Forest Of Arden Quotes

All my life,” she said, “I have been told ‘go’ and ‘come.’ I am told how I will live, and I am told how I must die. I must be a man’s servant and a mare for his pleasure, or I must hide myself behind walls and surrender my flesh to a cold, silent god. I would walk into the jaws of hell itself, if it were a path of my own choosing. I would rather die tomorrow in the forest than live a hundred years of the life appointed me. Please. Please let me help you.

I would walk into the jaws of hell itself, if it were a path of my own choosing. I would rather die tomorrow in the forest than live a hundred years of the life appointed me.

If you have ever met someone who rarely reads, then you will understand the blank look Moti gave me. For nonreaders, life is simply what they touch and see, not what they feel when they open the pages of a play and are transported to the Forest of Arden or Illyria. Where the world is full of a thousand colors for those who love books, I suspect it is simply black and gray to everyone else. A tree is a tree to them; it is never a magical doorway to another world populated with beings that don’t exist here.

I will see the world beyond this forest, and I will not count the cost.

I would rather die tomorrow in the forest than live a hundred years of the life appointed me.

She is not afraid, Konstantin thought dourly. She does not fear God; she fears nothing. He saw it in her silences, her fey glance, the long hours she spent in the forest. In any case, no good Christian maid ever had eyes like that, or walked with such grace in the dark.

The image of a wood has appeared often enough in English verse. It has indeed appeared so often that it has gathered a good deal of verse into itself; so that it has become a great forest where, with long leagues of changing green between them, strange episodes of poetry have taken place. Thus in one part there are lovers of a midsummer night, or by day a duke and his followers, and in another men behind branches so that the wood seems moving, and in another a girl separated from her two lordly young brothers, and in another a poet listening to a nightingale but rather dreaming richly of the grand art than there exploring it, and there are other inhabitants, belonging even more closely to the wood, dryads, fairies, an enchanter's rout. The forest itself has different names in different tongues- Westermain, Arden, Birnam, Broceliande; and in places there are separate trees named, such as that on the outskirts against which a young Northern poet saw a spectral wanderer leaning, or, in the unexplored centre of which only rumours reach even poetry, Igdrasil of one myth, or the Trees of Knowledge and Life of another. So that indeed the whole earth seems to become this one enormous forest, and our longest and most stable civilizations are only clearings in the midst of it.

For you, it’s all about money, money, money. But what about the forests I say? Some of those trees have been there for hundreds of years. What right have you to destroy that?

I left her in the forest of Arden; I shall find her in an orchard in Verona.

 ‘You are made of snow,’ Morozko the frost-demon warned her, when she met him in the forest. ‘You cannot love and be immortal.’ As the winter waned, the frost-demon grew fainter, until he was only visible in the deepest shade of the wood. Men thought he was but a breeze in the holly-bushes. ‘You were born of winter and you will live forever. But if you touch the fire you will die.

The mild sun loved the sweet-smelling earth, and soft rains scattered flowers in the forest.

I would rather die tomorrow in the forest than live a hundred years of the life appointed to me.

For nonreaders, life is simply what they touch and see, not what they feel when they open the pages of a play and are transported to the Forest of Arden or Illyria. Where the world is full of a thousand colors for those who love books, I suspect it is simply black and gray to everyone else. A tree is a tree to them; it is never a magical doorway to another world populated with beings that don’t exist here.

All my life,” she said, “I have been told ‘go’ and ‘come.’ I am told how I will live, and I am told how I must die. I must be a man’s servant and a mare for his pleasure, or I must hide myself behind walls and surrender my flesh to a cold, silent god. I would walk into the jaws of hell itself, if it were a path of my own choosing. I would rather die tomorrow in the forest than live a hundred years of the life appointed me...

She is everything to me in life. Night after night I go to see her play. One evening she is Rosalind, and the next evening she is Imogen. I have seen her the in the gloom of an Italian tomb, sucking the poison from her lover’s lips. I have watched her wandering through the forest of Arden, disguised as a pretty boy in hose and doublet and dainty cap. She has been mad, and has come into the presence of a guilty king, and given him rue to wear, and bitter herbs to taste of. She has been innocent, and the black hands of jealousy have crushed her reed-like throat. I have seen her in every age and in every costume. Ordinary women never appeal to one’s imagination. They are limited to their century. No glamour ever transfigures them. One knows their minds as easily as one knows their bonnets. One can always find them. There is no mystery in any of them:

Do you know how many acres of beautiful forests and moors have been destroyed by your company? How many animals have lost their homes and how many trees have been murdered? I am sick of being bothered by you people.

The Bear is awake.” “What bear?” “The shadow on the wall,” said the rusalka, breathing quickly. “The voice in the dark.” Her face did not move like a human face, but the pupils of her eyes swelled black. “Beware the dead. You must heed me, Vasya, for I will not come again. Not as myself. He will call me, and I will answer; he will have my allegiance and I will turn against you. I cannot do otherwise. The leaves are falling. Do not leave the forest.

Why should I not love her? Harry, I do love her. She is everything to me in life. Night after night I go to see her play. One evening she is Rosalind, and the next evening she is Imogen. I have seen her die in the gloom of an Italian Tomb, sucking the poison from her lover's lips. I have watched her wandering through the forest of Arden, disguised as a pretty boy in hose and doublet and dainty cap. She has been mad, and has come into the presence of a guilty king, and given him rue to wear, and bitter herbs to taste of. She has been innocent, and the black hands of jealousy have crushed her reed-like throat. I have seen her in every age and in every costume. Ordinary women never appeal to one's imagination. They are limited to their century. No glamour ever transfigures them. One knows their minds as easily as one knows their bonnets. One can always find them. There is no mystery in one of them.

THE TRINITY LAVRA HAD been carved out of the wilderness. Though the feet of passing pilgrims had beaten a path through the snowy forest, the trees still pressed close on either side, dwarfing the bell-tower of the plain wooden church.

All my life I have been told 'go' and 'come.' I am told how to live, and I am told how I must die. (...) I would walk into the jaws of hell itself if it were a path of my own choosing. I would rather die tomorrow in the forest than live a hundred years of the life appointed me.

We came down off this meadow down deep into a redwood forest then up again, again so steeply that we were cursing and sweating in the dust. Trails are like that: you’re floating along in a Shakespearean Arden paradise and expect to see nymphs and fluteboys, then suddenly you’re struggling in a hot broiling sun of hell in dust and nettles and poison oak…just like life.

The forest itself has different names in different tongues — Westermain, Arden, Birnam, Broceliande; and in places there are separate trees named, such as that on the outskirts against which a young Northern poet saw a spectral wanderer leaning, or, in the unexplored centre of which only rumours reach even poetry, Igdrasil of one myth, or the Trees of Knowledge and Life of another. So that indeed the whole earth seems to become this one enormous forest, and our longest and most stable civilizations are only clearings in the midst of it.

As soon as the torch went out the atmosphere of the forest intensified. As her eyes slowly became accustomed to the darkness she started to notice the outlines of canopies above them where trees were silhouetted against the pale moonlight. The sounds around them became more noticeable; the shuffling of an animal through the undergrowth, the whistling of the wind through the trees, and now and then the cry of some creature being captured in the darkness. As they sat quietly, the noises seemed to become louder still until both visitors felt absorbed into the forest world.

Flag icon “All my life,” she said, “I have been told ‘go’ and ‘come.’ I am told how I will live, and I am told how I must die. I must be a man’s servant and a mare for his pleasure, or I must hide myself behind walls and surrender my flesh to a cold, silent god. I would walk into the jaws of hell itself, if it were a path of my own choosing. I would rather die tomorrow in the forest than live a hundred years of the life appointed me.

All my life,' she said, 'I have been told to 'go' and 'come.' I am told how I will life, and I am told how I must die. I must be a man's servant and a mare for his pleasure, or I must hide myself behind walls and surrender my flesh to a cold, silent god. I would walk into the jaws of hell itself, if it were a path of my own choosing. I would rather die tomorrow in the forest than live a hundred years of the life appointed to me.

All my life, she said, I have been told ‘go’ and come.’ I am told how I will live, and I am told how I must die. I must be a man’s servant and a mare for his pleasure, or I must hide myself behind walls and surrender my flesh to a cold, silent god. I would walk into the jaws of hell itself, if it were a path of my own choosing. I would rather die tomorrow in the forest than live a hundred years of the life appointed me.

To conceal her misgivings, she waved a sultry yellow fan. There was a forest painted upon it of Arden, in indigo, in violet, in sapphire, in turquoise, and in common blue. The fan, by Conder, was known perversely as The Pink Woods.

“All my life,” she said, “I have been told ‘go’ and ‘come.’ I am told how I will live, and I am told how I must die. I must be a man’s servant and a mare for his pleasure, or I must hide myself behind walls and surrender my flesh to a cold, silent god. I would walk into the jaws of hell itself, if it were a path of my own choosing. I would rather die tomorrow in the forest than live a hundred years of the life appointed me.” — 4.85 ★ Whimsical, enchanting, magical. I don’t know how else to describe this masterpiece, I absolutely loved every page of this book with my whole heart. The beautiful writing and delightful atmosphere made me fall in love with the story, full of Russian folklore. I mean, I’m a sucker for myths and fairy tales, but god, this book made an amazing work retelling them. Really recommend it. I will definitely be picking the sequel next month, when cold finally settles in and I can read it with my blanket and my hot cup of coffee on a windy evening. “In Russian, Frost was called Morozko, the demon of winter. But long ago, the people called him Karachun, the death-god. Under that name, he was king of black midwinter who came for bad children and froze them in the night.”

I would rather die tomorrow in the forest than live a hundred years of the life appointed me.

They dare not follow, thought Vasya. They fear the forest after dark. And then, darkly: They are wise.

In Shakespeare’s play As You Like It, Touchstone says to Audrey in the Forest of Arden "The fool doth think he is wise, but the wise man knows himself to be a fool." (Act V, Scene I).