in armor finds himself in deep water.

Carbonara: The union of al dente noodles (traditionally spaghetti, but in this case rigatoni), crispy pork, and a cloak of lightly cooked egg and cheese is arguably the second most famous pasta in Italy, after Bologna's tagliatelle al ragù. The key to an excellent carbonara lies in the strategic incorporation of the egg, which is added raw to the hot pasta just before serving: add it when the pasta is too hot, and it will scramble and clump around the noodles; add it too late, and you'll have a viscous tide of raw egg dragging down your pasta. Cacio e pepe: Said to have originated as a means of sustenance for shepherds on the road, who could bear to carry dried pasta, a hunk of cheese, and black pepper but little else. Cacio e pepe is the most magical and befuddling of all Italian dishes, something that reads like arithmetic on paper but plays out like calculus in the pan. With nothing more than these three ingredients (and perhaps a bit of oil or butter, depending on who's cooking), plus a splash of water and a lot of movement in the pan to emulsify the fat from the cheese with the H2O, you end up with a sauce that clings to the noodles and to your taste memories in equal measure. Amatriciana: The only red pasta of the bunch. It doesn't come from Rome at all but from the town of Amatrice on the border of Lazio and Abruzzo (the influence of neighboring Abruzzo on Roman cuisine, especially in the pasta department, cannot be overstated). It's made predominantly with bucatini- thick, tubular spaghetti- dressed in tomato sauce revved up with crispy guanciale and a touch of chili. It's funky and sweet, with a mild bite- a rare study of opposing flavors in a cuisine that doesn't typically go for contrasts. Gricia: The least known of the four kings, especially outside Rome, but according to Andrea, gricia is the bridge between them all: the rendered pork fat that gooses a carbonara or amatriciana, the funky cheese and pepper punch at the heart of cacio e pepe. "It all starts with gricia.

We can start with approximately nine traditional authors of the New Testament. If we consider the critical thesis that other authors wrote the pastoral letters and such letters as Ephesians and 2 Thessalonians, we'd have an even larger number. Another twenty early Christian authors20 and four heretical writings mention Jesus within 150 years of his death on the cross.21 Moreover, nine secular, non-Christian sources mention Jesus within the 150 years: Josephus, the Jewish historian; Tacitus, the Roman historian; Pliny the Younger, a politician of Rome; Phlegon, a freed slave who wrote histories; Lucian, the Greek satirist; Celsus, a Roman philosopher; and probably the historians Suetonius and Thallus, as well as the prisoner Mara Bar-Serapion.22 In all, at least forty-two authors, nine of them secular, mention Jesus within 150 years of his death. In comparison, let's take a look at Julius Caesar, one of Rome's most prominent figures. Caesar is well known for his military conquests. After his Gallic Wars, he made the famous statement, "I came, I saw, I conquered." Only five sources report his military conquests: writings by Caesar himself, Cicero, Livy, the Salona Decree, and Appian.23 If Julius Caesar really made a profound impact on Roman society, why didn't more writers of antiquity mention his great military accomplishments? No one questions whether Julius did make a tremendous impact on the Roman Empire. It is evident that he did. Yet in those 150 years after his death, more non-Christian authors alone comment on Jesus than all of the sources who mentioned Julius Caesar's great military conquests within 150 years of his death. Let's look at an even better example, a contemporary of Jesus. Tiberius Caesar was the Roman emperor at the time of Jesus' ministry and execution. Tiberius is mentioned by ten sources within 150 years of his death: Tacitus, Suetonius, Velleius Paterculus, Plutarch, Pliny the Elder, Strabo, Seneca, Valerius Maximus, Josephus, and Luke.24 Compare that to Jesus' forty-two total sources in the same length of time. That's more than four times the number of total sources who mention the Roman emperor during roughly the same period. If we only considered the number of secular non-Christian sources who mention Jesus and Tiberius within 150 years of their lives, we arrive at a tie of nine each.25

President Theodore Roosevelt said, “When you educate a man in mind and not in morals, you educate a menace to society.” Science is learning to control everything but man. We have not yet solved the problems of hate, lust, greed, and prejudice, which produce social injustice, racial strife, and ultimately war. Our future is threatened by many dangers, such as the nuclear destruction that hangs over our heads. However, the greatest danger is from within. Every major civilization before us has disintegrated and collapsed from internal forces rather than military conquest. Ancient Rome is the outstanding example of the fall of a civilization. While its disintegration was hastened by foreign invasions, in the opinion of Arthur Weigall, a world-famous archaeologist, it collapsed “only after bribery and corruption had been rife for generations.” No matter how advanced its progress, any generation that neglects its spiritual and moral life is going to disintegrate. This is the story of man, and this is our modern problem.

Pulled or prompted, men cam to the Everleigh club...They came to see the library, filled floor to ceiling with classics in literature and poetry and philosophy, and the art room, housing a few bona fide masterworks and a reproduction of Bernini’s famous “Apollo and Daphne,” which the sisters had failed to find in America. After learning that the original statue was at the Villa Borghese in Rome, Minna sent an artist to capture its image. She was haunted by how the exquisite nymph’s hands flowered into the branches of a laurel tree just as the god of light reaches for her. A gorgeous piece, but she mostly admired the statue for the questions it posed about clients: why did men who had everything worth having patronize the Everleigh Club? And what if the thing they desired most in this world simply vanished?

America for Me ‘Tis fine to see the Old World, and travel up and down Among the famous palaces and cities of renown, To admire the crumbly castles and the statues of the kings,— But now I think I’ve had enough of antiquated things. So it’s home again, and home again, America for me! My heart is turning home again, and there I long to be, In the land of youth and freedom beyond the ocean bars, Where the air is full of sunlight and the flag is full of stars. Oh, London is a man’s town, there’s power in the air; And Paris is a woman’s town, with flowers in her hair; And it’s sweet to dream in Venice, and it’s great to study Rome; But when it comes to living there is no place like home. I like the German fir-woods, in green battalions drilled; I like the gardens of Versailles with flashing fountains filled; But, oh, to take your hand, my dear, and ramble for a day In the friendly western woodland where Nature has her way! I know that Europe’s wonderful, yet something seems to lack: The Past is too much with her, and the people looking back. But the glory of the Present is to make the Future free,— We love our land for what she is and what she is to be. Oh, it’s home again, and home again, America for me! I want a ship that’s westward bound to plough the rolling sea, To the blessed Land of Room Enough beyond the ocean bars, Where the air is full of sunlight and the flag is full of stars. Henry Van

Ancient Rome began as a small city-state. Its citizens were tough and stoic. They were famous for their pragmatism. But as they moved from being a republic to an empire and their power expanded, everything reversed itself. Their citizens’ minds hungered for newer and newer forms of escape. They lost all sense of proportion—petty political battles consumed their attention more than much larger dangers on the outskirts of the empire. The empire fell well before the invasion of the barbarians. It collapsed from the collective softness of its citizens’ minds and the turning of their back on reality.

I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.

And you’re spending the whole summer in Rome?” I ask. “Digging things up?” He absentmindedly plays with a loose string at the hem of his shirt. “We’ll be here a few more weeks. Then we’ll move on to a dig in Tuscany. And we get weekends off, sometimes even three-day weekends, so I plan on traveling when I can. Blowing all my graduation money,” he adds with a laugh. “Where to?” “Pompeii, for obvious reasons, but I also want to see Venice before it sinks. And everyone says the place to see at least once in your life is the Cinque Terre.” I do my best to repeat the words he just said. “Cinque Terre?” “It means ‘the five lands.’ It’s a section of the northern coast, the Italian Riviera. Five little fishing villages all connected by a path along the cliffs of the sea. The trail’s pretty famous. It’s called la Via dell’Amore.” The words flow like he’s a local. I look away quickly when I realize I’m staring at his lips, silently begging for him to keep speaking in Italian. “Sounds beautiful.” “I’ve heard it’s one of the best places to photograph in the country,” he says, pointing to my camera. “You should go and check it out. I mean, since your summer’s free now.” He flashes a sneaky smile. My partner in crime. I return the smile. “Maybe I will.

Rome This afternoon I learned that Rome is called the “eternal city.” It’s also the largest city in Italy. Its population is about 4 million. We hired a guide to show us Rome’s “modern” attractions. We started at the Spanish Steps. It was here, in the 1700s, that the most beautiful men and women in Italy waited, hoping to be chosen as artists’ models. The steps link the butterfly-shaped Piazza di Spagna with Trinità dei Monti, a French church. The most famous fountain in Rome is the Trevi Fountain, with its statue of Neptune. Our guide told us to face away from the fountain and throw a coin into the water. This means we will return to Rome some day. If you throw a second coin over your shoulder, you can make a wish. I tossed two coins over my shoulder.

The possibility that our grandchildren could be living forever among the ruins of a much wealthier and more peaceful world seems almost inconceivable from the vantage of the present day, so much do we still live within the propaganda of human progress and generational improvement. But of course it was a relatively common feature of human history before the advent of industrialization. It was the experience of the Egyptians after the invasion of the Sea Peoples and the Incas after Pizarro, the Mesopotamians after the Akkadian Empire, and the Chinese after the Tang Dynasty. It was—so famously that it grew into caricature, which then spawned decades of rhetorical critique—the experience of Europeans after the fall of Rome. But in this case, the dark ages would arrive within one generation of the light—close enough to touch, and share stories, and blame.

The tragic scene of the murder, with Caesar’s famous pitiable last words,

the war against Pharnaces II of Pontus, he penned the famous phrase,

Caesar’s famous clemency, although regarded with some suspicion, contributed to an atmosphere of calm.

Double-entry accounting was popularized in Europe toward the end of the fifteenth century, and most scholars believe it set the table for the flowering of the Renaissance and the emergence of modern capitalism. What is far less well understood is the why. Why was something as dull as bookkeeping so integral to a complete cultural revolution in Europe? Over nearly seven centuries, “the books” have become something that, in our collective minds, we equate with truth itself—even if only subconsciously. When we doubt a candidate’s claims of wealth, we want to go to his bank records—his personal balance sheet. When a company wants to tap the public markets for capital, they have to open their books to prospective investors. To remain in the market, they need accountants to verify those books regularly. Well-maintained and clear accounting is sacrosanct. The ascendance of bookkeeping to a level equal to truth itself happened over many centuries, and began with the outright hostility European Christendom had to lending before double-entry booking came along. The ancients were pretty comfortable with debt. The Babylonians set the tone in the famous Code of Hammurabi, which offered rules for handling loans, debts, and repayments. The Judeo-Christian tradition, though, had a real ax to grind against the business of lending. “Thou shalt not lend upon usury to thy brother,” Deuteronomy 23:19–20 declares. “In thee have they taken gifts to shed blood; thou hast taken usury and increase, and thou hast greedily gained of thy neighbors by extortion, and hast forgotten me, saith the Lord God,” Ezekiel 22:12 states. As Christianity flourished, this deep anti-usury culture continued for more than a thousand years, a stance that coincided with the Dark Ages, when Europe, having lost the glories of ancient Greece and Rome, also lost nearly all comprehension of math. The only people who really needed the science of numbers were monks trying to figure out the correct dates for Easter.

Built in the early days after the Romans colonized Campania, the structure was vastly older than Rome’s famous Coliseum.

Dangling from a silver chain was an intricate pendant of the Eiffel Tower. It wasn’t something fancy with jewels, but it was far more precious than any diamonds would have been. Nico knew how much I loved the art world and how desperately I yearned to go to Paris to see its famous artworks in person. “Someday, I’m going to show you the world, and this is my promise to you. We’ll see it all, Ladybug—Paris, Rome, Valencia—I’ll take you to every museum in the world if I can.” His words were so earnest and heartfelt, they brought tears to my eyes.

Strong institutional marketing also helps sell tickets. La Scala, the Bolshoi, and the Paris Opera Ballet all can spend less on programmatic marketing—the selling of tickets—because they benefit from their high institutional visibility, earned generations ago. No arts organization, however—no matter how famous—can afford to rest on its laurels. The Rome Opera, for example, is facing bankruptcy—and this was the house that offered the world premieres of both Cavelleria Rusticana and Tosca! We all compete for the same new audience members and the same new donors. If we are not working actively now, we will lose out to an organization that is.

AD 476, the year when Romulus Augustulus, the last Roman emperor of the West, was deposed. But in fact the removal of Romulus was only the final, inevitable step in a process that had begun long before. By 476, the emperor was a puppet without any effective power; the empire had already broken up and was losing one piece after another; barbarians were dominant in Gaul, in Spain, in Africa, and even in Italy; and Rome had been sacked more than once, by the Goths in 410 and again by the Vandals in 455. In short, the dissolution of the empire was already so far advanced that the deposition of the last Western emperor was not very important news. A famous essay by Arnaldo Momigliano titled "An Empire's Silent Fall" demonstrates that the so-called great event of 476, the dethronement of Romulus Augustulus, was noted by few at the time. But if things had reached this point, if the western half of the Roman Empire had been reduced to an empty shell that a barbarian chieftain could sweep aside without eliciting a protest, it was because of a series of traumas that had begun exactly a century before. In 376, an unforeseen flood of refugees at the frontiers of the empire, and the inability of the Roman authorities to manage this emergency properly, gave rise to a dramatic conflict that was to culminate in Rome's most disastrous military defeat since Hannibal's Carthaginians destroyed the Roman army at Cannae in 216 BC.

Inventions have long-since reached their limit--and I see no hope for further developments." -- Julius Frontinus, world-famous engineer (Rome, 10 AD)

But like all moments trapped in time, that moment would end and Joey Boldt, as all the greats before him did, would begin to understand that clinging too tightly to anything results in Time and Fate shaking you until you can't hold on any longer. And then, when you are knocked for a six and lose your grip, they allow you to spiral into a freefall where men are broken and legends are made.

In early 1506 a peasant had been fixing up his vineyard near the Colosseum when he accidentally opened up a hole in the ground. There, he discovered a large statue of humans being slaughtered by giant serpents. Word reached the Vatican almost immediately. Experts were sent for, including Michelangelo. The statue was identified as the long-lost Laocoön, the most beloved statue in pagan Rome, thought destroyed by the barbarian hordes in the fifth century. It was originally commissioned by the victorious Greeks after they destroyed Troy. It shows the moment of death of Laocoön, the high priest of Troy, being killed by supernatural snakes sent by the Greek gods to prevent him and his sons from warning the Trojans not to bring the famous Trojan horse inside the city walls. Laocoön is best known for his warning: “Beware of Greeks bearing gifts.” After the serpents killed him and his sons, the Trojans did indeed bring the giant wooden horse into their city. When the hidden Greek soldiers came out of its hollow belly that night, it spelled the end of both Troy and the Trojans. Later, when the victorious Roman legions brought a close to the Greek Empire, they brought home the Laocoön as one of their favorite war trophies.

Faced with the enormous insult of his burial in Rome, the citizens of Florence finally realized their cultural and spiritual debt to Buonarroti. They hurriedly collected public donations to hire the services of Florence’s best burglars. The two thieves rode to Rome in an oxcart. After sundown, they broke into the church, stole the famous artist’s body, rolled it up with cords, and disguised it as a bale of rags. They put it in the back of the cart and rode like blazes back to Florence, arriving at dawn. The joyous Florentines immediately entombed their Michelangelo inside the Basilica of Santa Croce, where his tomb can still be seen today.

Standing out from the (New York City) map's delicate tracery of gridirons representing streets are heavy lines, lines girdling the city or slashing across its expanses. These lines denote the major roads on which automobiles and trucks move, roads whose very location, moreover, does as much as any single factor to determine where and how a city's people live and work. With a single exception, the East River Drive, Robert Moses built every one of those roads. (...) Only one borough of New York City—the Bronx—is on the mainland of the United States, and bridges link the island boroughs that form metropolis. Since 1931, seven such bridges were built, immense structures, some of them anchored by towers as tall as seventy-story buildings, supported by cables made up of enough wire to drop a noose around the earth. (...) Robert Moses built every one of those bridges. (He also built) Lincoln Center, the world's most famous, costly and imposing cultural complex. Alongside another stands the New York Coliseum, the glowering exhibition tower whose name reveals Moses' preoccupation with achieving an immortality like that conferred on the Caesars of Rome. The eastern edge of Manhattan Island, heart of metropolis, was completely altered between 1945 and 1958. (...) Robert Moses was never a member of the Housing Authority and his relationship with it was only hinted at in the press. But between 1945 and 1958 no site for public housing was selected and no brick of a public housing project laid without his approval. And still further north along the East River stand the buildings of the United Nations headquarters. Moses cleared aside the obstacles to bringing to New York the closest thing to a world capitol the planet possesses, and he supervised its construction. When Robert Moses began building playgrounds in New York City, there were 119. When he stopped, there were 777. Under his direction, an army of men that at times during the Depression included 84,000 laborers. (...) For the seven years between 1946 and 1953, no public improvement of any type—not school or sewer, library or pier, hospital or catch basin—was built by any city agency, even those which Robert Moses did not directly control, unless Moses approved its design and location. To clear the land for these improvements, he evicted the city's people, not thousands of them or tens of thousands but hundreds of thousands, from their homes and tore the homes down. Neighborhoods were obliterated by his edict to make room for new neighborhoods reared at his command. “Out from the heart of New York, reaching beyond the limits of the city into its vast suburbs and thereby shaping them as well as the city, stretch long ribbons of concrete, closed, unlike the expressways, to trucks and all commercial traffic, and, unlike the expressways, bordered by lawns and trees. These are the parkways. There are 416 miles of them. Robert Moses built every mile. (He also built the St. Lawrence Dam,) one of the most colossal single works of man, a structure of steel and concrete as tall as a ten-story apartment house, an apartment house as long as eleven football fields, a structure vaster by far than any of the pyramids, or, in terms of bulk, of any six pyramids together. And at Niagara, Robert Moses built a series of dams, parks and parkways that make the St. Lawrence development look small. His power was measured in decades. On April 18, 1924, ten years after he had entered government, it was formally handed to him. For forty-four years thereafter (until 1968), he held power, a power so substantial that in the field s in which he chose to exercise it, it was not challenged seriously by any (of 6) Governors of New York State or by any Mayor of New York City.

The same was true in Rome, where for a very long time Roman citizens not only paid no taxes but had a right to a share of the tribute levied on others, in the form of the dole—the “bread” part of the famous “bread and circuses.”53

read Plato’s Phaedo, the famous dialogue on the nature of death and the immortality of the soul.

But still more responsible for their unawareness was the educational system in which they were reared. Ausonius and Sidonius and their friends were highly educated men and Gaul was famous for its schools and universities. The education which these gave consisted in the study of grammar and rhetoric, which was necessary alike for the civil service and for polite society; and it would be difficult to imagine an education more entirely out of touch with contemporary life, or less suited to inculcate the qualities which might have enabled men to deal with it. The fatal study of rhetoric, its links with reality long since severed, concentrated the whole attention of men of intellect on form rather than on matter. The things they learned in their schools had no relation to the things that were going on in the world outside and bred in them the fatal illusion that tomorrow would be as yesterday, that everything was the same, whereas everything was different.

He grew up on one of the famous seven hills of Rome, residing in wealthy and prestigious settlement of Caelian

Several Top Secret recommendations were made by Dr. Aurelio Peccei of the  Club of Rome. He advocated that a plague be introduced that would have same effect as the famous Black Death of history. The chief recommendation was to develop a microbe which would attack the autoimmune system and thus render the development of a vaccine impossible.

Whether it is popularly emphasized much or not, Catholic teaching in the famous encyclical Rerum Novarum by Pope Leo XIII tracks Thomas Aquinas’s quote above very closely: “Private ownership, as we have seen, is the natural right of man, and to exercise that right, especially as members of society, is not only lawful, but absolutely necessary” (22). Immediately after this passage in Rerum, the famous encyclical repeats Thomas’s above words. Taken together, all this underscores the Catholic call to public aid, not by heavy taxation but by private charity instead. The same paragraph in Rerum Novarum refines this concept even further: “Whoever has received from the divine bounty a large share of temporal blessings, whether they be external and material, or gifts of the mind [which cannot be taxed!], has received them for the purpose of using them for the perfecting of his own nature, and at the same time, that he may employ them, as the steward of God’s providence, for the benefit of others.

The Romans built houses, shops, public buildings, and baths from concrete. The breakwaters, towers, and other structures that made up the colossal man-made harbor of Caesarea,8 in what is now Israel, were built with concrete, as was the foundation of the Colosseum, along with countless bridges and aqueducts9 across the empire. Most famously, Rome’s Pantheon, built nearly 2,000 years ago, is roofed with a spectacular concrete dome—still the biggest concrete structure without reinforcing steel in the world. Like so much other knowledge the Romans had accumulated, though, the science and technology of concrete faded from memory as the empire slowly crumbled over the centuries that followed. “Perhaps the material was lost because it was industrial in nature and needed an industrial empire to support it,” writes scientist and engineer Mark Miodownik in Stuff Matters. “Perhaps it was lost because it was not associated with a particular skill or craft, such as ironmongery, stonemasonry, or carpentry, and so was not handed down as a family trade.”10 Whatever the reasons, the result was striking: “There were no concrete structures built for more than a thousand years after the Romans stopped making it,” notes Miodownik.

What American Healthcare Can Learn from Italy: Three Lessons It’s easy. First, learn to live like Italians. Eat their famous Mediterranean diet, drink alcohol regularly but in moderation, use feet instead of cars, stop packing pistols and dropping drugs. Second, flatten out the class structure. Shrink the gap between high and low incomes, raise pensions and minimum wages to subsistence level, fix the tax structure to favor the ninety-nine percent. And why not redistribute lifestyle too? Give working stiffs the same freedom to have kids (maternity leave), convalesce (sick leave), and relax (proper vacations) as the rich. Finally, give everybody access to health care. Not just insurance, but actual doctors, medications, and hospitals. As I write, the future of the Affordable Care Act is uncertain, but surely the country will not fall into the abyss that came before. Once they’ve had a taste of what it’s like not to be one heart attack away from bankruptcy, Americans won’t turn back the clock. Even what is lately being called Medicare for All, considered to be on the fringe left a decade ago and slammed as “socialized medicine,” is now supported by a majority of Americans, according to some polls. In practice, there’s little hope for Italian lessons one and two—the United States is making only baby steps toward improving its lifestyle, and its income inequality is worse every year. But the third lesson is more feasible. Like Italy, we can provide universal access to treatment and medications with minimal point-of-service payments and with prices kept down by government negotiation. Financial arrangements could be single-payer like Medicare or use private insurance companies as intermediaries like Switzerland, without copying the full Italian model of doctors on government salaries. Despite the death by a thousand cuts currently being inflicted on the Affordable Care Act, I am convinced that Americans will no longer stand for leaving vast numbers of the population uninsured, or denying medical coverage to people whose only sin is to be sick. The health care genie can’t be put back in the bottle.

like that. Many of the mighty cities of North Africa like El Djem in what is now Tunisia were left to decay in peace. Even today they have massive ruins. El Djem has its vast Roman amphitheatre. Orange, in southern France, has a Roman theatre and an aqueduct. Athens has a vast Roman temple of Zeus and a library built by the emperor Hadrian (AD 117–138), who passed this way on his travels (see Chapter 17). Baalbek in the Lebanon has two colossal temples, and one of them – the temple of Bacchus – is still practically intact. Rome itself remained home to some of the most enormous ruins: The Colosseum, the city’s biggest amphitheatre, is still largely in one piece (see Chapter 8); the ruins of the imperial palaces still cluster across the Palatine Hill, and the baths of Caracalla look like a giant’s cave complex. The Aurelian walls of Rome, built in the 270s (see Chapter 19 for information on the emperor Aurelian), still surround most of Rome. The survival of Roman books Roman writers were all hugely influential in different ways, but it’s thanks to the survival of their texts that we know what we do about the Roman world. Consider these examples: Cicero (Marcus Tullius Cicero) (106–43 BC): Cicero was a great orator, lawyer, and statesman. Well aware of his importance, he published his speeches, treatises on government (De Re Publica), duty (De Officiis), the nature of gods (De Deorum Natura), and also a vast collection of his private correspondence. A great deal survives and he had a huge influence on thought and literature in early modern times. Caesar (Gaius Julius Caesar) (100–44 BC): Caesar wrote his own account of his war in Gaul (Bellum Gallicum), and also part of his civil war with Pompey (Bellum Civile). The texts are famous for sounding objective (though they aren’t at all), and for their spare, terse style, but are exceptional historical resources for the time. To find out more about Julius Caesar, go to Chapter 14. Catullus

What are we fighting against in our culture? Look at what’s emphasized. Sports. Entertainment. Lifestyles of the rich and famous. The very same things that other great nations in history became enamored with—before their falls. Greece. Rome. Egypt. Go back and read their histories—they did exactly the same things.

The Celts have left us two cups - perhaps the two most famous cups in all of history - which beautifully reveal the story of transformation of Irish immigration from its fearful and unstable pagan origins to its baptized peace. The first cup is the Gundestrup Cauldron, found in a Danish swamp where it was thrown as a votary offering by a Celtic devotee a century or two before Christ. ... The other cup is the Ardagh Chalice. found in a Limerick field and dating to the end of the seventh or the beginning of the eighth century - the same period in which the "Breastplate" reached its final form. ... Like the Cauldron, it was forged for ritual, but it makes a happier statement about sacrificing, for the God to whom it is dedicated no longer demands that we nourish him and thus become one with his godhead. The transaction has been reversed: he offers himself to us as heavenly nourishment.

The attacks were hymned by hagiographies and histories. In fourth-century France, St. Martin, or so the Life of St. Martin proudly records, “set fire to a most ancient and famous shrine” before moving on to a different village and a different temple. Here, he “completely demolished the temple belonging to the false religion and reduced all the altars and statues to dust.”22 Martin was no anomaly. Flushed by his success at the temple of Serapis, Bishop Theophilus went on to demolish numerous shrines in Egypt. Hagiography records such attacks not as dismal or even embarrassing acts of vandalism but as proof of a saint’s virtue. Some of the most famous saints in Western Christianity kicked off their careers—so the stories like to boast—demolishing shrines. Benedict of Nursia, the revered founder of Western monasticism, was also celebrated as a destroyer of antiquities. His first act upon arriving in Monte Cassino, just outside Rome, was to smash an ancient statue of Apollo and destroy the shrine’s altar. He didn’t stop there, but toured the area “pulling down the idols and destroying the groves on the mountain . . . and gave himself no rest until he had uprooted the last remnant of heathenism in those parts.”23 Of course hagiography is not history and one must read such accounts with, at best, caution. But even if they do not tell the whole truth, they certainly reveal a truth—namely that many Christians felt proud, even jubilant, about such destruction.

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