Falcon Quotes

We've searched our database for all the quotes and captions related to Falcon. Here they are! All 200 of them:

I am circling around God, around the ancient tower, and I have been circling for a thousand years, and I still don't know if I am a falcon, or a storm, or a great song.
Rainer Maria Rilke (Rainer Maria Rilke's The Book of Hours: A New Translation with Commentary (Studies in German Literature Linguistics and Culture) (Volume 19))
Jamie’s eyes gleamed. “God forgive me, I want there to be a murderer after the Falconer family so we in the College feel less to blame.
Susan Rowland (Murder on Family Grounds (Mary Wandwalker #3))
She felt slightly guilty for eavesdropping on Kaz, but he was the one who had turned her into a spy. You couldn’t train a falcon, then expect it not to hunt.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Falconers,” she continued, sternly. “Pull yourselves together. People are dying. The police don’t have the family history to solve murders forty years apart.
Susan Rowland (Murder on Family Grounds (Mary Wandwalker #3))
Mary tried to look reassuring. “It’s a house party, he said,” she directed at the Falconers, “Sir Viktor’s holding a house party for the convenience of the police. It’s like an old-fashioned mystery novel.
Susan Rowland (Murder on Family Grounds (Mary Wandwalker #3))
You know how hard it is to feel like an extreme falcon-headed combat machine when somebody calls you "chicken man"?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity.
W.B. Yeats (The Collected Poems of W.B. Yeats)
She's going to want to wear your skull for a hat," Oak warns. There is an uncomfortable shifting among the ex-falcons. Perhaps they are recalling their own choice to denounce her, their own punishment. "And Cardan is going to laugh and laugh when she does.
Holly Black (The Stolen Heir (The Stolen Heir Duology #1))
This next song goes out to the girl who shredded my heart without hesitation back in high school. It's called Ball Busting Bitch, and Laine this one's for you.
Michelle A. Valentine (Rock the Heart (Black Falcon, #1))
Why would you want to look like her? Why would a falcon want to be a nightingale?
Sue Lynn Tan (Daughter of the Moon Goddess (The Celestial Kingdom, #1))
[W]hen you find yourself face to face with one [Bondsmage], you bow and scrape and mind your 'sirs' and 'madams.'" ... 'Nice bird, asshole,' said Locke.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
Still, when all is said, somewhere one must belong: even the soaring falcon returns to its master's wrist.
Truman Capote (Summer Crossing)
He looked rather pleasantly, like a blonde satan.
Dashiell Hammett (The Maltese Falcon)
Be motivated like the falcon, hunt gloriously. Be magnificent as the leopard, fight to win. Spend less time with nightingales and peacocks. One is all talk, the other only color.
Jalal ad-Din Muhammad ar-Rumi
My lips brushed his lightly. “How strong are you, Remo Falcone?” “Strong enough to take you and our children home where you all belong, Angel.
Cora Reilly (Twisted Pride (The Camorra Chronicles, #3))
My glowing form was so heavy, its feet sank into the top of the tank. “Sekhmet!” I yelled. The lioness whirled and snarled, trying to locate my voice. “Up here, kitty!” I called. She spotted me and her ears went back. “Horus?” ‘Unless you know another guy with a falcon head.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
A falcon who chases a warlike crane can only hope for a life of pain.
Gabriel García Márquez (Chronicle of a Death Foretold)
Love is a rebellious bird that nobody can tame. He looked up, meeting her eyes. 'I'm called Peregrine. Like the falcon. People call me Perry.' She smiled. 'We're alike, Perry. My voice is called a falcon soprano.' His hand brushed past her cheek and slid into her hair. 'We're the same, Aria.
Veronica Rossi (Through the Ever Night (Under the Never Sky, #2))
I live my life in widening circle That reach out across the world. I may not ever complete the last one, But I give myself to it. I circle around God, that primordial tower. I have been circling for thousands of years, And I still don't know: am I a falcon, A storm, or a great song? [I, 2]
Rainer Maria Rilke (Rilke's Book of Hours: Love Poems to God)
This song goes out to the girl who is my everything. I'm not an easy man to love, and music is about the best way I know how to express my feelings to her. This is called Faithfully.
Michelle A. Valentine (Rock the Heart (Black Falcon, #1))
Joel Cairo: You always have a very smooth explanation ready. Sam Spade: What do you want me to do, learn to stutter?
Dashiell Hammett (The Maltese Falcon)
If anybody felt worse than I did, it was Amos. I had just enough magic to turn myself into a falcon and him into a hamster (hey, I was rushed!)
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
And I circle ten thousand years long; And I still don't know if I'm a falcon, a storm, or an unfinished song.
Rainer Maria Rilke
I couldn't be fonder of you if you were my own son. But, well, if you lose a son, its possible to get another. There's only one Maltese Falcon.
Dashiell Hammett (The Maltese Falcon)
Get rid of their mast, knock holes in the hull, then get back on board." "You want us to sink her?" Gundar asked, and Halt shook his head. "No. I want her badly damaged but capable of making it back to port. I want the word to go out that the strange ship with the red falcon ensign"—he gestured to Evanlyn's ensign, flying from the mast top—"is manned by dangerous, hairy maniacs with axes and is to be avoided at all costs." "That sounds like us," Gundar said cheerfully.
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
Forever," he whispers. "I'm yours.
Michelle A. Valentine (Rock the Heart (Black Falcon, #1))
See that falcon? Hear those white-throated sparrows? Smell that skunk? Well, the falcon takes the sky, the white-throated sparrow takes the low bushes, the skunk takes the earth...I take the woods.
Jean Craighead George (My Side of the Mountain (Mountain, #1))
Only five books tonight, Mommy," she says. No, Olivia, just one." How about four?" Two." Three." Oh, all right, three. But that's it!
Ian Falconer (Olivia)
I love you with every inch of my broken soul. I know it's a mess, but I'm giving you all the pieces, hoping you will make sense of it.
Michelle A. Valentine (Rock My Bed (Black Falcon, #2))
Aoram dhuit,” he breathes. “I will worship thee.
Elizabeth May (The Falconer (The Falconer, #1))
Nice day for a funeral.
Anthony Horowitz (The Falcon's Malteser (Diamond Brothers, #1))
Reading never wears me out.
Ian Falconer (Olivia (Olivia, #1))
I distrust a man that says when. If he's got to be careful not to drink to much it's because he's not to be trusted when he does.
Dashiell Hammett (The Maltese Falcon)
You know my mother thinks the waltz is indecent." "Your mother would find the sight of a chair leg indecent.
Elizabeth May (The Falconer (The Falconer, #1))
Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world
W.B. Yeats
I would've hit the water hard, but at the last second I changed into a falcon. ~Carter Kane
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
I'm like him. I'm a monster, too.
Elizabeth May (The Falconer (The Falconer, #1))
Time won’t fix me. Time allows me to become more skillful at hiding how much I hurt inside. Time makes me a great liar. Because when it comes to grief, we all like to pretend.
Elizabeth May (The Falconer (The Falconer, #1))
My way of learning is to heave a wild and unpredictable monkey-wrench into the machinery.
Dashiell Hammett (The Maltese Falcon)
[in the true mad north] of introspection, where 'falcons of the inner eye' dive and die, glimpsing in their dying fall, all life's memory of existence.
Lawrence Ferlinghetti (A Coney Island of the Mind)
Must you question everything?” “Aye,” I say. “It delights me to annoy you whenever possible.
Elizabeth May (The Falconer (The Falconer, #1))
The cheaper the crook, the gaudier the patter.
Dashiell Hammett (The Maltese Falcon)
Back up shall we? When my brother, the crazy chicken warrior, turned into a falcon and went up the pyramid’s chimney with his new friend, the fruit bat, he left me playing nurse to two very wounded people—which I didn’t appreciate, and which I wasn’t particularly good at.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I don’t get where he gets off thinking he should be able to have his cake and eat it too because news flash, this cake store is fucking closed.--Lane
Michelle A. Valentine (Rock the Heart (Black Falcon, #1))
I didn't move. I've learned from years of experience that dogs and falcons and ladies come back to you if you stay where you are.
Tracy Chevalier (The Lady and the Unicorn)
War is like any other bad relationship. Of course you want out, but at what price? And perhaps more importantly, once you get out, will you be any better off?" - Quellcrist Falconer
Richard K. Morgan
I heard a little girl shout: “Chicken man, get the moose!” You know how hard it is to feel like an extreme falcon-headed combat machine when somebody calls you “chicken man”?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
He felt like somebody had taken the lid off life and let him see the works.
Dashiell Hammett (The Maltese Falcon)
A falcon hovers at the edge of the sky. Two gulls drift slowly up the river. Vulnerable while they ride the wind, they coast and glide with ease. Dew is heavy on the grass below, the spider's web is ready. Heaven's ways include the human: among a thousand sorrows, I stand alone.
Du Fu
The only mistake when it comes to love, is not going for it.
Michelle A. Valentine (Rock the Heart (Black Falcon, #1))
We burn bright, and we burn out. That’s what it means to be human.
Elizabeth May (The Vanishing Throne (The Falconer, #2))
For heaven’s sake,” I say, “will you please sip the tea so I don’t have to pour you another cup every five minutes?” “We’re facing an apocalypse,” he replies. “There is not enough tea in the world to calm me.
Elizabeth May (The Falconer (The Falconer, #1))
We didn't exactly believe your story.' Then --?' 'We believed your two hundred dollars.' 'You mean --' She seemed not to know what he meant. 'I mean that you paid us more than if you'd been telling the truth,' he explained blandly, 'and enough more to make it all right.
Dashiell Hammett (The Maltese Falcon)
He loved you so much that when you died, he might as well have died with you.
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
Giant-chicken mode,’ I remembered. ‘Dude, my avatar is a falcon-headed warrior .’ ‘I still think you could get a sponsorship deal with KFC. Make some big bucks.
Rick Riordan (The Crown of Ptolemy (Demigods & Magicians, #3))
You want to know what you mean to me, Kam?’ His lips trail down the curve of my neck.‘Every day I wonder when your human life will end, and it scares the hell out of me. ’ His words are hot on my skin. ‘You make me wish I didn’t have forever.
Elizabeth May (The Vanishing Throne (The Falconer, #2))
Fuck the entire world. All that matters is what you think of me.--Noel
Michelle A. Valentine (Rock the Heart (Black Falcon, #1))
Everyone knows that the Internet is changing our lives, mostly because someone in the media has uttered that exact phrase every single day since 1993. However, it certainly appears that the main thing the Internet has accomplished is the normalization of amateur pornography. There is no justification for the amount of naked people on the World Wide Web, many of whom are clearly (clearly!) doing so for non-monetary reasons. Where were these people fifteen years ago? Were there really millions of women in 1986 turning to their husbands and saying, 'You know, I would love to have total strangers masturbate to images of me deep-throating a titanium dildo, but there's simply no medium for that kind of entertainment. I guess we'll just have to sit here and watch Falcon Crest again.
Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
Perhaps he’s my curse. Perhaps I’m his weakness. Together we left the world in ruins.
Elizabeth May (The Vanishing Throne (The Falconer, #2))
I’m not a creature of vengeance any more. I’m not just the girl whose gift is chaos. I’m the girl who endured.
Elizabeth May (The Vanishing Throne (The Falconer, #2))
Talking is something you can't do judiciously unless you keep in practice.
Dashiell Hammett (The Maltese Falcon)
Like a Falcon, she needed the dark to understand who her master was. She would learn to trust him, to rely upon him, to anticipate what he wanted from her. And like any master with his salt, he would reward her for her obedience. He would be exceedingly firm, but he would also be as fair as he could be. He had notchosen the instrument of his revenge at random. He had chosen a beautiful submissive. And what was a submissive if not adaptable -if not a survivor?
C.J. Roberts (Captive in the Dark (The Dark Duet, #1))
I guess any halfwit could nail a game of ‘Spot the Falcone’. Just look for the shampoo-commercial hair or those I-might-murder-you eyes.
Catherine Doyle (Inferno (Blood for Blood, #2))
You're ripping my heart out and you don't even know it.
Michelle A. Valentine (Rock the Heart (Black Falcon, #1))
Crimson suits you best.
Elizabeth May (The Falconer (The Falconer, #1))
Well,” I say brightly, “we’re getting on splendidly, aren’t we? Glad to see you’re all becoming friends over your mutually violent desires.
Elizabeth May (The Falconer (The Falconer, #1))
I must be irresistible. You can’t stay away from me for more than twenty-four hours.
Catherine Doyle (Inferno (Blood for Blood, #2))
Maybe you’re not so bad after all.’ He leant across the seat, jabbing his finger in the air. ‘If you tell anyone, I’ll deny it. I have a reputation to uphold, you know.
Catherine Doyle (Inferno (Blood for Blood, #2))
Brigid O'Shaughnessy: “I haven't lived a good life. I've been bad, worse than you could know.” Sam Spade “You know, that's good, because if you actually were as innocent as you pretend to be, we'd never get anywhere
Dashiell Hammett (The Maltese Falcon)
Sometimes the memories we cling hardest to are the ones that hurt us the most.
Elizabeth May (The Falconer (The Falconer, #1))
That’s what family does: They bring home with them.
Elizabeth May (The Vanishing Throne (The Falconer, #2))
I don't mind a reasonable amount of trouble.
Dashiell Hammett (The Maltese Falcon)
Listen, Dundy, it's been a long time since I burst into tears because a policeman didn't like me.
Dashiell Hammett (The Maltese Falcon)
He held his hand out to me without speaking; and it was then, as I went to him like a falcon flying to his fist, that I realized I loved him.
Teresa Denys (The Silver Devil)
You are a Falcone now. My brother’s wife. You fall under my rule. That makes you mine to protect.
Cora Reilly (Twisted Emotions (The Camorra Chronicles, #2))
A White Rose The red rose whispers of passion, And the white rose breathes of love; O the red rose is a falcon, And the white rose is a dove. But I send you a cream-white rosebud With a flush on its petal tips; For the love that is purest and sweetest Has a kiss of desire on the lips.
John Boyle O'Reilly
Now that I have you back, I can’t see my life without you. When I think about my future, I think about you.
Michelle A. Valentine (Rock the Heart (Black Falcon, #1))
Yes we do. If I don’t have you soon, I’m going to implode. Can’t you see that? I want you to be with me. I can’t stand all these guys coming on to you. The fact that I’m not allowed to do a God damn thing about it because you’re not mine is killing me.”--Noel
Michelle A. Valentine (Rock the Heart (Black Falcon, #1))
The past doesn't exist. There is nothing to be sorry for. Today is when we start to live. Look... look at the sea. The sea has no past. It is just there. It will never ask us to explain. The stars, the moon are there to light our way, to shine for us. What do they care what might have happened in the past? They are accompanying us, and are happy with that; can you see them shine? The stars are twinkling in the sky; would they do that if the past mattered? Wouldn't there be a huge storm if God wanted to punish us? We are alone, you and I, with no past, no memories, no guilt, nothing that can stand in the way of... our love.
Ildefonso Falcones (La catedral del mar (La catedral del mar, #1))
A queen should learn the ways of watching. Like a falcon, she waits for her moment to strike. She also knows when she need not strike at all – when her shadow, her presence, is more than enough.
Samantha Shannon (A Day of Fallen Night (The Roots of Chaos, #0.1))
... all reputable falconers agreed that for hunting purposes the only way you could reliably bring down prey with a wowhawk was by using it in a slingshot.
Terry Pratchett (Carpe Jugulum (Discworld, #23; Witches, #6))
Turning and turning in the widening gyre The falcon cannot hear the falconer; Things fall apart; the centre cannot hold; Mere anarchy is loosed upon the world, The blood-dimmed tide is loosed, and everywhere The ceremony of innocence is drowned; The best lack all conviction, while the worst Are full of passionate intensity. Surely some revelation is at hand; Surely the Second Coming is at hand. The Second Coming! Hardly are those words out When a vast image out of Spiritus Mundi Troubles my sight: a waste of desert sand; A shape with lion body and the head of a man, A gaze blank and pitiless as the sun, Is moving its slow thighs, while all about it Wind shadows of the indignant desert birds. The darkness drops again but now I know That twenty centuries of stony sleep Were vexed to nightmare by a rocking cradle, And what rough beast, its hour come round at last, Slouches towards Bethlehem to be born?
W.B. Yeats
Once there was a boy,” said Jace. Clary interrupted immediately. “A Shadowhunter boy?” “Of course.” For a moment a bleak amusement colored his voice. Then it was gone. “When the boy was six years old, his father gave him a falcon to train. Falcons are raptors – killing birds, his father told him, the Shadowhunters of the sky. “The falcon didn’t like the boy, and the boy didn’t like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn’t know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to tame. But the boy tried, because his father told him to make the falcon obedient, and he wanted to please his father. “He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was meant to be easier to tame. He learned the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was meant to keep the falcon blind, but he couldn’t bring himself to do it – instead he tried to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. Hee fed it from his hand, and at first it would not eat. Later it ate so savagely that its beak cut the skin of his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if the bird had to consume his blood to make that happen. “He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like likght. When it learned to circle and come to his wrist, he neary shouted with delight Sometimes the bird would hope to his shoulder and put its beak in his hair. He knew his falcon loved him, and when he was certain it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud. “Instead his father took the bird, now tame and trusting, in his hands and broke its neck. ‘I told you to make it obedient,’ his father said, and dropped the falcon’s lifeless body to the ground. ‘Instead, you taught it to love you. Falcons are not meant to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.’ “Later, when his father left him, the boy cried over his pet, until eventually his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he’d learned: that to love is to destroy, and that to be loved is to be the one destroyed.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
I step up to the hostess and feel my face flush when she asks for the name my reservation is under. “I’m actually meeting the other member of my party here. The name is under…” I hesitate and think about how absurd the pseudo name Noel gave is. “Um, it’s under Dong, Long-Dick Dong.
Michelle A. Valentine (Rock the Heart (Black Falcon, #1))
He's in my heart and I'm in his. And I think it’s going to destroy us both.
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
Most people would be dismayed by an attempted assassination, but Kiaran seems to regard it as either flirtation or flattery – possibly both.
Elizabeth May (The Vanishing Throne (The Falconer, #2))
ignition! blast off!!! the vessel needs a new name! something more appropriate to a starship. apollo? gemini? enterprise. already taken. millennium falcon. trademarked. all rights reserved. no! wait, i have it! dragin star! thats it! dragon star!
Margaret Weis (Elven Star (The Death Gate Cycle, #2))
Kiaran’s kiss is fierce, his breathing ragged. ‘Have I ever told you the vow a sìthiche makes when he pledges himself to another?’ He slides his fingers down my neck and his lips are so soft against mine that I barely feel them. ‘Aoram dhuit,’ he breathes. ‘I will worship thee.
Elizabeth May (The Falconer (The Falconer, #1))
My ears are bleeding. I have a nasty headache. I'm trapped in a room with a murderous faery and I blame you." "That's fair.
Elizabeth May (The Falconer (The Falconer, #1))
You can’t manipulate people who know how to think for themselves.
Trish Mercer (The Falcon in the Barn (Forest at the Edge Book 4))
Somewhere between our hunts and our kills and our kisses, he left his mark on my bones.
Elizabeth May (The Vanishing Throne (The Falconer, #2))
let this be our beautiful departure from stagnation; let our minds come alive; enter another dimension; go beyond the stars eagerly struggling to find that... which our naked eyes did not know existed; rise like a falcon born to soar and not be alone but be present amongst others.
Muhammad Iqbal
Fuck the entire world. All that matters is what you think of me.
Michelle A. Valentine (Rock the Heart (Black Falcon, #1))
When Dante described the circles of Hell, he clearly forgot the one where a hungry pixie sits on one's shoulder for eternity.
Elizabeth May (The Falconer (The Falconer, #1))
The problem with the world is that everyone is a few drinks behind.
Humphrey Bogart (The Maltese Falcon (Old Time Radio))
One right doesn’t remedy a thousand wrongs.’ ‘You should write a book of quotes.
Catherine Doyle (Inferno (Blood for Blood, #2))
Only part of us is sane: only part of us loves pleasure and the longer day of happiness, wants to live to our nineties and die in peace, in a house that we built, that shall shelter those who come after us. The other half of us is nearly mad. It prefers the disagreeable to the agreeable, loves pain and its darker night despair, and wants to die in a catastrophe that will set back life to its beginnings and leave nothing of our house save its blackened foundations.
Rebecca West (Black Lamb and Grey Falcon)
I can’t be without you. The only thing that concerns me now is your happiness. I’m just asking for the chance to be your everything. I need to be your forever.
Michelle A. Valentine (Rock the Band (Black Falcon, #1.5))
In death, hope is everlasting.
Ildefonso Falcones (La mano de Fátima)
For the sake of my country, and perhaps a little for the sake of my soul, I have given up the deep peace of being in opposition.
Rebecca West (Black Lamb and Grey Falcon)
Aithinne wasn’t hardened by war; she was humanized by it.
Elizabeth May (The Vanishing Throne (The Falconer, #2))
Lanie Vance, I have loved you from the moment I saw you … I love you with every inch of me. I’m drawn to your fire and passion, and I don’t think I can ever be without it again. I want you every day for the rest of my life.
Michelle A. Valentine (Rock the Band (Black Falcon, #1.5))
Nefret had always had an uncanny ability to read his thoughts. 'Did she cry?' she asked sweetly. 'And then you kissed her? You shouldn't have done that. I'm sure you meant well, but kissing someone out of pity is always a mistake.
Elizabeth Peters (The Falcon at the Portal (Amelia Peabody, #11))
Long ago when they first invented the atomic bomb people used to worry about its going off and killing everybody, but they didn't know that mankind has enough dynamite right in his guts to tear the fucking plant to pieces.
John Cheever (Falconer)
I had come to Yugoslavia to see what history meant in flesh and blood.
Rebecca West (Black Lamb and Grey Falcon)
I dont mind a reasonable amount of trouble
Humphrey Bogart
I have but one candle of life to burn, and i would rather burn it out in a land filled with darkness than in a land flooded with light.
Keith A. Falconer
When a man's partner is killed he's supposed to do something about it. It doesn't make any difference what you thought of him. He was your partner and you're supposed to do something about it. Then it happens we were in the detective business. Well, when one of your organization gets killed it's bad business to let the killer get away with it. It's bad all around-bad for that one organization, bad for every detective everywhere. Sam Spade
Dashiell Hammett (The Maltese Falcon)
One day, you’ll tell people the story of the faery king and the human girl. And how he watched from afar as she lived out twenty thousand human days. And if she listened closely during winter, when the wind was cold and the nights were longest, she could hear him whisper that he cherished her so much he was willing to give her the world.
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
Approach him across open ground with a steady unfaltering movement. Let your shape grow in size but do not alter its outline. Never hide yourself unless concealment is complete. Be alone. Shun the furtive oddity of man, cringe from the hostile eyes of farms. Learn to fear. To share fear is the greatest bond of all. The hunter must become the thing he hunts.
J.A. Baker (The Peregrine)
You always have, I must say, a smooth explanation ready." "What do you want me to do? Learn to stutter?
Dashiell Hammett (The Maltese Falcon)
Tonight you’re mine. I’m going to fuck you in so many positions the Kama Sutra will be asking us for tips,” -Riff
Michelle A. Valentine (Rock My Bed (Black Falcon, #2))
Well,” Gavin drawls, “at least now I know what to do if that ever happens. I’ll throw a jar of honey and run like hell.
Elizabeth May (The Falconer (The Falconer, #1))
You realize you’ve been staring at me for the past five minutes?
Catherine Doyle (Inferno (Blood for Blood, #2))
He said: "I'm going to send you over. The chances are you'll get off with life. That means you'll be out again in twenty years. You're an angel. I'll wait for you." He cleared his throat. "If they hang you I'll always remember you.
Dashiell Hammett (The Maltese Falcon)
I don’t care,” he replied resolutely. “I’m not punching Bambi in the face.
Catherine Doyle (Vendetta (Blood for Blood, #1))
The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, take it personally. Get angry. The Machinery of Justice will not serve you here – it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide from under it with a wink and a grin. If you want justice, you will have to claw it from them. Make it personal. Do as much damage as you can. Get your message across. That way, you stand a better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous marks the difference - the only difference in their eyes - between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life and that it’s nothing personal. Well, fuck them. Make it personal. Quellcrist Falconer Things I Should Have Learned by Now, Volume II
Richard K. Morgan
Kiaran and I have little connection beyond our names. We battle, bleed and hunt together almost every night. He teaches me how to slaughter in the most effective, brutal ways possible. But I've never told Kiaran why I hunt, and he has never told me why he kills his own kind. This is our ritual, our dance. The only one that matters.
Elizabeth May (The Falconer (The Falconer, #1))
The price you pay for truth is knowledge.
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
Children give terrible gifts because they are poor.
Rob Delaney (Mother. Wife. Sister. Human. Warrior. Falcon. Yardstick. Turban. Cabbage.)
Sometimes you seem too good to be real.” “Now you know exactly how I feel about you.
Michelle A. Valentine (Rock the Band (Black Falcon, #1.5))
He is the faery whose gift is death and I am the girl whose gift is chaos.
Elizabeth May (The Vanishing Throne (The Falconer, #2))
Yes,' Spade growled. 'And when you're slapped you'll take it and like it.' He released Cairo's wrist and with a thick open hand struck the side of his face three times savagely.
Dashiell Hammett (The Maltese Falcon)
In what way could keeping me in ignorance be construed as protection?’ I straighten a piece of wire to add to the fire-starter. ‘God spare me from such protection, especially when it involves safeguarding my poor feminine sensibilities from life-saving information.
Elizabeth May (The Falconer (The Falconer, #1))
He'd watched a falcon fall down the long blue wall of the mountain and break with the keel of its breastbone the midmost from a flight of cranes and take it to the river below all gangly and wrecked and trailing its loose and blowsy plumage in the still autumn air.
Cormac McCarthy (The Road)
The world is getting weirder. Darker every single day. Things are spinning around faster and faster, and threatening to go completely awry. Falcons and falconers. The center cannot hold. But in my corner of the country, I'm trying to nail things down. I don't want to live in Victor's jungle, even if it did eventually devour him. I don't want to live in a world where the strong rule and the weak cower. I'd rather make a place where things are a little quieter. Where trolls stay the hell under their bridges and where elves don't come swooping out to snatch children from their cradles. Where vampires respect the limits, and where the faeries mind their p's and q's. My name is Harry Blackstone Copperfield Dresden. Conjure by it at your own risk. When things get strange, when what goes bump in the night flicks on the lights, when no one else can help you, give me a call. I'm in the book.
Jim Butcher (Storm Front (The Dresden Files, #1))
Had we lived, I should have had a tale to tell of the hardihood, endurance and courage of my companions which would have stirred the heart of every Englishman. These rough notes and our dead bodies must tell the tale.
Robert Falcon Scott (The Diary of Captain Robert Falcon Scott)
A Kite is a Victim A kite is a victim you are sure of. You love it because it pulls gentle enough to call you master, strong enough to call you fool; because it lives like a desperate trained falcon in the high sweet air, and you can always haul it down to tame it in your drawer. A kite is a fish you have already caught in a pool where no fish come, so you play him carefully and long, and hope he won't give up, or the wind die down. A kite is the last poem you've written so you give it to the wind, but you don't let it go until someone finds you something else to do. A kite is a contract of glory that must be made with the sun, so you make friends with the field the river and the wind, then you pray the whole cold night before, under the travelling cordless moon, to make you worthy and lyric and pure. Gift You tell me that silence is nearer to peace than poems but if for my gift I brought you silence (for I know silence) you would say This is not silence this is another poem and you would hand it back to me There are some men There are some men who should have mountains to bear their names through time Grave markers are not high enough or green and sons go far away to lose the fist their father’s hand will always seem I had a friend he lived and died in mighty silence and with dignity left no book son or lover to mourn. Nor is this a mourning song but only a naming of this mountain on which I walk fragrant, dark and softly white under the pale of mist I name this mountain after him. -Believe nothing of me Except that I felt your beauty more closely than my own. I did not see any cities burn, I heard no promises of endless night, I felt your beauty more closely than my own. Promise me that I will return.- -When you call me close to tell me your body is not beautiful I want to summon the eyes and hidden mouths of stone and light and water to testify against you.- Song I almost went to bed without remembering the four white violets I put in the button-hole of your green sweater and how i kissed you then and you kissed me shy as though I'd never been your lover -Reach into the vineyard of arteries for my heart. Eat the fruit of ignorance and share with me the mist and fragrance of dying.-
Leonard Cohen (The Spice-Box of Earth)
I’ll do anything you want to make this happen between us … I can’t lose you again. It hurts too fucking much.
Michelle A. Valentine (Rock the Heart (Black Falcon, #1))
What I wouldn't give for murdering someone to be legal right now.
Michelle A. Valentine (Rock the Heart (Black Falcon, #1))
Ask her. Why. She is starving. Meeee!
Elizabeth May (The Falconer (The Falconer, #1))
I was twelve. You were girls, and therefore an entirely different species.
Elizabeth May (The Falconer (The Falconer, #1))
You really are something else.
Catherine Doyle (Inferno (Blood for Blood, #2))
...One lives and survives only if one has the ability to swallow and digest bitter and unpalatable things. We, you and I, and our people shall live because there are only a few among us who do not love raw onions.
Jamil Ahmad (The Wandering Falcon)
Why Just ask the donkey in me To speak to the donkey in you, When I have so many other beautiful animals And brilliant colored birds inside That are longing to say something wonderful And exciting to your heart? Let's open all the locked doors upon our eyes That keep us from knowing the Intelligence That begets love And a more lively and satisfying conversation With the Friend. Let's turn loose our golden falcons So that they can meet in the sky Where our spirits belong-- Necking like two Hot kids. Let's hold hands and get drunk near the sun And sing sweet songs to God Until He joins us with a few notes From his own sublime lute and drum. If you have a better idea Of how to pass a lonely night After your glands may have performed All their little magic Then speak up sweethearts, speak up, For Hafiz and all the world will listen. Why just bring your donkey to me Asking for stale hay And a boring conference with the idiot In regards to this precious matter-- Such a precious matter as love, When I have so many other divine animals And brilliant colored birds inside That are all longing To so sweetly Greet You!
Hafez (The Gift)
A kite is a victim you are sure of. You love it because it pulls gentle enough to call you master, strong enough to call you fool; because it lives like a desperate trained falcon in the high sweet air, and you can always haul it down to tame it in your drawer. A kite is a fish you have already caught in a pool where no fish come, so you play him carefully and long, and hope he won't give up, or the wind die down. A kite is the last poem you've written so you give it to the wind, but you don't let it go until someone finds you something else to do.
Leonard Cohen (The Spice-Box of Earth)
The Windhover To Christ our Lord I CAUGHT this morning morning’s minion, king- dom of daylight’s dauphin, dapple-dawn-drawn Falcon, in his riding Of the rolling level underneath him steady air, and striding High there, how he rung upon the rein of a wimpling wing In his ecstasy! then off, off forth on swing, As a skate’s heel sweeps smooth on a bow-bend: the hurl and gliding Rebuffed the big wind. My heart in hiding Stirred for a bird,—the achieve of; the mastery of the thing! Brute beauty and valour and act, oh, air, pride, plume, here Buckle! AND the fire that breaks from thee then, a billion Times told lovelier, more dangerous, O my chevalier! No wonder of it: shéer plód makes plough down sillion Shine, and blue-bleak embers, ah my dear, Fall, gall themselves, and gash gold-vermillion.
Gerard Manley Hopkins (Poems and Prose)
He completely, and unexpectedly, stole my heart, and I was powerless to stop it.
Michelle A. Valentine (Rock My Bed (Black Falcon, #2))
I love you so much that sometimes it hurts.
Michelle A. Valentine (Rock the Band (Black Falcon, #1.5))
There are two exits out of this room. Choose one.” Derrick chuckles. “What a glorious comeuppance.
Elizabeth May (The Falconer (The Falconer, #1))
Is she going to cry? I don’t believe I’ve ever made a faery cry before – except Derrick, and that was only while I was reading him A Christmas Carol and Scrooge stopped being a bastard; Derrick said he had something in his eye.
Elizabeth May (The Vanishing Throne (The Falconer, #2))
I don’t have a boyfriend.” “Good thing. I’d hate to have to hop a plane at this time of night just to kick his ass for messing around with my girl.” I smile and chew on my bottom lip. His forwardness is kind of cute. “I’m not your girl, Noel.” “Not yet, but soon,” he says.
Michelle A. Valentine (Rock the Heart (Black Falcon, #1))
Don’t you remember how hot we were together, Lane? God.” He takes a quick breath through clenched teeth and runs his hand down my side, “The things I can do to your body if you’d let me.
Michelle A. Valentine (Rock the Heart (Black Falcon, #1))
Bred to the pavement and steel that became his life's work, he nonetheless marvels at the annual miracle of baby peregrine falcons hatching high atop the George Washington's towers, and at the sheer botanical audacity of grass, weeds, and ailanthus trees that defiantly bloom, far from topsoil, from metal niches suspended high above the water.
Alan Weisman (The World Without Us)
His speech is low and rapid, his manner assured; he is at home in courtroom or waterfront, bishop’s palace or inn yard. He can draft a contract, train a falcon, draw a map, stop a street fight, furnish a house and fix a jury. He will quote you a nice point in the old authors, from Plato to Plautus and back again. He knows new poetry, and can say it in Italian. He works all hours, first up and last to bed. He makes money and he spends it. He will take a bet on anything.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
It it walks with a dick, and thinks with a dick...it's a guy.
Michelle A. Valentine (Rock the Beat (Black Falcon, #3))
What does that make me, when a faery is capable of more humanity than I am?
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
It's hard to describe the feeling. And I knew from Horus's memory that this kind of union was very rare-like the one time when the coin doesn't land heads or tails, but stands on it's edge, perfectly balanced. He did not control me. I did not use him for power. We acted as one. Our voices spoke in harmony. "Now." And the magic bonds that held us shattered. My combat avatar formed around me, lifting me off the floor and encasing me with golden energy. I stepped forward and raised my sword. The falcon warrior mimicked the movement, perfectly attuned to my wishes. Set turned and regarded me with cold eyes. "So, Horus," he said. "You managed to find the pedals of your little bike, eh? That does not mean you can ride." "I am Carter Kane," I said. "Blood of the Pharaohs, Eye of Horus. And now, Set-brother,uncle,traitor-I'm going to crush you like a gnat.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
Just hold back the sea and as many fae as you can. Aithinne and I will do the rest.’ He gives me a look.‘ Just hold back the sea, she says.’ With a shake of his head, he takes his position again, deep in concentration.
Elizabeth May (The Vanishing Throne (The Falconer, #2))
I glance down at the over-sized t-shirt and socks I’m wearing. “You’d be sadly disappointed if you actually saw what I wear to bed.” “You know, clothes are overrated as far as I’m concerned. I’m good with you totally doing away with them when you visit me.” I can hear the smile in his voice. “Noel...” I say his name like a warning.
Michelle A. Valentine (Rock the Heart (Black Falcon, #1))
I have to remove your . . . whatever this is.’ ‘Nightdress,’ I say, my cheek against the pillow. ‘It’s from Paris. You’ve been alive how long and still can’t identify a woman’s clothing?
Elizabeth May (The Falconer (The Falconer, #1))
Featherweight by Suzy Kassem One evening, I sat by the ocean and questioned the moon about my destiny. I revealed to it that I was beginning to feel smaller compared to others, Because the more secrets of the universe I would unlock, The smaller in size I became. I didn't understand why I wasn't feeling larger instead of smaller. I thought that seeking Truth was what was required of us all – To show us the way, not to make us feel lost, Up against the odds, In a devilish game partitioned by An invisible wall. Then the next morning, A bird appeared at my window, just as the sun began Spreading its yolk over the horizon. It remained perched for a long time, Gazing at me intently, to make sure I knew I wasn’t dreaming. Then its words gently echoed throughout my mind, Telling me: 'The world you are in – Is the true hell. The journey to Truth itself Is what quickens the heart to become lighter. The lighter the heart, the purer it is. The purer the heart, the closer to light it becomes. And the heavier the heart, The more chained to this hell It will remain.' And just like that, it flew off towards the sun, Leaving behind a tiny feather. So I picked it up, And fastened it to a toothpick, To dip into ink And write my name.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
At the top of a hill our automobile stuck in a snowdrift. Peasants ran out of a cottage near by, shouting with laughter because machinery had made a fool of itself, and dug out the automobile with incredible rapidity. They were doubtless anxious to get back and tell a horse about it.
Rebecca West (Black Lamb and Grey Falcon)
You're back! You're alive!... Such a magnificent murderous glare you have... I love it. Teach me. - Aithinne
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
I hate this," I mutter. "Really? I'm having a grand time," Aithinne says brightly. "That's because you're barmy." "I believe you just mispronounced 'magnificent'.
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
It is the work that matters, not the applause that follows.
Robert Falcon Scott
Only mothers will ever know the true struggle and sacrifice it takes to create life. Authors come in at a close second.
R.P. Falconer
Life sometimes works out in ways that's not expected.
Michelle A. Valentine (Rock My Bed (Black Falcon, #2))
Sometimes fighting against something so hard only delays the inevitable for a little while.
Michelle A. Valentine (Rock My Bed (Black Falcon, #2))
Confidence is key in any situation when trying to maintain power.
Michelle A. Valentine (Rock My Bed (Black Falcon, #2))
I have chosen a life that depends on one’s awareness that every breath may be his last, every step may bring his downfall, and every word may stir betrayal. In truth, I must live in conscious ignorance of the mere thread that holds my life aloft, trusting that God alone has the power to sever it, and that He will do so only when my work on earth is complete.
Nicole Sager (The Isle of Arcrea (The Arcrean Conquest, #3))
You take care of my bairn." He blinks. "I beg your pardon?" "My ornithopter.
Elizabeth May (The Falconer (The Falconer, #1))
Remember sadness is always temporary. This, too, shall pass.
Chuck T. Falcon
Noel chuckles. “I don’t remember you being this fun back in high school.” “Yeah, well, I don’t remember you being this much of a dick.” I duck behind the menu and bit the inside of my cheek and curse myself for talking to him this way. I’m going to lose this job before dinner is even over. He clears his throat. “You know, Lane. If you keep talking to me like that, I might have to show you just how nice I can be.
Michelle A. Valentine (Rock the Heart (Black Falcon, #1))
Face the facts. Then act on them. It's the only mantra I know, the only doctrine I have to offer you, and it's harder than you'd think, because I swear humans seem hardwired to do anything but. Face the facts. Don't pray, don't wish, don't buy into centuries-old dogma and dead rhetoric. Don't give in to your conditioning or your visions or your fucked-up sense of... whatever. FACE THE FACTS. THEN act.
Quellcrist Falconer
You know how your eyes can deceive you at times--how a group of shapes and shadows can take on a certain form and then shift into another? It wasn't really like that; there was no physical change in him, he was exactly the same as he'd always been. I knew every line of his long body and every curl on his disheveled black head. I'd just never seen him before. you know what I'm trying to say, don't you? The change is in the heart.
Elizabeth Peters (The Falcon at the Portal (Amelia Peabody, #11))
That's wonderful. I do like a man that tells you right out he’s looking out for himself. Don’t we all? I don’t trust a man that says he’s not. And the man that’s telling the truth when he says he’s not I distrust most of all, because he’s and ass and an ass that’s going contrary to the laws of nature.
Dashiell Hammett (The Maltese Falcon)
Well, I can safely say that I've never experienced a more exciting two days. I suppose I should send a note before seeing you again. 'Are you in the company of any creature liable to attack me unprovoked? I can visit later.
Elizabeth May (The Falconer (The Falconer, #1))
The hardest lesson in life is learning to accept that there are some things we can't change." Falcone paused, his eyes hard and glittering. [...] Then he unbuttoned the cuffs on his shirt and rolled back his sleeves to expose the melted surface of his forearms. He held them up for Kira to see. "Why do you think I keep these scars?" "Because you feel guilty over ..." "No," Falcone said harshly. Then, in a gentler tone, "No. I keep them to remind me of what I can survive. Of what I have survived. If I'm having a rough time, I look at my arms and then I know I'll get through whatever problem I'm dealing with. Life's not gonna break me. It can't break me. It might kill me, but nothing it throws at me is gonna make me give up.
Christopher Paolini (To Sleep in a Sea of Stars (Fractalverse, #1))
The personal, as every one’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, TAKE IT PERSONALLY. Get angry. The Machinery of Justice will not serve you here—it is slow and cold, and it is theirs, hardware and soft. Only the little people suffer at the hands of Justice; the creatures of power slide out from under with a wink and a grin. If you want justice, you will have to claw it from them. Make it PERSONAL. Do as much damage as you can. GET YOUR MESSAGE ACROSS. That way you stand a far better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous marks the difference, the ONLY difference in their eyes, between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life and that IT’S NOTHING PERSONAL. Well, fuck them. Make it personal.   QUELLCRIST FALCONER Things I Should Have Learnt by Now Volume II
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
It’s so quiet out here, only ocean waves crashing around us. It’s these moments when I realise that my time with Kiaran is such a fragile thing. At any moment, my human life could end and he’d still be as unchanging as the sea.
Elizabeth May (The Vanishing Throne (The Falconer, #2))
He sang the brightness of mornings and green rivers, He sang of smoking water in the rose-colored daybreaks, Of colors: cinnabar, carmine, burnt sienna, blue, Of the delight of swimming in the sea under marble cliffs, Of feasting on a terrace above the tumult of a fishing port, Of tastes of wine, olive oil, almonds, mustard, salt. Of the flight of the swallow, the falcon, Of a dignified flock of pelicans above the bay, Of the scent of an armful of lilacs in summer rain, Of his having composed his words always against death And of having made no rhyme in praise of nothingness.
Czesław Miłosz
The police never saw a noun they didn't want to turn into a verb, so it quickly became "to action", as in you action me to undertake a Falcon assessment, I action a Falcon assessment, a Falcon assessment has been actioned and we all action in a yellow submarine, a yellow submarine, a yellow submarine. This, to review a major inqurity is to review the list of "actions" and their consequences, in the hope that you'll spot something that thirty-odd highly trained and experienced detectives didn't.
Ben Aaronovitch (Foxglove Summer (Rivers of London, #5))
Kiaran left a mark on me. It’s not physical, not like Lonnrach’s. It’s as if when my memories were emptied, my mind filled with pieces of Kiaran, feelings that kept me sane in the mirrored room. He did it without realizing and I let him without realizing. God, how I wish I hadn’t.
Elizabeth May (The Vanishing Throne (The Falconer, #2))
Vincent gestures toward Gaspard, who steps forward to face us. "We say good-bye to our longtime leader, Jean-Baptiste Alexandre Balthazar Grimod de la Reynière," Gaspard says in a wavering voice. "He died sacrificing his life for another on the battlefield in Borodino, September 7, 1812. Jean-Baptiste was dedicated to the preservation of his kindred, willing to do anything to ensure their survival." Gaspard's face twists with emotion when he says this, but he forces his shoulders back and raises his chin. He pulls something from his belt, and I recognize Jean-Baptiste's beloved sword-cane topped with its carved wooden falcon's head. Facing the fire, Gaspard says, "My dear Jean-Baptiste. My love. I will mourn your loss until we are reunited in the next life." And he throws the cane onto the fire.
Amy Plum (If I Should Die (Revenants, #3))
Perhaps it's a honey-ache. That's the result of eating too much of what isn't yours." "But your friend offered it. So she might not have explicitly said, 'Derrick, please eat all of the honey in my kitchen,' but it was implied by the mere fact that she has a kitchen.
Elizabeth May (The Falconer (The Falconer, #1))
Perverse times have come The mystery of the Beloved to reveal Crows have begun to hunt hawks, Sparrows have vanquished falcons. Horse browse on rubbish, Donkeys graze on lush green. No love is lost between relatives, Be they younger or older uncles. There is no accord between fathers and sons, nor any between mothers and daughters. The truthful ones are being pushed about, the tricksters are seated close by, the front-liners have become wretched, the backbenchers sit on carpets. Those in taters have turned into Kings, The Kings have taken to begging. Oh Bullah, comes the command from the Lord, who can ever alter His decree? Perverse times have come, The mystery of the beloved to reveal
Bullhe Shāh
Were I to go down into the market-place, armed with the powers of witchcraft, and take a peasant by the shoulders and whisper to him, 'In your lifetime, have you known peace?' wait for his answer, shake his shoulders and transform him into his father, and ask him the same question, and transform him in his turn to his father, I would never hear the word 'Yes,' if I carried my questioning of the dead back for a thousand years. I would always hear, 'No, there was fear, there were our enemies without, our rulers within, there was prison, there was torture, there was violent death.
Rebecca West (Black Lamb and Grey Falcon)
Faith is a strange creature,” Schuster said. “Like a falcon that nests year after year in the same place, but then flies away, sometimes for years, only to return again, stronger than ever.” “I don’t know if it will ever return for me.” “It will. In time. Why don’t you come with me now? We’ll get you fed, and I’ll find a place for you to spend the night.” Pino thought about that, and then shook his head, saying, “I’ll come off the roof with you, My Lord Cardinal, but I think I’ll slip out after dark, go home to my family.” Schuster paused, and then said, “As you wish, my son. Bless you, and go with God.
Mark T. Sullivan (Beneath a Scarlet Sky)
One day Lal shahbaz was wandering in the desert with his friend Sheikh Bhaa ud-Din Zakariya. It was winter, and evening time, so they began to build a fire to keep warm. They found some wood, but then they realised they had no fire. So Baha ud- Din suggested that Lal Shahbaz turn himself into a falcon and get fire from hell. Off he flew, but an hour later he came back empty handed. "There is no fire in hell," he reported. "Everyone who goes there brings their own fire, and their own pain, from this world.
William Dalrymple (Nine Lives: In Search of the Sacred in Modern India)
I realized that if I had said to them, "You had that young man turned out of the carriage because he had a second-class ticket," they would have nodded and said, "Yes," and if I had gone on and said, "But you yourselves have only second-class tickets," they would not have seen that the second statement had any bearing on the first; and I cannot picture to myself the mental life of people who cannot perceive that connexion.
Rebecca West (Black Lamb and Grey Falcon)
Nunca te fíes de los que dicen servir a Dios. Te hablará con serenidad y buenas palabras, tan cultas que no alcanzarás a entenderlas. Tratarán de convencerte con argumentos que sólo ellos saben hilvanar hasta adueñares de tu razón y tu conciencia. Se presentarán a ti como hombres bondadosos que dirán querer salvarnos del mal y de la tentación, pero en realidad su opinión sobre nosotros está escrita y todos ellos, como soldados de Cristo que se llaman, siguen con fidelidad aquello que está escrito en los libros. Sus palabras son excusas y sus razones, idénticas a las que tú podrías darle a un mocoso.
Ildefonso Falcones (La catedral del mar (La catedral del mar, #1))
Aithinne seems to shake herself, closing herself off the same way Kiaran does.‘Lots of things.’ She looks over at me then.‘You’re bleeding again.’ Without warning, Aithinne seizes my arm. Before I can ask her what she’s about, she swipes a finger across my arm wound and licks the blood off with a quick dart of her tongue.‘Ahh!’ I stare at her in shock.‘You licked – you just – my god, I want the last five seconds of my life back.
Elizabeth May (The Vanishing Throne (The Falconer, #2))
I think of all that is happening elsewhere, as I lie here. Nearby, I can hear the sounds of a road crew. Somewhere else, monkeys chatter in trees. A male seahorse becomes pregnant. A diamond forms, a bee dances out directions, a windshield shatters. Somewhere a mother spreads peanut butter for her son's lunch, a lover sighs, a knitter binds off the edge of a sleeve. Clouds gather to make rain, corn ripens on the stalk, a cancer cell divides, a little league team scores. Somewhere blossoms open, a man pushes a knife in deeper, a painter darkens her blue. A cashier pours new dimes into an outstretched hand, rainbows form and fade, plates in the earth shift and settle. A woman opens a velvet box, male spiders pluck gently on the females' webs, falcons fall from the sky. Abstracts are real and time is a lie, it cannot be measured when one moment can expand to hold everything. You can want to live and end up choosing death; and you can want to die and end up living. What keeps us here, really? A thread that breaks in a breeze. And yet a thread that cannot be broken
Elizabeth Berg (Never Change)
At the same time, we both remember we have an audience. Kiaran looks rather repelled by the whole exchange, and Aithinne has her head slightly tilted in unabashed interest. Aithinne says to Kiaran, “That’s lovely. Isn’t that lovely? You didn’t greet me like that when I saved you.” “I was unconscious,” Kiaran reminds her. “Oh. That’s right.
Elizabeth May (The Vanishing Throne (The Falconer, #2))
As we passed by on the stony causeway, women looked up at us from the fields, their faces furrowed with all known distresses. By their sides, lambs skipped in gaiety and innocence, and goats skipped in gaiety but without innocence, and at their feet the cyclamens shone mauve; the beasts and flowers seemed fortunate because they are not human, as those who have passed within the breath of a plague and have escaped it.
Rebecca West (Black Lamb and Grey Falcon)
The hardest thing of all to see is what is really there. Books about birds show pictures of the peregrine, and the text is full of information. Large and isolated in the gleaming whiteness of the page, the hawk stares back at you, bold, statuesque, brightly coloured. But when you have shut the book, you will never see that bird again. Compared with the close and static image, the reality will seem dull and disappointing. The living bird will never be so large, so shiny-bright. It will be deep in landscape, and always sinking farther back, always at the point of being lost. Pictures are waxworks beside the passionate mobility of the living bird.
J.A. Baker (The Peregrine)
He opens one bottle and holds it out to me. ‘Drink this one.’ Inside is a milky blue liquid with what looks like thin slivers of glass floating in it. Surely he doesn’t mean for me to drink glass. ‘Am I going to regret consuming its contents?’ ‘No. But I imagine you’ll still call me every expletive you can possibly think of.’ He presses it into my palm. ‘I don’t like the sound of that.’ I sniff the vial and scrunch up my nose at a sharp tang that burns my nostrils. Like something that might come out of my chemistry set. ‘Ugh! What’s in this? It smells vile.’ ‘I knew a human girl once. She was stubborn, like you. Refused to drink the paltry contents of that bottle, like you . . .’ He pauses for dramatic effect. ‘And she died a horrible, painful death – torturous, really – because she wouldn’t take my advice.’ I scrutinise him. ‘There was no girl who died, was there?’ ‘There will be if you don’t drink what’s in that damned bottle.
Elizabeth May (The Falconer (The Falconer, #1))
Hey, dickhead!" one of the other drivers yelled. "Get off the road!" "This here is a Falcon Seven," the rider told him. "I can put a bolt through your windshield and pin you to your seat like a bug." A direct threat, huh? Okay. I pulled down my sunglasses a bit so the rider would see my eyes. "That's a nice crossbow." He glanced in my direction. He saw a friendly blond girl with a big smile and a light Texas accent and didn't get alarmed. "You've got what, a seventy-five-pound draw on it? Takes you about four seconds to reload?" "Three," he said. I gave him my Order smile: sweet grin, hard eyes, reached over to my passenger seat, and pulled out my submachine gun. About twenty-seven inches long, the HK was my favorite toy for close-quarters combat. The rider's eyes went wide. "This is an HK UMP submachine gun. Renowned for its stopping power and reliability. Cyclic rate of fire: eight hundred rounds per minute. That means I can empty this thirty-round clip into you in less than three seconds. At this range, I'll cut you in half." It wasn't strictly true but it sounded good. "You see what it says on the barrel?" On the barrel, pretty white letters spelled out PARTY STARTER. "You open your mouth again, and I'll get the party started." The rider clamped his jaws shut.
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
Human beings resemble peregrine falcons: they had the power and the ability to soar up to the skies, free and ethereal and unrestrained, but sometimes they would also, either under duress or of their own free will, accept captivity...She had also observed how a hood would be put on these noble raptors to make sure they would not panic. Seeing was knowing, and knowing was frightening...But underneath that hood where there were no directions, and the sky and the land melted into a swathe of black linen, though comforted, the falcon would still feel nervous, as if in preparation for a blow that could come at any moment. Years later now, it seemed to her that religion – and power and money and ideology and politics – acted like a hood too. All these superstitions and predictions and beliefs deprived human beings of sight, keeping them under control, but deep within weakening their self-esteem to such a point that they now feared anything, everything.
Elif Shafak (10 Minutes 38 Seconds in This Strange World)
1 Cain lifts Crow, that heavy black bird and strikes down Abel. Damn, says Crow, I guess this is just the beginning. 2 The white man, disguised as a falcon, swoops in and yet again steals a salmon from Crow's talons. Damn, says Crow, if I could swim I would have fled this country years ago. 3 The Crow God as depicted in all of the reliable Crow bibles looks exactly like a Crow. Damn, says Crow, this makes it so much easier to worship myself. 4 Among the ashes of Jericho, Crow sacrifices his firstborn son. Damn, says Crow, a million nests are soaked with blood. 5 When Crows fight Crows the sky fills with beaks and talons. Damn, says Crow, it's raining feathers. 6 Crow flies around the reservation and collects empty beer bottles but they are so heavy he can only carry one at a time. So, one by one, he returns them but gets only five cents a bottle. Damn, says Crow, redemption is not easy. 7 Crow rides a pale horse into a crowded powwow but none of the Indian panic. Damn, says Crow, I guess they already live near the end of the world.
Sherman Alexie
He smiled affably at the burglar, a burly fellow whom he continued to hold with one hand, as easily as if he had been a child. The entire household had been aroused, and a good number of them had joined in, shouting questions and brandishing various deadly instruments. The burglar glared wildly at Emerson, bare to the waist and bulging with muscle - at Gargery and his cudgel - at Selim, fingering a knife even longer than Nefret's - at assorted footmen armed with pokers, spits, and cleavers - and at the giant form of Daoud advancing purposefully toward him. 'It's a bleedin' army!' he gurgled. 'The lyin' barstard said you was some kind of professor!
Elizabeth Peters (The Falcon at the Portal (Amelia Peabody, #11))
Billy tries to imagine the vast systems that support these athletes. They are among the best-cared for creatures in the history of the planet, beneficiaries of the best nutrition, the latest technologies, the finest medical care, they live at the very pinnacle of American innovation and abundance, which inspires an extraordinary thought - send them to fight the war! Send them just as they are this moment, well rested, suited up, psyched for brutal combat, send the entire NFL! Attack with all our bears and raiders, our ferocious redskins, our jets, eagles, falcons, chiefs, patriots, cowboys - how could a bunch of skinny hajjis in man-skits and sandals stand a chance against these all-Americans? Resistance is futile, oh Arab foes. Surrender now and save yourself a world of hurt, for our mighty football players cannot be stopped, they are so huge, so strong, so fearsomely ripped that mere bombs and bullets bounce off their bones of steel. Submit, lest our awesome NFL show you straight to the flaming gates of hell!
Ben Fountain (Billy Lynn's Long Halftime Walk)
Now when I go out, the wind pulls me into the grave. I go out to part the hair of a child I left behind, and he pushes his face into my cuffs, to smell the wind. If I carry my father with me, it is the way a horse carries autumn in its mane. If I remember my brother, it is as if a buck had knelt down in a room I was in. I kneel, and the wind kneels down in me. What is it to have a history, a flock buried in the blindness of winter? Try crawling with two violins into the hallway of your father’s hearse. It is filled with sparrows. Sometimes I go to the field and the field is bare. There is the wind, which entrusts me; there is a woman walking with a pail of milk, a man who tilts his bread in the sun; there is the black heart of a mare in the milk—or is it the wind, the way it goes? I don’t know about the wind, about the way it goes. All I know is that sometimes someone will pick up the black violin of his childhood and start playing—that it sits there on his shoulder like a thin gray falcon asleep in its blinders, and that we carry each other this way because it is the way we would like to be carried: sometimes with mercy, sometimes without.
Joseph Fasano (Fugue for Other Hands)
I look in the glass sometimes at my two long, cylindrical bags (so picturesquely rugged about the knees), my stand-up collar and billycock hat, and wonder what right I have to go about making God's world hideous. Then wild and wicked thoughts come into my heart. I don't want to be good and respectable. (I never can be sensible, I'm told; so that don't matter.) I want to put on lavender-colored tights, with red velvet breeches and a green doublet slashed with yellow; to have a light-blue silk cloak on my shoulder, and a black eagle's plume waving from my hat, and a big sword, and a falcon, and a lance, and a prancing horse, so that I might go about and gladden the eyes of the people. Why should we all try to look like ants crawling over a dust-heap? Why shouldn't we dress a little gayly? I am sure if we did we should be happier. True, it is a little thing, but we are a little race, and what is the use of our pretending otherwise and spoiling fun? Let philosophers get themselves up like old crows if they like. But let me be a butterfly.
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
A great empire cannot bring freedom by its own decay to those corners in it where a subject people are prevented from discussing the fundamentals of life. The people feel like children turned adrift to fend for themselves when the imperial routine breaks down; and they wander to and fro, given up to instinctive fears and antagonisms and exaltation until reason dares to take control. I had come to Yugoslavia to see what history meant in flesh and blood. I learned now that it might follow, because an empire passed, that a world full of strong men and women and rich food and heady wine might nevertheless seem like a shadow-show: that a man of every excellence might sit by a fire warming his hands in the vain hope of casting out a chill that lived not in the flesh.
Rebecca West (Black Lamb and Grey Falcon)
So, you care about me now,’ I said, meaning to make a joke of it, but it came out soft and low and full of something guttural that made me embarrassed. ‘Why?’ “Because I don’t know anybody like you. You’re like … a rare artefact. And it would be a shame if you got broken.’ Amusement spluttered from me in the most unattractive way. ‘Are you really comparing me to an antique right now? Oh my God, you nerd.” He started laughing, and the carefree melody of it swept me up until I was laughing too, and it was absurd because our families were being threatened and murdered and there we were squished together in a hundred-degree heat outside a maximum security prison, and we used to hate each other and now we were laughing so hard I had tears in my eyes. He composed himself first, but it took a while and I was left choking my laughter into silence. ‘What I meant was,’ his face twisted into a quiet smile that felt secret and deadly, ‘you’re a bright spark, Sophie. And I don’t want anyone to snuff you out.’ ‘Oh.’ Well I couldn’t make fun of that. Was I supposed to say something back? Wasn’t that how compliments worked? The silence was growing and suddenly his words felt heavy and important and he was so close to me and I was perspiring and panicking, and … and I said, ‘And you’re kind of like a snowflake.’ Oh, Jesus Christ. He masked his fleeting surprise with a quirked eyebrow. ‘Excuse me?’ ‘Nothing,’ I said quickly. ‘I didn’t say anything.’ ‘No, no,’ he said, rounding on me so his face was too close, his eyes too searing, his smile too irritating. ‘I’m a snowflake, am I?’ ‘Shut up. Seriously.’ I pulled wisps of loose hair around my cheeks. ‘Shut up.’ ‘I think you were trying to tell me I was special.’ ‘Icy,’ I said. ‘I meant you were icy.’ I could practically taste his glee. I was floundering, and he was relishing it. ‘And unique, in that you’re uniquely annoying,’ I added. ‘God, you’re annoying.
Catherine Doyle (Inferno (Blood for Blood, #2))
People spoke to foreigners with an averted gaze, and everybody seemed to know somebody who had just vanished. The rumors of what had happened to them were fantastic and bizarre though, as it turned out, they were only an understatement of the real thing. Before going to see General Videla […], I went to […] check in with Los Madres: the black-draped mothers who paraded, every week, with pictures of their missing loved ones in the Plaza Mayo. (‘Todo mi familia!’ as one elderly lady kept telling me imploringly, as she flourished their photographs. ‘Todo mi familia!’) From these and from other relatives and friends I got a line of questioning to put to the general. I would be told by him, they forewarned me, that people ‘disappeared’ all the time, either because of traffic accidents and family quarrels or, in the dire civil-war circumstances of Argentina, because of the wish to drop out of a gang and the need to avoid one’s former associates. But this was a cover story. Most of those who disappeared were openly taken away in the unmarked Ford Falcon cars of the Buenos Aires military police. I should inquire of the general what precisely had happened to Claudia Inez Grumberg, a paraplegic who was unable to move on her own but who had last been seen in the hands of his ever-vigilant armed forces [….] I possess a picture of the encounter that still makes me want to spew: there stands the killer and torturer and rape-profiteer, as if to illustrate some seminar on the banality of evil. Bony-thin and mediocre in appearance, with a scrubby moustache, he looks for all the world like a cretin impersonating a toothbrush. I am gripping his hand in a much too unctuous manner and smiling as if genuinely delighted at the introduction. Aching to expunge this humiliation, I waited while he went almost pedantically through the predicted script, waving away the rumored but doubtless regrettable dematerializations that were said to be afflicting his fellow Argentines. And then I asked him about Senorita Grumberg. He replied that if what I had said was true, then I should remember that ‘terrorism is not just killing with a bomb, but activating ideas. Maybe that’s why she’s detained.’ I expressed astonishment at this reply and, evidently thinking that I hadn’t understood him the first time, Videla enlarged on the theme. ‘We consider it a great crime to work against the Western and Christian style of life: it is not just the bomber but the ideologist who is the danger.’ Behind him, I could see one or two of his brighter staff officers looking at me with stark hostility as they realized that the general—El Presidente—had made a mistake by speaking so candidly. […] In response to a follow-up question, Videla crassly denied—‘rotondamente’: ‘roundly’ denied—holding Jacobo Timerman ‘as either a journalist or a Jew.’ While we were having this surreal exchange, here is what Timerman was being told by his taunting tormentors: Argentina has three main enemies: Karl Marx, because he tried to destroy the Christian concept of society; Sigmund Freud, because he tried to destroy the Christian concept of the family; and Albert Einstein, because he tried to destroy the Christian concept of time and space. […] We later discovered what happened to the majority of those who had been held and tortured in the secret prisons of the regime. According to a Navy captain named Adolfo Scilingo, who published a book of confessions, these broken victims were often destroyed as ‘evidence’ by being flown out way over the wastes of the South Atlantic and flung from airplanes into the freezing water below. Imagine the fun element when there’s the surprise bonus of a Jewish female prisoner in a wheelchair to be disposed of… we slide open the door and get ready to roll her and then it’s one, two, three… go!
Christopher Hitchens (Hitch 22: A Memoir)
I’m so close to crying, I don’t think I can stop myself. They’re alive. They’re alive and nothing else matters. Tears are already starting to burn my eyes, clouding my vision. Kiaran looks at me with an expression I’ve never seen on him. It takes me a moment to realize it’s dawning horror. “Kam. Kam, don’t do that. Don’t cry. Don’t—” Then I’m crying and he puts his arms around me in quite possibly the most awkward, stiff embrace I’ve ever had in my life. And I adore every second of it. Aithinne speaks from behind us. “I admit to being somewhat unclear on the function of human tears,” she says. “So we’re sad about this? Should I menace someone?” In lieu of a response, the only thing I can manage is something of a half-laugh, half-sob, because they’re alive and I haven’t felt like this in so long. “For god’s sake, Aithinne,” Kiaran says, his voice rumbling through his chest, “put the blade away. You’re not going to stab Kam’s idiot friends.” Then, after a moment: “On second thought, the Seer really serves no purpose . . .” “Oh, shush.” I look up at him, whisking the tears off my cheeks. “Don’t ruin this. It helps if you don’t speak.” Then I press my face back into his chest. “And if you stop responding to my hug like I’m torturing you.” Kiaran makes some attempt to relax, but he could use lessons in hugging. He ends up with one hand shoved up in my hair and the other giving my back a there there pat, but it’s the thought that counts
Elizabeth May (The Vanishing Throne (The Falconer, #2))
Let me tell you a story,” I say instead. “Once upon a time, there was a girl whose life was saved by the faery king—” “This story sounds distinctly familiar. I think I might have heard it somewhere before.” I shush him and say not to interrupt. “If anyone asked her how she felt about the king, she would have said she loathed him. He ruthlessly trained her to fight his own kind. He taught her to kill. She learned from his lessons how to quiet the rage that burned inside her. But she had already decided that one day, when she had grown strong enough and learned everything she could about battle, she was going to murder him.” Kiaran goes still, his eyes glittering in the darkness. He says nothing. “Her opportunity came one night when he decided she was ready to hunt her first faery. It was a skriker that had been terrorizing a nearby village, slaughtering children in the night. The king handed the girl his sword and ordered her to kill the goblin-like creature. “She barely won. But in the end, as she thrust the sword deep into the monster’s gut, she felt something so profoundly that she thought it would consume her. So she told the king. She whispered the words and meant them with every part of her rage-filled soul: ‘I hate you. I hate all of you.’ When she lifted the sword again, she intended to pierce it right through his heart. “That was the first time the girl had ever seen the faery king smile.” I lift my hand and press my palm to Kiaran’s cheek. “You’ll have to finish the story. She never knew why he smiled. Just that one day, she wanted to see him do it again. So she dropped the sword and spared his life. And she never told the king what really happened that night.” Kiaran looks amused. “The king knew the girl’s plan all along. He smiled because he decided he liked her. She kept things interesting.” I stare at him. “So the faery king is a deranged sort. As the girl always suspected.” “How about his side of this story?” He pulls me close, his lips soft on my shoulder. “He never told the girl that during a hunt, when she ran alongside him with the wind in her hair and the moonlight behind her, that she was the most magnificent thing he had ever seen and he wanted her.” Then Kiaran’s hands are in my hair, lips brushing mine. “And when the king watched her in battle, she’d look over at him with a smile and he desired her. “It was never at once,” he continued. “It was after everything they had gone through and then it was the king and the girl facing an entire army together. And he knew the truth. His heart was hers. It always was. It always will be.” A shadow crosses Kiaran’s irises. A reminder that he’s still fighting. Just to be here. With me. He shuts his eyes, expression strained. Before I can ask if he’s all right, he pulls me against him and holds me close. His next words are spoken under his breath, so low I wonder if I heard them at all. “The girl helps the king keep his darkness at bay.
Elizabeth May (The Fallen Kingdom (The Falconer, #3))