Exit Small Quotes

I suppose the fundamental distinction between Shakespeare and myself is one of treatment. We get our effects differently. Take the familiar farcical situation of someone who suddenly discovers that something unpleasant is standing behind them. Here is how Shakespeare handles it in "The Winter's Tale," Act 3, Scene 3: ANTIGONUS: Farewell! A lullaby too rough. I never saw the heavens so dim by day. A savage clamour! Well may I get aboard! This is the chase: I am gone for ever. And then comes literature's most famous stage direction, "Exit pursued by a bear." All well and good, but here's the way I would handle it: BERTIE: Touch of indigestion, Jeeves? JEEVES: No, Sir. BERTIE: Then why is your tummy rumbling? JEEVES: Pardon me, Sir, the noise to which you allude does not emanate from my interior but from that of that animal that has just joined us. BERTIE: Animal? What animal? JEEVES: A bear, Sir. If you will turn your head, you will observe that a bear is standing in your immediate rear inspecting you in a somewhat menacing manner. BERTIE (as narrator): I pivoted the loaf. The honest fellow was perfectly correct. It was a bear. And not a small bear, either. One of the large economy size. Its eye was bleak and it gnashed a tooth or two, and I could see at a g. that it was going to be difficult for me to find a formula. "Advise me, Jeeves," I yipped. "What do I do for the best?" JEEVES: I fancy it might be judicious if you were to make an exit, Sir. BERTIE (narrator): No sooner s. than d. I streaked for the horizon, closely followed across country by the dumb chum. And that, boys and girls, is how your grandfather clipped six seconds off Roger Bannister's mile. Who can say which method is superior?" (As reproduced in Plum, Shakespeare and the Cat Chap )

He grimaced and went after her. “I’m not a trainer. Just spent a lot of time working out.”  “Misspent youth, clearly.” She held the door open, standing just outside.  “My application to princess school was rejected.” Callan exited the building and fell into step alongside her. “Working out was how I coped.” Sunlight peeked out from behind striped clouds and lit the early-morning sky. Autumn weather chilled the perspiration on his skin.  “Such a shame.” Meridian glanced up at him out of the corner of her eye.  “What is?”  “That you didn’t go to princess school. Could have learned some manners.” Her blue-green eyes sparked in the sunlight. And her mouth . . . Her lips set in some smart-looking, lopsided grin, with a small dimple.  I should definitely kiss that look off her face. “Overrated. Inefficient. And I look terrible in a tiara.

don’t ask me why i didn’t leave he made my world so small i couldn’t see the exit - i’m surprised i got out at all

If that's what it takes". Jack had the confidence of a man who knew he had all the exits guarded. "Location 1044

In idyllic small towns I sometimes see teenagers looking out of place in their garb of desperation, the leftover tatters and stains and slashes of the fashion of my youth. For this phase of their life, the underworld is their true home, and in the grit and underbelly of a city they could find something that approximates it. Even the internal clock of adolescents changes, making them nocturnal creatures for at least a few years. All through childhood you grow toward life and then in adolescence, at the height of life, you begin to grow toward death. This fatality is felt as an enlargement to be welcomed and embraced, for the young in this culture enter adulthood as a prison, and death reassures them that there are exits. “I have been half in love with easeful death,” said Keats who died at twenty-six and so were we, though the death we were in love with was only an idea then.

Very well,” he said with a small sigh. “Ladies today are so very capable. It breaks my hea rt, really.” He leaned in, almost as if sharing a secret. “No one likes to feel superfluous.” Grace just stared at him. “Rendered mute by my grace and charm,” he said, stepping back to allow them to exit. “It happens all the time. Really, I shouldn‟t be allowed near the ladies. I have such a vexing effect on you.

The true Republican Party began as the Jeffersonian-Republicans. Small government, state sovereignty, non-intervention and no federal bank that can tax the citizens through inflationary money creation to be spent on the profligate lifestyle of an obese state.

But even now the city's freewheeling virtual world stood in stark contrast to the day-to-day lives of most people, to those of young men, and especially of young women, and above all of children who went to sleep unfed but could see on some small screen people in foreign lands preparing and consuming and even conducting food fights with feasts of such opulence that the very fact of their existence boggled the mind.

To the imaginative, it is always something of an adventure to walk down a pleached alley. You enter boldly enough, but soon you find yourself wishing you had stayed outside — it is not air that you are breathing, but silence, the almost palpable silence of trees. And is the only exit that small round hole in the distance? Why, you will never be able to squeeze through that! You must turn back ... too late! The spacious portal by which you entered has in its turn shrunk to a small round hole.

We move our eyelids up and down. Blinking, we call it. It's like a small black shutter that clicks down and makes a break. Everything goes black; one's eyes are moistened. You can't imagine how restful, refreshing, it is. Four thousand little rests per hour. Four thousand little respites.

Just as the towering myth of Abraham Lincoln—honest backwoods lawyer, spinner of yarns, righter of wrongs—tells only part of the truth, so, too, is the myth of America woefully incomplete. The country that Ronald Reagan once called “a shining city upon a hill” has, in fact, been tangled up in darkness since before she was born. Millions of souls have graced the American stage over the centuries, played parts both great and small, and made their final exits. But of all the souls who witnessed America’s birth and growth, who fought in her finest hours, and who had a hand in her hidden history, only one soul remains to tell the whole truth. What follows is the story of Henry Sturges. What follows is the story of an American life.

...and of course if Andrew Keene had been on the downhill side of the Standpipe, he would have exited the world in no time. But God favors drunks, small children, and the cataclysmically stoned...

Rituals are, among other things, tools that help us process change. There is so much change in this universe, so many entrances and exits, and ways to mark them...each one astonishing in its own way.

Tragedy's language stresses that whatever is within us is obscure, many faceted, impossible to see. Performance gave this question of what is within a physical force. The spectators were far away from the performers, on that hill above the theatre. At the centre of their vision was a small hut, into which they could not see. The physical action presented to their attention was violent but mostly unseen. They inferred it, as they inferred inner movement, from words spoken by figures whose entrances and exits into and out of the visible space patterned the play. They saw its results when that facade opened to reveal a dead body. This genre, with its dialectics of seen and unseen, inside and outside, exit and entrance, was a simultaneously internal and external, intellectual and somatic expression of contemporary questions about the inward sources of harm, knowledge, power, and darkness.

Mrs Pitt shouted up the stairs for her daughter with a voice like a foghorn, then smiled cheerfully at Calvin. "She'll be down in a mo," she said, and showed him in to the front room, which was a colourful sea of Lego bricks with a small child bobbing in it.

Only the Great Poison, he who is handsome and wise and charming and handsome, can lead the faithful to Edom. So cater to the Great Poison with food and drink and baths and the occasional massage. "They wrote 'handsome' twice," murmured Alec. "Why is it called the Red Scrolls," said Shiyun, "when it is a book? And not a scroll?" "It's definitely not plural scrolls," said Alec. "I'm sure whoever this handsome, handsome cult founder is," said Magnus, his chest constricting, "he had his reasons." Shinyun read on. "The prince wishes only the best for his children. Thus, to honor his name, there must be a hearth crowded with only the finest of liquors and cigars and bonbons. Tithes of treasure and gifts showered upon the Great Poison symbolize the love between the faithful, so keep the spirits flowing and the gold growing, and always remember the sacred roles. "Life is a stage, so exit in style. "Only the faithful who make a truly great drink shall be favored. "Offend not the Great Poison with cruel deeds or poor fashion. "Seek the children of demons. Love them as you love your lord. Do not let the children be alone. "In times of trouble, remember: all roads lead to Rome." Alec looked at Magnus, and Magnus could not entirely understand Alec's small smile. "I think you wrote this.

She always said, "We do what we can." When they were on the road together, he thought that meant even small things are worth doing. Later, he realized what he first thought was a comforting slogan was actually a challenge: what CAN you do, really? Look at the world and ask yourself what it needs. Then look at yourself and ask what can I give, what sacrifices can I make, whom can I help? There's always a tank rolling down some street. You can't do everthing. But that doesn't forgive you for not doing what you can.

Their conversation ceased abruptly with the entry of an oddly-shaped man whose body resembled a certain vegetable. He was a thickset fellow with calloused and jaundiced skin and a patch of brown hair, a frizzy upheaval. We will call him Bell Pepper. Bell Pepper sidled up beside The Drippy Man and looked at the grilled cheese in his hand. The Drippy Man, a bit uncomfortable at the heaviness of the gaze, politely apologized and asked Bell Pepper if he would like one. “Why is one of your legs fatter than the other?” asked Bell Pepper. The Drippy Man realized Bell Pepper was not looking at his sandwich but towards the inconsistency of his leg sizes. “You always get your kicks pointing out defects?” retorted The Drippy Man. “Just curious. Never seen anything like it before.” “I was raised not to feel shame and hide my legs in baggy pants.” “So you flaunt your deformity by wearing short shorts?” “Like you flaunt your pockmarks by not wearing a mask?” Bell Pepper backed away, kicking wide the screen door, making an exit to a porch over hanging a dune of sand that curved into a jagged upward jab of rock. “He is quite sensitive,” commented The Dry Advisor. “Who is he?” “A fellow who once manipulated the money in your wallet but now curses the fellow who does.

From the line, watching, three things are striking: (a) what on TV is a brisk crack is here a whooming roar that apparently is what a shotgun really sounds like; (b) trapshooting looks comparatively easy, because now the stocky older guy who's replaced the trim bearded guy at the rail is also blowing these little fluorescent plates away one after the other, so that a steady rain of lumpy orange crud is falling into the Nadir's wake; (c) a clay pigeon, when shot, undergoes a frighteningly familiar-looking midflight peripeteia -- erupting material, changing vector, and plummeting seaward in a corkscrewy way that all eerily recalls footage of the 1986 Challenger disaster. All the shooters who precede me seem to fire with a kind of casual scorn, and all get eight out of ten or above. But it turns out that, of these six guys, three have military-combat backgrounds, another two are L. L. Bean-model-type brothers who spend weeks every year hunting various fast-flying species with their "Papa" in southern Canada, and the last has got not only his own earmuffs, plus his own shotgun in a special crushed-velvet-lined case, but also his own trapshooting range in his backyard (31) in North Carolina. When it's finally my turn, the earmuffs they give me have somebody else's ear-oil on them and don't fit my head very well. The gun itself is shockingly heavy and stinks of what I'm told is cordite, small pubic spirals of which are still exiting the barrel from the Korea-vet who preceded me and is tied for first with 10/10. The two brothers are the only entrants even near my age; both got scores of 9/10 and are now appraising me coolly from identical prep-school-slouch positions against the starboard rail. The Greek NCOs seem extremely bored. I am handed the heavy gun and told to "be bracing a hip" against the aft rail and then to place the stock of the weapon against, no, not the shoulder of my hold-the-gun arm but the shoulder of my pull-the-trigger arm. (My initial error in this latter regard results in a severely distorted aim that makes the Greek by the catapult do a rather neat drop-and-roll.) Let's not spend a lot of time drawing this whole incident out. Let me simply say that, yes, my own trapshooting score was noticeably lower than the other entrants' scores, then simply make a few disinterested observations for the benefit of any novice contemplating trapshooting from a 7NC Megaship, and then we'll move on: (1) A certain level of displayed ineptitude with a firearm will cause everyone who knows anything about firearms to converge on you all at the same time with cautions and advice and handy tips. (2) A lot of the advice in (1) boils down to exhortations to "lead" the launched pigeon, but nobody explains whether this means that the gun's barrel should move across the sky with the pigeon or should instead sort of lie in static ambush along some point in the pigeon's projected path. (3) Whatever a "hair trigger" is, a shotgun does not have one. (4) If you've never fired a gun before, the urge to close your eyes at the precise moment of concussion is, for all practical purposes, irresistible. (5) The well-known "kick" of a fired shotgun is no misnomer; it knocks you back several steps with your arms pinwheeling wildly for balance, which when you're holding a still-loaded gun results in mass screaming and ducking and then on the next shot a conspicuous thinning of the crowd in the 9-Aft gallery above. Finally, (6), know that an unshot discus's movement against the vast lapis lazuli dome of the open ocean's sky is sun-like -- i.e., orange and parabolic and right-to-left -- and that its disappearance into the sea is edge-first and splashless and sad.

The bartender is Irish. Jumped a student visa about ten years ago but nothing for him to worry about. The cook, though, is Mexican. Some poor bastard at ten dollars an hour—and probably has to wash the dishes, too. La Migra take notice of his immigration status—they catch sight of his bowl cut on the way home to Queens and he’ll have a problem. He looks different than the Irish and the Canadians—and he’s got Lou Dobbs calling specifically for his head every night on the radio. (You notice, by the way, that you never hear Dobbs wringing his hands over our border to the North. Maybe the “white” in Great White North makes that particular “alien superhighway” more palatable.) The cook at the Irish bar, meanwhile, has the added difficulty of predators waiting by the subway exit for him (and any other Mexican cooks or dishwashers) when he comes home on Friday payday. He’s invariably cashed his check at a check-cashing store; he’s relatively small—and is unlikely to call the cops. The perfect victim. The guy serving my drinks, on the other hand, as most English-speaking illegal aliens, has been smartly gaming the system for years, a time-honored process everybody at the INS is fully familiar with: a couple of continuing education classes now and again (while working off the books) to get those student visas. Extensions. A work visa. A “farm” visa. Weekend across the border and repeat. Articulate, well-connected friends—the type of guys who own, for instance, lots of Irish bars—who can write letters of support lauding your invaluable and “specialized” skills, unavailable from homegrown bartenders. And nobody’s looking anyway. But I digress…

Stand back, for safety, and also because—this is a very basic physics principle that, sometimes, still escapes us—when people exit the small space, there is more room for you and others to enter the small space, so let them flow out before you flow in. You will get there. You will.

As he began to drift again Jean was never sure whether he saw or did not see, a troupe of monkeys clad in blue Hussar coats piped with yellow twist, enter from a small door to swing across the great chamber and exit like nomadic wanderers into a great door emblazoned by the setting sun.

Frances, smiling, folded the note and returned it to the captain's pocket. She occasionally in her life found herself loving men not in spite of but for their stupidity. Suavity was never more than playacting, she knew this, and it endeared them to her that they themselves were unaware of their transparency. She hung her shoes from her hooked fingers, walking barefoot along the dim, carpeted halls to her suite. All were asleep and it was so quiet, and she felt youthful and glad. Small Frank was up, waiting on the bed. His eyes narrowed as she entered. "Spare me," she said. "You haven't got a leg to stand on." She moved to the bathroom to draw herself a bath.

Do you want to know my favorite?” My grip tightened on the railing. In. Out. “Andromeda.” Allister moved closer. “An autumn constellation, forty-four light-years away.” His steps were smooth and indifferent, but his voice was dry, as though he found my panic attack positively boring. His attitude brought a small rush of annoyance in, but it was suddenly swayed as my lungs contracted and wouldn’t release. I couldn’t keep a strangled gasp from escaping. “Look up.” It was an order, carrying a harsh edge. With no fight in me, I complied and tilted my head. Tears blurred my vision. Stars swam together and sparkled like diamonds. I was glad they weren’t. Humans would find a way to pluck them from the sky. “Andromeda is the dim, fuzzy star to the right. Find it.” My eyes searched it out. The stars weren’t often easy to see, hidden behind smog and the glow of city lights, but sometimes, on a lucky night like tonight, pollution cleared and they became visible. I found the star and focused on it. “Do you know her story?” he asked, his voice close behind me. A cold wind touched my cheeks, and I inhaled slowly. “Answer me.” “No,” I gritted. “Andromeda was boasted to be one of the most beautiful goddesses.” He moved closer, so close his jacket brushed my bare arm. His hands were in his pockets and his gaze was on the sky. “She was sacrificed for her beauty, tied to a rock by the sea.” I imagined her, a red-haired goddess with a heart of steel chained to a rock. The question bubbled up from the depths of me. “Did she survive?” His gaze fell to me. Down the tear tracks to the blood on my bottom lip. His eyes darkened, his jaw tightened, and he looked away. “She did.” I found the star again. Andromeda. “Ask me what her name means.” It was another rough demand, and I had the urge to refuse. To tell him to stop bossing me around. However, I wanted to know—I suddenly needed to. But he was already walking away, toward the exit. “Wait,” I breathed, turning to him. “What does her name mean?” He opened the door and a sliver of light poured onto the terrace. Black suit. Broad shoulders. Straight lines. His head turned just enough to meet my gaze. Blue. “It means ruler of men.” An icy breeze almost swallowed his words before they reached me, whipping my hair at my cheeks. And then he was gone.

Tate and Marty exchanged indignant looks. Tate pointed to the kitchen door behind Marty, then hooked a thumb at the back door and gave Marty a nod. Before Mel could figure out what they were up to, they were both lying on the floor of the kitchen, blocking the exits. “What is this? Occupy Fairy Tale Cupcakes?!” Angie asked. “What do you think you’re doing?” “We’re in protest mode.” Tate said. “We’re going to limp and we’re going to lie here until you agree to let us come along.” “Are you kidding me?” Mel asked. “What if I don’t give in? Are you going to hold your breath until you turn blue?” She watched Tate lift his head and look at Marty. He raised his eyebrows in silent question, and Marty gave him a small nod. “Thanks for the idea,” The kitchen door slammed into his side, and Marty grunted but still held his ground. The kitchen door didn’t budge. “Hey, the door is stuck,” Oz yelled from the other side.

Naming (“christening,” “deeming”) is more than a performative moral act; it is linguistic and aesthetic as well. Identifying the emergence and establishment of anti-sacrificial moral practices will take on a form distinctive to a particular social order; the consolidation of the originary “belief” or gesture should therefore be represented in ways that make it inseparable from the entirety of that order. Naming commemorates earlier establishments of practices of deferral, and by enhancing the self-referentiality of the social order as a whole makes it impossible to think outside of that order. It should be kept in mind that all social orders do this—orders in the liberal tradition simply deny they are doing so, and therefore do it haphazardly and in violent fits and starts. Every social order, however small or transient, develops its own “idiom,” because any exchange of signs involves the respective participants taking up the words, phrases and expressions of the others for both phatic purposes and as a “multiplier” of meanings—if I repeat what another has said with slight changes in wording and tone, I not only say what I have said, but create a complex relationship between what I have said and what the other has said (and whatever others he was responding to have said—and left unsaid), a relationship that remains largely tacit but all the more difficult to shake or exit for that very reason.

Zelda had a sudden impression that the palace was alive, an inhuman giant buried to its neck in the city, waiting for her with many blank eyes. Those emerald columns were its teeth. It waited for each new wave of lords and ate them each in turn, sucked their brains through small holes drilled in their skulls....What did the palace care for whose flag it flew, whose head sat on the shoulders of the statue on it's throne? It was patient, and hungry. It laughed in architecture.

Our ghoulish mission was to search for bodies. It was rich hunting that day and the many thereafter. We started on a small scale—here a leg, there an arm, and an occasional baby—but struck a mother lode before noon. We cut our way through a basement wall to discover a reeking hash of over one hundred human beings. Flame must have swept through before the building’s collapse sealed the exits, because the flesh of those within resembled the texture of prunes. Our job, it was explained, was to wade into the shambles and bring forth the remains. Encouraged by cuffing and guttural abuse, wade in we did. We did exactly that, for the floor was covered with an unsavory broth from burst water mains and viscera. A number of victims, not killed outright, had attempted to escape through a narrow emergency exit. At any rate, there were several bodies packed tightly into the passageway. Their leader had made it halfway up the steps before he was buried up to his neck in falling brick and plaster. He was about fifteen, I think.

I met a man tonight. A high school English teacher from the next town. A small town. Maybe I shouldn’t have, but he had the hands of someone I used to know. Someone I was used to. The way they formed brief churches over the table as he searched for the right words. I met a man, not you. In his room the Bibles shook on the shelf from candlelight. His scrotum a bruised fruit. I kissed it lightly, the way one might kiss a grenade before hurling it into the night’s mouth. Maybe the tongue is also a key.

Grandmother, I cannot find my slotted quilling tool. Help me look for it!” “Where have you seen it last?” Grandmother asks her with a soft voice. “I saw it yesterday, before getting dressed with my red coat with red button sewn with an even redder thread”, says Cosmina. “But have you looked for it outside?” asks grandmother. “Outside?!” said Cosmina in astonishment. “Yes, let’s look for it together outside. What do you say?” Cosmina regains hope and she gets dressed quickly to get outside with grandmother. Among the snow angels and the small traces of the children’s tiny shoes, Cosmina and grandmother finally reach the fortress whose rooms were in the shape of a labyrinth. Grandmother looks in awe and she is happy to see how much imagination the kids had and she starts going through every side of the labyrinth, together with Cosmina. At the exit from the labyrinth, they see Cosmina’s slotted quilling tool in the snow. And like this, what was lost was found. Now is your turn. Just help Cosmina find her way to the lost slotted quilling tool in the labyrinth below!

You said everyone imagines they’re exceptions and they’ll surely arrange an early and merciful exit before submitting to the intolerable. And then they do submit to the intolerable. That’s because, in order to retain agency over your own end of life, you have to be willing to give up some small portion of it that’s not particularly rubbish. Otherwise, you go downhill, doctors and relatives take over, and you’re apt to lose the very part of yourself that make judgements and takes action. We have a narrow window in which to exercise control.

Here I was, on a small Greek island, sharing a meal with a beautiful older woman I’d met only the day before. This woman loved Sumire. But couldn’t feel any sexual desire for her. Sumire loved this woman and desired her. I loved Sumire and felt sexual desire for her. Sumire liked me but didn’t love me, and didn’t feel any desire for me. I felt sexual desire for a woman who will remain anonymous. But I didn’t love her. It was all so complicated, like something out of an existential play. Everything hit a dead end there, no alternatives left. And Sumire had exited stage right.

Pretty speech,” he said. “It’s the only one I’ve got.” “I know what’s really going on here. You’re scared to step into my world. Afraid you can’t hack it. Much better to hide here and be a big fish in a very small pond.” “If that’s the way you see it, fine.” I raised my chin. “I have nothing to prove to you, Rogan.” “But now I have something to prove to you,” he said. “I promise you, I will win, and by the time I’m done, you won’t walk, you’ll run to jump into my bed.” “Don’t hold your breath,” I told him. All of his civilized veneer was gone now. The dragon faced me, teeth bared, claws out, breathing fire. “You won’t just sleep with me. You’ll be obsessed with me. You’ll beg me to touch you, and when that moment comes, we will revisit what happened here today.” “Never in a million years.” I pointed at the doorway. “Exit is that—” He grabbed me. His mouth closed on mine. His big body caged me in. His chest mashed my breasts. His arms pulled me to him, one across my back, the other cupping my butt. His magic washed over me in an exhilarating rush. My body surrendered. My muscles turned warm and pliant. My nipples tightened, my breasts ready to be squeezed, ready for his fingers and his mouth. An eager ache flared between my legs. My tongue licked his. God, I wanted him. I wanted him so badly. He let me go, turned on his toes, and went out, laughing under his breath. Aaargh! “That’s right! Keep . . . walking!” I threw the wrench down. “Now that was a kiss,” Grandma Frida said from the doorway behind me. I jumped. “How long have you been there?” “Long enough. That man means business.” All my words tried to come out at once. “I don’t . . . what . . . asshole! . . . screw himself for all I care!” “Aww, young love, so passionate,” Grandma said. “I’m going to buy you a subscription to Brides magazine. You should start shopping for dresses.” I waved my arms and walked away from her before I said something I would regret.

We were beginning to see that the medical profession, at the time still over 90 percent male, had transformed childbirth from a natural event into a surgical operation performed on an unconscious patient in what approximated a sterile environment. Routinely, the woman about to give birth was subjected to an enema, had her pubic hair shaved off, and was placed in the lithotomy position - on her back, with knees up and crotch spread wide open. As the baby began to emerge, the obstetrician performed an episiotomy, a surgical enlargement of the vaginal opening, which had to be stitched back together after birth. Each of these procedures came with a medical rationale: The enema was to prevent contamination with feces; the pubic hair was shaved because it might be unclean; the episiotomy was meant to ease the baby's exit. But each of these was also painful, both physically and otherwise, and some came with their own risks, Shaving produces small cuts and abrasions that are open to infection; episiotomy scars heal m ore slowly than natural tears and can make it difficult for the woman to walk or relieve herself for weeks afterward. The lithotomy position may be more congenial for the physician than kneeling before a sitting woman, but it impedes the baby's process through the birth canal and can lead to tailbone injuries in the mother.

Shockers take six months of training and still occasionally kill their users. Why did you implant them in the first place?” “Because you kidnapped me.” “That’s the stupidest thing I’ve ever heard.” “Mr. Rogan.” My voice frosted over. “What I put into my body is my business.” Okay, that didn’t sound right. I gave up and marched out the doors into the sunlight. That was so dumb. Sure, try your magic sex touch on me, what could happen? My whole body was still keyed up, wrapped up in want and anticipation. I had completely embarrassed myself. If I could fall through the floor, I would. “Nevada,” he said behind me. His voice rolled over me, tinted with command and enticing, promising things I really wanted. You’re a professional. Act like one. I gathered all of my will and made myself sound calm. “Yes?” He caught up with me. “We need to talk about this.” “There is nothing to discuss,” I told him. “My body had an involuntary response to your magic.” I nodded at the poster for Crash and Burn II on the wall of the mall, with Leif Magnusson flexing with two guns while wrapped in flames. “If Leif showed up in the middle of this parking lot, my body would have an involuntary response to his presence as well. It doesn’t mean I would act on it.” Mad Rogan gave Leif a dismissive glance and turned back to me. “They say admitting that you have a problem is the first step toward recovery.” He was changing his tactics. Not going to work. “You know what my problem is? My problem is a homicidal pyrokinetic Prime whom I have to bring back to his narcissistic family.” We crossed the road to the long parking lot. Grassy dividers punctuated by small trees sectioned the lot into lanes, and Mad Rogan had parked toward the end of the lane, by the exit ramp. “One school of thought says the best way to handle an issue like this is exposure therapy,” Mad Rogan said. “For example, if you’re terrified of snakes, repeated handling of them will cure it.” Aha. “I’m not handling your snake.” He grinned. “Baby, you couldn’t handle my snake.” It finally sank in. Mad Rogan, the Huracan, had just made a pass at me. After he casually almost strangled a woman in public. I texted to Bern, “Need pickup at Galeria IV.” Getting into Rogan’s car was out of the question.

Necessities 1 A map of the world. Not the one in the atlas, but the one in our heads, the one we keep coloring in. With the blue thread of the river by which we grew up. The green smear of the woods we first made love in. The yellow city we thought was our future. The red highways not traveled, the green ones with their missed exits, the black side roads which took us where we had not meant to go. The high peaks, recorded by relatives, though we prefer certain unmarked elevations, the private alps no one knows we have climbed. The careful boundaries we draw and erase. And always, around the edges, the opaque wash of blue, concealing the drop-off they have stepped into before us, singly, mapless, not looking back. 2 The illusion of progress. Imagine our lives without it: tape measures rolled back, yardsticks chopped off. Wheels turning but going nowhere. Paintings flat, with no vanishing point. The plots of all novels circular; page numbers reversing themselves past the middle. The mountaintop no longer a goal, merely the point between ascent and descent. All streets looping back on themselves; life as a beckoning road an absurd idea. Our children refusing to grow out of their childhoods; the years refusing to drag themselves toward the new century. And hope, the puppy that bounds ahead, no longer a household animal. 3 Answers to questions, an endless supply. New ones that startle, old ones that reassure us. All of them wrong perhaps, but for the moment solutions, like kisses or surgery. Rising inflections countered by level voices, words beginning with w hushed by declarative sentences. The small, bold sphere of the period chasing after the hook, the doubter that walks on water and treads air and refuses to go away. 4 Evidence that we matter. The crash of the plane which, at the last moment, we did not take. The involuntary turn of the head, which caused the bullet to miss us. The obscene caller who wakes us at midnight to the smell of gas. The moon's full blessing when we fell in love, its black mood when it was all over. Confirm us, we say to the world, with your weather, your gifts, your warnings, your ringing telephones, your long, bleak silences. 5 Even now, the old things first things, which taught us language. Things of day and of night. Irrational lightning, fickle clouds, the incorruptible moon. Fire as revolution, grass as the heir to all revolutions. Snow as the alphabet of the dead, subtle, undeciphered. The river as what we wish it to be. Trees in their humanness, animals in their otherness. Summits. Chasms. Clearings. And stars, which gave us the word distance, so we could name our deepest sadness.

she’d done enough residential architecture to know that the desire to wring out a few more drips of happiness almost always destroyed the happiness you were so lucky to have, and so foolish never to acknowledge. It happens every time: a forty-thousand-dollar kitchen remodel becomes a seventy-five-thousand-dollar kitchen remodel (because everyone comes to believe that small differences make big differences), becomes a new exit to the garden (to bring more light into the enhanced kitchen), becomes a new bathroom (if you’re already sealing off the floor for work…), becomes stupidly rewiring the house to be smart (so you can control the music in the kitchen with your phone), becomes passive-aggression over whether the new bookshelves should be on legs (to reveal the inlaid floor borders), becomes aggressive-aggression whose origin can no longer be remembered. One can build a perfect home, but not live in it.

she’d done enough residential architecture to know that the desire to wring out a few more drips of happiness almost always destroyed the happiness you were so lucky to have, and so foolish never to acknowledge. It happens every time: a forty-thousand-dollar kitchen remodel becomes a seventy-five-thousand-dollar kitchen remodel (because everyone comes to believe that small differences make big differences), becomes a new exit to the garden (to bring more light into the enhanced kitchen), becomes a new bathroom (if you’re already sealing off the floor for work …), becomes stupidly rewiring the house to be smart (so you can control the music in the kitchen with your phone), becomes passive-aggression over whether the new bookshelves should be on legs (to reveal the inlaid floor borders), becomes aggressive-aggression whose origin can no longer be remembered. One can build a perfect home, but not live in it.

To the untrained eye, the Wall Street people who rode from the Connecticut suburbs to Grand Central were an undifferentiated mass, but within that mass Danny noted many small and important distinctions. If they were on their BlackBerrys, they were probably hedge fund guys, checking their profits and losses in the Asian markets. If they slept on the train they were probably sell-side people—brokers, who had no skin in the game. Anyone carrying a briefcase or a bag was probably not employed on the sell side, as the only reason you’d carry a bag was to haul around brokerage research, and the brokers didn’t read their own reports—at least not in their spare time. Anyone carrying a copy of the New York Times was probably a lawyer or a back-office person or someone who worked in the financial markets without actually being in the markets. Their clothes told you a lot, too. The guys who ran money dressed as if they were going to a Yankees game. Their financial performance was supposed to be all that mattered about them, and so it caused suspicion if they dressed too well. If you saw a buy-side guy in a suit, it usually meant that he was in trouble, or scheduled to meet with someone who had given him money, or both. Beyond that, it was hard to tell much about a buy-side person from what he was wearing. The sell side, on the other hand, might as well have been wearing their business cards: The guy in the blazer and khakis was a broker at a second-tier firm; the guy in the three-thousand-dollar suit and the hair just so was an investment banker at J.P. Morgan or someplace like that. Danny could guess where people worked by where they sat on the train. The Goldman Sachs, Deutsche Bank, and Merrill Lynch people, who were headed downtown, edged to the front—though when Danny thought about it, few Goldman people actually rode the train anymore. They all had private cars. Hedge fund guys such as himself worked uptown and so exited Grand Central to the north, where taxis appeared haphazardly and out of nowhere to meet them, like farm trout rising to corn kernels. The Lehman and Bear Stearns people used to head for the same exit as he did, but they were done. One reason why, on September 18, 2008, there weren’t nearly as many people on the northeast corner of Forty-seventh Street and Madison Avenue at 6:40 in the morning as there had been on September 18, 2007.

He was walking down a narrow street in Beirut, Lebanon, the air thick with the smell of Arabic coffee and grilled chicken. It was midday, and he was sweating badly beneath his flannel shirt. The so-called South Lebanon conflict, the Israeli occupation, which had begun in 1982 and would last until 2000, was in its fifth year. The small white Fiat came screeching around the corner with four masked men inside. His cover was that of an aid worker from Chicago and he wasn’t strapped. But now he wished he had a weapon, if only to have the option of ending it before they took him. He knew what that would mean. The torture first, followed by the years of solitary. Then his corpse would be lifted from the trunk of a car and thrown into a drainage ditch. By the time it was found, the insects would’ve had a feast and his mother would have nightmares, because the authorities would not allow her to see his face when they flew his body home. He didn’t run, because the only place to run was back the way he’d come, and a second vehicle had already stopped halfway through a three-point turn, all but blocking off the street. They exited the Fiat fast. He was fit and trained, but he knew they’d only make it worse for him in the close confines of the car if he fought them. There was a time for that and a time for raising your hands, he’d learned. He took an instep hard in the groin, and a cosh over the back of his head as he doubled over. He blacked out then. The makeshift cell Hezbollah had kept him in in Lebanon was a bare concrete room, three metres square, without windows or artificial light. The door was wooden, reinforced with iron strips. When they first dragged him there, he lay in the filth that other men had made. They left him naked, his wrists and ankles chained. He was gagged with rag and tape. They had broken his nose and split his lips. Each day they fed him on half-rancid scraps like he’d seen people toss to skinny dogs. He drank only tepid water. Occasionally, he heard the muted sound of children laughing, and smelt a faint waft of jasmine. And then he could not say for certain how long he had been there; a month, maybe two. But his muscles had wasted and he ached in every joint. After they had said their morning prayers, they liked to hang him upside down and beat the soles of his feet with sand-filled lengths of rubber hose. His chest was burned with foul-smelling cigarettes. When he was stubborn, they lay him bound in a narrow structure shaped like a grow tunnel in a dusty courtyard. The fierce sun blazed upon the corrugated iron for hours, and he would pass out with the heat. When he woke up, he had blisters on his skin, and was riddled with sand fly and red ant bites. The duo were good at what they did. He guessed the one with the grey beard had honed his skills on Jewish conscripts over many years, the younger one on his own hapless people, perhaps. They looked to him like father and son. They took him to the edge of consciousness before easing off and bringing him back with buckets of fetid water. Then they rubbed jagged salt into the fresh wounds to make him moan with pain. They asked the same question over and over until it sounded like a perverse mantra. “Who is The Mandarin? His name? Who is The Mandarin?” He took to trying to remember what he looked like, the architecture of his own face beneath the scruffy beard that now covered it, and found himself flinching at the slightest sound. They had peeled back his defences with a shrewdness and deliberation that had both surprised and terrified him. By the time they freed him, he was a different man.  

The crystallized opposition of the segregationists was not unexpected; but we had only dimly foreseen the resistance that came from another quarter. Victor Hugo has spoken of the "madmen of moderation" who are "un-paving hell." The descendants of Hugo's moderates appeared in the fall of 1963, bearing banners inscribed with the message: Order Before Justice. For the most part, these moderates counted themselves as friends of the civil-rights movement; certainly they were in no sense moral bedfellows of the forces of segregation and violence. But they were now wrestling with a logic that an earlier, more passive, movement had never forced them to question. They had long settled on a simple compromise, one easy to accept and to live with. They could countenance token changes, and they had always believed these would make the Negro content. They were not asking him to stay in his old ghetto. They were ready to build a brand-new ghetto for him with a small exit door for a few. But the breath of the new movement chilled them. The Negro was insisting upon the mass application of equality to jobs, housing, education and social mobility. He sought a full life for a whole people. These moderates had come some distance in step with the thundering drums, but at the point of mass application they wanted the bugle to sound a retreat.

In addition, of course, they would be taken to a bath and in the bath vestibule they would be ordered to leave their leather coats, their Romanov sheepskin coats, their woolen sweaters, their suits of fine wool, their felt cloaks, their leather boots, their felt boots (for, after all, these were no illiterate peasants this time, but the Party elite—editors of newspapers, directors of trusts and factories, responsible officials in the provincial Party committees, professors of political economy, and, by the beginning of the thirties, all of them understood what good merchandise was). "And who is going to guard them?" the newcomers asked skeptically. "Oh, come on now, who needs your things?" The bath personnel acted offended. "Go on in and don't worry." And they did go in. And the exit was through a different door, and after passing through it, they received back cotton breeches, field shirts, camp quilted jackets without pockets, and pigskin shoes. (Oh, this was no small thing! This was farewell to your former life—to your titles, your positions, and your arrogance!) "Where are our things?" they cried. "Your things you left at home!" some chief or other bellowed at them. "In camp nothing belongs to you. Here in camp, we have communism! Forward march, leader!" And if it was "communism," then what was there for them to object to? That is what they had dedicated their lives to.

Who doesn't like to be a center for concern? A kind of second childhood falls on so many men. They trade their violence for the promise of a small increase of life span. In effect, the head of the house becomes the youngest child. And I have searched myself for this possibility with a kind of horror. For I have always lived violently, drunk hugely, eaten too much or not at all, slept around the clock or missed two nights of sleeping, worked to hard and too long in glory, or slobbed for a time in utter laziness. I've lifted, pulled, chopped, climbed, made love with joy and taken my hangovers as a consequence, not as a punishment. I did not want to surrender fierceness for a small gain in yardage. My wife married a man; I saw no reason why she should inherit a baby. I knew that ten or twelve thousand miles driving a truck, alone and unattended, over every kind of road, would be hard work, but to me it represented the antidote for the poison of the professional sick man. And in my own life I am not willing to trade quality for quantity. If this projected journey should proved too much then it was time to go anyway. I see to many men delay their exits with a sickly, slow reluctance to leave the stage. It's bad theater as well as bad living. I am very fortunate in having a wife who likes men, not elderly babies. Although this last foundation for the journey was never discussed, I am sure she understood it.

Let’s go home,” she said. He arched his brows. “Already? I thought you would want to stay for a while.” Dark eyes flashed. “No, I want to take you home where women can’t stare at you like hyenas after a baby chick.” He laughed-loudly, which caught a fair bit of attention. “Surely I’m more threatening than a chick?” She smiled, ruining her petulant expression. “A puppy perhaps.” Grey stepped closer so that their torsos touched. It was totally improper behavior, but the gossips already had so much to talk about, one more thing would hardly matter. “Is that all you want to take me home for? To protect me?” Her gaze turned coy. “I received the newest edition of Voluptuous today. I thought I might read to you.” Was it just him or had the temperature in the room suddenly climbed ten degrees. “Let’s go.” He grabbed her by the hand and started weaving their way toward the door. People stopped hi to say hello, and he was forced to speak to them rather than be as rude as he wanted. A good fifteen minutes passed before he and Rose finally made it to the entrance of the ballroom, only to have Vienne La Rieux descend upon them. “Monsieur et Madame le Duc!” she cried, clasping her hands together in front of her breast-abundantly displayed above a peacock-colored gown that must have cost a small fortune. “Finally, you leave my club together, non?” Grey winked at her. “At last, madam. But we may want a room again someday.” The French woman grinned, delighting in Rose’s obvious embarrassment. “Mais oui! An anniversary present, Your Grace. On the house.” He thanked her and bade her farewell. “She knew?” Rose’s tone was incredulous as they made their way closer to the exit. “How could she know?” Grey shrugged. “The woman seems to know deuced near everything that happens here.

I’ll find out who’s inside. Wait here and keep alert!’ Hallam rasped. He skirted the main path to skulk towards one of the shuttered windows on the building’s eastern wall. There was a crack in the wood and he gently inched closer to peer inside. There was a hearth-fire with a pot bubbling away and a battered table made of a length of wood over two pieces of cut timber. A small ham hung from the rafters, away from the rats and mice. He couldn’t see anyone but there was a murmur of voices. Hallam leaned in even closer and a young boy with hair the colour of straw saw the movement to stare. It was Little Jim. Thank God, the child was safe. Snot hung from his nose and he was pale. Hallam put a finger to his lips, but the boy, not even four, did not understand, and just gaped innocently back. Movement near the window. A man wearing a blue jacket took up a stone bottle and wiped his long flowing moustache afterwards. His hair was shoulder-length, falling unruly over the red collar of his jacket. Tied around his neck was a filthy red neckerchief. A woman moaned and the man grinned with tobacco stained teeth at the sound. Laughter and French voices. The woman whimpered and Little Jim turned to watch unseen figures. His eyes glistened and his bottom lip dropped. The woman began to plead and Hallam instinctively growled. The Frenchman, hearing the noise, pushed the shutter open and the pistol’s cold muzzle pressed against his forehead. Hallam watched the man’s eyes narrow and then widen, before his mouth opened. Whatever he intended to shout was never heard, because the ball smashed through his skull to erupt in a bloody spray as it exited the back of the Frenchman’s head. There was a brief moment of silence. ‘28th!’ Hallam shouted, as he stepped back against the wall. ‘Make ready!

Write about an empty birdcage" Write about an empty birdcage. As in: write about your ribcage after robbery. Use negative space to wind a song from the place on the dresser where a music box isn’t. Write about the corners where the two of you used to meet. Draw the intersections, arrow to the sidewalk where her shoes aren’t near yours. Write about an empty birdcage. As in: write about a hinged-open jaw that is neither sigh nor scream. Use this to signify EXIT. Make sure to describe the teeth, the glint of metal deep down in the molars, the smell of breath after lack of water. Make sure to draw this mouth a thirsty and human portrait of what it means to be used up. Write about voice by writing about how it feels when it’s painful to swallow. If you must put noise in the scene make it the sound of bird wings flapping in a cardboard box. Show us an empty cage and give us the sound of confinement. Take hope and fold it small as seed, then suck on it. Slow and selfish. Write about an empty birdcage. Birdcage can read: building, structure, abandoned or adorned. As in: loop and tighten a vine of nostalgia around the room you currently brick yourself into. Recreate the sweet of jasmine, but mortar the door so it will not seep through. Write about an empty birdcage. Replay us the scene. As in: she presses her pale cheek against the window, as he turns his pinstriped back, slow and final. Again. She presses her pale cheek against the window, and he turns his pinstriped back, slow and final. Again. She presses her pale cheek against the window, as he turns his pinstriped back, slow and final. Again. She presses her her pale cheek against the window, as he turns his pinstriped back, slow and final. Write about an empty birdcage. Write about the hinges. Describe them as dry knuckles. Write how I became a moan.

I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other. I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear. Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.

To summarize my trading strategy for VWAP Moving Average Trend trading: When I am monitoring a Stock in Play and notice a trend is establishing around a moving average (usually 9 EMA) in the Late-Morning session, I consider VWAP Moving Average Trend trading. If the stock has already lost the VWAP (from a VWAP False Breakout), it most likely will stay below the VWAP. Similarly, if the stock squeezed above the VWAP in the Late-Morning session, it is most likely that it will stay above the VWAP, as it means the buyers are in control. Once I learn that either 9 or 20 EMA are acting as either a support or resistance, I buy the stock after confirmation of moving averages as a support, but only if I can clearly see it “held” the VWAP. Similarly, I go short below the moving averages if I have the confirmation that it has “lost” the VWAP in the Late-Morning session. I buy or sell short as close as possible to the moving average line (in order to have a small stop). My stop will usually be 5 to 10 cents below the moving average line or, if a candlestick, close below the moving average (for long positions). For short positions, a close above the moving average would stop me out. I ride the trend until the break of 9 or 20 EMA. Usually, 20 EMA is a stronger support or resistance, so it is better to wait for that. I usually do not use trailing stops and I constantly monitor the trend with my eyes, but I know that many traders also use trailing stops. If the stock is moving really high away from the moving average, offering me an equally really nice unrealized profit, I may take some profit, usually at the 1/4 or half-position. I do not always wait until the break of moving average for my exit. Traders will say: you can never go broke by taking good profits. If the price pulls back to the moving average, I may add again to my position and continue the VWAP Moving Average Trend trade. Remember, when you take profit, you should always bring your stop loss to break-even. Never go red on a stock that you already booked some profit on.

He cannot will his entry into and exit from the activity on a daily basis. There is not, as there is for most workers, a brief interval of exemption at the end of the day when he is permitted to enact a wholly different set of gestures; the timing of his eventual exit will by determined not by his own will but by the end of the war, whether that comes in days, months, or years, and there is of course a very high probability that even when the war ends he will never exit from it. Although in all forms of work the worker mixes himself with and eventually becomes inseparable from the materials of his labor (an inseparability that has only its most immediate sign the residues which coat his body, the coal beneath the skin of his arm, the spray of grain in his hair, the ink on his fingers), the boy in war is, to an extent, found in almost no other form of work, inextricably bound up with the men and materials of his labor: he will learn to perceive himself as he will be perceived by others, as indistinguishable from the men of his unit, regiment, division, and above all national group (all of whom will share the same name: he is German) as he is also inextricably bound up with the qualities and conditions – berry laden or snow laden - of the ground over which he walks or runs or crawls and with which he craves and courts identification, as in the camouflage postures he adopts, now running bent over parallel with the ground it is his work to mime, now arching forward conforming the curve of his back to the curve of a companion boulder, now standing as upright and still and narrow as the slender tree behind which he hides; he is the elms and the mud, he is the one hundred and sixth, he is a small piece of German terrain broken off and floating dangerously through the woods of France. He is a fragment of American earth wedged into an open hillside in Korea and reworked by its unbearable sun and rain. He is dark blue like the sea. He is light grey like the air through which he flies. He is sodden in the green shadows of earth. He is a light brown vessel of red Australian blood that will soon be opened and emptied across the rocks and ridges of Gallipoli from which he can never again become distinguishable.

One evening in April a thirty-two-year-old woman, unconscious and severely injured, was admitted to the hospital in a provincial town south of Copenhagen. She had a concussion and internal bleeding, her legs and arms were broken in several places, and she had deep lesions in her face. A gas station attendant in a neighboring village, beside the bridge over the highway to Copenhagen, had seen her go the wrong way up the exit and drive at high speed into the oncoming traffic. The first three approaching cars managed to maneuver around her, but about 200 meters after the junction she collided head-on with a truck. The Dutch driver was admitted for observation but released the next day. According to his statement he started to brake a good 100 meters before the crash, while the car seemed to actually increase its speed over the last stretch. The front of the vehicle was totally crushed, part of the radiator was stuck between the road and the truck's bumper, and the woman had to be cut free. The spokesman for emergency services said it was a miracle she had survived. On arrival at the hospital the woman was in very critical condition, and it was twenty-four hours before she was out of serious danger. Her eyes were so badly damaged that she lost her sight. Her name was Lucca. Lucca Montale. Despite the name there was nothing particularly Italian about her appearance. She had auburn hair and green eyes in a narrow face with high cheek-bones. She was slim and fairly tall. It turned out she was Danish, born in Copenhagen. Her husband, Andreas Bark, arrived with their small son while she was still on the operating table. The couple's home was an isolated old farmhouse in the woods seven kilometers from the site of the accident. Andreas Bark told the police he had tried to stop his wife from driving. He thought she had just gone out for a breath of air when he heard the car start. By the time he got outside he saw it disappearing along the road. She had been drinking a lot. They had had a marital disagreement. Those were the words he used; he was not questioned further on that point. Early in the morning, when Lucca Montale was moved from the operating room into intensive care, her husband was still in the waiting room with the sleeping boy's head on his lap. He was looking out at the sky and the dark trees when Robert sat down next to him. Andreas Bark went on staring into the gray morning light with an exhausted, absent gaze. He seemed slightly younger than Robert, in his late thirties. He had dark, wavy hair and a prominent chin, his eyes were narrow and deep-set, and he was wearing a shabby leather jacket. Robert rested his hands on his knees in the green cotton trousers and looked down at the perforations in the leather uppers of his white clogs. He realized he had forgotten to take off his plastic cap after the operation. The thin plastic crackled between his hands. Andreas looked at him and Robert straightened up to meet his gaze. The boy woke.

Elvis was pretty slick. Nonetheless, I knew that he was cheating. His four-of-a-kind would beat my full house. I had two choices. I could fold my hand and lose all the money I’d contributed to the pot, or I could match Elvis’s bet and continue to play. If a gambler thought he was in an honest game, he would probably match the bet thinking his full house was a sure winner. The con artist would bet large amounts of money on the remaining cards, knowing he had a winning hand. I narrowed my eyes and pursed my lips, as if struggling to decide whether to wager five hundred pesos or fold my hand and call it quits. I knew there were five men between me and the door and watched them from the corner of my eye. Even if I folded and accepted my losses, I knew they would not let me leave without taking all my cash. They had strength in numbers and would strong arm me if they could. The men stared, intently watching my next move. I set down my beer and took five one hundred peso notes from my wallet. The men at the bar relaxed. My adrenaline surged, pumping through my brain, sharpening my focus as I prepared for action. I moved as if to place my bet on the table, but instead my hand bumped my beer bottle, spilling it onto Elvis’ lap. Elvis reacted instinctively to the cold beer, pushing back from the table and rising to his feet. I jumped up from my chair making a loud show of apologizing, and in the ensuing pandemonium I snatched all the money off the table and bolted for the door! My tactics took everyone by complete surprise. I had a small head start, but the Filipinos recovered quickly and scrambled to cut off my escape. I dashed to the door and barely made it to the exit ahead of the Filipinos. The thugs were nearly upon me when I suddenly wheeled round and kicked the nearest man square in the chest. My kick cracked ribs and launched the shocked Filipino through the air into the other men, tumbling them to the ground. For the moment, my assailants were a jumble of tangled bodies on the floor. I darted out the door and raced down the busy sidewalk, dodging pedestrians. I looked back and saw the furious Filipinos swarming out of the bar. Running full tilt, I grabbed onto the rail of a passing Jeepney and swung myself into the vehicle. The wide-eyed passengers shrunk back, trying to keep their distance from the crazy American. I yelled to the driver, “Step on the gas!” and thrust a hundred peso note into his hand. I looked back and saw all six of Johnny’s henchmen piling onto one tricycle. The jeepney driver realized we were being pursued and stomped the gas pedal to the floor. The jeepney surged into traffic and accelerated away from the tricycle. The tricycle was only designed for one driver and two passengers. With six bodies hanging on, the overloaded motorcycle was slow and unstable. The motorcycle driver held the throttle wide open and the tricycle rocked side to side, almost tipping over, as the frustrated riders yelled curses and flailed their arms futilely. My jeepney continued to speed through the city, pulling away from our pursuers. Finally, I could no longer see the tricycle behind us. When I was sure I had escaped, I thanked the driver and got off at the next stop. I hired a tricycle of my own and carefully made my way back to my neighborhood, keeping careful watch for Johnny and his friends. I knew that Johnny was in a frustrated rage. Not only had I foiled his plans, I had also made off with a thousand pesos of his cash. Even though I had great fun and came out of my escapade in good shape, my escape was risky and could’ve had a very different outcome. I feel a disclaimer is appropriate for those people who think it is fun to con street hustlers, “Kids. Don’t try this at home.

264. The longest passenger rail service currently running directly between two cities runs from Moscow, Russia to Pyongyang, North Korea, a distance of 6,380 mi (10,267 km). The trip takes 206 hours (8.5 days). 265. There is a popular myth that bats always turn left when exiting a cave but this is not true. In fact, some bats can fly in any direction, and some bats don’t live in caves. 266. The Assyrian New Year is celebrated on the 1st of April. However, this day is better known as April Fools’ Day. 267. A person who looked very like you or even exactly like you once lived or will live on the planet. There’s even a small chance this person lives today and that you will meet one day.

Aislin points her finger at him. “Be nice while I’m gone. I mean it. And get some stuff done. You’ve been slacking and letting Gemma and I pick up your workload.” She waves at me. “See you later, Gemma.” I give her a small wave as she walks toward the exit, pressing buttons on her phone. Alex and I watch her until she disappears out the doors. When he looks at me again,

fucking parking spot.” The woman hauled herself out of the front seat. Her face wrinkled with the effort and her small, old eyes leaked and blinked in the sun. Your father took a step back. He stood for a moment, shoved his hands in his pockets, and crossed the parking lot toward me, the rage fading and his face becoming again the mask it had been since I’d returned from London and, four days before, made my foolish confession—a mask I no longer had a right to question or remove. We exited the structure and pulled into a handicapped spot in front of the emergency room entrance and ran. I held my sunglasses in my left hand and clutched my purse with my right. I had forgotten my sweater. Your father flung his windbreaker over his shoulder and the zipper stung my cheek, the beginnings of retribution, perhaps, for a past that had long ago laid down the invisible blueprint of our future.

In the Middle Ages, people believed the devil lived in the souls of unbaptised children. A baptism drove him out, but he had to be able to exit the church. So they built these little doorways which they bricked up after the devil was gone. You wouldn’t want him trapped in the church, you see. The devil’s door in the reclamation yard was very small, and riddled with worm.

stoned junkies in a crack house. One said to his crew of two men, “Ten minutes, OK? We waste men, not time.” There was tension inside the van as the three men put on Kevlar vests and their Windbreakers, gas masks, and SFPD caps. They screwed the suppressors onto their M-16 automatic rifles with thirty-round magazines. When he was ready, One stepped out of the van and shot out the camera over Wicker House’s back door. The suppressor muffled the sound of the bullet. Two and Three exited the van, went to the steel-reinforced rear door, and set small, directed explosive charges on the lock and the hinges. They stood back as Two remotely detonated the charges. The soft explosions were virtually unnoticeable in the area, which was largely deserted at night. One and Two lifted the door away from the frame. Three entered the short hallway that led to the lab and started firing with his suppressed automatic rifle. Glass shattered. Blood sprayed. Once the men in the lab were down, the three men in the Windbreakers rushed the locked door to the second floor. When the lock had been shot

and each time she returned she told the maid to come with her, and the maid said no, for she had a sense of the fragility of things, and she felt she was a small plant in a small patch of soil held between the rocks of a dry and windy place

Is that the Crystal Palace? Oh, it must be. It’s so beautiful—much more so than the engravings I’ve seen.” The building, which covered an area of more than nine acres, housed an international show of art and science called the Great Exhibition. Win had read about it in the French newspapers, which had aptly termed the exhibition one of the great wonders of the world. “How long since it was completed?” she asked, her step quickening as they headed toward the glittering building. “Not quite a month.” “Have you been inside? Have you seen the exhibits?” “I’ve visited once,” Merripen said, smiling at her eagerness. “And I saw a few of the exhibits, but not all. It would take three days or more to look at everything.” “Which part did you go to?” “The machinery court, mostly.” “I do wish I could see even a small part of it,” she said wistfully, watching the throngs of visitors exiting and entering the remarkable building. “Won’t you take me?” “You wouldn’t have time to see anything. It’s already afternoon. I’ll bring you tomorrow.” “Now. Please.” She tugged impatiently on his arm. “Oh, Kev, don’t say no.” As Merripen looked down at her, he was so handsome that she felt a pleasant little ache at the pit of her stomach. “How could I say no to you?” he asked softly.

There is no clear, obvious answer as to why men donated a little more often than the women did over the course of my study. The minute gap between each gender’s donation numbers matches the general closeness we find in the greater demographics. Again, the problem of having a small sample rears its ugly statistical head. Men leading the donation numbers could again be nothing more than a statistical fluke.

Taking chances is the only way to really get ahead in life and if you are afraid to take chances either big or small you will never soar above and exit a mediocre life.

Entry load of 1% on investment of Rs. 1,000,000 means a deduction of Rs. 10,000 and investment of Rs. 990,000. If this investment becomes 1,500,000 and is redeemed which is subject to 1% exit load, you would only get 1,485,000 after a deduction of 15,000 as the exit load.

Today, 18 out of 45 customers entering a restaurant ask whether they can sit somewhere else. From that point on, their digital lives take over. Diners take out their phones and try to connect to the nearest Wi-Fi. They hunt down information or check if anyone “liked” their Facebook post, often forgetting that their menus are waiting there on the table, which is why when the waiter asks them if they’re ready to order, most respond that they need more time. Twenty-one minutes later, they’re ready to order. Twenty-six of them spend up to three minutes taking photos of their food. Fourteen snap photos of each other eating, and if the photos are blurry or unflattering, they retake them. Approximately one-half of all diners ask if their server would take a group photo and while he’s at it, would he mind taking a few more? The second half sends their food back to the kitchen, claiming it’s cold (which it is, as they’ve spent the past ten minutes playing with their phones and not eating). Once they pay their check, they leave the restaurant twenty minutes later, versus five minutes in 2004. As they exit, eight diners are so distracted that they bump into another diner, or a waiter, or a table, or a chair. An

Culiacan” with a drawing of a Russian AK-47 gun on the sign. Dr. Maldona was shocked at the obvious display of Culiacan’s ruling authority: automatic weapons. He continued watching as they turned this way and that. The city grew poorer and denser with drearier slums the farther they drove. Finally they parked a block away from a beautiful church, the Cathedral de Culiacan. He was told to exit and he was pushed inside the courtyard of a small office complex. At the second office

In a community as small as Badger’s Drift, everyone will know what you’re about. Someone who has killed once and who thinks he can protect himself by killing a second time will not hesitate to do so. And don’t forget’—he turned and they walked together towards the exit—‘that if Miss Simpson knew the murderer very well, so do you.

I had never before been so tortured by the slowness of the Mexico City traffic; the irritability of the drivers; the savagery of the dilapidated trucks that ought to have been banned ages ago; the sadness of the begging mothers carrying children in their shawls and extending their calloused hands; the awfulness of the crippled and the blind asking for alms; the melancholy of the children in clown costumes trying to entertain with their painted faces and the little balls they juggled; the insolence and obscene bungling of the pot-bellied police officers leaning against their motorcycles at strategic highway entrances and exits to collect their bite-size bribes; the insolent pathways cleared for the powerful people in their bulletproof limousines; the desperate, self-absorbed, and absent gaze of old people unsteadily crossing side streets without looking where they were going, those white-haired, but-faced men and women resigned to die the same way as they lived; the giant billboards advertising an imaginary world of bras and underpants covering small swaths of perfect bodies with white skin and blonde hair, high-priced shops selling luxury and enchanted vacations in promised paradises.

She had, as was by then usual for her, been wearing her black robe, closed to her neck, and he had, as was by then usual for him, been wearing a size-too-small white T-shirt, pinned to his lean chest and stomach, and she watched him and he had circled her, and they had gone to his place that night, and she had shuffled off the weight of her virginity with some perplexity but not excessive fuss.

July 20 The Opening Lines Then they cried to the LORD in their trouble, and he saved them from their distress. He sent out his word and healed them; he rescued them from the grave. Let them give thanks to the LORD for his unfailing love. Psalm 107:19–21 NIV Some of you live in such road-weary bodies: knees ache, eyes dim, skin sags. Others exited the womb on an uphill ride. While I have no easy answers for your struggle, I implore you to see your challenge in the scope of God’s story. View these days on earth as but the opening lines of his sweeping saga. Let’s stand with Paul on the promise of eternity. So we’re not giving up. How could we! Even though on the outside it often looks like things are falling apart on us, on the inside, where God is making new life, not a day goes by without his unfolding grace. These hard times are small potatoes compared to the coming good times, the lavish celebration prepared for us. There’s far more here than meets the eye. The things we see now are here today, gone tomorrow. But the things we can’t see now will last forever. (2 Corinthians 4:16–18 MSG) Your suffering isn’t the end of the story. It’s the opening scene of God’s saga. God’s Story, Your

The weaponry of these baboons is so nasty that they are reluctant to resort to it. Kummer reported that if you threw a peanut in front of a single male baboon walking by, he would invariably pick it up and eat it. If you did the same to two males walking side by side, they would appear not to notice the peanut. Both of them would walk straight past it as if it didn’t exist. A peanut was not worth a fight. Kummer also observed that males wouldn’t even try to assert dominance if their respective families entered a fruit tree too small for all of them. Both males would exit the tree in a hurry with their families in tow, leaving the fruit unpicked.

Jesus said, "Enter through the narrow gate. For wide is the gate and broad is the road that leads to destruction and many enter through it. But small is the gate and narrow is the road that leads to life and only a few find it." Mathew 7:13-14. Jesus was speaking of an entrance, not an exit. He was speaking of a beginning, not an end.

As Karen returned from the restroom, the gate agent explained the order of boarding: People with disabilities or in wheelchairs, people over the age of 100, people who act like they’re over the age of 100, families with children (children are two-year olds and younger, not fifteen-year olds), in-uniform military personnel, first class, business class, platinum frequent flyer members, gold members, silver members, bronze members, associate members, people who just applied for the airline’s credit card five minutes ago, group 1, groups 2 through 10 in that order, and finally, anyone too clueless to figure out how to get into one of the groups already called. We had “group 8” boarding passes. We felt smug as we pushed our way past the five remaining passengers who were lower on the boarding list than us. I don’t like being trapped in a small place, such as an airplane, with a large cross-section of humanity. I think airlines should announce before every flight, “Listen up people. We’re all sealed in here together for the next four hours, so try not to be annoying until the flight is over. Once you exit the plane, then you can whistle, hum, fart, snore, talk baby talk, take your shoes off and put on as much bad perfume as you want.” I think this would make air travel more bearable. We arrived in El Paso with enough time to pick up the rental car, have dinner (at Carlos and Mickey’s) and buy groceries for the week: peanut butter, jelly, bread, water, blue corn chips, peppermint patties, animal crackers and beer.

Downstairs they exited the building into a small employee parking lot and headed straight for a sports car that looked like it belonged in a James Bond movie. It was sleek, with tinted windows and a matte black paint job. As she walked toward it, Sara wondered if it came fully loaded with secret weapons and an ejector seat. She was just about to run her fingers along the body when Mother called her. “Sorry, but that’s not ours,” he said. She turned to see that he and Sydney had stopped at an oldish Volvo station wagon that looked more mom than Bond.

Japanese lilies and her beautiful face In a crowded market place, People walked, moved; and quite a few preferred to amble, While I searched for my known space, Where she sells beauty’s earthly samples without too much too gamble, I walked past the busy spaces and the bustling market views, People haggling, a few arguing, It was like life was tasked to seek reviews, In ways pleasing and many a time annoying, Finally I reached there where I wanted to be, And there she was this beautiful maiden, And as she prospected every face, her eyes finally rested on me, For a while nothing existed, as if time its pace had forgotten, Only to be revived back to life, When the maiden at the flower shop said, “Hello, and welcome to the shop of beautiful life,” My eyes moved, my lips shivered and in response I only shook my head, I looked at flowers with different colours, And her eyes followed mine to every spot where they rested, I could be there, with the flowers and the maiden, for many hours, Because at this flower shop, all the flowers only of her beauty attested, She knew it too because the sparkle in her eyes was brewing with confidence, She knew she was like the most beautiful summer rose that ever existed, And I only visited the shop to feel surrounded by this beauty’s appeal so dense, Her beauty was not just a visual act but an experience, where a new appeared as soon as the old exited, She was pure beauty, and maybe my only and my wilful addiction, While I was soaking in this experience of charm and beauty, She tenderly felt my hand trembling with love’s affliction, “Here, look at these new samples of eternal beauty,” She said this with a professional tone and demand, They were small clusters of white charm, Beautiful as anything beautiful can be resting peacefully in beauty’s eternal wand, Peaceful to look at that always kindled feelings warm, It was such a delight to witness and see, Then she silently quoth this, “They are called the Japanese lilies that sparkle like the pearls from the deepest sea, They look like joys suspended on the branches of bliss, These beautiful Japanese lilies bearing the sparkle of the pearl from the deepest sea.” I again nodded my head with a smile, As I looked at them closely, They indeed were clusters of white joy hanging there with a beautiful smile, And I said hurriedly, “certainly!” Then I realised something strange, They were bending downwards, as if gravity pulled them harder, It was nothing like flowers at other shops, so it indeed was very strange, I looked at all the flowers and then I looked at her, And there it was, in her eyes, her beautiful face her overall grace, That the flowers in her shop felt so inferior, Because all Japanese lilies and every Summer flower was but a reflection of her face, And it was difficult to tell whether they were her lovers or she was there lover, But to me, they all shone as the brilliance in her eyes, The rose had offered her its blush, The lies had granted her the twinkling miracle of the night skies, And all other flowers had rendered her eternally beautiful and lush, And whenever they looked at her, The flowers drooped a bit, And maybe that is why I buy all my flowers from her, Because like these helpless flowers I too love her every bit, and thus my love affair with her and her flowers has matured bit by bit! And now neither the flowers nor I can quit, So it is an affair that shall last till eternity and this is how I prefer it, She loving the flowers, I loving her, and as soon as my memory amidst her beautiful memories is lit, Then I am sure, like these flowers, and like me; now she too cannot quit, not even a bit!

So you wait in this lobby until the third death. There are long tables with coffee, tea, and cookies; you can help yourself. There are people here from all around the world, and with a little effort you can strike up convivial small talk. Just be aware that your conversation may be interrupted at any moment by the Callers, who broadcast your new friend’s name to indicate that there will never again be another remembrance of him by anyone on the Earth. Your friend slumps, face like a shattered and reglued plate, saddened even though the Callers tell him kindly that he’s off to a better place. No one knows where that better place is or what it offers, because no one exiting through that door has returned to tell us. Tragically, many people leave just as their loved ones arrive, since the loved ones were the only ones doing the remembering. We all wag our heads at that typical timing.

How would you describe your ability to act in your metaphor? Ambiguity happens to me. I can choose to take part in ambiguity. Ambiguity is a tool and a resource. What does your metaphor say about your openness and adaptability? I need to get to certainty and find the “right” outcome. I accept that there are many possible outcomes. The more possible outcomes, the better. Does your metaphor include any of these elements? Feeling lost or disoriented, like seeking the exit of a maze Overcoming a fear or challenge, like climbing to the top of a mountain Wrestling with the “right” choice, like standing at a crossroads Choosing or creating your own path, like swimming in the ocean Taking the plunge, like paragliding Sensing danger and excitement simultaneously, like watching a summer storm Working to find something of great value, like making a scientific discovery Actively making something better with time, like painting a blank canvas Choosing to turn challenges into opportunities

Jamie, what a lovely surprise,” Charlie smiled as I approached. “Come to take me home?” I ignored him and searched for what I needed. Dragging a small table over, I stepped on it to face him directly—and punched him right in the nose. “You son of a bitch!” I pointed. “You crossed the line, old man!” Wide-eyed, Charlie stepped back, holding his nose. Hopping off the table, I straightened my shirt and made for the exit, only to hear Charlie’s cutesie comment to the people around us.

What are you two up to out here?” he asks, just as Ranger exits the bathroom, and a girl with rose-gold hair walks in, a posse of five beautiful guys behind her. Wonder if her life is as complicated as mine? I think as she gives me a small smile, and disappears into the women's bathroom. Her entourage heads into the men's restroom, and all is quiet again.

Don’t ask me why I didn't leave, he made my world so small, I couldn't see the exit. I’m surprised I got out at all.” ― Poem by Canadian poet, Rupi Kaur

I am at the concert and I am smirking in the corner, ignoring what my peers are discussing. Let us picture something good. I'm wearing a level-two bulletproof vest under my Ralph Lauren vintage flannel, and already it's almost entirely concealed. Makes me look slightly more built, nobody's complaining. It also protects against nine millimeter and forty caliber rounds, the only kinds police use anymore. I think. Over that, a Swiss military jacket littered with pockets, all of which I custom fit to hold the six magazines accompanying my short barrel rifle. It's a gun small enough to fit perfectly along my back while still under my coat. In the pockets of my Levi five-elevens - a switchblade and one smoke grenade, reserved for either my entrance or exit. I still haven't decided. In my waistband is a... ... and then two squad cars skid to a halt outside. I see them before they see me, as the front windows are tinted in my favor. With a fresh magazine, I am and shoot at - "HEY!" Someone shouting playfully in my face has yanked me back into the concert hall

Sometimes we focus on areas with huge addressable markets. Of course, venture capitalists often look at this particular aspect too. If we could get 1 percent of 1 percent of the total market, we could generate $1 billion. This methodology can be very flawed, though, because it’s rare that such large industries don’t have vicious competitors. Sometimes success can be found by being the largest fish in a small pond. Dominating a small industry through brand and distribution can provide more protection because larger companies often don’t want to go into that space.

Kino didn’t pay much attention to the cat, figuring it wanted to be left alone. Once a day, he fed it and changed its water, but nothing beyond that. And he constructed a small pet door so that it could go in and out of the bar whenever it liked. The cat, though, preferred entering and exiting the bar along with people, through the front door.

When Horatia finally left Lucien’s study she did not find herself alone in the hallway. Lady Rochester was exiting the chamber across the hall. “Horatia.” She waved for Horatia to come to her. Horatia swallowed uncomfortably as she approached Lucien’s mother. “You’re blushing, my dear,” Lady Rochester observed. “You needn’t worry that I shall press you as to the reason why. I suspect that my son is involved.” “Linus?” Lady Rochester shot her a look that seemed to ask what genus and species of fool Horatia took her for. “We both know that you’ve loved Lucien since you were a child. Let us not deceive ourselves in this any longer. Now, come this way. You and I are going to have a little talk.” “But…” “Don’t protest, Horatia. I’m an old woman and I’m used to getting my way.” Horatia tried not to show her incredulity. Lady Rochester may have been in her fifties but she seemed anything but old. She followed Lady Rochester to a room a few doors away to a small, personal chamber of Lady Rochester’s. “Have a seat, Horatia. For heaven’s sake, try not to look so ill. I do not mean to bite you.” Lady Rochester seated herself in a pale blue chaise across from her. “So you are still in love with my son.” Horatia didn’t reply. “Do you wish to win him?” “I think it is fair to say that I shall never have any chance of winning him.” Lady Rochester smacked her armrest with surprising force. “Nonsense. He’s perfectly susceptible to being won over by the likes of you.” -Lady Rochester & Horatia

When I was young I was taught well better to give than to receive what to do with life I was told what goals I must achieve but well intentioned goals of others were simply not my own found living my own life no theirs the full cost of which was my home I'm full of clear dichotomy of pleasure and of pain like loving long days of summer just as much as those of rain a thriving centre of attention I'm comfortable alone putting others first comes naturally but my motives are my own I like to taste sweet delicacies of loving and of touch but equally my heart can freeze when it all becomes too much. I'm comfortable with the physical what many would call sin knowing you cannot spread love to others if you can't love the skin you're in. I find myself helping those with troubles in their times of greatest need yet my own pain that I suffer from my own advice I ought heed I do not expect a following beside me in my pain but I'm always pleasantly comforted by those with me in the rain. A hopeless female Shakespeare whose world is getting dark hoping in small ways at least I'm able to leave my mark a successful life is not counted in years for I shall soon be gone but by how many lives I have touched and helped with my humble single one. I'm grateful of the life I've had mixed privilege with suffering maybe I just lived it a little too fast while others rested during buffering what memory of me might last when I step through the final door I'd rather it be how I faced the world always with a mighty roar. And so when the time comes for me to face my final curtain I'll face death with the same energy for life of this you can be certain no subtle soft exit for this dark winged bird I'm no peaceful mindless minion, I'll regale of my sins with the devil himself in eternity of riotous oblivion.

Mother? Of what?” Alsvior’s voice sounded childish, petulant. Both De la Roca and Laufeyson had seen fit to hold their tongues, waiting to size up the two newcomers before speaking. The ashes of the mademoiselle’s body lay behind them, the steaming pile a reminder of the struggle that punctuated their exit from their own world. But where were they now? Who was this man and woman, and why did they address the small company as “mother” and “fathers?

I look around. We are inside the incinerator, which would be completely dark if not for the lines of light glowing in the shape of a small door on the other side. The floor is solid metal in some places and metal grating in others. Everything smells like rotting garbage and fire. “Don’t say I never took you anywhere nice,” Peter says. “Wouldn’t dream of it,” I say. Tobias drops to the floor, landing first on his feet and then tilting forward to his knees, wincing. I pull him to his feet and then draw close to his side. All the smells and sights and feelings of the world feel magnified. I was almost dead, but instead I am alive. Because of Peter. Of all people. Peter walks across the grate and opens the small door. Light streams into the incinerator. Tobias walks with me away from the fire smell, away from the metal furnace, into the cement-walled room that contains it. “Got that gun?” Peter says to Tobias. “No,” says Tobias. “I figured I would shoot the bullets out of my nostrils, so I left it upstairs.” “Oh, shut up.” Peter holds another gun in front of him and leaves the incinerator room. A dank hallway with exposes pipes in the ceiling greets us, but it’s only ten feet long. The sign next to the door at the end says EXIT. I am alive, and I am leaving.

One of them screeched like a child, “Please, we beg of you, do not cast us into the Abyss!” The other finished his sentence, pointing at the herd of pigs that passed them by during their altercation. “Send us into that herd of swine. Please!” Jesus kept his eyes on the two of them and prayed. The two fell to the ground and flopped around like fish out of water trying to survive. What the disciples saw next took several minutes but seemed like an eternity, as each of the multitude of demons exited the two men’s bodies like a small increasing whirlwind of souls. Finally, after the last of the demons had left their hosts, the whirlwind moved over to the herd of swine and engulfed the animals like a rushing wind. The pigs squealed with their possession and reacted by stampeding their way to the edge of the cliff. The herdsmen ran after their animals, only to see them launch off the cliff to their deaths in the waters below.

Ask away,” Furi said, realizing they were almost to his exit. “Are you in trouble?” Furi turned; looking sharply at Syn. Furi probably wasn’t expecting that to be his first question, but that was the most important issue as far as Syn was concerned. He knew Furi wasn't involved in Starman’s murder, so he didn’t need to ask about that. “Before I left the pub tonight, you asked me if someone had sent me and if I was working for him. Were you talking about your husband?” “Yes,” Furi said roughly. “He hasn’t seen or heard from me in almost a year. He might’ve thought I was dead.” He shrugged. “I finally had him served with divorce papers, which means he now knows my address. He and his brother will come for me, guaranteed. Even if it’s only to serve up one more ass whipping before he signs the papers.” Syn heard the squeaking sound his steering wheel was making as he tightened his fists and squeezed the leather. He was getting angry, angrier than he’d been in a long time. The thought of someone harming the man beside him; touching even one lock of gorgeous hair on his head made Syn want to shoot something. He took a deep breath and tried to follow the directions Furi was giving him. He pulled up to a small house on the corner in a quiet neighborhood. “This is your house?” Syn asked. “Um. No, I rent the small basement apartment. It’s clean and safe,” Furi said quietly. Syn discreetly looked around the street. He didn’t want to scare Furi, but Syn was at defcon 3 now that he knew some bastard might want to hurt his man. My man. Putting the cart before the horse again. He didn’t want to push Furi, didn’t want to make him feel inferior or weak, but the urge to protect was there, and it was powerful. Furi was strong, he’d experienced the man’s force a couple times, but everyone needed help sometimes. Syn was just the man to help. That’s what he was good at, damn good at.

You really think stopping here is a good idea?” Lex asked her uncle, eyeing the buffalo. A strange decoration for a small-town deli, to be sure, but then again Lex wasn’t really up to date on the interior design trends of small-town upstate New York. “Of course,” Uncle Mort said, counting out a stack of bills and placing them on the counter. “Don’t you think a cross-country run-for-our-lives road trip just screams ‘time for a picnic’?” “I would not have thought that, no.” “Well, that’s because you’re a total noob.” The girl reappeared behind the counter with two bagfuls of wrapped sandwiches. “That’ll be sixty-seven dollars and two cents,” she said, smiling sweetly at Uncle Mort. “Thanks,” he said, giving her a wink as he handed her the bills. “Keep the change, hon.” She giggled. Lex rolled her eyes. “Smooth move, Clooney,” Lex said as they exited the deli. “Do we need to pencil in some time for a sexy rendezvous? I think there’s a motel down the street that rents rooms by the hour.” “Pop quiz, hotshot: Let’s say someone shows up in this town and starts asking questions about a hooligan band of teenagers accompanied by two ghosts, an ancient woman, and a devastatingly attractive chaperone. Which one do you think that girl will be more likely to remember?” Lex grumbled. “The chaperone.” “You seem to have forgotten a couple of key adjectives there.” “Oh, I didn’t forget.” “Believe me, that girl won’t dream of ratting us out. Especially now that I’ve bestowed upon her the Wink of Trust.” Lex snorted. “The Wink of Trust?” “Has gotten me out of more trouble than you can imagine. I suggest you try it some time. Add it to your already overflowing arsenal of charm.

chip, a credit card, a small hypodermic needle and syringe, some duct tape, and a tiny capsule of brown liquid. Pocketing the items, he exited the bathroom and darted down the hall to guard station 7. Just as Glinn had predicted: of the five guards on duty, four had responded to the escape call, leaving the lone commanding guard at the console, surrounded by a wall of live video feeds. The man was shouting orders into a microphone and punching up feed after feed, frantically searching for the loose inmates. An overwhelming response had been mobilized to deal with the mass escape attempt. Based on the guard’s excited chatter, already one of the inmates had been run down and recaptured.

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Lily exited the dark chamber of the bookseller’s store clutching a small book in her grubby hands, content with her purchase. Her voice was hoarse from selling trinkets all

My premise is that startups and emerging companies should adopt a new, simple approach—start small, stay lean, raise only the funding you really need, grow the business judiciously and then execute an early exit.

establish three "sales points" on the way to the exit.

Mutual Fund Investments are not transparent: In India, SEBI regulates MFs. The money market MFs are regulated by RBI. There are restrictions as to the sponsor, board of trustees, asset management company, custodian, registrar, dealing with brokers, etc. The investment objective, fund manager, entry and exit loads, AUM, expense ratio and other terms and conditions are already known and provided in the SAI. Also, every MF scheme is required to publish a fact sheet on a quarterly/monthly basis that includes all the important facts that an investor would need to know about the scheme including portfolio holdings, past returns, performance ratios and dividends. Also, information relating to what’s in (bought) and what’s out (sold) by mutual funds is also available.

Also, the exit load varies for different mutual fund schemes. SEBI also regulates the fund management fees (i.e. recurring expenses), which is charged based on the AUM of the MF scheme and varies from 1.75% to 2.5%. Investors can reduce the expense ratio by 0.5% - 0.7% to as low as 1.30% by investing in MF using direct plan option.

MF scheme charges include the entry load, exit load and expense ratio that includes fund management and other charges. The entry load is the charge at the time of investment and the exit load is the charge at the time of redemption. Entry

Liquidity: Open ended MFs are highly liquid and can be redeemed at the NAV rates anytime, subject to the exit load. The redemption amount can be credited in your bank on the next day or within 2 business days.

With your conversion strategy, you need to take your site visitors by the hand from site entry to exit (with a sale) in as few steps as possible and as fast as possible, with as little resistance as possible.

I argue that a right of exit is important in order to limit government power. I sometimes think that what kept the U.S. government small in the early 19th century was not so much the Constitution as the fact that people kept leaving the then-current United States for adjacent territories. The option to exit would have made it quite difficult for government to grow large and intrusive.

Nomi asked, “When did you know? When did you know that Lila was the one, and nobody else?” “People always ask themselves that question,” he said as he watched a small child fascinated by the poodle. “Still,” Nomi persisted, as if Elias was in possession of some secret formula. “It was all in the breathing,” he said. “What do you mean?” “When I realized she was in every breath I took,” he said. Nomi tried to understand what he was saying: How many breaths did a person take during the course of a day, maybe a hundred thousand? And she was there in every one? “When you find it, you just know. It’s as simple as that child running after the dog.” Nomi gazed at him without comprehending. “When you forget yourself,” he explained. “When your own wishes shrink. Forgetting yourself is a wonderful feeling, and with Lila, I forgot myself all the time. “Once,” he said, continuing, “we were meeting in Ein Karem. This is when we were already in our fifties. Lila arrived by taxi, and at a traffic light we found ourselves next to each other. When I saw her, I don’t know what happened to me. It was like my chest was bursting, I had to say it. I leaned out my window and said to the driver, ‘Tell her that I love her.’ He did. She blushed like a girl. Then the driver called back to me: ‘She loves the way you love her.’ “With her, I saw everything I did in a wonderful light that was sweet and bright: going to the market, filling the tank with gas, sitting in a movie theater. Whenever we came out of the long narrow hallway they always make you exit cinemas from, I would think that with her I’m forgiving; I always want the heroes of the film to fall in love and overcome their challenges and continue their love story. With her I was prepared to be taken anywhere and everywhere.

As we trooped back out through the shower room door, the S.S. men ran their hands over every prisoner, back, and sides. The woman ahead of me was searched three times. Behind me, Betsie was searched. No hand touched me. At the exit door to the building was a second ordeal, a line of women guards examining each prisoner again. I slowed down as I reached them but the Aufseherin in charge shoved me roughly by the shoulder. "Move Along! You're holding up the line! And so Betsie and I arrived in Barracks 8 in the small hours of that morning, bringing not only the Bible, but a new knowledge of the power of Him whose story it was.