Auction Sayings Quotes

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Try not to let the excitement overwhelm you, but I have more good news.' I groaned. I knew that tone of voice. 'Don't say it.' 'Vasily is back from Caryeva.' 'You could do the kind thing and drown me now.' 'And suffer alone? I think not.' 'Maybe for your birthday you can ask that he be fitted with a royal muzzle,' I suggested. 'But then we'd miss all his exciting stories about the summer auctions. You're fascinated by the breeding superiority of the Ravkan racehorse, right?' I let out a whimper.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Great, she didn't lie to me. "Mind if I tag along with you? I would love to have some company. Please don't say no. I don't know if I can take it if you turn me down, beloved," he spoke inaudibly. "Remember the last time we were at an art gallery together?" he asked. "Sure I do," she remarked, walking slowly. Wish I hadn't gone anywhere with you, Creepville!
Sharon Carter (Love Auction: Too Risky to Love Again)
It’s not night yet for your lonely bonfire,” Pico says. “But I could understand the significance of a daylight bonfire if I could access my source database.
Misba (The High Auction (Wisdom Revolution, #1))
Saying them aloud will only gain two nods from Taha, the kind of nods that make you feel lonely in a crowd.
Misba (The High Auction (Wisdom Revolution, #1))
He never likes anything I do,” Kusha says …
Misba (The High Auction (Wisdom Revolution, #1))
Now their own master’s voice—the master who trained them both—says Ruem isn’t a human.
Misba (The High Auction (Wisdom Revolution, #1))
Kusha says nothing. Old Mark is used to it: never a proper full-sentence reply, only a weak smile and a confused gaze from her.
Misba (The High Auction (Wisdom Revolution, #1))
Dad won’t like it if you go to that auction,” Taha says … “He hates the Old City.
Misba (The High Auction (Wisdom Revolution, #1))
The book God-Particle-Or-Thought-Particle says: Intuition is the passing thoughts downloaded from the universe.
Misba (The High Auction (Wisdom Revolution, #1))
Some say whatever they utter with voice becomes an enchantment. Like that in Shattya Yug—the age of truth—the thousands of years old era when people spoke only the truth. And whatever they used to say would always happen, whether it was a blessing or a curse.
Misba (The High Auction (Wisdom Revolution, #1))
CRAB—Conservable RNA Augmented Body—the faithful servant for a citizen, as the advertisements from the New World Government say. This parasitic bio-computer, installed in his left wrist, bears his identity.
Misba (The High Auction (Wisdom Revolution, #1))
Who cares?” Taha says. “The war left fifty years ago. It’ll never come again.
Misba (The High Auction (Wisdom Revolution, #1))
Kusha didn’t ask, “What’s wrong with looking too beautiful?” She knew what Meera would say: “Beat me on the sand, and I’ll let you run as wild and beautiful as you want, sweetie.”
Misba (The High Auction (Wisdom Revolution, #1))
Sometimes, there are those people whose voices are so strong, you just do what they say. You hold their glasses or keep their purses or buy them dinner because they ask you to do it out of the blue. You don’t ponder if you want to do it or not. Because they don’t give you the time to think. Then, you end up doing it, for you’re too much in the present limbo. It’s a basic manipulation that works on indecisive people. Kusha recognizes it, as Meera has warned her about all sorts of traits to identify any High-Grade con-artist.
Misba (The High Auction (Wisdom Revolution, #1))
Grandmother didn’t answer, not directly anyway, as most great masters do. They never say you can’t do this or no one can do that or that thing is impossible just because they couldn’t do it, or because they hadn’t found it yet. True masters answer differently. Wisely. Like her grandmother answered that day.
Misba (The High Auction (Wisdom Revolution, #1))
You don’t have to lie!” she says. “If I had a hundred percent correct intuition, I’d be showing it off on stage!
Misba (The High Auction (Wisdom Revolution, #1))
You used lonely for the fourth time this week,” he says. “Was it Ren, too?” “Yes.” The unapologetic reply from Pico comes soon.
Misba (The High Auction (Wisdom Revolution, #1))
He waits; they will be here soon, the wind says. Here they come—
Misba (The High Auction (Wisdom Revolution, #1))
Fun needs an upgrade once you evolve higher,” he (Ruem) says.
Misba (The High Auction (Wisdom Revolution, #1))
Privilege exists not to be stored in a locker,” Yuan says.
Misba (The High Auction (Wisdom Revolution, #1))
The universe loves irony. The things you think you’ll never do are the things you end up doing in time. “Just make peace with them,” Master used to say.
Misba (The High Auction (Wisdom Revolution, #1))
What about the online linked-speech at nine other news portals?” “Cancel all.” “You canceled everything in the morning. You were home all day, doing nothing,” Pico says. “Doing nothing is hard,” Yuan says calmly as if his voice is another part of nature and not noise. “I don’t speak philosophy. I’m not in my full version.
Misba (The High Auction (Wisdom Revolution, #1))
Taha, her sister, jumps from the first-floor balcony to the groomed lawn below. This girl is doing it again: practicing jumping from four-meters-height, definitely for her next Grade-Test. Sometimes, it annoys Kusha. The book How-To-Observe-Your-Self says it’s the envy for being two Grades lower than your younger sister. Kusha silently groans; envy is rude.
Misba (The High Auction (Wisdom Revolution, #1))
I don’t understand the reasons for the walls sometimes,” Taha says, just because she has to break the long silence. We don’t want to see what we’ve done to the planet? Kusha wants to reply, but she doesn’t.
Misba (The High Auction (Wisdom Revolution, #1))
In programs, there are conditions, which the programmer must follow. Otherwise, the code won’t run. Throwing dead animals is a condition. Some may say it’s a ritual one needs to complete before the intention installs, before the will sets … But who is installing intentions? Who wants to program the universe? Was it him? Most importantly: Bother? Or not bother?
Misba (The High Auction (Wisdom Revolution, #1))
And a variety of more colorful names. Hypothetically.” The privateer cast him an assessing glance. “Just how did you know I wasn’t who I claimed to be, Mister Brekker?” Kaz shrugged. “You speak Kerch like a native—a rich native. You don’t talk like someone who came up with sailors and street thugs.” The privateer turned slightly, giving Kaz his full attention. His ease was gone, and now he looked like a man who might command armies. “Mister Brekker,” he said. “Kaz, if I may? I am in a vulnerable position. I am a king ruling a country with an empty treasury, facing enemies on all sides. There are also forces within my country that might seize any absence as an opportunity to make their own bid for power.” “So you’re saying you’d make an excellent hostage.” “I suspect that the ransom for me would be considerably less than the price Kuwei has on his head. Really, it’s a bit of a blow to my self-esteem.” “You don’t seem to be suffering,” said Kaz. “Sturmhond was a creation of my youth, and his reputation still serves me well. I cannot bid on Kuwei Yul-Bo as the king of Ravka. I hope your plan will play out the way you think it will. But if it doesn’t, the loss of such a prize would be seen as a humiliating blunder diplomatically and strategically. I enter that auction as Sturmhond or as no one at all. If that is a problem—” Kaz settled his hands on his cane. “As long as you don’t try to con me, you can enter as the Fairy Queen of Istamere.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Even a brain that memorizes books after one reading doesn’t make it fair if you stutter before the High-Grades, if you can’t speak in a world that run with voice, if you can’t master words when they say: the universe began with words.
Misba (The High Auction (Wisdom Revolution, #1))
Now, they don’t mind the smell. Now, they don’t remember saying: Mama’s magic won’t work. Now, they’d rather stand with the winner.
Misba (The High Auction (Wisdom Revolution, #1))
People with no desire to live have no right to exist,” he says, “They’re insults to the meaning of life.” His deep voice whispers like a spell as if a new code is added to the laws of the universe with all the will in his heart, with all the frequencies in his voice, and with all the persuasion in his soul.
Misba (The High Auction (Wisdom Revolution, #1))
Kusha, settling into the driver’s seat of the truck, gazes vacantly in the air. Is it safe to go now? (a) Yes (b) No: she wonders and soon finds the answer with her intuition-like alarm. It’s easy to pick the right one when the options are only two. “Yes. It’s safe.” “I love your intuition!” Taha says. “It’s unfair you don’t tell me the war hero action-figure winning numbers.” She makes a sad face. She saw how Kusha correctly guessed the High Auction’s ticket number one digit at a time. If you have a lottery-guessing sister, it’s hard not to feel excited.
Misba (The High Auction (Wisdom Revolution, #1))
A monkey is always a monkey," says the proverb, "even if he has birth-tokens of gold." Although you have a book in your hand and read all the time, you do not under­stand a single thing that you read, but you are like the donkey that listens to the lyre and wags his ears. If possessing books made their owner learned, they would indeed be a possession of great price, and only rich men like you would have them, since you could buy them at auction, as it were, outbidding us poor men. In that case, however, who could rival the dealers and booksellers for learning, who possess and sell so many books ? But if you care to look into the matter, you will see that they are not much superior to you in that point; they are barbarous of speech and obtuse in mind like you—just what one would expect people to be who have no conception of what is good and bad. Yet you have only two or three books which they themselves have sold you, while they handle books night and day.
Lucian of Samosata
Thanks for putting me in bed last night,” I said, watching the swift line of his throat as he yawned again. He grumbled, “Uh–huh,” as he rolled his shoulders before slipping his arms beneath the covers again. “And for giving me a massage.” I had already tried moving my legs, and sure they were sore, but I knew how much worse they could be. I’d done everything I was supposed to do to help prevent the stiffness, but there was only so much a body that wasn’t 100 percent to begin with could handle. “There wasn’t much to massage.” Uh. “What’s the supposed to mean?” “I have more muscles in my glutes than you have in your thighs.” Anyone who had seen Aiden’s ass would know that was a fact, so I wasn’t going to take it personally. Maybe because I was still so sleepy, I raised my eyebrows at him and said, “Have you seen your butt? That’s not an insult. It has more muscles in it than most people have all over their bodies.” His own thick eyebrows rose about a millimeter, just slightly but enough for me to notice. “I didn’t know you paid that much attention to it.” “Why do you think you have so many female fans?” Aiden let out another low groan, but he didn’t tell me to stop. “You could raise a small fortune if you ever auctioned off the chance for a person to take a—” “Vanessa!” Mr. Proper reached over to throw a hand over my mouth, like he was shocked. That big hand literally covered me from ear to ear, and I burst out laughing though it was muffled. “You make me feel cheap,” he said as he slowly pulled his hand away, but the shine in his eyes said he didn’t really mind it that much. I stretched my own limbs with a yawn. “I’m just telling you what anyone else would.” “No, no one else would ever say that to me.” So he had a point. “Well, I’ll tell you the truth then.” He made this noise that had me rolling to face him again. “You always have
Mariana Zapata (The Wall of Winnipeg and Me)
When the solution to a given problem doesn’t lay right before our eyes, it is easy to assume that no solution exists. But history has shown again and again that such assumptions are wrong. This is not to say the world is perfect. Nor that all progress is always good. Even widespread societal gains inevitably produce losses for some people. That’s why the economist Joseph Schumpeter referred to capitalism as “creative destruction.” But humankind has a great capacity for finding technological solutions to seemingly intractable problems, and this will likely be the case for global warming. It isn’t that the problem isn’t potentially large. It’s just that human ingenuity—when given proper incentives—is bound to be larger. Even more encouraging, technological fixes are often far simpler, and therefore cheaper, than the doomsayers could have imagined. Indeed, in the final chapter of this book we’ll meet a band of renegade engineers who have developed not one but three global-warming fixes, any of which could be bought for less than the annual sales tally of all the Thoroughbred horses at Keeneland auction house in Kentucky.
Steven D. Levitt (SuperFreakonomics: Global Cooling, Patriotic Prostitutes And Why Suicide Bombers Should Buy Life Insurance)
Yuan approaches the edge of the cliff. The waterfall feels like a magnet full of untainted energy when his hand has touched something dead. Although, the hand feels energetically cleaner after healing a life with prana. His half-aging, half-youthful skin at the back of that hand has tightened. It looks younger than his other one now. He examines that hand. His skin hasn’t felt this smooth for so long. “Recharge my car,” he says.
Misba (The High Auction (Wisdom Revolution, #1))
His thought about the bird halts as the CRAB in his wrist glows. CRAB—Conservable RNA Augmented Body, the faithful servant for a citizen, as the advertisements from the World Government say. This parasitic bio-computer, installed in his left wrist, bears his identity. A hologram projects on it when he fists that hand near his chest. A text message visible in his inbox: You’re missing the Independence Day Speech, auto-signed with Ren. Yuan ignores it. The next text plays in his brain when he is not looking at the CRAB: Come on! The war-hero can’t miss the speech in Alphatech when the war hero himself is its owner! Ren. Yuan doesn’t reply to Ren Agnello, the CEO of Alphatech—the world’s leading transport and robotics industry, of which the Monk is the founder. Well, one of the two founders.
Misba (The High Auction (Wisdom Revolution, #1))
ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
James Joyce (Ulysses)
Rumors exist of what those High-Grades can do: They kill with gaze; they voice the wind; they eat nothing; they’ve seen the source of the universe … Kusha heard in the Old City. She doesn’t have High-Grades or voice or killing gazes. But she has a gift—her prophetic alarms. Most people name it the sixth-sense. Those occasional sensations that come without warning. Then, she finds herself knowing things she isn’t supposed to know. Like now— It happens again. A prophetic alarm comes, and it comes with a silent scream in her head. As if hundreds of frozen needles have pierced her eyes and reached her brain, injecting information she never knew before. Kusha calls it alarms, not sixth-sense. Not even intuition. Intuition sounds High-Grade, something those evolved people may have. The book God-Particle-Or-Thought-Particle says: ‘Intuition is the passing thoughts downloaded from the universe.’ Kusha isn’t confident enough to believe it can happen to her. No way could she download anything as an unevolved, untouchable, Low-Grade.
Misba (The High Auction (Wisdom Revolution, #1))
She went again and bought this car, too, from an antique dealer. He almost gave it away, saying it will never run again. It has the old days’ engine, the kind you don’t find in this era. A change of engines and batteries, a new set of all-terrain-tires, some safety trackers, sensors, and, well, a whole list of other things with 300% luck to make it run again through the Junk Land—the land outside the cities where it’s only ruins and rubble. Needs hard work, yes. But Kusha instantly liked the color of its body, the moment she saw it—a sort of green with greyish tint, and a good load of rust.
Misba (The High Auction (Wisdom Revolution, #1))
As a private joke, he and Ruem recreated their master’s voice, installing it in Pico’s AI three decades ago. Now their own master’s voice—the master who trained them both—says Ruem isn’t a human. “You’re judging humans. One of your creators, no less,” Yuan says, half-informing, half-praising. “I’m repeating what Ren said.” “Stay here,” the Monk says, leaving Pico near the waterfall. “Are you angry because I said Ruem is not a human?” Pico asks.
Misba (The High Auction (Wisdom Revolution, #1))
He says, "It's just a hat." But it's not just a hat. It makes Jess think of racism and hatred and systemic inequality, and the Ku Klux Klan, and plantation-wedding Pinterest boards, and lynchings, and George Zimmerman, and the Central Park Five, and redlining, and gerrymandering and the Southern strategy, and decades of propaganda and Fox News and conservative radio, and rabid evangelicals, and rape and pillage and plunder and plutocracy and money in politics and the dumbing down of civil discourse and domestic terrorism and white nationalists and school shootings and the growing fear of a nonwhite, non-English-speaking majority and the slow death of the social safety net and conspiracy theory culture and the white working class and social atomism and reality television and fake news and the prison-industrial complex and celebrity culture and the girl in fourth grade who told Jess that since she--Jess--was "naturally unclean" she couldn't come over for birthday cake, and executive compensation, and mediocre white men, and the guy in college who sent around an article about how people who listen to Radiohead are smarter than people who listen to Missy Elliott and when Jess said "That's racist" he said "No,it's not," and of bigotry and small pox blankets and gross guys grabbing your butt on the subway, and slave auctions and Confederate monuments and Jim Crow and fire hoses and separate but equal and racist jokes that aren't funny and internet trolls and incels and golf courses that ban women and voter suppression and police brutality and crony capitalism and corporate corruption and innocent children, so many innocent children, and the Tea Party and Sarah Palin and birthers and flat-earthers and states' rights and disgusting porn and the prosperity gospel and the drunk football fans who made monkey sounds at Jess outside Memorial Stadium, even though it was her thirteenth birthday, and Josh--now it makes her think of Josh.
Cecilia Rabess (Everything's Fine)
Give the speech on my behalf. Create my voice and face,” Yuan instructs Pico, approaching the forest. Leaping on this stable stone, jumping over that thick log, and crossing a few fierce streams, he walks towards the depth of the forest, the end of Lotus Lodge property. The only sound coming is from his wooden sandals: pit-pat … pit-pat … “A war hero’s fake speech! That’s a crime!” Pico keeps complaining. “Even a home-service bot bearing the ghost of a legendary AI will be processed for that!” Yuan ignores as Pico brings up its source again. “A war hero is permitting you. Keep it a secret,” he says.
Misba (The High Auction (Wisdom Revolution, #1))
What should I use for a fake speech then?” Pico Not-Connected-To-Its-Source says from the car’s speakers. “I gave you the most accurate Literature Understanding Intelligence,” Yuan says. “That’s for book reviewing and suggesting you titles, not for making up a fake speech,” Pico protests. “I’m not connected to—” “Find something from my last fifty years of speeches. Be useful. Never bother me with Independence-Day speeches again.” Yuan silences the line. This time his voice sounds a bit cold, scratching the line of anger. Just a little. Perhaps, the death of thirty-seven rarest animals on the planet shouldn’t keep you calm after all. Even if they are ‘not pets’.
Misba (The High Auction (Wisdom Revolution, #1))
Okay, I got another one,” Jonas said. “What did the hurricane say to the coconut tree?” “Oh, I know this one!” Owen grinned. “Hold on to your nuts. This isn’t a regular blow job.
Cara Dee (Stranded (Auctioned, #2))
you’re not there. You become an object.” Cargo. A shipment. “You lose your voice. Nothing you say matters. You don’t exist. You’re not worth anything. You’re alone.
Cara Dee (Deserted (Auctioned, #3))
TJ frowns; she can’t write about willing wind and water in the official report. Voicing elements is a rumor. However, she remembers what her grandmother said five decades ago when she was a child; (it was shortly after the war): “Anyone who trains hard can be a Grade A by the time they’re forty or fifty. But it takes decades more to become strong enough to voice one element.” “One element?” TJ asked. “Do you want to voice the entire universe then?” “Can’t I?” Grandmother didn’t answer, not directly anyway, as most great masters do. They never say you can’t do this or no one can do that or that thing is impossible just because they couldn’t do it, or because they hadn’t found it yet. True masters answer differently. Wisely. Like her grandmother answered that day. “Do you know why we evolve, Tirity?” “Because we’re supposed to?” TJ replied. “Yes. It’s in the grand design. We’re ‘supposed to’ evolve. Not just in body, but also in mind,” she said. “In time. You see, time is the key. If given infinite time, you can evolve your mind infinitely. But we live only for a hundred years or so.” “A hundred years is ‘only’?” “You’re so young, Tirity! But yes, it is little for a complete cognitive evolution. Most hard trainers can prolong it to a couple of hundred years. They even get to call the wind or grow a giant plant that could touch the clouds. But voicing everything in the universe? I think only God can do it, the God who created everything with only words. And if God created the world so that he could see how far the humans can evolve, then I’d say, yes, even a human could get godly power. Godlier than voicing one or two elements. If. Given. The. Time.” “How much time?” “More than thousands of years, maybe. Could even need millions, who knows? …” TJ smiles drily; she remembers how her eyes sparkled at the thought of becoming a goddess who could voice everything. She dreamed of flying in the air or walking in space. She thought of making her own garden full of giant flowers where only enormous butterflies would dance. Some days, when she played video games in VR, she even dreamed of voicing the thunder and lightning to join her wooden sword. She thought time could help her do it. But she didn’t know then, time only makes you grow up. Time steals your dreams. Time only turns you into an adult.
Misba (The High Auction (Wisdom Revolution, #1))
It’s true: she’s looking for the book just not for voice or the shortcuts to the strength. Deep down, she knows she’s looking for her purpose, too. And if her alarms say this Devil’s Book, a book believed to be written by the devil, will take her to her purpose, shouldn’t she look for it? Magic Mama says, “The place where you are, shows your purpose.” Monk Minakshi in her books says: ‘Your past shapes your purpose.’ But what if she has no past? And what if this place isn’t her place? Because a nameless, ghost-like woman warned her not to look for the book, should she now stop searching for it? Stop searching for her purpose? How can someone stop searching for purpose? What remains if the purpose is lost? Exams? Grade training? Dance lessons for flawless body language? Why would she need flawless body-language in the first place? Because High Grades have it? Because if you don’t shield yourself with it, others will use theirs on you? So everything she must do is only to shield herself from what others might do? And this should be her purpose—shielding herself from inside a cocoon? For a weak? Yes, sweetie. So living means only ‘defending’ yourself? For a woman? Yes, sweetie. Kusha imagines how Meera would’ve answered her now. They say life is beautiful. But they don’t say life is beautiful only if you free yourself from your fears, only if you stop fantasizing about future damages. And you conquer fear when you are strong, when you are sovereign.
Misba (The High Auction (Wisdom Revolution, #1))
Pico mentioned who you’re meeting tonight. Ren. The next message soon follows. Yuan looks at Pico again. “Who do you serve?” he asks in a flat tone with no hint of surprise or anger. A monk never gets angry. He simply states, witnesses, and flows along with the current of prana. “Lotus Lodge,” Pico replies. “Lotus Lodge?” Yuan asks. “Are you serving a house instead of its master, then?” “Sorry,” Pico says, “Ren changed a few lines in my coding.” “And you let him,” Yuan states calmly. “I’m a home-service-bot now. You don’t let me connect to my source!” Pico complains the same way it has been complaining for five years. It was disconnected from its source-AI—the real Pico—twenty years ago, right after it was made. Within fifteen years, this bot collected enough data to grow into a strong AI itself. At least, intelligent enough to know about its source, which is sleeping in the basement of Lotus Lodge, secured and locked. However, anything intelligent always looks for its source—it’s the oldest law of the universe.
Misba (The High Auction (Wisdom Revolution, #1))
Kusha doesn’t have High-Grades or voice or killing gazes. But she has a gift. Her prophetic-alarms. Most people name it the sixth-sense. Those occasional sensations that come without warning. And then, she finds herself knowing things she isn’t supposed to know. Like now— It happens again. A prophetic-alarm comes to her. And it comes with a scream in her head, as if hundreds of frozen needles have pierced her eyes and reached her brain, injecting information she’s never known before. Kusha calls it alarms. Not sixth-sense. Not even intuition. Intuition sounds High-Grade, something those evolved people may have. The book God-Particle-Or-Thought-Particle says: Intuition is the passing thoughts downloaded from the universe. Kusha isn’t confident enough to believe it can happen to her. No way could she download anything as an unevolved, untouchable, Low-Grade human.
Misba (The High Auction (Wisdom Revolution, #1))
It’s somethin’ like what Perly says. We lost the old-time values, to go out and pay good money for chicks already incubated when you keep one good rooster and they’ll come along in their own natural way.” “I’d like to know by which old-time values Harlowe needs such a heap of deputies,” John said.
Joan Samson (The Auctioneer)
Perly ain’t the kind would of gone off with it, child, if you’d let him know.” “He knows, Ma,” Mim said, her voice rising. “He knows. John told him. I told him. You just wait. He won’t stop.” She started out the front door, but banged back in to say, “All you can do is run, Ma. There are people like that. Either you give in or you run.
Joan Samson (The Auctioneer)
“Yuan, what if death is the key? Will we know everything, all secrets, all answers after we die?” “Maybe,” Yuan replied then, wanting to avoid the topic, not admitting he’d been thinking the same thing for a while. At that time, everyone thought of death, at least several times a day, just as people pray at every dawn and dusk. “Give me your word, Yuan,” Ruem then said, suddenly. “What word?” “That if you die before me, you’ll try your best to send me signs or a message. You’ll tell me what’s beyond.” Yuan only stared after what Ruem had said. He couldn’t say what if there was no beyond, what if it’s all empty, what if it’s just a dark void after death. He couldn’t answer, seeing Ruem’s blue eyes. Now that he remembers, the Mesmerizer had blue eyes then, before they turned red. “I give my word, Yagmur. If I die first, I will tell you everything I find, even if it requires me to come back after death,” Ruem promised. “If the beyond exists, that is,” he added. That day, Yuan gave his word too, and the word still remains. Someone truly evolved never breaks his word. Not even in death.
Misba (The High Auction (Wisdom Revolution, #1))
And somewhere in that lazy stretch of time after the auction, she started laughing too. Not by accident. Not because the world became a significantly more amusing place over the course of a week or two. No, she started laughing because he’d formulated a new goal to define his days: He wanted to make her laugh as often as he frustrated her. Which was to say, frequently.
Olivia Dade (All the Feels (Spoiler Alert, #2))
Wylan—and the obliging Kuwei—will get the weevil working,” Kaz continued. “Once we have Inej, we can move on Van Eck’s silos.” Nina rolled her eyes. “Good thing this is all about getting our money and not about saving Inej. Definitely not about that.” “If you don’t care about money, Nina dear, call it by its other names.” “Kruge? Scrub? Kaz’s one true love?” “Freedom, security, retribution.” “You can’t put a price on those things.” “No? I bet Jesper can. It’s the price of the lien on his father’s farm.” The sharpshooter looked at the toes of his boots. “What about you, Wylan? Can you put a price on the chance to walk away from Ketterdam and live your own life? And Nina, I suspect you and your Fjerdan may want something more to subsist on than patriotism and longing glances. Inej might have a number in mind too. It’s the price of a future, and it’s Van Eck’s turn to pay.” Matthias was not fooled. Kaz always spoke logic, but that didn’t mean he always told truth. “The Wraith’s life is worth more than that,” said Matthias. “To all of us.” “We get Inej. We get our money. It’s as simple as that.” “Simple as that,” said Nina. “Did you know I’m next in line for the Fjerdan throne? They call me Princess Ilse of Engelsberg.” “There is no princess of Engelsberg,” said Matthias. “It’s a fishing town.” Nina shrugged. “If we’re going to lie to ourselves, we might as well be grand about it.” Kaz ignored her, spreading a map of the city over the table, and Matthias heard Wylan murmur to Jesper, “Why won’t he just say he wants her back?” “You’ve met Kaz, right?” “But she’s one of us.” Jesper’s brows rose again. “One of us? Does that mean she knows the secret handshake? Does that mean you’re ready to get a tattoo?” He ran a finger up Wylan’s forearm, and Wylan flushed a vibrant pink. Matthias couldn’t help but sympathize with the boy. He knew what it was to be out of your depth, and he sometimes suspected they could forgo all of Kaz’s planning and simply let Jesper and Nina flirt the entirety of Ketterdam into submission. Wylan pulled his sleeve down self-consciously. “Inej is part of the crew.” “Just don’t push it.” “Why not?” “Because the practical thing would be for Kaz to auction Kuwei to the highest bidder and forget about Inej entirely.” “He wouldn’t—” Wylan broke off abruptly, doubt creeping over his features. None of them really knew what Kaz would or wouldn’t do. Sometimes Matthias wondered if even Kaz was sure. “Okay, Kaz,” said Nina, slipping off her shoes and wiggling her toes. “Since this is about the almighty plan, how about you stop meditating over that map and tell us just what we’re in for.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
He never approves of anything I do,” Kusha says from the garage, hiding her frown. She gets all her old cars and tools from places you don’t want your daughters to visit. And Rashad Gaumont certainly doesn’t want her to visit Magic Mama, the not-enough-evolved, middle-aged man from the Old City. “He’s not a citizen! He lives in a bus! So what if he made it himself? So what if he teaches you about machines? Don’t meet him.” “Why?” Kusha used to ask Rashad, and she’d always get the same answer: “The unevolved kind brings chaos and wars.” Kusha didn’t listen. She went again and bought this car, too, from an antique dealer. He almost gave it away, saying it will never run again. It has the old days’ engine, the kind you don’t find in this era. A change of engines and batteries, a new set of all-terrain-tires, some safety trackers, sensors, and, well, a whole list of other things with 300% luck to make it run again through the Junk Land—the land outside the cities where it’s only ruins and rubble. Needs hard work, yes. But Kusha instantly liked the color of its body, the moment she saw it—a sort of green with greyish tint, and a good load of rust.
Misba (The High Auction (Wisdom Revolution, #1))
I go to Marian Wallace’s dorm room, and I throw the book on her bed. I tell her, ‘Look, you can sell this. It’s worth a lot of money.’ And she looks at the book dubiously, and she says, ‘Is it hot?’ And I say, ‘No, it belongs to Daniel, and he wants you to have it, but you can never say where it came from. Bring it to an auction house or a rare-books dealer. Claim you found it in a used-books bin somewhere.
Gabrielle Zevin (The Storied Life of A.J. Fikry)
Robert is, of course, at the theater, but it’s true that Jeff isn’t alone. Behind him, Lulu holds up two bottles of tequila, and behind her is Gene, Lulu’s . . . bed-friend, holding a bag of limes and sporting the world’s most enormous mustache. I take the bag of limes from him. “Are you guessing my weight tonight?” Jeff laughs in a loud bark before heading into the kitchen, but Gene does a bewildered double take. “What?” “Do I get to shoot a water gun to knock down the ducks?” I see the moment he gets it because his giant mustache twitches under his suppressed grin. “I’ll take my limes home if you’re going to be sassy, miss.” “You look like an old-timey auction barker,” I say. “Or Yosemite Sam. I have this sudden urge to buy a few head of cattle.” Behind me, Calvin snickers. “You wish you could grow a ’stache like this.” I burst out laughing. “I’m sorry, I can’t even hear what you’re saying through that thing.” “I told him it’s awful.” Lulu tugs at it and Gene leans away. He smoothes it down proudly. “I’m so lazy, and this is much more low maintenance than shaving.” I don’t need to look that closely to see he’s clearly waxed and styled it with a comb. It’s really not an afterthought mustache; it’s the kind that a person chooses from a book on various mustache styles—the perfect accessory for his very carefully crafted I don’t care enough to even glance in the mirror look (which Lulu tells me takes him a long time in front of the mirror).
Christina Lauren (Roomies)
A Palestinian village whose feudal owner sold it for a kiss through a pane of glass..." Nothing remained of Sireen after the auction apart from you, little prayer rug, because a mother slyly stole you and wrapped up her son who'd been sentenced to cold and weaning - and later to sorrow and longing. It's said there was a village, a very small village, on the border between sun's gate and earth. It's said that the village was twice sold - once for a measure of oil and once for a kiss through a pane of glass. The buyers and sellers rejoiced at its sale, the year the submarine was sunk, in our twentieth century. And in Sireen - the buyers went over the contract - were white-washed houses, lovers, and trees, folk poets, peasants, and children. (But there was no school - and neither tanks nor prisons.) The threshing floors, the colour of golden wine, and the graveyard were a vault meant for life and death, and the vault was sold! People say that there was a village, but Sireen became an earthquake, imprisoned by an amulet as it turned into a banquet - in which the virgins' infants were cooked in their mothers' milk so soldiers and ministers might eat along with civilisation! "And the axe is laid at the root of the tree..." And once again at the root of the tree, as one dear brother denies another and existence. Officer of the orbits... attend, O knight of death, but don't give in - death is behind us and also before us. Knight of death, attend, there is no time to retreat - darkness crowds us and now has turned into a rancid butter, and the forest too is full, the serpents of blood have slithered away and the beaker of our ablution has been sold to a tourist from California! There is no time now for ablution. People say there was a village, but Sireen became an earthquake, imprisoned by an amulet as it turned into a banquet - in which the virgins' infants were cooked in their mothers' milk so soldiers and ministers might eat, along with civilisation!
Samih Al-Qasim (Sadder than Water: New and Selected Poems)
The human species is an animal species without very much variation within it, and it is idle and futile to imagine that a voyage to Tibet, say, will discover an entirely different harmony with nature or eternity. The Dalai Lama, for example, is entirely and easily recognizable to a secularist. In exactly the same way as a medieval princeling, he makes the claim not just that Tibet should be independent of Chinese hegemony—a “perfectly good” demand, if I may render it into everyday English—but that he himself is a hereditary king appointed by heaven itself. How convenient! Dissenting sects within his faith are persecuted; his one-man rule in an Indian enclave is absolute; he makes absurd pronouncements about sex and diet and, when on his trips to Hollywood fund-raisers, anoints major donors like Steven Segal and Richard Gere as holy. (Indeed, even Mr. Gere was moved to whine a bit when Mr. Segal was invested as a tulku, or person of high enlightenment. It must be annoying to be outbid at such a spiritual auction.) I will admit that the current “Dalai” or supreme lama is a man of some charm and presence, as I will admit that the present queen of England is a person of more integrity than most of her predecessors, but this does not invalidate the critique of hereditary monarchy, and the first foreign visitors to Tibet were downright appalled at the feudal domination, and hideous punishments, that kept the population in permanent serfdom to a parasitic monastic elite.
Christopher Hitchens (God Is Not Great: How Religion Poisons Everything)
The Apocalypse gave you your time back. The time you can now use to look, to see, and to focus on your conscious process of cognitive evolution.” Master repeats the word ‘see’ in three local synonyms. Back then, they thought they all meant the same. Except, they didn’t. “The Apocalypse took your society, responsibilities, and useless recreations. Those were the distractions. Those things slow the process,” Master continues in the scene, the side of his face glowing from the daylight entering the cave. The visual details are as much as his brain retrieved from his memory. “Is this why monks hate recreation? Society?” Ruem asks—he looks just as Yuan’s memory recollected Ruem’s teenage self. “They don’t hate recreation,” Master says in the scene. “They just know they have to hate it.” “So, you like recreation?” Ruem asks in a confused tone. “Did I say I am a monk?” Master replies in the scene. “You never answer the question!” Ruem sounds annoyed. And for a moment, it makes the Monk—wrapped in the old shawl—smile as he watches his own old memory, remembering how impatient they both were before. “Fine,” Master begins. “The monks force themselves out of recreation because the rulebooks tell them to. People only follow rulebooks. But they don’t know why they should follow them. They don’t look at the true purpose of their rituals. They blindly follow, evolving neither spiritually nor physically.” “So, we should accept recreation, society?” asks Yuan’s teenage self, in the hologram scene. “Yes and No, my boy. It’s a perspective. You can find the secret from wherever you are as long as you aren’t drunk on indulgence, distracted from the One.” “Master, do you know why you wear orange cloth?” Ruem asks. “You caught me, my boy!” says Master, chuckling. “No, I don’t know. I wore it because the rulebooks told me to. Now it doesn’t matter which color I wear. No need for pointless rebellion over some uniform color!” “Because everything is the same?” Yuan’s teenage self asks. “Because everything is One.” Master’s eyes twinkle.
Misba (The High Auction (Wisdom Revolution, #1))
Arin nearly got his throat cut. “The god of life preserve you,” Cheat gasped. He staggered back, his knife glinting in the shadows of his small bedroom. “What the hell are you doing here? Breaking into my home like a thief in the night. Climbing through the window. You’re lucky I saw your face in time.” “There’s something I have to tell you.” “Start with why you couldn’t come by the auction house at a decent hour. I thought you had a free pass. What about the girl’s seal ring?” “Unavailable.” Cheat squinted up at Arin, tapping the flat of the short blade against his thigh. In the dim light of a streetlamp, a slow grin spread across his face. “Had a falling-out with your lady, did you? A lovers’ quarrel?” Arin felt his face go dark and tight. “Easy, lad. Just tell me: are the rumors true?” “No.” “All right.” Cheat held up his hands as if in surrender, the knife held loosely. “If you say they’re not, they’re not.” “Cheat. I broke curfew, scaled the general’s wall, and stole through a guarded city to speak with you. Don’t you think we have more important things to discuss than Valorian gossip?
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Is it possible to make a sharp distinction between the content and the the form, between the personality of the Texas auctioneer and the language that he uses? Are not our attitudes toward people and events in great part shaped by the very language in which we describe them? When we try to describe one person to another or to a group, what do we say? Not usually how or what that person ate, rarely what he wore, only occasionally how he managed his job -- no, what we tell is what he said and, if we are good mimics, how he said it. We apparently consider a person's spoken words the true essence of his being.
Cleanth Brooks (The Language of the American South)
No! Who takes me, refuse that I am, and as I well deserve to be . . . shall take me, as this man does, with no art of mine put forth to lure him. He sees me at the auction, and he thinks it well to buy me. Let him! When he came to view me - perhaps to bid- he required to see the roll of my accomplishments. I gave it to him. When he would have me show one of them, to justify his purchase to his men, I require of him to say which he demands, and I exhibit it. I will do no more. He makes the purchase of his own will, and with his own sense of its worth, and the power of his money; and I hope it may never disappoint him.
Charles Dickens (Dombey and Son)
A stranger came out to White Acre one day to sell Henry a pony, for Alma to learn to ride. The pony's name was Soames, and he was the color of sugar icing, and Alma loved him immediately. A price was negotiated. The two men settled on three dollars. Alma, who was only six years old, asked, "Excuse me, sir, but does that price also include the bridle and saddle which the pony is currently wearing?" The stranger balked at the question, but Henry roared with laughter. "She's got you there, man!" he bellowed, and for the rest of that day, he ruffled Alma's hair whenever she came nearer, saying, "What a good little auctioneer I've got as a daughter!
Elizabeth Gilbert (The Signature of All Things)
She had sworn to herself not to speak to Arin, but then he said, “You’re coming with me to the harbor.” This surprised her into saying, “To do what? Why not lock me up in the barracks? It would be a perfect prison for your prize.” He continued to walk her down the halls of her home. “Unless Cheat changes his mind about you.” Kestrel imagined the auctioneer unlocking her cell door. “I suppose I’m no good to you dead.” “I would never let that happen.” “What a touching concern for Valorian life. As if you hadn’t let your leader kill that woman. As if you’re not responsible for the death of my friends.” They stopped before the door to Kestrel’s suite. Arin faced her. “I will let every single Valorian in this city die if it means that you don’t.” “Like Jess?” Her eyes swam with sudden, unshed tears. “Ronan?” Arin looked away. The skin above his eye was beginning to blacken from where she had kicked him. “I spent ten years as a slave. I couldn’t be one anymore. What did you imagine, tonight, in the carriage? That it would be fine for me to always be afraid to touch you?” “That has nothing to do with anything. I am not a fool. You sold yourself to me with the intention of betrayal.” “But I didn’t know you. I didn’t know how you--” “You’re right. You don’t know me. You’re a stranger.” He flattened a palm against the door. “What about the Valorian children?” she demanded. “What have you done with them? Have they been poisoned, too?” “No. Kestrel, no, of course not. They will be cared for. In comfort. By their nurses. This was always part of the plan. Do you think we’re monsters?” “I think you are.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Paris-Plage: the operation would be perfect if an oil slick drifted in to pollute this pretty little beach. Then the illusion would be total: the beach attendants would be transformed into ecological clean-up agents; they would have stopped sunbathing stupid. WTC: no trace of the bodies of the 3,000 victims. It's as though they had been dropped into quicklime. All the images without the sound, silent, vitrified, pellicularized. The scrap metal and the rubble are auctioned off. The event has more or less vanished into thin air. The pope has reached the state of 'martyr', that is to say, of witness: witness to the possibility that the human race can live beyond death. Living experience of brain-death, of spirituality on a life-support system, of automatic piloting of the vital functions in their death throes. A great model for future generations
Jean Baudrillard (Cool Memories V: 2000 - 2004)
Above the list of children she read: Mister Jackson Henry Clark married Miss Julienne Maria Jacques, June 12, 1933. Not until that moment had she known her parents’ proper names. She sat there for a few minutes with the Bible open on the table. Her family before her. Time ensures children never know their parents young. Kya would never see the handsome Jake swagger into an Asheville soda fountain in early 1930, where he spotted Maria Jacques, a beauty with black curls and red lips, visiting from New Orleans. Over a milkshake he told her his family owned a plantation and that after high school he’d study to be a lawyer and live in a columned mansion. But when the Depression deepened, the bank auctioned the land out from under the Clarks’ feet, and his father took Jake from school. They moved down the road to a small pine cabin that once, not so long ago really, had been occupied by slaves. Jake worked the tobacco fields, stacking leaves with black men and women, babies strapped on their backs with colorful shawls. One night two years later, without saying good-bye, Jake left before dawn, taking with him as many fine clothes and family treasures—including his great-grandfather’s gold pocket watch and his grandmother’s diamond ring—as he could carry. He hitchhiked to New Orleans and found Maria living with her family in an elegant home near the waterfront. They were descendants of a French merchant, owners of a shoe factory. Jake pawned the heirlooms and entertained her in fine restaurants hung with red velvet curtains, telling her that he would buy her that columned mansion. As he knelt under a magnolia tree, she agreed to marry him, and they wed in 1933 in a small church ceremony, her family standing silent.
Delia Owens (Where the Crawdads Sing)
Which reminds me that you’ve never said how you dueled at Needles against the city’s finest fighter and won.” It would be a mistake to tell him. It would defy the simplest rule of warfare: to hide one’s strengths and weaknesses for as long as possible. Yet Kestrel told Arin the story of how she had beaten Irex. Arin covered his face with one floured hand and peeked at her between his fingers. “You are terrifying. Gods help me if I cross you, Kestrel.” “You already have,” she pointed out. “But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?” She didn’t answer. She concentrated on the feel of the table’s edge pressing into the small of her back. The table was simple and real, joined wood and nails and right corners. No wobble. No give. “You’re not mine,” Arin said. And kissed her. Kestrel’s lips parted. This was real, yet not simple at all. He smelled of woodsmoke and sugar. Sweet beneath the burn. He tasted like the honey he’d licked off his fingers minutes before. Her heartbeat skidded, and it was she who leaned greedily into the kiss, she who slid one knee between his legs. Then his breath went ragged and the kiss grew dark and deep. He lifted her up onto the table so that her face was level with his, and as they kissed it seemed that words were hiding in the air around them, that they were invisible creatures that feathered against her and Arin, then nudged, and buzzed, and tugged. Speak, they said. Speak, the kiss answered. Love was on the tip of Kestrel’s tongue. But she couldn’t say that. How could she ever say that, after everything between them, after fifty keystones paid into the auctioneer's hand, after hours of Kestrel secretly wondering what it would sound like if Arin sang while she played, after wrists bound together and the crack of her knee under a boot and Arin confessing in the carriage on Firstwinter night. It had felt like a confession. But it wasn’t. He had said nothing of the plot. Even if he had, it still would have been too late, with everything to his advantage. Kestrel remembered again her promise to Jess. If she didn’t leave this house now, she would betray herself. She would give herself to someone whose Firstwinter kiss had led her to believe she was all that he wanted, when he had hoped to flip the world so that he was at its top and she was at its bottom. Kestrel pulled away. Arin was apologizing. He was asking what he had done wrong. His face was flushed, mouth swollen. He was saying something about how maybe it was too soon, but that they could have a life here. Together. “My soul is yours,” he said. “You know that it is.” She lifted a hand, as much to block his face from her sight as to stop those words. She walked out of the kitchen. It took all of her pride not to run.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Declan had been told a long time ago that he had to know what he wanted, or he'd never get it. Not by his father, because his father would never have delivered such pragmatic advice in such a pragmatic way. No, even if Niall Lynch believed in the sentiment, he would have wrapped it up in a long story filled with metaphor and magic and nonsense riddles. Only years after the storytelling would Declan be sitting somewhere and realize that all along Niall had been trying to teach him to balance his checkbook, or whatever the tale had really been about. Niall could never just say the thing. No, this piece of advice--You have to know what you want, or you'll never get it--was given to Declan by a senator from Nevada he'd met during a DC field trip back in eighth grade. The other children had been bored by the pale stone restraint of the city and the sameness of the law and government offices they toured. Declan, however, had been fascinated. He'd asked the senator what advice he had for those looking to get into politics. "Come from money," the senator had said first, and then when all the eighth graders and their teachers had stared without laughing, he added, "You have to know what you want, or you'll never get it. Make goals." Declan made goals. The goal was DC. The goal was politics. The goal was structure, and more structure, and yet more structure. He took AP classes on political science and policy. When he traveled with his father to black markets, he wrote papers. When he took calls from gangsters and shady antique auction houses, he arranged drop-offs near DC and wrangled meetings with HR people. Aglionby Academy made calls and pulled strings; he got names, numbers, internships. All was going according to plan. His father's will conveniently left him a townhouse adjacent to DC. Declan pressed on. He kept his brothers alive; he graduated; he moved to DC. He made the goal, he went towards the goal. When he took his first lunch meeting with his new boss, he found himself filled with the same anticipation he'd had as an eighth grader. This was the place, he thought, where things happened. Just across the road was the Mexican embassy. Behind him was the IMF. GW Law School was a block away. The White House, the USPS, the Red Cross, all within a stone's throw. This was before he understood there was no making it for him. He came from money, yeah, but the wrong kind of money. Niall Lynch's clout was not relevant in this daylight world; he only had status in the night. And one could not rise above that while remaining invisible to protect one's dangerous brother. On that first day of work, Declan walked into the Renwick Gallery and stood inside an installation that had taken over the second floor around the grand staircase. Tens of thousands of black threads had been installed at points all along the ceiling, tangling around the Villareal LED sculpture that normally lit the room, snarling the railing over the stairs, blocking out the light from the tall arches that bordered the walls, turning the walkways into dark, confusing rabbit tunnels. Museumgoers had to pick their way through with caution lest they be snared and bring the entire world down with them. He had, bizarrely, felt tears burning the corners of his eyes. Before that, he hadn't understood that his goals and what he wanted might not be the same thing. This was where he'd found art.
Maggie Stiefvater (Mister Impossible (Dreamer Trilogy, #2))
He’s not auctioning off the right to choose a victim. In fact, the auction winner has no say about who gets killed.” Sighing heavily, disgust evident in the posture, the other man finally got to the bones of it. “He’s auctioning off the right to choose the means of death.
Leslie A. Kelly (Fade to Black (Black Cats, #1))
I have almost five hundred dollars saved.” Alison spoke slowly and deliberately. This time Laura did pull away. “Five hundred dollars?” Her eyes were incredulous. “How did you ever save that much?” Then, before Alison could answer, Laura’s eyes widened again and she let out a faint squeal. Mom half-turned to the back again, and Alison could tell that Laura was fighting to keep a normal look about her. After Mom had resumed her road watching, Laura finally spoke. “Just think of all the things we can buy on vacation,” she spouted. “Cotton candy at the carnival, model horses, saltwater taffy, postcards…We can even ride all the rides, more than once!” Alison shook her head and sighed again. “Let me remind you that this isn’t your money.” “It is if you want me to keep it a secret,” Laura challenged. “Why, you little rat!” “Well, it’s mostly yours,” Laura conceded. Alison rolled her eyes in exasperation. If she hadn’t needed her sister on her side she’d have been tempted to rap her. She tapped Laura on the top of her red head. “Think about it,” she prodded. “What could we buy with five hundred dollars?” All at once a light filled Laura’s eyes. All right, Alison thought. Laura is finally awake! “A pony!” The words slid from Laura in a hiss. “Are you going to buy a pony at the Pony Penning auction?” This time it was Alison who settled back smugly in her seat. “Every year we ask Mom and Dad, and every year they say we can’t afford one,” she said softly. “Now I have the money. How can they possibly say no?
Lois K. Szymanski (Sea Feather)
I did not blackmail,” she said with a toss of her head. “Merely showed the commander the less attractive alternatives if he chose to not keep me on board.” Jedrek snorted. “Which is a fancy way of saying bent him over a barrel without any lube.” “What does that mean?” Her nose wrinkled adorably. He didn’t mention that though, given he doubted she’d see it as a compliment. She still wore one too many knives on her person. “It means you gave him no choice.” “He had choices. He just chose the one that rewarded us both. At least he didn’t keep me on out of pity. Where did the commander find you? Pet auction?” She arched a brow and smirked.
Eve Langlais (Reverse Abduction (Alien Abduction, #8))
There’s Tom,” Becky says. He’s been tromping around the city half the day, but I don’t see a speck of mud on him. Though he dresses plain, it always seems he rolls out of bed in the morning with his hair and clothes as neat and ordered as his arguments. We walk over to join him, and he acknowledges us with a slight, perfectly controlled nod. He’s one of the college men, three confirmed bachelors who left Illinois College to join our wagon train west. Compared to the other two, Tom Bigler is a bit of a closed book—one of those big books with tiny print you use as a doorstop or for smashing bugs. And he’s been closing up tighter and tighter since we blew up Uncle Hiram’s gold mine, when Tom negotiated with James Henry Hardwick to get us out of that mess. “How goes the hunt for an office?” I ask. “Not good,” Tom says. “I found one place—only one place—and it’s a cellar halfway up the side of one those mountains.” Being from Illinois, which I gather is flat as a griddle, Tom still thinks anything taller than a tree is a mountain. “Maybe eight foot square, no windows and a dirt floor, and they want a thousand dollars a month for it.” “Is it the cost or the lack of windows that bothers you?” He pauses. Sighs. “Believe it or not, that’s a reasonable price. Everything else I’ve found is worse—five thousand a month for the basement of the Ward Hotel, ten thousand a month for a whole house. The land here is more valuable than anything on it, even gold. I’ve never seen so many people trying to cram themselves into such a small area.” “So it’s the lack of windows.” He gives me a side-eyed glance. “I came to California to make a fortune, but it appears a fortune is required just to get started. I may have to take up employment with an existing firm, like this one.” Peering at us more closely, he says, “I thought you were going to acquire the Joyner house? I mean, I’m glad to see you, but it seems things have gone poorly?” “They’ve gone terribly,” Becky says. “They haven’t gone at all,” I add. “They’ll only release it to Mr. Joyner,” Becky says. Tom’s eyebrows rise slightly. “I did mention that this could be a problem, remember?” “Only a slight one,” I say with more hope than conviction. “Without Mr. Joyner’s signature,” Becky explains, “they’ll sell my wedding cottage at auction. Our options are to buy back what’s ours, which I don’t want to do, or sue to recover it, which is why I’ve come to find you.” If I didn’t know Tom so well, I might miss the slight frown turning his lips. He says, “There’s no legal standing to sue. Andrew Junior is of insufficient age, and both his and Mr. Joyner’s closest male relative would be the family patriarch back in Tennessee. You see, it’s a matter of cov—” “Coverture!” says Becky fiercely. “I know. So what can I do?” “There’s always robbery.” I’m glad I’m not drinking anything, because I’m pretty sure I’d spit it over everyone in range. “Tom!” Becky says. “Are you seriously suggesting—?” “I’m merely outlining your full range of options. You don’t want to buy it back. You have no legal standing to sue for it. That leaves stealing it or letting it go.” This is the Tom we’ve started to see recently. A little angry, maybe a little dangerous. I haven’t made up my mind if I like the change or not. “I’m not letting it go,” Becky says. “Just because a bunch of men pass laws so other men who look just like them can legally steal? Doesn’t mean they should get away with it.” We’ve been noticed; some of the men in the office are eyeing us curiously. “How would you go about stealing it back, Tom?” I ask in a low voice, partly to needle him and partly to find out what he really thinks. He glances around, brows knitting. “I suppose I would get a bunch of men who look like me to pass some laws in my favor and then take it back through legal means.” I laugh in spite of myself. “You’re no help at all,” Becky says.
Rae Carson (Into the Bright Unknown (The Gold Seer Trilogy, #3))
Frederick Douglass wrote, We have men sold to build churches, women sold to support the gospel, and babes sold to purchase Bibles for the poor heathen! all for the glory of God and the good of souls! The slave auctioneer’s bell and the church-going bell chime in with each other, and the bitter cries of the heart-broken slave are drowned in the religious shouts of his pious master. Revivals of religion and revivals in the slave trade go hand in hand.
Derwin L. Gray (How to Heal Our Racial Divide: What the Bible Says, and the First Christians Knew, about Racial Reconciliation)
Caleb shot his friend a hard look. ' Caleb: Since when is looking at a pretty woman a crime? Mike: Since never. Yet anyway," he added. I'm just saying she's single, you're single-what the gell, Boss? Caleb: It's complicated and you know it Mike: I know you can untangle any knot if you want to Bad enough (Page 58)
Maureen Child (Runaway Temptation (Texas Cattleman's Club: Bachelor Auction #1))
I can't pay you," I said then. "Not with money, anyway." That got his attention. "What will you pay me with?" "Well," I said, "I can't give you the portrait itself, because they're auctioning those off." "That's okay," Joe said, all deadpan. "I have too many portraits of myself already." "So," I went on, businesslike. "Let's just say you can have whatever you want." "Whatever I want?" he asked, like it was too good to be true. "Within reason," I said. "If you want me to paint something for you, or if you want me to buy you dinner or give you an art lesson, maybe. Whatever you can think of." "Are you giving me a blank check?" he asked. "No!" "Sounds like a blank check to me." "I'm saying you and I can find a mutually agreed-on form of payment at some point." "So in other words," Joe said, the delight of teasing me pretty clear in his voice, "a blank check.
Katherine Center (Hello Stranger)
Meredith Etherington-Smith Meredith Etherington-Smith became an editor of Paris Vogue in London and GQ magazine in the United States during the 1970s. During the 1980s, she served as deputy and features editor of Harpers & Queen magazine and has since become a leading art critic. Currently, she is editor in chief of Christie’s magazine. She is also a noted artist biographer; her book on Salvador Dali, The Persistence of Memory, was an international bestseller and was translated into a dozen languages. Her drawing room that morning was much like any comfortable, slightly formal drawing room to be found in country houses throughout England: the paintings, hung on pale yellow walls, were better; the furniture, chintz-covered; the flowers, natural garden bouquets. It was charming. And so was she, as she swooped in from a room beyond. I had never seen pictures of her without any makeup, with just-washed hair and dressed in jeans and a white T-shirt. She looked more vital, more beautiful, than any photograph had ever managed to convey. She was, in a word, staggering; here was the most famous woman in the world up close, relaxed, funny, and warm. The tragic Diana, the royal Diana, the wronged Diana: a clever, interesting person who wasn’t afraid to say she didn’t know how an auction sale worked, and would it be possible to work with me on it? “Of course, ma’am,” I said. “It’s your sale, and if you would like, then we’ll work on it together to make the most money we can for your charities.” “So what do we do next?” she asked me. “First, I think you had better choose the clothes for sale.” The next time I saw her drawing room, Paul Burrell, her butler, had wheeled in rack after rack of jeweled, sequined, embroidered, and lacy dresses, almost all of which I recognized from photographs of the Princess at some state event or gala evening. The visible relics of a royal life that had ended. The Princess, in another pair of immaculately pressed jeans and a stripy shirt, looked so different from these formal meringues that it was almost laughable. I think at that point the germ of an idea entered my mind: that sometime, when I had gotten to know her better and she trusted me, I would like to see photographs of the “new” Princess Diana--a modern woman unencumbered by the protocol of royal dress. Eventually, this idea led to putting together the suite of pictures of this sea-change princess with Mario Testino. I didn’t want her to wear jewels; I wanted virtually no makeup and completely natural hair. “But Meredith, I always have people do my hair and makeup,” she explained. “Yes ma’am, but I think it is time for a change--I want Mario to capture your speed, and electricity, the real you and not the Princess.” She laughed and agreed, but she did turn up at the historic shoot laden with her turquoise leather jewel boxes. We never opened them. Hair and makeup took ten minutes, and she came out of the dressing room looking breathtaking. The pictures are famous now; they caused a sensation at the time. My favorite memory of Princess Diana is when I brought the work prints round to Kensington Palace for her to look at. She was so keen to see them that she raced down the stairs and grabbed them. She went silent for a moment or two as she looked at these vivid, radiant images. Then she turned to me and said, “But these are really me. I’ve been set free and these show it. Don’t you think,” she asked me, “that I look a bit like Marilyn Monroe in some of them?” And laughed.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Rosania says. “To keep them to myself would be unimaginable. Wine is meant to be shared.” It’s a refreshing attitude, particularly if you are on the receiving end of it. The night before the auction I personally consumed, by my best estimate, over $20,000 worth of his wine—including the 1945 Mouton and the 1947 Cheval Blanc—and I was one of fourteen drinkers.
Jay McInerney (The Juice: Vinous Veritas)
This year companies around the world will spend an estimated $9.33 billion on online display ads at auction, according to Magna Global, a research and media buying unit of Interpublic Group. While auctions have brought pricing efficiency to the business, computerization is happening so quickly that ad agencies are struggling to keep up, says Matt Seiler, chief executive officer of IPG Mediabrands.
Anonymous
someone asked. More took up the cry. When will you show us more? He checked the date—nearly five weeks since his last premiere. And then he considered his finances—very low. How he’d managed only one auction every couple of months at the start was beyond him. It was time. He had things he wanted to buy, places he wanted to visit, and he didn’t have the means to do it. Besides, his palms were beginning to itch. Right hand meant money coming in, left meant money going out, according to the old saying. But to the Reaper, both meant only one thing. Time to kill someone.
Leslie A. Kelly (Fade to Black (Black Cats, #1))
Encapsulation is almost always a good thing to do, but sometimes information can be hidden in the wrong place. This makes the code difficult to understand, to integrate, or to build behavior from by composing objects. The best defense is to be clear about the difference between the two concepts when discussing a design. For example, we might say: • “Encapsulate the data structure for the cache in the CachingAuctionLoader class.” • “Encapsulate the name of the application’s log file in the PricingPolicy class.” These sound reasonable until we recast them in terms of information hiding: • “Hide the data structure used for the cache in the CachingAuctionLoader class.” • “Hide the name of the application’s log file in the PricingPolicy class.” Context independence tells us that we have no business hiding details of the log file in the PricingPolicy class—they’re concepts from different levels in the “Russian doll” structure of nested domains. If the log file name is necessary, it should be packaged up and passed in from a level that understands external configuration.
Steve Freeman (Growing Object-Oriented Software, Guided by Tests (Addison-Wesley Signature Series (Beck)))
I’m going to invite you to contemplate a fictional scenario. Say that we are all citizens in a New England town with a traditional town meeting. As usual, a modest proportion of the citizens eligible to attend have actually turned out, let’s say four or five hundred. After calling the meeting to order, the moderator announces: “We have established the following rules for this evening’s discussion. After a motion has been properly made and seconded, in order to ensure free speech under rules fair to everyone here, each of you who wishes to do so will be allowed to speak on the motion. However, to enable as many as possible to speak, no one will be allowed to speak for more than two minutes.” Perfectly fair so far, you might say. But now our moderator goes on: “After everyone who wishes to speak for two minutes has had the floor, each and every one of you is free to speak further, but under one condition. Each additional minute will be auctioned off to the highest bidder.” The ensuing uproar from the assembled citizens would probably drive the moderator and the board of selectman away from the town hall—and perhaps out of town. Yet isn’t this in effect what the Supreme Court decided in the famous case of Buckley v. Valeo? In a seven-to-one vote, the court held that the First Amendment–guarantee of freedom of expression was impermissibly infringed by the limits placed by the Federal Election Campaign Act on the amounts that candidates for federal office or their supporters might spend to promote their election.3 Well, we’ve had time to see the appalling consequences.
Robert A. Dahl (How Democratic Is the American Constitution?: Second Edition (Castle Lecture Series))
Since her separation she had slowly, cautiously--perhaps even unconsciously--performed a kind of striptease, unpeeling the veils of convention which had surrounded her. During the 1980s she had been defined only by her fashions, seen merely as a glamorous clothes horse, a royal adjunct, a wife and mother. Since the separation, however, her regal wardrobe, which defined her royal mystique, had been left in the closet. Indeed, her decision, inspired by Prince William, to hold an auction of her royal wardrobe for Aids charities in New York in the summer of 1997 was a very public farewell to that old life. She no longer wanted to be seen as just a beautiful model for expensive clothes. Moreover, during her days as a semi-detached royal she had deliberately stripped away other trappings of monarchy, her servants, her ladies-in-waiting, her limousines and, most controversially, her bodyguards. The casting off of her royal title was one giant step on that journey. She had spent much time grieving a failed relationship, lost hopes and broken ambitions. She had once said: ‘I had so many dreams as a young girl. I hoped for a husband to look after me, he would be a father figure to me, he would support me, encourage me, say “Well done” or “That wasn’t good enough”. I didn’t get any of that. I couldn’t believe it.’ The days of betrayal, anguish and hurt lay in the past. Now it was time to move on, to make the most of her position and her personality. Opportunity beckoned. As the Princess admitted: ‘I have learned much over the last years. From now on I am going to own myself and be true to myself. I no longer want to live someone else’s idea of what and who I should be.’ ‘I am going to be me.
Andrew Morton (Diana: Her True Story in Her Own Words)
I know for certain there are a couple of pieces of wood in the barn back at Carnton. Enough for a child’s nativity.” “A child’s nativity? I’m not making a child’s nativity, Captain Winston. I’m building a life-sized booth and manger that will stand in the front yard by the house at Carnton. The children will all take turns playing Mary and Joseph and the shepherds over the course of the auction.” He stared. “You’re making a real nativity?” She nodded. “You are?” He smiled. She didn’t. “My father was a master carpenter, Captain Winston, and he taught me a thing or two about woodworking.” Jake tried to curb his grin but couldn’t. The image of her with a hammer and saw sparked amusement. “But you’re—” He gestured. “A woman?” “Well . . . yes, ma’am. You’re obviously a woman. But you’re also . . .” He stared, not wanting to say it. And definitely making certain he didn’t look down. “With child,” she finally supplied, an eyebrow rising. “Yes, ma’am. With child.” “Which precludes me from being able to build something?” He laughed softly. “Which makes a project that would already be a challenge even more so.” Her eyes narrowed the slightest bit. “For one, it won’t be a challenge. I’ll only need your help toward the end, when it comes to nailing the larger pieces together. And secondly, I’ve already drawn out the plans. I have all the measurements and the list of required supplies.” She pulled a piece of paper from her reticule and handed it to him. He unfolded it, and his smile faded. He looked over at her. “You’re serious.” This time she was the one to laugh, though the action held no humor. “Yes, Captain. I’m serious.
Tamera Alexander (Christmas at Carnton (Carnton #0.5))
I presume this is part of your erotic art collection?" she mused out loud. "It is most beautifully done; only look at the masterful brushwork and the lush, luminous colors. Curiously enough, it reminds me of Boucher, though I suppose it was done by a less well-known artist." He lifted a brow. "I am impressed, madam, since Boucher is exactly who painted the work. You do indeed know your art. The provenance says he did this painting as a private commission for a wealthy, anonymous patron. I acquired it at an equally private auction a few years ago and have enjoyed viewing it ever since." "Well, if this painting is representative of your collection, I would guess that all the works must have scandalous, clandestine origins due to the lurid nature of the subject matter." "Actually, this is one of the less provocative pieces," he informed her. "The majority of my collection is housed in a separate gallery devoted strictly to erotic art and literature. A couple of the maids won't even go inside to clean." Esme turned her gaze on him. "Is it really that bad?" "Or that good, depending on your point of view." He grinned. "I'll show it to you sometime, if you'd like. After all, you are an art lover. Come to think, perhaps I should frame the naked sketch you did of me and add it to the collection. Or would you prefer to keep it and hang it on your bedroom wall?" "I believe I will leave it exactly where it is, else the entire house know what you look like without clothing. Although knowing you, you'd likely be as proud as Bacchus here and every bit as shameless." His grin widened. "Yes, but only because certain parts of me actually do rival the gods.
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
Fight me," he says again, and I struggle, even though the odds of me freeing myself are impossible. With every jerky movement I make, Kylian sinks deeper into possession, and my heart breaks a little more.
Stephanie Brother (Auctioned to her Stepbrothers (Auctioned #1))
The auction is to take place the day after next. The catalog might say “Artist Unknown.” But two decades of newspaper work have taught him that what is unknown is often just undiscovered.
Abraham Verghese (The Covenant of Water)
So he schemed behind our backs,” I say. “He wanted the island to unite against Peter Pan and he knew he was running out of time to do it himself. So he offered your hand in marriage to Captain Hook and Hook agreed.” “He was going to auction you off like chattel,” Bash says, his voice catching. “And that is why we killed him,” I finish. “To protect you and to protect our rightful place among the court.” Our sister blinks. But her mouth is pursed tightly again and all of the blood leaves my face. I’m numb all over, but suddenly covered in a cold sweat. She knew. She fucking knew?
Nikki St. Crowe (The Dark One (Vicious Lost Boys, #2))
He confesses to dozens more thefts, though none that Von der Mühll doesn’t first prompt. Breitwieser generally hews to honesty, except about Anne-Catherine. He repeatedly describes her as an innocent bystander who was using the bathroom while he stole, or was in another gallery, and never knew what he was doing. He’s trying to minimize her potential punishment. In his cell, he keeps a sheet of notes, written in code and stashed in a book, recording what he has said about Anne-Catherine’s location in each museum or auction house. That way he won’t contradict himself in future interrogations or at a trial. His mother, he emphasizes, was completely unaware of his actions. “I’m the only one responsible,” Breitwieser says several times, throwing himself under the bus.
Michael Finkel (The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession)
And what gives you the right to question my mind about what I want? If I want you, if I want to ride your dick like aa cowgirl at a rodeo, then you should have a say about your consent, not mine.
Vanessa Vale (Hand Me the Reins (Bachelor Auction, #3))
So what is the problem? Foreign-sounding people, not Christian, and not apologetic about it. They may have their own ideas. It suggests a challenge to our hard-earned peace and bounty. Making a fuss over Negro segregation would be another example.’ ‘I see that, The issue is not Communism per se.’ He leaned forward, his blue eyes watery, feverish looking. He held up both hands as if he meant to clasp my face between them. ‘You know what the issue is? Do you want to know? It’s what these guys have decided to call America. They have the audacity to say, ‘There, you sons of bitches, don’t lay a finger on it. That is a finished product!’ ‘But any country is still in the making. Always. That’s just history, people have to see that.’ […] Suddenly he looked weary. ‘You force people to stop asking questions, and before you know it they have auctioned off the question mark or sold it for scrap. No boldness. No good ideas for fixing what’s broken in the land. Because if you happen to mention it’s broken, you are automatically disqualified.’ ‘Surely that’s overstating it,’ I said. ‘America runs on extremes. The latest craze and a tank of gas will get you about anywhere.
Barbara Kingsolver (The Lacuna)
Max Levchin’s Plan A was not to be. Demand for security on handheld devices never materialized. He remained a vagabond. But he was cooking another idea. Max pursued a Plan B that centered on cryptography software. “It’s really cool, it’s mathematically complex, it’s very secure,” said Levchin.7 But once again, no one really needed it. Plans C, D, and E didn’t work out any better. Levchin’s Plan F, still based on his cryptography expertise, was a system for securely transferring cash from one PalmPilot to another. As part of that effort, Levchin’s team built a Web-based demo version that did everything on a Web site that the PalmPilot version could do. By early 2000, people were using the Web version for actual transactions, and the growth of the Web demo was more impressive than for the handheld version. “Inexplicable,” recalled Levchin. “The handheld one was cool and the Web site was … unsexy … a demo. Then all these people from a site called eBay were contacting us and saying, ‘can I put your logo in my auction?’ We told them ‘No. Don’t do it.’ Eventually, we realized that these guys were begging to be our users. We had the moment of epiphany. For the next twelve months, we just iterated like crazy on the Web site version.”8 Levchin finally had a tool that filled a void, allowing ravenous eBay traders to safely transfer cash from buyer to seller. Plan G—a little outfit called PayPal—was born. And did it strike gold. PayPal is the now dominant system of paying securely for online purchases. Eventually, eBay, whose internally run payment system was floundering, bought PayPal for $1.5 billion.
John W. Mullins (Getting to Plan B: Breaking Through to a Better Business Model)
You just stick with me," I say. "I'm not afraid of these people. Besides, I'm the one who has to stand onstage and be auctioned to the highest bidder-" "Don't make it sound like that." His voice is tight as he grasps his empty glass. "Like what?" "Like I'm willingly giving you away, because I'm not." There it is again, those unexpected words he flings at me out of nowhere that cause my whole body to shiver.
Margaret Rose (Sink or Sell)
By saying only good things about the deceased during their funeral, we make it seem as if they were perfect … and are being auctioned.
Mokokoma Mokhonoana
She’d hung up on him before he could say goodbye. Goddamn stubborn woman is going to be the end of me.
Michelle Windsor (The Final Bid (The Auction Series, #2))
And so they discussed for hours how to work an on-line auction into a company that had nothing to auction and no particular auction skills or capabilities. “What was missing from that meeting, ” Sheila observed, “was someone who was willing to say, ‘Auction might be nice, but it just isn’t us.’” It’s nontrivial for a company and everyone in it to know “who we are.” A little bit easier, however, is to know “who we aren’t.” When even that knowledge is missing—when there is no basis in the company to say about a given cockamamy scheme “it just isn’t us”—the company clearly lacks vision.
Tom DeMarco (Slack: Getting Past Burnout, Busywork, and the Myth of Total Efficiency)
The legislature insisted the penitentiary be racially segregated, but the lessees had resisted, saying it was impractical and would reduce productivity. So black women were mixed with male prisoners and subsequently some became pregnant. It’s not clear whether their children’s fathers were other inmates or prison officials, but this detail was not important to legislators who, in 1848, passed a new law declaring that all children born in the penitentiary of African Americans serving life sentences would become property of the state. The women would raise the kids until the age of ten, at which point the penitentiary would place an ad in the newspaper. Thirty days later, they would be auctioned on the courthouse steps “cash on delivery.” The proceeds were used to fund schools for white children. No recorded details remain about what it was like to raise a child in the prison or to have her taken away forever. We don’t know what became of the children or their mothers. The only prison documents left are sparse penitentiary logs showing the particulars of the sales. Sometimes the mother herself isn’t even noted. What was the mixture of the feeling of devastation over losing one’s child along with the twisted hope that life as a slave might be an improvement over life in a prison?
Shane Bauer (American Prison: A Reporter's Undercover Journey into the Business of Punishment)
It took everything not to rush out the words. “Of fucking course you can,” he settled for saying, and he leaned forward and pressed a firm kiss to Gray’s forehead. “I’ll be there, knucklehead. Every step of the way.
Cara Dee (Stranded (Auctioned, #2))
My phone dings. Probably my mother, who has mom-radar and always knows when I’m up to no good. Undoubtedly asking how many Hail Marys she needs to say for me today. I grab my phone just to make sure it’s not a somebody died text, and almost fall off my stool. Tarzan here. Looking for Ms. P. This her? I close my eyes, blow out a slow breath. One, if he’s texting me, his date with Lila Valentine probably didn’t produce a second, which makes me happier than I have any right to be. Two, I’m not asking the guy to marry me. I’m asking him to be a hot piece of ass to make me look good. And three, I’m suddenly worried that my bad taste in men is making an unfortunate appearance again. What man in his right mind would text back a woman who made that proposition last weekend? Am I wrong about his date with the auction winner? Did I leave something behind at the hotel, and he’s just returning it? Or does he actually have some secret fetish that’ll play out wrong in the middle of my class reunion? "Who’s that?" Sia demands. "Tele-texter," I lie. I ignore the glares from my friends and type a quick reply. Yes, this is Parker. Except my phone hates me, and it autocorrects to Trying. This is Parking. Thanks, phone. Y E S, I type. Damn autocorrect. I hit send, and "Ohmygod." "What? What?" My friends all peer around me, and I jump off my stool to keep them from seeing my screen. Autocorrect just autocorrected to autocunnilingus. I just told Tarzan I’m eating myself. What have I done? Does that count as sexting? I don’t know. This is why I can’t have nice things.
Pippa Grant (Stud in the Stacks (Girl Band #2))
Tactus didn’t sell the violin,” Roque says after a moment. “The one Darrow gave him?” “Yes. The Stradivarian. He sold it, then felt so guilty he didn’t let the sale finalize with the auction house. Made them cancel the order. He was practicing in private, shaking off some of the rust. Said he wanted to surprise you with a sonata, Darrow.
Pierce Brown (Golden Son (Red Rising Saga, #2))
She never saw the war heroes’ faces. Not yet. She never wants to. Meera says they are true mesmerizers. It’s scary to be dazzled by mesmerizers.
Misba (The High Auction (Wisdom Revolution, #1))