Famous Norm Quotes

A bit of theory as we settle down for lunch: the waiter's treatment of Kitty is actually a kind of sandwich, with the bottom bread being the bored and slightly effete way he normally acts with customers, the middle being the crazed and abnormal way he feels around this famous nineteen-year-old girl, and the top bread being his attempt to contain and conceal this alien middle layer with some mode of behavior that at least approximates the bottom layer of boredom and effeteness that is his norm.

Before I was famous I had a whole bunch of jobs where all I needed was boots. People would look right past me, or if they did look at me, it was with a mean look. But when I got famous, people would look at me and smile and wonder where they knew me from. If they flat-out recognized me, they'd laugh and dance like they'd won a prize, and I'd just stand there and smile and feel warmth from their love. So the fame made the world, which is a real cold place, a little less cold.

I find it surreal, then perfectly normal. I'm struck by how fast the surreal becomes the norm. I marvel at how unexciting it is to be famous, how mundane famous people are. They're confused, uncertain, insecure, and often hate what they do. It's something we always hear - like that old adage that money can't buy happiness-but we never believe it until we see it ourselves. Seeing it in 1992 brings me a new measure of confidence.

A quarter-century later, General Norm Schwarzkopf would date the birth of his famous hot temper to those days, when he begged and pleaded on the radio for someone to evacuate his wounded South Vietnamese soldiers, while American helicopters fluttered by without stopping.

A famous philosopher, Stormin' Norman Pleimann once said,"When the money is low, love will blow.

Dwarf things. Small things. Little things in relation to the norm. Insignificant things. Things with different dimensions. Curiously, the stories I like the most are made up of trivialities. Details. Trifles. These days, people look to what's big. The big picture, big sales figures, success. Bright lights, interviews, breaking news. Whatever's famous. Importance judged by fame. Maybe small things are subversive. Living on a modest scale compared to the norm. Maybe the dwarf is the hero of our time.

A bit of theory as we settle down to lunch: the waiter’s treatment of Kitty is actually a kind of sandwich, with the bottom bread being the bored and slightly effete way he normally acts with customers, the middle being the crazed and abnormal way he feels around this famous nineteen-year-old girl, and the top bread being his attempt to contain and conceal this alien middle layer with some mode of behavior that at least approximates the bottom layer of boredom and effeteness that is his norm.

And it’s no accident, I’d add, that the transsexual is the only thing that trans can describe that queer can’t. The transsexual is not queer; this is the best thing about her. Take Agnes, the pseudonymous transsexual woman who famously posed as intersex at UCLA’s Gender Identity Clinic in the late fifties in order to obtain access to vaginoplasty. Agnes’s case was chronicled by Harold Garfinkel in an article that’s now taught in trans studies courses. Agnes is regularly celebrated as some kind of gender ninja: savvy, tactical, carefully conning the medical-industrial complex into giving her what she wants. What no one wants to talk about is what she actually wanted: a cunt, a man, a house, and normal fucking life. Whatever intuition she may not have had about gender as a “managed achievement” was put toward a down payment on a new dishwasher. If there’s anything Agnes “reveals” about gender, it’s that actually existing normativity is, strictly speaking, impossible. Norms, as such, do not exist. (If Gender Trouble knew this, it did a poor job explaining it.) That doesn’t mean that norms don’t structure people’s desires; what it means is that the desire for the norm consists, in terms of its lived content, in nonnormative attempts at normativity. Agnes was a nonnormative subject, but that wasn’t because she was “against” the norm; on the contrary, her nonnormativity was what wanting to be normal actually looked like. Like most of us, Agnes was making do in the gap between what she wanted and what wanting it got her. We can argue, and people have, about whether queer theory is possible without antinormativity. But whatever comes after trans studies—can I suggest transsexual theory?—will be impossible with antinormativity. The most powerful intervention scholars working in trans studies can make, at this juncture within the academy, is to defend the claim that transness requires that we understand, as we never have before, what it means to be attached to a norm—by desire, by habit, by survival.

Reviewed by Vincent Dublado for Readers' Favorite Another Time in a Vacuum by Roland Burisch is a witty fantasy adventure of anachronistic proportions. Meet Monty, a timetraveling historian who travels back to 1673. Imagine the thrill of excitement that greets him as he meets one of history’s most important diarists, Samuel Pepys. He musters the courage to tell Pepys that he has important information, but the eminent diarist is suspicious that he could be an extortionist. Monty tells Pepys that he is from the future and that he is familiar with the contents of Pepys’s diaries. Monty introduces the diarist to his mobile phone to lend authenticity to his claim. Monty remembers that Sir Isaac Newton is alive in the same period, with which Pepys concurs, unless Newton is beheaded for heresy. But Monty tells him that Newton will go down in history for his work. This fills Pepys with disbelief. Monty brings the two men into the present, and these two historical figures will witness the contemporary period with awe and bewilderment, an adventure that they will fill with many questions. Another Time in a Vacuum is a fascinating time-travel adventure that is intelligent, witty, and at times, sad. While this novel takes the idea of time travel as an essential element in the storyline, it is more about a comparative look at the lifestyle and norms of the past with the present. It is inevitable that the two famous men will not understand Monty initially. But Roland Burisch equips his plot with confidence in the intelligence of Pepys and Newton. They eventually understand why Monty exists in their time without many ramifications about the historical timeline getting altered. Burisch wisely hinges on the mechanics of dialogue and the interaction of the trio for the plot. It is also one of the reasons why this novel works because you like the quirks of the characters. They are wise, funny, and fish out of water. It sounds like a story that you will enjoy reading. It is.

Reviewed by Vincent Dublado for Readers' Favorite Another Time in a Vacuum by Roland Burisch is a witty fantasy adventure of anachronistic proportions. Meet Monty, a timetraveling historian who travels back to 1673. Imagine the thrill of excitement that greets him as he meets one of history’s most important diarists, Samuel Pepys. He musters the courage to tell Pepys that he has important information, but the eminent diarist is suspicious that he could be an extortionist. Monty tells Pepys that he is from the future and that he is familiar with the contents of Pepys’s diaries. Monty introduces the diarist to his mobile phone to lend authenticity to his claim. Monty remembers that Sir Isaac Newton is alive in the same period, with which Pepys concurs, unless Newton has been beheaded for heresy. But Monty tells him that Newton will go down in history for his work. This fills Pepys with disbelief. Monty brings the two men into the present, and these two historical figures will witness the contemporary period with awe and bewilderment, an adventure that they will fill with many questions. Another Time in a Vacuum is a fascinating time-travel adventure that is intelligent, witty, and at times, sad. While this novel takes the idea of time travel as an essential element in the storyline, it is more about a comparative look at the lifestyle and norms of the past with the present. It is inevitable that the two famous men will not understand Monty initially. But Roland Burisch equips his plot with confidence in the intelligence of Pepys and Newton. They eventually understand why Monty exists in their time without many ramifications about the historical timeline getting altered. Burisch wisely hinges on the mechanics of dialogue and the interaction of the trio for the plot. It is also one of the reasons why this novel works because you like the quirks of the characters. They are wise, funny, and fish out of water. It sounds like a story that you will enjoy reading. It is.

The message of the previous three chapters is that commonsense explanations are often characterized by circular reasoning. Teachers cheated on their students’ tests because that’s what their incentives led them to do. The Mona Lisa is the most famous painting in the world because it has all the attributes of the Mona Lisa. People have stopped buying gas-guzzling SUVs because social norms now dictate that people shouldn’t buy gas-guzzling SUVs. And a few special people revived the fortunes of the Hush Puppies shoe brand because a few people started buying Hush Puppies before everyone else did. All of these statements may be true, but all they are really telling us is that what we know happened, happened, and not something else. Because they can only be constructed after we know the outcome itself, we can never be sure how much these explanations really explain, versus simply describe.

their feet, moving from place to place when the need arose, like a good boxer (of which there were more than a few Jews) who is able to dodge and deflect the full brunt of blows directed against him. The ceaseless mobility of the Jews led to a second key factor in enabling their survival—what we may call in shorthand “assimilation” (otherwise known as “acculturation”). In contemporary parlance, this word induces panic in Jewish community officials, who point to high intermarriage rates and weakening organizational affiliation as signs of the impending disappearance of the Jews. In historical terms, assimilation refers to the process by which Jews, in making their way to new locales, absorbed the linguistic and cultural norms of their Gentile neighbors—and then shared their own. This peculiar understanding follows the usage of historian Gerson Cohen, who argued in 1966 that assimilation as a means of cultural interaction was not only unavoidable in Jewish history, but also necessary to the survival of the Jews. Without the constant cultural encounters, enacted every day over the course of millennia, Jews would have become fossilized, as the British historian Arnold Toynbee famously and mistakenly claimed they had. In fact, it was the interaction with non-Jews that allowed for the explosive diversity of Jewish culture and the ongoing vitality of its practitioners.

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