One Year Death Anniversary Quotes

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The anniversary date of a loved one's death is particularly significant. You will have done something you thought was impossible a few months earlier. You will have survived an entire year without someone who was as important to you as life itself.
Bob Diets
Every Good Friday, this anchored but ever-changing anniversary of my accident, I go to the little creek that saved my life and light one more candle. I offer thanks for two facts: that I am one year older, and that I am one year closer to death.
Andrew Davidson (The Gargoyle)
My New Year's Eve is always 2 July, the night before my birthday. That's the night I make my resolutions. And this year scares the life out of me, because no matter how successful, how good things appear, there is always a deep core of failure within me, although I am trying to deal with it. My biggest fear, this coming year, is that I will be waking up alone. It makes me wonder how many bodies will be fished out of the Thames, how many decaying corpses will be found in one-room flats. I'm just being realistic.
Tracey Emin (Strangeland)
When a person you love dies, the calendar becomes a minefield. Anyone who has lost someone knows this. There is the loved one’s birthday. One’s own Birthday. Various national and religious holidays, if one is religious. All of these days are difficult in their own ways. But the anniversary is different. On the anniversary of the loved one’s death, you slip backward through time to this same day, one, five, ten years ago. You live it all over again, minute by minute.
Alexis Schaitkin (Saint X)
It has taken me four years to figure this out. If we live long enough, we all will experience this. Don’t ever predetermine how you think that you should feel on an anniversary of a tragic event in your life, such as a death of a loved one, or on a holiday after such an event. Each year starts out with 365 days, and I will be damned if I am giving up even one of them to misery.
JohnA Passaro
Are you ok? they'll say. Tomorrow is one-year anniversary Of my dad's death, and since he's still Dead, I am not okay.
Lola St. Vil (Girls Like Me)
Pudge/Colonel: "I am sorry that I have not talked to you before. I am not staying for graduation. I leave for Japan tomorrow morning. For a long time, I was mad at you. The way you cut me out of everything hurt me, and so I kept what I knew to myself. But then even after I wasn't mad anymore, I still didn't say anything, and I don't even really know why. Pudge had that kiss, I guess. And I had this secret. You've mostly figured this out, but the truth is that I saw her that night, I'd stayed up late with Lara and some people, and then I was falling asleep and I heard her crying outside my back window. It was like 3:15 that morning, maybe, amd I walked out there and saw her walking through the soccer field. I tried to talk to her, but she was in a hurry. She told me that her mother was dead eight years that day, and that she always put flowers on her mother's grave on the anniversary but she forgot that year. She was out there looking for flowers, but it was too early-too wintry. That's how I knew about January 10. I still have no idea whether it was suicide. She was so sad, and I didn't know what to say or do. I think she counted on me to be the one person who would always say and do the right things to help her, but I couldn"t. I just thought she was looking for flowers. I didn't know she was going to go. She was drunk just trashed drunk, and I really didn't think she would drive or anything. I thought she would just cry herself to sleep and then drive to visit her mom the next day or something. She walked away, and then I heard a car start. I don't know what I was thinking. So I let her go too. And I'm sorry. I know you loved her. It was hard not to." Takumi
John Green (Looking for Alaska)
You know, I think God allows those, who have passed, to visit loved ones for a short time.  I feel my mom with me at certain times of the year … my birthday, her birthday, the anniversary of her death.  Any moment in life that would have special meaning,
Kimberly McKay (Finding Kylie: An Overnight Heiress (The Forgiveness Series Book 1))
I have a friend who each year on the anniversary of his wife's death, goes to her grave with some friends where they ritually pour Bombay gin on her grave because she liked martinis. As frivolous as that may seem, there is something in libation, a pouring out that symbolizes a pouring out of the soul, a pouring out of love, of remembrance. There is extravagance in my friend's ritual because gin, especially Bombay gin, is expensive; it's not something that one normally pours into the ground. In the annual ritual of spilling gin on the grave there is also the dimension of community. My friend goes with others who knew his wife, who laughed with her, who celebrated with her, who worshiped with her. They together make the pilgrimage. Therefore there is a further sense of community, of bonding among them as they make the annual pilgrimage, perhaps one member less through death, perhaps one member absent because he or she has moved to another place, or is ill. Still they go together, however many they are, to celebrate this person's life, to tell stories, to pour out gin, to pray.
Murray Bodo (The Road to Mount Subasio)
Today is the thirty-seventh anniversary of my mother's death. I have thought of her, longed for her, every day of those thirty-seven years, and my father has, I think, thought of her almost without stopping. If fervent memory could raise the dead, she would be our Eurydice, she would rise like Lady Lazarus from her stubborn death to solace us. But all of our laments could not add a single second to her life, not one additional beat of the heart, nor a breath. The only thing my need could do was bring me to her. What will Clare have when I am gone? How can I leave her?
Audrey Niffenegger (The Time Traveler's Wife)
These feelings don't just go away. They linger. Hover. They are with me always. Even at my most functioning...they are there, watching me. These emotions are my roommates now, bunking up beside me at night. They do not pay any rent...they are determinded to ruin me, and yet I can never fully evict them from my brain. I have tried -- really tried -- to chip away at my grief...But lately, I've just given up. I'm finally giving it permission to breathe and exist... Most days now, they lie dormant in me. Sometimes it gets so quiet in my brain I think they've finally packed up and left. But every year as the calendar rounds the corner to March and the anniversary of her death approaches, anger bubbles again...I rage over the smallest of things, screaming behind the steering wheel of my car when another driver forgets to use their blinker. At first I'm perplexed, and then I remember: it's here again. And I am still mad. So mad. I can starve it, avoid it, rationalize it, manage it, talk about it in therapy, and eat it up in neat little points value. No matter how much weight I lose, I will never lose this one simple truth: I want my mom. I am so f***ing mad that she's gone. And that feeling will never, ever die.
Kate Spencer (The Dead Moms Club: A Memoir about Death, Grief, and Surviving the Mother of All Losses)
Of course, the cadavers, in life, donated themselves freely to this fate, and the language surrounding the bodies in front of us soon changed to reflect that fact. We were instructed to no longer call them “cadavers”; “donors” was the preferred term. And yes, the transgressive element of dissection had certainly decreased from the bad old days. (Students no longer had to bring their own bodies, for starters, as they did in the nineteenth century. And medical schools had discontinued their support of the practice of robbing graves to procure cadavers—that looting itself a vast improvement over murder, a means once common enough to warrant its own verb: burke, which the OED defines as “to kill secretly by suffocation or strangulation, or for the purpose of selling the victim’s body for dissection.”) Yet the best-informed people—doctors—almost never donated their bodies. How informed were the donors, then? As one anatomy professor put it to me, “You wouldn’t tell a patient the gory details of a surgery if that would make them not consent.” Even if donors were informed enough—and they might well have been, notwithstanding one anatomy professor’s hedging—it wasn’t so much the thought of being dissected that galled. It was the thought of your mother, your father, your grandparents being hacked to pieces by wisecracking twenty-two-year-old medical students. Every time I read the pre-lab and saw a term like “bone saw,” I wondered if this would be the session in which I finally vomited. Yet I was rarely troubled in lab, even when I found that the “bone saw” in question was nothing more than a common, rusty wood saw. The closest I ever came to vomiting was nowhere near the lab but on a visit to my grandmother’s grave in New York, on the twentieth anniversary of her death. I found myself doubled over, almost crying, and apologizing—not to my cadaver but to my cadaver’s grandchildren. In the midst of our lab, in fact, a son requested his mother’s half-dissected body back. Yes, she had consented, but he couldn’t live with that. I knew I’d do the same. (The remains were returned.) In
Paul Kalanithi (When Breath Becomes Air)
A few years after you disappeared, a postal worker named Ben Carver was sentenced to death for murdering six young men. (He is a homosexual, which, according to Huckleberry, means he is not attracted to murdering young women.) Rumors have it that Carver cannibalized some of his victims, but there was never a trial, so the more salacious details were not made public. I found Carver’s name in the sheriff’s file ten months ago, the fifth anniversary of your disappearance. The letter was written on Georgia Department of Corrections stationery and signed by the warden. He was informing the sheriff that Ben Carver, a death row inmate, had mentioned to one of the prison guards that he might have some information pertaining to your disappearance.
Karin Slaughter (Pretty Girls)
The reality is that the true fundamental transformation in America (and the West generally) has come in the realm of culture, notably in matters of sexual orientation, gender, marriage, and family. The shift there has been unprecedented and far beyond anyone’s imagination in 2008. It was signaled most conspicuously in June 2015 when the Obama White House—the nation’s first house—was illuminated in the colors of the “LGBTQ” rainbow on the day of the Obergefell decision, when the Supreme Court, by a one-vote margin, rendered unto itself the ability to redefine marriage (theretofore the province of biblical and natural law) and imposed this new “Constitutional right” on all fifty states. If ever there was a picture of a fundamental transformation, that was it. And that was just one of countless “accomplishments” heralded and boasted of by the Obama administration. In June 2016, to celebrate the one-year anniversary of Obergefell, the White House press office released two extraordinary fact sheets detailing President Obama’s vast efforts to promote “LGBT” rights at home and abroad.663 Not only was it telling that the White House would assemble such a list, and tout it, but the sheer length of the list was stunning to behold. There was no similar list of such dramatic changes by the Obama White House in any other policy area. Such achievements included the infamous Obama bathroom fiat, through which, according to Barack Obama’s executive word, all public schools were ordered to revolutionize their restrooms and locker rooms to make them available to teenage boys who want to be called girls.
Paul Kengor (The Devil and Karl Marx: Communism's Long March of Death, Deception, and Infiltration)
This issue of Stvar we dedicate to the anniversaries. Each effort that commences from historical years and epochal dates, however, is not only supposed to cope with the legacy and lessons of evoked events and figures, but also to question a certain (dominant) relation to the past and history. In other words, the task is not a commemorative one, that is, a fetishist relation to the epoch of decisive dates and big events, but rather the radical grasping of the materiality of history following its work where social contradictions require that fight for emancipation and progress is to be taken up. What is at stake here is not an academic requiem or a leftist memorial service to the era of revolutions and great revolutionaries; it is all about casting our gaze toward the past in order to better examine those moments where the past opens itself toward the future. The relation toward past, therefore, should contain perspectives of different future. Amputation of the future is nowadays one of the features of many current academic, scientific and ideological discourses. Once this perspective of different future has been eliminated, the resignification of Marx, Luxemburg, Kollontai, Lenin and others becomes possible, because their doctrines and results have been quite depoliticized. On the contrary, it is the memory that calls for struggle that is the main cognitive attitude toward the events remembered in the collected texts in this issue. Not nostalgic or collectionist remembrance but critical memory filled with hope. The main question, thus, is that of radical social transformations, i.e. theory and practice of revolution. In this sense, Marx, Kollontai, Lenin and other Bolsheviks, and Gramsci as well, constitute the coordinates in which every theoretical practice that wants to offer resistance to capitalist expansion and its ideological forms is moving. The year 1867, when the first Volume of Marx’s Capital is brought out in Hamburg, then October 1917 in Russia, when all power went to the hands of Soviets, and 1937, when Gramsci dies after 11 years of fascist prison: these are three events that we are rethinking, highlighting and interpreting so that perspective of the change of the current social relations can be further developed and carried on. Publishing of the book after which nothing was the same anymore, a revolutionary uprising and conquest of the power, and then a death in jail are the coordinates of historical outcomes as well: these events can be seen as symptomatic dialectical-historical sequence. Firstly, in Capital Marx laid down foundations for the critique of political economy, indispensable frame for every understanding of production and social relations in capitalism, and then in 1917, in the greatest attempt of the organization of working masses, Bolsheviks undermined seriously the system of capitalist production and created the first worker’s state of that kind; and at the end, Gramsci’s death in 1937 somehow symbolizes a tragical outcome and defeat of all aspirations toward revolutionizing of social relations in the Western Europe. Instead of that, Europe got fascism and the years of destruction and sufferings. Although the 1937 is the symbolic year of defeat, it is also a testimony of hope and survival of a living idea that inspires thinkers and revolutionaries since Marx. Gramsci also handed down the huge material of his prison notebooks, as one of the most original attempts to critically elaborate Marx’s and Lenin’s doctrine in new conditions. Isn’t this task the same today?
Saša Hrnjez (STVAR 9, Časopis za teorijske prakse / Journal for Theoretical Practices No. 9 (Stvar, #9))
Our youngest brother, Roscoe, was in town from vet school because this week marked the one-year anniversary of our mother’s death. Ashley had sent a group text message earlier in the  week, saying, Dinner on Tuesday the 4th at home. Please be there or I’ll be forced to wax your beard from your face. You know I will… XOXO Ash So, in addition to everything else going wrong recently, I had that to look forward to.
Penny Reid (Beard in Mind (Winston Brothers, #4))
She couldn't remember who'd said it - Orwell, maybe - but a famous wit had once pointed out that there is one anniversary we pass each year without celebrating, or even knowing it is there: the anniversary of our own death.
Alex Lake (After Anna (Anna, #1))
What Bartholdi and Butler and their backers argued was that the idea of Liberty was not necessarily tied to immigration, the very link that had made Emma Lazarus’s poem so powerful. Lazarus had died of Hodgkin’s disease the year after the unveiling. Even before her death, the “New Colossus” poem had been lost from memory. It would take her friend Georgina Schuyler to independently raise funds in 1903 to get the poem placed on a bronze tablet in the statue’s pedestal. No one even noticed that gesture until the fiftieth anniversary of the statue, when a Slovenian journalist brought it to public attention.
Elizabeth Mitchell (Liberty's Torch: The Great Adventure to Build The Statue of Liberty)
September 18, 2021, the one-year anniversary of the death of Justice Ruth Bader Ginsberg, the American Civil Liberties Union (ACLU) tweeted a quote about abortion rights from Justice Ginsberg’s 1993 Supreme Court confirmation hearing, editing out all of the words that identified abortion as a right that pertains exclusively to women, i.e., female humans—the only humans who are capable of getting pregnant (full disclosure: I worked at the ACLU from 2012 to 2014). Justice Ginsberg’s original statement read: “The decision whether or not to bear a child is central to a woman’s life, to her well-being and dignity. It is a decision she must make for herself. When government controls that decision for her, she is being treated less than a fully adult human responsible for her own choices.” The version that the ACLU tweeted read: “The decision whether or not to bear a child is central to a [person’s] life, to [their] well-being and dignity … When the government controls that decision for [people], [they are] being treated as less than a fully adult human responsible for [their] own choices.
Kara Dansky (The Abolition of Sex: How the “Transgender” Agenda Harms Women and Girls)
As time passed, I felt especially grateful to my family and friends who continued to check in and show up. On the six month anniversary of Dave's death, I sent them a poem, "Footprints in the Sand." It was originally a religious parable, but to me it also expressed something profound about friendship. the poem relates a dream of walking on the beach with God. The storyteller observes that in the sane there are two sets of footprints except during those periods of life filled with "anguish, sorrow or defeat." Then there is only one set of footprints. Feeling forsaken, the storyteller challenges God, "Why, when I needed you most, have you not been there for me?" The Lord replies, "The years when you have seen only one set of footprints, my child, are when I carried you." I used to think there was only one set of footprints because my friends were carrying me through the worst days of my life. But now it means something else to me. When I saw one set of footprints, it was because they were following directly behind me, ready to catch me if I fell.
Sheryl Sandberg (Option B: Facing Adversity, Building Resilience, and Finding Joy)
The attack on 9/11 was a localized event, affecting only a relatively small number of Americans. As indicated earlier, the general threat of terrorism, even factoring in the large death toll on that tragic day, produces a statistically insignificant threat to the average person’s life. People across the country, however, were gripped with fear. And because we are an object-oriented people, most felt the need to project that fear onto something. Some people stopped flying in airplanes, worried about a repeat attack—and for years afterward, air travel always dipped on the anniversary of 9/11.4 Of course, this was and is an irrational fear; it is safer to travel by plane than by car. According to the National Safety Council, in 2010 there were over 22,000 passenger deaths involving automobiles, while no one died in scheduled airline travel that year.5 Nevertheless, Congress responded by rushing through the USA PATRIOT Act six weeks after 9/11—a 240-plus page bill that was previously written, not available to the public prior to the vote, and barely available to the elected officials in Congress, none of whom read it through before casting their votes.6 Two weeks previous to the bill’s passage, President Bush had announced the establishment of the Office of Homeland Security to “develop and coordinate the implementation of a comprehensive national strategy to secure the United States from terrorist threats or attacks.” He explained that “[t]he Office will coordinate the executive branch’s efforts to detect, prepare for, prevent, protect against, respond to, and recover from terrorist attacks within the United States.”7 The office’s efforts culminated in the creation of the Department of Homeland Security (DHS) one year later as a result of the Homeland Security Act of 2002. This law consolidated executive branch organizations related to “homeland security” into a single Cabinet department; twenty-two total agencies became part of this new apparatus. The government, responding to the outcry from a fearful citizenry, was eager to “do something.” All of this (and much, much more), affecting all Americans, because of a localized event materially affecting only a few. But while the event directly impacted only a small percentage of the population, its impact was felt throughout the entire country.
Connor Boyack (Feardom: How Politicians Exploit Your Emotions and What You Can Do to Stop Them)
In general, repression had been good to Luka. As he’d discovered through talking with the copy of Ellie he’d brought with him from the San Francisco, repression had enabled him to function in circumstances where others might have given up. But repression was only one tool, and Luka now knew that the structures one built were often defined—or at least profoundly influenced—by the tools one used to build them. Repression was like constantly building upward in order to avoid the work of building out a more stable foundation, but eventually the instability compounded to the point where your life had no choice but to topple. Another problem with the past was that every year, it came back around. The cycle of the Gregorian calendar was like the constant rotation of a cylinder with 365 chambers, and the longer you lived, the more rounds filled those holes. Except these bullets were never fully spent, and rather than proving lethal, the wounds they left were a gradual accumulation of debilitating injury. A much better calendrical system would have been one where days never repeated; where lives were marked with infinitely incrementing integers, constantly leaving the things everyone wanted to forget further and further behind; where every second of every day was a chance to completely reinvent oneself out of newly created time that had no inherent knowledge whatsoever of the past. In the one year since Luka and Ayla had been alone together aboard the Hawk, they had each experienced a lot of anniversaries: the days they’d left their home pod systems as children; the times each had lost people they loved; the moments they’d been forced right up to the very edge of death—in fact, well past the point of peace and acceptance—only to be unexpectedly pulled back into the worlds they thought they were finally leaving behind. And the day that was
Christian Cantrell (Equinox (Containment, #2))
Put another way: I don't know what's going to happen on Election Day, other than the fact that the election won't be the only thing I'm thinking about- as November 5, 2024, also marks the ten-year anniversary of the death of my mother: a milestone so striking, it seems impossible to me even as I write it. And guess what? I won't be the only person in this country with something else on my mind that day, either.
Kat Timpf (I Used to Like You Until...: How Binary Thinking Divides Us)
The only time we’re allowed to open this box before our twenty-fifth wedding anniversary is if it’s an emergency.’ ‘What kind of emergency? Like…death?’ He shakes his head. ‘No a relationship emergency. Like…divorce.’ ‘Divorce?’ I hate that word. ‘Seriously?’ ‘I don’t see us needing to open his box for any other reason than to celebrate our longevity, Quinn. But, if one of us ever decides we want a divorce - if we’ve reached the point where we think that’s the only answer - we have to promise not to go through with it until we open this box and read these letters. Maybe reminding each other of how we felt when we closed the box will help change our minds if we ever need to open it early.’ ‘So this box isn’t just a keepsake. It’s also a marriage survival kit?’ Graham shrugs. ‘You could say that. But we have nothing to worry about. I’m confident we won’t need to open this box for another twenty-five years.
Colleen Hoover (All Your Perfects (Hopeless, #3))
These feelings don't just go away. They linger. Hover. They are with me always. Even at my most functioning...they are there, watching me. These emotions are my roommates now, bunking up beside me at night. They do not pay any rent...they are determined to ruin me, and yet I can never fully evict them from my brain. I have tried -- really tried -- to chip away at my grief...But lately, I've just given up. I'm finally giving it permission to breathe and exist... Most days now, they lie dormant in me. Sometimes it gets so quiet in my brain I think they've finally packed up and left. But every year as the calendar rounds the corner to March and the anniversary of her death approaches, anger bubbles again...I rage over the smallest of things, screaming behind the steering wheel of my car when another driver forgets to use their blinker. At first I'm perplexed, and then I remember: it's here again. And I am still mad. So mad. I can starve it, avoid it, rationalize it, manage it, talk about it in therapy, and eat it up in neat little points value. No matter how much weight I lose, I will never lose this one simple truth: I want my mom. I am so f***ing mad that she's gone. And that feeling will never, ever die.
Kate Spencer (The Dead Moms Club: A Memoir about Death, Grief, and Surviving the Mother of All Losses)