Family Abbreviation Quotes

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...that the Musgroves had had the ill fortune of a very troublesome, hopeless son; and the good fortune to lose him before he reached his twentieth year; that he had been sent to sea, because he was stupid and unmanageable on shore; that he had been very little cared for at any time by his family, though quite as much as he deserved; seldom heard of, and scarcely at all regretted... He had, in fact, though his sisters were now doing all they could for him, by calling him 'poor Richard,' been nothing better than a thick-headed, unfeeling, unprofitable Dick Musgrove, who had never done anything to entitle himself to more than the abbreviation of his name, living or dead.
Jane Austen (Persuasion)
The term metaruptions is an abbreviation of disruption with the prefix “meta.” A metaruption is a multidimensional family of systemic disruptions, including shifts in the notion of disruption itself. Metaruptions are characterized by the dynamic interactions of subordinate drivers of change.
Roger Spitz (Disrupt With Impact: Achieve Business Success in an Unpredictable World)
We found time for less serious things that summer, such as long hours spent playing games like Monopoly, Parcheesi, and Yacht. Peter came honestly by his honorary title of GGP—abbreviation for Great Game Player, bestowed on him by my young brother and sister. My family thought it would look impressive on his church bulletin—thus, “Peter Marshall, DD, GGP.” The day of our wedding saw a cold rain falling, “an ideal day for staying home and playing games,” Peter said. It was indeed. During the morning, I put the finishing touches to my veil and wrestled with a new influx of wedding gifts swathed in tons of tissue paper and excelsior. I gathered the impression that Peter was rollicking through successive games of Yacht, Parcheesi, and Rummy with anyone who had sufficient leisure to indulge him. That was all right, but I thought he was carrying it a bit too far when, thirty minutes before the ceremony, he was so busy pushing his initial advantage in a game of Chinese Checkers with my little sister Em that he still had not dressed.
Catherine Marshall (A Man Called Peter)
The more dutifully scholars acknowledge that the concept of race belongs in the same category as geocentrism or witchcraft, the more blithely they invoke it as though it were both a coherent analytical category and a valid empirical datum. In place of Jefferson’s moment of impassioned truth-telling, his successors fall back on italics or quotation marks, typographical abbreviations for the trite formula, ‘race is a social construction.’ The formula is meant to spare those who invoke race in historical explanation the raised eyebrows that would greet someone who, studying a crop failure, proposed witchcraft as an independent variable. But identifying race as a social construction does nothing to solidify the intellectual ground on which it totters. The London Underground and the United States of America are social constructions; so are the evil eye and the calling of spirits from the vasty deep; and so are murder and genocide. All derive from the thoughts, plans, and actions of human beings living in human societies. Scholars who intone ‘social construction’ as a spell for the purification of race do not make clear—perhaps because they do not themselves realize—that race and racism belong to different families of social construction, and that neither belongs to the same family as the United States of America or the London Underground. Race belongs to the same family as the evil eye. Racism belongs to the same family as murder and genocide. Which is to say that racism, unlike race, is not a fiction, an illusion, a superstition, or a hoax. It is a crime against humanity.
Barbara J. Fields (Racecraft: The Soul of Inequality in American Life)
Frank Baum’s book the Wonderful Wizard of Oz, which appeared in 1990, is widely recognized to be a parable for the Populist campaign of William Jennings Bryan, who twice ran for president on the Free Silver platform- vowing to replace the gold standard with a bimetallic system that would allow the free creation of silver money alongside gold. As with the Greenbackers, one of the main constituencies for the movement was debtors: particularly, Midwestern farm families such as Dorothy’s, who had been facing a massive wave of foreclosures during the severe recession of the 1890s. According to the Populist reading, the Wicked Witches of the East and West represent the East and West Coast bankers (promoters of and benefactors from the tight money supply), the Scarecrow represented the farmers (who didn’t have the brains to avoid the debt trap), the Tin Woodsman was the industrial proletariat (who didn’t have the heart to act in solidarity with the farmers), the Cowardly Lion represented the political class (who didn’t have the courage to intervene). The yellow brick road, silver slippers, emerald city, and hapless Wizard presumably speak for themselves. “Oz” is of course the standard abbreviation for “ounce.
David Graeber (Debt: The First 5,000 Years)
Perhaps no topic touches on the importance of choice in longevity as directly as does that of suicide. The act of taking one's own life is truly a tragedy because it creates so many victims. Family and countless friends are left to bear feelings of undeserved misery and guilt. The commandment "Thou shalt not kill" is written in nine verses of scripture. Not one of them grants self-exclusion. The rational mind knows it is wrong. Unfortunately, forces of stress and depression incite behavior that is not always rational. . . . We know that the good done and the desires of the heart will also be weighed when final judgment is rendered. Alma taught: [Alma 41:2-3.] . . . Repentance operates in the spirit world as well as on earth. . . . Suicide is a choice--a grievous choice--that abbreviates longevity. Its victims include those who suffer because of that choice. They need and deserve the reassurance of the gospel and the knowledge that life for their loved one continues. Immortality of the soul applies to all, as does the privilege of repentance and forgiveness.
Russell M. Nelson
Lewis himself was known as “Jack” to his family and friends. Warnie dates his brother’s rejection of the name Clive to a summer holiday in 1903 or 1904, when Lewis suddenly declared that he now wished to be known as “Jacksie.” This was gradually abbreviated to “Jacks,” and finally to “Jack.”[15] The reason for this choice of name remains obscure. Although some sources suggest that the name “Jacksie” was taken from a family dog that died in an accident, there is no documentary evidence in support of this.
Alister E. McGrath (C. S. Lewis: A Life: Eccentric Genius, Reluctant Prophet)
The band changed its name for every show—at various times they were called: Ashtray Babyheads, Nine Inch Worm Makes Own Food, Vodka Family Winstons, and the Inalienable Right to Eat Fred Astaire’s Asshole—until one fateful night. “We had a song called ‘Butthole Surfers,’ ” says Leary, “and the guy who was introducing us that night forgot what we were called and so he just called us the Butthole Surfers.” Since that was their first paying show, they decided to let the name stick. At the time—and for years afterward—one could barely utter the band’s name in public, and their name was often abbreviated in advertisements as “B.H. Surfers.
Anonymous
In Atlantia, it is tradition to be given a second name, a middle one, so to speak. It's given in honor of a cherished family member or friend, usually picked by the mother, and it is a well-guarded secret only shared outside of the family with the closest of friends and with those who hold a special place in one’s life. My mother chose my middle name in honor of her brother. His name was Hawkethrone. My full name is Casteel Hawkethrone Da’Neer. When I was a small child, my mother took to calling me an abbreviated form of that name. And so did my brother. They, and only they had ever known me as Hawke,” he said. “Until you.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
L. Frank Baum’s book The Wonderful Wizard of Oz, which appeared in 1900, is often held to be a parable for the Populist campaign of William Jennings Bryan, who twice ran for president on the Free Silver platform—vowing to replace the gold standard with a bimetallic system that would allow the free creation of silver money alongside gold.22 As with the Greenbackers, one of the main constituencies for the movement was debtors: particularly, Midwestern farm families such as Dorothy’s, who had been facing a massive wave of foreclosures during the severe recession of the 1890s. According to the Populist reading, the Wicked Witches of the East and West represent the East and West Coast bankers (promoters of and benefactors from the tight money supply), the Scarecrow represented the farmers (who didn’t have the brains to avoid the debt trap), the Tin Woodsman was the industrial proletariat (who didn’t have the heart to act in solidarity with the farmers), the Cowardly Lion represented the political class (who didn’t have the courage to intervene). The yellow brick road, silver slippers, emerald city, and hapless Wizard presumably speak for themselves.23 “Oz” is of course the standard abbreviation for “ounce.”24 As an attempt to create a new myth, Baum’s story was remarkably effective. As political propaganda, less so.
David Graeber (Debt: The First 5,000 Years)
He lowered his hand. “In Atlantia, it is tradition to be given a second name, a middle one, so to speak. It's given in honor of a cherished family member or friend, usually picked by the mother, and it is a well-guarded secret only shared outside of the family with the closest of friends and with those who hold a special place in one’s life. My mother chose my middle name in honor of her brother. His name was Hawkethrone. My full name is Casteel Hawkethrone Da’Neer. When I was a small child, my mother took to calling me an abbreviated form of that name. And so did my brother. They, and only they had ever known me as Hawke,” he said. “Until you.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))