Exhibition Stand Quotes

Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta. She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita. Did she have a precursor? She did, indeed she did. In point of fact, there might have been no Lolita at all had I not loved, one summer, an initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for a fancy prose style. Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns.

Deserts possess a particular magic, since they have exhausted their own futures, and are thus free of time. Anything erected there, a city, a pyramid, a motel, stands outside time. It's no coincidence that religious leaders emerge from the desert. Modern shopping malls have much the same function. A future Rimbaud, Van Gogh or Adolf Hitler will emerge from their timeless wastes.

I knew that I would have to be brave. Not foolhardy, not in love with risk and danger, not making ridiculous exhibitions of myself to prove that I wasn't terrified--really genuinely brave. Brave enough to be quiet when quiet was called for, brave enough to observe before flinging myself into something, brave enough to not abandon my true self when someone else wanted to seduce or force me in a direction I didn't want to go, brave enough to stand my ground quietly.

We are not sheep or cows. God didn’t create fences for us or boundaries to contain our nationalities. Man did. God didn’t draw up religious barriers to separate us from each other. Man did. And on top of that, no father would like to see his children fighting or killing each other. The Creator favors the man who spreads loves over the man who spreads hate. A religious title does not make anyone more superior over another. If a kind man stands by his conscience and exhibits truth in his words and actions, he will stand by God regardless of his faith. If mankind wants to evolve, we must learn from our past mistakes. If not, our technology will evolve without us.

For a moment she could have sworn she was standing in one of those history-comes-alive museums--the kind that feature animatronic robots, the narration stylings of James Earl Jones, and the sort of exhibits that invade children's nightmares for years to come. But instead of a cyborgish John Wilkes Booth discharging his deadly bullet into the back of a plastic Lincoln's head, a very real version of the assassin was engaged in a furious arm-wrestling match with Elvis Presley. Lincoln was watching the tussle, amused. "Come on, John," he said. "You can do better than that." "He's all talk," Elvis whispered back. "Silence!" roared Booth. "I'm trying to concentrate!" Lincoln rolled his eyes.

It is the natural tendency of the ignorant to believe what is not true. In order to overcome that tendency it is not sufficient to exhibit the true; it is also necessary to expose and denounce the false. To admit that the false has any standing in court, that it ought to be handled gently because millions of morons cherish it and thousands of quacks make their livings propagating it—to admit this, as the more fatuous of the reconcilers of science and religion inevitably do, is to abandon a just cause to its enemies, cravenly and without excuse.

As for others whose lives are not so ordered, he reminds himself constantly of the characters they exhibit daily and nightly at home and abroad, and of the sort of society they frequent; and the approval of such men, who do not even stand well in their own eyes, has no value for him.

I had made this mistake once before, on a school trip to the Victoria and Albert Museum, when I followed a sign marked WOMEN, thinking it was an exhibition on the changing roles of women in society, and actually ended up standing in the ladies' toilets.

Jonathan had become increasingly disillusioned with living in New York. Something along the lines of: the city, New York fucking City, tedious and boring, its charms as illusory as its facade of authenticity. Its lines were too long. Everything was a status symbol and everything cost too much. There were so many on-trend consumers, standing in lines for blocks to experience a fad dessert, gimmicky art exhibits, a new retail concept store. We were all making such uninspired lifestyle choices. We, including me.

If there’s any greater exhibit of the malleability of human nature than the sight of someone standing, absently waiting for the light to change at a deserted intersection, I don’t know what it is.

All the sneakiness her sister had exhibited as a child had been honed to adult perfection, so that Claire could be standing right in front of an oncoming train and still insist that everything was going to be fine.

Magnus,” he said. “What on earth happened to James?” “What happened?” Magnus asked musingly. “Well, let me see. He stole a bicycle and rode it, not using his hands at any point, through Trafalgar Square. He attempted to climb Nelson’s Column and fight with Nelson. Then I lost him for a brief period of time, and by the time I caught up with him, he had wandered into Hyde Park, waded into the Serpentine, spread his arms wide, and was shouting, ‘Ducks, embrace me as your king!’” “Dear God,” said Will. “He must have been vilely drunk. Tessa, I can bear it no longer. He is taking awful risks with his life and rejecting all the principles I hold most dear. If he continues making an exhibition of himself throughout London, he will be called to Idris and kept there away from the mundanes. Does he not realize that?” Magnus shrugged. “He also made inappropriate amorous advances to a startled grandmotherly sort selling flowers, an Irish wolfhound, an innocent hat stand in a dwelling he broke into, and myself. I will add that I do not believe his admiration of my person, dazzling though I am, to be sincere. He told me I was a beautiful, sparkling lady. Then he abruptly collapsed, naturally in the path of an oncoming train from Dover, and I decided it was well past time to take him home and place him in the bosom of his family. If you had rather I put him in an orphanage, I fully understand.

To my lovely starling, Maybe there are magical words that will make you understand, but if so, I do not know them. Words are your domain. I've always been better with pictures. I fear you think I am a monster. It's true I've disrupted many graves. The way I see it, the dead are dead. If, after their death, we can learn things from the about the human form - things that will increase the sum of human knowledge and the possibilities of art - what harm is that? After death, new life, new beauty. How can that be wrong? My friends and I have made use of some of the bodies as models. some we sell to surgeons who study them with the hopes of learning something about the frail mechanisms of the human body. I don't know exactly what Dottor de Gradi does in his workshop on the Rialto, and I was as surprised as you were to stumble on it. He couldn't - he wouldn't tell me if your friend's body ended up there. But he did assure me all of his work is focused solely on extending human life. I won't lie. I did it for the money as well. Don Loredan is holding a private exhibition in his palazzo tomorrow. The entry fee was quite steep but two of my paintings were accepted. This could be the beginning for me. I could find my own patrons. I could be more than just a peasant. Tommaso's assistant. So yes; a little for money. But mostly I did for the art. I don't expect these words to change how you feel. I simply want you not to see me as a monster. I don't want to be a monster. Not anymore. Not after meeting you. I know that we disrupted you dear friend's body, and for that I am deeply regretful. But if we had not done so, if I had not lingered in the San Domenico churchyard after standing guard for my friends, you and I might never have met. Meeting you is one thing I will never regret. I hope you like the painting. Consider tit a wedding gift. How stupid of me to let my heart go. It was a lovely fantasy while it lasted, though, wasn't it? Yours, Falco

Standing on your own feet, naturally, is as tiresome and dangerous as standing your ground; and when the wild dogs begin to circle grinning round you with their dripping tongues hanging out and you know that with mock servility they like to go for your toes first, why, then, you should stand on someone else’s feet, or head if necessary. It is a point of faith for me never to be Hitler; he stood his ground in his own two shoes in his own little hole almost to the end, the fool. But I may disguise myself as any other animate or inanimate object in what follows. I can be eight lame women with falsies, eight cracked chamber pots, or -- let’s get right to the point -- a gladiator who is actually constructed of old clothes, brooms, and a paper plate with a face daubed on in finger-paints, not to mention two vagrants inside each shirt-sleeve and pant-leg, moving Goliath’s limbs at my say-so; but as long as you believe in the gladiator, you are whipped, and the Museum people will set out on your track, and then once they catch you, don’t think I won’t come study your exhibit until I can convince your own sweetheart that I am you come back from the dead. For I am Big George, the eternal winner.

Yet today, from countless paintings, statues, and buildings, from literature and history, from personality and institution, from profanity, popular song, and entertainment media, from confession and controversy, from legend and ritual—Jesus stands quietly at the center of the contemporary world, as he himself predicted. He so graced the ugly instrument on which he died that the cross has become the most widely exhibited and recognized symbol on earth.

It was a strange sight, and perhaps the most disgraceful exhibition ever made by any President; but, as no evil is entirely unmixed, good has come of this, as from many others. Ambitious, unscrupulous, energetic, indefatigable, voluble, and plausible,—a political gladiator, ready for a “set-to” in any crowd,—he is beaten in his own chosen field, and stands to-day before the country as a convicted usurper, a political criminal, guilty of a bold and persistent attempt to possess himself of the legislative powers solemnly secured to Congress by the Constitution. No vindication could be more complete, no condemnation could be more absolute and humiliating. Unless reopened by the sword, as recklessly threatened in some circles, this question is now closed for all time.

How one views Scripture will determine the rest of one's theology. There is no more basic issue: Every system of thought that takes seriously the claims of the Bible to be the inspired, authoritative Word of God will share a commitment to particular central truths, and that without compromise. Those systems that do not begin with this belief in Scripture will exhibit a wide range of beliefs that will shift over time in light of the ever-changing whims and views of culture. Almost every single collapse involving denominations and churches in regard to historic Christian beliefs can be traced back to a degradation in that group's view of the Bible as the inspired and inerrant revelation of God's truth. Once this foundation is lost, the house that was built upon it cannot long stand

Why the devil couldn’t it have been blue?” I said to myself. And this thought—one of the most profound ever made since the discovery of butterflies—consoled me for my misdeed and reconciled me with myself. I stood there, looking at the corpse with, I confess, a certain sympathy. The butterfly had probably come out of the woods, well-fed and happy, into the sunlight of a beautiful morning. Modest in its demands on life, it had been content to fly about and exhibit its special beauty under the vast cupola of a blue sky, al sky that is always blue for those that have wings. It flew through my open window, entered by room, and found me there. I suppose it had never seen a man; therefore it did not know what a man was. It described an infinite number of circles about my body and saw that I moved, that I had eyes, arms, legs, a divine aspect, and colossal stature. Then it said to itself, “This is probably the maker of butterflies.” The idea overwhelmed it, terrified it; but fear, which is sometimes stimulating, suggested the best way for it to please its creator was to kiss him on the forehead, and so it kissed me on the forehead. When I brushed it away, it rested on the windowpane, saw from there the portrait of my father, and quite possibly perceived a half-truth, i.e., that the man in the picture was the father of the creator of butterflies, and it flew to beg his mercy. Then a blow from a towel ended the adventure. Neither the blue sky’s immensity, nor the flowers’ joy, nor the green leaves’ splendor could protect the creature against a face towel, a few square inches fo cheap linin. Note how excellent it is to be superior to butterflies! For, even if it had been blue, its life would not have been safe; I might have pierced it with a pin and kept it to delight my eyes. It was not blue. This last thought consoled me again. I placed the nail of my middle finger against my thumb, gave the cadaver a flip, and it fell into the garden. It was high time; the provident ants were already gathering around…Yes, I stand by my first idea: I think that it would have been better for the butterfly if it had been born blue.

For the Stoics, the realisation that we can often choose not to be distressed by events, even if we can’t choose events themselves, is the foundation of tranquility. For the Buddhists, a willingness to observe the ‘inner weather’ of your thoughts and emotions is the key to understanding that they need not dictate your actions. Each of these is a different way of resisting the ‘irritable reaching’ after better circumstances or better thoughts and feelings. But negative capability need not involve embracing an ancient philosophical or religious tradition. It is also the skill you’re exhibiting when you move forward with a project – or with life – in the absence of sharply defined goals; when you dare to inspect your failures; when you stop trying to eliminate feelings of insecurity; or when you put aside ‘motivational’ techniques in favour of actually getting things done.

They leave Khalil’s body in the street like it’s an exhibit. Police cars and ambulances flash all along Carnation Street. People stand off to the side, trying to see what happened.

The neighbourhood of Pangbourne, where the quaint little Swan Inn stands, must be as familiar to the habitues of the Art Exhibitions as it is to its own inhabitants.

I am often asked how it is that I am able to value people to such a deep degree. Apparently, I exhibit an ability to value others, that goes beyond ordinary. Well, the answer to that is simple. And it's not a religious answer, either. You see, it goes like this, when I look into a person's eyes, I am deeply aware of the fact that I am not only looking into the eyes of this person right here in front of me; but that I am looking into the eyes of a child, a baby, a grandparent... I am looking into the eyes of someone who has dreams at night, someone who plans for a future, someone who cries and laughs... it's not just the person standing in front of me, that I see; but I see all the persons that the individual has ever been and ever will be. I even see who they are in their dreams at night. You see, a person is much more than just a person! A person is a collection of vast and wide stories, each one good enough to read! So when I see people, I see all of these things! How can I not value a person when I see them in this way?

But no hero can stand before her, no god can wrestle her down, no magic can keep her out--or in, for she's no prisoner of ours. Even while we exhibit her here, she is walking among you, touching and taking. For Elli is Old Age.

When, in the course of their march, they came upon a friendly population, these would entertain them with exhibitions of fatted children belonging to the wealthy classes, fed up on boiled chestnuts until they were as white as white can be, of skin plump and delicate, and very nearly as broad as they were long, with their backs variegated and their breasts tattooed with patterns of all sorts of flowers. They sought after the women in the Hellenic army, and would fain have laid with them openly in broad daylight, for that was their custom. The whole community, male and female alike, were fair-complexioned and white-skinned. It was agreed that this was the most barbaric and outlandish people that they had passed through on the whole expedition, and the furthest removed from the Hellenic customs, doing in a crowd precisely what other people would prefer to do in solitude, and when alone behaving exactly as others would behave in company, talking to themselves and laughing at their own expense, standing still and then again capering about, wherever they might chance to be, without rhyme or reason, as if their sole business were to show off to the rest of the world.

Stop worrying about whether or not you are exhibiting grace or rightly serving others. I can tell you right now, you are terrible at it. Your grace and your mercy are weak and misinformed and inadequate. Your version of mercy is that you were holding a stone but have been shamed into dropping it. Your life as a Christian will roll along much easier if you will let Jesus stand with you, if you will realize that He loves YOU, that he defends YOU, that He knows you are in the wrong and He still persits with your defense. Then you will know the release of having the defender and lover of your soul give you the life-giving freedom to go your way and sin no more. When you have tasted the incredible rush of having teh One who is just and the justifier of your soul stand stand with you in your defense, when you realize that He will persit in loving your forever, you will rush in your excitement and freedom, to bring others to drink the rich nectar of His perfect love. This is the true Christian life, full of freedom, assurance, and love

In the past year, Jonathan had become increasingly disillusioned with living in New York. Something along the lines of: the city, New York fucking City, tedious and boring, its charms as illusory as its facade of authenticity. Its lines were too long. Everything was a status symbol and everything cost too much. There were so many on-trend consumers, standing in lines for blocks to experience a fad dessert, gimmicky art exhibits, a new retail concept store. We were all making such inspired lifestyle choices. We, including me.

I had only the most tenuous idea of what might happen next, but I knew that I would have to be brave. Not foolhardy, not in love with risk and danger, not making ridiculous exhibitions of myself to prove that I wasn’t terrified—really, genuinely brave. Brave enough to be quiet when quiet was called for, brave enough to observe before flinging myself into something, brave enough to not abandon my true self when someone else wanted to seduce or force me in a direction I didn’t want to go, brave enough to stand my ground quietly.

The undocumented immigrants who died on 9/11 worked in restaurants, in housekeeping, in security. They were also deliverymen. The 9/11 Memorial and Museum now stands where the Twin Towers once stood. They have an exhibit that gutted me when I saw it. It’s a bicycle, presumed to have belonged to a deliveryman, a bike that was left tied to a pole near the Twin Towers. Visitors to the site had left acrylic flowers—red, white, and blue roses and carnations. They also left a rosary on the bicycle. It became a makeshift memorial. There was a note on the street next to the bike. EN MEMORIA DE LOS DELIVERY BOYS QUE MURIERON. SEPT 11 2001. “In memory of the delivery boys who died.” Delivery boys. That’s how I know it was the delivery boys who put up that sign, who left those acrylic flowers, men like my dad.

All great, simple images reveal a psychic state. The house, even more than the landscape, is a "psychic state," and even when reproduced as it appears from the outside, it bespeaks intimacy. Psychologists generally, and Francoise Minkowska in particular, together with those whom she has succeeded interesting in the subject, have studied the drawing of houses made by children, and even used them for testing. Indeed, the house-test has the advantage of welcoming spontaneity, for many children draw a house spontaneously while dreaming over their paper and pencil. To quote Anne Balif: "Asking a child to draw his house is asking him to reveal the deepest dream shelter he has found for his happiness. If he is happy, he will succeed in drawing a snug, protected house which is well built on deeply-rooted foundations." It will have the right shape, and nearly always there will be some indication of its inner strength. In certain drawings, quite obviously, to quote Mme. Balif, "it is warm indoors, and there is a fire burning, such a big fire, in fact, that it can be seen coming out of the chimney." When the house is happy, soft smoke rises in gay rings above the roof. If the child is unhappy, however, the house bears traces of his distress. In this connection, I recall that Francoise Minkowska organized an unusually moving exhibition of drawings by Polish and Jewish children who had suffered the cruelties of the German occupation during the last war. One child, who had been hidden in a closet every time there was an alert, continued to draw narrow, cold, closed houses long after those evil times were over. These are what Mme. Minkowska calls "motionless" houses, houses that have become motionless in their rigidity. "This rigidity and motionlessness are present in the smoke as well as in the window curtains. The surrounding trees are quite straight and give the impression of standing guard over the house". Mme. Minkowska knows that a live house is not really "motionless," that, particularly, it integrates the movements by means of which one accedes to the door. Thus the path that leads to the house is often a climbing one. At times, even, it is inviting. In any case, it always possesses certain kinesthetic features. If we were making a Rorschach test, we should say that the house has "K." Often a simple detail suffices for Mme. Minkowska, a distinguished psychologist, to recognize the way the house functions. In one house, drawn by an eight-year-old child, she notes that there is " a knob on the door; people go in the house, they live there." It is not merely a constructed house, it is also a house that is "lived-in." Quite obviously the door-knob has a functional significance. This is the kinesthetic sign, so frequently forgotten in the drawings of "tense" children. Naturally, too, the door-knob could hardly be drawn in scale with the house, its function taking precedence over any question of size. For it expresses the function of opening, and only a logical mind could object that it is used to close as well as to open the door. In the domain of values, on the other hand, a key closes more often than it opens, whereas the door-knob opens more often than it closes. And the gesture of closing is always sharper, firmer, and briefer than that of opening. It is by weighing such fine points as these that, like Francoise Minkowska, one becomes a psychologist of houses.

But know this: whether you actively engage in the violent culture of hate or merely step out of the way to give it permission to persist and room to grow, you are complicit. And white people, you give permission to this culture every day you do nothing more than have “conversations on race.” You don’t get to just have conversations anymore. You don’t get to just wear a safety pin and call yourself an ally. You don’t get to just talk while the rest of us fear for our lives because discrimination, rape culture, and xenophobia just won the White House. Too often oppressed people are told to exhibit an inordinate amount of grace and patience while white people are “on their journey.” And it’s true: No one is born woke. We all have work to do and we should respect where people are. But as Dr. King reminds us, too often “wait means never,” and your journey may cost someone their citizenship, their religious freedom, or their life.

Two things fill the mind with every new and increasing wonder and awe, the oftener and the more steadily I reflect upon them: the starry heavens above me and the moral law within me. I do not merely conjecture them and seek them as if they were obscured in darkness or in the transcendent region beyond my horizon: I see them before me, and I connect them directly with the consciousness of my own existence. The starry heavens begin at the place I occupy in the external world of sense, and they broaden the connection in which I stand into an unbounded magnitude of worlds beyond worlds and systems of systems and into the limitless times of their periodic motion, their beginning and duration. The latter begins at my invisible self, my personality, and exhibits me in a world which has true infinity but which only the understanding can trace - a world in which I recognise myself as existing in a universal and necessary ( and not, as in the first case, only contingent) connection, and thereby also in connection with all those visible worlds. The former view of a countless multitude of worlds annihilates, as it were, my importance as an 'animal creature' which must give back to the planet (a mere speck in the universe) the matter fro which it came, matter which is for a little time endowed with vital force, we know not how. The latter, on the contrary, infinitely raises my worth as that of an 'intelligence' by my being a person in whom the moral law reveals to me a life independent of all animality and even of the whole world of sense, at least so far as it may be inferred from the final destination assigned to my existence by this law, a destination which is not restricted to the conditions and boundaries of this life but reaches into the infinite.

Hannibal excelled as a tactician. No battle in history is a finer sample of tactics than Cannae. But he was yet greater in logistics and strategy. No captain ever marched to and fro among so many armies of troops superior to his own numbers and material as fearlessly and skillfully as he. No man ever held his own so long or so ably against such odds. Constantly overmatched by better soldiers, led by generals always respectable, often of great ability, he yet defied all their efforts to drive him from Italy, for half a generation. …As a soldier, in the countenance he presented to the stoutest of foes and in the constancy he exhibited under the bitterest adversity, Hannibal stands alone and unequaled. As a man, no character in history exhibits a purer life or nobler patriotism.

When one gives up the Christian faith, one pulls the right to Christian morality out from under one's feet. This morality is by no means self-evident: this point has to be exhibited again and again, despite the English flatheads. Christianity is a system, a whole view of things thought out together. By breaking one main concept out of it, the faith in God, one breaks the whole: nothing necessary remains in one's hands. Christianity presupposes that man does not know, cannot know, what is good for him, what evil: he believes in God, who alone knows it. Christian morality is a command; its origin is transcendent; it is beyond all criticism, all right to criticism; it has truth only if God is the truth—it stands and falls with faith in God. When the English actually believe that they know "intuitively" what is good and evil, when they therefore suppose that they no longer require Christianity as the guarantee of morality, we merely witness the effects of the dominion of the Christian value judgment and an expression of the strength and depth of this dominion: such that the origin of English morality has been forgotten, such that the very conditional character of its right to existence is no longer felt.

I had only the most tenuous idea of what might happen next, but I knew that I would have to be brave. Not foolhardy, not in love with risk and danger, not making ridiculous exhibitions of myself to prove that I wasn’t terrified— really, genuinely brave. Brave enough to be quiet when quiet was called for, brave enough to observe before flinging myself into something, brave enough to not abandon my true self when someone else wanted to seduce or force me in a direction I didn’t want to go, brave enough to stand my ground quietly.

God saw Hansen tighten his chokehold on Day and he could see his lover fighting to breathe. Day’s ears and neck were bright red. His lips were turning a darker color as his body was deprived of oxygen. Hansen pressed the barrel in deeper and yelled. “Two minutes and fifteen seconds before I get to zero and I provide the great state of Georgia the luxury of one less narc.” God’s mind exploded at the thought of not having Day in a world he lived in. He looked into his partner’s glistening eyes and saw he was turning blue and possibly getting ready to faint. Day was still looking at him, looking into God’s green eyes. No, no, no! He’s saying good-bye. God closed his eyes and released a loud, gut-wrenching growl cutting off the SWAT leader’s negotiations. “Godfrey, get yourself under control,” his captain said while grabbing for him. God jerked himself away from the hold and stepped forward, his angry eyes boring into Hansen’s dark ones. Hansen stared at him as if God was crazy. Little did he know God was at that moment. “Godfrey, get back here and stand down. That’s an order, Detective!” his captain barked. God’s large hands clenched at his sides fighting not to pull out his weapons. He ground his teeth together so hard his jaw ached. “Do you have any idea of the shit storm you’re about to bring down on your life,” God spoke with a menacing snarl while his large frame shook with fury. “In your arms you hold the only thing in this world that means anything to me. The man that you are pointing a gun at is my only purpose for living. You are threating to kill the only person in this world that gives a fuck about me.” God took two more steps forward and was vaguely aware of the complete silence surrounding him. Hansen’s finger hovered shakily over the trigger as he took two large steps back with Day still tight against his chest. God growled again and he saw a shade of fear ghost over Hansen’s sweaty face. “If you kill that man, I swear on everything that is holy, I will track you to the ends of the earth, killing and destroying any and everything you hold dear. I will take everything from you and leave you alive to suffer through it. I will bestow upon you the same misery that you have given to me.” Hansen shook his head and inched closer to the door behind him. “Stay back,” he yelled again but this time the demand lacked the courage and venom he exhibited before. “You kill that man, and you’ll have no idea of the monster you will create. Have you ever met a man with no heart…no conscience…no soul…no purpose?” God rumbled, his voice at least twelve octaves lower than the already deep baritone. God yanked his Desert Eagle from his holster in a flash and cocked the hammer back chambering the first round. Hansen stumbled back again, his eyes gone wide with fear. God’s entire body instinctually flexed every muscle in his body and it felt like the large vein in his neck might rupture. His body burned like he had a sweltering fever and he knew his wrath had him a brilliant shade of red. “I’m asking you a goddamn question, Hansen! No soul! No conscience! I’m asking you have you ever met the devil!” God’s thunderous voice practically rattled the glass in the hanger. “If you kill the man I love, you better make your peace with God, because I’m gonna meet your soul in hell.” His voice boomed.

That’s what killed Elvis,” said Adrianne Noe. Noe is the director of the National Museum of Health and Medicine, which has its own megacolon, from an unknown party. As we were about to get off the phone, Elvis Presley dropped into the conversation. Noe related that she’d been standing by the megacolon exhibit one day and a visitor told her that Elvis had had one too. The man added that Presley had struggled with constipation his whole life and that as a child his mother Gladys had had to “manually disimpact” him. “He said that’s why Elvis was so close to his mother.” A quiet moment followed. “Really.

It is the natural tendency of the ignorant to believe what is not true. In order to overcome that tendency it is not sufficient to exhibit the true; it is also necessary to expose and denounce the false. To admit that the false has any standing in court, that it ought to be handled gently because millions of morons cherish it and thousands of quacks make their livings propagating it — to admit this, as the more fatuous of the reconcilers of science and religion inevitably do, is to abandon a just cause to its enemies, cravenly and without excuse. It is, of course, quite true that there is a region in which science and religion do not conflict. That is the region of the unknowable.

In 1846 on of his Academy exhibits was a painting called The Angel Standing in the Sun. Turner found this passage for the Academy catalogue in the Book of Revelation: And I saw an angel standing in the sun; and he cried with a loud voice, saying to all the fowls that fly in the midst of heaven, Come and gather yourselves together unto the supper of the great God; That ye may eat the flesh of kings, and the flesh of captains and the flesh of mighty men, and the flesh of horses, and of them that sit on them, both free and bond, both small and great. To reinforce the note of voracious doom, he added two lines from Samuel Rogers' Voyage of Columbus: The morning march that flashes to the sun; The feast of vultures when the day is done.

My Webster’s dictionary defines spirited as: lively, creative, keen, eager, full of energy and courage, and having a strong assertive personality. Spirited—it feels good, sounds good, communicates the exciting potential of these children, and yet honestly captures the challenge faced by their parents. When we choose to see our children as spirited, we give them and ourselves hope. It pulls our focus to their strengths rather than their weaknesses, not as another label but as a tool for understanding. The Characteristics Each spirited child is unique, yet there exists distinct characteristics in which more is very apparent. Not all spirited children will possess all of the following five characteristics, but each will exhibit enough of them to make her stand out in the crowd.

A sixteenth-century poet, especially one who knew that he ought to be a curious and universal scholar, would possess some notions, perhaps not strictly philosophical, about the origin of the world and its end, the eduction of forms from matter, and the relation of such forms to the higher forms which are the model of the world and have their being in the mind of God. He might well be a poet to brood on those great complementary opposites: the earthly and heavenly cities, unity and multiplicity, light and dark, equity and justice, continuity--as triumphantly exhibited in his own Empress--and ends--as sadly exhibited in his own Empress. Like St. Augustine he will see mutability as the condition of all created things, which are immersed in time. Time, he knows, will have a stop--perhaps, on some of the evidence, quite soon. Yet there is other evidence to suggest that this is not so. It will seem to him, at any rate, that his poem should in part rest on some poetic generalization-some fiction--which reconciles these opposites, and helps to make sense of the discords, ethical, political, legal, and so forth, which, in its completeness, it had to contain. This may stand as a rough account of Spenser's mood when he worked out the sections of his poem which treat of the Garden of Adonis and the trial of Mutability, the first dealing with the sempiternity of earthly forms, and the second with the dilation of being in these forms under the shadow of a final end. Perhaps the refinements upon, and the substitutes for, Augustine's explanations of the first matter and its potentialities, do not directly concern him; as an allegorist he may think most readily of these potentialities in a quasi-Augustinian way as seeds, seminal reasons, plants tended in a seminarium. But he will distinguish, as his commentators often fail to do, these forms or formulae from the heavenly forms, and allow them the kind of immortality that is open to them, that of athanasia rather than of aei einai. And an obvious place to talk about them would be in the discussion of love, since without the agency represented by Venus there would be no eduction of forms from the prime matter. Elsewhere he would have to confront the problem of Plato's two kinds of eternity; the answer to Mutability is that the creation is deathless, but the last stanzas explain that this is not to grant them the condition of being-for-ever.

I believe you have my umbrella," he says, almost out of breath but wearing a grin that has too much wolf in it to be properly sheepish. Celia stares up at him in surprise. At first she wonders what on earth Chandresh's assistant is doing in Prauge, as she has never seen him outside London. Then comes the question of how he could possess such an umbrella. As she stairs at him, confused, the pieces of the puzzle begin to shift together. She remembers every encounter she had with the man now standing before her in the rain, recalling the distress he had exhibited at her audition, the years of glances and comments she had read as no more than coy flirtation. And the constant impression as though he is not really there, blending so well into the background that she would occasionally forget he was in the room.

Richard Lovelace makes a compelling case that the best defense is a good offense. “The ultimate solution to cultural decay is not so much the repression of bad culture as the production of sound and healthy culture,” he writes. “We should direct most of our energy not to the censorship of decadent culture, but to the production and support of healthy expressions of Christian and non-Christian art.”10 Public protests and boycotts have their place. But even negative critiques are effective only when motivated by a genuine love for the arts. The long-term solution is to support Christian artists, musicians, authors, and screenwriters who can create humane and healthy alternatives that speak deeply to the human condition. Exploiting “Talent” The church must also stand against forces that suppress genuine creativity, both inside and outside its walls. In today’s consumer culture, one of the greatest dangers facing the arts is commodification. Art is treated as merchandise to market for the sake of making money. Paintings are bought not to exhibit, nor to grace someone’s home, but merely to resell. They are financial investments. As Seerveld points out, “Elite art of the New York school or by approved gurus such as Andy Warhol are as much a Big Business today as the music business or the sports industry.”11 Artists and writers have been reduced to “talent” to be plugged into the manufacturing process. That approach may increase sales, but it will suppress the best and highest forms of art. In the eighteenth century, the world nearly lost the best of Mozart’s music because the adults in the young man’s life treated him primarily as “talent” to exploit.

G. Eliot. -- They are rid of the Christian God and now believe all the more firmly that they must cling to Christian morality. That is an English consistency; we do not wish to hold it against little moralistic females à la Eliot. In England one must rehabilitate oneself after every little emancipation from theology by showing in a veritably awe-inspiring manner what a moral fanatic one is. That is the penance they pay there. We others hold otherwise. When one gives up the Christian faith, one pulls the right to Christian morality out from under one's feet. This morality is by no means self-evident: this point has to be exhibited again and again, despite the English flatheads. Christianity is a system, a whole view of things thought out together. By breaking one main concept out of it, the faith in God, one breaks the whole: nothing necessary remains in one's hands. Christianity presupposes that man does not know, cannot know, what is good for him, what evil: he believes in God, who alone knows it. Christian morality is a command; its origin is transcendent; it is beyond all criticism, all right to criticism; it has truth only if God is the truth--it stands and falls with faith in God. When the English actually believe that they know "intuitively" what is good and evil, when they therefore suppose that they no longer require Christianity as the guarantee of morality, we merely witness the effects of the dominion of the Christian value judgment and an expression of the strength and depth of this dominion: such that the origin of English morality has been forgotten, such that the very conditional character of its right to existence is no longer felt. For the English, morality is not yet a problem.

The features of Hume's philosophy which I have mentioned, like many other features of it, would incline me to think that Hume was a mere—brilliant—sophost; and his procedures are certainly sophistical. But I am forced, not to reverse, but to add to this judgement by a peculiarity of Hume's philosophizing: namely that, although he reaches his conclusions—with which he is in love—by sophistical methods, his considerations constantly open up very deep and important problems. It is often the case that in the act of exhibiting the sophistry one finds oneself noticing matters which deserve a lot of exploring: the obvious stands in need of investigation as a result of the points that Hume pretends to have made. In this, he is unlike, say, Butler. It was already well-known that conscience could dictate vile actions; for Butler to have written disregarding this does not open up any new topics for us. But with Hume it is otherwise: hence he is a very profound and great philosopher, in spite of his sophistry.

No, certainly. We shall not have to explore our way into a hall dimly lighted by the expiring embers of a wood fire—nor be obliged to spread our beds on the floor of a room without windows, doors, or furniture. But you must be aware that when a young lady is (by whatever means) introduced into a dwelling of this kind, she is always lodged apart from the rest of the family. While they snugly repair to their own end of the house, she is formally conducted by Dorothy, the ancient housekeeper, up a different staircase, and along many gloomy passages, into an apartment never used since some cousin or kin died in it about twenty years before. Can you stand such a ceremony as this? Will not your mind misgive you when you find yourself in this gloomy chamber—too lofty and extensive for you, with only the feeble rays of a single lamp to take in its size—its walls hung with tapestry exhibiting figures as large as life, and the bed, of dark green stuff or purple velvet, presenting even a funereal appearance? Will not your heart sink within you?” “Oh! But this will not happen to me, I am sure.” “How fearfully will you examine the furniture of your apartment! And what will you discern? Not tables, toilettes, wardrobes, or drawers, but on one side perhaps the remains of a broken lute, on the other a ponderous chest which no efforts can open, and over the fireplace the portrait of some handsome warrior, whose features will so incomprehensibly strike you, that you will not be able to withdraw your eyes from it. Dorothy, meanwhile, no less struck by your appearance, gazes on you in great agitation, and drops a few unintelligible hints. To raise your spirits, moreover, she gives you reason to suppose that the part of the abbey you inhabit is undoubtedly haunted, and informs you that you will not have a single domestic within call. With this parting cordial she curtsies off—you listen to the sound of her receding footsteps as long as the last echo can reach you—and when, with fainting spirits, you attempt to fasten your door, you discover, with increased alarm, that it has no lock.

You see in his Le pont de l’Europe a young man, well dressed in his grey overcoat and black top hat, maybe the artist, walking over the bridge along the generous pavement. He is two steps ahead of a young woman in a dress of sedate frills carrying a parasol. The sun is out. There is the glare of newly dressed stone. A dog passes by. A workman leans over the bridge. It is like the start of the world: a litany of perfect movements and shadows. Everyone, including the dog, knows what they are doing. Gustave Caillebotte, Le pont de l’Europe, 1876 The streets of Paris have a calmness to them: clean stone façades, rhythmic detailing of balconies, newly planted lime trees appear in his painting Jeune homme à sa fenêtre, shown in the second Impressionist exhibition in 1876. Here Caillebotte’s brother stands at the open window of their family apartment looking out onto the intersection of the rue de Monceau’s neighbouring streets. He stands with his hands in his pockets, well dressed and self-assured, with his life before him and a plush armchair behind him. Everything is possible.

People, especially those in charge, rarely invite you into their offices and give freely of their time. Instead, you have to do something unique, compelling, even funny or a bit daring, to earn it. Even if you happen to be an exceptionally well-rounded person who possesses all of the scrappy qualities discussed so far, it’s still important to be prepared, dig deep, do the prep work, and think on your feet. Harry Gordon Selfridge, who founded the London-based department store Selfridges, knew the value of doing his homework. Selfridge, an American from Chicago, traveled to London in 1906 with the hope of building his “dream store.” He did just that in 1909, and more than a century later, his stores continue to serve customers in London, Manchester, and Birmingham. Selfridges’ success and staying power is rooted in the scrappy efforts of Harry Selfridge himself, a creative marketer who exhibited “a revolutionary understanding of publicity and the theatre of retail,” as he is described on the Selfridges’ Web site. His department store was known for creating events to attract special clientele, engaging shoppers in a way other retailers had never done before, catering to the holidays, adapting to cultural trends, and changing with the times and political movements such as the suffragists. Selfridge was noted to have said, “People will sit up and take notice of you if you will sit up and take notice of what makes them sit up and take notice.” How do you get people to take notice? How do you stand out in a positive way in order to make things happen? The curiosity and imagination Selfridge employed to successfully build his retail stores can be just as valuable for you to embrace in your circumstances. Perhaps you have landed a meeting, interview, or a quick coffee date with a key decision maker at a company that has sparked your interest. To maximize the impression you’re going to make, you have to know your audience. That means you must respectfully learn what you can about the person, their industry, or the culture of their organization. In fact, it pays to become familiar not only with the person’s current position but also their background, philosophies, triumphs, failures, and major breakthroughs. With that information in hand, you are less likely to waste the precious time you have and more likely to engage in genuine and meaningful conversation.

Among the objections to the reality of objects of sense, there is one which is derived from the apparent difference between matter as it appears in physics and things as they appear in sensation. Men of science, for the most part, are willing to condemn immediate data as "merely subjective," while yet maintaining the truth of the physics inferred from those data. But such an attitude, though it may be *capable* of justification, obviously stands in need of it; and the only justification possible must be one which exhibits matter as a logical construction from sense-data―unless, indeed, there were some wholly *a priori* principle by which unknown entities could be inferred from such as are known. It is therefore necessary to find some way of bridging the gulf between the world of physics and the world of sense, and it is this problem which will occupy us in the present lecture. Physicists appear to be unconscious of the gulf, while psychologists, who are conscious of it, have not the mathematical knowledge required for spanning it. The problem is difficult, and I do not know its solution in detail. All that I can hope to do is to make the problem felt, and to indicate the kind of methods by which a solution is to be sought." ―from_Our Knowledge of the External World_, p. 107.

The [Tiananmen] Gate was built during the Ming Dynasty and used by Emperors for making public appearances and proclamations. The Gate, like Tiananmen Square, has always been a major point of focus in the political history of China. If you climb up to the balcony, you can stand on the spot from which, on October 1, 1949, Chairman Mao proclamied the founding of the People's Republic of China. The spot is clearly marked, and there is an exhibition of photographs of the event clustered around it. The view across the immensity of Tiananmen Square here is extraordinary. It is like looking across a plain from the side of a mountain. In political terms the view is more astounding yet, encompassing as it does a nation that comprises almost one-quarter of the population of this planet. All of the history of China is symbolically focused here, at this very point, and it is hard, as you stand there, not to be transfixed by the power of it. It is hard, also, not to be profoundly moved by the vision of the peasant from Shaoshan who seized that power in the name of the people and whom the people still revere, in spite of the atrocities of the Cultural Revolution, as the father of their nation. And while we were standing on this spot, the spot where Mao stood when he proclaimed the founding of the Peoples Republic of China, the music we were having played at us by the public address system was first "Viva España", and then the "Theme from Hawaii Five-O." It was hard to avoid the feeling that somebody, somewhere, was missing the point. I couldn't even be sure it wasn't me.

Our two taco specials get shoved up on the serving counter, crispy, cheesy goodness in brown plastic baskets lined with parchment paper, sour cream and guacamole exactly where they should be. On the side. There is a perfect ratio of sour cream, guac, and salsa on a shredded chicken tostada. No one can make it happen for you. Many restaurants have tried. All have failed. Only the mouth knows its own pleasure, and calibration like Taco Heaven cannot be mass produced. It simply cannot. Taco Heaven is a sensory explosion of flavor that defies logic. First, you have to eye the amount of spiced meat, shredded lettuce, chopped tomatoes, and tomatillos. You must consider the size and crispiness of the shells. Some people–I call them blasphemers–like soft tacos. I am sitting across from Exhibit A. We won’t talk about soft tacos. They don’t make it to Taco Heaven. People who eat soft tacos live in Taco Purgatory, never fully understanding their moral failings, repeating the same mistakes again and again for all eternity. Like Perky and dating. Once you inventory your meat, lettuce, tomato, and shell quality, the real construction begins. Making your way to Taco Heaven is like a mechanical engineer building a bridge in your mouth. Measurements must be exact. Payloads are all about formulas and precision. One miscalculation and it all fails. Taco Death is worse than Taco Purgatory, because the only reason for Taco Death is miscalculation. And that’s all on you. “Oh, God,” Fiona groans through a mouthful of abomination. “You’re doing it, aren’t you?” “Doing what?” I ask primly, knowing damn well what she’s talking about. “You treat eating tacos like you’re the star of some Mythbusters show.” “Do not.” “Do too.” “Even if I do–and I am notconceding the point–it would be a worthwhile venture.” “You are as weird about your tacos as Perky is about her coffee.” “Take it back! I am not that weird.” “You are.” “Am not.” “This is why Perky and I swore we would never come here with you again.” Fiona grabs my guacamole and smears the rounded scoop all over the outside of her soft taco. I shriek. “How can you do that?” I gasp, the murder of the perfect ratio a painful, almost palpable blow. The mashed avocado has a death rattle that rings in my ears. Smug, tight lips give me a grimace. “See? A normal person would shout, ‘Hey! That’s mine!’ but you’re more offended that I’ve desecrated my inferior taco wrapping with the wrong amount of guac.” “Because it’s wrong.” “You should have gone to MIT, Mal. You need a job that involves nothing but pure math for the sake of calculating stupid shit no one else cares about.” “So glad to know that a preschool teacher holds such high regard for math,” I snark back. And MIT didn’t give me the kind of merit aid package I got from Brown, I don’t add. “Was that supposed to sting?” She takes the rest of my guacamole, grabs a spoon, and starts eating it straight out of the little white paper scoop container thing. “How can you do that? It’s like people who dip their french fries in mayonnaise.” I shudder, standing to get in line to buy more guac. “I dip my french fries in mayo!” “More evidence of your madness, Fi. Get help now. It may not be too late.” I stick my finger in her face. “And by the way, you and Perky talk about my taco habits behind my back? Some friends!” I hmph and turn toward the counter.

-1 PETER 5:3 Over and over I have attempted to be an example by doing rather than telling. I feel that God's great truths are "caught" and not always "taught." In the book of Deuteronomy, Moses (the author) says the following about God's commandments, statutes, and judgments: "You shall teach them diligently to your sons and shall talk of them when you sit in your house and when you walk by the way and when you lie down and when you rise up" (6:7). In other words, at all times we are to be examples. It is amazing how much we can teach by example in every situation: at home, at the beach, while jogging, when resting, when eating-in every part of the day. It's amazing how often I catch our children and grandchildren imitating the values we exhibited in our home-something as little as a lighted candle to warm the heart, to a thank you when food is being served in a restaurant. Little eyes are peering around to see how we behave when we think no one is looking. Are we consistent with what we say we believe? If we talk calmness and patience, how do we respond when standing in a slow line at the market? How does our conversation go when there is a slowdown on Friday evening's freeway drive? Do we go by the rules on the freeway (having two people or more in the car while driving in the carpool lane, going the speed limit, and obeying all traffic signs)? How can we show God's love? By helping people out when they are in need of assistance, even when it is not convenient. We can be good neighbors. Sending out thank you cards after receiving a gift shows our appreciation for the gift and the person. Being kind to animals and the environment when we go to the park for a campout or picnic shows good stewardship. We are continually setting some kind of example whether we know it or not. PRAYER Father God, let my life be an example to those around me, especially the little ones who are learning the ways of faith. May I exhibit proper conduct even when no one is around. I want to be obedient to Your guiding principles. Thank You for Your example. Amen.

Two men were advancing towards the car along the cross track. One man carried a short wooden bench on his back, the other a big wooden object about the size of an upright piano. Richard hailed them, they greeted him with every sign of pleasure. Richard produced cigarettes and a cheerful party spirit seemed to be developing. Then Richard turned to her. “Fond of the cinema? Then you shall see a performance.” He spoke to the two men and they smiled with pleasure. They set up the bench and motioned to Victoria and Richard to sit on it. Then they set up the round contrivance on a stand of some kind. It had two eye-holes in it and as she looked at it, Victoria cried: “It’s like things on piers. What the butler saw.” “That’s it,” said Richard. “It’s a primitive form of same.” Victoria applied her eyes to the glass-fronted peephole, one man began slowly to turn a crank or handle, and the other began a monotonous kind of chant. “What is he saying?” Victoria asked. Richard translated as the singsong chant continued: “Draw near and prepare yourself for much wonder and delight. Prepare to behold the wonders of antiquity.” A crudely coloured picture of Negroes reaping wheat swam into Victoria’s gaze. “Fellahin in America,” announced Richard, translating. Then came: “The wife of the great Shah of the Western world,” and the Empress Eugénie simpered and fingered a long ringlet. A picture of the King’s Palace in Montenegro, another of the Great Exhibition. An odd and varied collection of pictures followed each other, all completely unrelated and sometimes announced in the strangest terms. The Prince Consort, Disraeli, Norwegian Fjords and Skaters in Switzerland completed this strange glimpse of olden far-off days. The showman ended his exposition with the following words: “And so we bring to you the wonders and marvels of antiquity in other lands and far-off places. Let your donation be generous to match the marvels you have seen, for all these things are true.” It was over. Victoria beamed with delight. “That really was marvellous!” she said. “I wouldn’t have believed it.” The proprietors of the travelling cinema were smiling proudly. Victoria got up from the bench and Richard who was sitting on the other end of it was thrown to the ground in a somewhat undignified posture. Victoria apologized but was not ill pleased. Richard rewarded the cinema men and with courteous farewells and expressions of concern for each other’s welfare, and invoking the blessing of God on each other, they parted company. Richard and Victoria got into the car again and the men trudged away into the desert. “Where are they going?” asked Victoria. “They travel all over the country. I met them first in Transjordan coming up the road from the Dead Sea to Amman. Actually they’re bound now for Kerbela, going of course by unfrequented routes so as to give shows in remote villages.” “Perhaps someone will give them a lift?

Although I am still far from this kind of interior understanding of myself, with profound respect for its significance I have sought to preserve my individuality―worshipped the unknown God. With a premature anxiety I have tried to avoid coming in close contact with those things whose force of attraction might be too powerful for me. I have sought to appropriate much from them, studied their distinctive characteristics and meaning in human life, but at the same time guarded against coming, like the moth, too close to the flame. I have had little to win or to lose in association with the ordinary run of men, partly because what they do―so-called practical life―does not interest me much, partly because their coldness and indifference to the spiritual and deeper currents in man alienate me even more from them. With few exceptions my companions have had no special influence upon me. A life that has not arrived at clarity about itself must necessarily exhibit an uneven side-surface; confronted by certain facts [*Facta*] and their apparent disharmony, they simply halted there, for, as I see it, they did not have sufficient interest to seek a resolution in a higher harmony or to recognize the necessity of it. Their opinion of me was always one-sided, and I have vacillated between putting too much or too little weight on what they said. I have now withdrawn from their influence and the potential variations of my life's compass resulting from it. Thus I am again standing at the point where I must begin again in another way. I shall now calmly attempt to look at myself and begin to initiate inner action; for only thus will I be able, like a child calling itself "I" in its first consciously undertaken act, be able to call myself "I" in a profounder sense. But that takes stamina, and it is not possible to harvest immediately what one has sown. I will remember that philosopher's method of having his disciples keep silent for three years; then I dare say it will come. Just as one does not begin a feast at sunrise but at sundown, just so in the spiritual world one must first work forward for some time before the sun really shines for us and rises in all its glory; for although it is true as it says that God lets his sun shine upon the good and the evil and lets the rain fall on the just and the unjust, it is not so in the spiritual world. So let the die be cast―I am crossing the Rubicon! No doubt this road takes me into battle, but I will not renounce it. I will not lament the past―why lament? I will work energetically and not waste time in regrets, like the person stuck in a bog and first calculating how far he has sunk without recognizing that during the time he spends on that he is sinking still deeper. I will hurry along the path I have found and shout to everyone I meet: Do not look back as Lot's wife did, but remember that we are struggling up a hill." ―from_Journals_, (The Search for Personal Meaning)

This pure conception of recognition, of duplication of self-consciousness within its unity, we must now consider in the way its process appears for self-consciousness. It will, in the first place, present the aspect of the disparity of the two, or the break-up of the middle term into the extremes, which, qua extremes, are opposed to one another, and of which one is merely recognized, while the other only recognizes. Φ 186. Self-consciousness is primarily simple existence for self, self-identity by exclusion of every other from itself. It takes its essential nature and absolute object to be Ego; and in this immediacy, in this bare fact of its self-existence, it is individual. That which for it is other stands as unessential object, as object with the impress and character of negation. But the other is also a self-consciousness; an individual makes its appearance in antithesis to an individual. Appearing thus in their immediacy, they are for each other in the manner of ordinary objects. They are independent individual forms, modes of Consciousness that have not risen above the bare level of life (for the existent object here has been determined as life). They are, moreover, forms of consciousness which have not yet accomplished for one another the process of absolute abstraction, of uprooting all immediate existence, and of being merely the bare, negative fact of self-identical consciousness; or, in other words, have not yet revealed themselves to each other as existing purely for themselves, i.e., as self-consciousness. Each is indeed certain of its own self, but not of the other, and hence its own certainty of itself is still without truth. For its truth would be merely that its own individual existence for itself would be shown to it to be an independent object, or, which is the same thing, that the object would be exhibited as this pure certainty of itself. By the notion of recognition, however, this is not possible, except in the form that as the other is for it, so it is for the other; each in its self through its own action and again through the action of the other achieves this pure abstraction of existence for self. Φ 187. The presentation of itself, however, as pure abstraction of self-consciousness consists in showing itself as a pure negation of its objective form, or in showing that it is fettered to no determinate existence, that it is not bound at all by the particularity everywhere characteristic of existence as such, and is not tied up with life. The process of bringing all this out involves a twofold action — action on the part of the other and action on the part of itself. In so far as it is the other’s action, each aims at the destruction and death of the other. But in this there is implicated also the second kind of action, self-activity; for the former implies that it risks its own life. The relation of both self-consciousnesses is in this way so constituted that they prove themselves and each other through a life-and-death struggle. They must enter into this struggle, for they must bring their certainty of themselves, the certainty of being for themselves, to the level of objective truth, and make this a fact both in the case of the other and in their own case as well. And it is solely by risking life that freedom is obtained; only thus is it tried and proved that the essential nature of self-consciousness is not bare existence, is not the merely immediate form in which it at first makes its appearance, is not its mere absorption in the expanse of life. Rather it is thereby guaranteed that there is nothing present but what might be taken as a vanishing moment — that self-consciousness is merely pure self-existence, being-for-self. The individual, who has not staked his life, may, no doubt, be recognized as a Person; but he has not attained the truth of this recognition as an independent self-consciousness.

want to stress that you don’t have to work at Pixar to create a Braintrust. Every creative person, no matter their field, can draft into service those around them who exhibit the right mixture of intelligence, insight, and grace.

Rather than creating a pure Reich out of a Weimar Germany almost glorifying in its hedonistic allure, the Nazi hierarchy would exhibit every symptom of decadence. When the drug-addicted Goering was arrested in 1945, his fingernails were varnished red; on being strip-searched, it was discovered his toenails were painted, too.

The passive silent son acts as if life is a spectator sport. He has difficulty getting into the game. He is content to sit on the sidelines and watch, but secretly wishes he was playing, yet he doesn’t feel comfortable getting involved. Unlike many of the other types who exhibit some particular behaviors, the passive type is very difficult to break out of because of what the man is not doing. When it comes to his own interest and issues he doesn’t take a stand. He feels relatively unimportant compared to other people, and doesn’t believe he has much to offer. As a boy this was the message he received from his parents. Eventually he began to believe it, and as a man he is living it.

Tocqueville observed the pronounced differences in the legal standing of single and married women. When American women married, he noted, they seemed to retreat into submission, overwhelmed by the demands of running a household and bearing and rearing children. Tocqueville concluded that “a woman forfeits her independence forever when she embraces matrimony.” The idealization of the separate spheres of influence and activity defining men’s and women’s existence struck him as unique. But Tocqueville also felt that American women exhibited an intelligence and independence rarely found in European women.

In a section titled “Performance Factors,” Clint had been asked to indicate areas in which I’d exhibited significant strengths, as well as any areas needing development. There were only two areas in which he felt I needed development—organization (probably because he’d ridden in my car) and working more closely with third parties—but he had indicated six major strengths. The first three were creativity, achievement of objectives, and quality of work. No surprises there. The next three strengths—adaptability, communication, and autonomy—seemed a bit ironic. I scrolled down and saw my overall score: Very Good. By definition, this score meant that I had “exceeded objectives in several areas and required only occasional supervision.” I didn’t appreciate the real irony of Clint’s assessment until I looked at my stakeholder map and considered how I might have scored had Kristen conducted a similar evaluation at home. What score would I have received for adaptability? The review form defined this as “being open to change with new circumstances.” Going with the flow. We had just begun to work on my openness to change at home, and I was still learning how to adjust to this new mind-set. Meanwhile, at work, I presented myself as nothing if not adaptable. “Sure, I’ll take a new position on the marketing team.” “Of course I can stay until midnight tonight. Whatever it takes.” “Certainly, Clint, I’ll travel to customers every week. Anything else?” At home, Kristen asked me to help fold laundry and my head almost exploded. I guessed that I would receive Needs Development for that one. How about autonomy and initiative? Clint seemed to think that I was bursting with it, but Kristen would have offered a different opinion. “Initiative? Please. How is me having to remind you to turn off the television and play with the kids initiative? I’ll put you down for a Needs Development,” I imagined her saying. Achievement of objectives would have gotten me a high mark with Kristen, until I scrolled down farther and read the definition, which included the phrase “gets things done efficiently and in a timely manner.” I thought of the Christmas decorations drooping from our eaves. I thought of the countless times Kristen and I had been late for an engagement and she’d found me standing in my boxers in front of the mirror making faces.

Exhibition designers often specialize in one or two areas: museum displays for publicly funded institutions or commercials displays for corporate clients. [...]Typically, exhibition design encompasses areas such as "customer experiences", "brand environments", trade fair stands, launch events, consumer pavilions (including World Expos), museums, art galleries, and science and "discovery" centres.

Suppose that one and the same reality exhibits one aspect when it stands in relation to another object; two aspects when it stands in relation in two different objects; three aspects when it stands in relation to three different objects. The reality of one aspect never proves the unreality of another aspect, for all these three aspects can be equally real. A tree appears to us as a vegetable; it appears to some birds as a shelter; and it appears to some worms as a food. The reality of its aspect as a vegetable never proves the unreality of its aspect as food, nor the reality of its aspect as food disproves the reality of its aspect as shelter. The real tree does not exist beyond or behind the vegetable. We can rely upon its reality, and make use of it to a fruitful result. At the same time, the birds can rely on its reality as a shelter, and build their nests in it; the worms, too, can rely on its reality as food, and eat it-to their satisfaction.

As God, Christ, the Virgin, the prince of the apostles, and the shepherds labored, even so must we labor in our callings. God has no hands and feet of his own. He must continue his labors through human instruments. The lowlier the task the better. The milkmaid and the carter of manure are doing a work more pleasing to God than the psalm singing of a Carthusian. Luther never tired of defending those callings which for one reason or another were disparaged. The mother was considered lower than the virgin. Luther replied that the mother exhibits the pattern of the love of God, which overcomes sins just as her love overcomes dirty diapers.

We are to stand in love, yet we are to always exhibit the confidence and bravery to stand up for what we know is right instead of backing down in order to avoid conflict or seek acceptance.

The freedom of the truly wise man consists in following his own rational nature, by doing what is within his control in accord with wisdom and virtue. His mind is like a blazing fire, which consumes anything cast into it. Every obstacle to his actions just becomes an opportunity for him to exhibit magnanimity and the other virtues. He only wants to live wisely, adapting to events in a manner harmonious with reason, and nothing can prevent him from doing this. What stands in the way becomes the way. Just another opportunity to exercise virtue, which is all he really wants to do in life.

There are signs, however, that a good time was had all last night. Jo might have found herself caught in the middle of a love triangle, but she clearly didn't mind staying around when she thought that one of the angles had been dispensed with. The remains of dinner still grace the table---dirty dishes, rumpled napkins, a champagne flute bearing a lipstick mark. There's even one of the Chocolate Heaven goodies left in the box---which is absolute sacrilege in my book, so I pop it in my mouth and enjoy the brief lift it gives me. I huff unhappily to myself. If they left chocolate uneaten, that must be because they couldn't wait to get down to it. Two of the red cushions from the sofa are on the floor, which shows a certain carelessness that Marcus doesn't normally exhibit. They're scattered on the white, fluffy sheepskin rug, which should immediately make me suspicious---and it does. I walk through to the bedroom and, of course, it isn't looking quite as pristine as it did yesterday. Both sides of the bed are disheveled and I think that tells me just one thing. But, if I needed confirmation, there's a bottle of champagne and two more flutes by the side of the bed. It seems that Marcus didn't sleep alone. Heavy of heart and footstep, I trail back through to the kitchen. More devastation faces me. Marcus had made no attempt to clear up. The dishes haven't been put into the dishwasher and the congealed remnants of last night's Moroccan chicken with olives and saffron-scented mash still stand in their respective saucepans on the cooker. Tipping the contents of one pan into the other, I then pick up a serving spoon and carry them both through the bedroom. I slide open the wardrobe doors and the sight of Marcus's neatly organized rows of shirts and shoes greet me. Balancing the pan rather precariously on my hip, I dip the serving spoon into the chicken and mashed potatoes and scoop up as much as I can. Opening the pocket of Marcus's favorite Hugo Boss suit, I deposit the cold mash into it. To give the man credit where credit is due, his mash is very light and fluffy. I move along the row, garnishing each of his suits with some of his gourmet dish, and when I've done all of them, find that I still have some food remaining. Seems as if the lovers didn't have much of an appetite, after all. I move onto Marcus's shoes---rows and rows of lovely designer footwear---casual at one end, smart at the other. He has a shoe collection that far surpasses mine. Ted Baker, Paul Smith, Prada, Miu Miu, Tod's... I slot a full spoon delicately into each one, pressing it down into the toe area for maximum impact. I take the saucepan back into the kitchen and return it to the hob. With the way I'm feeling, Marcus is very lucky that I don't just burn his flat down. Instead, I open the freezer. My boyfriend---ex-boyfriend---has a love of seafood. (And other women, of course.) I take out a bag of frozen tiger prawns and rip it open. In the living room, I remove the cushions from the sofa and gently but firmly push a couple of handfuls of the prawns down the back. Through to the bedroom and I lift the mattress on Marcus's lovely leather bed and slip the remaining prawns beneath it, pressing them as flat as I can. In a couple of days, they should smell quite interesting. As my pièce de résistance, I go back to the kitchen and take the half-finished bottle of red wine---the one that I didn't even get a sniff at---and pour it all over Marcus's white, fluffy rug. I place my key in the middle of the spreading stain. Then I take out my lipstick, a nice red one called Bitter Scarlet---which is quite appropriate, if you ask me---and I write on his white leather sofa, in my best possible script: MARCUS CANNING, YOU ARE A CHEATING BASTARD.

particulars that exhibit qualities and stand in relations. These entities come together to form a layer of atomic facts, which consist either of a particular exhibiting a quality, or of multiple particulars standing in a relation. These atomic facts are combined into complex molecular facts describing complex objects, dependent on those atomic facts and simple, basic entities. A logically ideal language would describe all such combinations using, besides logical connectives, only words representing the constituents of atomic facts. This simple language would mirror the world as it really is.

Most slaves achieved status within the black community by winning the respect of their fellow slaves, not their owners. Indeed, slave leaders generally secured their high standing by virtue of opposing their owners, not collaborating with them. Many were connected with the new religiosity in the quarter, as preachers, shamen, and conjurers - men and women who could join the natural and unnatural worlds together, whether through African folk rituals or biblical injunctions. Others were healers and midwives, and still others earned the respect of their peers in the field or workshop. A few secured a bit of book learning and were able to read the Bible. All were enmeshed in the expanding web of kinship and spirituality - connections of blood, marriage, and belief - that bound slaves together. While they may have exhibited some personal quality, such as courage, intelligence, honesty, or piety, that their compatriots found attractive, it was kinship - a sense of belonging to a common family, on this earth or in heaven hereafter - that carried them to the top of black society and provided the basis for solidarity. Whether their social position rested on knowledge of the cosmos or the key to the corn crib, whether their authority derived from the Big House or the quarter, it was to these men and women - not their owners - that slaves turned first in moments of distress. And few crises shook slave society as deeply as the transfer from the seaboard to the interior. Annealed in the furnace of the Second Middle Passage and the cotton and sugar revolutions, a new generation of leaders struggled to express the collective aspirations of a people who were often divided by their multiple origins, diverse expectations, and increasingly differential wealth.

I have agreed to walk with my mother late in the day but I’ve come uptown early to wander by myself, feel the sun, take in the streets, be in the world without the interceding interpretations of a companion as voluble as she. At Seventy-third Street I turn off Lexington and head for the Whitney, wanting a last look at a visiting collection. As I approach the museum some German Expressionist drawings in a gallery window catch my eye. I walk through the door, turn to the wall nearest me, and come face to face with two large Nolde watercolors, the famous flowers. I’ve looked often at Nolde’s flowers, but now it’s as though I am seeing them for the first time: that hot lush diffusion of his outlined, I suddenly realize, in intent. I see the burning quality of Nolde’s intention, the serious patience with which the flowers absorb him, the clear, stubborn concentration of the artist on his subject. I see it. And I think, It’s the concentration that gives the work its power. The space inside me enlarges. That rectangle of light and air inside, where thought clarifies and language grows and response is made intelligent, that famous space surrounded by loneliness, anxiety, self-pity, it opens wide as I look at Nolde’s flowers. In the museum lobby I stop at the permanent exhibit of Alexander Calder’s circus. As usual, a crowd is gathered, laughing and gaping at the wonderfulness of Calder’s sighing, weeping, triumphing bits of cloth and wire. Beside me stand two women. I look at their faces and I dismiss them: middle-aged Midwestern blondes, blue-eyed and moony. Then one of them says, “It’s like second childhood,” and the other one replies tartly, “Better than anyone’s first.” I’m startled, pleasured, embarrassed. I think, What a damn fool you are to cut yourself off with your stupid amazement that she could have said that. Again, I feel the space inside widen unexpectedly. That space. It begins in the middle of my forehead and ends in the middle of my groin. It is, variously, as wide as my body, as narrow as a slit in a fortress wall. On days when thought flows freely or better yet clarifies with effort, it expands gloriously. On days when anxiety and self-pity crowd in, it shrinks, how fast it shrinks! When the space is wide and I occupy it fully, I taste the air, feel the light. I breathe evenly and slowly. I am peaceful and excited, beyond influence or threat. Nothing can touch me. I’m safe. I’m free. I’m thinking. When I lose the battle to think, the boundaries narrow, the air is polluted, the light clouds over. All is vapor and fog, and I have trouble breathing. Today is promising, tremendously promising. Wherever I go, whatever I see, whatever my eye or ear touches, the space radiates expansion. I want to think. No, I mean today I really want to think. The desire announced itself with the word “concentration.” I go to meet my mother. I’m flying. Flying! I want to give her some of this shiningness bursting in me, siphon into her my immense happiness at being alive. Just because she is my oldest intimate and at this moment I love everybody, even her.

They saw me as an “Important Manager” at an “Important Company,” whereas the colleagues who’d started out with me at New York Tech just saw me as Ed. As my position changed, people became more careful how they spoke and acted in my presence. I don’t think that my actions changed in a way that prompted this; my position did. And what this meant was that things I’d once been privy to became increasingly unavailable to me. Gradually, snarky behavior, grousing, and rudeness disappeared from view—from my view, anyway. I rarely saw bad behavior because people wouldn’t exhibit it in front of me.

The judge walked into the kitchen and found two green chilis looking ridiculous in a tin cup on a wooden stand that read "Best Potato Exhibit 1933." Nothing else.

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Among all the feats of construction in which the megamachine excelled, the pyramid stands forth as an archetypal model. In its elemental geometric form, in the exquisite accuracy of its measurements, in the organization of the entire working force, in the sheer mass of construction involved, the final pyramids demonstrate to perfection the unique properties of this new technical complex. To exhibit the properties of this system, I shall concentrate upon the pyramid alone, the Great Pyramid at Giza.

She told me she believes that sometimes she comes close to waking; if she sits very, very still, she says she can glimpse beyond the veil; she can see and hear her family going about their usual business, oblivious to her standing on the other side, watching them. At least now I understand why the child exhibits such a profound quiet and stillness.

December 2 “I have set the LORD always before me: because he is at my right hand, I shall not be moved.” Psalm 16:8 THIS is the way to live. With God always before us, we shall have the noblest companionship, the holiest example, the sweetest consolation, and the mightiest influence. This must be a resolute act of the mind, “I have set,” and it must be maintained as a set and settled thing. Always to have an eye to the Lord’s eye, and an ear for the Lord’s voice – this is the right state for the godly man. His God is near him, filling the horizon of his vision, leading the way of his life, and furnishing the theme of his meditation. What vanities we should avoid, what sins we should overcome, what virtues we should exhibit, what joys we should experience, if we did indeed set the Lord always before us! Why not? This is the way to be safe. The Lord being ever in our minds, we come to feel safety and certainty because of his being so near. He is at our right hand to guide and aid us; and hence we are not moved by fear, nor force, nor fraud, nor fickleness. When God stands at a man’s right hand, that man is himself sure to stand. Come on, then, ye foemen of the truth! Rush against me like a furious tempest, if ye will. God upholds me. God abides with me. Whom shall I fear?

To believe those things to be true which are preached of Christ is not sufficient to constitute thee a Christian, but thou must not doubt that thou art of the number of them unto whom all the benefits of Christ are given and exhibited; which he that believes must plainly confess, that he is holy, godly, righteous, the son of God, and certain of salvation; and that by no merit of his own, but by the mere mercy of God poured forth upon him for Christ’s sake: which he believes to be so rich and plentiful, as indeed it is, that although he be as it were drowned in sin, he is notwithstanding made holy, and become the son of God.               Wherefore, take heed that thou nothing doubt that thou art the son of God, and therefore made righteous by His grace; let all fear and care be done away. However, thou must fear and tremble that thou mayest persevere in this way unto the end; but thou must not do this as though it consisted in thy own strength, for righteousness and salvation are of grace, whereunto only thou must trust. But when thou knowest that it is of grace alone, and that thy faith also is the gift of God, thou shalt have cause to fear, lest some temptation violently move thee from this faith.               Every one by faith is certain of this salvation; but we ought to have care and fear that we stand and persevere, trusting in the Lord, and not in our own strength.

It is a good thing to put up in your house the question, ‘What would Jesus do?’ It answers nine out of ten of the difficulties of moral casuistry.[27] When you do not know what to do and the Law does not seem very explicit upon it, put it so—‘What would Jesus do?’ Here, then, stands the case: by your creation in Christ, you come to exhibit faith in Him, love to Him, and imitation of Him; and all these are the means by which good works are produced in you. You are ‘created in Christ Jesus unto good works’ ” (Eph 2:10). –1891, Sermon 2210

One exhibition to which Tom Norman became particularly attached was his family of midgets. It consisted of two midgets, billed as man and wife and always brought into town in a specially constructed miniature coach drawn by ponies. In each town on the tour he made a point of closing the show down for a few days so as to allow the lady midget to ‘give birth to her baby’. A new-born infant would then be hired to stand in for the hypothetical offspring, and even larger queues always gathered after such a ‘happy event’ to see the new arrival. The only problem was the difficulty he had in restraining the ‘mother’ from swearing volubly, smoking a pipe and drinking gin in front of the customers. The exhibition finally came to grief when the ‘mother’ ran away one night, objecting to being displayed as a woman any longer, both midgets being men.

Jan, I appreciate this. I know it was difficult. But trust me, it’s not the end of the world. Let me ask you, Jan, what other times has something like this happened?” Let’s say that in response to your question, Jan, visibly upset that she’s in this predicament, summons the courage to admit that she once slipped a few Vicodin tablets into her pocket. What that tells you is that Jan had additional information that she didn’t want to share with you, so it follows that she may well have more information that she wants to withhold. To deal with that, think of the Vicodin admission as what we call a “cliff moment.” What Jan may have been thinking was, “Okay, I can tell her about the oxycodone and the Vicodin, but I can’t tell her about this and this and this, because if I told her all of that, there’s no way I’d be able to keep my job.” It’s like she’s standing on the edge of a cliff, and if she takes one more step, she’s gone. Your job is to explore what’s in the ravine on the other side of the cliff. So when Jan tells you about the Vicodin, you acknowledge it, reward her, and keep right on going as if she never even said it. The two most important words in this information collection process are “what else.” Think of each subsequent admission as having come to another cliff, and keep exploring what’s on the other side. If she exhibits deceptive behavior, you go right back into the monologue. If she admits to something else, you reward. Then you keep going until she says there is nothing else, and she shows no

These days, when people compete for ever more imaginative ways to make themselves stand out, when all of life is one big exhibition and if it's not on Facebook and Twitter it's like it never happened, I suppose many people would enjoy standing out. But that's because they don't have to stand out. Standing out is their luxury, not their necessity.

It was good for me to be afflicted. (Psalm 119:71) It is a remarkable occurrence of nature that the most brilliant colors of plants are found on the highest mountains, in places that are the most exposed to the fiercest weather. The brightest lichens and mosses, as well as the most beautiful wildflowers, abound high upon the windswept, storm-ravaged peaks. One of the finest arrays of living color I have ever seen was just above the great Saint Bernard Hospice near the ten-thousand-foot summit of Mont Cenis in the French Alps. The entire face of one expansive rock was covered with a strikingly vivid yellow lichen, which shone in the sunshine like a golden wall protecting an enchanted castle. Amid the loneliness and barrenness of that high altitude and exposed to the fiercest winds of the sky, this lichen exhibited glorious color it has never displayed in the shelter of the valley. As I write these words, I have two specimens of the same type of lichen before me. One is from this Saint Bernard area, and the other is from the wall of a Scottish castle, which is surrounded by sycamore trees. The difference in their form and coloring is quite striking. The one grown amid the fierce storms of the mountain peak has a lovely yellow color of a primrose, a smooth texture, and a definite form and shape. But the one cultivated amid the warm air and the soft showers of the lowland valley has a dull, rusty color, a rough texture, and an indistinct and broken shape. Isn’t it the same with a Christian who is afflicted, storm-tossed, and without comfort? Until the storms and difficulties allowed by God’s providence beat upon a believer again and again, his character appears flawed and blurred. Yet the trials actually clear away the clouds and shadows, perfect the form of his character, and bestow brightness and blessing to his life. Amidst my list of blessings infinite Stands this the foremost, that my heart has bled; For all I bless You, most for the severe. Hugh Macmillan

It was an invention with huge potential in saving money and lives, but Otis faced a skeptical and fearful public. So he rented out the main exhibit hall of what was then New York City’s largest convention center. On the floor of the hall he constructed an open elevator platform and a shaft in which the platform could rise and descend. One afternoon, he gathered convention-goers for a demonstration. He climbed onto the platform and directed an assistant to hoist the elevator to its top height, about three stories off the ground. Then, as he stood and gazed down at the crowd, Otis took an ax and slashed the rope that was suspending the elevator in midair. The audience gasped. The platform fell. But in seconds, the safety brake engaged and halted the elevator’s descent. Still alive and standing, Otis looked out at the shaken crowd and said, “All safe, gentlemen. All safe.”1 The moment marked two firsts. It was the first demonstration of an elevator safe enough to carry people. (Otis, you might have guessed by now, went on to found the Otis Elevator Company.) And more important for our purposes, it was a simple, succinct, and effective way to convey a complex message in an effort to move others—the world’s first elevator pitch.

If you cut a point from a starfish it will grow a new point. Not only that, the point will grow a whole new starfish, because the genetic imprint is contained in each and every one of its parts. I was at a holographic exhibition several years ago in which I saw an exhibit of photographs done with holography. In one of the pictures was an image of a woman standing upright. If I moved to the right of the picture the woman changed suddenly and she was now smoking a cigarette; if I moved to the left of the picture it changed again and she had her hip thrown out in a suggestive pose. If one were to drop this holographic plate onto the floor and it shattered into pieces, each piece would reveal not what you would expect to see—a piece of her shoe or dress or maybe her eye—but the image of the whole woman. And if one moved any one of the little pieces from side to side, you would still see her smoke that cigarette and throw out her hip. Every single one of the small pieces would have the whole picture contained within it.

There is a misperception about black women in society. When a black woman presents expectations to a man, she is seen as needy, bossy and a gold digger. When a woman who is not of African American descent expresses the same thing from a man, she is seen as a trophy wife. When a woman of European descent presents the same thing, she is viewed as a classy woman with standards. When a woman of European descent presents the same standards as a black woman, the Caucasian woman is credited for implementing rules of dating when she expects a man to pay for dinner or when she tells a man what she desires out of a relationship. The value of African American women is reduced not only by dominant culture and society, but by men, particularly African American men. The media, radio, music, television, newspapers and movies have devalued African American women when in reality African American women are honorable, respectable, classy, elegant, beautiful, educated and hardworking women. Dark skin women are viewed as angry, unattractive and uneducated within modern society. African American women are seen as loud, irate, insensitive and angry women as a result of labels from some African American men, media, movies and music. Television, magazines, social media, internet, videos and some music present Hispanic, Latino, White and Armenian women as trophy wives, idols and models while presenting African American women as mistresses, one night stands, casual sex, gold diggers and “baby mamas.” Latino and Dominican women are viewed as physically beautiful while Caucasian women are viewed as ideal and classy within media, music, music videos and movies. Media presents black women as bitter, scorned, ghetto, ratchet and promiscuous as if women of other races do not exhibit those characteristics. Women of other races are on television and the internet using profanity, fighting, engaging in sexual acts and cheating, however, there is an emphasis on African American women who exhibit those behaviors” (McEachern 85).

If you’re in business, first and foremost, you have to be nice. Show your customers that you care. Exhibit your wares in an attractive and evocative way. Be generous with your knowledge. Be truthful. If you can’t provide what someone is looking for, make sure to help her find someone who can. Use every customer point of contact to weave stories about who you are and what your brand stands for. Then, and only then, throw that right hook with everything you’ve got.

What are some of the things a modern-day knight can do to render service? A chivalrous person will exhibit thoughtful consideration to most everyone he encounters. He will . . . 1. Hold the door open for others. 2. Place others’ needs before his own. 3. Move in to help with heavy lifting. 4. Show up at the time he promised. 5. Brings the car closer when it is raining. 6. Return phone calls when he says he will. 7. Remove his ball cap or hat when indoors. 8. Protect others in threatening situations. 9. Walk around the car to open a lady’s door. 10. Ask for others’ thoughts; consider their opinions. 11. Stand at the table until all ladies have been seated. 12. Remove his sunglasses when speaking face to face. 13. Offer his seat on a bus or in a crowded public place. 14. Defend others’ honor and guard them from humiliation. 15. Anticipate another person’s needs and offer to be of help. 16. Walk on the street side of the sidewalk when with a lady or elder.

As God, Christ, the virgin, the prince of the apostles and the shepherds labored even so must we labor in our callings. God had no hands and feet of his own. He must continue his labors through human instruments. The lonelier the task the better. The milkmaid and the carter of manure are doing a work more pleasing to God to psalm singing of the Carthusian. Luther never tired of defending those callings which for one reason or another were disparaged. The mother was considered lower than the virgin. Luther replied that the mother exhibits the pattern of the love of God, which overcomes sins just as her love overcomes dirty diapers

Visit art galleries and museums Read history books and texts Devour autobiographies and biographies of people I admire who exhibit the character traits I value Take classes on anything that takes my fancy (I recently signed up for a stand-up comedy class. What?) Keep up to date on current affairs Study finance, the markets and business in general Hang out with old folks who have done stuff with their lives Go to watch opera, plays and dramas Study philosophy and some of the great thinkers of our time and past times Travel to fucking weird places where I can’t speak the language and hang out with the locals Watch documentaries on some of the weirdest subjects you can imagine

The hatred of the anti-semites, especially in Germany, Austria and Poland, was so intense, that they thought to appease all the apprehensions of their nations by physically eliminating the Jews. The cold-hearted complicity of the rest of the populations, in those European countries, exhibited the inherent inhumanity of masses. The Western powers showed no willingness to rescue the threatened Jews in Europe. That proved to the murderers that the rest of the world refused to take a stand, which was almost complicity.

When We Want the Kind of Love That Pleases God Love suffers long and is kind; love does not envy; love does not parade itself, is not puffed up; does not behave rudely, does not seek its own, is not provoked, thinks no evil; does not rejoice in iniquity, but rejoices in the truth; bears all things, believes all things, hopes all things, endures all things. Love never fails. 1 CORINTHIANS 13:4-8 GOD MAKES IT CRYSTAL CLEAR in His Word about the kind of love He wants us to have. Sometimes we may wish it weren’t so clear, because what is also clear is that we can’t express this kind of love on a consistent basis without His help. He wants us to have love that is shown in patience and kindness and is not possessive. Love that is not arrogant, rude, demanding, or selfish. Love that does not become irritable or grumpy, and does not keep a list of injustices. Love that believes for the best in others and not the worst, and is happy for their success and not their failure. Love that never gives up on the other person and endures through whatever happens. God not only wants you to have that kind of love for others, but He also wants you to have it for your husband. And He wants your husband to always exhibit that kind of love for you. How in the world do you find love within you like that? Do you have the kind of love in your heart that is never selfish or impatient? Do you have the kind of love that can endure anything and never doubt or lose hope? Only the love of God in you can accomplish all that through you. The way you access the flow of God’s love is by being in His presence—in prayer, praise, and worship. It comes by inviting the Holy Spirit to fill you afresh each day with His love and allowing His love to transform you. My Prayer to God LORD, I pray You would pour Your amazing, unconditional love into my heart and into my husband’s heart as well. Help us to love each other the way You love us. I know we don’t have it in us to do that on our own, but I also know Your Holy Spirit can fill us with Your love so that it overflows to each other. Enable us to have the kind of love that shows patience with each other, love that is kind and does good, love that doesn’t become possessive or jealous, love that is not arrogant and always trying to steal attention away from the other, love that is never rude or selfish, love that is not hostile or easily irritable, love that believes for the best and not the worst in each other, love that is not resentful and doesn’t keep a record of every offense, love that stands strong no matter what happens and doesn’t lose hope and faith, love that never gives up. Enable us to have love for each other that will not fail. Lord, You know what we are made of and how imperfect we are. We recognize we can’t begin to do this without Your working a miracle in our hearts. I ask for a continual flow of Your presence and love in our lives today and every day. Help us to have the kind of love for each other that pleases You. In Jesus’ name I pray.

When He Needs Freedom from Destructive Behavior Be strong in the Lord and in the power of His might. Put on the whole armor of God, that you may be able to stand against the wiles of the devil. EPHESIANS 6:10-11 IT’S DIFFICULT FOR A WIFE to see her husband exhibit any kind of destructive behavior. In watching him doing something repeatedly that hurts his health or jeopardizes their family, she sees her future going over a cliff. There can be such terrible consequences for his behavior that it could ruin them financially, as well as destroy him physically or mentally. Whether it is drinking alcohol, taking drugs, gambling, smoking, reckless eating habits, or whatever else she observes her husband doing that could destroy him or endanger her or their children, it can be so heartbreaking to her that she cannot live with it. Every woman has to decide what she can and cannot tolerate. Life is hard enough without your husband finding ways to make it worse. And she must decide how much she can allow her children to witness before it seriously affects them too. You may not see behavior as seriously destructive as that in your husband, but perhaps he is taking unnecessary chances with his safety, such as driving too fast, or riding a motorcycle without a helmet, or being careless with dangerous machinery or equipment, or refusing to see a doctor when he should, or not following the doctor’s orders and thereby jeopardizing his health. There is only so much you can say or do to try to motivate your husband to stop destructive behavior if he is intent on doing it. But God can do miracles when you fervently pray to Him about it. He hears your prayers, and He wants your husband to be free as much as you do. Your prayers can help your husband open his eyes to see the truth. Your prayers can help him to understand how to put on the whole armor of God so he can stand against these plans of the enemy for his destruction. My Prayer to God LORD, I pray You would set my husband free from any destructive behavior he has acquired. Wake him up to the folly of his ways and show him when he is being foolish. Break the chains that bind him and open his blind eyes. Strengthen him where his weakness controls him. Enable him to see when the enemy has erected a stronghold in his life. Help him to understand how his behavior affects me and our children, as well as other family members, coworkers, and friends. Tell me what I can do to help make this situation better. I know I cannot change him, and I am unable to make anything happen. Only You can open his eyes, deliver him, and set him free from destructive behavior. I know foolish actions are not Your will for his life, and there is a big price to pay for everything that is not Your will. I pray that neither I nor my children will have to pay any price for his careless behavior. Whatever the reason he appears to have little regard for me, our children, or himself by continuing any reckless behavior, I pray You would deliver him from it completely. You are greater and more powerful than whatever draws him away from Your best. I trust You to set him free to be all You made him to be. In Jesus’ name I pray.

28 But It Is Hardly Credible That One Could So Persecute Jesus! Saul, Saul, why persecutest thou Me? Acts 26:14 Am I set on my own way for God? We are never free from this snare until we are brought into the experience of the baptism of the Holy Ghost and fire. Obstinacy and self-will will always stab Jesus Christ. It may hurt no one else, but it wounds His Spirit. Whenever we are obstinate and self-willed and set upon our own ambitions, we are hurting Jesus. Every time we stand on our rights and insist that this is what we intend to do, we are persecuting Jesus. Whenever we stand on our dignity we systematically vex and grieve His Spirit; and when the knowledge comes home that it is Jesus Whom we have been persecuting all the time, it is the most crushing revelation there could be. Is the word of God tremendously keen to me as I hand it on to you, or does my life give the lie to the things I profess to teach? I may teach sanctification and yet exhibit the spirit of Satan, the spirit that persecutes Jesus Christ. The Spirit of Jesus is conscious of one thing only—a perfect oneness with the Father, and He says “Learn of Me; for I am meek and lowly in heart.” All I do ought to be founded on a perfect oneness with Him, not on a self-willed determination to be godly. This will mean that I can be easily put upon, easily over-reached, easily ignored; but if I submit to it for His sake, I prevent Jesus Christ being persecuted.

Autobiographical writing stands as lasting memorial for enduring the travails of an earthly life. Writing is an apt technique to score our storyline into the annuals of time. To endure a mortal life is merely a transitory experience whereas writing about how one lived is an internalized exposition of what it means to be human. Writing is an external exhibition injecting the author into the world’s consciousness.

Standing in court, with exhibits entered and reality simplified to a duel between constructions of truth, mastery alone might win the day. That is, after all, the purpose of the Courts of Craft: to speak the truth in a way that makes it so, backed not by the fiat of a lord or demon or god or by the brutish chance of war but by the conviction shared by most people that words have meaning, that deals must be honored.

A framed print of a white flower in a jar standing in front of a range of mountains in varying shades of blue brightened the wall opposite the window, which admitted enough sunlight to make the wooden surfaces of the sideboard gleam. Mrs. Johnson noticed Susan looking at it. “It’s a Hockney print,” she said proudly. “We bought it at the photography museum when we went to see his exhibition. It lightens up the place a bit, doesn’t it? He’s a local lad, you know, Hockney.” Her accent sounded vaguely posh and wholly put on. “Yes,” said Susan. She remembered Sandra Banks telling her about Hockney once. A local lad he might be, but he lived near the sea now in Southern California, a far cry from Bradford. “It’s very nice,” she added. “I think so,” said Mrs. Johnson. “I’ve always had an eye for a good painting, you know. Sometimes I think if I’d stuck it and not…” she looked around. “Well,…it’s too late for that now, isn’t it? A cup of tea?

Why do men subject her and every woman she knows to this kind of harassment and humiliation? Is it only by forcing touch or by having an audience for their display that they know the organ exists? Earlier that year, when the ladies’ hostel bus brought them back from a sari exhibition, a closed section of road forced the driver to detour through a narrow lane behind the men’s hostel. A male student sat reading the paper while stark naked on the balcony. In an instant, he covered his face rather than his base. That was understandable—he wanted to spare himself the embarrassment of being recognized. But what she could not understand was his decision to stand up, face still covered but all else on display, while the bus and its passengers crawled by.

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Unfortunately, Candace wasn't the one who'd stood out last night. And hell, did Thea stand out. I'd felt her potential before she'd even parked her van. She exhibited open fascination with Marcel's paintings, and the way she relished every bite on her plate made me remember a time when things could still be new and fascinating. And this wasn't even faerie food--- I wondered what expression she would make if that crossed her lips. She breathed life and pleasure with her every movement. Liveliness--- was that the nature of a fae from the Summer Court, or was that simply Thea?

There is a second practical limitation to moral outreach, namely, the persistence of ideological racism. Some of the cultural traits attributed to or associated with the ghetto poor (for example, attitudes toward authority, work, violence, parenting, sex and reproduction, school, and crime) closely resemble well-known and long-standing racist stereotypes about blacks (their supposed tendencies toward lawlessness, laziness, dishonesty, irresponsibility, ignorance, stupidity, and sexual promiscuity). These stereotypes have long been invoked to justify the subordination, exploitation, and civic exclusion of blacks. An implication of the cultural divergence thesis is that ghetto conditions have produced a subgroup of blacks who, because of their cultural patterns, exhibit characteristics that racists have long maintained are “natural” to “the black race” and that these cultural traits are at least part of the explanation for why they are poor. To make matters worse, moral reform suggests that the ghetto poor are effectively incapable of altering these suboptimal traits on their own, as it calls for state intervention to change them. Moral reform programs, even voluntary ones, implicitly endorse the idea that poor blacks have personal deficiencies that they alone cannot remedy. In an era when biological racism has been largely discredited and claims that blacks are biologically inferior are not publicly acceptable, moral reform will inevitably strike many as the functional equivalent of classic racist doctrines.

Standing out from the (New York City) map's delicate tracery of gridirons representing streets are heavy lines, lines girdling the city or slashing across its expanses. These lines denote the major roads on which automobiles and trucks move, roads whose very location, moreover, does as much as any single factor to determine where and how a city's people live and work. With a single exception, the East River Drive, Robert Moses built every one of those roads. (...) Only one borough of New York City—the Bronx—is on the mainland of the United States, and bridges link the island boroughs that form metropolis. Since 1931, seven such bridges were built, immense structures, some of them anchored by towers as tall as seventy-story buildings, supported by cables made up of enough wire to drop a noose around the earth. (...) Robert Moses built every one of those bridges. (He also built) Lincoln Center, the world's most famous, costly and imposing cultural complex. Alongside another stands the New York Coliseum, the glowering exhibition tower whose name reveals Moses' preoccupation with achieving an immortality like that conferred on the Caesars of Rome. The eastern edge of Manhattan Island, heart of metropolis, was completely altered between 1945 and 1958. (...) Robert Moses was never a member of the Housing Authority and his relationship with it was only hinted at in the press. But between 1945 and 1958 no site for public housing was selected and no brick of a public housing project laid without his approval. And still further north along the East River stand the buildings of the United Nations headquarters. Moses cleared aside the obstacles to bringing to New York the closest thing to a world capitol the planet possesses, and he supervised its construction. When Robert Moses began building playgrounds in New York City, there were 119. When he stopped, there were 777. Under his direction, an army of men that at times during the Depression included 84,000 laborers. (...) For the seven years between 1946 and 1953, no public improvement of any type—not school or sewer, library or pier, hospital or catch basin—was built by any city agency, even those which Robert Moses did not directly control, unless Moses approved its design and location. To clear the land for these improvements, he evicted the city's people, not thousands of them or tens of thousands but hundreds of thousands, from their homes and tore the homes down. Neighborhoods were obliterated by his edict to make room for new neighborhoods reared at his command. “Out from the heart of New York, reaching beyond the limits of the city into its vast suburbs and thereby shaping them as well as the city, stretch long ribbons of concrete, closed, unlike the expressways, to trucks and all commercial traffic, and, unlike the expressways, bordered by lawns and trees. These are the parkways. There are 416 miles of them. Robert Moses built every mile. (He also built the St. Lawrence Dam,) one of the most colossal single works of man, a structure of steel and concrete as tall as a ten-story apartment house, an apartment house as long as eleven football fields, a structure vaster by far than any of the pyramids, or, in terms of bulk, of any six pyramids together. And at Niagara, Robert Moses built a series of dams, parks and parkways that make the St. Lawrence development look small. His power was measured in decades. On April 18, 1924, ten years after he had entered government, it was formally handed to him. For forty-four years thereafter (until 1968), he held power, a power so substantial that in the field s in which he chose to exercise it, it was not challenged seriously by any (of 6) Governors of New York State or by any Mayor of New York City.

Research on those with the intention and sense of having the ability to start one’s own business (entrepreneurial intention) has tended to identify a “heroic,” extraverted, not-very-sensitive type. However, HSPs have also been found to have a strong entrepreneurial intention, being skilled at recognizing opportunities (depth of processing, aware of subtle stimuli, creativity, etc.) and motivated to be self-employed and manage their own energy and resources— something I discuss in the chapter on work. Finally, John Hughes, an interim CIO and an author on best practices for CEOs, has written on the reasons HSPs make exceptional leaders. First, they notice what others miss, having a greater sense of what is happening for their team. Second, they prefer to process more than simply to take action, often standing back to let others on their team receive credit. Third, and most important, they exhibit what is called “resonant leadership,” obtaining a “feel” for what is going on, often nonverbal, so that they lead with understanding and empathy. Such leaders tend to “say and do the right things at just the right time. This isn’t luck or magic, it’s their innate ability to feel deeply, process richly, and patiently consider the right words and actions for the moment.