Faculty Room Quotes

She was one of those women who kind of numb a fellow's faculties. She made me feel as if I were ten years old and had been brought into the drawing-room in my Sunday clothes to say how-d'you-do.

There was some point as a professor at Stanford and Harvard when I experienced being caught in some kind of a meaningless game in which the students were exquisite at playing the role of students and the faculty were exquisite at playing the role of faculty. I would get up and say what I had read in books and they'd all write it down and give it back as answers on exams but nothing was happening. I felt as if I were in a sound-proof room. Not enough was happening that mattered — that was real.

Sometimes, Kate was downright astonished by how much the women in the faculty lounge sounded like the little girls nattering away in Room 4. It

... All who have brought about a state of sex-consciousness are to blame, and it is they who drive me, when I want to stretch my faculties on a book, to seek it in that happy age ... when the writer used both sides of his mind [the male and female sides of his mind] equally. One must turn back to Shakespeare then, for Shakespeare was androgynous; and so were Keats and Sterne and Cowper and Lamb and Coleridge. Shelley perhaps was sexless. Milton and Ben Jonson had a dash too much of the male in them. So had Wordsworth and Tolstoy.

Women are supposed to be very calm generally: but women feel just as men feel; they need exercise for their faculties and a field for their efforts as much as their brothers do; they suffer from too rigid a restraint, too absolute a stagnation, precisely as men would suffer; and it is narrow-minded in their more privileged fellow-creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags. It is thoughtless to condemn them, or laugh at them, if they seek to do more or learn more than custom has pronounced necessary for their sex.

Let their faculties have room to unfold, and their virtues to gain strength, and then determine where the whole sex must stand in the intellectual scale.

But the sight of the two people getting into the taxi and the satisfaction it gave me made me also ask whether there are two sexes in the mind corresponding to the two sexes in the body, and whether they also require to be united in order to get complete satisfaction and happiness? And I went on amateurishly to sketch a plan of the soul so that in each of us two powers preside, one male, one female; and in the man's brain the man predominates over the woman, and in the woman's brain the woman predominates over the man. The normal and comfortable state of being is that when the two live in harmony together, spiritually co-operating. If one is a man, still the woman part of his brain must have effect; and a woman also must have intercourse with the man in her. Coleridge perhaps meant this when he said that a great mind is androgynous. It is when this fusion takes place that the mind is fully fertilized and uses all its faculties. Perhaps a mind that is purely masculine cannot create, any more than a mind that is purely feminine, I thought.

Hey, ass-hats!” We bolt to our feet when Coach Jensen’s commanding voice snaps toward the bleachers. Our fearless leader—the only Briar faculty member who can get away with calling students “ass-hats”—glares at us from the ice. “Is there a reason your lazy asses are up in those seats when you should all be in the weight room?” he booms. “Quit stalking my practice!” Then he turns to scowl at the trio of freshmen who are snickering behind their gloves. “What’re you ladies laughing at? Hustle!” The players speed forward as if the ice behind them is cracking to pieces. Up in the stands, the guys and I hustle just as fast.

Clairvoyance is the faculty which is awakened when this quality is developed and disciplined, not the clairvoyance of the mediumistic seance rooms, but the true clairvoyance or clear seeing of the mystic. That is, this aspect of the mind has the capacity to interpret that which is seen. Discernment or the capacity to diagnose is the quality of James the son of Alphaeus.

The concept of divine revelation was central to Augustine's epistemology, or theory of knowledge. The metaphor of light is instructive. In our present earthly state we are equipped with the faculty of sight. We have eyes, optic nerves, and so forth- all the equipment needed for sight. But a man with the keenest eyesight can see nothing if he is locked in a totally dark room. So just as an external source of light is needed for seeing, so an external revelation from God is needed for knowing. When Augustine speaks of revelation, he is not speaking of Biblical revelation alone. He is also concerned with "general" or "natural" revelation. Not only are the truths in Scripture dependent on God's revelation, but all truth, including scientific truth, is dependent on divine revelation. This is why Augustine encouraged students to learn as much as possible about as many things as possible. For him, all truth is God's truth, and when one encounters truth, one encounters the God whose truth it is.

In The Price of Admission, journalist Daniel Golden documents the ways in which elite schools manage to find room for the children of alums, big donors, celebrities, athletes, the elite college’s own faculty, and wealthy parents whose estates might eventually make their heirs into big donors.20

Then he skipped out, and saw Sid just starting up the outside stairway that led to the back rooms on the second floor. Clods were handy and the air was full of them in a twinkling. They raged around Sid like a hail-storm; and before Aunt Polly could collect her surprised faculties and sally to the rescue, six or seven clods had taken personal effect, and Tom was over the fence and gone. There was a gate, but as a general thing he was too crowded for time to make use of it. His soul was at peace, now that he had settled with Sid for calling attention to his black thread and getting him into trouble.

And there was some point as a professor at Stanford and Harvard when I experienced being caught in some kind of a meaningless game in which the students were exquisite at playing the role of students and the faculty were exquisite at playing the role of faculty. I would get up and say what I had read in books and they’d all write it down and give it back as answers on exams but nothing was happening. I felt as if I were in a sound-proof room. Not enough was happening that mattered—that was real.

Its All About Choice - The way we see things is affected by what we know or what we believe. In the Middle Ages when men believed in the physical existence of Hell the sight of fire must have meant something different from what it means today. Nevertheless their idea of Hell owed a lot to the sight of fire consuming and the ashes remaining - as well as to their experience of the pain of burns. When in love, the sight of the beloved has a completeness which no words and no embrace can match : a completeness which only the act of making love can temporarily accommodate. Yet this seeing which comes before words, and can never be quite covered by them, is not a question of mechanically reacting to stimuli. (It can only be thought of in this way if one isolates the small part of the process which concerns the eye's retina.) We only see what we look at. To look is an act of choice. As a result of this act, what we see is brought within our reach - though not necessarily within arm's reach. To touch something is to situate oneself in relation to it. (Close your eyes, move round the room and notice how the faculty of touch is like a static, limited form of sight.) We never look at just one thing; we are always looking at the relation between things and ourselves. Our vision is continually active, continually moving, continually holding things in a circle around itself, constituting what is present to us as we are.

Coleridge perhaps meant this when he said that a great mind is androgynous. It is when this fusion takes place that the mind is fully fertilised and uses all its faculties.

She was one of those women who kind of numb a fellow's faculties. She made me feel as if I were ten years old and had been brought into the drawing room in my Sunday clothes to say how-d'you-do.

For one thing, Orlando had a positive hatred of tea; for another, the intellect, divine as it is, and all worshipful, has a habit of lodging in the most seedy of carcases, and often, alas, acts the cannibal among the other faculties so that often, where the Mind is biggest, the Heart, the Senses, Magnanimity, Charity, Tolerance, Kindness, and the rest of them scarcely have room to breathe.

It was better to die, like Eugénie and Digby, in the prime of life with all one's faculties about one. But he wasn't like that, she thought, glancing at the press cuttings. 'A man of singularly handsome presence... shot, fished, and played golf.' No, not like that in the least. He had been a curious man; weak; sensitive; liking titles; liking pictures; and often depressed, she guessed , by his wife's exuberance. She pushed the cuttings away and took up her book. It was odd how different the same person seemed to two different people, she thought. There was Martin, liking Eugénie; and she, liking Digby. She began to read. She had always wanted to know about Christianity - how it began; what it meant, originally. God is love, The kingdom of Heaven is within us, sayings like that she thought, turning over the pages, what did they mean? The actual words were very beautiful. But who said them - when? Then the spout of the tea-kettle puffed steam at her and she moved it away. The wind was rattling the windows in the back room; it was bending the little bushes; they still had no leaves on them. It was what a man said under a fig tree, on a hill, she thought. And then another man wrote it down. But suppose that what that man says is just as false as what this man - she touched the press cuttings with her spoon - says about Digby? And here I am, she thought, looking at the china in the Dutch cabinet, in this drawing-room, getting a little spark from what someone said all those years ago - here it comes (the china was changing from blue to livid) skipping over all those mountains, all those seas. She found her place and began to read.

The episcopal palace was a huge and beautiful house, built of stone at the beginning of the last century by M. Henri Puget, Doctor of Theology of the Faculty of Paris, Abbe of Simore, who had been Bishop of D—— in 1712. This palace was a genuine seignorial residence. Everything about it had a grand air,—the apartments of the Bishop, the drawing-rooms, the chambers, the principal courtyard, which was very large, with walks encircling it under arcades in the old Florentine fashion, and gardens planted with magnificent trees. In the dining-room, a long and superb gallery which was situated on the ground-floor and opened on the gardens, M. Henri Puget had entertained in state, on July 29, 1714, My Lords Charles Brulart de Genlis, archbishop; Prince

English minister David Clarkson preached one of the most comprehensive and searching sermons on counterfeit gods ever written.113 About idolatry he said, “Though few will own it, nothing is more common.” If we think of our soul as a house, he said, “idols are set up in every room, in every faculty.” We prefer our own wisdom to God’s wisdom, our own desires to God’s will, and our own reputation to God’s honor. Clarkson looked at human relationships and showed how we have a tendency to make them more influential and important to us than God. In fact, he showed that “many make even their enemies their god . . . when they are more troubled, disquieted, and perplexed at apprehensions of danger to their liberty, estates, and lives from men” than they are concerned about God’s displeasure.114 The human heart is indeed a factory that mass-produces idols.

To pass its threshold was to return to stagnation; to cross the silent hall, to ascend the darksome staircase, to seek my own lonely little room, and then to meet tranquil Mrs. Fairfax, and spend the long winter evening with her, and her only, was to quell wholly the faint excitement wakened by my walk,—to slip again over my faculties the viewless fetters of an uniform and too still existence; of an existence whose very privileges of security and ease I was becoming incapable of appreciating. What good it would have done me at that time to have been tossed in the storms of an uncertain struggling life, and to have been taught by rough and bitter experience to long for the calm amidst which I now repined! Yes, just as much good as it would do a man tired of sitting still in a “too easy chair” to take a long walk: and just as natural was the wish to stir, under my circumstances, as it would be under his.

I was assigned to the office of a recently deceased faculty member; the office hadn't been cleaned out yet, and a few days before the fall term began, I unlocked the door to find a dirty room whose bookshelves were crammed with empty bourbon bottles and crucifixes, mute testimony to the limits of literature as a sustaining comfort in life.

I like you two. You’re inferior creatures, with poor reasoning faculties, but I really feel a sort of affection for you. You have served the Master well, and he will reward you for that. Now that your service is over, you will probably not exist much longer, but as long as you do, you shall be provided food, clothing and shelter, so long as you stay out of the control room and the engine room.

When I took over as chair of the fashion program, I was horrified that only the faculty member was allowed to speak in a critique. I'm talking about perfectly nurturing teachers. But the rule was there would be no call of hands for students to contribute their feedback. It was embedded in the department's culture. That was alarming to me. When I was teaching, I was the least important person in the room as far as I was concerned--my students' points of view mattered most. I wanted to learn who they were and teach them to respect one another's perspectives. I would start off by saying something like, "I am having trouble understanding how this work solves the problem at hand. Here are some things about the work that I appreciate: X, Y, Z. But I see these virtues independent of the problem we're solving.

when the memoir writer has done his work upon it? For one thing, Orlando had a positive hatred of tea; for another, the intellect, divine as it is, and all-worshipful, has a habit of lodging in the most seedy of carcases, and often, alas, acts the cannibal among the other faculties so that often, where the Mind is biggest, the Heart, the Senses, Magnanimity, Charity, Tolerance, Kindliness, and the rest of them scarcely have room to breathe.

they need exercise for their faculties and a field for their efforts as much as their brothers do; they suffer from too rigid a restraint, too absolute a stagnation, precisely as men would suffer; and it is narrow-minded in their more privileged fellow creatures to say that they ought to confine themselves to making puddings and knitting stockings, to playing on the piano and embroidering bags. It is thoughtless to condemn them, or laugh at them, if they seek to do more or learn more than custom has pronounced necessary

It is a poor conclusion, is it not?’ he observed, having brooded awhile on the scene he had just witnessed: ‘an absurd termination to my violent exertions? I get levers and mattocks to demolish the two houses, and train myself to be capable of working like Hercules, and when everything is ready and in my power, I find the will to lift a slate off either roof has vanished! My old enemies have not beaten me; now would be the precise time to revenge myself on their representatives: I could do it; and none could hinder me. But where is the use? I don’t care for striking: I can’t take the trouble to raise my hand! That sounds as if I had been labouring the whole time only to exhibit a fine trait of magnanimity. It is far from being the case: I have lost the faculty of enjoying their destruction, and I am too idle to destroy for nothing.'Nelly, there is a strange change approaching; I'm in its shadow at present. I take so little interest in my daily life that I hardly remember to eat and drink. Those two who have left the room are the only objects which retain a distinct material appearance to me; and that appearance causes me pain, amounting to agony. About HER I won't speak; and I don't desire to think; but I earnestly wish she were invisible: her presence invokes only maddening sensations. HE moves me differently: and yet if I could do it without seeming insane, I'd never see him again! You'll perhaps think me rather inclined to become so,' he added, making an effort to smile, 'if I try to describe the thousand forms of past associations and ideas he awakens or embodies. But you'll not talk of what I tell you; and my mind is so eternally secluded in itself, it is tempting at last to turn it out to another.

The child raised for his station, never leaving it, could not be exposed to the disadvantages of another. But given the mobility of human things, given the unsettled and restless spirit of this age which upsets everything in each generation, can one conceive of a method more senseless than raising a child as though he never had to leave his room, as though he were going to be constantly surrounded by his servants? If the unfortunate makes a single step on the earth, if he goes down a single degree, he is lost. This is not teaching him to bear suffering; it is training him to feel it. One thinks only of preserving one’s child. That is not enough. One ought to teach him to preserve himself as a man. to bear the blows of fate, to brave opulence and poverty, to live, if he has to. in freezing Iceland or on Malta’s burning rocks. You may very well take precautions against his dying. He will nevertheless have to die. And though his death were not the product of your efforts, still these efforts would be ill conceived. It is less a question of keeping him from dying than of making him live. To live is not to breathe; it is to act; it is to make use of our organs, our senses, our faculties, of all the parts of ourselves which give us the sentiment of our existence.

The academic world, I knew, was small; full of friends and enemies, lightly smoldering conflicts that had been stoked by years of offhand remarks about one’s work, and sometimes, one’s character. Just a survey of the room identified the different cabals: tenured faculty who still sat with their aging dissertation advisors from ten, twenty, thirty years ago, ringed by their own current graduate students who, no doubt, imagined how their own acolytes would someday gather around them. Each group was like a constellation, intertwined, but also circling each other, always trying to gauge the size of the other orbits, the power of individual gravitational pulls.

The most famous illustration of what happens to those who question the orthodoxy is what befell economist Larry Summers. On January 14, 2005, Summers, then president of Harvard University, spoke to a conference on diversifying the science and engineering workforce.16 In his informal remarks, responding to the sponsors’ encouragement to speculate, he offered reasons for thinking that innate differences in men and women might account for some of the underrepresentation of women in science and engineering. He spoke undogmatically and collegially, talking about possibilities, phrasing his speculations moderately. And all hell broke loose. An MIT biologist, Nancy Hopkins, told reporters that she “felt I was going to be sick,” that “my heart was pounding and my breath was shallow,” and that she had to leave the room because otherwise “I would’ve either blacked out or thrown up.”17 Within a few days, Summers had been excoriated by the chairperson of Harvard’s sociology department, Mary C. Waters, and received a harshly critical letter from Harvard’s committee on faculty recruiting. One hundred and twenty Harvard professors endorsed the letter. Some alumnae announced that they would suspend donations.18 Summers retracted his remarks, with, in journalist Stuart Taylor Jr.’s words, “groveling, Soviet-show-trial-style apologies.

Though social psychologist Elaine Hatfield is one of the nicest people you could ever meet, her life has been filled with controversy, mostly because of her independent streak. When she was a young professor at the University of Minnesota in 1963, there were two rules. Women were not allowed to hang their coats in the faculty cloak room. Women were not allowed to dine at the Faculty Club. One Monday evening, Hatfield decided to challenge the rules. She and fellow psychologist Ellen Berscheid approached the table where their male colleagues were sitting. When we walked into the Faculty Club and chorused: “May we sit down?” our six colleagues couldn’t have been more courtly. “Of course! Do sit down.” But, Colleague #1 glanced at his watch and declared, “Oh, do excuse me I have to run.” Colleague #2 shifted uneasily, then remembered that his wife was picking him up. Colleague #3 snatched up a dinner roll and said that he better walk out with his friend. The remaining men realized that they’d better be going, too. Within minutes Ellen and I were sitting alone at the elegant table, surrounded by six heaping plates. Shamed but undeterred, they kept returning to the Faculty Club until they finally obtained their own table. Eventually, Hatfield became a full professor at the University of Wisconsin, where she pioneered research into the psychology of falling in love. The

I was born a week after New Year’s, on January 8, 1960. In the waiting room, supplied only with pink-ribboned cigars, my father cried out, “Bingo!” I was a girl. Nineteen inches long. Seven pounds four ounces. That same January 8, my grandfather suffered the first of his thirteen strokes. Awakened by my parents rushing off to the hospital, he’d gotten out of bed and gone downstairs to make himself a cup of coffee. An hour later, Desdemona found him lying on the kitchen floor. Though his mental faculties remained intact, that morning, as I let out my first cry at Women’s Hospital, my papou lost the ability to speak. According to Desdemona, my grandfather collapsed right after overturning his coffee cup to read his fortune in the grounds.

To the man who loves art for its own sake,” remarked Sherlock Holmes, tossing aside the advertisement sheet of the Daily Telegraph, “it is frequently in its least important and lowliest manifestations that the keenest pleasure is to be derived. It is pleasant to me to observe, Watson, that you have so far grasped this truth that in these little records of our cases which you have been good enough to draw up, and, I am bound to say, occasionally to embellish, you have given prominence not so much to the many causes célèbres and sensational trials in which I have figured but rather to those incidents which may have been trivial in themselves, but which have given room for those faculties of deduction and of logical synthesis which I have made my special province.

These are the daily annoyances, the subtle messages of whiteness. But we bear other scars, too. Over and over I have seen white men and women get praise for their gifts and skills while women of color are told only about their potential for leadership. When white people end up being terrible at their jobs, I have seen supervisors move mountains to give them new positions more suited to their talents, while people of color are told to master their positions or be let go. I have been in the room when promises were made to diversify boardrooms, leadership teams, pastoral staff, faculty and staff positions, only to watch committees appoint a white man in the end. It's difficult to express how these incidents accumulate, making you feel undervalued, underappreciated, and ultimately expendable.

Five actors playing allotted parts on a set stage; and now he, for whom no part had been written, had walked onto the stage unexpectedly, because one of the players had turned rebel, as she had once before. He threw everything out of focus, and them into a fever. The heat and intensity of these flying questions was enough to make a man with even partially trained clairvoyant faculties feel as if he sat in a room filled with flashing fireflies. He took warning and withdrew himself to a cold inner isolation, as he knew how to do, even while laughing and talking with surface ease. It would not do to let his mind become clouded with emotion; or open any door of his imagination. But the impressions that came across that safer inner distance did not make his companions seem less dramatic, more normal: they were still out of focus. Something about the picture was distorted, even to a clear vision. The sense of evil was as strong as ever although the lurking Presence seemed to have retreated into a far background. He saw presently what the distortion was. Their modern figures were somehow incongruous in the old house, not at home. Like actors who had somehow got onto the wrong stage, onto sets with which their voices and costumes clashed. Interlopers. Or else-actors of an old school dressed up in an unbecoming masquerade. Witch House was an old house. Not old as other houses are old, that remain beds of the continuous stream of life, of marriages and births and deaths, of children crying and children laughing, where the past is only part of the pattern, root of the present and the future. Joseph de Quincy, dead nearly a quarter of a thousand years, was still its master: he had been strong, so strong that no later personality could dim or efface him here where he had set his seal. "He left his evil here when he could no longer stay himself," Carew thought. "As a man with diphtheria leaves germs on the things he has handled, the bed he has lain in. Thoughts are tangible things; on their own plane they breed like germs and, unlike germs, they do not die. He may have forgotten; he may even walk the earth in other flesh, but what he has left here lives." As probably it had been meant to do. For the man whose malignance, swollen with the contributions of the centuries, still ensouled these walls would not have cared to build a house or found a family except as a means to an end. Witch House was set like a mold, steeped in ritual atmosphere as a temple. Dangerous business, for who could say that such a temple would not find a god? There are low, non-human beings that coalesce with and feed on such leftover forces: lair in them.

Attention All Students, the following is a safety notice and we advise you take all of the information in this notification seriously. Tonight is the LUNAR ECLIPSE. All Fae will be struck by the urges of the moon and will be guided by their most base instincts and the truest desires of their hearts and flesh. As such, the faculty have made the following recommendations: 1. Remain alone in your rooms throughout the evening with the door locked. 2. Turn off your Atlases to avoid the temptation to send provocative messages to your fellow students via social media. 3. Take a sleeping draft or two to try and bypass the night without succumbing to the urges. 4. Make sure you have cast your monthly contraceptive spells so that when rules 1-3 fail to work you will not come crying to the faculty about unexpected pregnancies. Please try to remain safe and enjoy your evening. - Principal Nova.

Whenever Elliot Norther’s wife was nervous she baked. With the murder of Harriet Mason, her husband’s close colleague at the Faculty, she had been unable to resist a couple of Victoria sponges. During the frenzied press speculation about the identity of the murderer, a Dundee cake had appeared, followed swiftly by a Battenberg and a Lemon Drizzle. Since news of the Wildencrust murder broke, the kitchen, dining room and study had come to resemble the storerooms of an industrial bakery, every surface heaving with the weight of sponge and cream. Yesterday, having at last been overwhelmed by the fear and rumour that swept the town, she had taken herself off to her mother’s house in Hampstead, leaving her husband to soldier on alone. When he had last seen his wife, Elliot Norther noticed that she had been putting the finishing touches to an impressive, triple-tiered wedding cake, beating a batch of royal icing into a sickly paste.

This love has in it something of the most perfect union with God, and thus partakes in some measure of its properties, which are more especially actions of God received in the soul rather than of the soul, in which they subsist passively, the soul giving its consent thereto.6 3. But this warmth and force and temper and passion of love, or burning, as the soul calls it, are solely the work of God Who is entering into union with it. The more the desires are restrained, subdued, and disabled for the enjoyment of the things of heaven and earth, the more room does this love find in the soul, and better the dispositions for its reception, so that it may unite itself with that soul, and wound it. This takes place, as has been said before,7 during the dark purgation in a wonderful way, for God has so weaned the faculties, and they are now so recollected in Him, that they are unable to take pleasure as they like in anything whatever. 4. All this is the work of God; wrought

There are cases where the claim “I can do no other” is an avowal of frailty: suppose what I ought to do is get on the plane and fly to safety, but I stand rooted on the ground and confess I can do no other—because of my irrational and debilitating fear of flying. In such a case I can do no other, I claim, because my rational control faculty is impaired. But in other cases, like Luther’s, when I say I cannot do otherwise I mean I cannot because I see so clearly what the situation is and because my rational control faculty is not impaired. It is too obvious what to do; reason dictates it; I would have to be mad to do otherwise, and since I happen not to be mad, I cannot do otherwise. (Notice, by the way, that we say it was “up to” Luther whether or not to recant, and we do not feel tempted to rescind that judgment when we learn that he claimed he could do no other. Notice, too, that we often say things like this: “If it were up to me, I know for certain what I would do.”)

Bancroft Road was dark, with no streetlamps, and I could see into front windows where faculty members and their wives and children shuffled around living rooms. Was this the epiphany of adult life, that it actually wasn't exciting and vast in possibilities, but was in fact as enclosed and proscribed as childhood? What a disappointment, for I'd been looking forward to the open field, the imagined release. Or maybe, I thought as I watched a young mother stride across her living room, then suddenly swoop down to pick something up (A shoe? A squeak toy?), only men ever felt that release. For women in 1956 were always confronting boundaries, negotiations: where they could walk at night, how far they could let a man go when the two of them were alone. Men hardly seemed troubled by these things; they walked everywhere in cold, dark cities and pin-drop empty streets, and they let their hands go walking, too, and they opened their belts and then their trousers, and they never thought to themselves: I must stop this right now. I must not go any further.

But then a peculiar thing happened. I became extraordinarily affected by the summer afternoons in the laboratory. The August sunlight came streaming in the great dusty fanlights and lay in yellow bars across the room. The old building ticked and creaked in the heat. Outside we could hear the cries of summer students playing touch football. In the course of an afternoon the yellow sunlight moved across old group pictures of the biology faculty. I became bewitched by the presence of the building; for minutes at a stretch I sat on the floor and watched the motes rise and fall in the sunlight. I called Harry’s attention to the presence but he shrugged and went on with his work. He was absolutely unaffected by the singularities of time and place. His abode was anywhere. It was all the same to him whether he catheterized a pig at four o’clock in the afternoon in New Orleans or at midnight in Transylvania. He was actually like one of those scientists in the movies who don’t care about anything but the problem in their heads - now here is a fellow who does have a “flair for research” and will be heard from. Yet I do not envy him. I would not change places with him if he discovered the cause and cure of cancer. For he is no more aware of the mystery which surrounds him than a fish is aware of the water it swims in. He could do research for a thousand years and never have an inkling of it.

Let us, then, with courage and confidence pursue our own Federal and Republican principles, our attachment to union and representative government. Kindly separated by nature and a wide ocean from the exterminating havoc of one quarter of the globe; too high-minded to endure the degradations of the others; possessing a chosen country, with room enough for our descendants to the thousandth and thousandth generation; entertaining a due sense of our equal right to the use of our own faculties, to the acquisitions of our own industry, to honor and confidence from our fellow-citizens, resulting not from birth, but from our actions and their sense of them; enlightened by a benign religion, professed, indeed, and practiced in various forms, yet all of them inculcating honesty, truth, temperance, gratitude, and the love of man; acknowledging and adoring an overruling Providence, which by all its dispensations proves that it delights in the happiness of man here and his greater happiness hereafter -- with all these blessings, what more is necessary to make us a happy and a prosperous people? Still one thing more, fellow-citizens -- a wise and frugal Government, which shall restrain men from injuring one another, shall leave them otherwise free to regulate their own pursuits of industry and improvement, and shall not take from the mouth of labor the bread it has earned. This is the sum of good government, and this is necessary to close the circle of our felicities.

It's totally subconscious, unconscious or whatever. The radar is on whether you know it or not. You cannot switch it off. You hear this piece of conversation from across the room, "I just can't stand you anymore" ... That's a song. It just flows in. And also the other thing about being a songwriter, when you realize you are one, is that to provide ammo, you start to become an observer, you start to distance yourself. You're constantly on the alert. That faculty gets trained in you over the years, observing people, how they react to one another. Which, in a way, makes you weirdly distant. You shouldn't really be doing it. It's a little of Peeping Tom to be a songwriter. You start looking round, and everything's a subject for a song.

The University of Michigan opened its new Computer Center in 1971, in a brand-new building on Beal Avenue in Ann Arbor, with beige-brick exterior walls and a dark-glass front. The university’s enormous mainframe computers stood in the middle of a vast white room, looking, as one faculty member remembers, “like one of the last scenes in the movie 2001: A Space Odyssey.” Off to the side were dozens of keypunch machines—what passed in those days for computer terminals. In 1971, this was state of the art. The University of Michigan had one of the most advanced computer science programs in the world, and over the course of the Computer Center’s life, thousands of students passed through that white room, the most famous of whom was a gawky teenager named Bill Joy.

Although I proudly admit to being a robber (attaching as I do a certain prestige to my calling), I must make it quite clear, so clear that there is no room for doubt, that I am not a murderer. And while it is true that outlaws of both departments are schooled by the faculty of lawlessness, it is equally true that they are separated by a moral chasm as vast as the difference in syllabi which divides BA candidates from those pursuing a BSc.

Gimme gimme you fucking greedy fucking cunt

Louise Earle was credible, cogent, in full command of her faculties, and did not seem to be a person who would miss seeing a cop carrying a bag of funny money through her living room. Of

have seen servants upon horses, and princes walking as servants upon the earth." Ecclesiastes 10:7 Upstarts frequently usurp the highest places, while the truly great pine in obscurity. This is a riddle in providence whose solution will one day gladden the hearts of the upright; but it is so common a fact, that none of us should murmur if it should fall to our own lot. When our Lord was upon earth, although he is the Prince of the kings of the earth, yet he walked the footpath of weariness and service as the Servant of servants: what wonder is it if his followers, who are princes of the blood, should also be looked down upon as inferior and contemptible persons? The world is upside down, and therefore, the first are last and the last first. See how the servile sons of Satan lord it in the earth! What a high horse they ride! How they lift up their horn on high! Haman is in the court, while Mordecai sits in the gate; David wanders on the mountains, while Saul reigns in state; Elijah is complaining in the cave while Jezebel is boasting in the palace; yet who would wish to take the places of the proud rebels? and who, on the other hand, might not envy the despised saints? When the wheel turns, those who are lowest rise, and the highest sink. Patience, then, believer, eternity will right the wrongs of time. Let us not fall into the error of letting our passions and carnal appetites ride in triumph, while our nobler powers walk in the dust. Grace must reign as a prince, and make the members of the body instruments of righteousness. The Holy Spirit loves order, and he therefore sets our powers and faculties in due rank and place, giving the highest room to those spiritual faculties which link us with the great King; let us not disturb the divine arrangement, but ask for grace that we may keep under our body and bring it into subjection. We were not new created to allow our passions to rule over us, but that we, as kings, may reign in Christ Jesus over the triple kingdom of spirit, soul, and body, to the glory of God the Father.

Culture affects all aspects of a school. It influences informal conversations in the faculty lunch room, the type of instruction valued, how professional development is viewed, and the shared commitment to assuring all students learn. Several examples illustrate its pervasiveness.

One of the older professors in the department didn’t find my talk very convincing and made sure that everyone in the room knew of his unhappiness. The next day he sent an e-mail around to the department faculty, which he was considerate enough to copy to me: Finally, the magnitude of the entropy of the universe as a function of time is a very interesting problem for cosmology, but to suggest that a law of physics depends on it is sheer nonsense. Carroll’s statement that the second law owes its existence to cosmology is one of the dummest [sic] remarks I heard in any of our physics colloquia, apart from [redacted]’s earlier remarks about consciousness in quantum mechanics. I am astounded that physicists in the audience always listen politely to such nonsense. Afterwards, I had dinner with some graduate students who readily understood my objections, but Carroll remained adamant. I hope he reads this book.

IN some ways, the relentless electronic interconnectivity of our lives serves to highlight therapy’s singular virtues. We are more appreciative of the strange, private dialogue that is the heart of therapy. There are precious few times and spaces left in our society in which people quietly speak to one another in a sustained, intimate conversation. The therapist’s office is one of the last safe places. Secrets, reflections, fears or confusion never leave the room. And it is also a refuge. My patients often arrive early just to sit in the waiting room — an unusual interlude of quiet. Then there’s the session itself. In some ways therapy is, more than ever, the ultimate luxury: To be the focus of a thoughtful person who is listening, caring and helping to make sense of life’s chaos is something that the Internet can never provide. Anna Fels is a psychiatrist and faculty member at Weill Cornell Medical College.

How I wish I could fold inward and shut down and shake off predators with one touch. What a skill, what a thrill that could be. Touch me now on the dance floor, don't you see my wedding ring? Touch me not in the subway; touch me not on the train, one the plane, in a cab or a limo. Touch me not in a funicular going up the side of a mountain, touch me not on the deck of a cruise ship, touch me not in the green room right before I go onstage, touch me not at the bar while I wait for my to-go order, touch me not at a faculty party, touch me not if you are a visiting writer, touch me not at the post office while I'm waiting to send a letter to my grandmother, let me and my children and everyone's children decide who touches them and who touches them not, touch them not, touch them now.

Peut-être devrions-nous laisser Petworth un moment pour aller aux toilettes pendant qu'il traite ces questions, et d'autres dont, dans les séminaires du monde entier les facultés débattent avec les orateurs invités : le manque de moyens de la bibliothèque, la folie de l'administration universitaire; le ministère lunatique qui instaure une réforme de l'éducation mais s'avère incapable de l'achever pour la rentrée universitaire, de sorte que les étudiants ne sont pas au courant, les livres n'arrivent pas et la pauvre faculté se voit obligée de rester à la maison et de travailler sur ses recherches à elle. [Perhaps we should leave Petworth for a moment and find the toilet as he deals with these questions, and other such matters that, in seminar rooms throughout the world, faculties discuss with visiting speakers: the poverty of the library; the folly of the university administration; the lunacy of a ministry that institutes an educational reform but fails to have it ready when term starts, so that the students are not told and the books do not come and classes must be cancelled and the students protest and the police come and the poor faculty are compelled to remain at home working on their own research.]

I have been in the room when promises were made to diversify boardrooms, leadership teams, pastoral staff, faculty and staff positions, only to watch committees appoint a white man in the end. It's difficult to express how these incidences accumulate, making you feel undervalued, unappreciated, and ultimately...expendable.

Prince Andrew’s little son was seven. He could scarcely read, and knew nothing. After that day he lived through many things, gaining knowledge, observation, and experience, but had he possessed all the faculties he afterwards acquired, he could not have had a better or more profound understanding of the meaning of the scene he had witnessed between his father, Mary, and Natásha, than he had then. He understood it completely, and, leaving the room without crying, went silently up to Natásha who had come out with him and looked shyly at her with his beautiful, thoughtful eyes, then his uplifted, rosy upper lip trembled and leaning his head against her he began to cry.

For the time it takes to register, the dust of old walls fills his lungs. Pages of books float across the room like kites dancing in the wind. Janusz finds himself pinned beneath the remains of a splintered bookcase and its weighty tomes. Now, mixed with the screaming sky, come the screams of faculty and fellow students. Janusz experiences a fear he never knew was possible. The fear of a life missed.

She sat down about two yards away from him, near a large wandering jew. “I first heard about it at the faculty wives’ tea.” “Everything is discussed there. I’m aware of that.” “Of course I would be the last to know. Wives always are.” “Come, come, Clara, my patience and my time are running out.” Without warning he lifted up one of her hand-painted china cake plates and threw it against the wall. The outrage snapped the tension in the room, and she could weep now with some mild comfort, but without, he could see, any shock or concern for the priceless plate. (Aunt Clayburn) “You admit then you have a lover,” she said, examining the broken pieces of china, from her chair. “I don’t admit any such god damned thing,” he scoffed. “The ladies were certainly sold on the truth of it.” “I wish I had the nerve to have a lover. I might have been a better writer.

I am a professor, not an inventor, artist, or businessperson, but a strong case can be made that alcohol-facilitated sociality plays a similarly pivotal role in academic innovation. My graduate seminars in the 1990s often ended with all of us, students and faculty, decamped to the campus pub, where the debate started in the seminar room continued over pitchers of beer and bar snacks—and often, after a pint or two, went off in unexpected and creative directions. On one such occasion, I witnessed firsthand a powerful demonstration of the role of the modern-day salon or saloon in driving innovation.

Yet by the early years of the new century the New York/Newport social set was growing tired of Mrs. Astor’s stiffly elegant gatherings. When a stroke diminished her faculties in 1905, Caroline Astor became a recluse, inspiring a depiction in the Edith Wharton story “After Holbein” in which “the poor old lady who was gently dying of softening of the brain … still came down every evening to her great shrouded drawing-rooms with her tiara askew on her purple wig, to receive a stream of imaginary guests.” The death of the Mrs. Astor in 1908 marked the end of an era in New York society, but it also provided an opportunity for her son and his wife to end their moribund union.

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【V信83113305】：Toho Gakuen College, located in Tokyo, Japan, is a prestigious institution renowned for its excellence in music education. Established in 1948, it has cultivated generations of world-class musicians, including conductors, composers, and performers. The college offers specialized programs in instrumental performance, vocal arts, and composition, emphasizing rigorous training and artistic creativity. Its faculty comprises leading figures in the music industry, providing students with unparalleled mentorship. Toho Gakuen also boasts state-of-the-art facilities, including concert halls and practice rooms, fostering an ideal environment for artistic growth. Alumni like Seiji Ozawa and Mitsuko Uchida highlight its global influence. With a commitment to tradition and innovation, Toho Gakuen remains a cornerstone of Japan’s cultural and musical heritage.，日本桐朋学園大学学位证书纸质版价格, 桐朋学园大学文凭-, 如何办理桐朋学園大学桐朋学园大学学历学位证, 办桐朋学园大学毕业证桐朋学園大学-university, 办理桐朋学園大学学历与学位证书投资未来的途径, 桐朋学园大学成绩单复刻, 留学生买毕业证桐朋学園大学毕业证文凭成绩单办理

【V信83113305】：Merrimack College, located in North Andover, Massachusetts, is a private Catholic liberal arts institution founded in 1947 by the Order of St. Augustine. Known for its strong academic programs and vibrant campus life, the college offers over 100 undergraduate and graduate degrees across fields like business, engineering, health sciences, and the humanities. With a student-to-faculty ratio of 13:1, Merrimack emphasizes personalized education and hands-on learning opportunities. The campus features modern facilities, including the newly built Nursing Center and the Crowe Hall Trading Room for finance students. Athletics play a significant role, with the Warriors competing in NCAA Division I. Rooted in Augustinian values, Merrimack fosters community service, leadership, and intellectual growth, preparing students to make meaningful contributions to society. Its scenic 220-acre campus provides an ideal environment for both academic and personal development.，梅里马克学院毕业证制作, 原版复刻美国梅里马克学院毕业证办理成绩单修改, MCdiplomaMC梅里马克学院挂科处理解决方案, 1:1原版梅里马克学院毕业证+MC成绩单, 学历证书!Merrimack College学历证书梅里马克学院学历证书Merrimack College假文凭, 办理美国Merrimack College本科学历, 办梅里马克学院学历证书学位证书成绩单

【V信83113305】：The Dresden University of Music, known as Hochschule für Musik Carl Maria von Weber Dresden, is a prestigious institution with a rich history dating back to 1856. Named after the renowned composer Carl Maria von Weber, it is one of Germany’s leading music academies, offering programs in classical performance, jazz, composition, and music education. Located in the cultural heart of Dresden, the university provides students with access to world-class facilities, including state-of-the-art concert halls and practice rooms. Its faculty comprises distinguished musicians and educators who foster artistic excellence and innovation. The university actively participates in international collaborations, enriching students' experiences through exchanges and masterclasses. With a strong emphasis on both tradition and modernity, the Dresden University of Music continues to shape the future of music, producing globally recognized artists and educators.，办理德累斯顿音乐学院毕业证-Carl Maria von Weber Dresden毕业证书-毕业证, Carl Maria von Weber Dresden文凭办理, 留学生买毕业证毕业证文凭成绩单办理, 德累斯顿音乐学院学位证毕业证, Hochschule für Musik Carl Maria von Weber Dresden文凭毕业证丢失怎么购买, 专业办理德累斯顿音乐学院成绩单高质学位证书服务, 德国硕士毕业证, fake Carl Maria von Weber Dresden diploma transcript, 申请学校!Carl Maria von Weber Dresden成绩单德累斯顿音乐学院成绩单Carl Maria von Weber Dresden改成绩

【V信83113305】：Located in Tokyo, Japan, Senzoku Gakuen College of Music is a prestigious institution dedicated to nurturing musical talent since its founding in 1924. Renowned for its comprehensive programs in classical, jazz, and contemporary music, the college offers undergraduate and graduate degrees, emphasizing both performance and academic excellence. Its faculty comprises distinguished musicians and educators, providing students with world-class training in instrumental, vocal, and compositional disciplines. The college boasts state-of-the-art facilities, including concert halls, recording studios, and practice rooms, fostering an inspiring learning environment. With a strong emphasis on creativity and innovation, Senzoku Gakuen actively collaborates with international institutions, enriching students' global perspectives. Alumni have achieved success as performers, composers, and educators worldwide, solidifying the college's reputation as a leader in music education.，专业办理洗足学園音楽大学洗足学园音乐大学成绩单高质学位证书服务, 出售洗足学園音楽大学洗足学园音乐大学研究生学历文凭, 洗足学園音楽大学毕业证成绩单专业服务, 一比一原版洗足学园音乐大学毕业证-洗足学園音楽大学毕业证书-如何办理, 购买日本毕业证, 原版复刻日本洗足学园音乐大学毕业证办理成绩单修改, 正版-日本洗足学園音楽大学毕业证文凭学历证书, 洗足学園音楽大学文凭制作服务您学历的展现

【V信83113305】：The Manhattan School of Music (MSM), located in New York City, is one of the world’s premier conservatories, renowned for its exceptional training in classical, jazz, and musical theatre. Founded in 1917, MSM has cultivated generations of world-class musicians, composers, and performers. Its faculty comprises celebrated artists and educators, offering students unparalleled mentorship. The school’s rigorous programs span undergraduate, graduate, and doctoral levels, emphasizing performance, composition, and music education. Situated in the vibrant cultural hub of Manhattan, MSM provides students with access to Broadway, Lincoln Center, and the city’s thriving arts scene. Its state-of-the-art facilities, including practice rooms, recording studios, and performance spaces, foster creativity and excellence. Alumni include luminaries like Harry Connick Jr. and Angela Bassett, reflecting MSM’s global impact. With a commitment to artistic innovation and diversity, MSM continues to shape the future of music.，曼哈顿音乐学院毕业证成绩单在哪里能办理, 一比一原版曼哈顿音乐学院毕业证购买, MSOM学位定制, 办理Manhattan School of Music大学毕业证-曼哈顿音乐学院, 1:1原版MSOM曼哈顿音乐学院毕业证+MSOM成绩单, 曼哈顿音乐学院毕业证制作代办流程, 曼哈顿音乐学院-多少钱, 申请学校!MSOM成绩单曼哈顿音乐学院成绩单MSOM改成绩

【V信83113305】：Osaka College of Music stands as a prominent institution for nurturing artistic talent in western Japan. Founded with a commitment to excellence in professional music education, the college offers a comprehensive curriculum spanning performance, composition, music education, and jazz. Its vibrant campus is equipped with state-of-the-art facilities, including professional-grade practice rooms and performance halls, providing students with an environment to hone their craft. The dedicated faculty, comprised of active performers and scholars, ensures a blend of rigorous technical training and deep theoretical knowledge. By fostering creativity and discipline, the college consistently produces graduates who successfully embark on professional careers in the competitive music industry, contributing significantly to the cultural landscape both in Japan and internationally.，大阪音楽大学diploma大阪音乐大学挂科处理解决方案, 一比一办理-大阪音楽大学毕业证大阪音乐大学毕业证, 专业办理大阪音乐大学成绩单高质学位证书服务, 毕业证文凭大阪音乐大学毕业证, 学历证书!大阪音楽大学学历证书大阪音乐大学学历证书大阪音楽大学假文凭, 大阪音乐大学毕业证和学位证办理流程, 原版大阪音楽大学大阪音乐大学毕业证书办理流程

【V信83113305】：Nagoya University of Music stands as a prominent institution in Japan's artistic landscape, dedicated to cultivating exceptional musical talent. Located in a major cultural hub, it offers a comprehensive curriculum spanning performance, composition, music education, and cutting-edge sonic arts. The university's philosophy emphasizes both profound technical mastery and deep artistic expression, preparing students for diverse careers as performers, educators, and creators. Its faculty consists of acclaimed artists and scholars who provide personalized mentorship within world-class facilities, including state-of-the-art practice rooms and performance halls. By fostering a rigorous and supportive environment, the university not only refines technical skills but also encourages innovative artistic exploration. It serves as a vital center for musical development, contributing significantly to the cultural fabric of the region and beyond.，名古屋音楽大学毕业证最新版本推荐最快办理名古屋音乐大学文凭成绩单, 原版名古屋音楽大学毕业证办理流程和价钱, 名古屋音楽大学文凭毕业证丢失怎么购买, 100%学历名古屋音乐大学毕业证成绩单制作, 办理名古屋音乐大学毕业证, 加急定制-名古屋音楽大学学位证名古屋音乐大学毕业证书, 名古屋音楽大学学位证毕业证, 办日本名古屋音楽大学名古屋音乐大学文凭学历证书

【V信83113305】：Founded in 1917, The Manhattan School of Music stands as a preeminent conservatory nestled in the vibrant cultural heart of New York City. Renowned for its intensive, performance-focused training, MSM cultivates the next generation of world-class musicians, composers, and musical leaders. Its distinguished faculty of working artists provides mentorship within a rigorous curriculum that spans classical music, jazz, and musical theatre. The school’s prime location offers students unparalleled access to the city’s rich artistic life, creating a dynamic environment where learning extends far beyond the practice room. By combining exceptional instruction with real-world professional opportunities, MSM empowers artists to forge successful and innovative careers on the global stage.，原版曼哈顿音乐学院毕业证最佳办理流程, MSOM曼哈顿音乐学院颁发典礼学术荣誉颁奖感受博士生的光荣时刻, 定制-曼哈顿音乐学院毕业证MSOM毕业证书, Offer(Manhattan School of Music成绩单)曼哈顿音乐学院如何办理?, 如何办理MSOM曼哈顿音乐学院学历学位证, 原版MSOM曼哈顿音乐学院毕业证最佳办理流程, 网络快速办理MSOM毕业证成绩单, 在线办理MSOM曼哈顿音乐学院毕业证offer外壳皮, 曼哈顿音乐学院成绩单复刻

【V信83113305】：Osaka College of Music stands as a prominent institution for nurturing artistic talent in western Japan. Founded with a commitment to excellence in professional music education, the college offers a comprehensive curriculum spanning performance, composition, music education, and jazz. Its vibrant campus is equipped with state-of-the-art facilities, including professional-grade practice rooms and performance halls, providing students with an environment to refine their craft. The dedicated faculty, comprised of active musicians and scholars, ensures a blend of rigorous academic training and practical, real-world experience. By fostering individual creativity and technical mastery, the college consistently produces graduates who make significant contributions to the cultural landscape, both within Japan and on the international stage.，大阪音楽大学大阪音乐大学毕业证最简单办理流程, 办理日本大阪音乐大学毕业证大阪音楽大学文凭版本, 学历文凭认证大阪音楽大学毕业证-大阪音乐大学毕业证如何办理, 定制-大阪音乐大学毕业证大阪音楽大学毕业证书, 留学生买毕业证大阪音楽大学毕业证文凭成绩单办理, 大阪音楽大学毕业证定制, 100%加急制作-大阪音楽大学毕业证学校原版一样

【V信83113305】：The Robert Schumann Hochschule in Düsseldorf, Germany, is a prestigious institution dedicated to music education and performance. Named after the renowned composer Robert Schumann, the university has a rich history dating back to its founding in 1935. It offers a wide range of programs in classical music, jazz, composition, and music pedagogy, attracting talented students from around the world. The faculty consists of distinguished musicians and educators who provide rigorous training and mentorship. The Hochschule is known for its state-of-the-art facilities, including concert halls and practice rooms, fostering an environment of artistic excellence. Regular performances and collaborations with cultural institutions in Düsseldorf enhance students' practical experience. As a hub for musical innovation, the Robert Schumann Hochschule continues to shape the future of classical and contemporary music, upholding its legacy as a leading conservatory in Europe.，办杜塞尔多夫罗伯特-舒曼音乐学院学历证书学位证书成绩单, 如何办理Robert-Schumann-Hochschule Düsseldorf杜塞尔多夫罗伯特-舒曼音乐学院学历学位证, 德国学历购买, Robert-Schumann-Hochschule Düsseldorf文凭毕业证丢失怎么购买, 毕业证文凭-杜塞尔多夫罗伯特-舒曼音乐学院毕业证, 杜塞尔多夫罗伯特-舒曼音乐学院文凭-, 办理真实Robert-Schumann-Hochschule Düsseldorf毕业证成绩单留信网认证, 杜塞尔多夫罗伯特-舒曼音乐学院文凭复刻, Robert-Schumann-HochschulediplomaRobert-Schumann-Hochschule杜塞尔多夫罗伯特-舒曼音乐学院挂科处理解决方案

【V信83113305】：The Detmold University of Music (Hochschule für Musik Detmold) is one of Germany's leading conservatories, renowned for its excellence in classical music education. Founded in 1946, it offers a wide range of programs in performance, composition, conducting, and musicology, catering to both undergraduate and postgraduate students. The institution boasts state-of-the-art facilities, including concert halls, practice rooms, and a rich library, fostering an ideal environment for artistic growth. With a faculty of distinguished musicians and scholars, the university emphasizes rigorous training, creativity, and interdisciplinary collaboration. Located in the picturesque town of Detmold, the school benefits from a vibrant cultural scene and close ties to regional orchestras and festivals. Its alumni have achieved international acclaim, solidifying its reputation as a hub for musical innovation and tradition.，代特莫尔德音乐学院文凭-, 出售Hochschule für Musik Detmold证书-哪里能购买Hochschule für Musik Detmold毕业证, 代特莫尔德音乐学院成绩单办理, 德国办代特莫尔德音乐学院毕业证办成绩单购买, 哪里买Hochschule für Musik Detmold代特莫尔德音乐学院毕业证|Hochschule für Musik Detmold成绩单, 代特莫尔德音乐学院学位定制, 德国毕业证办理, 办代特莫尔德音乐学院文凭学位证书成绩单GPA修改, 办理代特莫尔德音乐学院成绩单高质量保密的个性化服务

【V信83113305】：Tokyo Sports and Leisure College is a premier institution in Japan dedicated to nurturing professionals in the fields of sports, health, and leisure. Located in the vibrant city of Tokyo, the college offers a dynamic learning environment with state-of-the-art facilities, including modern gyms, swimming pools, and specialized training rooms. The curriculum blends theoretical knowledge with hands-on experience, preparing students for careers as fitness trainers, sports coaches, and leisure industry managers. With a focus on innovation and practical skills, the college collaborates with local sports clubs and wellness centers to provide real-world exposure. Its experienced faculty and strong industry connections ensure graduates are well-equipped to excel in their chosen fields. Tokyo Sports and Leisure College is the ideal choice for those passionate about turning their love for sports and leisure into a rewarding profession.，办理東京スポーツ・レクリエーション専門学校文凭, 日本東京スポーツ・レクリエーション専門学校毕业证仪式感|购买东京运动与休闲专门学校学位证, 正版-日本東京スポーツ・レクリエーション専門学校毕业证文凭学历证书, 原装正版东京运动与休闲专门学校毕业证真实水印成绩单制作, 办理日本大学毕业证书, 東京スポーツ・レクリエーション専門学校毕业证定制, 挂科办理東京スポーツ・レクリエーション専門学校东京运动与休闲专门学校学历学位证, 学历证书!学历证书东京运动与休闲专门学校学历证书假文凭

【V信83113305】：The Staatliche Hochschule für Musik und Darstellende Kunst Mannheim stands as a premier institution for the arts in Germany. Nestled in the culturally rich city of Mannheim, a historic hub of musical innovation, it offers a profound educational experience. The university provides extensive, high-level training across classical music, jazz, music education, and the dramatic arts of acting and directing. Its distinguished faculty of active artists and scholars ensures a direct link to the contemporary professional world. Students benefit from exceptional facilities, including modern rehearsal rooms, a specialized jazz institute, and opera studios, all fostering artistic development. This environment encourages interdisciplinary collaboration, preparing graduates for successful, dynamic careers as performers, educators, and creators on the international stage.，国立曼海姆音乐与表演艺术学院毕业证, 制作文凭国立曼海姆音乐与表演艺术学院毕业证Staatliche HfMDK Mannheim毕业证书毕业证, 办理Staatliche Hochschule für Musik und Darstellende Kunst Mannheim学历与学位证书投资未来的途径, 办理国立曼海姆音乐与表演艺术学院成绩单高质量保密的个性化服务, 网上购买假学历国立曼海姆音乐与表演艺术学院毕业证书, Staatliche HfMDK Mannheim国立曼海姆音乐与表演艺术学院毕业证成绩单制作, 国立曼海姆音乐与表演艺术学院毕业证最简单办理流程, 办国立曼海姆音乐与表演艺术学院毕业证Staatliche Hochschule für Musik und Darstellende Kunst Mannheim-Diploma, 国立曼海姆音乐与表演艺术学院毕业证书-一比一制作

【V信83113305】：Merrimack College, located in North Andover, Massachusetts, is a private Catholic liberal arts institution founded in 1947 by the Order of St. Augustine. Known for its strong academic programs and vibrant campus life, the college offers over 100 undergraduate and graduate degrees across fields like business, engineering, health sciences, and the humanities. With a student-to-faculty ratio of 13:1, Merrimack emphasizes personalized education and hands-on learning opportunities, including internships and research projects. The campus features modern facilities, including the newly built Nursing Center and the Crowe Hall Trading Room for finance students. Athletics play a significant role, with the Warriors competing in NCAA Division I. Rooted in Augustinian values, Merrimack fosters community service, leadership, and intellectual growth, preparing students for meaningful careers and civic engagement. Its picturesque New England setting adds to the vibrant student experience.，办理梅里马克学院毕业证成绩单办理, 办理梅里马克学院文凭, 梅里马克学院毕业证制作, 出售Merrimack College证书-哪里能购买Merrimack College毕业证, 美国MC学位证书纸质版价格, 留学生买文凭毕业证-梅里马克学院, 出售MC梅里马克学院研究生学历文凭, 梅里马克学院-Merrimack College大学毕业证成绩单, 梅里马克学院毕业证

【V信83113305】：The Cleveland Institute of Music (CIM), located in Cleveland, Ohio, is one of the most prestigious conservatories in the United States. Founded in 1920, CIM has built a reputation for excellence in music education, performance, and composition. The institute offers undergraduate, graduate, and doctoral programs, attracting talented students from around the world. With a faculty of renowned musicians and a low student-to-teacher ratio, CIM provides personalized training in classical music, jazz, and contemporary styles. The school’s state-of-the-art facilities include performance halls, practice rooms, and recording studios. CIM also collaborates with the nearby Cleveland Orchestra, offering students unique performance opportunities. Alumni have achieved success as soloists, orchestral musicians, and educators, solidifying CIM’s role as a leader in nurturing musical talent. Its commitment to artistic growth and innovation continues to shape the future of classical music.，购买CIOM毕业证, 高质克利夫兰音乐学院成绩单办理安全可靠的文凭服务, 办理美国CIOM克利夫兰音乐学院毕业证CIOM文凭版本, Cleveland Institute of Music克利夫兰音乐学院颁发典礼学术荣誉颁奖感受博士生的光荣时刻, 办理真实毕业证成绩单留信网认证, fake CIOM degree, 克利夫兰音乐学院成绩单购买, 1:1原版Cleveland Institute of Music克利夫兰音乐学院毕业证+Cleveland Institute of Music成绩单, Cleveland Institute of Music文凭制作服务您学历的展现

【V信83113305】：Osaka College of Music, located in Japan's vibrant cultural hub, is a prestigious institution dedicated to nurturing musical talent. Established with a focus on both classical and contemporary music, the school offers comprehensive programs in performance, composition, and music education. Students benefit from state-of-the-art facilities, including advanced recording studios and practice rooms, alongside guidance from experienced faculty. The curriculum emphasizes hands-on training, encouraging students to participate in concerts, competitions, and collaborations. With a strong alumni network and connections to the global music industry, the college provides ample opportunities for career development. Whether aspiring to be performers, educators, or creators, students at Osaka College of Music receive the skills and inspiration to excel in their musical journeys.，留学生买文凭大阪スクールオブミュージック専門学校毕业证-大阪音乐专门学校, 挂科办理大阪音乐专门学校学历学位证, 办理大阪スクールオブミュージック専門学校大学毕业证-大阪音乐专门学校, 日本毕业证学历认证, 大阪スクールオブミュージック専門学校diploma大阪音乐专门学校挂科处理解决方案, 哪里买大阪スクールオブミュージック専門学校大阪音乐专门学校毕业证|大阪スクールオブミュージック専門学校成绩单, 办大阪音乐专门学校毕业证成绩单, 修改大阪音乐专门学校成绩单电子版gpa实现您的学业目标, 网上制作大阪音乐专门学校毕业证-大阪スクールオブミュージック専門学校毕业证书-留信学历认证

【V信83113305】：The Manhattan School of Music (MSM), located in New York City, is one of the world’s premier music conservatories, renowned for its exceptional training in classical, jazz, and musical theater. Founded in 1917, MSM has cultivated generations of talented musicians, composers, and performers. Its faculty comprises celebrated artists and educators, offering students unparalleled mentorship. The school’s rigorous programs span undergraduate, graduate, and doctoral levels, emphasizing both technical mastery and artistic expression. Situated near Broadway and Lincoln Center, MSM provides students with access to a vibrant cultural scene, fostering collaborations and performance opportunities. The school’s state-of-the-art facilities, including practice rooms, recording studios, and concert halls, support artistic growth. Alumni like Harry Connick Jr. and Angela Bassett highlight MSM’s legacy of excellence. With a commitment to innovation and diversity, MSM continues to shape the future of music, inspiring artists to reach their highest potential.，曼哈顿音乐学院-大学毕业证成绩单, Manhattan School of Musicdiploma曼哈顿音乐学院挂科处理解决方案, 购买曼哈顿音乐学院毕业证办理留学文凭学历认证, 想要真实感受Manhattan School of Music曼哈顿音乐学院版毕业证图片的品质点击查看详解, 制作曼哈顿音乐学院成绩单, 哪里买MSOM曼哈顿音乐学院毕业证|MSOM成绩单, Manhattan School of Music文凭制作流程学术背后的努力, 定做曼哈顿音乐学院毕业证-MSOM毕业证书-毕业证

【V信83113305】：Bentley University, located in Waltham, Massachusetts, is a prestigious private institution renowned for its strong emphasis on business education and liberal arts integration. Founded in 1917 as a school of accounting and finance, Bentley has evolved into a comprehensive university offering undergraduate, graduate, and doctoral programs. Its standout feature is the seamless blend of business and arts/sciences, preparing students to excel in dynamic, technology-driven industries. The university’s state-of-the-art facilities, including the Jennison Hall trading room and the Center for Arts and Technology, foster hands-on learning. Bentley’s close proximity to Boston provides students with unparalleled internship and networking opportunities. With a vibrant campus life, dedicated faculty, and a focus on ethical leadership, Bentley equips graduates to thrive in global careers while making meaningful societal contributions.，美国毕业证认证, 办理Bentley University本特利大学成绩单高质量保密的个性化服务, 高仿本特利大学文凭, BUdiploma本特利大学挂科处理解决方案, 专业办理本特利大学成绩单高质学位证书服务, 本特利大学电子版毕业证与美国BU学位证书纸质版价格, 办理真实Bentley University毕业证成绩单留信网认证, 办理美国大学毕业证书, 留学生买毕业证Bentley University毕业证文凭成绩单办理

【V信83113305】：Showa University of Music, located in Tokyo, Japan, is a prestigious institution dedicated to nurturing musical talent since its founding in 1956. Renowned for its comprehensive programs in classical, jazz, and contemporary music, the university offers undergraduate and graduate degrees, emphasizing both performance and academic excellence. Its faculty comprises distinguished musicians and educators, providing students with rigorous training and mentorship. The campus features state-of-the-art facilities, including concert halls, recording studios, and practice rooms, fostering an ideal environment for artistic growth. Showa University of Music also actively promotes cultural exchange through international collaborations and performances. Alumni have achieved success as performers, composers, and educators worldwide, solidifying the university's reputation as a leading music education hub in Asia.，挂科办理昭和音楽大学昭和音乐大学毕业证本科学位证书, 办理日本昭和音楽大学昭和音乐大学毕业证昭和音楽大学文凭版本, 昭和音楽大学毕业证学历认证, 极速办昭和音乐大学毕业证昭和音楽大学文凭学历制作, 想要真实感受昭和音楽大学昭和音乐大学版毕业证图片的品质点击查看详解, 制作文凭昭和音乐大学毕业证-昭和音楽大学毕业证书-毕业证, 日本办昭和音乐大学毕业证办成绩单购买, 在线办理昭和音乐大学毕业证成绩单, 一比一原版昭和音楽大学昭和音乐大学毕业证购买

【V信83113305】：Tokyo Tourism College is a premier institution dedicated to nurturing future professionals in the hospitality and tourism industry. Located in the vibrant heart of Tokyo, the school offers specialized programs that blend theoretical knowledge with practical training, preparing students for careers in travel agencies, hotels, event planning, and more. With a curriculum designed to meet global standards, students gain hands-on experience through internships and industry collaborations. The college boasts state-of-the-art facilities, including mock hotel rooms and travel simulation labs, ensuring a dynamic learning environment. Its multicultural student body and expert faculty foster a global perspective, equipping graduates with the skills to thrive in Japan's bustling tourism sector and beyond. A gateway to exciting opportunities, Tokyo Tourism College is the ideal choice for aspiring tourism professionals.，定制東京観光専門学校毕业证, 東京観光専門学校diploma東京観光専門学校东京观光专门学校挂科处理解决方案, 东京观光专门学校-東京観光専門学校大学毕业证成绩单, 挂科办理東京観光専門学校东京观光专门学校毕业证本科学位证书, 東京観光専門学校本科毕业证, 办理日本毕业证, 留学生买文凭毕业证-东京观光专门学校, 购买东京观光专门学校毕业证

【V信83113305】：Located in Tokyo, Japan, Senzoku Gakuen College of Music is a prestigious institution dedicated to nurturing musical talent since its founding in 1924. Renowned for its comprehensive programs in classical, jazz, and contemporary music, the college offers undergraduate and graduate degrees, emphasizing both performance and academic excellence. Its faculty comprises distinguished musicians and educators, providing students with world-class training. The campus features state-of-the-art facilities, including concert halls, recording studios, and practice rooms, fostering an ideal environment for artistic growth. Senzoku Gakuen also encourages global collaboration through exchange programs and international workshops. With a legacy of producing acclaimed artists and educators, the college remains a cornerstone of Japan’s vibrant music scene, blending tradition with innovation.，办理日本毕业证, 如何获取洗足学园音乐大学-洗足学園音楽大学-毕业证本科学位证书, 洗足学園音楽大学毕业证成绩单专业服务, 办理真实毕业证成绩单留信网认证, 洗足学園音楽大学学位证毕业证, 日本留学本科毕业证, 洗足学園音楽大学洗足学园音乐大学-多少钱

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【V信83113305】：The Cleveland Institute of Music (CIM), located in Cleveland, Ohio, is one of the most prestigious conservatories in the United States. Founded in 1920, CIM has built a reputation for excellence in music education, performance, and composition. The institute offers undergraduate and graduate programs, with a focus on classical music, jazz, and contemporary styles. Its faculty includes renowned musicians and educators, providing students with world-class training. CIM’s close partnership with the Cleveland Orchestra, one of the top orchestras globally, offers students unique performance and mentorship opportunities. The school’s state-of-the-art facilities, including practice rooms, recording studios, and concert halls, foster artistic growth. Alumni have achieved success as soloists, orchestral musicians, and educators worldwide. With a commitment to nurturing talent and artistic innovation, CIM remains a leading institution for aspiring musicians seeking a rigorous and inspiring musical education.，购买克利夫兰音乐学院成绩单, 原版复刻美国克利夫兰音乐学院毕业证办理成绩单修改, 美国大学毕业证定制, 1:1原版克利夫兰音乐学院毕业证+CIOM成绩单, 克利夫兰音乐学院挂科了怎么办？Cleveland Institute of Music毕业证成绩单专业服务, 修改CIOM克利夫兰音乐学院成绩单电子版gpa实现您的学业目标, 克利夫兰音乐学院毕业证成绩单在哪里能办理

【V信83113305】：Located in Tokyo, Japan, the **Senzoku Gakuen College of Music** is a prestigious institution dedicated to nurturing exceptional musical talent. Established in 1924, it offers comprehensive programs in performance, composition, music education, and jazz studies, blending traditional training with innovative approaches. The college boasts state-of-the-art facilities, including concert halls, recording studios, and practice rooms, fostering an ideal environment for artistic growth. With a faculty of renowned musicians and educators, students receive personalized mentorship to refine their craft. The institution also emphasizes global engagement, hosting international collaborations and masterclasses. Graduates have achieved success as performers, composers, and educators worldwide, solidifying Senzoku’s reputation as a cornerstone of Japan’s vibrant music scene. Its commitment to excellence continues to inspire future generations of artists.，学历证书!洗足学園音楽大学学历证书洗足学园音乐大学学历证书洗足学園音楽大学假文凭, 日本毕业证办理, 办理日本Senzoku Gakuen College of Music洗足学园音乐大学毕业证Senzoku Gakuen College of Music文凭版本, 申请学校!Senzoku Gakuen College of Music成绩单洗足学园音乐大学成绩单Senzoku Gakuen College of Music改成绩, 洗足学園音楽大学洗足学园音乐大学电子版毕业证, 制作洗足学园音乐大学成绩单, 制作文凭洗足学园音乐大学毕业证-洗足学園音楽大学毕业证书-毕业证, 洗足学園音楽大学毕业证学历认证

【V信83113305】：Elisabeth University of Music, located in Hiroshima, Japan, is a prestigious institution dedicated to nurturing musical talent and fostering artistic excellence. Founded in 1963, the university offers a comprehensive curriculum covering classical, contemporary, and traditional Japanese music. With a strong emphasis on performance, composition, and music education, it provides students with world-class facilities, including state-of-the-art practice rooms and concert halls. The faculty comprises renowned musicians and educators who mentor students in both technical mastery and creative expression. The university also promotes cultural exchange through international collaborations and performances. Rooted in the spirit of peace and harmony, reflecting Hiroshima’s history, Elisabeth University of Music continues to inspire generations of musicians to contribute to the global music community.，如何获取伊丽莎白音乐大学-Elisabeth University of Music-毕业证本科学位证书, 挂科办理Elisabeth University of Music伊丽莎白音乐大学学历学位证, 办理真实Elisabeth University of Music毕业证成绩单留信网认证, 专业办理エリザベト音楽大学伊丽莎白音乐大学成绩单高质学位证书服务, Offer(Elisabeth University of Music成绩单)Elisabeth University of Music伊丽莎白音乐大学如何办理?, Offer(エリザベト音楽大学成绩单)エリザベト音楽大学伊丽莎白音乐大学如何办理?, 伊丽莎白音乐大学成绩单复刻