Oval Face Quotes

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Everyone has always said I look like Bailey, but I don't. I have grey eyes to her green, an oval face to her heart-shaped one, I'm shorter, scrawnier, paler, flatter, plainer, tamer. All we shared is a madhouse of curls that I imprison in a ponytail while she let hers rave like madness around her head. I don't sing in my sleep or eat the petals off flowers or run into the rain instead of out of it. I'm the unplugged-in one, the side-kick sister, tucked into a corner of her shadow. Boys followed her everywhere; they filled the booths at the restaurant where she waitressed, herded around her at the river. One day, I saw a boy come up behind her and pull a strand of her long hair I understood this- I felt the same way. In photographs of us together, she is always looking at the camera, and I am always looking at her.
Jandy Nelson (The Sky Is Everywhere)
He blinks. Touches the side of my face, near my eyes. My eyes that are blue now, not green. With oval irises. "I'm still me," I say, because my greatest fear now is that he doesn't want a hybrid Amy. He cocks an eyebrow. "You think I care if your eyes are blue or green? I just care about you." His hand slips down my arm, and he wraps his pinky finger around mine. "You came back to me," I say, my voice breaking over unshead tears of joy. "I'll always come back to you," he tells me pulling me close. Always.
Beth Revis (Shades of Earth (Across the Universe, #3))
You know," Gabe said, "Lady Penelope might actually like some of this artwork. Take a bit more care." Ash retrieved the small, oval frame from the floor. It held a phenomenally ugly sketch of a cross-eyed, squished-face pug. "This is hideous." "Yes," Chase agreed. "It's probably her favorite.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years. All business and politics is personal in the Philippines. If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump. They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on. I'm not lazy. I'm just motivationally challenged. I'm not fat. I just have lots of stored energy. You don't get it do you? What people think of you matters more than the reality. Marilyn. Despite standing firm at the final hurdle Marilyn was always ready to run the race. After answering the question the woman bent down behind the stand out of sight of all, and crossed herself. It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up. He wondered at the price of honesty in a grey world whose half tones changed faster than the weather. The banality of truth somehow always surprises the news media before they tart it up. You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points] Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse. You could call the Oval Office an information rain shadow. In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil. There's honest and dishonest corruption in this country. Don't enjoy it too much for it's what we love that usually kills us. The good guys don't always win wars but the winners always make sure that they go down in history as the good guys. The Philippines is like a woman. You love her and hate her at the same time. I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality. The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent. Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins. Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it. Tsismis or rumours grow in this land like tropical weeds. Surprises are so common here that nothing is surprising. A crooked leader who can lead is better than a crooked one who can't. Although I always followed the politics of Hitler I emulate the drinking habits of Churchill. It [Australia] is the country that does the least with the most. Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold. Didn't your mother ever tell you never to trust a man who doesn't drink? She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
John Richard Spencer
Her eyes were dark. Dark as chocolate, dark as coffee, dark as the polished wood of my father’s lute. They were set in a fair face, oval. Like a teardrop. Her easy smile could stop a man’s heart. Her lips were red. Not the garish painted red so many women believe makes them desirable. Her lips were always red, morning and night. As if minutes before you saw her, she had been eating sweet berries, or drinking heart’s blood. No matter where she stood, she was in the center of the room. Do not misunderstand. She was not loud, or vain. We stare at a fire because it flickers, because it glows. The light is what catches our eyes, but what makes a man lean close to a fire has nothing to do with its bright shape. What draws you to a fire is the warmth you feel when you come near. The same was true of Denna.
Patrick Rothfuss
Sometimes just to look at Miranda’s calm oval face and straight corn-yellow hair gave her a sharp little stab of pleasure.
Joan Lindsay (Picnic at Hanging Rock)
The library is not, as some would have it, a place for the retiring of disposition or faint of heart. It is not an ivory tower or a quiet room in a sanitarium facing away from the afternoon sun. It is, rather, a command center, a power base. A board room, a war room. An Oval Office for all who preside over their own destinies. One does not retreat from the world here; one prepares to join it at an advantage.
Eric Burns (The Joy of Books)
I was beautiful, or so my father told me. My oval mirror showed me a face with nothing written on it. I had suitors aplenty but wanted none of them: their doggish devotion seemed too easily won. I had an appetite for magic, even then. I wanted something improbably and perfect as a red rose just opening.
Emma Donoghue (Kissing the Witch: Old Tales in New Skins)
Her features were dainty, her small slender wrists climbed up to become the delicate shoulders that beckoned him. Her skin was like peach-tinted cream and he need not have touched her to experience the melting softness of her body. Her perfectly oval face was austere and her manner a little haughty. Her expressions had delicacy as well as a particular strength that did not abate her femininity. It seemed that the world had stopped. Her voice sounded like a melody and she looked like a dream, an illusion, up close and personal.
Faraaz Kazi (Truly, Madly, Deeply)
You can't save everyone and leave yourself lost, October. It isn't fair. Not to you and not to the people who care about you." "I'm not lost Tybalt," I said. It was oddly hard to meet his eyes now that they registered as human. His irises were supposed to be malachite green, not muddy hazel, and his pupils were supposed to be oval, not round. "I know exactly where I am." A smile crossed his face. "If I believed that, I would walk away and never darken your door again. I can forgive you your foolishness only because I know how lost you are. But one day, you'll have to come back home. When you do, I hope you'll find me waiting.
Seanan McGuire (Ashes of Honor (October Daye, #6))
Rebecca, always Rebecca. Wherever I walked in Manderley, wherever I sat, even in my thoughts and in my dreams, I met Rebecca. I knew her figure now, the long slim legs, the small and narrow feet. Her shoulders, broader than mine, the capable clever hands. Hands that could steer a boat, could hold a horse. Hands that arranged flowers, made the models of ships, and wrote “Max from Rebecca” on the flyleaf of a book. I knew her face too, small and oval, the clear white skin, the cloud of dark hair. I knew the scent she wore, I could guess her laughter and her smile. If I heard it, even among a thousand others, I should recognize her voice. Rebecca, always Rebecca. I should never be rid of Rebecca. Perhaps
Daphne du Maurier (Rebecca)
Reading two pages apiece of seven books every night, eh? I was young. You bowed to yourself in the mirror, stepping forward to applause earnestly, striking face. Hurray for the Goddamned idiot! Hray! No-one saw: tell no-one. Books you were going to write with letters for titles. Have you read his F? O yes, but I prefer Q. Yes, but W is wonderful. O yes, W. Remember your epiphanies on green oval leaves, deeply deep, copies to be sent if you died to all the great libraries of the world, including Alexandria? Someone was to read them there after a few thousand years, a mahamanvantara. Pico della Mirandola like. Ay, very like a whale. When one reads these strange pages of one long gone one feels that one is at one with one who once...
James Joyce (Ulysses)
Dantes had entered the Chateau d’If with the round, open, smiling face of a young and happy man, with whom the early paths of life have been smooth. and who anticipates a future corresponding with his past. This was now all changed. The oval face was lengthened, his smiling mouth had assumed the firm and marked lines which betoken resolution; his eyebrows were arched beneath a brow furrowed with thought; his eyes were full of melancholy, and from their depths occasionally sparkled gloomy fires of misanthropy and hatred; his complexion, so long kept from the sun, had now that pale color which produces, when the features are encircled with black hair, the aristocratic beauty of the man of the north; the profound learning he had acquired had besides diffused over his features a refined intellectual expression; and he had also acquired, being naturally of a goodly stature, that vigor which a frame possesses which has so long concentrated all its force within itself.
Alexandre Dumas (The Count of Monte Cristo)
The sober truth is that the most important civil rights battles were fought and won four decades before the Obama presidency. The black underclass continues to face many challenges, but they have to do with values and habits, not oppression from a manifestly unjust society. Blacks have become their own worst enemy, and liberal leaders do not help matters by blaming self-inflicted wounds on whites or “society.” The notion that racism is holding back blacks as a group, or that better black outcomes cannot be expected until racism has been vanquished, is a dodge. And encouraging blacks to look to politicians to solve their problems does them a disservice. As the next chapter explains, one lesson of the Obama presidency—maybe the most important one for blacks—is that having a black man in the Oval Office is less important than having one in the home.
Jason L. Riley (Please Stop Helping Us: How Liberals Make It Harder for Blacks to Succeed)
In the country whereto I go I shall not see the face of my friend Nor her hair the color of sunburnt grasses; Together we shall not find The land on whose hills bends the new moon In air traversed of birds. What have I thought of love? I have said, "It is beauty and sorrow." I have thought that it would bring me lost delights, and splendor As a wind out of old time . . . But there is only the evening here, And the sound of willows Now and again dipping their long oval leaves in the water. -- from "Betrothed
Louise Bogan (The Blue Estuaries)
Promise me, Roxie,” he said again. The way he said her name—low and slow and sweet—was like nothing she’d ever heard. She could feel his eyes on her in such a way it was as if he was tracing the oval of her face with his fingers. And all her halfhearted talk of leaving turned to ashes. “I promise.
Laura Frantz (The Colonel's Lady)
In one of them I am sixteen or seventeen years old. I am wearing, under a jacket of the Assistance Publique, a torn sweater. My face is an oval, very pure; my nose is smashed, flattened by a punch in some forgotten fight. The look on my face is blasé, sad and warm, very serious. My hair was thick and unruly. Seeing myself at that age, I expressed my feelings almost aloud: “Poor little fellow, you've suffered.
Jean Genet (The Thief's Journal (Genet, Jean))
I had seen the girl somewhere before. She was a slender girl in a glistening blue gown that exhibited a generous spread of front, back and arms that were worth showing. She had a mass of dark brown hair above an oval face of the color that pink ought to be. Her eyes were wide-set and of a gray shade that wasn't altogether unlike the shadows on polished silver that the poet had compared them to. "The Girl With The Silver Eyes
Dashiell Hammett
She had his dark hair, his lashes, and from the glimpse he had, she bore his eyes, as well. But the shape of her face, a perfect oval, was her mother’s. She had Anais’s cheeks. Anais’s lovely mouth and proud chin. He kissed her chin, feeling the softest of fluttering against his cheek—baby’s breath. There was nothing sweeter than the feel of an innocent child’s breath against one’s cheek—nothing more wondrous than knowing that the baby was your own flesh and blood. Mina stretched against him, yawning widely and throwing her arms up wide alongside her head. He laughed through his tears and reached for her little fist and brought it to his mouth, kissing her with such love he thought he would die of it. “You will consume me, little Mina, just as your mother has.” -Linsay to his infant daughter.
Charlotte Featherstone (Addicted (Addicted, #1))
She was dark-haired, fierce; she wore two drop earrings made of crystal; her face was a pure oval tickled with dimples; her skin was golden; and her laugh was like a fire in the night. But on her face you could also read the concentration of a soul whose life is entirely inward, and a mischievous gravity which acquires a silver patina with age.
Muriel Barbery (The Life of Elves)
I will remember the perfect oval of your face, the warmth of your throat, the way you hold a pen when you write. Most of all . . .” He cupped my chin, his eyes roving over my upturned face. “I will remember a strange, beautiful girl who liked the feel of old books and drank her coffee sweet. She snuck onto my porch on a gray day and taught me to see in color. She was a thief, my rainbow-haloed girl. When she left, she took my heart. And if I had another, I would give her that too
Leylah Attar (Mists of the Serengeti)
Susan was, indeed, a lovely bride. The eldest daughter of Squire Thomas and his wife, Betsy—Susan was twenty-years-old, with a pleasing oval face, dark curly hair, a delicate mouth, and large, expressive eyes that seemed to laugh when she was amused.
Hanna Hamilton (The Governess Who Stole My Heart)
Reading two pages apiece of seven books every night, eh? I was young. You bowed to yourself in the mirror, stepping forward to applause earnestly, striking face. Hurray for the Goddamned idiot! Hray! No-one saw: tell no-one. Books you were going to write with letters for titles. Have you read his F? O yes, but I prefer Q. Yes, but W is wonderful. O yes, W. Remember your epiphanies written on green oval leaves, deeply deep, copies to be sent if you died to all the great libraries of the world, including Alexandria? Someone was to read them there after a few thousand years, a mahamanvantara. Pico della Mirandola like. Ay, very like a whale. When one reads these strange pages of one long gone one feels that one is at one with one who once ... The grainy sand had gone from under his feet. His boots trod again a damp crackling mast, razorshells, squeaking pebbles, that on the unnumbered pebbles beats, wood sieved by the shipworm, lost Armada. Unwholesome sandflats waited to suck his treading soles, breathing upward sewage breath, a pocket of seaweed smouldered in seafire under a midden of man's ashes. He coasted them, walking warily. A porterbottle stood up, stogged to its waist, in the cakey sand dough. A sentinel: isle of dreadful thirst. Broken hoops on the shore; at the land a maze of dark cunning nets; farther away chalkscrawled backdoors and on the higher beach a dryingline with two crucified shirts. Ringsend: wigwams of brown steersmen and master mariners. Human shells. He halted. I have passed the way to aunt Sara's. Am I not going there? Seems not.
James Joyce
Sunt un om viu. Nimic din ce-i omenesc nu mi-e străin. Abia am timp să mă mir că exist, dar mă bucur totdeauna că sunt. Nu mă realizez deplin niciodată, pentru că am o idee din ce în ce mai bună despre viaţă. Mă cutremură diferenţa dintre mine şi firul ierbii, dintre mine şi lei, dintre mine şi insulele de lumină ale stelelor. Dintre mine şi numere, bunăoară între mine şi 2, între mine şi 3. Am şi-un defect un păcat: iau în serios iarba, iau în serios leii, mişcările aproape perfecte ale cerului. Şi-o rană întâmplătoare la mână mă face să văd prin ea, ca printr-un ochean, durerile lumii, războaiele. Dintr-o astfel de întâmplare mi s-a tras marea înţelegere pe care-o am pentru Ulise - şi bărbatului cu chip ursuz, Dante Alighieri. Cu greu mi-aş putea imagina un pământ pustiu, rotindu-se în jurul soarelui... (Poate şi fiindcă există pe lume astfel de versuri.) Îmi olace să râd, deşi râd rar, având mereu câte o treabă, ori călătorind cu o plută, la nesfârşit, pe oceanul oval al fantaziei. E un spectacol de neuitat acela de-a şti, de-a descoperi harta universului în expansiune, în timp ce-ţi priveşti o fotografie din copilărie! E un trup al tău vechi, pe care l-ai rătăcit şi nici măcar un anunţ, dat cu litere groase, nu-ţi pferă vreo şansă să-l mai regăseşti. Îmi desfac papirusul vieţii plin de hieroglife, şi ceea ce pot comunica acum, aici, după o descifrare anevoioasă, dar nu lipăsită de satisfacţii, e un poem închinat păcii, ce are, pe scurt, următorul cuprins: Nu vreau, când îmi ridic tâmpla din perne, să se lungească-n urma mea pe paturi moartea, şi-n fiece cuvânt ţâşnind spre mine, peşti putrezi să-mi arunce, ca-ntr-un râu oprit. Nici după fiecare pas, în golul dinapoia mea rămas, nu vreau să urce moartea-n sus, asemeni unei coloane de mercur, bolţi de infern proptind deasupra-mi... Dar curcubeul negru-al ei, de alge, de-ar bate-n tinereţia mea s-ar sparge. E o fertilitate nemaipomenită în pământ şi-n pietre şi în schelării, magnetic, timpul, clipită cu clipită, gândurile mi le-nalţă ca pe nişte trupuri vii. E o fertilitate nemaipomenită în pământ şi-n pietre şi în schelării. Umbra de mi-aş ţine-o doar o clipă pironită, s-ar şi umple de ferigi, de bălării! Doar chipul tău prelung iubito, lasă-l aşa cum este, răzimat între două bătăi ale inimii mele, ca între Tigru şi Eufrat.
Nichita Stănescu
Nathan’s mother is thinking about the body of Christ and the wings of angels. Her spirit lightens in the safety, the sanctity, of the church. Dark hair surrounds her pretty oval face. Light from the stained-glass window tints her skin. Nathan thinks about the body of the son of the farmer who owns the house Nathan’s parents rented three weeks ago.
Jim Grimsley (Dream Boy)
Those long uneven lines Standing as patiently As if they were stretched outside The Oval or Villa Park, The crowns of hats, the sun On moustached archaic faces Grinning as if it were all An August Bank Holiday lark; And the shut shops, the bleached Established names on the sunblinds, The farthings and sovereigns, And dark-clothed children at play Called after kings and queens, The tin advertisements For cocoa and twist, and the pubs Wide open all day-- And the countryside not caring: The place names all hazed over With flowering grasses, and fields Shadowing Domesday lines Under wheat's restless silence; The differently-dressed servants With tiny rooms in huge houses, The dust behind limousines; Never such innocence, Never before or since, As changed itself to past Without a word--the men Leaving the gardens tidy, The thousands of marriages, Lasting a little while longer: Never such innocence again. - MCMXIV
Philip Larkin
Hunt shook his head and quit writing. “I don’t understand. You can become this … messiah … by leaving your deathbed?” The pale oval of Keats’s face moved back and forth on the pillow in a motion which might have been a substitute for laughter. “We all could have, Hunt. Humankind’s folly and greatest pride. We accept our pain. We make way for our children. That earned us the right to become the God we dreamed of.
Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
Sometimes a face could be so simple: even a couple of dark spots on a lighter surface or a dark oval in the distance might be a face. An electrical socket could be a face, a mailbox or a couple of punctuation marks could congeal suddenly into something with an expression. Our faces, on the other hand, were made of hundreds of different parts, each part separate and tenuous and capable of being ugly, each part waiting for a product designed to isolate and act upon it.
Alexandra Kleeman (You Too Can Have a Body Like Mine)
The Chinese food arrives. Delicious saliva fills his mouth. He really hasn’t had any since Texas. He loves this food that contains no disgusting proofs of slain animals, a bloody slab of cow haunch, a hen’s sinewy skeleton; these ghosts have been minced and destroyed and painlessly merged with the shapes of insensate vegetables, plump green bodies that invite his appetite’s innocent gusto. Candy. Heaped on a smoking breast of rice. Each is given such a tidy hot breast, and Margaret is in a special hurry to muddle hers with glazed chunks; all eat well. Their faces take color and strength from the oval plates of dark pork, sugar peas, chicken, stiff sweet sauce, shrimp, water chestnuts, who knows what else. Their talk grows hearty.
John Updike
Women of the baby boomer generation faced these same constraints in all professions. There was no other blueprint to work from other than to show that a woman could do the job as it had always been done, by a man. Follow our model, be tough, prove yourself by the standards we set. You weren’t even supposed to look like a woman. Dress like a man’s version of a woman. Our eyes can handle that. Think of how Patti Smith, Joan Jett, and Pat Benatar, women pioneers in rock music, presented themselves to the world: leather, black blazers, denim. Our eyes accepted them as women tough enough to take on a role meant for a man. Woman with a guitar. Woman with a gavel. Woman with a podium. Woman with an oval-shaped office. Women with objects of power. It has taken time for our eyes to adjust to them.
Jennifer Palmieri (Dear Madam President: An Open Letter to the Women Who Will Run the World)
For a handsome and not an unamiable-looking man, he repelled me exceedingly: there was no power in that smooth-skinned face of a full oval shape: no firmness in that aquiline nose and small cherry mouth; there was no thought on the low, even forehead; no command in that blank, brown eye.
Charlotte Brontë (Jane Eyre)
She was wearing a dress of some soft dark red material, and sitting as she was with the light from the long narrow window behind her, she reminded Kemp of a stained glass figure he had once seen in a cathedral abroad. The long oval of her face and the slight angularity of her shoulders helped the illusion. Saint Somebody or other, they had told him—but Lady Alexandra Farraday was no saint—not by a long way. And yet some of these old saints had been funny people from his point of view, not kindly ordinary decent Christian folk, but intolerant, fanatical, cruel to themselves and others.
Agatha Christie (Sparkling Cyanide (Colonel Race, #4))
He buried his head in the lawn, letting his smooth cheeks feel the softness of the earth and be tickled by the short blunt spears of grass. Suddenly he wanted to do something heroic and brutal. He pulled handfuls of grass out of its roots, experiencing a crazy satisfaction at the ugly grating sound it produced like a limb being torn from limb! He dug his nails into the soft, wet earth, wanting suddenly to break it up, to disfigure it, to wreck his vengeful will upon it! He picked a rose from a bush nearby and plucked its petals one by one, letting them fall in a crumpled heap. He got his finger pricked by a thorn but when he sucked at the injured spot, the blood, his own blood, tasted bitter - and good - on his tongue. Then he retired to his room exhausted yet strangely satisfied. But he was pursued by someone even in his sleep. It was the same "other woman" of his childhood dreams and she was still screaming, "I am Woman, the daughter of Woman. Thou shalt not escape me." But when she came near, Anwar saw that she had an oval face, framed by a halo of dark curly hair, with big black innocent eyes! Next morning, as he looked into the mirror to comb his hair, Anwar saw the downy growth of hair, the beginnings of a beard on his cheeks and chin.
Khwaja Ahmad Abbas (Inqilab)
Rebecca, always Rebecca. Wherever I walked in Manderley, wherever I sat, even in my thoughts and in my dreams, I met Rebecca. I knew her figure now, the long slim legs, the small and narrow feet. Her shoulders, broader than mine, the capable clever hands. Hands that could steer a boat, could hold a horse. Hands that arranged flowers, made the models of ships, and wrote ‘Max from Rebecca’ on the fly-leaf of a book. I knew her face too, small and oval, the clear white skin, the cloud of dark hair. I knew the scent she wore, I could guess her laughter and her smile. If I heard it, even among a thousand others, I should recognize her voice. Rebecca, always Rebecca. I should never be rid of Rebecca.
Daphne du Maurier
As for the other experiences, the solitary ones, which people go through alone, in their bedrooms, in their offices, walking the fields and the streets of London, he had them; had left home, a mere boy, because of his mother; she lied; because he came down to tea for the fiftieth time with his hands unwashed; because he could see no future for a poet in Stroud; and so, making a confidant of his little sister, had gone to London leaving an absurd note behind him, such as great men have written, and the world has read later when the story of their struggles has become famous. London has swallowed up many millions of young men called Smith; thought nothing of fantastic Christian names like Septimus with which their parents have thought to distinguish them. Lodging off the Euston Road, there were experiences, again experiences, such as change a face in two years from a pink innocent oval to a face lean, contracted, hostile. But of all this what could the most observant of friends have said except what a gardener says when he opens the conservatory door in the morning and finds a new blossom on his plant: — It has flowered; flowered from vanity, ambition, idealism, passion, loneliness, courage, laziness, the usual seeds, which all muddled up (in a room off the Euston Road), made him shy, and stammering, made him anxious to improve himself, made him fall in love with Miss Isabel Pole, lecturing in the Waterloo Road upon Shakespeare. Was he not like Keats? she asked; and reflected how she might give him a taste of Antony and Cleopatra and the rest; lent him books; wrote him scraps of letters; and lit in him
Virginia Woolf (Complete Works of Virginia Woolf)
He was almost at his door when Vik’s earsplitting shriek resounded down the corridor. Tom was glad for the excuse to sprint back toward him. “Vik?” He reached Vik’s doorway as Vik was backing out of it. “Tom,” he breathed, “it’s an abomination.” Confused, Tom stepped past him into the bunk. Then he gawked, too. Instead of a standard trainee bunk of two small beds with drawers underneath them and totally bare walls, Vik’s bunk was virtually covered with images of their friend Wyatt Enslow. There were posters all over the wall with Wyatt’s solemn, oval face on them. She wore her customary scowl, her dark eyes tracking their every move through the bunk. There was a giant marble statue of a sad-looking Vik with a boot on top of its head. The Vik statue clutched two very, very tiny hands together in a gesture of supplication, its eyes trained upward on the unseen stomper, an inscription at its base, WHY, OH WHY, DID I CROSS WYATT ENSLOW? Tom began to laugh. “She didn’t do it to the bunk,” Vik insisted. “She must’ve done something to our processors.” That much was obvious. If Wyatt was good at anything, it was pulling off tricks with the neural processors, which could pretty much be manipulated to show them anything. This was some sort of illusion she was making them see, and Tom heartily approved. He stepped closer to the walls to admire some of the photos pinned there, freeze-frames of some of Vik’s more embarrassing moments at the Spire: that time Vik got a computer virus that convinced him he was a sheep, and he’d crawled around on his hands and knees chewing on plants in the arboretum. Another was Vik gaping in dismay as Wyatt won the war games. “My hands do not look like that.” Vik jabbed a finger at the statue and its abnormally tiny hands. Wyatt had relentlessly mocked Vik for having small, delicate hands ever since Tom had informed her it was the proper way to counter one of Vik’s nicknames for her, “Man Hands.” Vik had mostly abandoned that nickname for “Evil Wench,” and Tom suspected it was due to the delicate-hands gibe. Just then, Vik’s new roommate bustled into the bunk. He was a tall, slim guy with curly black hair and a pointy look to his face. Tom had seen him around, and he called up his profile from memory: NAME: Giuseppe Nichols RANK: USIF, Grade IV Middle, Alexander Division ORIGIN: New York, NY ACHIEVEMENTS: Runner-up, Van Cliburn International Piano Competition IP: 2053:db7:lj71::291:ll3:6e8 SECURITY STATUS: Top Secret LANDLOCK-4 Giuseppe must’ve been able to see the bunk template, too, because he stuttered to a stop, staring up at the statue. “Did you really program a giant statue of yourself into your bunk template? That’s so narcissistic.” Tom smothered his laughter. “Wow. He already has your number, man.” Vik shot him a look of death as Tom backed out of the bunk.
S.J. Kincaid
Dantes had entered the Chateau d’If with the round, open, smiling face of a young and happy man, with whom the early paths of life have been smooth, and who anticipates a future corresponding with his past. This was now all changed. The oval face was lengthened, his smiling mouth had assumed the firm and marked lines which betoken resolution; his eyebrows were arched beneath a brow furrowed with thought; his eyes were full of melancholy, and from their depths occasionally sparkled gloomy fires of misanthropy and hatred; his complexion, so long kept from the sun, had now that pale color which produces, when the features are encircled with black hair, the aristocratic beauty of the man of the north; the profound learning he had acquired had besides diffused over his features a refined intellectual expression; and he had also acquired, being naturally of a goodly stature, that vigor which a frame possesses which has so long concentrated all its force within itself.
Alexandre Dumas (The Count of Monte Cristo)
A young woman stood before the railing, speaking to the reception clerk. Her slender body seemed out of all scale in relation to a normal human body; its lines were so long, so fragile, so exaggerated that she looked like a stylized drawing of a woman and made the correct proportions of a normal being appear heavy and awkward beside her. She wore a plain gray suit; the contrast between its tailored severity and her appearance was deliberately exorbitant—and strangely elegant.She let the finger tips of one hand rest on the railing, a narrow hand ending the straight imperious line of her arm. She had gray eyes that were not ovals, but two long, rectangular cuts edged by parallel lines of lashes; she had an air of cold serenity and an exquisitely vicious mouth. Her face, her pale gold hair, her suit seemed to have no color, but only a hint, just on the verge of the reality of color, making the full reality seem vulgar. Keating stood still, because he understood for the first time what it was that artists spoke about when they spoke of beauty.
Ayn Rand
The first person whom she introduced him to, at that island of fauteuils and androids, now getting up from around a low table with a copper ashbowl for hub, was the promised belle-sœur, a short plumpish lady in governess gray, very oval-faced, with bobbed auburn hair, a sallowish complexion, smoke-blue unsmiling eyes, and a fleshy little excrescence, resembling a ripe maize kernel, at the side of one nostril, added to its hypercritical curve by an afterthought of nature as not seldom happens when a Russian’s face is mass-produced.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
Strange Fruit Here is the girl's head like an exhumed gourd. Oval-faced, prune-skinned, prune-stones for teeth. They unswaddled the wet fern of her hair And made an exhibition of its coil, Let the air at her leathery beauty. Pash of tallow, perishable treasure: Her broken nose is dark as a turf clod, Her eyeholes blank as pools in the old workings. Diodorus Siculus confessed His gradual ease with the likes of this: Murdered, forgotten, nameless, terrible Beheaded girl, outstaring axe And beatification, outstaring What had begun to feel like reverence.
Seamus Heaney
Daniel felt the room swell and burst. He was vaguely aware of excusing himself, of Trixie's face; a white oval that bled at the edges. He had to try twice before he could maneuver his fingers in a way that would open the latch of the door. Outside, he balled his hand into a fist and struck it against the cinder-block wall. He pummeled the cement again and again. He did this even as the tears came and a nurse led him away, to wash the blood off his knuckles and to bandage the scrapes on his palm. He did this until he knew Trixie wasn't the only one hurting.
Jodi Picoult (The Tenth Circle)
Jessica stared at her son, seeing the oval shape of face so like her own. But the hair was the Duke’s—coal-colored and tousled. Long lashes concealed the lime-toned eyes. Jessica smiled, feeling her fears retreat. She was suddenly caught by the idea of genetic traces in her son’s features—her lines in eyes and facial outline, but sharp touches of the father peering through that outline like maturity emerging from childhood. She thought of the boy’s features as an exquisite distillation out of random patterns—endless queues of happenstance meeting at this nexus.
Frank Herbert (Dune (Dune, #1))
Lady Merritt Sterling was a vibrantly attractive woman with large, dark eyes, a wealth of lustrous sable hair, and a flawless porcelain complexion. Unlike her two sisters, she had inherited the shorter, stockier frame of the Marsden side instead of the slender build of her mother. Similarly, she had her father's square-shaped face and determined jaw instead of her mother's delicate oval one. However, Merritt possessed a charm so compelling that she eclipsed every other woman in the vicinity, no matter how beautiful. Merritt focused on whomever she was talking to with a wealth of sincere interest, as if she or he were the only person in the world. She asked questions and listened without ever seeming to wait for her turn to talk. She was the guest everyone invited when they needed to blend a group of disparate personalities, just as a roux would bind soap or sauce into velvety smoothness. It was no exaggeration to say that every man who met Merritt fell at least a little in love with her. When she had entered society, countless suitors had pursued her before she'd finally consented to marry Joshua Sterling, an American-born shipping magnate who had taken up residence in London.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
U.S. Presedent Barack Sadam Husene Obame sit in the darkened Oval Ofice at 2 a.m. wearing hes traditienel Kenyan roabe. He take one last bite of the Chicago style deep dish pizza that he has flown to him every day on the Amerecan tax payer's dime and wipe the grease off his mouth with the U.S. consititutien. He get up and walk to desk, where he keeps the Kenyan black magic crystle ball. Its black glow iluminate his face. "Eeny, meeny, miney, mo — which basic U.S. freedoms are next to go?" he say aloud to no one and every one at the same time. Then he flash that trade mark Bary Obame million doller grin as a crack of lightning sound in the distence.
Seinfeld 2000 (The Apple Store)
Then I noticed it. Red and oval-shaped with a white oval in the center, like the giant eye of a jinni. It sizzled and hissed, the white part expanding, moving closer. It horrified me to my very core. Must get out of here! I thought. Now! It sees me! But I didn’t know how to move. Move with what? I had no body. The red was bitter venom. The white was like the sun’s worst heat. I started screaming and crying again. Then I was opening my eyes to a cup of water. Everyone’s face broke into a smile. “Oh, praise Ani,” the Ada said. I felt the pain and jumped, about to get up and run. I had to run. From that eye. I was so mixed up that for a moment, I was sure that what I’d just seen was causing the pain. “Don’t
Nnedi Okorafor (Who Fears Death)
He ran his hand across his forehead. His skin felt clammy. Fine time to be coming down with the flu, he thought, and he almost laughed at the absurdity of it. The president gets no sick days, he thought, because a president’s not supposed to be sick. He tried to focus on who at the oval table was speaking to him; they were all watching him—the vice-president, nervous and sly; Admiral Narramore, ramrod-straight in his uniform with a chestful of service decorations; General Sinclair, crusty and alert, his eyes like two bits of blue glass in his hard-seamed face; Secretary of Defense Hannan, who looked as kindly as anyone’s old grandfather but who was known as “Iron Hans” by both the press corps and his associates; General Chivington, the ranking authority on Soviet military strength; Chief of Staff Bergholz, crewcut and crisp in his ubiquitous dark blue pinstriped suit; and various other military officials and advisors
Robert McCammon (Swan Song)
The girl enters the room wearing work boots, torn jeans, and a gray long-sleeved T-shirt bearing the word PRINCETON. She is waif-thin, with a long neck, prominent cheekbones, and narrow eyes spread apart in a way that suggests eastern Europe. Her hair is in one of those styles I’ve never understood, the right side of her head shaved in a military buzz cut with  longer hair hanging over it, down to her bony shoulders. A cross between a Calvin Klein model and a Eurotrash punk rocker. She scans the room, but not the way most people who enter the Oval Office do. First-time visitors soak it all in, eagerly devour all the portraits and knickknacks, marvel at the presidential seal, the Resolute desk. Not her. What I see in her eyes, behind the impenetrable wall of her face, is pure loathing. Hatred of me, this office, everything it stands for. But she’s tense, too, on alert—wondering if someone will jump her, handcuff her, throw a hood over her head.
Bill Clinton (The President Is Missing)
Though each of them was of a type quite different from the others, all of them were beautiful; but I had been looking at them for so few moments, and was so far from daring to stare at them, that I had not yet been able to individualize any of them. With the exception of one, whose straight nose and darker complexion marked her out among the rest, as a king of Arabian looks may stand out in a Renaissance painting of the Magi, they were knowable only as a pair of hard, stubborn, laughing eyes in one of the faces; as two cheeks of that pink touched by coppery tones suggesting geraniums in another; and none of even these features had I yet inseparably attached to any particular girl rather than to some other; and when (given the order in which I saw their complex whole unfold before me, wonderful because the most dissimilar aspects were mixed into it and all shades of colour were juxtaposed, but also as confused as a piece of music in which one cannot isolate and identify the phrases as they form, which once heard are as soon forgotten) I noticed the emergence of a pale oval, of two green eyes, or black ones, I had no idea whether they were those whose charm had struck me a moment before, in my inability to single out and recognize one or other of these girls and allot them to her.
Marcel Proust (In the Shadow of Young Girls in Flower)
Though each of them was of a type quite different from the others, all of them were beautiful; but I had been looking at them for so few moments, and was so far from daring to stare at them, that I had not yet been able to individualize any of them. With the exception of one, whose straight nose and darker complexion marked her out among the rest, as a king of Arabian looks may stand out in a Renaissance painting of the Magi, they were knowable only as a pair of hard, stubborn, laughing eyes in one of the faces; as two cheeks of that pink touched by coppery tones suggesting geraniums in another; and none of even these features had I yet inseparably attached to any particular girl rather than to some other; and when (given the order in which I saw their complex whole unfold before me, wonderful because the most dissimilar aspects were mixed into it and all shades of colour were juxtaposed, but also as confused as a piece of music in which one cannot isolate and identify the phrases as they form, which once heard are as soon forgotten) I noticed the emergence of a pale oval, of two green eyes, or black ones, I had no idea whether they were those whose charm had struck me a moment before, in my inability to single out and recognize one or other of these girls and allot them to her. The fact that my view of them was devoid of demarcations, which I was soon to draw among them, sent a ripple of harmonious imprecision through their group, the uninterrupted flow of a shared, unstable and elusive beauty.
Marcel Proust (In the Shadow of Young Girls in Flower)
Carrying her over to his bed, he slowly laid her on it. She sank into the mattress with a dreamy murmur of a sigh. Though the protective impulse he had felt toward her earlier had returned full force, the soft and sensual moan from her lips filled him with a moment's blinding lust. Dear God. A tremor of hunger ran through him. His stare traveled over her lax face and down her white neck to her creamy chest. He swallowed hard, gazing at her breasts. Somehow, he became fixated on them again. Heart pounding, he moved slowly and with caution sat on the edge of the bed. Desire slammed through his veins, but he only meant to look. She was a harlot, she wouldn't care, as long as he had money, which he did, lots of it. Yet it amazed him that such beauty could be purchased for the taking. She was exquisite, with the dusky fringe of her lashes fanned above her cheeks in sleep. The thick and wavy cloud of her satiny brown hair flowed back from the pale oval of her face and spilled across his pillow. He marveled at the creamy shimmer of her complexion in the firelight, her flushed cheeks like delicate pink-tinted porcelain. His gaze traveled over her smooth forehead, the delicate twin arches of her light brown eyebrows, and her small, prettily formed nose. He would not have guessed her any common sort of wench. Then his attention strayed to her pink lips in ever-growing desire, a gathering smolder darkening his eyes. She had a very charming chin, slightly pronounced, and hinting at a firm stubbornness of character. He wanted to nibble its smooth rounded curve.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
Stockholm, May 1943 I am on a stake, thought eighteen-year-old Tatiana, waking up one cold summer morning. I cannot live like this anymore. She got up from the bed, washed, brushed her hair, collected her books and her few clothes, and then left the hotel room as clean as if she had not been in it for over two months. The white curtains blowing a breeze into the room were unrelenting. Inside herself was unrelenting. Over the desk there was an oval mirror. Before Tatiana tied up her hair she stared at her face. What stared back at her was a face she no longer recognized. Gone was the round baby shape; a gaunt oval remained over her drawn cheekbones and her high forehead and her squared jaw and her clenched lips. If she had dimples still, they did not show; it had been a long time since her mouth bared teeth or dimples. The scar on her cheek from the piece of the broken windshield had healed and was fading into a thin pink line. The freckles were fading too, but it was the eyes Tatiana recognized least of all. Her once twinkling green eyes set deep into the pale features looked as if they were the only ghastly crystal barriers between strangers and her soul. She couldn’t lift them to anyone. She could not lift them to herself. One look into the green sea, and it was clear what raged on behind the frail façade. Tatiana brushed her shoulder blade-length platinum hair. She didn’t hate her hair anymore. How could she, for Alexander had loved it so much. She would not think of it. She wanted to cut it all off, shear herself like a lamb before the slaughter, she wanted to cut her hair and take the whites out of her eyes and the teeth out of her mouth and tear the arteries out of her throat.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
London has swallowed up many millions of young men called Smith... Lodging off the Euston Road, there were experiences, again experiences, such as change a face in two years from a pink innocent oval to a face lean, contracted, hostile. But of all this what could the most observant of friends have said except what a gardener says when he opens the conservatory door in the morning and finds a new blossom on his plant: — It has flowered; flowered from vanity, ambition, idealism, passion, loneliness, courage, laziness, the usual seeds, which all muddled up (in a room off the Euston Road), made him shy, and stammering, made him anxious to improve himself, made him fall in love with Miss Isabel Pole, lecturing in the Waterloo Road upon Shakespeare. Was he not like Keats? she asked; and reflected how she might give him a taste of Antony and Cleopatra and the rest; lent him books; wrote him scraps of letters; and lit in him such a fire as burns only once in a lifetime, without heat, flickering a red gold flame infinitely ethereal and insubstantial over Miss Pole; Antony and Cleopatra; and the Waterloo Road. He thought her beautiful, believed her impeccably wise; dreamed of her, wrote poems to her, which, ignoring the subject, she corrected in red ink; he saw her, one summer evening, walking in a green dress in a in a green dress in a square. ‘It has flowered,’ the gardener might have said, had he opened the door; had he come in, that is to say, any night about this time, and found him writing; found him tearing up his writing; found him finishing a masterpiece at three o'clock in the morning and running out to pace the streets, and visiting churches, and fasting one day, drinking another, devouring Shakespeare, Darwin, The History of Civilisation, and Bernard Shaw.
Virginia Woolf (Mrs. Dalloway)
The Clintons’ last act before leaving the White House was to take stuff that didn’t belong to them. The Clintons took china, furniture, electronics, and art worth around $360,000. Hillary literally went through the rooms of the White House with an aide, pointing to things that she wanted taken down from shelves or out of cabinets or off the wall. By Clinton theft standards $360,000 is not a big sum, but it certainly underlines the couple’s insatiable greed—these people are not bound by conventional limits of propriety or decency. When the House Government Reform and Oversight Committee blew the whistle on this misappropriation, the Clintons first claimed that the stuff was given to them as gifts. Unfortunately for Hillary, gifts given to a president belong to the White House—they are not supposed to be spirited away by the first lady. The Clintons finally agreed to return $28,000 worth of gifts and reimburse the government $95,000, representing a fraction of the value of what they took. One valuable piece of art the Clintons attempted to steal was a Norman Rockwell painting showing the flame from Lady Liberty’s torch. Hillary had the painting taken from the Oval Office to the Clinton home in Chappaqua, but the Secret Service got wind of it and sent a car to Chappaqua to get it back. Hillary was outraged. Even here, though, the Clintons got the last laugh: they persuaded the Obama administration to let the Clinton Library have the painting, and there it hangs today. In Living History, Hillary put on a straight face and dismissed media reports about the topic. “The culture of investigation,” she wrote, “followed us out the door of the White House when clerical errors in the recording of gifts mushroomed into a full-blown flap, generating hundreds of news stories over several months.”17
Dinesh D'Souza (Hillary's America: The Secret History of the Democratic Party)
At last Angela turned in to the space between the pews. She picked her way around Solembum--who crouched next to the novitiate he had killed, every hair on his body standing on end--and then carefully made her way over the corpses of the three novitiates Eragon had slain. As she approached, the High Priest began to thrash like a hooked fish in an attempt to push itself farther up the pew. At the same time, the pressure on Eragon’s mind lessened, although not enough for him to risk moving. The herbalist stopped when she reached the High Priest, and the High Priest surprised Eragon by giving up its struggle and lying panting on the seat of the bench. For a minute, the hollow-eyed creature and the short, stern-faced woman glared at each other, an invisible battle of wills taking place between them. Then the High Priest flinched, and a smile appeared on Angela’s lips. She dropped her poniard and, from within her dress, drew forth a tiny dagger with a blade the color of a ruddy sunset. Leaning over the High Priest, she whispered, ever so faintly, “You ought to know my name, tongueless one. If you had, you never would have dared oppose us. Here, let me tell it to you… Her voice dropped even lower then, too low for Eragon to hear, but as she spoke, the High Priest blanched, and its puckered mouth opened, forming a round black oval, and an unearthly howl emanated from its throat, and the whole of the cathedral rang with the creature’s baying. “Oh, be quiet!” exclaimed the herbalist, and she buried her sunset-colored dagger in the center of the High Priest’s chest. The blade flashed white-hot and vanished with a sound like a far-off thunderclap. The area around the wound glowed like burning wood; then skin and flesh began to disintegrate into a fine, dark soot that poured into the High Priest’s chest. With a choked gargle, the creature’s howl ceased as abruptly as it had begun. The spell quickly devoured the rest of the High Priest, reducing its body to a pile of black powder, the shape of which matched the outline of the priest’s head and torso. “And good riddance,” said Angela with a firm nod.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
Come here, you flea-ridden hair wad. You’ll have all the sugar biscuits you want, if you’ll give your new toy to me.” He whistled softly and clicked. But the blandishments did not work. Dodger merely regarded him with bright eyes and stayed at the threshold, clutching the vial in his tiny paws. “Give him one of your garters,” Leo said, still staring at the ferret. “I beg your pardon?” Miss Marks asked frostily. “You heard me. Take off a garter and offer it to him as a trade. Otherwise we’ll be chasing this damned animal all through the house. And I doubt Rohan will appreciate the delay.” The governess gave Leo a long-suffering glance. “Only for Mr. Rohan’s sake would I consent to this. Turn your back.” “For God’s sake, Marks, do you think anyone really wants a glance at those dried-up matchsticks you call legs?” But Leo complied, facing the opposite direction. He heard a great deal of rustling as Miss Marks sat on a bedroom chair and lifted her skirts. It just so happened that Leo was positioned near a full-length looking glass, the oval cheval style that tilted up or down to adjust one’s reflection. And he had an excellent view of Miss Marks in the chair. And the oddest thing happened—he got a flash of an astonishingly pretty leg. He blinked in bemusement, and then the skirts were dropped. “Here,” Miss Marks said gruffly, and tossed it in Leo’s direction. Turning, he managed to catch it in midair. Dodger surveyed them both with beady-eyed interest. Leo twirled the garter enticingly on his finger. “Have a look, Dodger. Blue silk with lace trim. Do all governesses anchor their stockings in such a delightful fashion? Perhaps those rumors about your unseemly past are true, Marks.” “I’ll thank you to keep a civil tongue in your head, my lord.” Dodger’s little head bobbed as it followed every movement of the garter. Fitting the vial in his mouth, the ferret carried it like a miniature dog, loping up to Leo with maddening slowness. “This is a trade, old fellow,” Leo told him. “You can’t have something for nothing.” Carefully Dodger set down the vial and reached for the garter. Leo simultaneously gave him the frilly circlet and snatched the vial.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
As for the other experiences, the solitary ones, which people go through alone, in their bedrooms, in their offices, walking the fields and the streets of London, he had them; had left home, a mere boy, because of his mother; she lied; because he came down to tea for the fiftieth time with his hands unwashed; because he could see no future for a poet in Stroud; and so, making a confidant of his little sister, had gone to London leaving an absurd note behind him, such as great men have written, and the world has read later when the story of their struggles has become famous. London has swallowed up many millions of young men called Smith; thought nothing of fantastic Christian names like Septimus with which their parents have thought to distinguish them. Lodging off the Euston Road, there were experiences, again experiences, such as change a face in two years from a pink innocent oval to a face lean, contracted, hostile. But of all this what could the most observant of friends have said except what a gardener says when he opens the conservatory door in the morning and finds a new blossom on his plant: — It has flowered; flowered from vanity, ambition, idealism, passion, loneliness, courage, laziness, the usual seeds, which all muddled up (in a room off the Euston Road), made him shy, and stammering, made him anxious to improve himself, made him fall in love with Miss Isabel Pole, lecturing in the Waterloo Road upon Shakespeare. Was he not like Keats? she asked; and reflected how she might give him a taste of Antony and Cleopatra and the rest; lent him books; wrote him scraps of letters; and lit in him such a fire as burns only once in a lifetime, without heat, flickering a red gold flame infinitely ethereal and insubstantial over Miss Pole; Antony and Cleopatra; and the Waterloo Road. He thought her beautiful, believed her impeccably wise; dreamed of her, wrote poems to her, which, ignoring the subject, she corrected in red ink; he saw her, one summer evening, walking in a green dress in a square. “It has flowered,” the gardener might have said, had he opened the door; had he come in, that is to say, any night about this time, and found him writing; found him tearing up his writing; found him finishing a masterpiece at three o’clock in the morning and running out to pace the streets, and visiting churches, and fasting one day, drinking another, devouring Shakespeare, Darwin, The History of Civilisation, and Bernard Shaw.
Virginia Woolf (Complete Works of Virginia Woolf)
The "kindness of giving you a body" means that, at first, our bodies are not fully matured nor are our pleasant complexions. We started in the mother's womb as just an oval spot and oblong lump, and from there we developed through the vital essence of the mother's blood and flesh. We grew through the vital essence of her food while she endured embarrassment, pain, and suffering. After we were born, from a small worm until we were fully grown, she developed our body. The "kindness of undergoing hardships for you" means that, at first, we were not wearing any clothes with all their ornamentation, did not possess any wealth, and did not bring any provisions. We just came with a mouth and stomach-empty-handed, without any material things. When we came to this place where we knew no one, she gave food when we were hungry, she gave drink when we were thirsty, she gave clothes when we were cold, she gave wealth when we had nothing. Also, she did not just give us things she did not need. Rather, she has given us what she did not dare use for herself, things she did not dare eat, drink, or wear for herself, things she did not dare employ for the happiness of this life, things she did not dare use for her next life's wealth. In brief, without looking for happiness in this life or next, she nurtured her child. She did not obtain these things easily or with pleasure. She collected them by creating various negative karmas, by sufferings and hardships, and gave them all to the child. For example, creating negative karma: she fed the child through various nonvirtuous actions like fishing, butchering, and so forth. For example, suffering: to give to the child, she accumulated wealth by working at a business or farm and so forth, wearing frost for shoes, wearing stars as a hat, riding on the horse of her legs, her hem like a whip, giving her legs to the dogs and her face to the people. Furthermore, she loved the unknown one much more than her father, mother, and teachers who were very kind to her. She watched the child with eyes of love, and kept it warm in soft cloth. She dandled the child in her ten fingers, and lifted it up in the sky. She called to it in a loving, pleasant voice, saying, "Joyful one, you who delight Mommy. Lu, lu, you happy one," and so forth. The "kindness of giving you life" means that, at first, we were not capable of eating with our mouth and hands nor were we capable of enduring all the different hardships. We were like feeble insects without strength; we were just silly and could not think anything. Again, without rejection, the mother served us, put us on her lap, protected us from fire and water, held us away from precipices, dispelled all harmful things, and performed rituals. Out of fear for our death or fear for our health, she did divinations and consulted astrologers. Through many ritual ceremonies and many other different things, in inconceivable ways, she protected the life of her child. The "kindness of showing you the world" means that, at first, we did not come here knowing various things, seeing broadly, and being talented. We could only cry and move our legs and hands. Other than that, we knew nothing. The mother taught us how to eat when we did not know how. She taught us how to wear clothes when we did not know how. She taught us how to walk when we did not know how. She taught us how to talk when we did not know how to say "Mama," or "Hi," and so forth. She taught us various skills, creative arts, and so forth. She tried to make us equal when we were unequal, and tried to make the uneven even for us. Not only have we had a mother in this lifetime, but from beginningless samsara she served as a mother countless times.
Gampopa (The Jewel Ornament of Liberation: The Wish-Fulfilling Gem of the Noble Teachings)
Why couldn’t I at least have had an oval face? It looks like someone stuck a pumpkin on top of my neck. And this hair—
Anonymous
I had my eye on the street when an SUV pulled up outside. With a flash of long, tanned thighs, a brunette in a black cocktail dress slid out. The major-domo held the door for her and I heard him promise to have the vehicle safely parked in the basement. It seemed she had driven in alone. That was unusual for anyone of any means in Luanda. The woman came inside. She was tall and slim, hardly more than thirty years old. Her long hair was tied back in a chignon. She tossed her head and smiled at the doorman. The look softened the strong lines of her oval face. He snapped his fingers at a hostess who stepped forward with a clipboard. “Madame?” “Fabienne de Valence”, I heard the woman say with a noticeable accent. The hostess checked the guest list, nodded and gestured towards the lifts. I decided it was time to join the reception. There weren’t that many seriously attractive women in Luanda.
Jacques Reynart (Cabinda Livre!)
Or should I say, she’s why we’re out here.” Connell refused to give his friend the satisfaction of an answer. “Word’s going around town that she got the best of two big men last night. Jimmy Neil and another strong man, who happens to be standing in the middle of Main Street, ogling at her—” “I’m not ogling at her.” Connell looked far off to the south, to the puffs of black smoke billowing in the air, the distant signal that the train—a branch of the Flint and Pere Marquette Railroad—would make its daily appearance in Harrison. “And she didn’t get the best of me.” Stuart slugged him in the arm. The point of Stuart’s middle knuckle jabbed Connell hard enough to throw him off balance. Stuart wasn’t a big man. In fact, everything about him was thin. His face was a narrow oval covered with a scraggly beard. His arms and legs were as skinny as the branches of a sapling. If Connell hadn’t witnessed the man’s enormous appetite on occasion, he would have guessed Stuart wasn’t getting enough to eat. “Sounds like she’s got quite the spirit if she can get the best of you.” “I was rescuing her from Jimmy, and she fell on top of me.” “Rescuing?” Stuart gave a snort. “From the way I heard it, she did a pretty good job taking care of herself.” “No telling what could have happened to her if I hadn’t stepped in when I did.” Stuart laughed. “Okay, big guy. Whatever you say.
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
breath. “You’re welcome,” he said tersely. “That man, Sims,” she continued, worried. “The day you fired him, John said that he had a mean temper and that he carried a loaded rifle everywhere with him. You…you be careful, okay?” She heard the soft expulsion of breath. He moved a step closer, his lean hands lifting her oval face to his. She could see the soft glitter of his blue eyes in the faint
Diana Palmer (CIRCLE OF GOLD (The Men of Medicine Ridge Book 1))
Talon rocked her against his chest, cradling her as one would a feverish child. “Shhh, shhh,” he soothed in Algonquian. “He is not dead.” She opened her eyes, and he knew from her glazed expression that she wasn’t seeing his face, but the haunting shadows of the spirit world. “Nuwi,” he coaxed. “Come back to me.” He dared not handle her roughly. Did not the shamans speak of dreaming souls that broke free from sleepers to drift away into the spirit world and never return? “Nuwi, Becca.” She whimpered and slipped her arms around his neck. He felt the shudders rack her body as she clung to him. “He’s not dead,” she whispered hoarsely. “No,” he repeated in English. “He is not dead.” She took a deep breath and her eyes closed. Her trembling lessened and color flowed into her cheeks. This time when her lashes parted, she saw him. She stiffened and gave a fearful cry, striking at him with her hands and trying to break free. “Ku,” he said. “No—do not be afraid. I will not harm you.” He released her and she tore loose from his arms and scrambled away until she reached the walls of the cave. “Do not be afraid,” he said impatiently. “You . . . you . . .” She gasped, clutching her arms against her body. “You cried out,” he explained, feeling foolish. “You had a dream.” “Yes.” Her voice was dry and rasping, her eyes wide with alarm. “You were very loud,” he chided. “I thought your screeching would bring the Huron.” “You . . . you touched me,” she said accusingly. “I touched you—as I would a terrified child or a startled horse.” “A horse?” He noticed spots of high color in her fair-skinned, oval face, a startling contrast to her vivid blue eyes and dark arching brows. Her fear was quickly turning to indignation. He gazed intensely at her delicate English features. Her nose was thin, sprinkled with freckles and slightly tilted at the tip. Without realizing that he was doing so, he smiled. Such a foolish nose for a woman—he didn’t think he had ever seen one quite like it. Her mouth was full, her lips plump and red as the first wild strawberries in May. “How dare you compare me to a horse?” she demanded hotly. “A horse?” He chuckled, remembering his words. “A horse was not the best comparison,” he conceded. “I may be your prisoner, but I have rights.” His mood shifted. “No,” he said sharply, remembering too how she had fitted neatly into his arms. “No. A prisoner has no rights—none but those her captor gives her. You are the wife of my enemy. Expect nothing from me, and be grateful for what I give.
Judith E. French (This Fierce Loving)
Mrs. Ruchet was a big, imposing woman with short, curly, blonde hair tangled wildly around her oval face. She spent most of her days sitting on her couch, her two huge legs propped on a dark green cushion in front of her, watching soap operas on television, all the while hating the actresses for being so thin.
Anna Adams (A French Girl in New York (The French Girl, #1))
She stood before him in a pale green dress, her hair unbound and tumbling down her back, her smile –the one he should have seen days ago –was enough to light up the darkest night. His mouth had suddenly become dry and paralyzed, as if he’d been born without the ability to speak. Or swallow. Or think any coherent thought. Graeme felt all at once foolish, immature and unworthy. He was about to turn and run away like a boy, when Josephine all but flung herself into his embrace, twining her slender arms around his waist and resting her head against his chest. “Graeme,”she said, a note of glee in her voice. “I’ve waited a very long time for you.” The sensation of feeling foolish, immature and unworthy fell away as he wrapped his own arms around her. Why did I resist this for all these years? She pushed away slightly to look up at him. He studied every inch of her lovely face. Josephine was quite beautiful, with her creamy skin and oval shaped face. Her green eyes reminded him at once of the summer grass that lined a French countryside. Dark lashes surrounded those eyes –eyes that were sparkling with joy and excitement as they looked into his. A pert, little nose and deliciously looking full, pink lips, which he was quite certain would feel as soft as a whisper against his own. He wondered then if anyone would object if he married her now. This very day. This very moment. “Ye’re beautiful,”he said. Those cream colored cheeks turned a lovely shade of pink when he gave her the compliment. “Jose—”he stopped himself. “Joie, I ken I am wholly unworthy of ye, but would ye do me the distinct honor of marryin’me?” Josephine had already agreed to such, more than four years ago. She had learned, however, through his letters, that it had been quite important to Graeme that he be able to marry a woman of his own choosing. Her heart felt close to bursting from her chest. He was choosing her of his own free will. A joy-filled smile curved on her face and she flung her arms around his neck. “Aye, Graeme MacAulay, I will marry you.
Suzan Tisdale (Isle of the Blessed)
The face a smooth oval, unlined, serene, but a soft full mouth, tucked firmly in at the corners as though her sense of the ridiculous had survived years of relentless theology. Charming.
Kerry Greenwood (Death at Victoria Dock (Miss Fisher's Murder Mysteries #4))
It was reported that just before he died, with his face partially paralyzed and his mind often unable to find the right words, Beau pushed his dad to make one final run for the Oval Office. The episode renewed Biden’s focus on the question of whether he would run.
Jonathan Allen (Shattered: Inside Hillary Clinton's Doomed Campaign)
the bride was like her mother. Her hair was a dark, dark red, long and thick, shining and glorious, and she had wide-apart amber eyes set in an oval face; and when she looked at the vicar with that clear, direct gaze and said ‘I will’ in that firm, clear voice, the vicar was startled and thought, ‘By God she means it!
Ken Follett (Eye of the Needle)
That morning, inside the cabin below, they’d found the body of Roger Tokely, fifty-eight, slouched forward in a straight-back chair, head bent, as if examining something on the floor between his feet. His beer belly prevented the body from falling forward to the floor. He faced a big-screen television mounted on the eastern wall in front of him. His arms hung on either side of his body, palms out. He wore baggy gray sweatpants and a yellow T-shirt. His feet were bare and swelled grotesquely, the thick toes looking like stubby purple Vienna sausages. There was a large pool of blood on the floor beneath Tokely’s chair. Cody guessed it was thirty inches across. The outside four inches of the pool was clear and the inside was dark and oval-shaped. Next to the pool on the right side of the body was a stainless-steel revolver.
C.J. Box (The Highway (Highway Quartet #2))
Her narrow oval face was so like his and yet so not. He had never been so divorced from feeling, never so abstract in his anger as she was now.
Anne Rice (The Vampire Armand (Anne Rice's The Vampire Lestat #7))
She was tall, slender, lithe. She wore her hair in smooth black curls around the perfect oval of her face, and her eyes were pale gray, the color of fog. She wore the clothes of a lady with neither apology not discomfort, dark purple poplin trimmed with black lace, high-necked and formfitting with a great swag of bustle behind. She saw us and made her way across the room without hesitation.
Sarah Monette (The Virtu (Doctrine of Labyrinths, #2))
Christopher walked back home with Albert padding calmly beside him. For some reason the dog seemed improved after meeting Beatrix Hathaway. As Christopher gave him a damning glance, Albert looked up at him with a toothy grin, his tongue lolling. “Idiot,” Christopher muttered, although he wasn’t certain if the word was directed at his dog or himself. He felt troubled and guilty. He knew he’d behaved like an ass to Beatrix Hathaway. She had tried to be friendly, and he had been cold and condescending. He hadn’t meant to be offensive. It was just that he was nearly mad with longing for Prudence, for the sweet, artless voice that had saved his sanity. Every word of every letter she’d sent him still resonated through his soul. “I’ve done a great deal of walking lately. I seem to think better outdoors…” And when Christopher had set out to find Albert, and found himself walking through the forest, a mad idea had taken hold of him…that she was nearby, and fate would bring them together that quickly, that simply. But instead of finding the woman he had dreamed of, craved, needed for so long, he had found Beatrix Hathaway. It wasn’t that he disliked her. Beatrix was an odd creature, but fairly engaging, and far more attractive than he had remembered. In fact, she had become a beauty in his absence, her gangly coltish shape now curved and graceful… Christopher shook his head impatiently, trying to redirect his thoughts. But the image of Beatrix Hathaway remained. A lovely oval face, a gently erotic mouth, and haunting blue eyes, a blue so rich and deep it seemed to contain hints of purple. And that silky dark hair, pinned up haphazardly, with teasing locks slipping free. Christ, it had been too long since he’d had a woman. He was randy as the devil, and lonely, and filled with equal measures of grief and anger. He had so many unfulfilled needs, and he didn’t begin to know how to address any of them. But finding Prudence seemed like a good start.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
While the darkness of the interior concealed her body, the streetlight behind them illuminated the pale oval of her face, gilding her cheeks in shades of amber and ghostly blue. The effect was . . . arresting. Vermeer had used natural light to paint women in this way, faces emerging from the shadows, forcing the viewer’s eye to focus on what was most important: the look of grace. The mouth firmed in determination. The eyes poised to behold a revelation.
Meredith Duran (Wicked Becomes You)
Marsha was a beautiful woman with an oval face that sometimes looked sad-sack, and a nervous upward glance as if making sure the black cloud was in place. That was a physical thing, of course, no more a true reflection on her personality than being short or scarred.
Harlan Coben (The Innocent)
He held his face in his hands for a moment and then looked up again. “I’m pretty good at coming up with solutions, I came up with a solution for his broke-dick campaign in about a day, but I don’t see this. I don’t see a plan for getting through. Now, I gave him a plan, I said you seal the Oval Office, you send those two kids home, you get rid of Hope, all these deadbeats, and you listen to your legal team—Kasowitz, and Mark Dowd, and Jay Sekulow, and Mark Corallo, these are all professionals who have done this many times. You listen to those guys and never talk about this stuff again, you just conduct yourself as commander in chief and then you can be president for eight years. If you don’t, you’re not, simple. But he’s the president, he gets a choice, and he’s clearly choosing to go down another path … and you can’t stop him. The guy is going to call his own plays. He’s Trump.…
Michael Wolff (Fire and Fury: Inside the Trump White House)
Mrs Elm had short grey hair and a kind and mildly crinkled oval face sitting pale above her turtle-green polo neck. She was quite old. But she was also the person most on Nora’s wavelength in the entire school, and even on days when it wasn’t raining she would spend her afternoon break in the small library.
Matt Haig (The Midnight Library)
I walk closer and carefully touch her shoulder. “Mom?” She turns her head and looks up at me. “Who are you?” Her thin brows pucker. Her once pretty, oval face is shrouded in leathery wrinkles, a product of too many days in the sun. I look like her, except without the deep wrinkles, although my face is starting to show the passage of time. And so begins the pain of not being remembered. I lower myself onto a rust, vinyl-covered chair by the window. “It’s Enid, Mom. Remember? Your daughter.” Her wrinkles deepen around her eyes, and she squints through her round glasses framed in pearl-pink plastic. “Who?” “Never mind.
Jenny Knipfer (Under the Weeping Willow (Sheltering Trees #2))
The woman crossed the beach toward him with an easy, energetic stride. As she approached, he saw she was beautiful, with heavy dark hair, an oval face, and merry brown eyes. She was an elongated, less bosomy version of Merritt, as if someone had carefully stretched her about five inches north and south. Lady Westcliff, he thought, and a blaze of embarrassment raced over him. "Is that a signal fire?" she called out in a breezy manner, her accent distinctly American. "Are you in need of a rescue?" She had Merritt's smile, the one that started with a little crinkle of her nose and made her eyes tip-tilted. Keir's trepidation began to fade. "Aye," he said, "but I'm no' sure what from yet.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
It seemed stupid that I had stayed in the cold stone room, knowing that as soon as the new day had crested, I was no longer in the Inquisitor’s service and no longer had to follow his orders. I finished eating and opened the package, revealing the complicated sections of leather pieces that somehow made up an outfit. Some of the sections were hardened with inlaid metal, a tarnished golden colour peeking through the stitching. I finally discerned something resembling the usual bodysuits worn beneath sectorian women’s clothing, though this one was different. It was thick brown leather, a silk underlining hidden on the inside. It moulded tightly to the body, two ovals cut into the sides, exposing the hips and the sides of the stomach and back. Some sort of covering fit over the top of the bodysuit, ending a few inches above the waist. The metal-inlaid patterns curved around the front of my chest and the top of my spine, connected with brown, buckled straps along my sides. A belted skirt slid over the hips, the belt pulling along the cut of the bodysuit, above my hips, another band looping around my hips. The skirt had two short layers. Yet another section of the outfit fit over my shoulders, metallic glimpses peering out from the leather that cupped my shoulders, attaching to the upper chest armour with straps. Another set of wraps covered my wrists and forearms, and I was glad to see the Inquisitor’s mark and the Spider’s mark disappearing from view. I was able to re-wear the same footwear, as there were also knee and thigh wraps in the same boiled brown leather that complemented the knee-high boots. The outfit was clearly some kind of warrior’s uniform. The Vold—and the Sentinels in particular—often wore revealing, scant clothing to show off their impressive physiques. With Calder’s cloak still on the ground, I could see half of his bare back above the golden armour that wrapped his torso. The muscles bunched and stretched as he pulled his forearm up for investigation. He had clearly stitched and re-dressed his wound after my dismal attempt at caring for it the night before. Despite my outfit showing so much skin, it was by far the heaviest thing I had ever worn, and I started to truly appreciate how quickly and silently Calder moved, weighed down as he must have been by so much armour. I tugged my hair over my shoulders, arranging the strands so that they might hide my face better. There was a lump in my throat when I stuffed everything back into my pack and muttered, “Done.
Jane Washington (A Tempest of Shadows (A Tempest of Shadows, #1))
The Most Popular Diamond Cuts - Learn Before You Shop For A Diamond Earring You have finally made up your mind and decided to buy a diamond earring. You have a purpose and occasion in mind. What now? Do you randomly go diamond shopping and invest your hard-earned money in whatever you find there? No. Absolutely not. Mining about the details for the diamond you are seeking for your earring is the wisest of decisions. Whether it is about the best place to buy diamonds from or the cut of your earring, some research is a must! But, research? It takes the fun out of the shopping experience, doesn't it? No worries. Keep the fun with diamonds shopping and look at this list of most popular diamond cuts. Popular Diamond Cuts That You Must Know About A timeless accessory becomes even more precious if you find it exactly how you imagined it to be. The dreamy earrings are not just about having diamonds in them. The cut quality and the cut shape are essential features too! If you already know the best place to buy diamonds, your quality concern goes out of the window. You still have to choose the cut shape for your personal, exotic experience. Before choosing the cut, you need to keep your face in mind too. If the diamond cut doesn't flatter your face, take the next option. Essentially, you can choose from the four variants of the diamond cuts. Round Cut: Widely in demand and spectacularly sparkly, the round cut allows the maximum light to enter and dazzle the diamond. Primarily used in studs, these cuts are good for you if you have a thin face. Oval Cuts: The cut includes the oval-shaped and modified version of oval cuts as well. If you want the appearance of an elongated diamond with the shine as the round cut, consider this one. This cut comes with a variety of options for you. If you like it pointy at both ends, the marquise cut is the one for you. But, if you have your heart set on a sharp end and the other in the oval shape, you'd love the pear cut more. Besides, if you are a romantic, you have to choose the heart-shaped diamond cut for your earrings. Rectangular Cuts: You want a cut that is equally classic and elegant; the rectangular cuts are your options. It includes the Princess cut, the Emerald cut, the Asscher cut, the Cushion cut, and the Radiant cut. You can choose the best fit based on the rectangular appearance and brilliance of your outlook. Triangular Cuts: Are you a fan of pointed edges and equal sides in your jewelry? You will be thrilled to have a triangular cut diamond in your accessory bag. All you have to look out for is the protection the edges have in the earring. Remember: Be on the lookout for the 4Cs you need in your earrings. The carat or the weight and the cut define the shape and size of your precious. The color and the clarity will take care of the hue and brilliance you will get. The pleasing appearance of the earrings is a reflection of the diamond cutting and polishing process. The more precisely and skillfully a diamond-cut polish is taken care of, the more beauty it will exude. If you want a breezy diamond shopping experience, what's better than having it from the best place to shop diamonds from? The quality and the cut are going to make you the talk of the town after this! Your choice for the most suitable diamond cut will make your earring the most prized possession. It will not only bring beauty to your appearance but also complement it.
Smith
Jimmy Carter did not have the grace of John Kennedy, the congressional wizardry Lyndon Johnston, the strategic vision of Richard Nixon, the charm and clarity of purpose of Ronald Regan, the foreign policy experience of George H. W. Bush, the supreme political skills of Bill Clinton, the toughness of George W. Bush, or the eloquence of Barack Obama. But he brought to the oval office his own unique intellect, inquisitiveness, self discipline, political courage, and resilience in the face of setbacks. He disregarded the political costs of trying to make the nation and the world a better place in ways that transcended his presidency and often did not come to fruition until he left office. It is precisely because of his qualities that he was determined to confront so many difficult challenges and accomplished so much as he pressed ahead.
Stuart E. Eizenstat (President Carter: The White House Years)
I glanced toward the president. His face was blackened from smoke and one of his eyebrows appeared to have been charbroiled, but other than that, he was alive and well. So was everyone else in the West Wing. The Oval Office wasn’t doing as well, though. The windows had blown out, the furniture was decimated, and despite the gushing sprinklers, a fire was blazing in the middle of the room. “Oh my God!” Kimmy screamed. “Jacqueline Kennedy picked out that carpet! And now it’s ruined!
Stuart Gibbs (Spy School Secret Service)
Finally, Scott opened the door with a can of beer in his hand.  Wow, did he look terrible!  His short brown hair wasn’t brushed.  His oval face was red.  His blue eyes were bloodshot.  He wore a faded wrinkled T-shirt over his rotund thirty-four-year-old figure.
Meredith Potts (Fame is a Killer (Hope Hadley #1))
The most beautiful woman he had ever seen was standing next to him. Her alabaster skin was flawless. Her long black hair was loose, cascading down her back almost to her waist, shining in the sunlight. She had a perfectly oval face, with full, red lips and cheeks rosy from the climb up the hill. Her eyes were blue, not like the ocean or the sky, but something deeper, stronger, more indefinable. She turned to him, smiling, and those eyes shone as they gazed upon him. So focused. As if he were the only thing in the world, or at least the only thing of importance.
James Islington (The Shadow of What Was Lost (The Licanius Trilogy, #1))
These creatures had no names for me. They might have come from any verse in Ovid, or from the writing of Lucretius, or indeed from the blind poet, Homer. It was no matter to me. I lost myself in depicting uplifted arms and graceful throats, in painting oval faces and garments blowing gently in the breeze.
Anne Rice (Blood And Gold (The Vampire Chronicles, #8))
Before we leave the atelier, Garrance reaches into her purse and pulls out a small black metal container from it. "Kate, this is for the restaurant. Open it." I take the oval tin and lift the lid to find strands of saffron glowing red. In fact, all of our faces sparkle from the light. "It's the finest of saffron, from Kashmir, worth its weight in gold," she continues, her eyes twinkling. "I'm expecting you'll use it wisely to create something magical." "Today was magic," I say, kissing her cheek. "Merci pour tout." "This is only the beginning," she says.
Samantha Verant (The Spice Master at Bistro Exotique)
The necromancer’s eyebrows were very expressive, especially when the rest of the face was pretending blandness. It was a lovely face, oval and more angelic than Perceval’s own.
Elizabeth Bear (Dust (Jacob's Ladder, #1))
She is about to close the book and return it to the desk when she catches sight of a face passing on the flickering pages. She leafs her way back until she finds it again- not an entire face, but a section; an eye, the sweep of a cheekbone, the curved line of a neck observed from side-on; all illustrated as if seen in the reflection of a small, oval mirror. A car-wing mirror. She peers at the page more closely, breath held in her chest as the moment returns to her: sitting in Charles's new car, Jack scrunched in the back and Lillian in the front, a peacock barring their path. It is exactly how he would have seen her reflected back at him in the wing-mirror. As with the other drawings, the accuracy is remarkable. She is amazed at his ability to recall the smallest details. There is the pearl stud at her earlobe and the almost indiscernible beauty spot above her lip. Yet the more closely she studies the sketch, the more she is discomforted. It isn't just the precision of the pencil lines conjuring her on the paper- butt more the expression he has captured- a certain wistfulness she hadn't known she wore so plainly. The portrait feels so intimate; almost as if he had laid her bare on the page. She continues to leaf through the sketches and finds a second portrait. This time she is seated in the drawing room, her face turned to the window, the skirt of her dress falling in a fan to to the floor. A third reveals her standing on the terrace, leaning against the balustrade, a long evening dress sweeping about her legs. The night of the party. The next page shows just her arm, identifiable by a favorite diamond bracelet dangling at the wrist. The last is of her head and shoulders, viewed from behind, the curves of her neck rising up to a twisted knot of hair. Looking at the images she isn't sure how she feels; flattered to be seen, to be deemed worthy of his time and attention, though at the same time a little uncomfortable at the intimacy of his gaze and at the thought of having been so scrutinized when she hadn't even known he was watching her.
Hannah Richell (The Peacock Summer)
Each time a conversation went down this path I only prayed for a poker face as I silently nodded. But inside I was thinking, “Oh really?” How was that going to work? In the event of war with the Soviet Union, you were not going to execute the War Plan that the president and all your subordinate commands had been so carefully planning? As things got tense, then you were going to dial up the Oval Office and explain you were having second thoughts? But that’s what most of them told me. Except for Admiral Foley and the Atlantic Fleet commander, Adm. Harry Train. And my old boss, Vice Adm. Bud Kauderer, who I now suspect had been in cahoots with Admiral Foley from the beginning and had been instrumental in suckering me into the meeting. He knew me so well. A final question and closing thought. Are you surprised by how such an important issue was disguised by silence? How big a “conspiracy” can be? How few of the supposed leaders were actually leaders? Never, ever let foolishness stand, no matter how high it originates. If something is wrong, it is wrong. Don’t condemn yourself to live the rest of your life with regrets.
Rear Admiral Dave USN (Ret.) Oliver (A Navy Admiral's Bronze Rules: Managing Risk and Leadership)
I once read that the important factor in discerning the human face was not the combination of features, but the oval shape. Life itself, while it continues, can be that same oval, or after death, the thread of life running through the tale of what has been. The meek contents of her apartment, feeling themselves to be redundant, immediately began to lose their human qualities and, in doing so, ceased to remember or to mean anything.
Maria Stepanova (In Memory of Memory)
1 an oval or round object laid by a female bird, reptile, fish, or invertebrate, usually containing a developing embryo. The eggs of birds are enclosed in a chalky shell, while those of reptiles are in a leathery membrane. an infertile bird's egg, especially one from a chicken, used for food. a thing resembling a bird's egg in shape: chocolate eggs. 2 [BIOLOGY] the female reproductive cell in animals and plants; an ovum. 3 [ARCHITECTURE] a decorative oval moulding, used alternately with triangular shapes: [as modifier] egg and dart moulding. 4 [with adj.] INFORMAL, DATED a person of a specified kind: the biography portrays him as a thoroughly bad egg. don't put all your eggs in one basket PROVERB don't risk everything on the success of one venture. go suck an egg [as imperative] NORTH AMERICAN INFORMAL used as an expression of anger or scorn. kill the goose that lays the golden eggs destroy a reliable and valuable source of income. [ with allusion to one of Aesop's fables.] lay an egg NORTH AMERICAN INFORMAL be completely unsuccessful. with egg on one's face INFORMAL appearing foolish or ridiculous: don't underestimate this team, or you'll be left with egg on your face. eggless adj. Middle English (superseding earlier ey, from Old English g): from Old Norse. egg2
Angus Stevenson (Oxford Dictionary of English)
She was a beautiful girl, possessed of an elegant bearing and a sweet expression. A classic English rose. Indeed, her perfect oval face might well have been set on a cameo. But the spark of sharp intelligence in the soft velvet of her gaze and the stubborn set to her dimpled chin spoke of a female who was much more than the sum of her face and her figure.
Mimi Matthews (A Holiday By Gaslight)
Her oval face was covered in a light sheen of sweat that gave it a beautiful glow. He wanted to wipe his thumb over her wide, full lips before he kissed her. Because he was going to kiss her. Caleb had never walked away from someone he was attracted to, and he certainly wasn't about to start now.
Donna Grant (My Favorite Cowboy (Heart of Texas #3))
What was she doing? She leaned over to talk to a child and something flashed on her hand. A ring, a large oval opal in a gold setting. Nitnoy felt a deep stab in his chest; he looked up at her face, saw that she was looking at him too. A flame of something like terror jumped inside him, and he ran. He heard a crack as though the sky were breaking and he ran faster in his syncopated skip-hobble, the crowd suddenly running with him. He reached the bank of a khlong, dove in, and swam. Gunfire crackled behind him. Was the lady shooting at him? Others were jumping into the water
Liese O'Halloran Schwarz (What Could Be Saved)
What did it show of me? A long oval face, with features that were too delicate-a nose too narrow, eyes round with round eyebrows and a full cupid’s bow mouth that made me look as if I were a twelve-year-old girl. No huge eyes, no high cheekbones, no rugged jaw. Just very pretty, yes, too pretty, which is why I’d scowled for most of the photographs taken for the portrait; but the artist hadn’t saved that scowl into the face.
Anne Rice (Blackwood Farm (The Vampire Chronicles, #9))
She watched with unblinking, fearful eyes as the face of a smiling mannequin woman cracked open with a rubbery, shearing sound like a soft-shelled egg and four, then five puckering baby doll faces emerged like hungry chicks, oval mouths opening and closing, suctioning like blowholes.
Tim Curran (Doll Face)
Ethan slumped on the bench in the change room, ignoring the ribald behavior around him after yet another foregone win. A hard slap on the rear of his head roused him and he whirled, his lip curled back as he growled menacingly. “Don’t you dare show me your teeth,” Javier warned with a dark look. He ran his hand through hair, already tousled and sweaty from the match. “What the fuck happened out there? I passed you the perfect shot, and instead of grabbing it and scoring, you crashed into the g**damn arena glass. What are you, a rookie? Been watching too many Bugs Bunny cartoons?” Heat burned Ethan’s cheeks in remembrance of his mishap before dejection— along with a large dose of disbelief— quickly set back in. “I missed. It happens and besides, it’s not like we needed the point to win.” “Of course we didn’t,” Javier replied with a scoffing snort. “But it’s the point of it. What the hell distracted you so much? And, why do you look like your best friend died, which, I might add, is an impossibility given I’m standing right beside you.” Javier grinned. “I think I found my mate,” Ethan muttered. A true beauty with light skin, a perfect oval face framed by long, brown hair and the most perfect set of rosebud lips. Javier’s face expressed shock, then glee. “Congrats, dude.” Javier slapped him hard on the back, and while the blow might have killed a human or a smaller species, it didn’t even budge Ethan. “I know you’ve been pining to settle down with someone of the fairer sex. You must be ecstatic.” “Not really.” Although he should have been. Finding one’s mate was a one in a zillion chance given how shifters were scattered across the globe. Most never even came close to finding the one fate deemed their perfect match. His friend’s jovial grin subsided. “What’s wrong? Was she, like, butt ugly? Humongous? Old? Surely she can’t be that bad?” “No, she appears perfect. Or did.” Ethan groaned as banged his head off the locker door. “I am so screwed.” A frown creased Javier’s face. “I don’t get it. I thought you wanted to find the one, you sick bastard. Settle down and pop out cubs.” Ethan looked up in time to see Javier’s mock shudder. “Me, I prefer to share my love among as many women as possible.” Javier mimed slapping an ass then humping it with a leering grin. Ethan didn’t smile at Javier’s attempt at humor even if it happened to be the truth. Javier certainly enjoyed variety where the other sex was concerned. Heck, on many an occasion he’d shared with Ethan. Tag team sessions where they both scored. Best friends who did just about everything together. Blowing out a long sigh, Ethan answered him. “I do want to find my mate, actually, I’m pretty sure I already have, but I don’t think I made a great impression. She’s the one they took out on the stretcher after the ball I missed hit her in the face.” Javier winced. “Ouch. Sucks to be you, my friend. Don’t worry, though. I’m sure she’ll forgive you in, like, fifty years.” Ethan groaned and dropped his head back into his hands. Now that I’ve found her, how do I discover who she is so I can beg her forgiveness? And even worse, how the hell do I act the part of suitor? Raised in the Alaskan wilds by a father who wasn’t all there after the death of Ethan’s mother, his education in social niceties was sadly lacking. He tended to speak with his fists more often than not. Lucky for him, when it came to women, he didn’t usually have to do a thing. Females tended to approach him for sex so they could brag afterward that they’d ridden the Kodiak and survived. Not that Ethan would ever hurt a female, even if his idea of flirty conversation usually consisted of “Suck me harder” and “Bend over.” If I add “darling” on the end, will she count it as sweet talk?
Eve Langlais (Delicate Freakn' Flower (Freakn' Shifters, #1))
Then, with great relish, Lyndon Johnson spun a Texas tale. It was his pièce de résistance, the crescendo of an expansive, four-hour performance. “When I got [Kennedy] in the Oval Office,” Johnson began, “and told him it would be ‘inadvisable’ for him to be on the ticket as the Vice President-nominee, his face changed, and he started to swallow. He looked sick. His adam’s apple bounded up and down like a yo-yo.” For effect, the president gulped, audibly, at the reporters. He mimicked Bobby’s “funny voice” and proceeded to tell, in lavish detail and with evident delight, his version of the meeting. Finally, LBJ ran down a list of possible running mates and explained the ways each would hurt his chances. “In other words,” recalled Folliard, “he would do better in the November election if he had no running mate. This left Wicker, Kiker and me baffled—and that is just what the man evidently wanted us to be.” Within days Johnson’s story was the talk of Washington. His portrait of RFK as a “stunned semi-idiot” left columnist Joseph Alsop and other Washington insiders feeling rather stunned themselves. It was not long before the gossip found its way to Bobby Kennedy, who stormed back to the White House and accused the president of mistruths and a violation of trust. I knew the meeting was taped, he said, but I never expected this. Wasn’t our talk a matter of confidence? Aren’t we honorable men? LBJ was unrepentant: I’ve revealed nothing, he assured Kennedy, gesturing wanly at an empty page in his appointment book. He promised to check his notes for any conversations that might have slipped his mind. Bobby stalked out, seething, and caught a plane to Hyannis Port. “He tells so many lies,” Kennedy said of Johnson the next week, echoing the words of George Reedy, “that he convinces himself after a while he’s telling the truth. He just doesn’t recognize truth or falsehood.
Jeff Shesol (Mutual Contempt: Lyndon Johnson, Robert Kennedy, and the Feud that Defined a Decade)
Any chance you might share your secret?" I laugh and tell him, "No real secret. Just plenty of fresh lump crabmeat, and some scallions and bell pepper, and Hellmann's mayonnaise, and not too much breading or handling the cakes too much, and... don't forget these crab cakes are deviled." He gets a cute frown on his tanned face and says, "What's that?" "Deviled," I repeat as I pull the tray outta the convection oven and arrange the little ovals on a platter. "Means they're real spicy with hot dry mustard and a few shakes of Tabasco." "Well, I'll be damned," he says. "No wonder yours are so different. I never heard of deviled crab cakes." "Oh, honey, I'm crazy about deviling lots of things- crab cakes, oysters, oxtails, and, of course, eggs. Gives 'em oomph, if you know what I mean.
James Villas (Hungry for Happiness)
Catherine drew out an object wrapped in soft cloth. Gently she unwrapped a new pair of spectacles made of silver... gleaming and perfect, the oval lenses sparkling. Marveling at the workmanship, she drew a finger along one of the intricate filigreed earpieces, all the way to the curved tip. "They're so beautiful," she said in wonder. "If they please you, we'll have another pair made in gold. Here, let me help you..." Leo gently drew the old spectacles off her face, seeming to savor the gesture. She put the new ones on. They felt light and secure on the bridge of her nose. As she looked around the room, everything was wonderfully detailed and in focus. In her excitement, she jumped up and hurried to the looking glass that hung over the entryway table. She inspected her own glowing reflection. "How pretty you are," Leo's tall, elegant form appeared behind hers. "I do love spectacles on a woman." Catherine's smiling gaze met his in the silvered glass. "Do you? What an odd preference." "Not at all." His hands came to her shoulders, lightly fondling up to her throat and back again. "They emphasize your beautiful eyes. And they make you look capable of secrets and surprises- which, as much as we know, you are." His voice lowered. "Most of all I love the act of removing them- getting you ready for a tumble in bed." She shivered at his bluntness, her eyes half closing as she felt him pull her back against him. His mouth went to the side of her neck. "You like them?" Leo murmured, kissing her soft skin. "Yes." Her head listed to the side as his tongue traced a subtle path along her throat. "I... I don't know why you went to such trouble. It was very kind." Leo's dark head lifted, and he met her drowsy gaze in the looking glass. His fingers went to the side of her throat, stroking as if to rub the feel of his mouth into her skin. "I wasn't being kind," he murmured, a smile touching his lips. "I merely wanted you to see clearly." I'm beginning to, she was tempted to tell him, but Poppy returned to the apartment before she was able.
Lisa Kleypas (Married by Morning (The Hathaways, #4))
It wasn't that he disliked her. Beatrix was an odd creature, but fairly engaging, and far more attractive than he had remembered. In fact, she had become a beauty in his absence, her gangly coltish shape now curved and graceful... Christopher shook his head impatiently, trying to redirect his thoughts. But the image of Beatrix Hathaway remained. A lovely oval face, a gently erotic mouth, and haunting blue eyes, a blue so rich and deep it seemed to contain hints of purple. And that silky dark hair, pinned up haphazardly, with teasing locks slipping free.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))