Exhibitor Quotes

Conversation: A fair for the display of the minor mental commodities, each exhibitor being too intent upon the arrangement of his own wares to observe those of his neighbor.

Hal Roach is also conflicted. The short pictures work. They make money, although the market has calmed and the exhibitors no longer invite Hal Roach to name his price. Features will make more money, but features require a plot. Not everyone on Hal Roach’s lot understands plot. The first that most of the gagmen will know of a plot is when they’re buried in one. But the three-reel pictures are also unsatisfactory: too long for the gag structure, too short to allow dialogue to develop enough to help with the lifting. So, whether they wish it or not, Hal Roach’s two biggest stars will have to extend themselves. Hal Roach will talk with them, just as soon as they have finished writing the action script for their next picture, a murder spoof.

Devising a path The single path: A single path ensures that all visitors have similar experiences and allows the exhibitor to plan their approach to them in detail, so that they encounter a succession of exhibits in a preconceived fashion. This may be important where the objective is to build a platform of knowledge in the visitor's mind. [...] Later exhibits will be better understood once a basic understanding has been established. This process of introduction and preparation is called "scaffolding". Single path displays often involve visitor management problems and "dwell time" needs to be strictly managed.

[...] most exhibitors try to outdo each other in light output. The lighting designer Dan Heap describes this as a "lux war" ("lux" is the measurement of illuminance).

Commercial exhibitors will often have strategic goals that explain the competitive strengths and unique advantages of their current offer. Related but slightly different are visitor outcomes. These describe the ideas of impressions the client wants the audience to take away from their visitor experience. [...] It can be really helpful to state intended "visitor outcomes" as well as "visitor messages", as there is a critical difference between delivering messages (saying that "science is fun") and designing an experience that creates an understanding in the mind of the visitor (having visitors say "science is fun" after their visit).

Federal Trade Commission. Instead, he simply saw the fact that the Famous Players chief had had the courage and the decency to meet the exhibitors on their own turf, that he had walked

Joseph Ruggles Wilson reminds us how unique is each preacher’s challenge: In other words, preaching is not an imitative exercise. Every preacher is to regard himself as an original exhibitor and enforcer of the terms of human salvation; a channel of gracious speech, markedly different from every other.    . . . Turn it which way we will, the conclusion is always before us, the preacher’s preaching is just another form of himself; i.e., if he does his own thinking; exhibits no emotions that he does not actually feel; and presents divine truth, not as a bundle of opinions which orthodoxy has agreed upon, but as so much vital blood that has been made to course in his veins, and therefore takes the form of his own Christian life. It is these live men whom God supremely calls; men who have eaten the word, as a prophet did, and into whom it has passed to become a perpetual throb in their hearts; so that when it comes forth again, it will proceed upon its errand, bearing the warmth of their innermost experiences; those experiences wherein are traced the musings which continued until they could find vent only in fire; the fire that burns quickly into other souls, melts where it burns, and remoulds where it melts.25

Allan Dwan told me that when Griffith first started using the close-up, the exhibitors complained that there were these heads on the screen with no bodies.

A. D. MURPHY: Film companies, distributors, and exhibitors woke up to the fact that people don’t go to films, they go to see a specific film. It’s an impulse purchase. There have been many studies. People make up their mind to see a film about six hours before, and they go that day. It’s literally an impulse purchase.

An actor’s value in pictures was measured strictly by the amount and character of his fan mail and the reports from exhibitors throughout the country. This was a response to personality rather than a recognition of talent. If some technical facility went with it, then so much the better. These were the Gables, the Garbos, the Cagneys, the Crawfords, and the Davises. The legends.

Join us at India’s tech event of the year on August 23 and 24 at the Mahatma Mandir Convention Center in Gandhinagar, India. This event brings together 100+ exhibitors and offers exclusive access to 150+ inspiring sessions, allowing you to deepen your knowledge of Odoo, connect with the community, and collaborate on innovative solutions.

Non-violence (ahiṁsā) is the exhibitor and illuminating light for the spiritual passage that one should pursue. It is an island of relief for human beings who are drowning in the ocean of material existence. It is the salvation, shelter, and remedial state. It is the foundation on which the building of spiritual achievements rests. Non-violence is a comfort for those who fear any unwanted acts that might be inflicted against them. It is as beneficial as a flight in the open sky is for birds. It is quenching for the thirsty, and nutritious for the hungry. It is medicine to cure the sick and is akin to a ship of salvation upon the ocean of recurring life cycles. These are just a few instances, but non-violence is vastly more healing. It brings a surplus of welfare for all, auspicious for the earth, water, wind, fire, vegetation, seeds, and water-bound, earth-bound, air-bound, insects, and all other livings beings. Undoubtedly non-violence is like a mother who bestows life while protecting all living beings from vexatious elements. Non-violence is like an elixir of life with an endless supply, whereas violence is like a venom and a repository of toxic elements.

they refused to screen them for us, insisting instead that each exhibitor bid on each movie sight unseen, often before the movie was even completed.

The earlier and cruder method of advertisement held its ground so long as the public to which the exhibitor had to appeal comprised large portions of the community who were not trained to detect delicate variations in the evidences of wealth and leisure. The method of advertisement undergoes refinement when a sufficiently large wealthy class has developed, who have the leisure for acquiring skill in interpreting the subtler signs of expenditure. 'Loud' dress becomes offensive to people of taste, as evincing an undue desire to reach and impress the untrained sensibilities of the vulgar. To the individual of high breeding it is only the more honorific esteem accorded by the cultivated sense of the members of his own high class that is of material consequence. Since the wealthy leisure class has grown so large, or the contact of the leisure-class individual with members of his own class has grown so wide, as to constitute a human environment sufficient for the honorific purpose, there arises a tendency to exclude the baser elements of the population from the scheme even as spectators whose applause or mortification should be sought. The result of all this is a refinement of methods, a resort to subtler contrivances, and a spiritualisation of the scheme of symbolism in dress. And as this upper leisure class sets the pace in all matters of decency, the result for the rest of society also is a gradual amelioration of the scheme of dress. As the community advances in wealth and culture, the ability to pay is put in evidence by means which require a progressively nicer discrimination in the beholder. This nicer discrimination between advertising media is in fact a very large element of the higher pecuniary culture.

Girls were responding to these films’ darker aspects, analysts said. “Today’s teen girls want to see movies that speak to them more on their level, rather than giving them a sanitized view of teen life,” Paul Dergarabedian, president of Exhibitor Relations, a box office tracking firm, told USA Today. “The paradigm is shifting toward going after the teen audience in a more realistic way with edgier portrayals, things that today’s teens can relate to.

in the catalogue to the exhibition, she was listed not as ‘Mme’ or ‘Mlle’ like other women exhibitors, but simply: ‘Valadon, S.’. When viewers looked from the catalogue in their hands to the drawings in front of them, they had no way of knowing that the artist they were contemplating was a woman.

Our ongoing Hollywood education included the lesson that moviemaking is not finished once you actually make the movie. After that, you have to promote the movie, because if the audience doesn’t show up, all your hard work is a bit pointless. But before we could sell Crocodile Hunter: Collision Course to audiences, we had to sell it to the theater owners who were going to show it to the public. So the first stop for our promotional efforts was a gathering of movie theater exhibitors called Show West, in Las Vegas. We would team up there with Bruce Willis, who had an interest in producing our movie. Bindi and I had been in Oregon for a few days, visiting family, and we planned to catch up with Steve in Las Vegas. But she and I had an ugly incident at the airport when we arrived. A Vegas lowlife approached us, his hat pulled down, big sunglasses on his face, and displaying some of the worst dentistry I’ve ever seen. He leered at us, obviously drunk or crazy, and tried to kiss me. I backed off rapidly and looked for Steve. I knew I could rely on him to take care of any creep I encountered. Then it dawned on me: The creep was Steve. In order to move around the airport without anyone recognizing him, he put on false teeth and changed his usual clothes. I didn’t recognize my own husband out of his khakis. I burst out laughing. Bindi was wide-eyed. “Look, it’s your daddy.” It took her a while before she was sure. Our Show West presentation featured live wildlife, organized wonderfully by Wes. Bruce Willis spoke. “I sometimes play an action hero myself,” he said, “but you’ll see that Steve is a real-life action hero.” Bindi brought a ball python out on stage. Backstage, she and Bruce hit it off. He has three daughters of his own, and he immediately connected with Bindi. They wound up playing with the lion cubs and the other animals that Wes had organized there.