Bench Plaque Quotes

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Old people only say that life happens quickly to make themselves feel better. The truth is that it all happens in tiny increments like now now now now now now and it only takes twenty to thirty consecutive nows to realize that you’re aimed straight at a bench in Singleton Park. Fair play though, if I was old and had forgotten to do something worthwhile with my life, I would spend those final few years on a bench in the botanical gardens, convincing myself that time is so quick that even plants – who have no responsibilities whatsoever – hardly get a chance to do anything decent with their lives except, perhaps, produce one or two red or yellow flowers and, with a bit of luck and insects, reproduce. If the old man manages to get the words father and husband on his bench plaque then he thinks he can be reasonably proud of himself.
Joe Dunthorne (Submarine)
Those we love don't go away, they sit beside us every day. (plaque dedication on a park bench)
Liane Moriarty (Big Little Lies)
The past resides inside the present, repeating hiccuping, reminding you of all the stuff that no longer is. It bleeds out from road signs and plaques on park benches and songs and surnames and faves and the covers of books.
Matt Haig (How to Stop Time)
The past is not one separate place. It is many, many places, and they are always ready to rise into the present....[I]t is all related. It is all the accumulation of time. It builds up and builds up and can catch you violently off guard at any moment. The past resides inside the present, repeating, hiccupping, reminding you of all the -stuff that no longer is.- It bleed out from road signs and plaques on park benches and songs and surnames and faces and the covers of books. Sometimes just the sight of a tree or a sunset can smack you with the power of every tree or sunset you have ever seen and there is no way to protect yourself. There is no possible way of living in a world without books or trees or sunsets. There just isn't. [Tom Hazard]
Matt Haig (How to Stop Time)
It is strange how close the past is, even when you imagine it to be so far away. Strange how it can just jump out of a sentence and hit you. Strange how every object or word can house a ghost. The past is not one separate place. It is many, many places, and they are always ready to rise into the present. One minute it is the 1590s, the next it is the 1920s. And it is all related. It is all the accumulation of time. It builds up and builds up and can catch you violently off guard at any moment. The past resides inside the present, repeating, hiccupping, reminding you of all the stuff that no longer is. It bleeds out from road signs and plaques on park benches and songs and surnames and faces and the covers of books. Sometimes just the sight of a tree or a sunset can smack you with the power of every tree or sunset you have ever seen and there is no way to protect yourself. There is no possible way of living in a world without books or trees or sunsets. There just isn’t.
Matt Haig (How to Stop Time)
I can never understand why Londoners fail to see that they live in the most wonderful city in the world. It is, if you ask me, far more beautiful and interesting than Paris and more lively than anywhere but New York—and even New York can’t touch it in lots of important ways. It has more history, finer parks, a livelier and more varied press, better theaters, more numerous orchestras and museums, leafier squares, safer streets, and more courteous inhabitants than any other large city in the world. And it has more congenial small things—incidental civilities, you might call them—than any other city I know: cheery red mailboxes, drivers who actually stop for you at pedestrian crossings, lovely forgotten churches with wonderful names like St. Andrew by the Wardrobe and St. Giles Cripplegate, sudden pockets of quiet like Lincoln’s Inn and Red Lion Square, interesting statues of obscure Victorians in togas, pubs, black cabs, double-decker buses, helpful policemen, polite notices, people who will stop to help you when you fall down or drop your shopping, benches everywhere. What other great city would trouble to put blue plaques on houses to let you know what famous person once lived there, or warn you to look left or right before stepping off the curb? I’ll tell you. None.
Bill Bryson (Notes from a Small Island)