Excuse Funny Quotes

We've searched our database for all the quotes and captions related to Excuse Funny. Here they are! All 100 of them:

I'm done with those; regrets are an excuse for people who have failed.
Ned Vizzini (It's Kind of a Funny Story)
I wanted to tell people, "My depression is acting up today" as an excuse for not seeing them, but I never managed to pull it off.
Ned Vizzini (It's Kind of a Funny Story)
If an apology is followed by an excuse or a reason, it means they are going to commit same mistake again they just apologized for.
Amit Kalantri
The wolf said, "You know, my dear, it isn't safe for a little girl to walk through these woods alone." Red Riding Hood said, "I find your sexist remark offensive in the extreme, but I will ignore it because of your traditional status as an outcast from society, the stress of which has caused you to develop your own, entirely valid, worldview. Now, if you'll excuse me, I must be on my way.
James Finn Garner (Politically Correct Bedtime Stories)
Some people use their own hurt as an excuse for hurting others
Roland Merullo (The Talk-Funny Girl)
For the first twenty years of my life, I rocked myself to sleep. It was a harmless enough hobby, but eventually, I had to give it up. Throughout the next twenty-two years I lay still and discovered that after a few minutes I could drop off with no problem. Follow seven beers with a couple of scotches and a thimble of good marijuana, and it’s funny how sleep just sort of comes on its own. Often I never even made it to the bed. I’d squat down to pet the cat and wake up on the floor eight hours later, having lost a perfectly good excuse to change my clothes. I’m now told that this is not called “going to sleep” but rather “passing out,” a phrase that carries a distinct hint of judgment.
David Sedaris (Me Talk Pretty One Day)
HOMICIDE, n. The slaying of one human being by another. There are four kinds of homicide: felonious, excusable, justifiable, and praiseworthy, but it makes no great difference to the person slain whether he fell by one kind or another -- the classification is for advantage of the lawyers.
Ambrose Bierce (The Unabridged Devil's Dictionary)
She smirks."Are you attempting to stop me, little one?" "Excuse me? Did you just call me 'little one'? What are you? Like, four feet tall?" I ask.
Carrie Jones (Captivate (Need, #2))
He had a note excusing him from PE for the rest of his life because he had some kind of muscular disease in his legs. He walked funny, like every step hurt him, but don't let that fool you. You should've seen him run when it was enchilada day in the cafeteria.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians #1))
I threw an etiquette party and served nothing but beans and sparkling water. The topic of conversation was ‘excuse me’.
Bauvard (Some Inspiration for the Overenthusiastic)
What’s so funny?” I asked, horrified, trying to think of an inconspicuous way to check my breath. “Of everything you’ve done, this is by far the most entertaining!” Maxon bent over, hitting his knee as he laughed. “Excuse me?” He kissed me hard on my forehead. “I always wondered what it would be like to see you try.” He started laughing again. “I’m sorry; I have to go.” Even the way he stood held a sense of amusement. “I’ll see you in the morning.” And then he left. He just left!
Kiera Cass (The One (The Selection, #3))
Plastic ware," he said slowly, "like knives and forks and spoons?" I brushed a bit of dirt off the back of my car—was that a scratch?—and said casually, "Yeah, I guess.Just the basics, you know." "Did you need plastic ware?" he asked. I shrugged. "Because," he went on, and I fought the urge to squirm, "it's so funny, because I need plastic ware. Badly." "Can we go inside, please?" I asked, slamming the trunk shut. "It's hot out here." He looked at the bag again, then at me. And then, slowly, the smile I knew and dreaded crept across his face. "You bought me plastic ware," he said. "Didn't you?' "No," I growled, picking at my license plate. "You did!" he hooted, laughing out loud. "You bought me some forks. And knives. And spoons. Because—" "No," I said loudly. "—you love me!" He grinned, as if he'd solved the puzzler for all time, as I felt a flush creep across my face. Stupid Lissa. I could have killed her. "It was on sale," I told him again, as if this was some kind of an excuse. "You love me," he said simply, taking the bag and adding it to the others. "Only seven bucks," I added, but he was already walking away, so sure of himself. "It was on clearance, for God's sake." "Love me," he called out over his shoulder, in a singsong voice. "You. Love. Me.
Sarah Dessen (This Lullaby)
Who's your daddy?' Myrnin stared at him as if he'd gone completely mental. 'Excuse me?
Rachel Caine (Black Dawn (The Morganville Vampires, #12))
Do you know where your breakthrough begins? Your breakthrough begins where your excuses ends.
Patience Johnson (Why Does an Orderly God Allow Disorder)
I laughed. It was just like Owen to make excuses for someone else’s shortcomings. Even fictional characters. Owen found my tendency to speak my mind “refreshingly honest,” and hailed Marc’s temper as “a deep protective instinct.” He said Ethan “thoroughly enjoyed life,” and that Parker “really knew how to have a good time.” According to Owen, we were all doing just fine, and all was right with the world.
Rachel Vincent (Rogue (Shifters, #2))
I didn't do anything wrong. I swear.' He grunted. 'Like I've never heard that before. Funny, but I expected a little more originality from Moira's daughter.' 'Yeah, well, the dog ate my notebook with all my good excuses.
Mindee Arnett (The Nightmare Affair (The Arkwell Academy, #1))
I can’t function here anymore. I mean in life: I can’t function in this life. I’m no better off than when I was in bed last night, with one difference: when I was in my own bed—or my mom’s—I could do something about it; now that I’m here I can’t do anything. I can’t ride my bike to the Brooklyn Bridge; I can’t take a whole bunch of pills and go for the good sleep; the only thing I can do is crush my head in the toilet seat, and I still don’t even know if that would work. They take away your options and all you can do is live, and it’s just like Humble said: I’m not afraid of dying; I’m afraid of living. I was afraid before, but I’m afraid even more now that I’m a public joke. The teachers are going to hear from the students. They’ll think I’m trying to make an excuse for bad work.
Ned Vizzini (It's Kind of a Funny Story)
Excuse me?" I said, palms down on the Formica tabletop. "Coffee? I thought we came here for pie." "I don't eat the kind of pie they serve here." I felt a flash of heat go through my stomach. I knew firsthand the kind of pie Ranger liked.
Janet Evanovich (To the Nines (Stephanie Plum, #9))
Nobody wants to give up a weekend-long excuse to dress up and attempt to outshine one another.
Elizabeth Eulberg (Prom & Prejudice)
Called her a whore and attacked her walls, tearing down her posters and throwing her books everywhere. I found out because some whitegirl ran up and said, Excuse me, but your stupid roommate is going insane, and I had to bolt upstairs and put him in a headlock.
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
It was all Mrs. Bumble. She would do it," urged Mr. Bumble; first looking round, to ascertain that his partner had left the room. That is no excuse," returned Mr. Brownlow. "You were present on the occasion of the destruction of these trinkets, and, indeed, are the more guilty of the two, in the eye of the law; for the law supposes that your wife acts under your direction." If the law supposes that," said Mr. Bumble, squeezing his hat emphatically in both hands, "the law is a ass — a idiot. If that's the eye of the law, the law is a bachelor; and the worst I wish the law is, that his eye may be opened by experience — by experience.
Charles Dickens (Oliver Twist)
If you get shot,” Lira says, “I’m going to treat you like you’re incapable of doing the simplest tasks.” She cradles her arms around her knees to keep out the cold. “See how you like it when I hold out my arm to help you walk, even though you’re not shot in the leg.” “I’d be flattered,” I say, “that you would look for an excuse just to hold my hand.” “Perhaps I’m just looking for an excuse to shoot you.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
This was all an excuse, I think. I was doing fine. I had a 93 average and I was holding my head above water. I had good friends and a loving family. And because I needed to be the center of attention, because I needed something more, I ended up here, wallowing in myself, trying to convince everybody around me that I have some kind of. . . disease. I don’t have any disease. I keep pacing. Depression isn’t a disease. It’s a pretext for being a prima donna. Everybody knows that. My friends know it; my principal knows it. The sweating has started again. I can feel the Cycling roaring up in my brain. I haven’t done anything right. What have I done, made a bunch of little pictures? That doesn’t count as anything. I’m finished. My principal just called me and I hung up on him and didn’t call back. I’m finished. I’m expelled. I’m finished.
Ned Vizzini (It's Kind of a Funny Story)
I'm joking," She said to the group. Ah, the joking defense. The tried and true excuse for bullies everywhere.
Eileen Cook (The Hanging Girl)
Why is she afraid?" he asked. "She's not Anjin-san. Just a little nervous. Please excuse her. She's never seen a foreigner close to before." "Tell her when the moon's full, barbarians sprout horns and fire comes out of our mouths like dragons.
James Clavell (Shōgun (Asian Saga, #1))
I am determined to have the headache Thursday, if I have to hit myself with a rock to do it.
Patricia C. Wrede (Sorcery & Cecelia: or The Enchanted Chocolate Pot (Cecelia and Kate, #1))
With no chance to take off, I had to play my role, searching for the rendezvous spot, which gave me the excuse to look for an escape opportunity. Maybe a hole in the wall too small for Tori’s mom to follow me through or a precarious stack of boxes I could topple onto her head or an abandoned hammer I could brain her with. I’d never “brained” anyone in my life, but with Tori’s mom, I was willing to try.
Kelley Armstrong (The Awakening (Darkest Powers, #2))
Ash went over to the closet, and Sloane maintained his stoic expression. There was no way Dex would be hiding in the closet. It was too obvious. Ash opened the door, looking unimpressed. “There’s a fuckwit naked in your closet.” Dex looked up at Ash with wide eyes. “This isn’t what it looks like. I dropped some change, it rolled under the closet door, and when I went to pick it up, my clothes fell off. True story.
Charlie Cochet (Rack & Ruin (THIRDS, #3))
Funny what you find out about people when they leave you. Or when your mind stops making excuses for all of their clues.
Alessandra Torre (The Ghostwriter)
teenagers are never joking. when seeking to prove a point, principals and teachers should remember that teenagers are never, ever sarcasic or ironic. if they say "I wish someone would drop a bomb on this school right now," that means they have arranged for a nuclear arsenal to be emptied onto the school and should be immediately suspended and ridiculed. if they say they were merely coming up with a joking excuse to postpone a bio test, reply that all jokes are funny, and that since dropping a bomb on a school is not funny, it is therefore not a joke.
David Levithan (The Realm of Possibility)
New Rule: If an Evangelical tries to use Halloween to pimp Jesus to kids, they get to egg his house. On Halloween, the president of the American Family Association urged his flock to hand out a Christian-based comic book instead of candy. Excuse me, Halloween isn't a time to push your beliefs. You don't see me handing out pot to kids...Okay, well not the little kids.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Lucian. She's not normal. She's got the sex drive of Ursula. I'm so ashamed to say I've faked illnesses and gone to the doctor just to have a doctor's excuse! ~Steve~
Lucian Bane (White Knight Dom Academy: The Beginning (White Knight Dom Academy, #1))
The seer crow was outraged. "Mangiz does not forget an insult, hedgepig." Ambrose smiled cheekily. "Good, then here's a few more for you to remember, you pot-bellied, cross-eyed, feather-bottomed excuse for a duck.
Brian Jacques (Mattimeo (Redwall, #3))
Small Man can be a very funny or a very tiresome Tour Companion, depending on how this kind of thing grabs you. He gambles, he drinks too much and he always runs away. Since the Rules allow him to make Jokes, he will excuse his behaviour in a variety of comical ways. Physically he is stunted and not at all handsome, although he usually dresses flamboyantly. He tends to wear hats with feathers in. You will discover he is very vain. But, if you can avoid smacking him, you will come to tolerate if not love him. He will contrive, in some cowardly way, to play a major part in saving the world.
Diana Wynne Jones (The Tough Guide to Fantasyland)
We made love like a half a minute. I brought the thirty seconds, and she provided the excuse as to why she didn’t have enough time to have sex with me.

Dark Jar Tin Zoo (Love Quotes for the Ages. Specifically Ages 19-91.)
I want to kiss you all the time, Daphne," he says. "Sometimes it's just easier to find an excuse.
Emily Henry (Funny Story)
I shook my head. "Not Interested" I said. he straightened up. "Not interested in what?" In you." I couldn't be more blunt. Excuse me, miss, but I was going to ask if you would like to sign up for karaoke.
Karen E. Olson (The Missing Ink (Tattoo Shop Mystery, #1))
Her hands shot up. “See that’s exactly what I’m saying. You’re seeing what you want, and what you see you explain away and excuse things like you’re fixing me. I’m not perfect, Ephraim and I really wish you would see that.” “You drool.” “What?” That caught her off guard. “When you’re asleep you drool. I’ve woken up more than a few times with a little puddle forming on my chest.” After a thought he added. “And you snore. Not a delicate snore either mind you.” “I do not!” Her face colored with indignation. He sighed heavily as if the knowledge pained him. “Oh, but you do. I’ve even heard Jill talk about it. Did you know that’s the main reason she was happy about her room. Actually, she and Joshua thanked your Grandmother for putting you at the other end of the house, something about finally getting a decent night’s sleep. They compared your snore to a chainsaw. I can see why they’d say that.
R.L. Mathewson (Tall, Dark & Lonely (Pyte/Sentinel, #1))
My family tree spreads wide as well. I am a great ape, and you are a great ape, and so are chimpanzees and orangutans and bonobos, all of us distant and distrustful cousins. I know this is troubling. I too find it hard to believe there is a connection across time and space, linking me to a race of ill-mannered clowns. Chimps. There's no excuse for them.
Katherine Applegate (The One and Only Ivan (The One and Only #1))
I'm one-half Cherokee, one-half Irish, one-half Turkish, one-half Australian and one-half Korean." "Excuse me, but that's five halves," said Maggie.
Cuthbert Soup (A Whole Nother Story)
At least one way of measuring the freedom of any society is the amount of comedy that is permitted, and clearly a healthy society permits more satirical comment than a repressive, so that if comedy is to function in some way as a safety release then it must obviously deal with these taboo areas. This is part of the responsibility we accord our licensed jesters, that nothing be excused the searching light of comedy. If anything can survive the probe of humour it is clearly of value, and conversely all groups who claim immunity from laughter are claiming special privileges which should not be granted.
Eric Idle
As we drove uptown, I spotted a Kmart on a corner,with its familiar red sign.I cleared my throat."Wait. Can we stop for a minute?" "What for?" "Just - I need a few things." He looked irritated, but pulled into a metered space. "We don't really have time to go shopping." I glared at him."yeah, excuse me for being so frivolous. You have your suitcase all packed already; I dont even have clean underwear.I'll be right back.
L.A. Weatherly
Evil can be excused, sometimes. Squalor, though, never,” Magnus murmured.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
Excuse me, your attention please.” He waited until the whole floor had stopped what it was doing and turned to face him. For a split second his impulse control kicked in, but by then his mouth was fully engaged. “For the record, Claire Marsden and I are not having sex.
Sarah Mayberry (Can't Get Enough)
Look around you. Watch how people function and interact with one another. You'll see this is going on everywhere all the time. People devour each other in the name of love, or family or country. But that's an excuse; they're just hungry and want to be fed. Read their faces, the newspapers, read what it says on their T-shirts! 'I think you're mistaking me for someone who gives a shit.' 'My parents went to London but all they brought me back was this lousy T-shirt.' 'So many women, so little time.' 'Whoever dies with the most toys, wins.' They're supposed to be funny, witty, and postmodern, Miranda. But the truth is they're only stating a fact: Me. I come first. Get out of my way.
Jonathan Carroll (The Marriage of Sticks (Crane's View, #2))
Excuse me,” she said, her voice tight. “But if I’d known there was going to be a firearms examination at the end of the kidnapping, by God, I would have studied for it!
Tara Janzen (Avenging Angel)
Why are you bothering? You've got an excuse. You've got bad blood. You must like living; I guess I would if I were you.
Ned Vizzini (It's Kind of a Funny Story)
I'm going to need to save you." "Excuse me? No one needs-" "I'm saving you, so shut up and be grateful.
Kelley Armstrong (The Rising (Darkness Rising, #3))
then I decided I didn’t want any regrets. I’m done with those; regrets are an excuse for people who have failed.
Ned Vizzini (It's Kind of a Funny Story)
What happened was, I got the idea in my head-and I could not get it out ㅡ that college was just one more dopey, inane place in the world dedicated to piling up treasure on earth and everything. I mean treasure is treasure, for heaven's sake. What's the difference whether the treasure is money, or property, or even culture, or even just plain knowledge? It all seemed like exactly the same thing to me, if you take off the wrapping ㅡ and it still does! Sometimes I think that knowledge ㅡ when it's knowledge for knowledge's sake, anyway ㅡ is the worst of all. The least excusable, certainly. [...] I don't think it would have all got me quite so down if just once in a while ㅡ just once in a while ㅡ there was at least some polite little perfunctory implication that knowledge should lead to wisdom, and that if it doesn't, it's just a disgusting waste of time! But there never is! You never even hear any hints dropped on a campus that wisdom is supposed to be the goal of knowledge. You hardly ever even hear the word 'wisdom' mentioned! Do you want to hear something funny? Do you want to hear something really funny? In almost four years of college ㅡ and this is the absolute truth ㅡ in almost four years of college, the only time I can remember ever even hearing the expression 'wise man' being used was in my freshman year, in Political Science! And you know how it was used? It was used in reference to some nice old poopy elder statesman who'd made a fortune in the stock market and then gone to Washington to be an adviser to President Roosevelt. Honestly, now! Four years of college, almost! I'm not saying that happens to everybody, but I just get so upset when I think about it I could die.
J.D. Salinger (Franny and Zooey)
Excuse me, but where do you think you’re going?” I asked. “I figured I’d put my underwear in with yours. That way they could all get to know each other.” One brown eyebrow lifted. “Unless you want to make some formal introductions right now?
Michele Bardsley (Cross Your Heart (Broken Heart, #7))
Senator. If you call my friend a liar one more time, I will take it badly." "Excuse me?" Arnos said, his eyebrows rising up. "I suggest you find an alternate shortsighted, egomaniacally ridiculous reason to blatantly, recklessly ignore an obvious threat to the Realm simply because you don't wish it to exist. If you cannot restrain yourself from base slander, I will be pleased to meet you in juris macto and personally rip your forked tongue from your head.
Jim Butcher (Cursor's Fury (Codex Alera, #3))
Turn on the news, another black man slain. They say "Its okay. Save your voice, don't complain. This isn't about race so stop using that excuse. Now look at this funny picture of Obama in a noose! See how colorblind we are? You're not really black to me. Underneath, where it all matters, we both bleed red you see? So put away that race card: it aint 1962. Theres no more segregation, isn't that enough for you?
Nic Stone (Dear Martin (Dear Martin, #1))
She keeps looking at you.” Ansel tripped over a stray limb, nearly landing face-first in the snow. Absalon leapt sleekly from his path. “Of course she does. I’m objectively beautiful. A masterpiece made flesh.” Ansel snorted. “Excuse me?” Offended, I kicked snow in his direction, and he nearly tumbled again. “I don’t think I heard you correctly. The proper response was, ‘Goddess Divine, of course thy beauty is a sacred gift from Heaven, and we mortals are blessed to even gaze upon thy face.’” “Goddess Divine.” He laughed harder now, brushing the snow from his coat. “Right.
Shelby Mahurin (Blood & Honey (Serpent & Dove, #2))
The first time they’d met, in this very pub, he’d hit on her using so little finesse, she’d been forced to ask if he was kidding. Granted, they’d both had a few too many drinks that night, but nothing excused the line, “I’m not drunk, I’m just intoxicated by you.” Nothing.
Tessa Bailey (Asking for Trouble (Line of Duty, #4))
Excuse me, Tex," the nurse said, hands on hips. 'Would you mind reining in the voice. There are babies being born in this hospital. We wouldn't want the first sound they hear to be your painful howling. There could be lawsuits.
Eoin Colfer (Half Moon Investigations)
She tried to remind herself that beauty was only skin deep, but that didn't offer any helpful excuses when she was berating herself for never knowing what to say to people. There was nothing more depressing than an ugly girl with no personality. It hurts, because deep inside, she knew who she was, and that person was smart and kind and often very funny, but somehow her personality always got lost somewhere between her heart and her mouth, and she found herself saying the wrong thing or, more often, nothing at all.
Julia Quinn (Romancing Mister Bridgerton: The 2nd Epilogue (Bridgertons, #4.5))
Mr. Jackaby, really! Jenny isn't some scientific oddity--she's your friend!" Jackaby raised an eyebrow. "In point of fact, Miss Rook, she's both, and that's nothing to be ashamed of. All exceptional people are, by definition, exceptions to the norm. If we insist on being ordinary, we can never be truly extraordinary." "That is a very well-rehearsed and eloquent excuse for being an absolute brute to a sad, sweet woman.
William Ritter (Beastly Bones (Jackaby, #2))
STEVE CARELL IS NICE BUT IT IS SCARY It has been said many times, but it is true: Steve Carell is a very nice guy. His niceness manifests itself mostly in the fact that he never complains. You could screw up a handful of takes outside in 104-degree smog-choked Panorama City heat, and Steve Carell’s final words before collapsing of heat stroke would be a friendly and hopeful “Hey, you think you have that shot yet?” I’ve always found Steve gentlemanly and private, like a Jane Austen character. The one notable thing about Steve’s niceness is that he is also very smart, and that kind of niceness has always made me nervous. When smart people are nice, it’s always terrifying, because I know they’re taking in everything and thinking all kinds of smart and potentially judgmental things. Steve could never be as funny as he is, or as darkly observational an actor, without having an extremely acute sense of human flaws. As a result, I’m always trying to impress him, in the hope that he’ll go home and tell his wife, Nancy, “Mindy was so funny and cool on set today. She just gets it.” Getting Steve to talk shit was one of the most difficult seven-year challenges, but I was determined to do it. A circle of actors could be in a fun, excoriating conversation about, say, Dominique Strauss-Kahn, and you’d shoot Steve an encouraging look that said, “Hey, come over here; we’ve made a space for you! We’re trashing Dominique Strauss-Kahn to build cast rapport!” and the best he might offer is “Wow. If all they say about him is true, that is nuts,” and then politely excuse himself to go to his trailer. That’s it. That’s all you’d get. Can you believe that? He just would not engage. That is some willpower there. I, on the other hand, hear someone briefly mentioning Rainn, and I’ll immediately launch into “Oh my god, Rainn’s so horrible.” But Carell is just one of those infuriating, classy Jane Austen guys. Later I would privately theorize that he never involved himself in gossip because—and I am 99 percent sure of this—he is secretly Perez Hilton.
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
Isn’t it funny how we make rational excuses for being out of alignment? We say, “Well, this ____ and that ____ happened, so it makes perfect sense for me to be feeling like this ____ and wanting to do this ____.” Yet, to this day, I have never met a happy person who adheres to those excuses. In fact, each time I – or anyone else – decide to give in to “rational excuses” that justify feeling bad – it’s interesting that only further suffering is the result. There is never a good enough reason for us to be out of alignment with peace. Sure, we can go there and make choices that dim our lights… and that is fine; there certainly is purpose for it and the contrast gives us lessons to learn… yet if we’re aware of what we are doing and we’re ready to let go of the suffering – then why go there at all? It’s like beating a dead horse. Been there, done that… so why do we keep repeating it? Pain is going to happen; it’s inevitable in this human experience, yet it is often so brief. When we make those excuses, what happens is: we pick up that pain and begin to carry it with us into the next day… and the next day… into next week… maybe next month… and some of us even carry it for years or to our graves! Forgive, let it go! It is NOT worth it! It is NEVER worth it. There is never a good enough reason for us to pick up that pain and carry it with us. There is never a good enough reason for us to be out of alignment with peace. Unforgiveness hurts you; it hurts others, so why even go there? Why even promote pain? Why say painful things to yourself or others? Why think pain? Just let it go! Whenever I look back on painful things or feel pain today, I know it is my EGO that drives me to “go there.” The EGO likes to have the last word, it likes to feel superior, it likes to make others feel less than in hopes that it will make itself (me) feel better about my insecurities. Maybe if I hurt them enough, they will feel the pain I felt over what they did to me. It’s only fair! It’s never my fault; it’s always someone else’s. There is a twisted sense of pleasure I get from feeling this way, and my EGO eats it right up. YET! With awareness that continues to grow and expand each day, I choose to not feed my pain (EGO) or even go there. I still feel it at times, of course, so I simply acknowledge it and then release it. I HAVE power and choice over my speech and actions. I do not need to ever “go there” again. It’s my choice; it’s your choice. So it’s about damn time we start realizing this. We are not victims of our impulses or emotions; we have the power to control them, and so it’s time to stop acting like we don’t. It’s time to relinquish the excuses.
Alaric Hutchinson (Living Peace: Essential Teachings For Enriching Life)
New Rule: You can't force the ATM to do something it doesn't want to do. Excuse me, lady in front of me at the Citibank ATM, but you've been standing there punching buttons for ten minutes--what are you trying to do, write a novel on it? You hear those beeping noises? That's the ATM saying, "Stop it, you're hurting me." A chicken would have gotten forty bucks out of that thing by now just by pecking the buttons randomly.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Amanda bit her lip. "You're not... trying to be funny or something, are you?" "I'm not trying to be anything!" I said. "All right, kids," the photographer called. "On the count of three. One, two-" She broke off, straightening up from the camera with a frown. "Excuse me. You in the turquoise? I need you to face forward." I rotated my body as best I could. "All the way, please." I turned so that my shoulders werre even with everybody else's, only now my head faced Gail instead of the lens. Gail pressed her lips together. "Stop it!" she said. "Winnie?" Mr. Hutchinson said. He walked to the end of our row. "What's going on?" "I can't," I whispered. "Can't what?" "Can't move my neck, it's stuck." Tears burned in my eyes, and I blinked hard to keep them back. "Mr. Hutchinson, she's faking," Gail said. "She's trying to be funny and she's ruining everything.
Lauren Myracle (Eleven (The Winnie Years, #2))
That was magic for you, right? The thing about magic, the real kind: it didn't make excuses, and it was never funny.
Lev Grossman (The Magician's Land (The Magicians, #3))
She was an original ... She was an eccentric. She'd come alive like a fire, telling funny stories and entertaining everyone, then she'd suddenly run out of fuel, make her excuses and leave. You always knew when she'd had enough. Those that didn't would find themselves talk to the walls.
Santa Montefiore (The French Gardener)
Some people use their own hurt as an excuse for hurting others, or for soaking in self-pity, or for a sharp anger that knifes up through the surface whenever something reminds them of what happened long ago.
Roland Merullo (The Talk-Funny Girl)
Now if you'll excuse me, I have to go out and greet those wonderful creatures and say a few nice words in a language invented by Tolkein. I've practiced, but I sound like Chewbacca making a New Year's speech.
Nina George (The Little Paris Bookshop)
Really?” he whispers as the flight attendant walks past us. “Excuse me, can we have two more champagnes, please?” he asks her. “Of course, sir.” His eyes come back to meet mine. “Well, do tell. What was your first impression of me?” I pretend to look around for Jessica the flight attendant. “You may need something stronger to drink to hear this, Jim. You’re not going to like it.” He laughs out loud, and I find myself smiling broadly as I watch him. “What’s funny?” I ask. “You are.” “Why am I funny?” I frown. “This sense of righteousness that you have.” “Oh, like you don’t have that too . . . Mr. I’ll Have Two Champagnes.” Our drinks arrive, and he smiles as he passes mine to me. His eyes linger on my face as he takes a sip.
T.L. Swan (The Stopover (Miles High Club, #1))
Turn on the news, another black man slain. They say “It’s okay. Save your voice, don’t complain. This isn’t about race, so stop using that excuse. Now, look at this funny picture of Obama in a noose! See how color-blind we are? You’re not
Nic Stone (Dear Martin (Dear Martin, #1))
Seafood poisoning, a cigarette lit as the person is drifting off to sleep and that sets fire to the sheets or, worse, to a woollen blanket; a slip in the shower—the back of the head—the bathroom door locked; a lightning bolt that splits in two a tree planted in a broad avenue, a tree which, as it falls, crushes or slices off the head of a passer-by, possibly a foreigner; dying in your socks, or at the barber’s, still wearing a voluminous smock, or in a whorehouse or at the dentist’s; or eating fish and getting a bone stuck in your throat, choking to death like a child whose mother isn’t there to save him by sticking a finger down his throat; or dying in the middle of shaving, with one cheek still covered in foam, half-shaven for all eternity, unless someone notices and finishes the job off out of aesthetic pity; not to mention life’s most ignoble, hidden moments that people seldom mention once they are out of adolescence, simply because they no longer have an excuse to do so, although, of course, there are always those who insist on making jokes about them, never very funny jokes.
Javier Marías (Tomorrow in the Battle Think on Me)
Hey. You know Twilight?” He blinks.“Excuse me?” “Twilight. The vampire book.” His wary eyes study my face. “What about it?” “Okay, so you know how Bella’s blood is extra special? Like how it gives Edward a raging boner every time he’s around her?” “Are you fucking with me right now?” I ignore that. “Do you think it happens in real life? Pheromones and all that crap. Is it a bullshit theory some horndog dreamed up so he could justify why he’s attracted to his mother or some shit? Or is there actually a biological reason why we’re drawn to certain people? Like goddamn Twilight. Edward wants her on a biological level, right?” “Are you seriously dissecting Twilight right now?
Elle Kennedy (The Score (Off-Campus, #3))
It seems like I've only shut my eyes for a few minutes, but when I open them, I flinch at the sight of Haymitch sitting a couple of feet from my bed. Waiting. Possibly for several hours if the clck is right. I think about hollering for a witness, but I'm going to have to face him sooner or later. Haymitch leans forward and dangles something on a thin white wire in front of my nose. It's hard to focus on, but I'm pretty sur what it is. He drops it in to the sheets. "That is your earpiece. I will give you exactly one more chance to wear it. If you remove it from your ear again, I'll have you fitted with this." He holds up some sort of metal headgear that I instantly name the head shackle. "It's alternative audio unit that locks around your skull and under your chin until it's opened with a key. And I'll have the only key. If for some reason you're clever enough to disable it" ---- Haymitch dumps the head shackle on the bed and whips out a tiny silver chip--- "I'll authorize them to surgically implant this transmitter into your ear so that I may speak to you twenty-four hours a day." Haymitch in my head full-time. Horrifying. "I'll keep the earpiece in," I mutter "Excuse me?" He says "I'll keep the earpiece in!" I say loud enough to wake half the hospital. "You sure? Because I'm equally happy with any of the three options," he tells me "I'm sure," I say. I scrunch up the earpiece protectivley in my fist and fling the head shakle back in his face with my free hand, but he catches it easily. Probably was expecting me to throw it. "Anything else?" Haymitch rises to go. "While I was waiting. . . I ate your lunch." My eyes take in the empty stew bowl and tray on my bed table. "I'm going to report you," I mumble into my pillow. "You do that sweetheart." He goes out, safe in the knowledge that I'm not the reporting kind.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
How was the sex?” he asked casually. “Excuse me?” “How was it,” said Nicholas, emphasizing each syllable, “when he fucked you? I'm assuming it was a he. Tell me all about it. I want to know.” Jay set her fork down with a ping. “It was fine.” “Dinner is fine. Cable television is fine. I'm asking if, when he was pounding into you at night with his college boy cock, were you screaming the walls down, or were you just lying there calculating last night's tips?
Nenia Campbell (Quid Pro Quo (Nick & Jay, #1))
Grover was an easy target. He was scrawny. He cried when he got frustrated. He must’ve been held back several grades, because he was the only sixth grader with acne and the start of a wispy beard on his chin. On top of all that, he was crippled. He had a note excusing him from PE for the rest of his life because he had some kind of muscular disease in his legs. He walked funny, like every step hurt him, but don’t let that fool you. You should’ve seen him run when it was enchilada day in the cafeteria.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
I threw my hand over my mouth and blurted out the first best excuse I could come up with, “Morning breath!
Melissa Aragon (Unexpectedly Out of Focus (Book 1))
No. I will not." "Excuse me?" "I said no, I will-" "I heard what you said. I'm giving you a chance to reconsider.
Shelby Mahurin (Blood & Honey (Serpent & Dove, #2))
Don't make the people who love me make your excuses.
Emily Henry (Funny Story)
I felt bad because Little Big Tom came in while we were making the tape and was like over the moon because he thought we were interested in his music. We had to humor him and listen to him deliver around six hundred speeches about fusion and the Art Ensemble of Chicago and Chicano and Latino influences on pretentious jazzy pseudorock. I think it was probably the happiest I'd ever seen him. And I also felt bad about the fact that after he left we kind of made fun of the funny way he said Latino, like he was the Frito Bandito or something. I felt bad, but I did it anyway, because I'm only human. I was ashamed of myself and depressed afterward, though, which is human, too, I guess. Being human is an excuse for just about everything, but it also kind of sucks in a way.
Frank Portman (King Dork (King Dork, #1))
Maybe you didn’t notice, I say, but that dick is essentially universally loved. By strangers, Mile says. By people who don’t know him or need anything from him. Excuse me if I don’t find that impressive.
Emily Henry (Funny Story)
FatherMichael has entered the room Wildflower: Ah don’t tell me you’re through a divorce yourself Father? SureOne: Don’t be silly Wildflower, have a bit of respect! He’s here for the ceremony. Wildflower: I know that. I was just trying to lighten the atmosphere. FatherMichael: So have the loving couple arrived yet? SureOne: No but it’s customary for the bride to be late. FatherMichael: Well is the groom here? SingleSam has entered the room Wildflower: Here he is now. Hello there SingleSam. I think this is the first time ever that both the bride and groom will have to change their names. SingleSam: Hello all. Buttercup: Where’s the bride? LonelyLady: Probably fixing her makeup. Wildflower: Oh don’t be silly. No one can even see her. LonelyLady: SingleSam can see her. SureOne: She’s not doing her makeup; she’s supposed to keep the groom waiting. SingleSam: No she’s right here on the laptop beside me. She’s just having problems with her password logging in. SureOne: Doomed from the start. Divorced_1 has entered the room Wildflower: Wahoo! Here comes the bride, all dressed in . . . SingleSam: Black. Wildflower: How charming. Buttercup: She’s right to wear black. Divorced_1: What’s wrong with misery guts today? LonelyLady: She found a letter from Alex that was written 12 years ago proclaiming his love for her and she doesn’t know what to do. Divorced_1: Here’s a word of advice. Get over it, he’s married. Now let’s focus the attention on me for a change. SoOverHim has entered the room FatherMichael: OK let’s begin. We are gathered here online today to witness the marriage of SingleSam (soon to be “Sam”) and Divorced_1 (soon to be “Married_1”). SoOverHim: WHAT?? WHAT THE HELL IS GOING ON HERE? THIS IS A MARRIAGE CEREMONY IN A DIVORCED PEOPLE CHAT ROOM?? Wildflower: Uh-oh, looks like we got ourselves a gate crasher here. Excuse me can we see your wedding invite please? Divorced_1: Ha ha. SoOverHim: YOU THINK THIS IS FUNNY? YOU PEOPLE MAKE ME SICK, COMING IN HERE AND TRYING TO UPSET OTHERS WHO ARE GENUINELY TROUBLED. Buttercup: Oh we are genuinely troubled alright. And could you please STOP SHOUTING. LonelyLady: You see SoOverHim, this is where SingleSam and Divorced_1 met for the first time. SoOverHim: OH I HAVE SEEN IT ALL NOW! Buttercup: Sshh! SoOverHim: Sorry. Mind if I stick around? Divorced_1: Sure grab a pew; just don’t trip over my train. Wildflower: Ha ha. FatherMichael: OK we should get on with this; I don’t want to be late for my 2 o’clock. First I have to ask, is there anyone in here who thinks there is any reason why these two should not be married? LonelyLady: Yes. SureOne: I could give more than one reason. Buttercup: Hell yes. SoOverHim: DON’T DO IT! FatherMichael: Well I’m afraid this has put me in a very tricky predicament. Divorced_1: Father we are in a divorced chat room, of course they all object to marriage. Can we get on with it? FatherMichael: Certainly. Do you Sam take Penelope to be your lawful wedded wife? SingleSam: I do. FatherMichael: Do you Penelope take Sam to be your lawful wedded husband? Divorced_1: I do (yeah, yeah my name is Penelope). FatherMichael: You have already e-mailed your vows to me so by the online power vested in me, I now pronounce you husband and wife. You may kiss the bride. Now if the witnesses could click on the icon to the right of the screen they will find a form to type their names, addresses, and phone numbers. Once that’s filled in just e-mail it off to me. I’ll be off now. Congratulations again. FatherMichael has left the room Wildflower: Congrats Sam and Penelope! Divorced_1: Thanks girls for being here. SoOverHim: Freaks. SoOverHim has left the room
Cecelia Ahern (Love, Rosie)
Why are you here?” “Oh— I came to tell the chieftain we’re going to die.” The girl said it quickly and with the same casual indifference as if she were announcing that the sun sets in the evening. Persephone narrowed her eyes. “Excuse me? What did you say? Who’s going to die?” “All of us.” “All of whom?” “Us.” The girl looked puzzled, but this time Persephone wasn’t certain if it was the tattoos or not. “You and I?” Suri sighed. “Yes— you, me, the funny man with the horn at the gate, everyone.
Michael J. Sullivan (Age of Myth (The Legends of the First Empire, #1))
She knew all about the cops and their trigger fingers and their predilection for dealing with those who would attack their brethren. Her father had drummed such stories into her from a young age; more so into Whiz, who bore the burden of being a black boy about to grow into a black teen. "If the police even look at you funny," Dad had said, "you hit the ground and put your hands over your head. Don't talk back. Don't try to run. Don't try to explain. They're just looking for an excuse to shoot you. Don't give it to them.
Barry Lyga (Blood of My Blood (I Hunt Killers, #3))
No one looks at you funny if you excuse yourself to grab a smoke. Imagine the reactions if you say, “Hey, I’m going to go grab a five-minute prayer. I’ll be back.” Or worse, “Hold that thought. I just want to go cry a minute.” Excuses are easy. Quitting is much harder.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
The creators took each of us out for lunch, too, to get to know us, so they could incorporate some aspects of our real personalities into the show. At my lunch I said two things: one, that even though I considered myself not unattractive, I had terrible luck with women and that my relationships tended toward the disastrous; and two, that I was not comfortable in any silence at all—I have to break any such moment with a joke. And this became a built-in excuse for Chandler Bing to be funny—perfect for a sitcom—and Chandler wasn’t much good with women, either (as he shouts at Janice as she leaves his apartment, “I’ve scared ya; I’ve said too much; I’m awkward and hopeless and desperate for love!”). But think of a better character for a sitcom: someone who is uncomfortable in silence and has to break the silence with a joke.
Matthew Perry (Friends, Lovers, and the Big Terrible Thing)
As I sat there on that winter afternoon, feeding the birds, laughing and rejoicing at the way they come again and again, flying one after another and fighting for every piece, I realised how funny and simple life truly is in these simple moments. We always have someone to provide for us, but we try to make up excuses for the lack of it, instead of trusting in divine timing. What if in reality, our Creator is a simple man on a chair, laughing kindly at our carelessness and worries, joyfully handing us another piece of bread to wake us up from our wondering..
Virgil Kalyana Mittata Iordache
Dear Jessa, I’ve started this letter so many times and I’ve never been able to finish it. So here goes again . . . I’m sorry. I’m sorry that Riley is dead. I’m sorry for ignoring your emails and for not being there for you. I’m sorry I’ve hurt you. There isn’t a day that goes by that I don’t wish it had been me that died and not Riley. If I could go back in time and change everything I would. I’m sorry I left without a word. There’s no excuse for my behaviour but please know that it had nothing to do with you. I was a mess. I haven’t been able to talk to anyone for months. And I felt too guilty and didn’t know how to tell you the truth about what happened. I couldn’t bear the thought of you knowing. I got all your emails but I didn’t read them until last week. I couldn’t face it and I guess that makes me the biggest coward you’ll ever meet. I’m sorry. I’m sorry I never replied. You needed me and I wasn’t there for you. I don’t even know how to ask your forgiveness because I don’t deserve it. I’m just glad you’re doing better. I’m better too. I’ve started seeing a therapist – twice a week – you’d like her. She reminds me of Didi. I never thought I’d be the kind of guy who needed therapy, but they made it a condition of me keeping my job. She’s helped me a lot with getting the panic attacks under control. Working in a room the size of a janitor’s closet helps too – there aren’t too many surprises, only the occasional rogue paperclip. I asked for the posting. I have to thank your dad ironically. The demotion worked out. Kind of funny that I totally get where your father was coming from all those years. Looks like I’ll be spending the remainder of my marine career behind a desk, but I’m OK with that. I don’t know what else to say, Jessa. My therapist says I should just write down whatever comes into my head. So here goes. Here’s what’s in my head . . . I miss you. I love you. Even though I long ago gave up the right to any sort of claim over you, I can’t stop loving you. I won’t ever stop. You’re in my blood. You’re the only thing that got me through this, Jessa. Because even during the bad times, the worst times, the times I’d wake up in a cold sweat, my heart thumping, the times I’d think the only way out was by killing myself and just having it all go away, I’d think of you and it would pull me back out of whatever dark place I’d fallen into. You’re my light, Jessa. My north star. You asked me once to come back to you and I told you I always would. I’m working on it. It might take me a little while, and I know I have no right to ask you to wait for me after everything I’ve done, but I’m going to anyway because the truth is I don’t know how to live without you. I’ve tried and I can’t do it. So please, I’m asking you to wait for me. I’m going to come back to you. I promise. And I’m going to make things right. I’ll do whatever it takes. I’ll never stop trying for the rest of my life to make things right between us. I love you. Always. Kit
Mila Gray (Come Back to Me (Come Back to Me, #1))
Women aren’t killed in a bubble. They’re killed in a world that disenfranchises them, positions them as other and disadvantages them. They’re killed in a society that sends the message, clearly and repeatedly, that they are sexual objects for men’s gratification and possession. The cultural elements that help to create these messages aren’t the cause of violence against women, but they are the context in which it happens. They help perpetrators to see women as objects. They frame violence against women as titillating, funny or excusable. They help us to blame victims when they come forward. They hamper justice.
Laura Bates
Do you want a ride home?" "I rode my bike, and I don't really want to keep it here at the school." "I have a truck, it won't be a problem to throw it into the bed." "Well then, I suppose I don't really have an excuse to say no, do I?" "I was going to hold your duffel hostage until you said yes anyway." "Now what has my duffel bag ever done to you?
August Westman (Dance Into the Dark (Living in the Shadows))
You might want to pop your collar." "Hey if the biker doesn't pop his, I'm not popping mine. Also? We're thirty years past that fashion faux pas." "Yeah, but it still comes in handy when you're sporting a hickey." "What?" My hands flew to my neck, and I found the tender spot. "Shit. No, that's not-- I burned it. My hair wasn't cooperating, so I dragged out the curling iron." "Gabriel has a curling iron?" "No, I meant--Damn it." I rooted through my bag for concealer. "I'm sorry. If I'd noticed, I'd have hidden it." "I know." His lips twitched. "It is kinda funny, though, watching you guys scramble with excuses. Gabriel told me you weren't answering my calls because you forgot your phone in the car. Which is about as likely as you leaving your arm behind. He dried his hair so fast the back was sticking up. And then he scarfed down half the food I brought for lunch. I've never seen him eat like that." He smiled. "But I do appreciate he's being circumspect." "He's not going to wave it in your face." "No, but we are talking about Gabriel, who never goes out of his way to cushion anyone's feelings but yours. He's being very thoughtful. It's sweet. Just don't tell him I said that." "I won't." I finished applying the concealer. "Better?" "Yep." He leaned over for a better look and then stopped. "Is that a bite on your collarbone?" "Shit! No. Damn it. Ricky laughed as I frantically applied more makeup.
Kelley Armstrong (Rituals (Cainsville, #5))
The sound of a chainsaw going off inside the building had me meeting Amari’s gaze, and he shot me a funny expression. “You scared?” He tilted his head to the side. “Why? If I say yes, will you hold my hand?” Well, I hadn’t been asking to flirt. I’d just been joking. But…. “No,” I replied. “I’m going to be too busy holding Zac’s hand. I don’t want him having nightmares tonight.” He chuckled just as I felt a hand land on the back of my neck again, molding itself around it. Tilting my head back, I found those familiar baby blues on me. I whispered, “But for real, I don’t think I’ll get scared, but if I do, I’m using you as a human shield. You’ve lived a much fuller life than I have. Technically, Amari’s bigger but—” My old friend scoffed. “We’re the same size. You know people still call me ‘Big Texas,’ don’t you?” “Yeah, I know, but I started calling you that back when you were the biggest guy I knew. You’re not even that big.” “Excuse me?” It was too much fun to pick on him. “You’re big, but you’re not that big.” Zac’s head reared back. “Aren’t you five feet tall?” “Five foot two.” Zac blinked. I blinked. He narrowed his eyes. “Swear to God, I’m tellin’ Mama on you.
Mariana Zapata (Hands Down)
Cousin Joshua was frustrated by the authorities when he fired upon the president of the University, who in his opinion was little more than a sewage disposal expert. This was no doubt true, but an idle excuse for assault with a deadly wapon. After much passing around of money Cousin Joshua was moved across the tracks and placed in state accommodations for the irresponsible, where he remained for the rest of his days.
Harper Lee
Tell me the story," said Fenchurch firmly. "You arrived at the station." "I was about twenty minutes early. I'd got the time of the train wrong." "Get on with it." Fenchurch laughed. "So I bought a newspaper, to do the crossword, and went to the buffet to get a cup of coffee." "You do the crossword?" "Yes." "Which one?" "The Guardian usually." "I think it tries to be too cute. I prefer The Times. Did you solve it?" "What?" "The crossword in the Guardian." "I haven't had a chance to look at it yet," said Arthur, "I'm still trying to buy the coffee." "All right then. Buy the coffee." "I'm buying it. I am also," said Arthur, "buying some biscuits." "What sort?" "Rich Tea." "Good Choice." "I like them. Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." "All right." "So let me give you the layout. Me sitting at the table. On my left, the newspaper. On my right, the cup of coffee. In the middle of the table, the packet of biscuits." "I see it perfectly." "What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me." "What's he look like?" "Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird." "Ah. I know the type. What did he do?" "He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and..." "What?" "Ate it." "What?" "He ate it." Fenchurch looked at him in astonishment. "What on earth did you do?" "Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it." "What? Why?" "Well, it's not the sort of thing you're trained for is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits." "Well, you could..." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?" "I stared furiously at the crossword," said Arthur. "Couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open..." "But you're fighting back, taking a tough line." "After my fashion, yes. I ate a biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," Arthur said, "it stays eaten." "So what did he do?" "Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground." Fenchurch stirred uncomfortably. "And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject a second time around. What do you say? "Excuse me...I couldn't help noticing, er..." Doesn't work. No, I ignored it with, if anything, even more vigor than previously." "My man..." "Stared at the crossword, again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day..." "What?" "I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met." "Like this?" "Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time." "I can imagine.
Douglas Adams
Excuse me,’ said Ransom. ‘But it is funny, you know. The idea of a man thinking he could become a saint as a minor detail in his scientific training. You might as well imagine you could use the stairs of heaven as a short cut to the nearest tobacconist’s. Don’t you see that long before you had reached the level of timeless experience you would have had to become so interested in something else—or, frankly, Someone Else—that you wouldn’t be bothering about time-travel?
C.S. Lewis (The Dark Tower: And Other Stories)
And what did it say?” I ask, almost expecting to hear him tell me, “Soon.” “Check the bed.” His voice cracks saying the words. “Excuse me?” “That’s what it said.” “And what’s it supposed to mean?” “Call me crazy, but I think it might mean that I should check my bed.” “Not funny.” “Who’s laughing? I’m paranoid about going home now. I’m having major flashbacks to summer camp. You know, itching powder in the bedsheets, snakes under the pillow, getting your hand dipped into a bowl full of water while you sleep—
Laurie Faria Stolarz (Deadly Little Games (Touch, #3))
At this point, one of the elevators went ‘ping!’ so I whipped Carol across my lap, making it look as if I had her in a full embrace. The doors opened … and the elevator was packed …. Nobody got out, nobody got in. As the doors closed, they collectively leaned toward the center so they could get a better view. Carol and I simply cracked up. Suddenly another elevator went ‘ping’; I quickly dipped Carol over my knee again. The doors opened and a lone woman stepped out, glanced at us both, and then hurried on down the hall. By now, we were both weeping with laughter. Carol slid off my knee and crawled behind the sofa to hide. ‘What are you doing?’ I asked. She couldn’t even reply, she was laughing so hard. With a touch of panic, I noticed that the lady who had just passed us had turned around and was now coming back. Leaning over the sofa, she inquired, ‘Excuse me, are you Carol Burnett?’ In a strangled voice Carol said, ‘Yes,” Then raising a hand above the sofa to point at me, she added, ‘And this is my friend, Mary Poppins!
Julie Andrews
It's a funny thing about love. Starts off pretty wonderfully with your stomach doing somersaults for joy. You look forward to seeing the person whenever and however often you can. Find excuses for calling and talking. Sending texts. Notes. Emails. You can't get enough of each other. Or you think you'll die. You have trouble concentrating. Every little thing- your hair, what you wear, what you say, how you eat- is considered in the light of the other. What will that person think of this? Of that? Of you? You kind of live for the person. Give it all up for the person. Get swept up in the idea that the person you love is perfect. Or nearly so.
Gail Sidonie Sobat (Chance to Dance for You)
He needs to be talked to." "This is funny, but I know how to talk, too." Brian swore under his breath. "He prefers singing." "Excuse me?" "I said,he prefers singing." "Oh." Keeley tucked her tongue in her cheek. "Any particular tune? Wait, let me guess. Finnegan's Wake?" Brian''s steely-eyed stare had her laughing until she had to lean weakly against the gelding.The horse responded by twisting his head and trying to sniff her pockets for apples. "It's a quick tune," Brian said coolly, "and he likes hearing his name." "I know the chorus." Gamely Keeley struggled to swallow another giggle. "But I'm not sure I know all the words.There are several verses as I recall." "Do the best you can," he muttered and strode off.His lips twitched as he heard her launch into the song about the Dubliner who had a tippling way. When he reached Betty's box, he shook his head. "I should've known. If there's not a Grant one place, there's a Grant in another until you're tripping over them." Travis gave Betty a last pat on the shoulder. "Is that Keeley I hear singing?" "She's being sarcastic, but as long as the job's done. She's dug in her heels about grooming Finnegan." "She comes by it naturally.The hard head as well as the skill." "Never had so many owners breathing down my neck.We don't need them, do we, darling?" Brian laid his hands on Beetty's cheek, and she shook her head, then nibbled his hair. "Damn horse has a crush on you." "She may be your lady, sir, but she's my own true love.Aren't you beautiful, my heart?" He stroked, sliding into the Gaelic that had Betty's ears pricked and her body shifting restlessly. "She likes being excited before a race," Brian murmured. "What do you call it-pumped up like your American football players.Which is a sport that eludes me altogether as they're gathered into circles discussing things most of the time instead of getting on with it." "I heard you won the pool on last Monday nights game," Travis commented. "Betting's the only thing about your football I do understand." Brian gathered her reins. "I'll walk her around a bit before we take her down. She likes to parade.You and your missus will want to stay close to the winner's circle." Travis grinned at him. "We'll be watching from the rail." "Let's go show off." Brian led Betty out.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Best friends are supposed to stand by you, no matter what. They disregard your occasionally disagreeable nature and off-putting eccentricities and accept the whole of you. That’s the beauty of real friendship. But close friends can also let you get away with too much. And what feels like total acceptance, what masquerades as unconditional love, can turn toxic. Especially if what your friend really wants is a partner in crime, someone to excuse their own bad behavior. Because letting you be your worst self just so you can be terrible together is cruelty, not kindness. And it’s got nothing to do with love. Not that I ever thought you were cruel. I thought you were funny and smart and so gorgeous that it made my chest ache. God, how I loved you. Not in a sexual way, I just worshipped
Kimberly McCreight (Friends Like These)
I don’t know. I think maybe I’m just partly yellow and partly the type that doesn’t give much of a damn if they lose their gloves. One of my troubles is, I never care too much when I lose something—it used to drive my mother crazy when I was a kid. Some guys spend days looking for something they lost. I never seem to have anything that if I lost it I’d care too much. Maybe that’s why I’m partly yellow. It’s no excuse, though. It really isn’t. What you should be is not yellow at all. If you’re supposed to sock somebody in the jaw, and you sort of feel like doing it, you should do it. I’m just no good at it, though. I’d rather push a guy out the window or chop his head off with an ax than sock him in the jaw. I hate fist fights. I don’t mind getting hit so much—although I’m not crazy about it, naturally—but what scares me most in a fist fight is the guy’s face. I can’t stand looking at the other guy’s face, is my trouble. It wouldn’t be so bad if you could both be blindfolded or something. It’s a funny kind of yellowness, when you come to think of it, but it’s yellowness, all right. I’m not kidding myself.
J.D. Salinger (The Catcher in the Rye)
You’re wonderful. You’re the reason for the word wonderful. It really shouldn’t be used for anything else. You make me want to see the best in everyone. You’re the person I want to be with when everything’s going wrong, instead of just wanting to skip over those times entirely. I love that you’re so present that you always forget to keep track of your phone, and I love that when you’re late, you never make excuses but you always have a good reason. “You’re the most generous person I’ve ever met, even to people who’ve given you no reason to be generous, and you always come through for the people you care about. I honestly can’t totally figure out why someone as good as you would love me, when I can be kind of a pessimistic asshole. But I do feel like the luckiest person in the world, to be who you want. Because I want you too. I love you too. I love you in a way that feels brand-new. You make every single thing that went wrong feel like it was just a step in the right direction, and it—it makes me excited. For life to keep surprising me. “You aren’t what I pictured,” I say. “You are so, so, so much better than what my cynical little brain could’ve ever come up with.
Emily Henry (Funny Story)
He’s close enough now that I can hear his footfall on the pavement, and I know my chances of outrunning him are slim. I’m practically in a full sprint, and my pounding heart is begging me to take it down a notch. I try to will my feet to keep pace with its beat; but I think it’s humanly impossible to run that fast. And then it dawns on me that my footsteps are the only ones I hear. Somewhere along the way, Tristan’s must have come to a stop. And I can’t quite explain why I’m running this fast in the first place. I slow to a jog, intending to just pick up with my original pace; but I can’t seem to suck in breaths fast enough to propel my feet any further. My molten shoes stutter to a stop, as my hands come to rest on my knees. I’m still wheezily sucking in breath after breath of thick, humid air, when I warily turn to look over my shoulder. Tristan’s standing about fifty feet back, hands on his hips and a completely flummoxed twist in his forehead, his chest rising and falling with equally winded gasps. Evidently I was running faster than I gave myself credit for. As he silently watches me, regaining his breath as I do mine, the confusion on his face turns to undeniable hurt (and not the physical kind). I’ve wounded him, and I can’t even explain why. Man, I really am an ass. I start the slow walk of shame back to where he stands, one hand upon my hip as I pull in a few more calming deep breaths. I’m debating whether to concoct some excuse for my behavior…Maybe I left my contacts out today, and didn’t recognize his face? Who would blame me for running for my life, if a stranger seemed to be following me? But as I amble closer—his wrinkled forehead already fading in the wake of a welcoming smile—I decide not to dig myself a deeper hole. I’m already a straight-up jerk. I’d rather not add lying to my repertoire.
M.A. George (Aqua)