Faerie Prince Quotes

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I am going to keep on defying you. I am going to shame you with my defiance. You remind me that I am a mere mortal and you are a prince of Faerie. Well, let me remind you that means you have much to lose and I have nothing. You may win in the end, you may ensorcell me and hurt me and humiliate me, but I will make sure you lose everything I can take from you on the way down. I promise you this is the least of what I can do.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Careful, human." Grimalkin appeared on the corner of the stage, overshadowed by the dead chimera. "Do not lose your heart to a faery prince. It never ends well.
Julie Kagawa (The Iron King (The Iron Fey, #1))
There you are," Cardan says as I take my place beside him. "How has the night been going for you? Mine has been full of dull conversation about how my head is going to find itself on a spike.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
He looks like a faerie lover stepped out of a ballad, the kind where no good comes to the girl who runs away with him.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
You have only seen the least of what I can do.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Sharpen your heart.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Go ahead. Insult me.” His eyebrows go up. “I don’t take commands from mortals,” he says with his customary cruel smile. “So you’re going to say something nice? I don’t think so. Faeries can’t lie.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Careful, human.” Grimalkin appeared on the corner of the stage, overshadowed by the dead chimera. “Do not lose your heart to a faery prince. It never ends well.” “Who asked you?” I glared at him. “And why do you always pop up when you’re not wanted? You got your payment. Why are you still following me?” “You are amusing,” purred Grimalkin.
Julie Kagawa (The Iron King (The Iron Fey, #1))
Whoever controls the king, controls the kingdom
Holly Black (The Cruel Prince (The Folk of the Air, #1))
I ached for him, my stomach twisting painfully. He looked so desolate standing there alone facing a mad queen and several thousand angry fey. His voice was flat and resigned, as if he'd been pushed into a corner and had given up, not caring what happened next.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
Faerie might be beautiful, but its beauty is like a golden stag’s carcass, crawling with maggots beneath his hide, ready to burst.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Mortals are fragile," I say. "Not you," he says in a way that sounds a little like a lament. "You never break." Which is ridiculous, as hurt as I am. I feel like a constellation of wounds, held together with string and stubbornness. Still, I like hearing it. I like everything he's saying all too well. That boy is your weakness.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Why am I the way I am?” His tone makes it clear he’s proposing something I might suggest he ask, not really wondering about it. “There are no real answers, Jude. Why was I cruel to Folk? Why was I awful to you? Because I could be. Because I liked it. Because, for a moment, when I was at my worst, I felt powerful, and most of the time, I felt powerless, despite being a prince and the son of the High King of Faerie.
Holly Black (The Wicked King (The Folk of the Air, #2))
In Faerie, there are no fish sticks, no ketchup, no television.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Faeries make up for their inability to lie with a panoply of deceptions and cruelties. Twisted words, pranks, omissions, riddles, scandals, not to mention their revenges upon one another for ancient, half-remembered slights. Storms are less fickle than they are, seas less capricious.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
You remind me that I am a mere mortal and you are a prince of Faerie. Well, let me remind you that means you have much to lose and I have nothing.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
I am a great thief. I can steal just about anything. But a faerie prince's heart? I wouldn't know where to start.
Lexi Ryan (These Hollow Vows (These Hollow Vows, #1))
There was a soft chuckle beside me, and my heart stopped. "So this is Oberon's famous half-blood," Ash mused as I whirled around. His eyes, cold and inhuman, glimmered with amusement. Up close, he was even more beautiful, with high cheekbones and dark tousled hair falling into his eyes. My traitor hands itched, longing to run my fingers through those bangs. Horrified, I clenched them in my lap, trying to concentrate on what Ash was saying. "And to think," the prince continued, smiling, "I lost you that day in the forest and didn't even know what I was chasing." I shrank back, eyeing Oberon and Queen Mab. They were deep in conversation and did not notice me. I didn't want to interrupt them simply because a prince of the Unseelie Court was talking to me. Besides, I was a faery princess now. Even if I didn't quite believe it, Ash certainly did. I took a deep breath, raised my chin, and looked him straight in the eye. "I warn you," I said, pleased that my voice didn't tremble, "that if you try anything, my father will remove your head and stick it to a plaque on his wall." He shrugged one lean shoulder. "There are worse things." At my horrified look, he offered a faint, self-derogatory smile. "Don't worry, princess, I won't break the rules of Elysium. I have no intention of facing Mab's wrath should I embarrass her. That's not why I'm here." "Then what do you want?" He bowed. "A dance." "What!" I stared at him in disbelief. "You tried to kill me!" "Technically, I was trying to kill Puck. You just happened to be there. But yes, if I'd had the shot, I would have taken it." "Then why the hell would you think I'd dance with you?" "That was then." He regarded me blandly. "This is now. And it's tradition in Elysium that a son and daughter of opposite territories dance with each other, to demonstrate the goodwill between the courts." "Well, it's a stupid tradition." I crossed my arms and glared. "And you can forget it. I am not going anywhere with you." He raised an eyebrow. "Would you insult my monarch, Queen Mab, by refusing? She would take it very personally, and blame Oberon for the offense. And Mab can hold a grudge for a very, very long time." Oh, damn. I was stuck.
Julie Kagawa (The Iron King (The Iron Fey, #1))
Harden your heart.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
This is how a faerie loves: with her whole body and soul. This is how a faerie loves: with destruction. This is how a faerie loves: with a gift.
Cassandra Clare (Pale Kings and Princes (Tales from the Shadowhunter Academy, #6))
Reading list (1972 edition)[edit] 1. Homer – Iliad, Odyssey 2. The Old Testament 3. Aeschylus – Tragedies 4. Sophocles – Tragedies 5. Herodotus – Histories 6. Euripides – Tragedies 7. Thucydides – History of the Peloponnesian War 8. Hippocrates – Medical Writings 9. Aristophanes – Comedies 10. Plato – Dialogues 11. Aristotle – Works 12. Epicurus – Letter to Herodotus; Letter to Menoecus 13. Euclid – Elements 14. Archimedes – Works 15. Apollonius of Perga – Conic Sections 16. Cicero – Works 17. Lucretius – On the Nature of Things 18. Virgil – Works 19. Horace – Works 20. Livy – History of Rome 21. Ovid – Works 22. Plutarch – Parallel Lives; Moralia 23. Tacitus – Histories; Annals; Agricola Germania 24. Nicomachus of Gerasa – Introduction to Arithmetic 25. Epictetus – Discourses; Encheiridion 26. Ptolemy – Almagest 27. Lucian – Works 28. Marcus Aurelius – Meditations 29. Galen – On the Natural Faculties 30. The New Testament 31. Plotinus – The Enneads 32. St. Augustine – On the Teacher; Confessions; City of God; On Christian Doctrine 33. The Song of Roland 34. The Nibelungenlied 35. The Saga of Burnt Njál 36. St. Thomas Aquinas – Summa Theologica 37. Dante Alighieri – The Divine Comedy;The New Life; On Monarchy 38. Geoffrey Chaucer – Troilus and Criseyde; The Canterbury Tales 39. Leonardo da Vinci – Notebooks 40. Niccolò Machiavelli – The Prince; Discourses on the First Ten Books of Livy 41. Desiderius Erasmus – The Praise of Folly 42. Nicolaus Copernicus – On the Revolutions of the Heavenly Spheres 43. Thomas More – Utopia 44. Martin Luther – Table Talk; Three Treatises 45. François Rabelais – Gargantua and Pantagruel 46. John Calvin – Institutes of the Christian Religion 47. Michel de Montaigne – Essays 48. William Gilbert – On the Loadstone and Magnetic Bodies 49. Miguel de Cervantes – Don Quixote 50. Edmund Spenser – Prothalamion; The Faerie Queene 51. Francis Bacon – Essays; Advancement of Learning; Novum Organum, New Atlantis 52. William Shakespeare – Poetry and Plays 53. Galileo Galilei – Starry Messenger; Dialogues Concerning Two New Sciences 54. Johannes Kepler – Epitome of Copernican Astronomy; Concerning the Harmonies of the World 55. William Harvey – On the Motion of the Heart and Blood in Animals; On the Circulation of the Blood; On the Generation of Animals 56. Thomas Hobbes – Leviathan 57. René Descartes – Rules for the Direction of the Mind; Discourse on the Method; Geometry; Meditations on First Philosophy 58. John Milton – Works 59. Molière – Comedies 60. Blaise Pascal – The Provincial Letters; Pensees; Scientific Treatises 61. Christiaan Huygens – Treatise on Light 62. Benedict de Spinoza – Ethics 63. John Locke – Letter Concerning Toleration; Of Civil Government; Essay Concerning Human Understanding;Thoughts Concerning Education 64. Jean Baptiste Racine – Tragedies 65. Isaac Newton – Mathematical Principles of Natural Philosophy; Optics 66. Gottfried Wilhelm Leibniz – Discourse on Metaphysics; New Essays Concerning Human Understanding;Monadology 67. Daniel Defoe – Robinson Crusoe 68. Jonathan Swift – A Tale of a Tub; Journal to Stella; Gulliver's Travels; A Modest Proposal 69. William Congreve – The Way of the World 70. George Berkeley – Principles of Human Knowledge 71. Alexander Pope – Essay on Criticism; Rape of the Lock; Essay on Man 72. Charles de Secondat, baron de Montesquieu – Persian Letters; Spirit of Laws 73. Voltaire – Letters on the English; Candide; Philosophical Dictionary 74. Henry Fielding – Joseph Andrews; Tom Jones 75. Samuel Johnson – The Vanity of Human Wishes; Dictionary; Rasselas; The Lives of the Poets
Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
Puck threw Ash a mocking smile. “You look like crap, Prince. Did you miss me?” Ash frowned, stabbing a faery that was clawing at his feet. “What are you doing here, Goodfellow?” he asked coldly, which only caused Puck’s grin to widen. “Rescuing the princess from the Winter Court, of course.” Puck looked down as the wire-fey piled on the squealing boar, ripping and slicing. It exploded into a pile of leaves, and they skittered back in confusion. “Though it appears I’m saving your sorry ass, as well.” “I could’ve handled it.” “Oh, I’m sure.” Puck brandished a pair of curved daggers, the blades clear as glass. His grin turned predatory. “Well, then, shall we get on with it? Try to keep up, Your Highness.” “Just stay out of my way.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
You’re an idiot, half-breed,” she taunted, as I kicked snow at her. She dodged easily. “Rowan’s too good for you, and he’s experienced. Most everyone, fey and mortal boys included, would give their teeth to have him to themselves for a night. Try him. I guarantee you’ll like it.” “Not interested,” I snapped, glaring at her with narrowed eyes. My butt still stung, making my words sharp. “I’m done playing games with faery princes. They can go to hell, for all I care. I’d rather strip naked for a group of redcaps.” “Ooh, if you do, can I watch?
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
They loved him because he was a prince and a faerie and magical and you were supposed to love princes and faeries and magical people.
Holly Black (The Darkest Part of the Forest)
I hate you because your father loves you even though you're a human brat born to his unfaithful wife, while mine never cared for me, though I am a prince of Faerie. I hate you because Locke used you and your sister to make Nicasia cry after he stole her from me. Besides which, after the tournament, Balekin never failed to throw you in my face as the mortal who could best me.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Quaint and picturesque, though I didn't voice my opinion out loud. Keirran and Annwyl were faeries, and Kenzie was a girl, so it was okay for them to notice such things. as a card-carrying guy club, I wasn't going to comment on the floral arrangements.
Julie Kagawa (The Lost Prince (The Iron Fey: Call of the Forgotten, #1))
You’re terrible at this whole ‘tell me whatever I want to know’ thing.” My hand goes to the crossbow, but I don’t pick it up. He sighs. “Just ask me something. Ask about my tail. Don’t you want to see it?” He raises his brows.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
They were in love with him because he was a prince and a faerie and magical and you were supposed to love princes and faeries and magic people. They loved him the way they’d loved Beast the first time he swept Belle around the dance floor in her yellow dress. They loved him as they loved the Eleventh Doctor with his bow tie and his flippy hair and the Tenth Doctor with his mad laugh. They loved him as they loved lead singers of bands and actors in movies, loved him in such a way that their shared love brought them closer together.
Holly Black (The Darkest Part of the Forest)
I could have mixed a thousand colors together, but I would never have been able to paint his eyes as I saw them then, in all their evanescent beauty. - Breena Malloy about Kian from Bitter Frost by Kailin Gow.
Kailin Gow (Bitter Frost (Frost, #1))
I love you, she told him, night after night, for seven years. Faeries cannot lie, and he knew that.
Cassandra Clare (Pale Kings and Princes (Tales from the Shadowhunter Academy, #6))
Dead or not, I have come for his heart and I will have it.
Holly Black (Valiant (Modern Faerie Tales, #2))
Surprised?” I ask, a fierce grin starting on my face. The most important boy in Faerie and my enemy, finally in my power. It feels even better than I thought it would. “You shouldn’t be.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
The Winter Prince was before me, with his noble, knightly bearing and the impossible beauty that is paralytic at close range. And I wanted nothing more than to vanish into his arms, and his embrace, but I saw the look on his face and I remembered then that he was my enemy and that there was only one thing to do. Run.
Kailin Gow
He drew in a shaky breath. "How can you ask me to let you die?" he choked, still keeping the blade at the prince's throat. A thread of blood formed under the knife, and ran down to Ash's collar. "I'd do anything for you, Meghan. Just...not that. Not that." Gently, I reached up and closed my fingers around the knife hilt, easing it down and away from Ash's neck. Puck resisted for a moment, then stepped back with a sob. The dagger fell from his grip and clanged to the floor.
Julie Kagawa
Instead of being afraid, I will become something to fear.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Give me the setting sun, and I’ll be a richer man than most. For never have I seen gold like that which glows above the earth. Give me the night sky, and I’ll be the richest man for sure. For never have I seen diamonds like those that dance beside the moon.
Rachel Morgan (The Faerie Prince)
What is a king without a crown? That’s a riddle, but one to which we all know the answer: no king at all.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
The whole place looks straight out of a fairy tale, the kind where love is a simple thing, never the cause of pain.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I looked at Ash over the table; his silver gaze met mine, and I felt my heart swell in my chest. I was in a faery tale, wasn't I? I was playing my part in the story, the human girl who had fallen in love with a faery prince.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
She groaned and closed those eyes. “Do not look at me like that. You will make me smile, and I refuse to smile when I am attempting to stay mad at you.
Jenni James (The Frog Prince (Faerie Tale Collection, #8))
I knew you were the real threat. Mortals always are, aren’t they? If you read the stories. The arrogant faerie prince who can make gold from straw is always undone by the humble miller’s daughter, not some powerful rival of his own stature.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
You are more beautiful than any other girl in this room.
Rachel Morgan (The Faerie Prince (Creepy Hollow #2))
She is crazy. Head to head with an ogre. Loony Lolli, Sketchy Dave, Crazy Val. You're all a bunch of freaks." Val made a formal bow, dipping her head in their direction, and then sat on the blanket. Loony Luis, more likely," Lolli said, kicking her flip-flop in his direction. Luis One-Eye," Dave said. Luis smirked. "Bug-head Dave." Princess Luis," Dave said. "Prince Valiant." Val laughed, thinking of the first time Dave had called her that. "How about Dreaded Dave?" Luis leaned over, grabbing his brother in a headlock, both of them rolling on the cloth, and said, "How about Baby Brother? Baby Brother Dave?" Hey," Lolli said. "What about me? I want to be a princess like Luis.
Holly Black (Valiant (Modern Faerie Tales, #2))
I said ten years, but perhaps seven will be enough. That's not so long. Seven years of drinking poison, of never sleeping, of living on high alert. Seven more years, and then maybe Faerie will be a safer, better land. And I will have earned my place in it. The great game, Locke had called it when he accused me of playing it. I wasn't then, but I am now. And maybe I learned something from Locke. He made me into a story, and now I am going to make a story out of someone else.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
It is said that faerie children are not like mortal children. They need little in the way of love. They need not be tucked in at night, but may sleep just as happily in a cold corner of a ballroom, curled up in a tablecloth. They need not be fed; they are just as happy lapping up dew and skimming bread and cream from the kitchens. They need not be comforted, since they seldom weep. But if faerie children need little love, faerie princes require some counsel.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Before Helen pointed out that this wasn’t a promise he could truly make, Kieran cleared his throat. The sound was very ordinary and human and nearly made Helen smile despite herself. “I would that I had ever had a sibling who loved me as much as you love each other,” he said, sounding very much like a prince of Faerie. The semblance was quickly dispelled, though, when he cleared his throat again and said, “In the meantime, Helen, I must ask you to remove yourself from my leg. You are sitting on it and it is becoming quite painful.
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
the worth of the soul is so much greater than what is first perceived. Equality and love for all became the founding basis
Jenni James (The Frog Prince (Faerie Tale Collection, #8))
It was the tiny glowing butts that changed your mind, wasn't it?
Rachel Morgan (The Faerie Prince (Creepy Hollow #2))
Give me the setting sun, and I’ll be a richer man than most / For never have I seen gold like that which glows above the earth. / Give me the night sky, and I’ll be rich beyond all ruin / For never have I seen diamonds like those that dance beside the moon.
Rachel Morgan (The Faerie Prince (Creepy Hollow #2))
It feels like I've been lost in the desert for many years, and ... I've finally come home.
Rachel Morgan (The Faerie Prince (Creepy Hollow #2))
It’s only in faerie tales that everything works out for the best with a magik spell or a prince’s kiss. It’s only in storybooks some little bastard picks up a sword and wields it like he was born to it. The rest of us? We have to work our arses off. And we might not ever taste triumph, but at least we dared to fail. We stand apart from those cowards whispering on the sidelines about how the strong did stumble, while never daring to set foot in the ring themselves. Victors are just folk who were never satisfied being vanquished. The only thing worse than finishing last is not beginning at all. And fuck finishing last.
Jay Kristoff (Empire of the Vampire (Empire of the Vampire, #1))
After every battle, he ritually dips his hood into the blood of his enemies. I’ve seen the hood, kept under glass in the armory. The fabric is stiff and stained a brown so deep it’s almost black, except for a few smears of green. Sometimes I go down and stare at it, trying to see my parents in the tide lines of dried blood. I want to feel something, something besides a vague queasiness. I want to feel more, but every time I look at it, I feel less.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
When we return from the north,” he promises, hand to his heart in an exaggerated way that lets me know he considers this a silly vow rather than a solemn one, “they will wake to find their shoes filled with fine, fat rubies. They can use them to buy new leggings and another roast chicken.” “How will they sell rubies?” I ask him. “Why not leave them something more practical?” He rolls his eyes. “As a prince of Faerie, I flatly refuse to leave cash. It’s inelegant.” Tiernan shakes his head at both of us, then pokes at the foodstuffs, selecting a handful of nuts. “Gift cards are worse,” Oak says when I do not respond. “I would bring shame on the entire Greenbriar line if I left a gift card.” At that, I can’t help smiling a little, despite my heavy heart. “You’re ridiculous.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Instead of fighting it, I close my eyes and let myself go. I feel the muscles of his shoulder beneath my hand. The frame his arms create is strong, secure, but I want those arms tighter around me. Much tighter around me. Much tighter, much closer. I want there to be no space at all between us. I. Want. Him. So. Badly. I want to kiss him, laugh with him, cry with him, share every freaking moment of my life with him because no matter how many awful things he's done in the past, I can't shake the undeniable feeling that when his arms are around me, I'm home.
Rachel Morgan (The Faerie Prince (Creepy Hollow, #2))
That’s how I woke up under a bridge with a monster hangover and a date with an earthbound faery prince.
Lexi Blake (Steal the Light (Thieves, #1))
Hot chocolate with mini rose-infused star marshmallows floating on its surface and a swirling cinnamon cloud above it.
Rachel Morgan (The Faerie Prince (Creepy Hollow #2))
I've learned that the flesh that clothes us means very little." Prince Ashton
Genevra Thorne (The Beloved (Faerie Tale, #2))
Wallowing in self-pity was only warranted on rainy, dismal days.
Jenni James (The Frog Prince (Faerie Tale Collection, #8))
Let me guess. The faerie prince had enraged the Downworlders of France by ordering a steak well done.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
I hate you.” “Hate you too, Kitty Cat. So very much.” The nickname made me forget my comeback. “What? No don’t call me that?” he said in a high-pitched, nasally voice. “I don’t sound like that.” “That’s the way all women sound to me.” “You’re such a pig.” “You mean faerie prince.” “More like woodland swine.” He chuckled. “It’s so easy to rile you up. So easy.
Olivia Wildenstein (Rowan Wood Legends (The Lost Clan, #2))
He looks every bit the handsome faerie prince, beloved by everyone and everything. Rabbits probably eat from his hands. Blue jays try to feed him worms meant for their own children.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
But unlike anyone else,” Ryn adds, “if you upset the Seelie Queen, she might start shrieking, ‘Off with their heads!’.” The four of us stare at him. He stares back. “What? It’s . . . from a book. Never mind.
Rachel Morgan (The Faerie Prince (Creepy Hollow #2))
And then I said to her, Rachel, you're out of your ever-lovin' mind. There's no way in h-e-double-toothpicks you'd find me hookin' up with a faery, especially one of the unseelie court, no matter how well hung he is. Ya just never know with them, do ya? I hear about a witch in Quebec who crossed one of the unseelie princes, and she ended up with three breasts. Can you imagine what she goes through trying to find a bra that fits?
Katie MacAlister (You Slay Me (Aisling Grey, #1))
Ryn looks sideways at me and raises an eyebrow,"It's big enough for two." -"You're joking right?Why don't you pretend to be a gentleman and give me the bed?" He laughs. "Now you're joking." -"Of course." I sigh. "I have nothing but the lowest of expectations when it comes to you, Ryn." -"And I shall continue to live down to them.
Rachel Morgan (The Faerie Prince (Creepy Hollow, #2))
The odd thing about ambition is this: You can acquire it like a fever, but it is not so easy to shed. Once, I was content to hope for knighthood and the power to force Cardan and his friends to leave me alone. All I wanted was to find some place to fit in here in Faerie. Now I wonder what it would be like to choose the next king.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
There is no doubt in my mind that he means it, no doubt at all.Gasping, I pull the knife from my little pocket and stab him in the side. Right between the ribs. If my knife had been longer, I would have punctured his lung. His eyes go wide with shock. His grip on me loosens. I know what Madoc would say-to push the blade higher. Go for an artery. Go for his heart. But if I mange it, I will have murdered one of the favoured sons of Faerie. I cannot even guess my punishment. You're no killer.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
They were in love with him because he was a prince and a faerie and magical and you were supposed to love princes and faeries and magic people. They loved him the way they’d loved Beast the first time he swept Belle around the dance floor in her yellow dress. They loved him as they loved the Eleventh Doctor with his bow tie and his flippy hair and the Tenth Doctor with his mad laugh.
Holly Black (The Darkest Part of the Forest)
I stomp back through the hall to my room and swing open the door, only to find Oak lounging in one of the chairs, his long limbs spread out in shameless comfort. A flower crown of myrtle rests just above his horns. With it, he wears a new shirt of white linen and scarlet trousers embroidered with vines. Even his hooves appear polished. He looks every bit the handsome faerie prince, beloved by everyone and everything. Rabbits probably eat from his hands. Blue jays try to feed him worms meant for their own children.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
In the Land under the Hill, in the Time Before … Once upon a time, there was a beautiful lady of the Seelie Court who lost her heart to the son of an angel. Once upon a time, there were two boys come to the land of Faerie, brothers noble and bold. One brother caught a glimpse of the fair lady and, thunderstruck by her beauty, pledged himself to her. Pledged himself to stay. This was the boy Andrew. His brother, the boy Arthur, would not leave his side. And so the boys stayed beneath the hill, and Andrew loved the lady, and Arthur despised her. And so the lady kept her boy close to her side, kept this beautiful creature who swore his fealty to her, and when her sister lay claim to the other, the lady let him be taken away, for he was nothing. She gave Andrew a silver chain to wear around his neck, a token of her love, and she taught him the ways of the Fair Folk. She danced with him in revels beneath starry skies. She fed him moonshine and showed him how to give way to the wild. Some nights they heard Arthur’s screams, and she told him it was an animal in pain, and pain was in an animal’s nature. She did not lie, for she could not lie. Humans are animals. Pain is their nature. For seven years they lived in joy. She owned his heart, and he hers, and somewhere, beyond, Arthur screamed and screamed. Andrew didn’t know; the lady didn’t care; and so they were happy. Until the day one brother discovered the truth of the other. The lady thought her lover would go mad with the grief of it and the guilt. And so, because she loved the boy, she wove him a story of deceitful truths, the story he would want to believe. That he had been ensorcelled to love her; that he had never betrayed his brother; that he was only a slave; that these seven years of love had been a lie. The lady set the useless brother free and allowed him to believe he had freed himself. The lady subjected herself to the useless brother’s attack and allowed him to believe he had killed her. The lady let her lover renounce her and run away. And the lady beheld the secret fruits of their union and kissed them and tried to love them. But they were only a piece of her boy. She wanted all of him or none of him. As she had given him his story, she gave him his children. She had nothing left to live for, then, and so lived no longer. This is the story she left behind, the story her lover will never know; this is the story her daughter will never know. This is how a faerie loves: with her whole body and soul. This is how a faerie loves: with destruction. I love you, she told him, night after night, for seven years. Faeries cannot lie, and he knew that. I love you, he told her, night after night, for seven years. Humans can lie, and so she let him believe he lied to her, and she let his brother and his children believe it, and she died hoping they would believe it forever. This is how a faerie loves: with a gift.
Cassandra Clare (Pale Kings and Princes (Tales from the Shadowhunter Academy, #6))
I put both of my hands on the desk. 'Just tell me why you hate me. Once and for all.' His long fingers smooth over the wood of Dain's desk. 'You really want honesty?' 'I am the one with the crossbow, not shooting you because you promised me answers. What do you think?' 'Very well.' He fixes me with a spiteful look. 'I hate you because your father loves you even though you're a human brat born to his unfaithful wife, while mine never cared for me, though I am a prince of Faerie. I hate you because you don't have a brother who beats you. And I hate you because Locke used you and your sister to make Nicasia cry after he stole her from me. Besides which, after the tournament, Balekin never failed to throw you in my face as the mortal who could best me.' ... 'Is that all?' I demand. 'Because it's ridiculous. You can't be jealous of me. You don't have to live at the sufferance of the same person who murdered your parents. You don't have to stay angry because if you don't, there's a bottomless well of fear ready to open up under you.' I stop speaking abruptly, surprised at myself. I said I wasn't going to be charmed, but I let him trick me in to opening up to him. As I think that, Cardan's smile turns in to a more familiar sneer. 'Oh, really? I don't know about being angry? I don't know about being afraid? You're not the one bargaining for your life.' 'That's really why you hate me?' I demand. 'Only that? There's no better reason?' For a moment, I think he's ignoring me, but then I realise he's not answering me because he can't lie and he doesn't want to tell the truth. 'Well?' I say, lifting the crossbow again, glad to have a reason to reassert my position as the person in charge. 'Tell me!' He leans in and closes his eyes. 'Most of all, I hate you because I think of you. Often. It's disgusting, and I can't stop.' I am shocked in to silence. 'Maybe you should shoot me after all,' he says, covering his face with one long-fingered hand.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Yes, I wanted to remain here in Faerie, with Wendell. Yes, I knew it went against reason and common sense--- ordinarily two of my strengths. My arguments with Rose had been nonsense all along, because the truth was that I agreed with him. Of course it wasn't a sane decision to befriend a monarch of the Folk, let alone marry one, particularly if he reigned over the Silva Lupi. Nor did I think Wendell was different from other Folk, particularly--- kinder, less enigmatic, or somehow more human. I simply didn't care. I loved him, and I suspected that I would grow to love this beautiful, horrifying place if given the chance. I wanted the chance. I wanted Faerie, its every secret and its every door. If there was danger in my decision--- and I knew there was--- then so be it. I would accept danger, if it meant I could have this.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
No, Emily--- it was you I worried about. From the first rumors I heard of you, of your cleverness, your high regard for my silly son, I knew you were the real threat. Mortals always are, aren't they? If you read the stories. The arrogant faerie prince who can make gold from straw is always undone by the humble miller's daughter, not some powerful rival of his own stature." My stomach grew queasy. I had never felt so out of my depth when conversing with one of the Folk, not even the snow king of Ljosland. Wendell had been right, but it was no comfort to know that his stepmother had been afraid of me. I am used to being underestimated by the Folk--- nothing could be more dangerous than the opposite.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
Do not lose your heart to a faery prince. It never ends well.
Julie Kagawa (The Iron King (The Iron Fey, #1))
The Folk do not rot the way mortals do. Sometimes their bodies grow over with lichen or bloom with mushrooms. I've heard stories about battlefields turning in to green hills.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
I feel light. I am unwinding. I am unfurling like a banner.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
I wrench my mouth free and scream, but screams in Faerie are like bird-song, too common to attract much attention.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
-"This is incredible Ryn. It is. But-" -"No." He turns around. "No buts. You think I'm going to hurt you? You think I'm going to get bored and run off with some Undergrounder the first chance I get? You obviously have no idea how amazing you are. You, Violet Fairdale, are incredible, and I want you. Every part of you. I want your stubbornness and your sarcasm and your competitive spirit. I want you challenging me and fighting beside me. I want to hold you and kiss you and so much more because there's no one else in the world who knows me like you do. You have always been the one for me, even when we couldn't stand each other. You're beautiful and hot and sexy all at once, and you're more intelligent than any girl I've met. I love the fact that I've known you all my life. It just feels right when you're beside me. It feel like I've been lost in the desert for years, and... I've finally come home.
Rachel Morgan (The Faerie Prince (Creepy Hollow, #2))
Why do I get the feeling our relationship is backwards?” Ryn asks as he wanders into my room, shrugs his jacket off, and hangs it over the back of my desk chair. “Isn’t it usually the girl who always wants to talk about feelings and the guy who bottles everything up inside?” “I don’t bottle things up,” I shoot back. Well, there is an imaginary box I like to hide things in, but that’s different. “Right.
Rachel Morgan (The Faerie Prince (Creepy Hollow #2))
I realized that part of me had been waiting for Wendell to make a miraculous recovery. To rescue us all, as well as himself, just when we needed him most. It would fit the pattern of innumerable stories. But perhaps Wendell wasn't part of his kingdom's story anymore. Or he was, but merely as a footnote, a trial for his stepmother to overcome as she rose from powerful to unstoppable-- to irrevocably weave herself into the fabric of her world, as the king of Ljosland had. And if he was a footnote, what did that make me? I leaned close, breathing in the smell of his hair--- the salt of sweat; smoke from the fire; and the distant smell of green leaves that never left him. "My answer is yes," I whispered in his ear.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
So I am going to run away from Faerie. Like you.' That's not how I'd thought of myself, as a runaway. I was someone with nowhere to go. Waiting until I was older. Or less afraid. Or more powerful. 'The Prince of Elfhame can't up and disappear.' 'They'd probably be happier if I did,' he told me. 'I'm the reason my father is in exile. The reason my mother married him in the first place. My one sister and her girlfriend had to take care of me when I was little, even though they were barely more than kids themselves. My other sister almost got killed lots of times to keep me safe. Things will be easier without me around. They'll see that.' 'They won't,' I told him, trying to ignore the intense surge of envy that came with knowing he would be missed.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
And then I'm dancing, swept away by the music and the magic and Ryn's arms guiding me. We spin graceful circles around the floor. Ryn lets go of me and I twirl beneath his arm, laughing at the same time. It is so not me, and yet I find I'm actually enjoying it. "See?" Ryn says, "This is easy. And you might possibly be having fun." The magic guides me as I step out of Ryn's arms, twirl behind his back, and catch his hand. "You might possibly be right." He pulls me back into position. "Oh, I forgot to tell you something," he says. He leans forward and his lips brush my ear as he whispers, "You are more beautiful than any other girl in this room.
Rachel Morgan (The Faerie Prince (Creepy Hollow, #2))
Get down on your knees,' Cardan says, looking insufferably pleased with himself. His fury has transmuted in to gloating. 'Beg. Make it pretty. Flowery. Worthy of me.' ... 'Beg? I echo. For a moment, he looks surprised, but that's quickly replaced by even greater malice. 'You defied me. More than once. Your only hope is to throw yourself on my mercy in front of everyone. Do it, or I will keep hurting you until there is nothing left to hurt.' ... There is no shame in surrender. As Taryn said, they're just words. I don't have to mean them. I can lie. I start to lower myself to the ground. This will be over quickly, every word will taste like bile, and then it will be over. When I open my mouth, though, nothing comes out. I can't do it. Instead I shake my head at the thrill running through me at the sheer lunacy of what I'm about to do. It's the thrill of leaping without being able to see the ground below you, right before you realise that's called falling. 'You think because you can humiliate me, you can control me?' I say, looking him in those black eyes. 'Well, I think you're an idiot. Since we started being tutored together, you've gone out of your way to make me feel like I'm less than you. And to coddle your ego, I have made myself less. I have made myself small, I have kept my head down. But it wasn't enough to make you leave Taryn and me alone, so I'm not going to do that anymore. 'I am going to keep on defying you. I am going to shame you with my defiance. You remind me that I am a mere mortal and you are a prince of Faerie. Well, let me remind you that means you have much to lose and I have nothing. You may win in the end, you may ensorcell me and hurt me and humiliate me, but I will make sure you lose everything I can take from you on the way down. I promise you this'- I throw his own words back at him- 'this is the least of what I can do.' Cardan looks at me as though he's never seen me before. He looks at me as though no one has ever spoken to him like this. Maybe no one has.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
You think because you've got that good royal blood in you, you're better than us,' says the ogre, pressing one long fingernail against the prince's shoulder. 'Maybe you are. Only way to be sure is to have a taste.' There's a drunken wobble to Oak's movements as he pushes off the ogre's hand and obvious contempt in his voice. 'The difference in flavour would be too subtle for your palate.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
He rolls his eyes. “As a prince of Faerie, I flatly refuse to leave cash. It’s inelegant.” Tiernan shakes his head at both of us, then pokes at the foodstuffs, selecting a handful of nuts. “Gift cards are worse,” Oak says when I do not respond. “I would bring shame on the entire Greenbriar line if I left a gift card.” At that, I can’t help smiling a little, despite my heavy heart. “You’re ridiculous.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Why am i the way i am?" His tone makes it clear he's proposing something i might suggest he ask, not really wondering about it. "There are no real answers,Jude.Why was i cruel to Folk? Why was i awful to you? Because I could be. Because I like it. Because, fot a moment, when i was at my worst, i felt powerful, and most of the time, i felt powerless, despite being a prince and the son of the High King of Faerie.
Holly Black (The Wicked King)
Dear lady,' says a faerie, coming toward us from a shop that sells jewels. He has the eyes of a snake and forked tongue that darts out when he speaks. 'This hairpin looks as though it were made for you.' It's beautiful, woven gold and silver in the shape of a bird, a single green bead in its mouth. Had it been in a display, my eyes would have passed over it as one of a dozen unobtainable things. But as he holds it out, I can't help imaging it as as mine. 'I have no money and little to trade,' I tell him regretfully, shaking my head. The shopkeeper's gaze goes to Oak. I think he believes the prince is my lover. Oak plays the part, reaching out his hand for the pin. 'How much is it? And will you take silver, or must it be the last wish of my heart?' 'Silver is excellent.' The shopkeeper smiles as Oak fishes through his bag for some coins. Part of me wants to demur, but I let him buy it, and then I let him use it to pin back my hair. His fingers on my neck are warm. It's only when he lets go that I shiver. He gives me a steady look. 'I hope you're not about to tell me that you hate it and you were just being polite.' 'I don't hate it,' I say softly. 'And I am not polite.' He laughs at that. A delightful quality. I admire the hairpin in every reflective surface we pass.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
I am going to keep on defying you. I am going to shame you with my defiance. You remind me that I am a mere mortal and you are a prince of Faerie. Well, let me remind you that means you have much to lose and I have nothing. You may win in the end, you may ensorcell me and hurt me and humiliate me, but I will make sure you lose everything I can take from you on the way down. I promise you this”—I throw his own words back at him—“this is the least of what I can do.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
How will they sell rubies?' I ask him. 'Why not leave them something more practical?' 'As a prince of Faerie, I flatly refuse to leave cash. It's inelegant.' Tiernan shakes his head at both of us, then pokes at the foodstuffs selecting a handful of nuts. 'Gift cards are worse,' Oak says when I do not respond. 'I would bring shame to the entire Greenbriar line if I left a gift card.' At that, I can't help smiling a little, despite my heavy heart. 'You're ridiculous.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Do you have questions like that for your father?' 'Why am I the way I am?' His tone makes it clear he's proposing something I might suggest he ask, not really wondering about it. 'There are no real answers, Jude. Why was I cruel to Folk? Why was I awful to you? Because I could be. Because I liked it. Because, for a moment, when I was at my worst, I felt powerful, and most of the time, I felt powerless, despite being a prince and the son of the High King of Faerie.' 'That's an answer,' I say.
Holly Black (The Wicked King (The Folk of the Air, #2))
I stand in front of the polished wood door, lit by two lamps of trapped sprites who fly in desperate circles. They illuminate a carving of an enormous and sinister face. The knocker, a circle piercing its nose. Cardan reaches for it, and because I have grown up in Faerie, I am not entirely surprised in to a scream when the door's eyes open. 'My prince,' it says. 'My door,' he says in return, with a smile that conveys both affection and familiarity. It's bizarre to see his obnoxious charm used for something other than evil.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
The gospel does have many of the earmarks of a fairy tale. In fairy tales you have the poor boy who becomes rich, the leaden cabinet which turns out to have the treasure in it, the ugly duckling who turns out to be a swan, the frog who becomes a prince. Then we come to the gospel, where it's the Pharisees, the good ones, who turn out to he the villains. It's the whores and tax collectors who turn out to he the good ones. Just as in fairy tales, there is the impossible happy ending when Cinderella does marry the prince, and the ugly duckling is transformed into a swan, so Jesus is not, in the end, defeated. He rises again. In all these ways there is a kind of fairy tale quality to the gospel, with the extraordinary difference, of course, that this is the fairy tale that claims to he true. The difference is that this time it's not just a story being told-it's an event. It did happen! Here's a fairy tale come true. -Frederich Buechner, interview in The Door In a utilitarian age, of all other times, it is a matter of grave importance that fairy tales should he respected.
Ranelda Mack Hunsicker (Faerie Gold: Treasures From The Land Of Enchantment (Classics for Young Readers))
A young man with goat feet and horns, wearing a shirt of golden scale mail and holding a thing-bladed rapier, steps in the pool of light near a building. His face is expressionless, like someone in a dream. I note the curls of his tawny blond hair tucked behind his pointed ears, the garnet-coloured cloak tossed over wide shoulders, the scar along one side of his throat, a circlet at his brow. He moves as though he expects the world to bend to his will. ... His amber eyes are bright, like those of a fox, but there is nothing warm in them.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
The two other members of Dain's spy troupe also have code names. There's the lean, handsome faerie that looks at least part human, who winks and tells me to call him the Ghost. He has sandy-coloured hair, which is normal for a mortal, but is unusual for a faerie, and ears that come to very subtle points. The other is a tiny, delicate girl, her skin the dappled brown of a doe, her hair a cloud of white around her head, and a miniature pair of blue-grey butterfly wings on her back. She's got at least some pixie in her, if not some imp. ... 'I'm the Bomb,' she says. 'I like blowing things up.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Later when Cardan, Locke, Nicasia, and Valerian sit down to their lunch, they have to spit out their food in choking horror. All around them are the less awful children of faerie nobles, eating their bread and honey, their cakes and roasted pigeons, their elderflower jam with biscuits and cheese and the fat globes of grapes. But every single morsel in each of my enemies' baskets has been well and thoroughly salted. Cadan's gaze catches mine, and I can't help the evil smile that pulls up the corners of my mouth. His eyes are bright as coals, his hatred a living thing, shimmering in the air between us like the air above black rocks on a blazing summer day.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
La Belle Dame sans Merci O what can ail thee, knight-at-arms, Alone and palely loitering? The sedge has withered from the lake, And no birds sing. O what can ail thee, knight-at-arms, So haggard and so woe-begone? The squirrel’s granary is full, And the harvest’s done. I see a lily on thy brow, With anguish moist and fever-dew, And on thy cheeks a fading rose Fast withereth too. I met a lady in the meads, Full beautiful—a faery’s child, Her hair was long, her foot was light, And her eyes were wild. I made a garland for her head, And bracelets too, and fragrant zone; She looked at me as she did love, And made sweet moan I set her on my pacing steed, And nothing else saw all day long, For sidelong would she bend, and sing A faery’s song. She found me roots of relish sweet, And honey wild, and manna-dew, And sure in language strange she said— ‘I love thee true’. She took me to her Elfin grot, And there she wept and sighed full sore, And there I shut her wild wild eyes With kisses four. And there she lullèd me asleep, And there I dreamed—Ah! woe betide!— The latest dream I ever dreamt On the cold hill side. I saw pale kings and princes too, Pale warriors, death-pale were they all; They cried—‘La Belle Dame sans Merci Thee hath in thrall!’ I saw their starved lips in the gloam, With horrid warning gapèd wide, And I awoke and found me here, On the cold hill’s side. And this is why I sojourn here, Alone and palely loitering, Though the sedge is withered from the lake, And no birds sing.
John Keats (The Complete Poems)
Magnus’s head was tipped back, his shimmering white suit rumpled like bedsheets in the morning, his white cloak swaying after him like a moonbeam. His mirrorlike mask was askew, his black hair wild, his slim body arching with the dance, and wrapped around his fingers like ten shimmering rings was the light of his magic, casting a spotlight on one dancer, then another. The faerie Hyacinth caught one radiant stream of magic and whirled, holding on to it as if the light were a ribbon on a maypole. The vampire woman in the violet cheongsam, Lily, was dancing with another vampire who Alec presumed was Elliott, given the blue and green stains around his mouth and all down his shirtfront. Malcolm Fade joined in the dance with Hyacinth, though he appeared to be doing a jig and she seemed very puzzled. The blue warlock who Magnus had called Catarina was waltzing with a tall horned faerie.The dark-skinned faerie whom Magnus had addressed as a prince was surrounded by others whom Alec presumed were courtiers, dancing in a circle around him. Magnus laughed as he saw Hyacinth using his magic like a ribbon, and sent shimmering streamers of blue light in several directions. Catarina batted away Magnus’s magic, her own hand glowing faintly white. The two vampires Lily and Elliott both let a magic ribbon wrap around one of their wrists. They did not seem like trusting types, but they instantly leaned into Magnus with perfect faith, Lily pretending to be a captive and Elliott shimmying enthusiastically as Magnus laughed and pulled them toward him in the dance. Music and starshine filled the room, and Magnus shone brightest in all that bright company. As Alec made for the stairs, he brushed past Raphael Santiago, who was leaning against the balcony rail and looking down at the dancing crowd, his dark eyes lingering on Lily and Elliott and Magnus. There was a tiny smile on the vampire’s face. When Raphael noticed Alec, the scowl snapped immediately back on. “I find such wanton expressions of joy disgusting,” he declaimed. “If you say so,” said Alec. “I like it myself.” He reached the foot of the stairs and was crossing the gleaming ballroom floor when a voice boomed out from above. “This is DJ Bat, greatest werewolf DJ in the world, or at least in the top five, coming to you live from Venice because warlocks make irresponsible financial decisions, and this one is for the lovers! Or people with friends who will dance with them. Some of us are lonely jerks, and we’ll be doing shots at the bar.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
We're a couple of travelers!" I called up to her. "I'm Briony, and this is Ella!" "Grammy said I ought not to talk to strangers!" she called back. "We're not strangers!" Ella shouted. "We're with the union!" I cut her a look and mouthed, Union?, which was silly with this other girl out of earshot. Ella shrugged. There was a pause before the girl called somewhat timidly given we were shouting, "What union?" "We represent the Coalition of Self-Rescuing Princesses," Ella replied. "But I'm not a princess!" "That's fine!" I called, sighing as I prepared to lay on the charm with this ridiculous foible. "We of the Coalition of Self-Rescuing Princesses do not discriminate based on social caste, for we believe that every damsel in distress has the heart of a princess!" "Are you feeling subjugated?" Ella continued. "Yearning to be free, wondering when your prince will come and what's taking him so damn long?
K.B. Shinn (Restless Beauty: A Fractured Faerie Tale)
Cardan is waiting for me when I get off the field. I am struck suddenly be his height, by the arrogant sneer he wears like a crown. He would seem like a prince even dressed in rags. Cardan grabs my face, fingers splayed against my neck. His breath is against my cheek. His other hand grabs my hair, winding it in to a rope. 'Do you know what mortal means? It means born to die. It means deserving of death. That's what you are, what defines you- dying. And yet here you stand, determined to oppose me even as you rot away from the inside out, you corrupt, corrosive mortal creature. Tell me how that is. Do you really think you can win against me? Against a prince of Faerie?' I swallow hard. 'No,' I say. His black eyes simmer with rage. 'So you're not completely lacking in some small amount of animal cunning. Good. Now, beg my forgiveness.' I take a step back and tug, trying to wrench free of his grasp. He holds on to my braid, staring down in to my face with hungry eyes and a small, awful smile. Then he opens his hand, letting me stagger free. Individual strands of hair flutter through the air.
Holly Black (The Cruel Prince (The Folk of the Air, #1))
Come with me,' Cardan says again, drawing me away from the blood-soaked star chart and the others taking their lessons. 'I am a prince of Faerie. You have to do what I want.' He leads me to the dappled shade of an oak tree, then lifts me up so I am seated on a low branch. He keeps his hands on my waist and moves closer, so that he's standing between my thighs. 'Isn't this better?' he says, gazing up at me. I am not sure what he means, but I nod. 'You're so beautiful.' He begins to trace patterns on my arms, then runs his hands down my sides. 'So very beautiful.' His voice is soft, and I make the mistake of looking into his black eyes, at his wicked, curving mouth. 'But your beauty will fade,' he continues, just as softly, speaking like a lover. His hands linger, making my stomach tighten and warmth pool in my belly. 'This smooth skin will wrinkle and spot. It will become as thin as cobwebs. These breasts will droop. Your hair will grow dull and thin. Your teeth will yellow. And all you have and all you are will rot away to nothing. You will be nothing. You are nothing.' 'I'm nothing,' I echo, feeling helpless in the face of his words. 'You come from nothing, and it is to nothing you will return,' he whispers against my neck. A sudden panic overtakes me. I need to get away from him. I push off the edge of the branch, but I don't hit the ground. I just fall and fall and fall through the air, dropping like Alice down the rabbit hole.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
I think I understand now what you meant when you said I have to give up my mortal qualms. And I am willing to do that. But I want you to marry me.' 'Ah.' He sat down on the couch, looking stunned with lack of sleep. 'And so you came here in the middle of the night?' 'I hope that you love me,' I tried to sound the way Oriana did when she forbade us to do things- stern, but not unkind. 'And I will try to live as the Folk do. But you ought to marry me even if neither of those things were true, because otherwise I might ruin your fun.' 'My fun?' he echoed. Then he sounded worried. Then he sounded awake. 'Whatever game you are playing with Nicasia and Cardan,' I said. 'And with me. Tell Madoc we're to be wed and tell Jude about your real intentions or I will start shaping stories of my own.' ... I realised that Locke might teach me lessons, but he wasn't going to like what I did once I learned them. 'You promised-' he began, but I cut him off. 'Not a marriage of a year and a day, either,' I said. 'I want you to love me until you die.' He blinked. 'Don't you mean until you did? Because you're sure to.' I shook my head. 'You're going to live forever. If you love me, I will become a part of your story. I will live on in that.' He looked at me in a way he'd never done before, as though evaluating me all over again. Then he nodded. 'We will marry,' he said, holding up his hand. 'On three conditions. The first is that you will tell no one about us until the coronation of Prince Dain.' That seemed like a small thing, the waiting. 'And during that time, you must not renounce me, no matter what I say or do.' I know the nature of faerie bargains. I should have heard this as the warning that it was. Instead, I was only glad that two of his conditions seemed simple enough to fulfill. 'What else?' Be bold, be bold, but not too bold, lest that your heart's blood should run cold. 'Only this,' Locke said. 'Remember we don't love the way that you do.
Holly Black (The Lost Sisters (The Folk of the Air, #1.5))