Exposition In Literature Quotes

Give yourself to reading.’... You need to read. Renounce as much as you will all light literature, but study as much as possible sound theological works, especially the Puritanic writers, and expositions of the Bible.

But to bring perhaps from afar what is already founded, To give it our own identity, average, limitless, free, To fill the gross the torpid bulk with vital religious fire, Not to repel or destroy so much as accept, fuse, rehabilitate, To obey as well as command, to follow more than to lead, These also are the lessons of our New World; While how little the New after all, how much the Old, Old World! - Song of the exposition

It may be safely predicted, that while the mind of man yearns for knowledge, and his heart seeks rest, the Confessions will retain that foremost place in the world's literature which it has secured by its sublime outpourings of devotion

It is worth noting that a wrong folkoric definition of an Inertial Frame in the Popular Science literature (even in text books) reads that 'it is a frame in uniform motion'. We know very well by now that the idea of motion requires a frame of reference, so that such a definition of an Inertial Frame has no meaning whatsoever, confusing the reader because it tacitly reaffirms the idea of absolute motion -- when the goal of every didactic exposition of Relativity Theory should be precisely the opposite.

Come Muse migrate from Greece and Ionia, Cross out please those immensely overpaid accounts, That matter of Troy and Achilles' wrath, and Aeneas', Odysseus' wanderings, Placard "Removed" and "To Let" on the rocks of your snowy Parnassus, Repeat at Jerusalem, place the notice high on Jaffa's gate and on Mount Moriah, The same on the walls of your German, French and Spanish castles, and Italian collections, For know a better, fresher, busier sphere, a wide, untried domain awaits, demands you. - Song of the Exposition

In good reading there ought to be no ‘problem of belief’. I read Lucretius and Dante at a time when (by and large) I agreed with Lucretius. I have read them since I came (by and large) to agree with Dante. I cannot find that this has much altered my experience, or at all altered my evaluation, of either. A true lover of literature should be in one way like an honest examiner, who is prepared to give the highest marks to the telling, felicitous and well-documented exposition of views he dissents from or even abominates.

STARLIGHT and THUNDER The Limits of Art is an anthological collection for the ages...for a lifetime. A veritable ark containing excerpts from the sound and fury representative of the finest literary scriveners the world has yet produced. Unequivocally, intellectual nourishment breeds a fire in the mind...a conflagration of ideas and incendiary thoughts that furnish the spirit with conviction and courage to confront the ballet and ballistics of life with passion, wit, tenderness, reason, resolve, humor, imagination and unconditional curiosity. Amidst the clamor brought forth by the alarums and excursions of modern day pontifications, nevertheless, conform and commit your mind to the abolition of ignorance! Accede your sensibilities to the rapture of beauty and her ineffable grace. For beauty is enchantment, a romantic allegiance to the rhapsodic seduction celebratory of the ephemeral, the eternal and the esoteric nature and narratives of fictive splendor, which valorously emanate from this voluptuous volume. This magisterial tome is a figurative brocade of both starlight and thunder transcribed into an insatiable verbal delirium groping toward an unbridled exposition on life’s wonders and mysteries. Drink mightily from its gilded chalice.

Your willingness to explore or confess all that you know about life emotionally. You must render yourself open, maybe painfully so, and deeply interpretive toward your own experience. Writing becomes a personal forensic. Experience, not belief or intellectual conviction, by turns prodigal and indecent and subliminal: that’s what you transfigure and clarify into story. 2.  Your realization of oppositional or pivotal conflict through dramatic dialogue, never exposition, and the nemesis gets the better lines, as in real life. 3.   Your discovery of a resolution that won’t be the same as the one you envisioned when you began.

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