Sinking Faster Than Quotes

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Despite a 50 percent divorce rate for first marriages and 65 percent the second time around; despite the staggering frequency of affairs; despite the fact that monogamy is a ship sinking faster than anyone can bail it out, we continue to cling to the wreckage with absolute faith in its structural soundness.
Esther Perel (Mating in Captivity: Unlocking Erotic Intelligence)
Anyway, my office is small - one room, but on the corner, with a couple of windows. The sign on the door reads, simply, HARRY DRESDEN, WIZARD. Just inside the door is a table, covered with pamphlets with titles like: Magic and You, and Why Witches Don't Sink Any Faster Than Anyone Else - a Wizard's Perspective. I wrote most of them. I think it's important for we practitioners of the Art to keep up a good public image. Anything to avoid another Inquisition.
Jim Butcher (Grave Peril (The Dresden Files, #3))
It's like we're all floating on the ocean, holding onto our own inner-tube, but people don't seem to know that we are all sinking. Some are sinking faster than others, but we're all sinking.
Kate Bowler (Everything Happens for a Reason: And Other Lies I've Loved)
Perhaps we ought to feel with more imagination. As today the sky 70 degrees above zero with lines falling The way September moves a lace curtain to be near a pear, The oddest device can't be usual. And that is where The pejorative sense of fear moves axles. In the stars There is no longer any peace, emptied like a cup of coffee Between the blinding rain that interviews. You were my quintuplets when I decided to leave you Opening a picture book the pictures were all of grass Slowly the book was on fire, you the reader Sitting with specs full of smoke exclaimed How it was a rhyme for "brick" or "redder." The next chapter told all about a brook. You were beginning to see the relation when a tidal wave Arrived with sinking ships that spelled out "Aladdin." I thought about the Arab boy in his cave But the thoughts came faster than advice. If you knew that snow was a still toboggan in space The print could rhyme with "fallen star.
John Ashbery (Rivers and Mountains)
There is always a choice,' I whispered. Looking at the storm-flared sky, my heart filled up like a sinking boat, sadness welling up faster than I could ship it out with my cupped hands. 'You choose to come after me even though you knew it would cause you trouble.' 'I'll always be your friend,' replied Manjeet in a low voice. 'We just can't be friends. I'm sorry. I have to go.
Irfan Master
Education is not a steady process of accrual, but a touch-and-go contest between learning and forgetting, like frantically trying to fill a sink faster than it can empty through an open drain—which
Lionel Shriver (The Post-Birthday World)
But one of the things you lose in the wisdom of age is the wisdom of youth. Education is not a steady process of accrual, but a touch-and-go contest between learning and forgetting, like frantically trying to fill a sink faster than it can empty through an open drain...
Lionel Shriver (The Post-Birthday World)
You said it in a simple way, 4 AM, the second day, How strange that I don't know you at all. Stumbled through the quick goodbye, One last text, then unfriended me Right when I was just about to fall I used to tell myself, "Don't get attached," But in my mind I would play it back, Spinning faster than the text that you sent... The delicate beginning rush, The feeling you can know so much, Without knowing anything at all. And now that I can't put this down, If I had known what I'd known now, I never would have played so nonchalant. Taxi cabs and busy streets, That never bring you back to me, I can't help but wish you took me with you... And this is when the feeling sinks in, I don't wanna miss you like this, Come back... be here, come back... be here. I guess you're in California now, I don't wanna need you this way, Come back... be here, come back... be here.
EJR
Monkeys and pedestals is a mental model that helps you quit sooner. Pedestals are the part of the problem you know you can already solve, like designing the perfect business card or logo. The hardest thing is training the monkey. When faced with a complex, ambitious goal, (a) identify the hard thing first; (b) try to solve for that as quickly as possible; and (c) beware of false progress. Building pedestals creates the illusion that you are making progress toward your goal, but doing the easy stuff is a waste of time if the hard stuff is actually impossible. Tackling the monkey first gets you to no faster, limiting the time, effort, and money you sink into a project, making it easier to walk away. When we butt up against a hard problem we can’t solve, we have a tendency to turn to pedestal-building rather than choosing to quit. Advance planning and precommitment contracts increase the chances you will quit sooner. When you enter into a course of action, create a set of kill criteria. This is a list of signals you might see in the future that would tell you it’s time to quit. Kill criteria will help inoculate you against bad decision-making when you’re “in it” by limiting the number of decisions you’ll have to make once you’re already in the gains or in the losses. In organizations, kill criteria allow people a different way to get rewarded beyond dogged and blind pursuit of a project until the bitter end.
Annie Duke (Quit: The Power of Knowing When to Walk Away)
The reasons why a counterpart will not make an agreement with you are often more powerful than why they will make a deal, so focus first on clearing the barriers to agreement. Denying barriers or negative influences gives them credence; get them into the open. Pause. After you label a barrier or mirror a statement, let it sink in. Don’t worry, the other party will fill the silence. Label your counterpart’s fears to diffuse their power. We all want to talk about the happy stuff, but remember, the faster you interrupt action in your counterpart’s amygdala, the part of the brain that generates fear, the faster you can generate feelings of safety, well-being, and trust.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
your legs buckle like a tired horse running for safety drag them by the hips and move faster you do not have the privilege to rest in a country that wants to spit you out you have to keep going and going and going till you reach the water hand over everything in your name for a ticket onto the boat next to a hundred others like you packed like sardines you tell the woman beside you 'this boat is not strong enough to carry this much sorrow to a shore what does it matter' she says 'if drowning is easier than staying' how many people has this water drunk up is it all one long cemetery bodies buried without a country perhaps the sea is your country perhaps the boat sinks because it is the only place that will take you
Rupi Kaur
Imagine yourself in your counterpart’s situation. The beauty of empathy is that it doesn’t demand that you agree with the other person’s ideas (you may well find them crazy). But by acknowledging the other person’s situation, you immediately convey that you are listening. And once they know that you are listening, they may tell you something that you can use. ■​The reasons why a counterpart will not make an agreement with you are often more powerful than why they will make a deal, so focus first on clearing the barriers to agreement. Denying barriers or negative influences gives them credence; get them into the open. ■​Pause. After you label a barrier or mirror a statement, let it sink in. Don’t worry, the other party will fill the silence. ■​Label your counterpart’s fears to diffuse their power. We all want to talk about the happy stuff, but remember, the faster you interrupt action in your counterpart’s amygdala, the part of the brain that generates fear, the faster you can generate feelings of safety, well-being, and trust. ■​List the worst things that the other party could say about you and say them before the other person can. Performing an accusation audit in advance prepares you to head off negative dynamics before they take root. And because these accusations often sound exaggerated when said aloud, speaking them will encourage the other person to claim that quite the opposite is true. ■​Remember you’re dealing with a person who wants to be appreciated and understood. So use labels to reinforce and encourage positive perceptions and dynamics
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
■​Imagine yourself in your counterpart’s situation. The beauty of empathy is that it doesn’t demand that you agree with the other person’s ideas (you may well find them crazy). But by acknowledging the other person’s situation, you immediately convey that you are listening. And once they know that you are listening, they may tell you something that you can use. ■​The reasons why a counterpart will not make an agreement with you are often more powerful than why they will make a deal, so focus first on clearing the barriers to agreement. Denying barriers or negative influences gives them credence; get them into the open. ■​Pause. After you label a barrier or mirror a statement, let it sink in. Don’t worry, the other party will fill the silence. ■​Label your counterpart’s fears to diffuse their power. We all want to talk about the happy stuff, but remember, the faster you interrupt action in your counterpart’s amygdala, the part of the brain that generates fear, the faster you can generate feelings of safety, well-being, and trust. ■​List the worst things that the other party could say about you and say them before the other person can. Performing an accusation audit in advance prepares you to head off negative dynamics before they take root. And because these accusations often sound exaggerated when said aloud, speaking them will encourage the other person to claim that quite the opposite is true. ■​Remember you’re dealing with a person who wants to be appreciated and understood. So use labels to reinforce and encourage positive perceptions and dynamics.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
Softly, he said, “Why are you crying?” His words made the tears flow faster. “Kestrel.” She drew a shaky breath. “Because when my father comes home, I will tell him that he has won. I will join the military.” There was a silence. “I don’t understand.” Kestrel shrugged. She shouldn’t care whether he understood or not. “You would give up your music?” Yes. She would. “But your bargain with the general was for spring.” Arin still sounded confused. “You have until spring to marry or enlist. Ronan…Ronan would ask the god of souls for you. He would ask you to marry him.” “He has.” Arin didn’t speak. “But I can’t,” she said. “Kestrel.” “I can’t.” “Kestrel, please don’t cry.” Tentative fingers touched her face. A thumb ran along the wet skin of her cheekbone. She suffered for it, suffered for the misery of knowing that whatever possessed him to do this could be no more than compassion. He valued her that much. But not enough. “Why can’t you marry him?” he whispered. She broke her word to herself and looked at him. “Because of you.” Arin’s hand flinched against her cheek. His dark head bowed, became lost in its own shadow. Then he slipped from his seat and knelt before hers. His hands fell to the fists on her lap and gently opened them. He held them as if cupping water. He took a breath to speak. She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing. The way terror and longing had become indistinguishable. Yet his hands held hers, and she could do nothing. He said, “I want the same thing you want.” Kestrel pulled back. It wasn’t possible his words could mean what they seemed. “It hasn’t been easy for me to want it.” Arin lifted his face so that she could see his expression. A rich emotion played across his features, offered itself, and asked to be called by its name. Hope. “But you’ve already given your heart,” she said. His brow furrowed, then smoothed. “Oh. No, not the way you think.” He laughed a little, the sound soft yet somehow wild. “Ask me why I went to the market.” This was cruel. “We both know why.” He shook his head. “Pretend that you’ve won a game of Bite and Sting. Why did I go? Ask me. It wasn’t to see a girl who doesn’t exist.” “She…doesn’t?” “I lied.” Kestrel blinked. “Then why did you go to the market?” “Because I wanted to feel free.” Arin raised a hand to brush the air by his temple, then awkwardly let it fall. Kestrel suddenly understood this gesture she’d seen many times. It was an old habit. He was brushing away a ghost, hair that was no longer there because she had ordered it cut. She leaned forward, and kissed his temple. Arin’s hand held her lightly to him. His cheek slid against hers. Then his lips touched her brow, her closed eyes, the line where her jaw met her throat. Kestrel’s mouth found his. His lips were salted with her tears, and the taste of that, of him, of their deepening kiss, filled her with the feeling of his quiet laugh moments ago. Of a wild softness, a soft wildness. In his hands, running up her thin dress. In his heat, burning through to her skin…and into her, sinking into him.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
With his tongue between his teeth, Officer Wally cocked his weapon and took aim. BANG! Mario felt the bullet enter his left foot, but carried on running undeterred. In place of screams, there was laughter. The golden ecstasy supplied by the drug was at its peak. It wouldn’t be long now; he could feel it. BANG! The second bullet caught him in his right foot, yet he dared not stop. It was near now, so near... BANG! “He missed,” Mario thought initially, but as he brought his hands to his lips, he tasted iron. Both his palms were bleeding profusely, and so were his feet. He laughed once again – head spinning, heart dancing, mind burdened by his search for meaning – his wet eyes on the velvet sky. The clouds were clearing. ‘The spear!’ he shouted to the heavens above. ‘Don’t forget the spear!’ It happened faster than any pair of eyes could capture it: the fourth bullet cut through the air with a tangible screech, and the nearby building exploded into applause. Like a marionette whose strings had been cut, Mario Fantoccio fell theatrically, the wound at his side painting the cobbles in Marsmeyer’s No.4 vermillion red. The ground beneath him split down the middle, and from the depths of asphalt, he heard music. It was the Music of Strings, of Celestial Spheres – an underworld rhapsody with dark aftertones, gushing out of the earth like puss from a wound. It was alluring, resplendent and at the same time, terrifying. Demonic and eternal, devastating and yet hypnotizing, the Sounds of Hell beckoned, and like an obedient child, Mario followed, sinking deeper and deeper into the Underworld. In a perfect moment of synchronicity, the orange sun of dusk broke through the rainclouds and cast a single beam of sunlight upon Mario’s forehead. He closed his eyes, his mind at ease, his head full of Music. The cobbles trembled under the approaching sound of footsteps. ‘Where is he? Where did he go?’ said the pursuing man. ‘H-he just vanished, sarge. In-into thin air!’ ‘Don’t be silly, Wally. People don’t just vanish into thin air. I know I got him. Heaven preserve me, I got him four times!’ ‘Yes, sarge.’ ‘What’s this now?’ ‘Rather looks like our man, sarge. Or at least, his rough outline filled out in blood. Well, except—’ ‘—except this one’s got wings,’ said the sergeant, his knees cracking as he crouched. He cautiously prodded the red shape with his index. ‘This ain’t blood, either.’ ‘Sir?’ The sergeant shoved the finger in his mouth. ‘Theatrical red paint.
Louise Blackwick (The Underworld Rhapsody)
He was so very gentle, despite his power and size, his fingertips sliding over her in light, beguiling patterns. His focus on her, his awareness of every sound, pulse, shiver, was absolute. His low voice tickled her ear as he murmured how beautiful she was, how good she felt, how hard she made him... and all the while, the thick shaft kept sinking deeper and deeper. By the time he filled her completely, she was feverish with need. A little sob of anticipation escaped her as he began to move. But every thrust was long and agonizingly slow, withholding the last bit of stimulation she needed. He held her more closely now, his weight on her from pelvis to breasts, while his hips rolled and circled, drawing up new surges of feeling. His mouth lowered to one of her breasts, licking and gently gnawing at the erect nipple. Squirming in frustration, she pushed her hips upward, but he pulled back reflexively. "No, love. I could hurt you." "You won't. Please... Keir..." "Please what?" "I need more." His laugh, a smolder of a sound, could have come from the devil himself. "I dinna think you can take more than this, darlin'." "I can." She strained against him. "This deep?" he asked, reaching places in her that had never been touched before. She shook at the pleasure of it. "Oh, God. Yes." His hands grasped her hips, keeping them angled firmly upward as he pumped in a steady rhythm. Slow in... slow out... "Faster," she said desperately. "No' yet," he whispered. "Please," she begged. His low, dark voice curled in her ear. "There's a saying we have about whisky: Slow fire makes sweet malt." She whimpered as he rolled his hips gently, his hardness caressing everywhere inside. The deliberate pace didn't alter, no matter how she tried to drive herself harder onto the rigid length of him. Every time she began to plead for more, his mouth came to hers in another one of those obliterating kisses. None of this was what she'd expected. Her husband had been a considerate lover, doing everything she liked and giving her exactly what she wanted. Keir, however, was doing the exact opposite. He delighted in tormenting her until she didn't recognize herself in the frantic creature she'd become. He was absolutely wicked, shameless, making love to her in ways that felt unimaginably good, always holding satisfaction just out of reach. "You give me so much pleasure, darlin'... more than a body can stand. The way you hold me so tight inside... like that... I can feel you pulling at me. Your wee, hungry body wants me deeper, aye? Put your hands on me... anywhere... ah, how I love your sweet touch...
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
I think people are like water. You never know how is the water until you touch it. Some of them are cold, some of them are hot, some of them are just warm. While you are sinking in a quiet water you may feel now and than a cold or hot feeling, or the water may get clear, foggy, faster or smoother. Sometimes water can be sweet, bitter, salty, it may get dry or you may want more of its pleasure. We are water & water vanishes...
Dragotel Viorica
Lara Jean?” I open my eyes. I’m not dreaming, and this is real. This is a nightmare. Peter Kavinsky is holding my letter in his hand. It’s my handwriting, my envelope, my everything. “How--how did you get that?” “It came in the mail yesterday.” Peter sighs. Gruffly he says, “Listen, it’s no big deal; I just hope you’re not going around telling people--” “It came in the mail? To your house?” “Yeah.” I feel faint. I actually feel faint. Please let me faint right now, because if I faint I will no longer be here, in this moment. It will be like in movies when a girl passes out from the horror of it all and the fighting happens while she is asleep and she wakes up in a hospital bed with a bruise or two, but she’s missed all the bad stuff. I wish that was my life instead of this. I can feel myself start to sweat. Rapidly I say, “You should know that I wrote that letter a really long time ago.” “Okay.” “Like, years ago. Years and years ago. I don’t even remember what I said.” Up close, your face wasn’t so much handsome as beautiful. “Seriously, that letter’s from middle school. I don’t even know who would have sent it. Can I see it?” I reach for the letter, trying to stay calm and not sound desperate. Just casual cool. He hesitates and then grins his perfect Peter grin. “Nah, I want to keep it. I never got a letter like this before.” I leap forward, and quick like a cat I snatch it out of his hand. Peter laughs and throws up his hands in surrender. “All right, fine, have it. Geez.” “Thanks.” I start to back away from him. The paper is shaking in my hand. “Wait.” He hesitates. “Listen, I didn’t mean to steal your first kiss or whatever. I mean, that wasn’t my intention--” I laugh, a forced and fake laugh that sounds crazy even to my own ears. People turn around and look at us. “Apology accepted! Ancient history!” And then I bolt. I run faster than I’ve ever run. All the way to the girls’ locker room. How did this even happen? I sink to the floor. I’ve had the going-to-school-naked dream before. I’ve had the going-to-school-naked-forgot-to-study-for-an-exam-in-a-class-I-never-signed-up-for combo, the naked-exam-somebody-trying-to-kill-me combo. This is all that times infinity. And then, because there’s nothing left for me to do, I take the letter out of the envelope and I read it.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
You have never seen the sun set at this height. Come, look.’ The puller went to the edge and sat down, his legs hanging over the side. He saw that they hesitated. ‘Come. You can lie down and peer over the edge, if you like.’ Hillalum did not wish to seem like a fearful child, but he could not bring himself to sit at a cliff face that stretched for thousands of cubits below his feet. He lay down on his belly, with only his head at the edge. Nanni joined him. ‘When the sun is about to set, look down the side of the tower.’ Hillalum glanced downward, and then quickly looked to the horizon. ‘What is different about the way the sun sets here?’ ‘Consider, when the sun sinks behind the peaks of the mountains to the west, it grows dark down on the plain of Shinar. Yet here, we are higher than the mountaintops, so we can still see the sun. The sun must descend further for us to see night.’ Hillalum’s jaw dropped as he understood. ‘The shadows of the mountains mark the beginning of night. Night falls on the earth before it does here.’ Kudda nodded. ‘You can watch night travel up the tower, from the ground up to the sky. It moves quickly, but you should be able to see it.’ He watched the red globe of the sun for a minute, and then looked down and pointed. ‘Now!’ Hillalum and Nanni looked down. At the base of the immense pillar, tiny Babylon was in shadow. Then the darkness climbed the tower, like a canopy unfurling upward. It moved slowly enough that Hillalum felt he could count the moments passing, but then it grew faster as it approached, until it raced past them faster than he could blink, and they were in twilight. Hillalum rolled over and looked up, in time to see darkness rapidly ascend the rest of the tower. Gradually, the sky grew dimmer as the sun sank beneath the edge of the world, far away. ‘Quite a sight, is it not?’ said Kudda. Hillalum said nothing. For the first time, he knew night for what it was: the shadow of the earth itself, cast against the sky.
Ted Chiang (Stories of Your Life and Others)
agreement with you are often more powerful than why they will make a deal, so focus first on clearing the barriers to agreement. Denying barriers or negative influences gives them credence; get them into the open. ■​Pause. After you label a barrier or mirror a statement, let it sink in. Don’t worry, the other party will fill the silence. ■​Label your counterpart’s fears to diffuse their power. We all want to talk about the happy stuff, but remember, the faster you interrupt action in your counterpart’s amygdala, the part of the brain that generates fear, the faster you can generate feelings of safety, well-being, and trust. ■​List the worst things that the other party could say about you and say them before the other person can. Performing an accusation audit in advance prepares you to head off negative dynamics before they take root. And because these accusations often sound exaggerated when said aloud, speaking them will encourage the other person to claim that quite the opposite is true. ■​Remember you’re dealing with a person who wants to be appreciated and understood. So use labels to reinforce and encourage positive perceptions and dynamics.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
Monkeys and pedestals is a mental model that helps you quit sooner. Pedestals are the part of the problem you know you can already solve, like designing the perfect business card or logo. The hardest thing is training the monkey. When faced with a complex, ambitious goal, (a) identify the hard thing first; (b) try to solve for that as quickly as possible; and (c) beware of false progress. Building pedestals creates the illusion that you are making progress toward your goal, but doing the easy stuff is a waste of time if the hard stuff is actually impossible. Tackling the monkey first gets you to no faster, limiting the time, effort, and money you sink into a project, making it easier to walk away. When we butt up against a hard problem we can’t solve, we have a tendency to turn to pedestal-building rather than choosing to quit. Advance planning and precommitment contracts increase the chances you will quit sooner. When you enter into a course of action, create a set of kill criteria. This is a list of signals you might see in the future that would tell you it’s time to quit. Kill criteria will help inoculate you against bad decision-making when you’re “in it” by limiting the number of decisions you’ll have to make once you’re already in the gains or in the losses. In organizations, kill criteria allow people a different way to get rewarded beyond dogged and blind pursuit of a project until the bitter end. A common, simple way to develop kill criteria is with “states and dates:” “If by (date), I have/haven’t (reached a particular state), I’ll quit.
Annie Duke (Quit: The Power of Knowing When to Walk Away)
Set the table: Decide exactly what you want. Clarity is essential. Write out your goals and objectives before you begin. Plan every day in advance: Think on paper. Every minute you spend in planning can save you five or ten minutes in execution. Apply the 80/20 Rule to everything: Twenty percent of your activities will account for 80 percent of your results. Always concentrate your efforts on that top 20 percent. Consider the consequences: Your most important tasks and priorities are those that can have the most serious consequences, positive or negative, on your life or work. Focus on these above all else. Practice creative procrastination: Since you can't do everything, you must learn to deliberately put off those tasks that are of low value so that you have enough time to do the few things that really count. Use the ABCDE Method continually: Before you begin work on a list of tasks, take a few moments to organize them by value and priority so you can be sure of working on your most important activities. Focus on key result areas: Identify and determine those results that you absolutely, positively have to get to do your job well, and work on them all day long. The Law of Three: Identify the three things you do in your work that account for 90 percent of your contribution, and focus on getting them done before anything else. You will then have more time for your family and personal life. Prepare thoroughly before you begin: Have everything you need at hand before you start. Assemble all the papers, information, tools, work materials, and numbers you might require so that you can get started and keep going. Take it one oil barrel at a time: You can accomplish the biggest and most complicated job if you just complete it one step at a time. Upgrade your key skills: The more knowledgeable and skilled you become at your key tasks, the faster you start them and the sooner you get them done. Leverage your special talents: Determine exactly what it is that you are very good at doing, or could be very good at, and throw your whole heart into doing those specific things very, very well. Identify your key constraints: Determine the bottlenecks or choke points, internal or external, that set the speed at which you achieve your most important goals, and focus on alleviating them. Put the pressure on yourself: Imagine that you have to leave town for a month, and work as if you had to get all your major tasks completed before you left. Maximize your personal power: Identify your periods of highest mental and physical energy each day, and structure your most important and demanding tasks around these times. Get lots of rest so you can perform at your best. Motivate yourself into action: Be your own cheerleader. Look for the good in every situation. Focus on the solution rather than the problem. Always be optimistic and constructive. Get out of the technological time sinks: Use technology to improve the quality of your communications, but do not allow yourself to become a slave to it. Learn to occasionally turn things off and leave them off. Slice and dice the task: Break large, complex tasks down into bite-sized pieces, and then do just one small part of the task to get started. Create large chunks of time: Organize your days around large blocks of time where you can concentrate for extended periods on your most important tasks. Develop a sense of urgency: Make a habit of moving fast on your key tasks. Become known as a person who does things quickly and well. Single handle every task: Set clear priorities, start immediately on your most important task, and then work without stopping until the job is 100 percent complete. This is the real key to high performance and maximum personal productivity.
Brian Tracy (Eat That Frog!: 21 Great Ways to Stop Procrastinating and Get More Done in Less Time)
It was Jo-Jo’s father, in fact, who had told both boys about his infamous and eponymous courtship kung fu move: Just let me stick the tip in, baby. Daron’s own father had told him nothing about sex except to use protection because, Loose lips really do sink ships, and nothing will sink your ship faster than a kid or a disease.
T. Geronimo Johnson (Welcome to Braggsville)
Peer Pressure in Texas If ya' can handle the pier pressure, do whatever floats yer boat and there'll be clear sailing ahead. But, if ya can't, you'll sink faster than a biscuit at an all-you-can-eat buffet.
Beryl Dov
The kitchen clock above the sink ticked. Wendy could look out the window and see the undergrads walking to class, all animated, young, with the clichéd rest of their lives waiting around the corner. Next year, Charlie would be one of them. You could tell these kids that it will go faster than they think, that they will blink and college will be gone and then ten years and another ten, but they won’t listen, can’t listen, and maybe that’s a good thing. “I
Harlan Coben (Caught)
He smoothed a little hair off her forehead. “I’m proud of you.” “It was so awesome.” “See? I knew you’d find something here to sink your teeth into.” He reached down, crossed his arms under her bottom and lifted her straight up so that her face was even with his. “Nowwww, what did we decide?” she asked, but her tone was teasing. Her smile was playful. “We decided that I would not kiss you.” “That’s right.” “I haven’t,” he said. “Maybe we should have talked about this,” she added, but she certainly didn’t struggle. In fact, this seemed oddly right. Celebratory. Like being picked up and swung around after the win of a big game. And that was how she felt—as though she’d just scored a touchdown. Arms resting on his shoulders, she clasped her hands behind his head. “We further decided that if you kissed me, I would let you,” he said. “You’re fishing.” “Does this look like fishing to you?” “Begging?” “Doing exactly as I’ve been told. Waiting.” What the hell, she thought. Absolutely nothing could feel better after the night she’d just spent than to plant a big wet one on this guy—a guy who’d keep his business open all night just in case they needed something. So she laid one on him. She slid her lips over his, opening them, moving over his with wicked and delicious intent, getting her tongue involved. And he did nothing but hold her there, allowing this. “Did you not like that?” she asked. “Oh,” he said. “Am I allowed to respond?” She whacked him softly in the head, making him laugh. She tried it again, and this time it was much more interesting. It made her heart beat faster, made her breathe hard. Yes, she thought. It is okay to feel something that doesn’t hurt sometimes. This wasn’t because she was grief-stricken or needy, this was because she was victorious. And all she could think about at the moment was his delicious mouth. When their mouths came apart, she said, “I feel like a total champ.” “You are,” he said, enjoying her mood more than she would ever guess. “God, you taste good.” “You don’t taste that bad,” she said, laughing. “Put me down now,” she instructed. “No. Do it again.” “Okay, but only one more, then you have to behave.” She planted another one on him, thoroughly enjoying his lips and tongue, the strength of the arms that held her. She refused to worry about whether this was a mistake. She was here, she was happy for once, and his mouth felt as natural to hers as if she’d been kissing him for years. She let the kiss be a little longer and deeper than she thought prudent, and even that made her smile. When it was over, he put her on her feet. “Whew,” she said. “We don’t have nearly enough births in this town.” “We have another one in about six weeks. And if you’re very, very good…” Ah, he thought. That gives me six weeks. He touched the end of her nose. “Nothing wrong with a little kissing, Mel.” “And you won’t get ideas?” He bellowed. “You can make me behave, it turns out. But you can’t keep me from getting ideas.” *
Robyn Carr (Virgin River (Virgin River #1))
The nerve of him. How dare he imply that she might try and manipulate a scientific study. “Now it’s your turn to listen, Mr. Mayor. I don’t give a damn about your political ambitions, or your plans for Coral Beach,” she hissed. “They mean nothing to me. The only thing I care about is the condition of this town’s reef. You managed to get one thing right, though. I do have a good reputation. It’s excellent, actually. Say one thing to defame it, and I will sink your political career faster than the Titanic.” Incensed, Lily shoved the car door open and scrambled out. Sean’s opened in tandem. His words carried over the sound of doors slamming, one after the other. “I always think it’s great to clear the air like this. Must admit, I’m looking forward to these next few weeks. Diving with a world-renowned scientist. Hey, maybe I’ll even drop by the lab; we could do an experiment together, just for old times’ sake. Wouldn’t that be fun, Lily?” Lily glared at his smiling face. Her most fervent wish was that they might already be in the water. So she could drown him. As if he could read her mind, Sean shook his head. “Shame on you, Lily,” he cheerfully mocked. “Now, let’s see a big, happy smile for your Granny May.
Laura Moore (Night Swimming: A Novel)
and 65 percent the second time around; despite the staggering frequency of affairs; despite the fact that monogamy is a ship sinking faster than anyone can bail it out, we continue to cling to the wreckage with absolute faith in its structural soundness.
Esther Perel (Mating in Captivity: Unlocking Erotic Intelligence)
This is where it starts—where it always starts: you peer out over your long nose and see green. It brushes against your outer coat and tickles the smooth skin of your belly. It blankets the ground beneath your paws. In place of the endless stone boxes the men built, giant green trunks rise up around you. You sit on your hindquarters but still can’t quite tilt your head back far enough to see their leafy tops. This isn’t your home. There’s no way you could’ve been here before. But somehow, it feels familiar. And there is something else you recognize. . . . Meat. Your whole body seems to shout the word at once. Fur bristles along your spine. Your muzzle twitches and saliva drips from your jowls. You feel the smooth sharpness of your tearing teeth. It has been so long. Where is the meat? Your ears stand upright, the fine hairs taking in everything. You hear the crisp snap of a small branch, then the whisper of fur brushing against leaves. You think you can even hear the trill of a heartbeat. More than anything, though, you can smell the creature, hidden in the shadows, between the darker shades of green. It smells like fear and food, like everything you love about the chase. It smells like life. Out of the corner of your vision, you sense motion. You spring forward from your back legs, and the animal bolts, a tawny blur. It’s not like the rodents you’re used to. This is bigger. It bounds instead of skitters, leaps instead of burrows. It’s all speed and grace, and you love the energy it takes to chase after it. Your pack is with you suddenly—brothers and sisters and second cousins, alphas and omegas. As you tear through the forest, head nodding and eyes watering, they trail in lines behind you, and you know without looking that your tail is streaming out like a flag. With the blood pumping inside your ears, each second sounds like a bark. The creature is faster than you are, but it’s losing steam. You’re panting but not tired. You run and run and run, watching the spindly legs flick through the underbrush ahead of you. You were made for this. There’s a flick of white, a flash of a hoof. You drive harder, your nails churning up cool dirt. The pack fans out and starts to close in, herding your prey closer and closer. It’s slowing. You’re gaining. It stumbles, and you dive. You open your jaws. You sink in your teeth. You savor.
Devon Hughes (Unnaturals: The Battle Begins)
At the end of the day I typically have a big pile of dirty dishes. I’ve been known to spend ten minutes organizing them on the countertop before loading them into the dishwasher. People almost always scratch their head and say, “You know the right way to do dishes would have been faster that what you just did.” And they aren’t wrong. It is, technically speaking, faster to load dishes directly from the sink into the dishwasher or, better yet, directly from using them into the dishwasher throughout the day. But sometimes the “right” way of doing something creates barriers for certain executive functioning skills. Sometimes the simple reason is that the right way is not enjoyable and so it gets procrastinated. For a lot of people, finding a method that bypasses the most executive functioning barriers or that makes a task a little less intolerable is better than what’s “quickest.” In the end, the approach that you are motivated to do and enjoy doing is the most “efficient,” because you are actually doing it and not avoiding it.
K.C. Davis (How to Keep House While Drowning)
Inextricably linked to the climate emergency is a broader environmental crisis. A third of the Earth’s land is now acutely degraded, with fertile soil being lost at a rate of 24 billion tonnes a year through intensive farming.[19] Generating three centimetres of top soil takes 1,000 years, and, the UN said in 2014, if current rates of degradation continue all of the world's top soil could be gone within 60 years.[20] 95% of our food presently comes from the soil. Unless new approaches are adopted, the global amount of arable and productive land per person in 2050 will be only a quarter of the level in 1960. The equivalent of 30 football pitches of soil are being lost every minute. Heavy tilling, monocropping multiple harvests and abundant use of agrochemicals have increased yields at the expense of long-term sustainability. Agriculture is actually the number one reason for deforestation. In the past 20 years, agricultural production has increased threefold and the amount of irrigated land has doubled, often leading to land abandonment and desertification. Decreasing productivity has been observed, due to diminished fertility, on 20% of the world’s cropland, 16% of forest land, 19% of grassland, and 27% of rangeland. Furthermore, tropical forests have become a source rather than a sink of carbon.[21] Forest areas in South America, Africa and Asia – which have until recently played a crucial role in absorbing GHG – are now releasing 425 teragrams of carbon annually, more than all the traffic in the US. This is due to the thinning of tree density and culling of biodiversity, reducing biomass by up to 75%. Scientists combined 12 years of satellite data with field studies. They found a net carbon loss on every continent. Latin America – home to the world’s biggest forest, the Amazon, which is responsible for 20% of its oxygen – accounted for nearly 60% of the emissions, while 24% came from Africa and 16% from Asia. Every year about 18 million hectares of forest – an area the size of England and Wales – is felled. In just 40 years, possibly one billion hectares, the equivalent of Europe, has been torn down. Half the world’s rainforests have been razed in a century and they will vanish altogether at current rates within another. Earth’s “sixth mass extinction”[22] is well underway: up to 50% of all individual animals have been lost in recent decades and almost half of land mammals have lost 80% of their range in the last century. Vertebrate populations have fallen by an average of 60% since the 1970s, and in some countries there has been an even faster decline of insects – vital, of course, for aerating the soil, pollinating blossoms, and controlling insect and plant pests.
Ted Reese (Socialism or Extinction: Climate, Automation and War in the Final Capitalist Breakdown)
Imagine yourself in your counterpart’s situation. The beauty of empathy is that it doesn’t demand that you agree with the other person’s ideas (you may well find them crazy). But by acknowledging the other person’s situation, you immediately convey that you are listening. And once they know that you are listening, they may tell you something that you can use. The reasons why a counterpart will not make an agreement with you are often more powerful than why they will make a deal, so focus first on clearing the barriers to agreement. Denying barriers or negative influences gives them credence; get them into the open. Pause. After you label a barrier or mirror a statement, let it sink in. Don’t worry, the other party will fill the silence. Label your counterpart’s fears to diffuse their power. We all want to talk about the happy stuff, but remember, the faster you interrupt action in your counterpart’s amygdala, the part of the brain that generates fear, the faster you can generate feelings of safety, well-being, and trust. List the worst things that the other party could say about you and say them before the other person can. Performing an accusation audit in advance prepares you to head off negative dynamics before they take root. And because these accusations often sound exaggerated when said aloud, speaking them will encourage the other person to claim that quite the opposite is true. Remember you’re dealing with a person who wants to be appreciated and understood. So use labels to reinforce and encourage positive perceptions and dynamics.
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
New York is surprisingly at risk. First, it’s on an estuary. The Hudson River, which runs along the west side of the city, needs an exit. So unlike with a harbor city like, say, Tokyo, or a city on a lagoon like Venice, you can’t just wall New York off from the rising ocean. Second, there are a lot of low areas, including the Brooklyn and Queens waterfronts and Lower Manhattan, which have been enlarged by landfill over the years (if you compare the map of damage from Sandy in 2012 with a map of Manhattan in 1650, you’ll see that they match pretty well—almost all the flooding occurred in landfill areas). The amount of real estate at risk in New York is mind-boggling: 72,000 buildings worth over $129 billion stand in flood zones today, with thousands more buildings at risk with each foot of sea-level rise. In addition, New York has a lot of industrial waterfront, where toxic materials and poor communities live in close proximity, as well as a huge amount of underground infrastructure—subways, tunnels, electrical systems. Finally, New York is a sea-level-rise hotspot. Because of changes in ocean dynamics, as well as the fact that the ground beneath the city is sinking as the continent recovers from the last ice age, seas are now rising about 50 percent faster in the New York area than the global average.
Jeff Goodell (The Water Will Come: Rising Seas, Sinking Cities, and the Remaking of the Civilized World)
shower in five days. “Are you serious?” His smile grew wider, literally ear to ear, making his face look like one big blob of silly putty. “Feeling a little cranky?” “You cannot be for real, you fucking asshole.” He shook his head at her as if she were five. “You haven’t read the pamphlets I left for you, have you?” He didn’t wait for her to answer. “If you don’t eat at least five small well-balanced meals with plenty of protein and healthy fats, your hormones will get out of whack, and one of the symptoms is crankiness.” “Fuck you.” He went to the kitchen. She could hear cupboards being opened and closed. She could already smell Lysol. The man was cleaning the kitchen. She couldn’t believe he expected her to pay him fifteen thousand dollars to be restrained, deprived, and tortured. Unlike others who might think this a grand plan, she had come to terms with her weight long ago. All she wanted to do was lose a few pounds. She had put down five thousand dollars as a deposit, promising to pay the rest upon reaching her goal weight. She had only spent the money in hopes of finding Diane. Sure, it was a lot of money, but she knew that Diane would have done the same for her had the situation been reversed. She slid off the bed and went to stand just outside the kitchen. He was on his hands and knees scrubbing the floor just like her mother used to do. “I want out,” she said. “I will sign anything you want me to, declaring to all of your lawyers and the world that the decision was mine. I don’t want a refund. I don’t want anything from you. I just want you to unlock me and let me go.” He kept scrubbing, didn’t even bother to look at her when he answered. “Sorry. Can’t do.” “Why not?” “What you’re experiencing right now is just part of the process. Everybody goes through it. You just happened to get to stage three faster than most. In fact, you skipped stages one and two altogether.” Vivian didn’t care about stage one or two, or even three. She only cared about getting out of here. “You’ve done your job. I’ve lost over sixty pounds. I want to go home.” That got his attention and he looked at her, his eyes narrowing as he scanned her body from head to toes. She hated him—hated him more than she’d ever hated anyone in her life. “I’m impressed.” “Great. So can you unlock this cuff around my ankle?” “No. Sorry.” “Why not?” He stood, put the rag and bottle of cleanser under the sink, and then walked past her. In the top drawer of her bedside table, he pulled out a ledger
T.R. Ragan (Dead Weight (Lizzy Gardner #2))
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