Fabricated Pull Quotes

We've searched our database for all the quotes and captions related to Fabricated Pull. Here they are! All 100 of them:

Will." Her hands pulled at his shirt, and it came away, the buttons tearing, his head shaking free of the fabric, all wild dark hair, Heathcliff on the moors. His hands were less sure on her dress, but it came away as well, off over her head, and was cast aside, leaving Tessa in her chemise and corset. She went motionless, shocked at being so undressed in front of anyone but Sophie, and Will took a wild look at her corset that was only part desire. “How—," he said. “Does it come off?" Tessa couldn't help herself; despite everything, she giggled. “It laces," she whispered. “In the back.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
You look ridiculous,” Wren said. “What?” “That shirt.” It was a Hello Kitty shirt from eighth or ninth grade. Hello Kitty dressed as a superhero. It said SUPER CAT on the back, and Wren had added an H with fabric paint. The shirt was cropped too short to begin with, and it didn’t really fit anymore. Cath pulled it down self-consciously. “Cath!” her dad shouted from downstairs. “Phone.” Cath picked up her cell phone and looked at it “He must mean the house phone,” Wren said. “Who calls the house phone?” “Probably 2005. I think it wants its shirt back.
Rainbow Rowell (Fangirl)
He took her by the shoulders and pulled her closer to him, his fingers knotting in the fabric of her dress. Even more than in the attic, she felt caught in the eddy of a powerful wave that threatened to pull her over and under, to crush and break her, to wear her down to softness as the sea might wear down a piece of glass.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Logan?' 'Yes?' I pulled my clothes back on even though the fabric stuck to my wounds. So much for trying to keep them clean. 'How did you know it wasn’t really me?' 'Are you kidding? Your eyeballs could be on fire and you wouldn’t bat your lashes at me like that.
Alyxandra Harvey (Blood Feud (Drake Chronicles, #2))
I kissed him, let him kiss me, let him clutch my hips, curl his fingers into the fabric of my shirt, slide his hands around my waist and splay them against my back, pull me infinitesimally closer. He made a sound, a growl or purr, some predatory noise that rumbled in his throat, then said my name. And this time, it wasn’t a question but a sound of victory, a claim on his prize.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
The cord pulled taut and she rebounded, flying back up before falling again. As her velocity slowed, she opened her eyes and found herself dangling at the end of the cord, about five feet above Jace. He was grinning. "Nice," he said. "As graceful as a falling snowflake." "Was I screaming?" She asked, genuinely curious. "You know, on the way down." He nodded. "Thankfully no one's home, or they would have assumed I was murdering you." "Ha. You can't even reach me." She kicked out a leg and spun lazily in midair. Jace's eyes glinted. "Want to bet?" Clary knew that expression. "No," she said quickly. "Whatever you're going to do-" But he'd already done it. When Jace moved fast, his individual movements were almost invisible. She saw his hand go to his belt, and then something flashed in the air. She heard the sound of parting fabric as the cord above her head was sheared through. Released, she fell freely, too surprised to scream- directly into Jace's arms. The force knocked him backward, and they sprawled together onto one of the padded floor mats, Clary on top of him. He grinned up at her. "Now," he said, "that was much better. You didn't scream at all." "I didn't get the chance." She was breathless, and not just from the impact of the fall. Being sprawled on top of Jace, feeling his body against hers, made her hands shake and her heart beat faster.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
When you've got a shot at deeper, you have to fist your hands in its T-shirt and pull it closer. Tug until fabric rips. Yank at it, reel it in until it's naked up against your belly and you're starving and full, desperate and satiated, dizzy and grounded.
Robin York (Deeper (Caroline & West, #1))
What—?” In one movement, Thorne lifted her onto the desk and pressed her back against an enormous potted fern and—oh. Cress had built a thousand fantasies around their rooftop kiss, but this kiss was something new. Where before, the kiss had been gentle and protective, now there was something passionate. Determined. Cress’s body dissolved into nothing but sensation. His hands burned her waist through the skirt’s thin fabric. Her knees pressed against his hips, and he pulled her closer, closer, like he couldn’t get her close enough. A whimper escaped her mouth, only to be swallowed by his. She heard a moan, but it could have come from either of them.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Having an answer is a comfort. It's when you start asking questions and those questions pull threads in the larger fabric, you're forced to wonder what you're left with. And for people of any age, it's scary to think the fabric of the universe - or the universe as you've always believed it existed - can just unwind, you know?
Robin Epstein (God Is in the Pancakes)
Have you ever had a feeling there's more to you than the person everybody else sees a person hidden deep within the very fabric of your soul - you must pull that thread unravel the truth of you and wake within yourself that great giant you already know you can be.
Atticus Poetry (The Truth About Magic)
I am governed by the pull of the sentence as the pull of fabric is governed by gravity.
Marianne Moore
I was merely observing; I have no agenda." He looked at his hand, still touching hers. "Where did you get that ring?" She contracted her hand into a fist as she pulled it away from him. The amethyst in her ring glowed in the firelight. "It was a gift." "From whom?" "That's none of your concern." He shrugged, though she knew betterthan to tell him who'd really given it to her - rather, she knew Chaol wouldn't want Dorian to know. "I'd like to know who's been giving rings to my Champion." The way the collar of his black jacket lay across his neck made her unnable to sit still. She wanted to touch him, to trace the line between his tan skin and the golden lining of the fabric. "Billiards?" she asked, rising to her feet. I could use another lesson." Celaena didn't wait for his answer as she strode toward the gaming room. She very much wanted to stand close to him and have her skin warm under his breath. She liked that. Worse than that, she realized, she liked him.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
She praised his book and he embraced her from gratitude rather than lust, but she didn't let go. Neither did he. She kissed his cheek, his earlobe. For months they'd run their fingers around the hem of their affection without once acknowledging the fabric. The circumference of the world tightened to what their arms encompassed. She sat on the desk, between the columns of read and unread manuscript, and pulled him toward her by his index fingers.
Anthony Marra (A Constellation of Vital Phenomena)
flung my arms around his neck and kissed him. He pulled away for a fraction of a second, startled, but then he fisted the fabric at the back of my cloak and crushed me to him, mouth hard and unrelenting.
Shelby Mahurin (Serpent & Dove (Serpent & Dove, #1))
While the universe seems to hold its breath, my consciousness is thrust into an abyss, caught in the gravitational pull of unfolding chaos. It's as if the very fabric of existence has reached out, unleashing a cosmic tremor—the kind that reshapes galaxies and rewrites the laws of physics and fate on a whim—then leaned in and whispered, 'Bet you didn't see that coming.
Aura Biru (We Are Everyone)
The fabric of space/time is much like one of the elaborate Vatican tapestries, thinks Nemes, and she who begins pulling on loose threads does so at the peril of watching the whole tapestry ravel.
Dan Simmons (Endymion (Hyperion Cantos, #3))
Travis slammed into my back, wrapping his arms around my waist. “You scared the shit outta me!” I complained. He ran his hands over my skin. I noticed they felt different; slow and deliberate. I closed my eyes when he pulled me against him and buried his face in my hair, nuzzling my neck. Feeling his bare skin against mine, it took me a moment to protest. “Travis…,” He pulled my hair to one side and grazed his lips along my back from one shoulder to the other, unsnapping the clasp of my bra. He kissed the bare skin at the base of my neck and I closed my eyes, the warm softness of his mouth felt oo good to make him stop. A quiet moan escaped from his throat when he pressed his pelvis against mine, and I could feel how much he wanted me through his boxers. I held my breath, knowing the only thing keeping us from that big step I was so opposed to a few moments before was two thin pieces of fabric. Travis turned me to face him, and then pressed against me, leaning my back against the wall. Our eyes met, and I could see the ache in his expression as he scanned the bare pieces of my skin. I had seen him peruse women before, but this was different. He didn’t want to conquer me; he wanted me to say yes. He leaned in to kiss me, stopping just an inch away. I could feel the heat from his skin radiating against my lips, and I had to stop myself from drawing him in the rest of the way. His fingers were digging into my skin as he deliberated, and then his hands slid from my back to the hem of my panties. His index fingers slid down my hips, in between my skin and the lacey fabric, and in the same moment that he was about to slip the delicate threads down my legs, he hesitated. Just when I opened my mouth to say yes, he clenched his eyes shut. “Not like this,” he whispered, brushing his lips across mine. “I want you, but not like this.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
Barbara appraised her with critical eyes. ‘Oh my. Well, this is going to need some work.’ She went right to Carmen’s hips and pulled the unfinished seams open. ‘Yes, we’ll have to take this way out. I’m not sure I have enough fabric. I’ll check when I get back to my office.’ You are a horrible witch, Carmen thought. She knew she looked absolutely awful in the dress. She was part Bourbon Street whore and part Latina first-communion spectacle.
Ann Brashares (The Sisterhood of the Traveling Pants (Sisterhood, #1))
Few value just how fragile a person’s psyche is. All those pieces, both the good and bad, the values, the lessons, the beliefs that construct us—they’re all woven into the fabric of our being. Once you start pulling out the first thread, the entire person is in danger of unravelling.
Jessica Dotta (Born of Persuasion (Price of Privilege, #1))
I keep my eyes down, looking now at my fingers as they twist the fabric into a knot."I'm sorry. About the way I acted yesterday." When I straighten up, Ky has already moved on. "Don't be," Ky says, pulling a tangle of climbing green vines away from a shrub so that we can pass through. He throws the vines at me and I catch them in surprise. "It's good to see you jealous once in a while." He smiles,
Ally Condie
I pull my sweater over my head, not accounting for static, and my T-shirt sticks to the woolly outer-layer. Face covered with fabric, I scramble to pull the shirt into place. The silence at the table is telling.
Helena Hunting (Pucked (Pucked, #1))
I’d like to go to all the knitting shops,” Doria said. “I want to see some rustic, hand-pulled yarn. I would also like to see some colonial fabrics, and, if possible, I would like to have some contact with a loom.
Laurie Colwin (Happy All the Time)
This crisis didn’t have to happen. America had a boom-and-bust cycle from the 1790s to the 1930s, with a financial panic every ten to fifteen years. But we figured out how to fix it. Coming out of the Great Depression, the country put tough rules in place that gave us fifty years without a financial crisis. But in the 1980s, we started pulling the threads out of the regulatory fabric, and we found ourselves back in the boom-and-bust cycle. When this crisis is over, there will be a once-in-a-generation chance to rewrite the rules. What we set in place will determine whether our country continues down this path toward a boom-and-bust economy or whether we reestablish an economy with more stability that gives ordinary folks a chance at real prosperity.
Elizabeth Warren (A Fighting Chance)
Cole steps forward, his fingers reaching around my shoulders, and kisses me. It is sudden and smooth and soft as air against my lips. The wind whips around us, tugging at the fabric of our clothes, but not pulling us apart. And then it's gone, the cool pressure against my lips, and my eyes are open and looking into two gray eyes like river rocks. "/That's/ what you wanted to show me?" "No," he says, his fingers slipping down my arms as he leads me off the path and out, away from Near. "That was just in case.
Victoria Schwab (The Near Witch (The Near Witch, #1))
My favorite style, though, is the way you were wearing it earlier when you had it draped across both of your arms loosely. That way, I get the full effect of your exquisite hair tumbling down your back.” Wrapping the filmy fabric around my shoulders, he pulled the shawl and gently tugged me closer. He reached out, captured a curl, and wrapped the hair around his finger. “This life is so different from what I know. So many things have changed.” He let go of the shawl, but he kept hold of the curl. “But some things are much, much better.” He let go of the curl, trailing a finger down my cheek, and gave me a little nudge back toward my room. “Goodnight, Kelsey. We have a busy day tomorrow.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
It is a common sentence that Knowledge is power; but who hath duly Considered or set forth the power of Ignorance? Knowledge slowly builds up what Ignorance in an hour pulls down. Knowledge, through patient and frugal centuries, enlarges discovery and makes record of it; Ignorance, wanting its day’s dinner, lights a fire with the record, and gives a flavor to its one roast with the burned souls of many generations. Knowledge, instructing the sense, refining and multiplying needs, transforms itself into skill and makes life various with a new six days’ work; comes Ignorance drunk on the seventh, with a firkin of oil and a match and an easy “Let there not be,” and the many-coloured creation is shriveled up in blackness. Of a truth, Knowledge is power, but it is a power reined by scruple, having a conscience of what must be and what may be; whereas Ignorance is a blind giant who, let him but wax unbound, would make it a sport to seize the pillars that hold up the long-wrought fabric of human good, and turn all the places of joy dark as a buried Babylon.
George Eliot (Daniel Deronda)
Do you know what Aunt Marmoset told me once? She compared you to a spice drop. Overpowering and hard at first, but all sweetness at the center. I’ll admit, I’ve been desperate to try an experiment.” She gave him a teasing look. “How many times do you suppose I could lick you before you crack?” His every muscle tightened. Smiling, she tucked her face into the curve of his neck and ran her tongue seductively over his skin. “There’s one.” “Katie.” The word was a low, throaty warning. It made her toes curl. She nuzzled at the notch of his open shirt, pushing the fabric aside. The familiar musk of his skin stirred her in deep places. With a teasing swirl of her tongue, she tasted the notch at the base of his throat. “Two . . .” “Finn,” he called in a booming voice, lifting his head. “Send for the vicar.” She pulled back, shocked. “Two? That’s all, truly? Two? I’m not sure whether to feel proud or disappointed.
Tessa Dare (A Lady by Midnight (Spindle Cove, #3))
We have one collective hope: the Earth And yet, uncounted people remain hopeless, famine and calamity abound Sufferers hurl themselves into the arms of war; people kill and get killed in the name of someone else’s concept of God Do we admit that our thoughts & behaviors spring from a belief that the world revolves around us? Each fabricated conflict, self-murdering bomb, vanished airplane, every fictionalized dictator, biased or partisan, and wayward son, are part of the curtains of society’s racial, ethnic, religious, national, and cultural conflicts, and you find the human ego turning the knobs and pulling the levers When I track the orbits of asteroids, comets, and planets, each one a pirouetting dancer in a cosmic ballet, choreographed by the forces of gravity, I see beyond the plight of humans I see a universe ever-expanding, with its galaxies embedded within the ever-stretching four-dimensional fabric of space and time However big our world is, our hearts, our minds, our outsize atlases, the universe is even bigger There are more stars in the universe than grains of sand on the world’s beaches, more stars in the universe than seconds of time that have passed since Earth formed, more stars than words & sounds ever uttered by all humans who have ever lived The day we cease the exploration of the cosmos is the day we threaten the continuing of our species In that bleak world, arms-bearing, resource-hungry people & nations would be prone to act on their low-contracted prejudices, and would have seen the last gasp of human enlightenment Until the rise of a visionary new culture that once again embraces the cosmic perspective; a perspective in which we are one, fitting neither above nor below, but within
Neil deGrasse Tyson
Good crews are good blends of personalities: someone to lead the charge, someone to hold something in reserve; someone to pick a fight, someone to make peace; someone to think things through, someone to charge ahead without thinking. Somehow all this must mesh. That’s the steepest challenge. Even after the right mixture is found, each man or woman in the boat must recognize his or her place in the fabric of the crew, accept it, and accept the others as they are. It is an exquisite thing when it all comes together in just the right way. The intense bonding and the sense of exhilaration that results from it are what many oarsmen row for, far more than for trophies or accolades. But it takes young men or women of extraordinary character as well as extraordinary physical ability to pull it off.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
Imagine that you are a pair of white gloves, Mama would say, pulling one of her gloves between her hands, too far apart. Any stain that falls on you becomes part of the fabric. No matter how much you wash, you will never be pure white again. And if the stain seems to fade on its own, it’s because it’s sunk into the thread; because it’s gone even deeper.
Kristen Loesch (The Porcelain Doll)
I pointed to the balled-up socks. “Look at them carefully. This should be a time for them to rest. Do you really think they can get any rest like that?” That’s right. The socks and stockings stored in your drawer are essentially on holiday. They take a brutal beating in their daily work, trapped between your foot and your shoe, enduring pressure and friction to protect your precious feet. The time they spend in your drawer is their only chance to rest. But if they are folded over, balled up, or tied, they are always in a state of tension, their fabric stretched and their elastic pulled. They roll about and bump into each other every time the drawer is opened and closed. Any socks and stockings unfortunate enough to get pushed to the back of the drawer are often forgotten for so long that their elastic stretches beyond recovery.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
You are quarter ghost on your mother’s side. Your heart is a flayed peach in a bone box. Your hair comes away in clumps like cheap fabric wet. A reflecting pool gathers around your altar of plywood sub flooring and split wooden slats. You are rag doll prone. You are contort, angle and arc. Here you rot. Here you are a greening abdomen, slipping skin, flesh fly, carrion beetles. This is where bullets take shelter, where scythes find their function, breath loses its place on the page. This is where the page is torn out of every book before chapter’s close, this is slippage, this is a shroud of neglect pulled over the body, this is your chance to escape. Little wraith, bend light around your skin until it colors you clear, disappear like silica in a kiln, become glass and glass beads, become the staggered whir of an exhaust fan: something only noticed when gone. Become an origami swan. Fold yourself smaller than ever before. Become less. More in some ways but less in the way a famine is less. They will forgive you for not being satisfied with fitting in their hands. They will forgive you for dying to be a bird diminutive enough to fit in a mouth and not be crushed.
Jamaal May
But baby, you started this.” The hand on her hip tugged her closer, her inner thighs brushing against the smooth fabric pulled taut over his long legs. She tugged at the fingers on her hip, wriggling at the same time, desperate to escape. “And now I’m ending it.” “I’ll decide where it ends,” he said.
Tracey Alvarez (In Too Deep (Stewart Island, #1))
The Reed Flute's Song Listen to the story told by the reed, of being separated. "Since I was cut from the reedbed, I have made this crying sound. Anyone apart from someone he loves understands what I say. Anyone pulled from a source longs to go back. At any gathering I am there, mingling in the laughing and grieving, a friend to each, but few will hear the secrets hidden within the notes. No ears for that. Body flowing out of spirit, spirit up from body: no concealing that mixing. But it's not given us to see the soul. The reed flute is fire, not wind. Be that empty." Hear the love fire tangled in the reed notes, as bewilderment melts into wine. The reed is a friend to all who want the fabric torn and drawn away. The reed is hurt and salve combining. Intimacy and longing for intimacy, one song. A disastrous surrender and a fine love, together. The one who secretly hears this is senseless. A tongue has one customer, the ear. A sugarcane flute has such effect because it was able to make sugar in the reedbed. The sound it makes is for everyone. Days full of wanting, let them go by without worrying that they do. Stay where you are inside such a pure, hollow note. Every thirst gets satisfied except that of these fish, the mystics, who swim a vast ocean of grace still somehow longing for it! No one lives in that without being nourished every day. But if someone doesn't want to hear the song of the reed flute, it's best to cut conversation short, say good-bye, and leave.
Jalal ad-Din Muhammad ar-Rumi
It’s wonderful when a kiss lives up to its promise. When hands fist on fabric, push off jackets, tug at and run through hair, grabbing and pulling and wanting to make the closeness that much closer. Everything all together, trying to spare a moment for breathing deep a lover’s scent, surrendering that moment on the half-second to tasting his mouth, focusing on this and then on that, never stopping, never stilling. Pressing and curling your tongues together, knowing the calm will descend but never wanting that to happen.
Vee Hoffman (Acclamation (Acclamation, #1))
She slips a hand into one of the many pockets of her vest before shouting through the rumbling thunder. "You're not the only one who brought a gift." I track the movement, blinking in the rain as she pulls a stem of forget-me-nots from the soaked fabric. Paedyn Azer's smile is dangerous as she reaches up to tuck the flowers behind my ear. "So you don't forget who I am," she whispers against my lips. "And what am I?" I trace my thumb along her bottom lip. "A fool. A cocky bastard?" Her voice is steady. "You are mine, Malakai.
Lauren Roberts
...The spiritual Oriental teachers say a person has three forms of mind,'' Beatrice was explaining to him once, while they were on break between one lesson and another at university, ''which are the dense mind, the subtle level and the ultra-subtle mind. Primary Consciousness, or the dense mind, is that existential, Sartrean mind which is related to our senses and so it is guided directly by human primitive instincts; in Sanskrit, this is referred to as ālaya-vijñāna which is directly tied to the brain. The subtle mind comes into effect when we begin to be aware of our true nature or that which in Sanskrit is called Ātman or self-existent essence that eventually leads us to the spiritual dimension. Ultimately there is the Consciousness-Only or the Vijñapti-Mātra, an ultra-subtle mind which goes beyond what the other two levels of mind can fabricate, precisely because this particular mind is not a by-product of the human brain but a part of the Cosmic Consciousness of the Absolute, known in Sanskrit as Tathāgatagarbha, and it is at this profound level of Consciousness that we are able to achieve access to the Divine Wisdom and become one with it in an Enlightened State.'' ''This spiritual subject really fascinates me,'' the Professor would declare, amazed at the extraordinary knowledge that Beatrice possessed.'' ''In other words, a human being recognises itself from its eternal essence and not from its existence,'' Beatrice replied, smiling, as she gently touched the tip of his nose with the tip of her finger, as if she was making a symbolic gesture like when children are corrected by their teachers. ''See, here,'' she had said once, pulling at the sleeve of his t-shirt to make him look at her book. ''For example, in the Preface to the 1960 Notes on Dhamma, the Buddhist philosopher from the University of Cambridge, Ñāṇavīra Thera, maintains those that have understood Buddhist teachings have gone way beyond Existential Thought. And on this same theme, the German scholar of Buddhist texts, Edward Conze, said that the possible similarity that exists between Buddhist and Existential Thought lies only on the preliminary level. He said that in terms of the Four Noble Truths, or in Sanskrit Catvāri Āryasatyāni, the Existentialists have only the first, which teaches everything is ill. Of the second - which assigns the origin of ill to craving - they have a very imperfect grasp. As for the third and fourth, which consist of letting go of craving, and the Noble Eightfold Path that leads to liberation from the cycle of rebirth in the form of Nirvāṇa - these are unheard of. Knowing no way out, the Existentialists are manufacturers of their own woes...
Anton Sammut (Paceville and Metanoia)
Jane started say­ing ‘Wel­come to be­ing in a re­la­tion­ship’ to me over and over again. I’d tell her about all the com­pro­mises I was mak­ing and how much Andy’s self-ab­sorp­tion could ir­ri­tate me and how I’d no­ticed that he’d stopped find­ing me sexy and started find­ing me sweet – that he used to grab my bum and kiss me, and now he kissed me on the head and pulled the zip­per of my jacket up and down in a cutesy way. ‘Wait till he stops find­ing you sweet,’ she said. ‘That’s a whole other phase.’ I told her about how much time was spent com­fort­ing him and buoy­ing him up and get­ting him out of low moods. How his emo­tions were al­ways more im­por­tant than mine – that when we had arguments, his feel­ings were dis­cussed as facts and mine were in­ter­ro­gated as fab­ri­ca­tions. ‘Jen,’ she said mat­ter-of-factly, ‘do you even want a boyfriend?’ I asked her if this was all stuff she put up with and she nod­ded. ‘Wel­come to be­ing in a re­la­tion­ship,’ she said. And I thought: I don’t want to be wel­come here. I don’t want to get com­fort­able here.
Dolly Alderton (Good Material)
The survivors of the old life come to pay their respects. The neighbors, old and young, come. People who have moved away, maybe a long time ago, come back. You see people you knew when you were young and now don't recognize, people who may never come back again, people you may never see again. We feel the old fabric torn, pulling apart, and we know how much we have loved each other.
Wendell Berry (Hannah Coulter)
And then an endless instant later Arthur was kissing him back, like this was perfectly normal, like this was exactly what Arthur had been hoping for most in all the world, his large hands closing over Merlin's shoulders and sliding down over his back, strong and warm even through the fabric of his sweater, one hand pausing on his waist and the other sliding around to cup his arse and pull him in closer. Merlin made a surprised, enthusiastic sound and stopped holding back; let himself cling to Arthur and kiss him more fiercely; and then they were kissing like it was their last day on earth and they had to cram every possible moment of passion into this tiny slice of time, hands clutching at fabric, mouths pressing hungry bites onto bare skin as if they would somehow devour one another, trying to touch and taste everything at once, frantic and needy and bursting with urgent desire and the inescapable knowledge that this was finite, was stolen, was not supposed to be.
FayJay (The Student Prince (The Student Prince, #1))
Dude, you got me cartoon underwear?!” I knew she would like them, they matched her socks. She pulled the pastel fabric from the bag, their kitty faces smiling back at me along with her bemused smirk.
Adam A. Fox (A Sinful Symphony: A Dark BDSM Romance)
As she relaxed against his chest, he pulled her in closer. Turning her face into his shirt, she breathed in the calming scent that was him. “I’m sorry,” she mumbled into the fabric. One big hand stroked over her head, down her long ponytail to rub her back in soothing circles. “No, I’m sorry. You’ve told me before it made you uncomfortable and I pushed. That was an asshole move. You’re entitled to your feelings and I shouldn’t fight against them. I’m sorry.” He dropped a kiss on her temple. And with that little apology, she stepped off the cliff of denial and fell headfirst into love with Brett Wallace.
Jeanette Murray (The Game of Love)
Hooking both thumbs into my waistband, I rocked my hips from side to side, and slid the dress pants down my thighs. As gravity took over, pooling the fabric at my ankles, I heard her say, “Sexy.” Bullshit. “Just so you know, I feel like an idiot.” “Just so you know, you’re melting my panties.” With a sarcastic snort, I grabbed a knee to pull my leg free. “Are you even wearing panties?” Chances were slim.
Annie Arcane (Hart of Mine (Cale & Mickey #4))
It’s . . . what you said, in the bar the other night. About how I can’t let things go. You’re right. And maybe—I don’t know. Maybe it’s because I’ve been so—my whole life, people do things to, they . . . they hurt the people I love. And there was never anything I could do about it. Not until I got magic.” Noam’s hand slackened against Dara’s, but Dara didn’t try to pull away again. He rubbed his thumb against the backs of Noam’s knuckles, and Noam said: “I can do something, now. And maybe I . . . maybe I’m afraid of being powerless again.” The moment that followed was heavy and silent, thick enough between them Dara could’ve twisted it in his grasp like fabric. “You aren’t powerless.” Dara’s voice wavered. “You—Noam, even if you didn’t have magic, you wouldn’t be powerless. You’re so . . . you’re the bravest person I know. The stupidest too.” That earned a broken sort of laugh from Noam. “But. You’re strong. He won’t break you like he—” His throat closed around the rest. Noam’s inhale was sharp, audible. He lifted his hand and slid chilly fingers into Dara’s shorn-short hair. “You aren’t broken, Dara.
Victoria Lee (The Fever King (Feverwake, #1))
Woman,” he said when he pulled back, his eyes taking in the full sight of me. “You’re wearing my jersey.” “I am.” He shook his head, fisting his hands in the fabric as his eyes grew hungrier. “This makes me fucking feral, Mave.
Kandi Steiner (Meet Your Match (Kings of the Ice, #1))
Tal rested his forehead against Athlen's. His heart beat wildly. Magic and desire scorched through his veins, his body set aflame. "I won't leave without you. I promise." "Thank you." Tal didn't know what awaited them beyond this moment, but this was the chance he thought he'd missed. He wouldn't miss it again. Closing the scant distance between them, Tal tilted his head. His pulse thudded hard under his skin as he brushed his chapped lips over Athlen's, trembling and unsure, terrified in equal parts that he might be pushed away or pulled closer. It was the briefest of kisses, and Athlen's mouth was slippery and cool before Tal inched away, breaking the gentle suction. He shivered as Athlen cradled his face in his hands and drew him back to kiss again. Tal surged forward, bold and eager, hungry for every sensation, his fist clenched in the fabric of Athlen's shirt. Athlen returned each fervent press with an intensity of his own, lips parted, mouth hot and willing, and as clumsy as Tal felt.
F.T. Lukens (In Deeper Waters)
She’s so fucking beautiful. I’d never seen her in normal clothes, and now I wish I never had. She looks even more ethereal in these soft colors and fabrics. Her platinum hair is in a long, messy braid, and she keeps batting loose strands away from her face. Her cheeks are pinker. Her skin and eyes are brighter, more alive. She’s sitting in bed in white socks, knees pulled up to her chin, and she’s both effortlessly stunning and deeply unaware of the havoc she’s wreaking on my nervous system. She doesn’t look capable of hurting a dust mote.
Tahereh Mafi (Watch Me (Shatter Me: The New Republic, #1))
You would be amazed how rare it is for artists to feel moments of true satisfaction. When they’re inside their craft, inside colour or movement or sound, words or clay or pictures or dance, when they submit to the art, that is when they know two things—the void that is life and the pull that is death. The grand and the hollow. The best reflects that. To be such harbingers of truth is not without its cost. It’s no easy task to balance a sense of irrelevance with the longing for glory, the abyss with the applause. Artists run their fingers over the fabric of eternity.
Heather Rose (The Museum of Modern Love)
Last year I had a very unusual experience. I was awake, with my eyes closed, when I had a dream. It was a small dream about time. I was dead, I guess, in deep black space high up among many white stars. My own consciousness had been disclosed to me, and I was happy. Then I saw far below me a long, curved band of color. As I came closer, I saw that it stretched endlessly in either direction, and I understood that I was seeing all the time of the planet where I had lived. It looked like a woman’s tweed scarf; the longer I studied any one spot, the more dots of color I saw. There was no end to the deepness and variety of the dots. At length, I started to look for my time, but, although more and more specks of color and deeper and more intricate textures appeared in the fabric, I couldn’t find my time, or any time at all that I recognized as being near my time. I couldn’t make out so much as a pyramid. Yet as I looked at the band of time, all the individual people, I understood with special clarity, were living at the very moment with great emotion, in intricate detail, in their individual times and places, and they were dying and being replaced by ever more people, one by one, like stitches in which whole worlds of feeling and energy were wrapped, in a never-ending cloth. I remembered suddenly the color and texture of our life as we knew it- these things had been utterly forgotten- and I thought as I searched for it on the limitless band, “that was a good time then, a good time to be living.” And I began to remember our time. I recalled green fields with carrots growing, one by one, in slender rows. Men and women in bright vests and scarves came and pulled the carrots out of the soil and carried them in baskets to shaded kitchens, where they scrubbed them with yellow brushes under running water…I saw may apples in forest, erupting through leaf-strewn paths. Cells on the root hairs of sycamores split and divided and apples grew striped and spotted in the fall. Mountains kept their cool caves, and squirrels raced home to their nests through sunlight and shade. I remembered the ocean, and I seemed to be in the ocean myself, swimming over orange crabs that looked like coral, or off the deep Atlantic banks where whitefish school. Or again I saw the tops of poplars, and the whole sky brushed with clouds in pallid streaks, under which wilds ducks flew, and called, one by one, and flew on. All these things I saw. Scenes grew in depth and sunlit detail before my eyes, and were replaced by ever more scenes, as I remembered the life of my time with increasing feeling. At last I saw the earth as a globe in space, and I recalled the ocean’s shape and the form of continents, saying to myself with surprise as I looked at the planet, “Yes, that’s how it was then, that part there we called ‘France’”. I was filled with the deep affection of nostalgia- and then I opened my eyes.
Annie Dillard (Pilgrim at Tinker Creek)
God Will, I wish you'd stop telling me what to do. What if I like watching television? What if I don't want to do much else other than read a book?" My voice had become shrill. "What if I'm tired when I get home? What if I don't need to fill my days with activity?" "Bur one day you might wish you had", he said quietly. "Do you know what I would do if I were you?" I put down my peeler. "I suspect you're going to tell me." "Yes. And I'm completely unembarrassed about telling you. I'd be doing night school. I'd be training as a seamstress or a fashion designer or whatever it is that taps into what you really love." He gestured at my minidress, a Sixties-inspired Pucci-type dress, made with the fabric that had once been a pair of Grandad's curtains. The first time Dad had seen it he had pointed at me and yelled, "Hey, Lou, pull yourself together!" It had taken him a full five minutes to stop laughing. "I'd be finding out what I could do that didn't cost much - keep-fit classes, swimming, volunteering, whatever. I'd be teaching myself music or going for long walks with somebody else's dog, or -" "Okay, okay, I get the message," I said, irritably. "But I'm not you, Will." "Luckily for you.
Jojo Moyes (Me Before You (Me Before You, #1))
I recall that whenever I struggled, doubted, wondered if I could pull my thread into this fabric, someone or something would always appear--a friend, a stranger, a figure in a dream, a book, an experience, some shining thing in nature--and remind me that this thing I was undertaking was holy to the core. I would learn again that it is all right for women to follow the wisdom in their souls, to name their truth, to embrace the Sacred Feminine, that there is undreamed voice, strength, and power in us. And that is what I have come to tell you. I have come over the wise distances to tell you: She is in us.
Sue Monk Kidd (The Dance of the Dissident Daughter: A Woman's Journey from Christian Tradition to the Sacred Feminine)
Pamela pulled off her cloak and Alexei gasped. "You have on breeches!" He stared in disbelief. "Breeches!" "I've never worn them before, and they are extremely comfortable. I quite like them." She smoothed the fabric over her hip. "Besides, you don't expect me to duel in a dress, do you?" "I do not expect you to duel at all!" Pamela ignored him. "That would be most unfair, dueling in a dress, unless, of course, you would be willing to wear a dress as well?" "Don't be absurd." He snorted in disdain. "I have no intention of ever wearing women's clothing again." "Again?" She raised a brow. "It was an unavoidable disguise," he muttered.
Victoria Alexander (When We Meet Again (Effingtons, #10))
Taking Off Emily Dickinson’s Clothes" First, her tippet made of tulle, easily lifted off her shoulders and laid on the back of a wooden chair. And her bonnet, the bow undone with a light forward pull. Then the long white dress, a more complicated matter with mother-of-pearl buttons down the back, so tiny and numerous that it takes forever before my hands can part the fabric, like a swimmer’s dividing water, and slip inside. You will want to know that she was standing by an open window in an upstairs bedroom, motionless, a little wide-eyed, looking out at the orchard below, the white dress puddled at her feet on the wide-board, hardwood floor. The complexity of women’s undergarments in nineteenth-century America is not to be waved off, and I proceeded like a polar explorer through clips, clasps, and moorings, catches, straps, and whalebone stays, sailing toward the iceberg of her nakedness. Later, I wrote in a notebook it was like riding a swan into the night, but, of course, I cannot tell you everything— the way she closed her eyes to the orchard, how her hair tumbled free of its pins, how there were sudden dashes whenever we spoke. What I can tell you is it was terribly quiet in Amherst that Sabbath afternoon, nothing but a carriage passing the house, a fly buzzing in a windowpane. So I could plainly hear her inhale when I undid the very top hook-and-eye fastener of her corset and I could hear her sigh when finally it was unloosed, the way some readers sigh when they realize that Hope has feathers, that Reason is a plank, that Life is a loaded gun that looks right at you with a yellow eye.
Billy Collins (Taking Off Emily Dickinson's Clothes: Selected Poems)
This is something my mom told me once,” she said, stretching the ribbon out between her hands and then tying a loose knot on one end. “Imagine this is your relationship with Daniel.” She handed me the ribbon and pointed at the knot. “This is where you are right now. Untie it.” I slipped the knot free. “Pretty easy, right?” she said. “There’s a small bump on the fabric, but you can smooth it down. If I’d pulled the knot really tight, it’d be harder to untie, and there’d be a big dent left behind.” I flattened the ribbon across my leg. “Meaning the more you drag out conflicts the harder they are to recover from, and the more damage they leave behind?” “Precisely.” “How’d you get to be so smart?
Georgina Guthrie (The Truest of Words (Words, #3))
Billos ran. He tore down the shore, bounded up on the rock, and dove into the air. The warm water engulfed him. A boiling heat knocked the wind from his lungs. The shock alone might kill him. But it was pleasure that surged through his body, not pain. The sensations coursed through his bones in great unrelenting waves. Elyon. How he was certain, he did not know. But he knew. Elyon was in this lake with him. Billos opened his eyes. Gold light drifted by. He lost all sense of direction. The water pressed in on every inch of his body, as intense as any acid, but one that burned with pleasure instead of pain. He sank into the water, opened his mouth and laughed. He wanted more, much more. He wanted to suck the water in and drink it. Without thinking, he did just that. The liquid hit his lungs. Billos pulled up, panicked. He tried to hack the water from his lungs, but inhaled more instead. No pain. He carefully sucked more water and breathed it out slowly. Then again, deep and hard. Out with a soft whoosh. He was breathing the water! Billos shrieked with laughter. He swam into the lake, deeper and deeper. The power contained in this lake was far greater than anything he'd ever imagined. "I made this, Billos." Billos whipped his body around, searching for the words' source. "Elyon?" His voice was muffled, hardly a voice at all. "Do you like it?" "Yes!" Billos said. He might have spoken; he might have shouted--he didn't know. He only knew that his whole body screamed it. Billos looked around. "Elyon?" "Why do you doubt me, Billos?" In that single moment the full weight of Billos's foolishness crashed on him like a sledgehammer. "I see you, Billos." "I made you." "I love you." The words crashed over him, reaching into the deepest folds of his flesh, caressing each hidden synapse, flowing through every vein, as though he had been given a transfusion. "I choose you, Billos." Billos began to weep. The feeling was more intense than any pain he had ever felt. The current pulled at him, tugging him up through the colors. His body trembled with pleasure. He wanted to speak, to yell, to tell the whole world that he was the most fortunate person in the universe. That he was loved by Elyon. Elyon himself. "Never leave me, Billos." "Never! I will never leave you." The current pushed him through the water and then above the surface not ten meters from the shore. He stood on the sandy bottom. For a moment he had such clarity of mind that he was sure he could understand the very fabric of space if he put his mind to it. He was chosen. He was loved.
Ted Dekker (Renegade (The Lost Books, #3))
This crisis didn’t have to happen. America had a boom-and-bust cycle from the 1790s to the 1930s, with a financial panic every ten to fifteen years. But we figured out how to fix it. Coming out of the Great Depression, the country put tough rules in place that gave us fifty years without a financial crisis. But in the 1980s, we started pulling the threads out of the regulatory fabric, and we found ourselves back in the boom-and-bust cycle. When this crisis is over, there will be a once-in-a-generation chance to rewrite the rules. What we set in place will determine whether our country continues down this path toward a boom-and-bust economy or whether we reestablish an economy with more stability that gives ordinary folks a chance at real prosperity. Done.
Elizabeth Warren (A Fighting Chance)
I hate this dress,” I grumbled, and slogged upstairs. Each step was a challenge due to the restrictive fabric. “I don’t.” I glanced back at a grinning Ryder. The door creaked as I pulled it open on the third floor. Ryder reached past me and held it. “It’s my roommate’s, so if you want to borrow it, you have to take it up with her.” I slipped past him. “You’re quite the feisty drunk
Renita Pizzitola (Just a Little Crush (Crush, #1))
Goodness gracious, Benny, why on earth would you hide this beautiful head of hair all the time?" He looks down sheepishly, sending a couple of dark curls tumbling over his forehead. The top of his head is covered in a thick layer of them, shiny and perfectly tousled in spite of his best efforts to crush them in a structured fabric dome day in and day out. The sides are cut short, which makes it harder to tell that he's hiding anything this gorgeous under those caps of his. "Maybe I thought it'd be too much for you to handle. I didn't even own a hat before this summer," he jokes with a sideways smirk. I bring my hands up and thread them both through his curls slowly before grabbing hold and pulling his head back to mine. Brushing his lips with mine, I say, "On second thought, you might've been onto something.
Kaitlyn Hill (Love from Scratch)
In embroidery, there’s just as much undoing as there is doing—plucking and pulling your thread back through the holes you pierced to see where you might have gone off-course, and where you might begin again. Our ancestors once believed the stars themselves were a result of this kind of occurrence, pinpricks of light poked in the fabric of night. The Creator doesn’t make mistakes, but sometimes it’s so damn hard to see the reason.
Robin Brown (Glitter Saints: The Cosmic Art of Forgiveness, a Memoir)
Reading Chip's college orientation materials, Alfred had been struck by the sentence New England winters can be very cold. The curtains he'd bought at Sears were of a plasticized brown-and-pink fabric with a backing of foam rubber. They were heavy and bulky and stiff. "You'll appreciate these on a cold night," he told Chip. "You'll be surprised how much they cut down drafts." But Chip's freshman roommate was a prep-school product named Roan McCorkle who would soon be leaving thumbprints, in what appeared to be Vaseline, on the fifth-grade photo of Denise. Roan laughed at the curtains and Chip laughed, too. He put them back in the box and stowed the box in the basement of the dorm and let it gather mold there for the next four years. He had nothing against the curtains personally. They were simply curtains and they wanted no more than what any curtains wanted - to hang well, to exclude light to the best of their ability, to be neither too small nor too large for the window that it was their task in life to cover; to be pulled this way in the evening and that way in the morning; to stir in the breezes that came before rain on a summer night; to be much used and little noticed. There were numberless hospitals and retirement homes and budget motels, not just in the Midwest but in the East as well, where these particularly brown rubber-backed curtains could have had a long and useful life. It wasn't their fault that they didn't belong in a dorm room. They'd betrayed no urge to rise above their station; their material and patterning contained not a hint of unseemly social ambition. They were what they were. If anything, when he finally dug them out of the eve of graduation, their virginal pinkish folds turned out to be rather less plasticized and homely and Sears-like than he remembered. They were nowhere near as shameful as he'd thought.
Jonathan Franzen (The Corrections)
I braced myself against the door. “Are you sure you wanna go out tonight?” Blake stopped midturn, pressing her hands down the fabric currently mating with her thighs. “Is it that bad?” “Yes,” I growled, closing the distance between us. “It’s . . . horrific. Ugly, terrible. Gross. How could you possibly attract men in this”—my hands roamed from her arms all the way down to her hips, and then I couldn’t help it and just pulled her against me—“monstrosity?” “Monstrosity, huh?” She
Rachel Van Dyken (The Matchmaker's Playbook (Wingmen Inc., #1))
When I catch my breath, Gretchen smiles and takes my hand to walk me to the bedroom. I follow her with no resistance. She leads me to the bed and lifts the hem of her dress to show me that she’s not wearing anything underneath it. She climbs onto the bed while still holding my hand and pulls me along. She positions herself against the pillows and the headboard, spreading her legs and guiding me between her thighs. I’m still not sure I like going down on a woman but she leaves me little choice - do it or fight it and I don’t have it in me to fight her. She grabs a fistful of my hair and pulls my face into her wet vagina, burying my face in her wetness. She moans as I lick her clit. She lets go of my hair giving me free rein to stimulate her as I see fit. She raises her hands up to her breasts and pinches her nipples through the thin fabric, moaning like a bitch in heat. “Fuck, that’s so good, Allie,” she says between moans. “God, you're so good at this.
Lena White (Cuckold Awakening (First Time Hotwife Book 2))
Never in my life had I even contemplated making love on a motorcycle, but there was no way Gareth would let me fall. I understood this on a primal level. He would keep me from harm, protect me... No matter how much I distracted and pleasured him. He pulled gently at the sensitive tip of my breast with his lips, soothing and teasing all at once. I reached behind to brace myself on the handlebars, my back arching toward him, offering myself as I watched his mouth on my skin, his tongue circling my nipple. He moved his other hand lower, pushing the bottom of my dress up. Moving his fingers up the soft skin of my inner thigh, he rubbed and teased me through the thin fabric of my thong underwear. "I need you," I gasped. "Now." He ripped my thong like it'd been made of tissue paper, and slid his fingers deep inside of me. His growl made me shiver with desire as he discovered just how ready I was for him. I gripped the handlebars tighter and leaned back a little, breaking the kiss as I stared into his eyes. Gareth took hold of my hips and pulled me closer, guiding me onto him. Every rock hard inch slid into me so slowly, my entire body shuddered with pleasure. He reached forward, taking my hands from the grips and putting them around his neck. Nose to nose, his dark eyes locked on mine as he thrust deeper inside of me. "You're mine. I'm yours." I wasn't sure what was happening, but my wolf came alive in my soul and I whispered, "I claim my mate.
Lisa Kessler (Blood Moon (Moon, #3))
It's stiff, the fabric hugging my hips, making it impossible to move freely. "Go on." It's Kai's taunting voice I hear behind me. "Ask for my help, Gray." I roll my eyes at the wall in front of me. "Stubborn, remember?" I hear Kitt's chuckle before I feel hands brushing my legs. Startled, I look down, eyes landing on a bent head of messy black waves. Kai is gripping the bottom seam of my dress, his eyes flicking up to mine. "May I?" His voice is soft, tone amused. I swallow, roll my eyes once again, and nod against my better judgment. And then he's ripping my dress. He tears the fabric easily, creating a slit up the side of my thigh, freeing me from the tight confines of the fabric. His rough fingers briefly brush my skin as he says, "I am more than willing to rip your dresses for you, Gray. To help, of course." Kitt snorts while Kai smirks. "You only need to ask." "Why ask when you're so eager to offer?" Kai's laughter follows me as I finally pull myself up, arms burning with the strain.
Lauren Roberts, Powerless
His hands crept down to the bodice of her gown and he began to untie the laces. She gasped at the feel of his hands on such an intimate part of her body. She struggled and tried to shove him away. “What are you doing?” He stepped back and blinked. “What exactly did your mother tell you about what goes on between married couples behind closed doors?” She shuddered and pulled the fabric of the gown tight around her bodice. “She said you would hurt me very badly and that I would bleed.” Her eyes narrowed and her tone grew laced with hostility at such a horrific concept. “She said I must submit to you without complaint.” He cursed and Angelica flinched. “I suppose that explains why you’re an only child. Damn, I hate some of the traditions of this century. To keep a young woman in ignorance of one of the most important facts of life is… is a goddamned outrage!” He ran a hand through his hair and sat on the bed. “Sit down with me, Angel. You’re shaking so hard that I am afraid you will topple over to the floor.
Brooklyn Ann (Bite Me, Your Grace (Scandals with Bite, #1))
That night, Jas wore the only dress she owned.It was made of soft,clingy fabric.The skirt was short, showing off her now tan and muscular legs.When she came down the steps barefoot,Chase's eyes widened in surprise. "Um...what happened to your jeans?" he asked. "Never mind." Linking her arm with his,she steered him away from the kitchen door."Is Danvers here?" "In the kitchen standing very close to Miss Hahn,tasting spaghetti sauce." "Okay.Here's the plan." she lowered her voice."Call him into the living room for something. I'll run up and get the album." Chase nodded his head with utmost seriousness"And I'll drop the salad." "Right." He was bent slightly to hear her and without warning, he suddenly angled his head and kissed her. When he pulled back, he was grinning like a little kid."Sorry.I couldn't help myself. It's all this intrigue." "Right it's the intrigue," Jas repeated, too surprised to say anything else. Her heart was beating like a drum, and when he went into the kitchen, she thumped up the steps, touching her lips. Thinking to herself "Did he really just kiss me?"...........
Alison Hart (Shadow Horse (Shadow Horse Series))
Kestrel saw a certain curiosity in the way they lingered. A waiting, a wondering. “Deliah, what is it?” “You haven’t heard?” “Heard what?” Deliah fussed with the hem. “The Herrani representative has arrived.” “What?” “He arrived this morning on horseback. He came through the pass in the nick of time.” “Take this dress off.” “But I’m not finished, my lady.” “Off.” “Just a few more--” Kestrel tugged the fabric from her shoulders. She ignored Deliah’s small cry, the pricks of pins, the thin chime of them scattering onto the stone floor. Kestrel stepped out of the dress, pulled on her day clothes, and rushed out the door.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
And capitalizing on diversity is perhaps even more important when it comes to the characters of the oarsmen. A crew composed entirely of eight amped-up, overtly aggressive oarsmen will often degenerate into a dysfunctional brawl in a boat or exhaust itself in the first leg of a long race. Similarly, a boatload of quiet but strong introverts may never find the common core of fiery resolve that causes the boat to explode past its competitors when all seems lost. Good crews are good blends of personalities: someone to lead the charge, someone to hold something in reserve; someone to pick a fight, someone to make peace; someone to think things through, someone to charge ahead without thinking. Somehow all this must mesh. That’s the steepest challenge. Even after the right mixture is found, each man or woman in the boat must recognize his or her place in the fabric of the crew, accept it, and accept the others as they are. It is an exquisite thing when it all comes together in just the right way. The intense bonding and the sense of exhilaration that results from it are what many oarsmen row for, far more than for trophies or accolades. But it takes young men or women of extraordinary character as well as extraordinary physical ability to pull it off.
Daniel James Brown (The Boys in the Boat: Nine Americans and Their Epic Quest for Gold at the 1936 Berlin Olympics)
RYLAN!" I feel Ivy's palm on my chest and, with a powerful shove, she pushes me back, away from fire, danger, and death. In that moment after the tree plunges, I see Ivy for a single second as I fall. In those emerald eyes is a look of complete calm, undying gratitude, and powerful, protective love. The tree crashes down, the sound echoing in my head. For an eternal moment, I sit there on my butt, staring at the spot where Ivy was standing. I'm numb, only registering the slightest changes; the wind dying down, the rain lessening. What just happened? Desperately, I look side to side, praying that Ivy jumped to the side and what I saw was just an illusion made up by my panicked mind. But Ivy's nowhere. And there's an arm sticking out from under the trunk. "IVY!" I sprint to the fallen tree. The smoldering wood stings my hand when I grab the trunk, but I grit my teeth and bear it. Pulling with all my might, I throw the remains of the tree aside. Ivy's lying there, her eyes closed and her lower half on fire. "No..." I fall to my knees and yank off my sweatshirt to try and smother the flames, but they burn strong, and soon the fabric's on fire. I toss it away, not knowing where it lands as I'm unable to tear my eyes off the most gut-wrenching sight of my life. My hands go to my head and my shouting grows even louder. "No, no, no!" This can't be happening. She can't be—
Colleen Boyd (Swamp Angel)
She froze, bracing one hand against the wall. Gild stared up at her, clutching a bundle of fabric in his arms. His sleeves were pushed up past his elbows, and she could see lines of red welts where the gold chains had wrapped around him. There was tension in his shoulders. His expression was too careful, too wary. She wanted to rush into his arms, but they did not open to her. Her mouth opened and closed a few times before she found words. “I was coming to free you.” His jaw tensed, but a second later, his gaze softened. “I was starting to make a bit of a ruckus. Moaning. Chain-rattling. Typical poltergeist stuff. They finally got tired of listening to me and brought me down around sunset.” She eased down the steps. A finger reached for one of the marks on his forearm, but he flinched away. She pulled back. “How did they do it?” “Cornered me outside the tower,” he said. “They had the chains around me before I knew what was happening. I’ve never had to worry about that before. Being…trapped like that.” “I’m so sorry, Gild. If it wasn’t for me—” “You didn’t do this to me,” he interrupted sharply. “But the gold—” “I made the gold. I designed my own prison. How’s that for torture?” He looked briefly like he wanted to smile but couldn’t quite figure out how. “But if I’d told the truth…at anytime, if I’d just told the truth, rather than asking you to spin the gold, too keep coming back, to keep helping me—” “Then you would be dead.
Marissa Meyer (Gilded (Gilded, #1))
Speaking of… I gotta go. I need to be at the field.” His voice rumbled through his chest and against my ear as he spoke. I sighed and stepped out of his arms. I was sad that our couple days together were over and I would be here tonight without him. Classes started tomorrow, and I knew we were going to see a lot less of each other now that the semester was starting. “I’ll walk you out,” I said and followed him to the door. Ivy was still digging through my clothes and called out a good-bye. “Just stay inside,” he said, palming the handle. “It’s cold and slippery out there. You’ll be safer in here.” I grimaced. “You’re probably right.” He grinned. “I’ll call you later, ‘kay?” I nodded. He released the door handle and closed the distance between us with one step. The toes of his shoes bumped against my boots and the front of his jacket brushed against me. My stomach fluttered and my heart rate doubled. The effect he had on me was nothing short of amazing. I tipped my head back so I could look up into his eyes, and the corner of his mouth lifted. He looked at me with so much affection in his gaze that emotion caught in my throat. He didn’t have to say anything because I heard everything just by looking in his eyes. My fingers curled around the hem of his shirt and tangled in the cotton fabric, and at the same time I stretched up, he bent down. The feel of his lips against me was my favorite sensation. Nothing compared to the way his mouth owned mine. His tongue stretched out, sweeping through my mouth with gentle pressure, and I sighed into him and sagged forward. A low laugh vibrated his chest and he pulled back. “Be careful walking to class tomorrow, huh? Don’t fall and hurt yourself.” I nodded, barely comprehending his words. He slipped out the door before reality came flooding back. I rushed forward, caught the closing door, and called out his name. He stopped and turned. The lopsided, knowing smile on his face was smug. “Good luck at practice,” I called, ignoring the few girls who stopped to watch us. “Thanks, baby.” I swear every girl within earshot sighed. I couldn’t even blame them. I shut the door and leaned against it. Ivy put her hands on her hips and looked at me. “I’m gonna need a mega supply of barf bags to put up with you two this semester.” I smiled.
Cambria Hebert (#Hater (Hashtag, #2))
Please go outside. I really don’t want to hurt you.” Levi pulled up short. “No. Not toward me. To the door. The door!” She squealed, and Levi bounded forward, taking the stairs in a single leap. He threw the door wide and brought up his fists, ready to take on the unseen threat. “Get it off! Get it off!” She held her skirts away from her body and twisted her head to the side as if trying to put as much distance as possible between her and the invader clinging to the dark green fabric of her dress. A cockroach. A big ugly one—three, maybe four inches long, its wings still slightly askew. “Please.” Miss Spencer whimpered, and the sound galvanized him to action. Levi opened his hand and swiped the oversized beetle from her skirt. Then, before the thing could scamper into a dark corner, he crushed it with a stomp of his boot, wincing at the audible crunch that echoed in the now-quiet hall. He scraped his sole over the carcass like a horse pawing the ground, and sent the bug sailing out the door. “Did you have to squish him?” Levi jerked his eyes to Eden Spencer’s face. What had she expected him to do? Tie a leash around its neck and take it for a walk? “Don’t get me wrong,” she said, as she raised a shaky hand to fidget with the button at her collar. “I appreciate your removing that beastly insect from my person.” She shuddered slightly, and her gaze dropped to the darkened spot on the hardwood floor that evidenced the roach’s demise. “However, I can’t abide violence against any of God’s creatures. Even horrid, wing-sprouting behemoths.
Karen Witemeyer (To Win Her Heart)
The careful, embroidered stitches delineated a coil of some sort. It looked rather like a halved snail shell, but the interior was divided into dozen of intricate chambers. "Is that a nautilus?" he asked. "Close, but no. It's an ammonite." "An ammonite? What's an ammonite? Sounds like an Old Testament people overdue for smiting." "Ammonites are not a biblical people," she replied in a tone of strained forbearance. "But they have been smited." "Smote." With a snap of linen, she shot him a look. "Smote?" "Grammatically speaking, I think the word you want is 'smote.' " "Scientifically speaking, the word I want is 'extinct.' Ammonites are extinct. They're only known to us in fossils." "And bedsheets, apparently." "You know..." She huffed aside a lock of hair dangling in her face. "You could be helping." "But I'm so enjoying watching," he said, just to devil her. Nonetheless, he picked up the edge of the top sheet and fingered the stitching as he pulled it straight. "So you made this?" "Yes." Though judging by her tone, it hadn't been a labor of love. "My mother always insisted, from the time I was twelve years old, that I spend an hour every evening on embroidery. She had all three of us forever stitching things for our trousseaux." 'Trousseaux.' The word hit him queerly. "You brought your trousseau?" "Of course I brought my trousseau. To create the illusion of an elopement, obviously. And it made the most logical place to store Francine. All these rolls of soft fabric made for good padding." Some emotion jabbed his side, then scampered off before he could name it. Guilt, most likely. These were sheets meant to grace her marriage bed, and she was spreading them over a stained straw-tick mattress in a seedy coaching inn. "Anyhow," she went on, "so long as my mother forced me to embroider, I insisted on choosing a pattern that interested me. I've never understood why girls are always made to stitch insipid flowers and ribbons." "Well, just to hazard a guess..." Colin straightened his edge. "Perhaps that's because sleeping on a bed of flowers and ribbons sounds delightful and romantic. Whereas sharing one's bed with a primeval sea snail sounds disgusting." Her jaw firmed. "You're welcome to sleep on the floor." "Did I say disgusting? I meant enchanting. I've always wanted to go to bed with a primeval sea snail.
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
I want to be married,” I blurted. “I want you to marry me.” Fuuuuuuuck. And so my entire carefully constructed speech was thrown out the window. My grandmother’s antique ring was in a box in the dresser—nowhere near me—and my plan to kneel and do everything right just evaporated. In the circle of my arms, Chloe grew very still. “What did you just say?” I had completely botched the plan, but it was too late to turn back now. “I know we have only been together for a little over a year,” I explained, quickly. “Maybe it’s too soon? I understand if it’s too soon. It’s just that how you feel about the way we kiss? I feel that way about everything we do together. I love it. I love to be inside you, I love working with you, I love watching you work, I love fighting with you, and I love just sitting on the couch and laughing with you. I’m lost when I’m not with you, Chloe. I can’t think of anything, or anyone, who is more important to me, every second. And so for me, that means we’re already sort of married in my head. I guess I wanted to make it official somehow. Maybe I sound like an idiot?” I looked over at her, feeling my heart try to jackhammer its way up my throat. “I never expected to feel this way about someone.” She stared at me, eyes wide and lips parted as if she couldn’t believe what she was hearing. I stood and ran over to the dresser, pulling the box from the drawer and carrying it over to her. When I opened the box and let her see my grandmother’s antique diamond and sapphire ring, she clapped a hand over her mouth. “I want to be married,” I said again. Her silence was unnerving, and fuck, I’d completely botched this with my rambling nonsense. “Married to you, I mean.” Her eyes filled with tears and she held them, unblinking. “You. Are such. An ass.” Well, that was unexpected. I knew it might be too soon, but an ass? Really? I narrowed my eyes. “A simple ‘It’s too soon’ would have sufficed, Chloe. Jesus. I lay my heart out on the—” She pushed off the bed and ran over to one of her bags, rummaging through it and pulling out a small blue fabric bag. She carried it back to me with the ribbon hooked over her long index finger, and dangled the bag in my face. I ask her to marry me and she brings me a souvenir from New York? What the fuck is that? “What the fuck is that?” I asked. “You tell me, genius.” “Don’t get smart with me, Mills. It’s a bag. For all I know you have a granola bar, or your tampons, in there.” “It’s a ring, dummy. For you.” My heart was pounding so hard and fast I half wondered if this was what a heart attack felt like. “A ring for me?” She pulled a small box out of the bag and showed it to me. It was smooth platinum, with a line of coarse titanium running through the middle. “You were going to propose to me?” I asked, still completely confused. “Do women even do that?” She punched me, hard, in the arm. “Yes, you chauvinist. And you totally stole my thunder.” “So, is that a yes?” I asked, my bewilderment deepening. “You’ll marry me?” “You tell me!” she yelled, but she was smiling. “Technically you haven’t asked yet.” “Goddamnit, Bennett! You haven’t, either!” “Will you marry me?” I asked, laughing. “Will you marry me?” With a growl, I took the box and dropped it on the floor, flipping her onto her back.
Christina Lauren (Beautiful Bitch (Beautiful Bastard, #1.5))
The perfectionist in her wanted to be sure he'd done it correctly, so she took a cautious step toward the edge of the roof, only to get here foot caught in the gauze. Cade jerked up on the roll, just as she stepped down. The fabric slipped between her legs. Up her thighs, all the way to her crotch. She froze. Her eyes went wide. Embarrassment colored her cheeks. "Grace?" Cade's voice was deep, amused, questioning. He gave the webbing a tug, attempting to pull it free. Instead it rubbed intimately, at the crease between her sex and thigh. His gaze on her groin, he gave a second slow pull. His eyes darkened. A muscle jerked in his jaw. His nostrils flared. He rolled his shoulders and released the tautness of the gauze. The clearing of his throat cut the tension, the silence. "Snared in a spider's web," he joked, lightening the moment.
Kate Angell (The Cottage on Pumpkin and Vine)
Swift came to the table and bowed politely. “My lady,” he said to Lillian, “what a pleasure it is to see you again. May I offer my renewed congratulations on your marriage to Lord Westcliff, and…” He hesitated, for although Lillian was obviously pregnant, it would be impolite to refer to her condition. “…you are looking quite well,” he finished. “I’m the size of a barn,” Lillian said flatly, puncturing his attempt at diplomacy. Swift’s mouth firmed as if he was fighting to suppress a grin. “Not at all,” he said mildly, and glanced at Annabelle and Evie. They all waited for Lillian to make the introductions. Lillian complied grudgingly. “This is Mr. Swift,” she muttered, waving her hand in his direction. “Mrs. Simon Hunt and Lady St. Vincent.” Swift bent deftly over Annabelle’s hand. He would have done the same for Evie except she was holding the baby. Isabelle’s grunts and whimpers were escalating and would soon become a full-out wail unless something was done about it. “That is my daughter Isabelle,” Annabelle said apologetically. “She’s teething.” That should get rid of him quickly, Daisy thought. Men were terrified of crying babies. “Ah.” Swift reached into his coat and rummaged through a rattling collection of articles. What on earth did he have in there? She watched as he pulled out his pen-knife, a bit of fishing line and a clean white handkerchief. “Mr. Swift, what are you doing?” Evie asked with a quizzical smile. “Improvising something.” He spooned some crushed ice into the center of the handkerchief, gathered the fabric tightly around it, and tied it off with fishing line. After replacing the knife in his pocket, he reached for the baby without one trace of self-consciusness. Wide-eyed, Evie surrendered the infant. The four women watched in astonishment as Swift took Isabelle against his shoulder with practiced ease. He gave the baby the ice-filled handkerchief, which she proceeded to gnaw madly even as she continued to cry. Seeming oblivious to the fascinated stares of everyone in the room, Swift wandered to the window and murmured softly to the baby. It appeared he was telling her a story of some kind. After a minute or two the child quieted. When Swift returned to the table Isabelle was half-drowsing and sighing, her mouth clamped firmly on the makeshift ice pouch. “Oh, Mr. Swift,” Annabelle said gratefully, taking the baby back in her arms, “how clever of you! Thank you.” “What were you saying to her?” Lillian demanded. He glanced at her and replied blandly, “I thought I would distract her long enough for the ice to numb her gums. So I gave her a detailed explanation of the Buttonwood agreement of 1792.” Daisy spoke to him for the first time. “What was that?” Swift glanced at her then, his face smooth and polite, and for a second Daisy half-believed that she had dreamed the events of that morning. But her skin and nerves still retained the sensation of him, the hard imprint of his body. “The Buttonwood agreement led to the formation of the New York Stock and Exchange Board,” Swift said. “I thought I was quite informative, but it seemed Miss Isabelle lost interest when I started on the fee-structuring compromise.” “I see,” Daisy said. “You bored the poor baby to sleep.” “You should hear my account of the imbalance of market forces leading to the crash of ’37,” Swift said. “I’ve been told it’s better than laudanum.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
Open your eyes, Cassie." His mouth was on mine before I had a chance to comply, the gentle pressure of his lips stealing the breath of my lungs and pushing out any worries I might have had about whether this was a good idea. His hand slid down to my chin, gently tilting it up a little to give him better access. I was so overwhelmed with sensation that I was helpless to do anything but let him kiss me, and to kiss him back. My hands slid up his broad chest of their own volition, the fabric his shirt soft beneath my fingers as I clutched at the ends of his collar with both hands. My touch elicited a quiet moan from the back of his throat that made me dizzy with a spike of searing desire. "We can't do this here," I mumbled against his lips. Mostly because it felt like something I was supposed to say, given that this was Sam's bathroom and an entire apartment full of people was having a party on the other side of the door. But I knew, even as I said the words, that were absolutely going to do this here. It didn't seem like Frederick even heard what I'd said. If he did, he certainly wasn't paying it any mind. His kisses grew bolder, the exquisite pressure of his mouth increasing until I parted my lips for him on a ragged sigh. He tasted like breath mints and the wine he must have pretended to drink earlier this evening. I wanted to lose myself in it--- in the way he slid his tongue along mine, coaxing a whimper from my throat; in his strong arms, as they encircled me and pulled me closer. I could feel his sharp, prominent canines against my tongue as I kissed him, something I'd certainly never noticed before when I'd seen him smile. A thrilling flash of heat shot through me, the visceral reminder of who and what he was startling me for only a moment before I lost myself in the kiss again.
Jenna Levine (My Roommate Is a Vampire (My Vampires, #1))
You can’t be in here.” Ian stated it as a fact. Sam sank back onto the bed. He was definitely growing stronger, but standing could be troublesome on shaky legs. The pain of his wound had definitely receded. “Why not?” he asked a little belligerently. “She can’t; it’s impossible. I was standing guard at her door.” Ian’s gaze met Azami’s. “To protect you of course.” “Of course, because there are so many enemies creeping around your halls,” Azami said, her voice soft and pleasant, a musical quality lending innocence and sweetness. Ian’s frown deepened as if he was puzzled. She certainly couldn’t have meant that the way it came out, anyone listening would be certain of it. “Just what are you two doing in here anyway?” he asked, suspicion lending his tone a dark melodrama. He even wiggled his eyebrows like a villain. Sam kept a straight face with difficulty. Ian was a large man with red hair and freckles. He didn’t look in the least bit mean or threatening, even when he tried. “Azami was just telling me how when she left her room to inquire after my health, there was a giant man with carroty hair snoring in the hallway beside her door.” “There was no way to get past me,” Ian insisted. Sam grinned at him. “Are you saying you did fall asleep on the job, then?” “Hell no.” Ian scowled at him. “I was wide awake and she didn’t slap past me.” “You say,” Sam pointed out, his tone mocking as he folded his arms across his chest and leaned back casually, pleased he could tease his friend. “Still, she’s here and that proves you were looking the other way or sleeping, just like that time in Indonesia when we parachuted in and you fell asleep on the way down. I believe that time you got tangled in a very large tree right in the center of the enemies’ camp.” Azami’s lashes fluttered, drawing Sam’s attention. He almost reached out to her, wanting to hold her hand, but she’d mentioned a couple of times she didn’t show affection in public. “You fell asleep while parachuting?” she asked, clearly uncertain whether or not they were joking. Ian shook his head. “I did not. A gust of heavy wind came along and pushed me right into that tree. Gator told everyone I was snoring when he shoved me out of the plane. The entire episode is all vicious fabrication. On the other hand, Sam here, actually did fall asleep while he was driving as we were escaping a very angry drug lord in Brazil.” Azami raised her eyebrow as she turned to Sam for an explanation. Her eyes laughed at him and again he had a wild urge to pull her to him and hold her tight. Primitive urges had never been a part of his makeup until she’d come along; now he figured he was becoming a caveman. Her gaze slid to his face as if she knew what he was thinking—which was probably the case. He flashed a grin at her.
Christine Feehan (Samurai Game (GhostWalkers, #10))
In the back of my closet, I saw a pink wrap dress that was hopelessly Southern. Pale pink, with little flutter sleeves all in a Swiss-dot fabric that you could see through if you held it up to the light. I would need nude undergarments, which I was sure I had. My mom always told me never to wear wild undies, you never knew who'd see them! What if I got in a car wreck? I pulled my hair up and allowed a few red curls to fall out of a messy bun at the nape of my neck. I slipped the dress on and gave my lips a quick swipe of gloss. I chose small gold hoop earrings that had belonged to Gran at one time and stepped into a pair of gold flip-flops. I looked at myself in the mirror and reminded myself I was going to a farm. Jim walked in. "Ready for the big... Oh, my God, Magnolia!" "What? Too much?" I said, grimacing. "Good God, no! You look absolutely perfect! You look like a mouthwatering pink confection! A true Southern Magnolia!
Victoria Benton Frank (My Magnolia Summer)
The Korowai Pass had been closed since the end of the summer, when a spate of shallow earthquakes trigered a landslide that buried a stretch of the highway in rubble. killing five, and sending a long-haul transport truck over a precipice where it skimmed a power line, ploughed a channel down the lountainside, and then exploded on a viaduct below. He pused one of the nets into the evil-smelling hole and then pulled it our again, and then he drew a breath and held the trigger down with both his thumbs and thrust the lighted wand against the sopping fabric, praying that the flame would catch, prayting that the fire woul d send up smoke and burn away the nets so that the scale of the destruction would be visable from overhead, so that somebody would see it, somebody would notice, so that somebody would care, and as the fre began to blaze and crackle up the ancient trees around him, Tony prayed that somebody would come put it out.
Eleanor Catton (Birnam Wood)
He kissed his way across my chest and down between my breasts, over my shirt. His fingers moved to the waistband of my panties and he slowly tried to peel them down my legs. Tried being the operative word because five pairs of underwear don’t really fit the same way as one . . . “What in the actual fuck—” he started to say, tugging at the fabric. “Just . . . Oh my God, Will—” I curled on my side, laughing so hard I had tears in my eyes. He managed the first pair, holding them up victoriously before he went back for the second. “Jesus Christ,” he said, attempting to pull them down without stretching them or damaging the elastic. “Are these on with some kind of adhesive?” “No!” “Okay . . . It’s possible this wasn’t my best plan. And will you hold still! It’s like trying to peel a wiggly onion!” “I’m going to die of laughter and when the police finally get here I’ll still be wearing these hideous underwear. Why didn’t you just take them all off at once?” “You can’t expect me to think when all my blood is in my dick!
Christina Lauren (Beautiful Boss (Beautiful Bastard, #4.5))
It is a common sentence that Knowledge is power; but who hath duly Considered or set forth the power of Ignorance? Knowledge slowly builds up what Ignorance in an hour pulls down. Knowledge, through patient and frugal centuries, enlarges discovery and makes record of it; Ignorance, wanting its day’s dinner, lights a fire with the record, and gives a flavor to its one roast with the burned souls of many generations. Knowledge, instructing the sense, refining and multiplying needs, transforms itself into skill and makes life various with a new six days’ work; comes Ignorance drunk on the seventh, with a firkin of oil and a match and an easy “Let there not be,” and the many-colored creation is shriveled up in blackness. Of a truth, Knowledge is power, but it is a power reined by scruple, having a conscience of what must be and what may be; whereas Ignorance is a blind giant who, let him but wax unbound, would make it a sport to seize the pillars that hold up the long-wrought fabric of human good, and turn all the places of joy dark as a buried Babylon.
George Eliot (The Complete Novels of George Eliot)
THE MAGIC OF LOVE The magic of personal love works miracles as this true story testifies: Even one person’s intimate love can deeply heal another. For example,Tom, a simple person without training in psychotherapy, worked as an orderly in a mental hospital. One of the sickest patients in the hospital, a deeply psychotic woman, had been there for eighteen years. She never spoke to anyone, or even looked in another’s eyes. She sat alone all day in a rocking chair, rocking back and forth. One day during his dinner break, Tom found another rocking chair, pulled it over, and rocked along beside her as he ate his dinner. He returned the next day, and the next. Tom worked only five days per week, but he asked for special permission to come in on his days off so he could rock with the psychotic woman. Tom did this every day for six months. Then one evening as he got up to leave, the woman said, “Good night.” It was the first time she had spoken in eighteen years. After that, she began to get well. Tom still came to rock with her every day, and eventually she was healed of her psychosis.* *Healing the Eight Stages of Life. M. Linn, S. Fabricant, D. Linn. Paulist Press. 1988.
Anthony M. Coniaris (God and You: Person to Person (Developing a Daily Personal Relationship with Jesus))
Please. Do this for me one more time and I’ll give you…” A thought struck her and she let out an exalted laugh. “I’ll give you my firstborn child!” He balked. “What?” She gave him a chagrined smile, a helpless shrug. And though the words had been said in jest, she was already beginning to wonder. Her firstborn child. The likelihood that she would ever conceive a child was so minuscule. Ever since the fiasco with Thomas Lindbeck, she’d felt resigned to a future of solitude. And given that the only other boy who had captured her interest was dead… What did it matter if she promised away a nonexistent child? “Assuming I live long enough to birth any children,” she said. “Even you have to admit that’s a good deal. What could possibly be more valuable than a child?” He held her gaze, his expression intense and, she thought, just the tiniest bit saddened. Under the soft fabric of his sleeves, she imagined that she could feel his pulse. But no, it was only her own heartbeat, fluttering in her fingers. And in the sudden silence, she caught the tremulous rhythm of her own shallow breaths. The moments ticking by, too fast. The candle flickering in the corner. The spinning wheel, waiting. Gild shivered and tore his gaze from her face. He looked down at her hands, the pried his arms away. Serilda released him, heart sinking. But in the next moment, he’d taken her fingers into his. His head lowered, avoiding her gaze, as he wrapped his fingers around hers. “You are very persuasive.” Hope skittered inside her. “You’ll do it? You’ll accept that offer?” He sighed, the sound long and drawn out, as if it physically pained him to agree to this. “Yes. I will do this in exchange for…your firstborn child. But” —his grip tightened, squashing the jolt of euphoria that threatened to have her throwing her arms around him— “this bargain is binding and unbreakable, and I fully expect you to stay alive long enough to fulfill your end of it. Do you understand me?” She gulped, feeling the magical pull of the bargain. The air pressing in around her. Stifling, squeezing in against her chest. A magical bargain, binding and unbreakable. A deal struck beneath the Chaste Moon, with a ghostly thing, and unliving thing. A prisoner of the veil. She knew she couldn’t really promise to stay alive. The Erlking would have her killed as soon as it pleased him to do so. And yet, she heard her own words as if whispered from a distant place. “You have my word.” The air shuddered and released. It was done.
Marissa Meyer (Gilded (Gilded, #1))
There was also a package wrapped in pale blue paper and tied with a matching ribbon. Picking up a small folded note that had been tucked under the ribbon, Beatrix read: A gift for your wedding night, darling Bea. This gown was made by the most fashionable modiste in London. It is rather different from the ones you usually wear, but it will be very pleasing to a bridegroom. Trust me about this. -Poppy Holding the nightgown up, Beatrix saw that it was made of black gossamer and fastened with tiny jet buttons. Since the only nightgowns she had ever worn had been of modest white cambric or muslin, this was rather shocking. However, if it was what husbands liked... After removing her corset and her other underpinnings, Beatrix drew the gown over her head and let a slither over her body in a cool, silky drift. The thin fabric draped closely over her shoulders and torso and buttoned at the waist before flowing to the ground in transparent panels. A side slit went up to her hip, exposing her leg when she moved. And her back was shockingly exposed, the gown dipping low against her spine. Pulling the pins and combs from her hair, she dropped them into the muslin bag in the trunk. Tentatively she emerged from behind the screen. Christopher had just finished pouring two glasses of champagne. He turned toward her and froze, except for his gaze, which traveled over her in a burning sweep. "My God," he muttered, and drained his champagne. Setting the empty glass aside, he gripped the other as if he were afraid it might slip through his fingers. "Do you like my nightgown?" Beatrix asked. Christopher nodded, not taking his gaze from her. "Where's the rest of it?" "This was all I could find." Unable to resist teasing him, Beatrix twisted and tried to see the back view. "I wonder if I put it on backward..." "Let me see." As she turned to reveal the naked line of her back, Christopher drew in a harsh breath. Although Beatrix heard him mumble a curse, she didn't take offense, deducing that Poppy had been right about the nightgown. And when he drained the second glass of champagne, forgetting that it was hers, Beatrix sternly repressed a grin. She went to the bed and climbed onto the mattress, relishing the billowy softness of its quilts and linens. Reclining on her side, she made no attempt to cover her exposed leg as the gossamer fabric fell open to her hip. Christopher came to her, stripping off his shirt along the way. The sight of him, all that flexing muscle and sun-glazed skin, was breathtaking. He was a beautiful man, a scarred Apollo, a dream lover. And he was hers.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Frankie turned back and forth in front of the three-way mirror. "I have absolutely no ass whatsoever." A few feet away,a woman whose designer velour fit her like a sausage casing, gave an amused snort. "Honey," she said over a display of two-hundred-dollar T-shirts. "I have been waiting forty years to say those words." Frankie padded toward her in his socks and Alexander McQuenn pants.He thrust his hands into the pockets, pulling the fabric tighter, and presented her with his outthrust bottom. "Honestly. This is what you want?" She lasted about five seconds before grinning-and sighing at the same time. "No,I guess not." He turned around, leaned in, and informed her conspiratorially, "There is not a T-shirt on earth worth that much." She looked down at the plain blue cotton in her hands. "You are so right." She put it back. "And with that face, sweetie, you could have the ass of a rhino and no one would notice.I'm just saying." "What does she know?" he muttered when she'd gone. "What good has this face done me?" Apparently, Connor hadn't been quite as available as he'd let on. Apparently, along with dancing, juggling was one of his talents. "You couldn't have known," Sadie said gently. "Oh,yes,I could.I mean, he's a guy,isn't he?" There's not much you can say to a boy when he makes a statement like that. So we just scooted in until we were up against Frankie's thin shoulders, bookending him.
Melissa Jensen (The Fine Art of Truth or Dare)
Derrick flies through the portal first. “Look at you,” he says, stopping to study me. “Alive. Unscathed. Good. If you hadn’t been, I would have lopped his fingers off.” Kiaran moves to stand beside me. “I would have pulled off your wings.” “Ignore him, pixie.” Aithinne strides into the room, her long coat billowing behind her. “I should have figured he’d be sullen and moody.” Kiaran’s emotionless gaze flickers to her. “Phiuthair.” “Bhràthair.” She stops and studies him. “You look like hell. I suppose you haven’t fed in a few days, if the lack of gifts is any indication.” “Don’t.” Kiaran’s voice dips in warning. “I’m wonderful, by the way,” she continues, as if he hadn’t spoken. “Do you like my coat? Don’t I look lovely? Aren’t I the best sister for standing here, still willing to talk to you after you’ve ignored me for months, you stubborn bastard?” “Well, this is fun,” Derrick says. “I’m really feeling the love in this room. It’s beautiful. Aileana, isn’t it beautiful?” “You’re here because Kam wanted your help. Not because I did.” “Damn it, MacKay—” “You might not have wanted me,” Aithinne says, ignoring my attempts to stand between them, “but look how quickly I came. Because I still care about you. Though god only knows why, since you’re such an obstinate pain in my arse.” “I love it when Aithinne curses at people.” Derrick says to me. “I say we let them fight it out. A round of fisticuffs. No killing. I’ll go and find refreshments.” “Oh, for god’s sake,” Sorcha says from behind us. “If you’re all going to squabble, I’d prefer to be back in my prison. That wasn’t torture. This is torture.” Derrick peeks through my hair. “What’s that murderous arsehole doing here?” Sorcha blinks at him. “What did you just call me?” “You heard me, pointy-toothed hag.” “Sorcha can find the Book,” I interrupt. “And we need her blood to get there. It was her or Lonnrach.” “So given a choice between murderous arseholes you chose the one who killed you.” Derrick’s laugh is dry. “That’s interesting.” “I chose the one who was conveniently chained up, rather than the one in hiding.” Derrick doesn’t look convinced. “And we’re just supposed to believe she’s helping out of the goodness of that black hunk of rock in her chest that she calls a heart?” “I’m standing right here,” Sorcha says sharply. “Wish you weren’t,” Derrick sings. Then, to me: “Let me give you some advice, friend. If you’re going to take her along, make her go first. That way you don’t have to worry about her shoving a blade into your back.” “Sweet little pixie,” Sorcha says. “If there’s one thing you should have learned, it’s that I’m perfectly willing to stab her in the front.” She turns on her heel and heads toward the great hall, the fabric of her brocade dress sweeping across the ground like a cloak. “If you’re coming, the door is this way
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
It is a common sentence that Knowledge is power, but who hath duly considered or set forth the power of Ignorance? Knowledge slowly builds up what Ignorance in an hour pulls down. Knowledge, through patient and frugal centuries, enlarges discovery and makes record of it; Ignorance, wanting its day's dinner, lights a fire with the record, and gives a flavour to its one roast with the burnt souls of many generations. Knowledge, instructing the sense, refining and multiplying needs, transforms itself into skill and makes life various with a new six days' work; comes Ignorance drunk on the seventh, with a firkin of oil and a match and an easy 'Let there not be' - and the many-coloured creation is shrivelled up in blackness. Of a truth, Knowledge is power, but it is a power reined by scruple, having a conscience of what must be and what may be; whereas Ignorance is a blind giant who, let him by wax unbound, would make it a sport to seize the pillars that hold up the long-wrought fabric of human good, and turn all the places of joy dark as a buried Babylon. And looking at life parcel-wise, in the growth of a single lot, who having a practiced vision may not see that Ignorance of the true bond between events, and false conceit of means whereby sequences may be compelled - like that falsity of eyesight which overlooks the gradations of distance, seeing that which is afar off as if it were within a step or a grasp - precipitates the mistaken soul on destruction?
George Eliot (Daniel Deronda)
Stopping just short of her mouth, he rasped, “Are you still engaged to Blakeborough?” Her gorgeous eyes narrowed. “My engagement didn’t stop you last night.” “It would now.” A coy smile broke over her lips, and she tightened her grip on his neck. “Then I suppose it’s a good thing I am not.” With a growl of triumph, he kissed her once more. She was here. She was his. Nothing else mattered. Still kissing her, he jerked both sets of curtains closed. Then he tugged her onto his lap and began to tear at the fastenings of her pelisse-dress. He wanted to touch her, taste her…be inside her. He could think of naught else. “I take it that you mean to seduce me,” she murmured between kisses. “Yes.” Seduce her and marry her. And then seduce her again, as often as he could. “Well then, carry on.” So he did. He unfastened her clothes just enough to bare her breasts, then seized one in his mouth. God, she was perfect. His perfect jewel. She buried her hands in his hair to pull her into him, sighing and moaning as if she would die if he didn’t make love to her. Which was exactly how he felt. Working his hand up beneath her skirts and into the slit in her drawers, he found her so wet and hot that he nearly came right there. He slipped a finger inside her silky sweetness, and she gasped, then began to tug at his trouser buttons. “You’re all I want, Jane.” As he stroked her, he used his other hand to brush hers away so he could unfasten his own trouser buttons. “The only woman I ever cared about.” “You’re the only man Iever cared about.” She undulated against his fingers, begging for him with her body. “Why do you think…I waited for you so long?” “Not long enough, apparently,” he muttered, “or you wouldn’t have gotten yourself engaged to Blakeborough.” He tugged at her nipple with his teeth, then relished her cry of pleasure. “I only…did it because I was…tired of waiting.” She arched against his mouth. “Because you clearly weren’t…coming back for me.” “I was sure you hated me.” At last he got his trousers open. “You acted like you hated me still.” “I did.” Her breath was unsteady. “But only because…you tore us apart.” He shifted her to sit astride him. “And now?” Flashing him a provocative smile he would never have dreamed she had in her repertoire, she unbuttoned his drawers. “Do I look like I hate you?” His cock, so hard he thought it might erupt right there and embarrass him, sprang free. “You look like…like…” He paused to take in her lovely face with its flushed cheeks, sparkling eyes, and lush lips. Then he swept his gaze down to her breasts with their brazen tips, displayed so enticingly above the boned corset and her undone shift. He then dropped his eyes to the smooth thighs emerging from beneath her bunched-up skirts. Shoving the fabric higher, he exposed her dewy thatch of curls, and a shudder of anticipation shook him. “You look like an angel.” She uttered a breathy laugh. “A wanton, more like.” Taking his cock in her hand, she stroked it so wonderfully that he groaned. “Would an angel do this?
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
When it begins it is like a light in a tunnel, a rush of steel and steam across a torn up life. It is a low rumble, an earthquake in the back of the mind. My spine is a track with cold black steel racing on it, a trail of steam and dust following behind, ghost like. It feels like my whole life is holding its breath. By the time she leaves the room I am surprised that she can’t see the train. It has jumped the track of my spine and landed in my mothers’ living room. A cold dark thing, black steel and redwood paneling. It is the old type, from the western movies I loved as a kid. He throws open the doors to the outside world, to the dark ocean. I feel a breeze tugging at me, a slender finger of wind that catches at my shirt. Pulling. Grabbing. I can feel the panic build in me, the need to scream or cry rising in my throat. And then I am out the door, running, tumbling down the steps falling out into the darkened world, falling out into the lifeless ocean. Out into the blackness. Out among the stars and shadows. And underneath my skin, in the back of my head and down the back of my spine I can feel the desperation and I can feel the noise. I can feel the deep and ancient ache of loudness that litters across my bones. It’s like an old lover, comfortable and well known, but unwelcome and inappropriate with her stories of our frolicking. And then she’s gone and the Conductor is closing the door. The darkness swells around us, enveloping us in a cocoon, pressing flat against the train like a storm. I wonder, what is this place? Those had been heady days, full and intense. It’s funny. I remember the problems, the confusions and the fears of life we all dealt with. But, that all seems to fade. It all seems to be replaced by images of the days when it was all just okay. We all had plans back then, patterns in which we expected the world to fit, how it was to be deciphered. Eventually you just can’t carry yourself any longer, can’t keep your eyelids open, and can’t focus on anything but the flickering light of the stars. Hours pass, at first slowly like a river and then all in a rush, a climax and I am home in the dorm, waking up to the ringing of the telephone. When she is gone the apartment is silent, empty, almost like a person sleeping, waiting to wake up. When she is gone, and I am alone, I curl up on the bed, wait for the house to eject me from its dying corpse. Crazy thoughts cross through my head, like slants of light in an attic. The Boston 395 rocks a bit, a creaking noise spilling in from the undercarriage. I have decided that whatever this place is, all these noises, sensations - all the train-ness of this place - is a fabrication. It lulls you into a sense of security, allows you to feel as if it’s a familiar place. But whatever it is, it’s not a train, or at least not just a train. The air, heightened, tense against the glass. I can hear the squeak of shoes on linoleum, I can hear the soft rattle of a dying man’s breathing. Men in white uniforms, sharp pressed lines, run past, rolling gurneys down florescent hallways.
Jason Derr (The Boston 395)
VIN RESISTED THE URGE TO PICK at her noblewoman’s dress. Even after a half week of being forced to wear one—Sazed’s suggestion—she found the bulky garment uncomfortable. It pulled tightly at her waist and chest, then fell to the floor with several layers of ruffled fabric, making it difficult to walk. She kept feeling as if she were going to trip—and, despite the gown’s bulk, she felt as if she were somehow exposed by how tight it was through the chest, not to mention the neckline’s low curve. Though she had exposed nearly as much skin when wearing normal, buttoning shirts, this seemed different somehow. Still, she had to admit that the gown made quite a difference. The girl who stood in the mirror before her was a strange, foreign creature. The light blue dress, with its white ruffles and lace, matched the sapphire barrettes in her hair. Sazed claimed he wouldn’t be happy until her hair was at least shoulder-length, but he had still suggested that she purchase the broochlike barrettes and put them just above each ear. “Often, aristocrats don’t hide their deficiencies,” he had explained. “Instead, they highlight them. Draw attention to your short hair, and instead of thinking you’re unfashionable, they might be impressed by the statement you are making.” She also wore a sapphire necklace—modest by noble standards, but still worth more than two hundred boxings. It was complemented by a single ruby bracelet for accentuation. Apparently, the current fashion dictated a single splash of a different color to provide contrast. And it was all hers,
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
Then his tears came once more, and feeling cold he went into his dressing-room to look for something to throw around his shoulders. But he had lost control of his hand so that it moved like a brainless creature and completely failed to carry out the small mathematical operation which consisted, because the inside of the wardrobe was dark, in fumbling a way through the different velvets, silks and satins of his mother's outmoded dresses which, since she had given up wearing them, for many years, she had put away in this piece of furniture, until it could feel the wooden jamb, far back, which separated these garments from his own, and, on reaching the second rough-surfaced coat, to take it from the hanger from which it depended. Instead, it tore down the first piece of fabric it encountered. This happened to be a black velvet coat, trimmed with braid, and lined with cherry-coloured satin and ermine, which, mauled by the violence of his attack, he pulled into the room like a young maiden whom a conqueror has seized and dragged behind him by the hair. In just such a way did Jean now brandish it, but even before his eyes had sent their message to his brain, he was aware of an indefinable fragrance in the velvet, a fragrance that had greeted him when, at ten years old, he had run to kiss his mother—in those days still young, still brilliant and still happy—when she was all dressed up and ready to go out, and flung his arms about her waist, the velvet crushed within his hand, the braid tickling his cheeks, while his lips, pressed to her forehead, breathed in the glittering sense of all the happiness she seemed to hold in keeping for him.
Marcel Proust (Jean Santeuil)
Will you go?” Maelyn asked. “Not a chance,” said Briette. “ ‘I shall eagerly await your reply and I wish you health and wealth. Your affectionate friend, “ ‘The Duchess of Merridell’ ” Heidel snorted. “Duchess of Mudsuckers.” “Wait, she wrote an additional note at the bottom,” said Briette. “ ‘I nearly forgot! I must also thank you for assisting with the birth of my beautiful daughter. She is strong and healthy, thank our Good Sire above. I remember you were curious about the name and at long last I have chosen it! Her name is Roselle.’ ” Briette stopped. “Is that it?” said Heidel. Briette stared at the name. She covered her mouth with her fingers and began to blink rapidly. “What’s the matter?” said Maelyn. Briette stood, the parchment falling to her feet. “I uh, I have to go upstairs.” “What is it, Briette?” Heidel asked. “I’m sorry. Please excuse me.” Briette cut between the armchairs and managed to get out without stumbling. She passed through the corridors and climbed the stairs, holding the wall as she went. Her thoughts spun, her heart staggered. Now she knew what had been in the basket. Miss Gerda would have told her. Briette was sure of it. I’m afraid there is more, she had said. But the poor woman had not been given the chance. And the dream! The dream in which her own reflection reached out and pulled her hair. It was a memory. Her mind had fabricated a mirror to make sense of the dream but no mirror had ever been there. The face she had seen was not her own, though it matched in every way. It had belonged to another child. Her name was Roselle. Briette entered her chamber, shut the door, and slid down in front of it. She covered her face and wept a blend of joy and sorrow. “I have a twin.” *
Anita Valle (Briette)
*SNEAK PEAK* An Excerpt from Grace Prevailing, to be released TOMORROW!!! :) “Agabus.” Mary smiled warmly as she reached him, her luminous gray eyes twinkling with welcome and a hint of mirth. “How brave of you to join us this evening.” Agabus’ dark eyes met hers, flickering in annoyance. So much for his clever disguise! “I must ask you to lower your voice, please,” the young Pharisee hissed under his breath, wondering how many of her guests had overheard the use of his name. “You needn’t fear, Agabus,” Mary assured him, lowering her dulcet tone to placate him. “None of us wish to give you away.” “One careless slip of the tongue could very well prove ruinous,” Agabus told her, his glittering eyes sweeping cautiously about the room. “Possibly even deadly.” “Not nearly so deadly as rejecting the Way Christ has clearly revealed to you.” “He hasn’t revealed anything to me,” Agabus argued, though his tone was far from convincing. “At least, not personally.” “No?” Mary prompted, her slender brow lifting in question. “Then why are you here? And why do you persist in your questions?” “This is not about me,” Agabus insisted, his voice rising in frustration. When several believers glanced his way, he shifted uncomfortably, pulling his hooded shawl to further obscure his bearded face. “I must speak with you,” he finally concluded, his gaze shifting anxiously about the crowded room. “Alone.” “If you wish to speak, then we may speak here.” “For heaven’s sake, Mary,” Agabus breathed, his frustration mounting. “Go on,” Mary prodded, appearing perfectly composed. Maddeningly aware of the chatter and movement surrounding them, Agabus took a step closer, so close Mary could smell his spice-scented breath. “I come bearing ill tidings.” “Why doesn’t that surprise me?” Mary responded, smiling faintly. “What kind of ill tidings?” “It’s about Saul of Tarsus.” “I see,” Mary nodded, her expression sobering beneath her pale blue head covering. “What has he done now?” “It’s what he is about to do,” Agabus warned her, his obsidian eyes growing serious. “At this moment, he is attempting to obtain permission to target churches beyond Jerusalem.” “Preposterous,” Mary declared, her eyes flashing. “He hasn’t the jurisdiction to do so.” “The high priest is seriously considering granting his request,” Agabus told her grimly. “Your sect endangers the very office he holds.” “On what grounds will Saul make his arrests?” “By order of the high priest,” Agabus sighed. “I imagine Jewish men and women will be dragged from other provinces by order of the Great Sanhedrin.” “Women, too?” Mary asked, surprised. “I’m afraid no one is safe,” Agabus replied grimly. “Once within the grasp of the high priest and the Sanhedrin here in Jerusalem, I imagine far more serious political charges will be fabricated against the prisoners, resulting in life in prison—possibly even the death penalty.” Releasing a steadying sigh, Mary brushed cool fingertips across her smooth forehead, deep in thought. “This isn’t good, Mary,” Agabus warned her, daring yet another step closer. “Up to this point, your friends have been safe beyond our borders. But now… if Saul has his way, they cannot run. They cannot hide. In time, they will be hunted down and exterminated one by one. And their cause shall perish with them.” “Never,” Mary said firmly, her eyes flashing. “The gospel will reach the ends of the earth, Agabus. Mark my words.” “There’s just no way,” Agabus countered, shaking his covered head. “God has already made a Way,” Mary told him, her eyes alight with conviction. “And His name is Jesus. Jesus is the Way.
Rachael C. Duncan (Grace Prevailing: A Christian Historical Romance (The Crowning Crescendo Book 7))
Something I can help you find?” he asks. Because to be fair, I’m digging through his drawer. “Nope,” I tell him. “Found it.” “Everly, what in the hell are you doing?” He’s finished buttoning his shirt and is staring at me, hands on hips, the corners of his eyes creased as he frowns. “I’m putting on your underwear,” I tell him, stepping into a pair of his briefs. I was digging around for a black pair. Why the hell do they even sell them in white? Just, no. “Why?” He still looks bewildered, but he’s stopped staring at me to tuck in his shirt. “You got me all worked up and horny in there.” I point a thumb in the direction of the bathroom. “I gave you an orgasm.” He seems confused by my accusation. I snort. “Right. Which you know only makes me want your dick more.” I glance over at the clothing I brought, contemplating what will work with this underwear. I’ve been chatting with his assistant Sandra all week about what people wear to this party. Sawyer was zero help on that front. “Wear whatever you want,” he’d said. As if I can pick an outfit with that kind of direction. “I hope you’re wearing your new cufflinks with that shirt,” I tell him, eyeing his outfit of black slacks and grey dress shirt. He holds up the cat cufflinks I gave him at Christmas and fastens his left sleeve. “I still don’t understand what my underwear has to do with anything.” “Oh!” I pull a solid black sleeveless dress with a full skirt and a wide waistband off the hanger and step into it. “Because you’re obviously planning on having your way with me at this party. Probably gonna shove me into a coat closet and fuck me with your hand over my mouth so no one hears us. And if anyone’s panties are getting left behind at this party, it’s gonna be yours.” He nods slowly and fastens his right sleeve. “Do women your age still use the phrase ‘having your way with me?’” “I just did. Anyway, yours are more absorbent. Can you zip me?” I turn my back to him and swipe my hair over one shoulder, waiting. I feel his fingers on the zipper, the fabric gathering slowly up my back. He finishes and rests his thumbs on the back of my neck, rubbing small circles into my skin as he kisses the nape of my neck. I shudder, feeling his touch all the way to the black briefs. “That’s a pretty elaborate plan I came up with,” he murmurs. I turn and nod, sadly. “I know. You’re kind of a menace.” “It’s good of you to put up with me.” I shrug. “Someone’s got to.” “I’m not going to be able to rip those underwear off of you.” “Haha!” I point at him with one hand and slip a heel on with my other. “I knew it!
Jana Aston (Right (Cafe, #2))
Raphael pulled out a paperback and handed it to me. The cover, done back in the time when computer-aided imagine manipulation had risen to the level of art, featured an impossibly handsome man, leaning forward, one foot in a huge black boot resting on the carcass of some monstrous sea creature. His hair flowed down to his shoulders in a mane of white gold, in stark contrast to his tanned skin and the rakish black patch hiding his left eye. His white, translucent shirt hung open, revealing abs of steel and a massive, perfectly carved chest graced by erect nipples. His muscled thighs strained the fabric of his pants, which were unbuttoned and sat loosely on his narrow hips, a touch of a strategically positioned shadow hinting at the world’s biggest boner. The cover proclaimed in loud golden letters: The Privateer’s Virgin Mistress, by Lorna Sterling. “Novel number four for Andrea’s collection?” I guessed. Raphael nodded and took the book from my hands. “I’ve got the other one Andrea wanted, too. Can you explain something to me?” Oh boy. “I can try.” He tapped the book on his leather-covered knee. “The pirate actually holds this chick’s brother for ransom, so she’ll sleep with him. These men, they aren’t real men. They’re pseudo-bad guys just waiting for the love of a ‘good’ woman.” “You actually read the books?” He gave me a chiding glance. “Of course I read the books. It’s all pirates and the women they steal, apparently so they can enjoy lots of sex and have somebody to run their lives.” Wow. He must’ve had to hide under his blanket with a flashlight so nobody would question his manliness. Either he really was in love with Andrea or he had a terminal case of lust. “These guys, they’re all bad and aggressive as shit, and everybody wets themselves when they walk by, and then they meet some girl and suddenly they’re not uber-alphas; they are just misunderstood little boys who want to talk about their feelings.” “Is there a point to this dissertation?” He faced me. “I can’t be that. If that’s what she wants, then I shouldn’t even bother.” I sighed. “Do you have a costume kink? French maid, nurse . . .” “Catholic school girl.” Bingo. “You wouldn’t mind Andrea wearing a Catholic school uniform, would you?” “No, I wouldn’t.” His eyes glazed over and he slipped off to some faraway place. I snapped my fingers. “Raphael! Focus.” He blinked at me. “I’m guessing—and this is just a wild stab in the dark—that Andrea might not mind if once in a while you dressed up as a pirate. But I wouldn’t advise holding her relatives for ransom nookie. She might shoot you in the head. Several times. With silver bullets.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Gray froze as Miss Turner emerged from the hold. For weeks, she’d plagued him-by day, he suffered glimpses of her beauty; by night, he was haunted by memories of her touch. And just when he thought he’d finally wrangled his desire into submission, today she’d ruined everything. She’d gone and changed her dress. Gone was that serge shroud, that forbidding thundercloud of a garment that had loomed in his peripheral vision for weeks. Today, she wore a cap-sleeved frock of sprigged muslin. She stepped onto the deck, smiling face tilted to the wind. A flower opening to greet the sun. She bobbed on her toes, as though resisting the urge to make a girlish twirl. The pale, sheer fabric of her dress billowed and swelled in the breeze, pulling the undulating contour of calf, thigh, hip into relief. Gray thought she just might be the loveliest creature he’d ever seen. Therefore, he knew he ought to look away. He did, for a moment. He made an honest attempt to scan the horizon for clouds. He checked the hour on his pocket watch, wound the small knob one, two, three, four times. He wiped a bit of salt spray from its glass face. He thought of England. And France, and Cuba, and Spain. He remembered his brother, his sister, and his singularly ugly Aunt Rosamond, on whom he hadn’t clapped eyes in decades. And all this Herculean effort resulting in nothing but a fine sheen of sweat on his brow and precisely thirty seconds’ delay in the inevitable. He looked at her again. Desire swept through his body with starling intensity. And beneath that hot surge of lust, a deeper emotion swelled. It wasn’t something Gray wished to examine. He preferred to let it sink back into the murky depths of his being. An unnamed creature of the deep, let for a more intrepid adventurer to catalog. Instead, he examined Miss Turner’s new frock. The fabric was of fine quality, the sprig pattern evenly stamped, without variations in shape or hue. The dressmaker had taken great pains to match the pattern at the seams. The sleeves of the frock fit perfectly square with her shoulders, in a moment of calm, the skirt’s single flounce lapped the laces of her boots. Unlike that gray serge abomination, this dress was expensive, and it had been fashioned for her alone. But it no longer fit. As she turned, Gray noted how the neckline gaped slightly, and the column of her skirt that ought to have skimmed the swell of her hip instead caught on nothing but air. He frowned. And in that instant, she turned to face him. Their gazes caught and held. Her own smile faded to a quizzical expression. And because Gray didn’t know how to answer the unspoken question in her eyes, and because he hated the fact that he’d banished the giddy delight from her face, he gave her a curt nod and a churlish, “Good morning.” And then he walked away.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
THE NIGHTGOWN was only the first of the garments in the box. There were seven nightgowns, in fact—one for each day of the week—of delicate silk, lovely georgette, and beautiful tiffany. As Alexandra pulled them out, she draped them on the bed. She’d never seen a nightgown that wasn’t white, but these were almond and pale blush pink, powder blue and soft peach, with delicate edgings of lace and intricate, exquisite embroidery. “They’re stunning,” she said. “Madame Rodale has nothing like them in her book of fashion plates.” Tris just grinned. He seemed different tonight. More relaxed, less worried. She didn’t know what had prompted his sudden good humor, but she didn’t want to question it. She’d rather enjoy it instead. After the afternoon she’d had—starting with Elizabeth’s letter and ending with three fruitless interviews—she wasn’t about to risk the one thing that seemed to be going right. “Are you going to try one on for me?” he asked. Her face heated. He chose a nightgown off the bed, palest lavender with black lace and violet embroidery. “This one,” he said, handing it to her. “Do you require assistance with your dress?” “Just the buttons,” she said, and turned to let him unfasten them. She shifted the nightgown in her hands. It felt so light. “There,” he said when the back of her green dress gaped open. He kissed her softly on the nape of her neck, then settled on one of the striped chairs, sipping from the glass of port he’d brought upstairs with him. “Use the dressing room. I’ll be waiting.” In the dressing room, she shakily stripped out of her frock, chemise, shoes, and stockings, then dropped the nightgown over her head and smoothed it down over her hips. The fabric whispered against her legs. She turned to see herself in the looking glass. Sweet heaven. She’d never imagined nightgowns like this existed. Her nightgowns all had high collars that tied at the throat. This one had a wide, low neckline. Her nightgowns all had long, full sleeves. This one had tiny puffed sleeves that began halfway off her shoulders. Her nightgowns were made of yards and yards of thick, billowing fabric. This one was a slender column that left no curve to the imagination. It was wicked. “Are you ready yet?” Tris called. Alexandra swallowed hard, reminding herself that he’d seen her in less clothing. And he was her husband. Still, wearing the nightgown for him somehow felt more intimate than wearing nothing at all. She was as ready as she’d ever be. Drawing a deep breath, she exited the dressing room, walked quickly through the sitting room, and paused in the bedroom’s doorway. She dropped her gaze, then raised her lashes, giving him the look—the one Juliana had said would make men fall at her feet. Judging from the expression on Tris’s face, it was a good thing he was sitting. The way he looked at her made her heartbeat accelerate. He rose and moved toward her. She met him halfway, licking suddenly dry lips. “Will you kiss me?” she asked softly, reaching up to sweep that always unruly lock off his forehead. It worked this time. He kissed her but good.
Lauren Royal (Alexandra (Regency Chase Brides #1))
You want me to fuck you?” I leaned down, bringing her face to mine so our noses crushed together. I grabbed the front of her dress, twisting, tightening it against her skin until the fabric began pulling apart and tearing. “You want me to knock you up?” “Yes,” she breathed out. “Yes.” I dropped to the marble, resting my back against the vanity. “Ask nicely.” “Please.” “Nicer.” She crawled toward me on all fours, straddled my lap, and grabbed my hand, bringing it between her legs. Her fingers guided mine into her slick pussy, two of hers joining mine inside her warmth. My lips found her nipple, biting down through her dress. Together, we fucked her cunt down to our knuckles, curling until her walls pulsed. I watched our fingers disappear inside her. She arched her back, trying to accommodate as much of us as she could. Her lips drifted to the shell of my ear. “Please, please, please.” I tore my fingers out of her, ripped her dress down the middle, and captured both sides of her waist, sinking her onto my cock, down to the hilt. Her head fell forward. She bit my shoulder, drawing blood, her hips bucking. She was so tight it felt like I was fucking her ass. Her walls squeezed around me, milking my dick for cum. I let her ride my length until my impatience won over, and I pulled her off me, flipped her over, and lowered her on all fours. The marble was cold and hard against her knees. I love seeing that spoiled little brat take all of my cock, feeling the discomfort of it. My silver-spooned nymph. I entered her from behind. She drove back, meeting each of my thrusts. My fingers curled around her neck and steered her upward until her back plastered against my front. She craned her head around and captured my lips, slipping her tongue past my teeth. Her back arched, fingers dipping between her legs, searching for her clit. I smacked them away, then landed a palm on her ass. “Rom,” she whined. “I need to come.” “What you need is to be fucking grateful.” My blood brought my point home, covering every inch of her back, arms, and tits, matting her hair in clumps. I released her throat and pet the crown of her head, whispering praises into her ear. “Such a good girl.” Words I never thought I’d say. Especially to this particular girl, who was anything but good two hundred percent of the time. “If only you took directions so well when you’re not filled with my cock.” I reached around her and found her clit, rewarding her with a single flick. She cried out and fell forward, on her hands and knees again, pushing onto my cock. More crimson drops splattered onto her back. I’d reopened my wound, and fresh red painted her spine. I dipped a finger into it, then spelled my name across her back dimples. “Who owns your ass?” I growled. “You.” “Louder.” “You.” “Now crawl forward and show me your cunt from behind. I want to see if it’s worth my cum.” With a reluctant moan, she inched away from my cock, writhing about two feet away. She started to turn when I hissed, “I don’t want to see your face, Mrs. Costa. Just the cunt I stole from my enemy.” She spread her thighs apart, exposing her pussy. It dripped on my floor, her juices mixing with my blood, creating a pink puddle at her feet. I stroked my cock, coated with her wetness, scented by the wife I couldn’t get enough of. I grinned, the release tickling my shaft. “Embarrassed?” “No. Empty.” Fuck me sideways. How this woman would ever end up with a wuss like Madison, I had no idea. She would make meatballs out of him before the reception. (Chapter 55)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
My little undomesticated pornstar pushed me so hard between her legs, my oxygen levels plummeted. She clenched around my fingers through her panties as an orgasm rolled through her in waves. The gush of warmth soaked the cotton. I kissed her through the fabric, again and again, knowing tomorrow everything would return to its proper position—my boundaries, my limits, my hang-ups, my demons. “Can I return the favor?” Dallas sat half up. “But not through your briefs. Men’s briefs always smell like old cheese that’s been sitting in a crockpot for days. I know because whenever my housekeeper went on vacation, we all took turns doing the laundry. And, well, I really shouldn’t say, but Dadd—” Not wanting the moment to be ruined with a conversation about her father’s underwear, I pulled forward, shutting her smart mouth with a kiss that tasted like her sweet pussy. At first, she pinched her lips and made a face, unsure what she thought about her own taste. But when I dragged the tip of my hard cock along her slit through our clothes, she went wild and kissed me back, shoving her tongue so deep down my throat I thought she would fish out my dinner. “Yes.” She wiggled against me. “Please, sir, may I have some more?” She’d quoted Oliver Twist while getting fucked. Truly, the woman was one of a kind. Knowing it was idiotic, and dangerous, and deranged, I pushed my tip through her slit. She was tight—tighter, still, through the tattered, stretched cotton of her ruined panties—but wet and sleek, ready for what was coming. The sensation, how warm and taut she felt, completely undid me. I thrust harder and deeper, entering her through our underwear, fucking her slowly with only flimsy fabric between us. I tore my mouth from hers, eyes glued to my cock each time it sank into her. I could barely fit inside, she was so tight. This was, by far, the best fuck I’d ever had. She panted. “Is this what people call dry-humping?” No. Nothing about this was dry. I was basically fucking her through our underwear. Only, explaining to her that this was full-blown sex with a side order of my issues was not in my plans for tonight. Or ever. “Sure.” Each push brought me closer to a climax. From slow, controlled, teasing thrusts designed to drive her mad with desire, I quickly derailed to jerky, manic, need-to-be-inside-this-woman plunges. Of a man so hungry for human connection, for affection, for carnal needs to be met and satisfied. My head grew dizzy. I’d taken into consideration the possibility that Dallas couldn’t come through penetration. It merely placed her in the same majority as most females on Planet Earth. But she shook, clawed, and reached for me, looking ready to climax. Her tits bounced and jiggled each time I slammed into her. Her mouth opened in awe, probably because this orgasm felt different from the first two. Deeper and more violent. She clutched the lapels of my shirt, shoving her face in mine. “Lose the underwear.” She met my thrust, groaning when my crown peeked past the slot in my boxer briefs. “I want you to come inside me. I want to feel you.” I was about two seconds from fulfilling her demand. Luckily, my logic grabbed the steering wheel, which my cock had seized sometime this evening, and derailed the situation from full-blown calamity. I managed to wait until she came, just barely, before pulling out, flipping her onto her stomach, and jerking off. I aimed for her bare ass but somehow came on her hair. No matter. She had plenty of time to wash it. Her agenda wasn’t exactly full. Dallas fell back onto the pillows, a lopsided grin on her face. (Chapter 31)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))