“
No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough."
His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
I sighed. "Actually, Mom, we argue pretty regularly."
"What?" She gaped at me. "Well, stop it!"
"Oh, and I kneed him in the groin once."
There was a split second of silence before May barked a laugh. She covered her mouth and tried to stop it, but it kept coming out in awkward, squeaky sounds. Dad's lips were pressed together, but I could tell he was on the verge of losing it himself.
Mom was paler then snow.
"America, tell me you're joking. Tell me you didn't assault the prince."
I don't know why, but the word assault pushed us all on the edge; and May, Dad, and I bent over laughing as Mom stared at us.
"Sorry, Mom," I managed.
"Oh, good lord." She suddenly seemed very excited in meeting Marlee's parents, and I didn't stop her from going.
”
”
Kiera Cass (The Elite (The Selection, #2))
“
When you meet someone so different from yourself, in a good way, you don't even have to kiss to have fireworks go off. It's like fireworks in your heart all the time. I always wondered, do opposites really attract? Now I know for sure they do. I'd grown up going to the library as often as most people go to the grocery store. Jackson didn't need to read about exciting people or places. He went out and found them, or created excitement himself if there wasn't any to be found. The things I like are pretty simple. Burning CDs around themes, like Songs to Get You Groove On and Tunes to Fix a Broken Heart; watching movies; baking cookies; and swimming. It's like I was a salad with a light vinaigrette, and Jackson was a platter of seafood Cajun pasta. Alone, we were good. Together, we were fantastic.
”
”
Lisa Schroeder (I Heart You, You Haunt Me)
“
Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?"
Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?"
Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be."
Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations."
"That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story."
Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough."
His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen."
"What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now."
"I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
You only lose what you cling to.
”
”
Grace Lin (Where the Mountain Meets the Moon)
“
Cindy extended her hand. I got up, faced her, and shook her hand. A strong handshake. This was definitely a no-nonsense young woman.
“I recognize you from your pictures, Mr. Ludefance.”
“Pleasure to meet you, Cindy. And you can call me Jack. I’m afraid you have the advantage. You probably did a Google search on me and have all my background information?”
She didn’t hesitate. “Yes.”
“Don’t believe everything you read on the Internet.”
“I don’t.
”
”
Behcet Kaya (Appellate Judge (Jack Ludefance, #3))
“
You spend the first term at Oxford meeting interesting and exciting people and the rest of your time there avoiding them
”
”
Evelyn Waugh
“
What’s wrong? You’re excited to meet the queen, aren’t you?” I asked.
“I am. It’s just …”
“What?”
She sighed. “How am I supposed to go back to khakis after all this?
”
”
Kiera Cass (The Elite (The Selection, #2))
“
Did you accomplish anything in your meeting with Kynan and Arik?”
Limos, looking proud of herself, bobbed her head excitedly. “I broke Arik’s ribs.”
Reaver exhaled on a deep sigh. “Anything else?
”
”
Larissa Ione (Eternal Rider (Lords of Deliverance, #1; Demonica, #6))
“
She'll be a fierce woman, that one. It'll take a hell of a man to love her right. Be like living with a thunderstorm. Same as her mother. A fierce woman. Force of nature. The kind of woman you just hand on for the ride. The most exciting and the most heartbreaking woman you could ever meet. They don't know their own minds most of the time, but their hearts are so damn big it hurts em inside.
”
”
Brian Doyle (Mink River)
“
Come, my handsome vampire. I have a few things I must do to prepare you. Then I’ll put you somewhere safe to await your bride. Oh—I know!” She clapped excitedly. “You can stay inside my piggy bank! And I’ll create a drama-tastic jungle intro to your lady! How about Romancing the Stone meets Apocalypto?
”
”
Mimi Jean Pamfiloff (Accidentally Married to...a Vampire? (Accidentally Yours, #2))
“
Life is a useless passion, an exciting journey of a mammal in survival mode. Each day is a miracle, a blessing unexplored and the more you immerse yourself in light, the less you will feel the darkness. There is more to life than nothingness. And cynicism. And nihilism. And selfishness. And glorious isolation. Be selfish with yourself, but live your life through your immortal acts, acts that engrain your legacy onto humanity. Transcend your fears and follow yourself into the void instead of letting yourself get eaten up by entropy and decay. Freedom is being yourself without permission. Be soft and leave a lasting impression on everybody you meet
”
”
Mohadesa Najumi
“
Do you think we’d ever be friends if we met now?” “No, I don’t think so.” “Me neither.” “Sort of magic, isn’t it? To know that we could meet the most exciting person in the world, but they’d never be able to recreate the history you and I have. What a unique superpower we have over each other.
”
”
Dolly Alderton (Ghosts)
“
The anticipation is an essential part of this whole trip. The excitement of going, the places we'll see, the people we'll meet, that's part of the joy of this whole thing...Never forget that anticipation is an important part of life...without excitement you have nothing, you're cheating yourself if you refuse to enjoy what's coming.
”
”
Micah Sparks (Three Weeks with My Brother)
“
If you want to be with somebody who gets you, you prefer collusion to desire, safety to excitement (sometimes good things to prefer but not always the things most wanted). The wish to be understood may be our most vengeful demand, may be the way we hang on, as adults, to the grudge against our mothers; the way we never let our mothers of the hook for their not meeting our every need. Wanting to be understood, as adults, can be, among many other things our most violent form of nostalgia.
”
”
Adam Phillips (Missing Out: In Praise of the Unlived Life)
“
All of us are lonely at some point or another, no matter how many people surround us. And then, we meet someone who seems to understand. She smiles, and for a moment the loneliness disappears. Add to that the effects of physical desire-and the excitement you spoke of-and all good sense and judgement fall away. The Rabbi paused, then said, But love founded only on loneliness and desire will die out before long. A shared history, tradition and values will link two people more thoroughly than any physical act.
”
”
Helene Wecker (The Golem and the Jinni (The Golem and the Jinni, #1))
“
When meeting royalty, it is very important, no matter how excited you are, not to vomit on them. Instead, vomit on the nearest commoner.
”
”
Stephen Colbert
“
I LOVE YOU SO MANY REASONS '
---
Before i met you
I spent a lot of time
meeting all kinds of people
i had a lot of fun
and learned a lot
Though each person I met
had great characteristics
something was missing
No one person
had all the qualities that
I had hoped a person could have-
someone whose every action
and thought I could respect
someone who was very intelligent
yet could also be fun-loving
someone who was sensitive, yet virile
exciting and sensuous
someone who knew what they wanted
out of life.
a beautiful person inside and out
I could not find a person like this
until i met you
”
”
Susan Polis Schutz
“
I just make the best book that I can and try to not worry about audience or if it will sell. The odds are against you, so why abuse your talent for the sake of a chimera? The only real pleasure for me in writing comes from pleasing myself. What readers think is interesting and illuminating (and it may even be correct), but that is nothing compared to the excitement of seeing a world develop. Besides, even though I like most individuals I meet, I have a pretty low opinion of people in general. So if I were to write for people in general, I would have to drastically lower my estimation of the intelligence of my reader. Rather than doing that, I write the way it seems the book has to appear. I don’t think that’s egotistic. There are often things I would like to include in my books—things about me personally and other materials—that I feel I have to leave out because they aren’t relevant to the book. I’m fairly ruthless along those lines, because I try to let nothing come in the way of what’s best for the book. If that means that the book won’t sell or that a publisher won’t buy it, then that’s my problem. I’ll suffer for that, but I won’t let the book suffer for it.
”
”
William T. Vollmann
“
You know, you could meet Mr. Right or It-Guy tonigh; she communicated with a wicked grin. "Bite your tongue, honie chawld. I'm not looking for difficulities tonight.
”
”
Sharon Carter (Love Auction II: Love Designs)
“
Often, when you’re out in the single world meeting people, you meet someone you like, get their number, and put it right in your phone, transforming them into an ‘option’ that lives in your device. Sometimes you and that option engage in some phone-based interaction and you meet up in person. But sometimes that exchange never happens. That potentially cool, exciting person dies there, buried in your phone.
”
”
Aziz Ansari (Modern Romance)
“
A Deep Sworn Vow
Others because you did not keep
That deep-sworn vow have been friends of mine;
Yet always when I look death in the face,
When I clamber to the heights of sleep,
Or when I grow excited with wine,
Suddenly I meet your face.
”
”
W.B. Yeats
“
Why
Just ask the donkey in me
To speak to the donkey in you,
When I have so many other beautiful animals
And brilliant colored birds inside
That are longing to say something wonderful
And exciting to your heart?
Let's open all the locked doors upon our eyes
That keep us from knowing the Intelligence
That begets love
And a more lively and satisfying conversation
With the Friend.
Let's turn loose our golden falcons
So that they can meet in the sky
Where our spirits belong--
Necking like two
Hot kids.
Let's hold hands and get drunk near the sun
And sing sweet songs to God
Until He joins us with a few notes
From his own sublime lute and drum.
If you have a better idea
Of how to pass a lonely night
After your glands may have performed
All their little magic
Then speak up sweethearts, speak up,
For Hafiz and all the world will listen.
Why just bring your donkey to me
Asking for stale hay
And a boring conference with the idiot
In regards to this precious matter--
Such a precious matter as love,
When I have so many other divine animals
And brilliant colored birds inside
That are all longing
To so sweetly
Greet
You!
”
”
Hafez (The Gift)
“
meeting is more exciting than parting but parting is important if you want to stay alive in a certain way.
”
”
Charles Bukowski (Dangling in the Tournefortia)
“
Where are we going, love?”
“We?” Her eyes are darker – dilated, and her chest rises and falls in quick, excited pants. I wonder if she even realizes it. “I have a meeting. Mother’s sent her car to take me. You can’t come, Henry.”
“I can come lots of times. My stamina is legendary. Do you want me to show you?”
Her voice comes out soft, husky. “You can’t come with me”
“That sounds like a challenge.” I smirk slowly. “I bet I could time it just right.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
You meet a girl: shy, unassuming. If you tell her she’s beautiful, she’ll think you’re sweet, but she won’t believe you. She knows that beauty lies in your beholding.” Bast gave a grudging shrug. “And sometimes that’s enough.” His eyes brightened. “But there’s a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you…” Bast gestured excitedly. “Suddenly the story she tells herself in her own head changes. She transforms. She isn’t seen as beautiful. She is beautiful, seen.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
Every day you get the chance
to work on being
the version of yourself
that you would be excited
to meet for coffee.
”
”
Jennae Cecelia (Uncaged Wallflower)
“
As for all your latest Mayan discoveries and poems, I want to hear every word of it if you want to transmit it, or tell it when we meet, but don’t expect me to get excited by anything anymore.
”
”
Jack Kerouac
“
LOTION have you ever received a gift that was placed inside of a box that was recycled from another, much more intriguing present? like, you pull back the pretty paper and you see iPad packaging, but then you open the lid, and inside is a lotion set? i meet a lot of people like that. exciting outside, disappointing inside. don’t be lotion.
”
”
Gabbie Hanna (Adultolescence)
“
Oh,my gosh! You're even prettier than Finn said you were!"
"Ember!" Annali snapped when it appeared that Ember wouldn't stop.
I blushed and looked away, unsure of how to respond to her. I understood in theory why it might be exciting to meet a Princess, but I couldn't see anything exciting about meeting me.
"Sorry," Ember apologized, but it didn't dampen her delight at all. "I've been begging Finn to let me meet you, and he-"
"Ember, you need to do your schoolwork." Annali wouldn't look at either of us.
"I came out because I didn't understand it." Ember pointed to her textbook.
”
”
Amanda Hocking (Torn (Trylle, #2))
“
Is there a problem?”
“No. In fact, she’s quite impressed with your work. So much so, she wants you to be appointed head legal counsel.”
“Yes, she did mention something along those lines in this morning’s meeting. But I didn’t want to say anything in case she’d been blowing smoke. Switching isn’t a problem, is it? I mean, I’d be happy to try to smooth things over with the other lawyer.”
“That’s not necessary,” Saul said, dryly. “I’m the other attorney.
”
”
Diane L. Kowalyshyn (Double Cross (Cross Your Heart and Die, #2))
“
I’m just excited.” So excited that I start grinning like a fool every time I meet his eyes. I’m so giddy. His own smile grows. “You look lovesick, Calloway.” He messes my hair. “I think this must be the best sickness there is.” My cheeks hurt; I can’t contain anything.
”
”
Krista Ritchie (Long Way Down (Calloway Sisters, #4))
“
Hey hey, I know!” said Dad excitedly. “Let’s fix them up on a blind date! Can you imagine? Miss Butt, meet Mr. Tushman. Mr. Tushman, here’s Miss Butt. They could get married and have a bunch of little Tushies.
”
”
R.J. Palacio (Wonder)
“
I sometimes worried I'd never experience that sense of wonder you feel meeting a new friend or traveling to a new place for the first time. I was afraid the major milestones of my life, marriage and childbirth, were past. Was it foolish to hope I still had something exciting ahead of me, something even important, that I could have a life of my own?
”
”
Lilly Ledbetter (Grace and Grit: My Fight for Equal Pay and Fairness at Goodyear and Beyond)
“
Stewart Lipton: Our fling lasted on and off between girlfriends for our whole career, sort of. I don’t think she would be that excited about me telling you that.
Erin Norris: How is Stevie, by the way? I fucking hate his guts.
”
”
Lizzy Goodman (Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001-2011)
“
If I'm a bad person, you don't like me
Well I guess I'll make my own way
It's a circle
A mean cycle
I can't excite you anymore
Where's your gavel? Your jury?
What's my offense this time?
You're not a judge but if you're gonna judge me
Well sentence me to another life
Don't wanna hear your sad songs
I don't wanna feel your pain
When you swear it's all my fault
Cause you know we're not the same (no)
We're not the same (no)
Oh we're not the same
Yeah the friends who stuck together
We wrote our names in blood
But I guess you can't accept that the change is good (hey)
It's good (hey)
It's good
Well you treat me just like another stranger
Well it's nice to meet you sir
I guess I'll go
I best be on my way out
You treat me just like another stranger
Well it's nice to meet you sir
I guess I'll go
I best be on my way out
Ignorance is your new best friend
Ignorance is your new best friend
This is the best thing that could've happened
Any longer and I wouldn't have made it
It's not a war no, it's not a rapture
I'm just a person but you can't take it
The same tricks that, that once fooled me
They won't get you anywhere
I'm not the same kid from your memory
Well now I can fend for myself
Don't wanna hear your sad songs
I don't wanna feel your pain
When you swear it's all my fault
Cause you know we're not the same (no)
We're not the same (no)
Oh we're not the same
Yeah we used to stick together
We wrote our names in blood
But I guess you can't accept that the change is good (hey)
It's good (hey)
It's good
Well you treat me just like another stranger
Well it's nice to meet you sir
I guess I'll go
I best be on my way out
You treat me just like another stranger
Well it's nice to meet you sir
I guess I'll go
I best be on my way out
Ignorance is your new best friend
Ignorance is your new best friend
Ignorance is your new best friend
Ignorance is your new best friend
Well you treat me just like another stranger
Well it's nice to meet you sir
I guess I'll go
I best be on my way out
You treat me just like another stranger
Well it's nice to meet you sir
I guess I'll go
I best be on my way out
”
”
Hayley Williams
“
As you set out on your journey to Ithaca,
pray that your journey be a long one,
filled with adventure, filled with discovery.
Laestrygonians and Cyclopes,
the angry Poseidon--do not fear them:
you'll never find such things on your way
unless your sight is set high, unless a rare
excitement stirs your spirit and your body.
The Laestrygonians and Cyclopes,
the savage Poseidon--you won't meet them
so long as you do not admit them to your soul,
as long as your soul does not set them before you.
Pray that your road is a long one.
May there be many summer mornings
when with what pleasure, with what joy,
you enter harbors never seen before.
May you stop at Phoenician stations of trade to buy fine things,
mother of pearl and coral, amber and ebony,
and voluptuous perfumes of every kind--
buy as many voluptuous perfumes as you can.
And may you go to many Egyptian cities
to learn and learn from those who know.
Always keep Ithaca in your mind.
You are destined to arrive there.
But don't hurry your journey at all.
Far better if it takes many years,
and if you are old when you anchor at the island,
rich with all you have gained on the way,
not expecting that Ithaca will give you wealth.
Ithaca has given you a beautiful journey.
Without her you would never have set out.
She has no more left to give you.
And if you find her poor, Ithaca has not mocked you.
As wise as you have become, so filled with experience,
you will have understood what these Ithacas signify.
”
”
Barry B. Powell (Classical Myth)
“
I don't know why people like the home run so much. A home run is over as soon as it starts.... The triple is the most exciting play of the game. A triple is like meeting a woman who excites you, spending the evening talking and getting more excited, then taking her home. It drags on and on. You're never sure how it's going to turn out.
”
”
George Foster
“
He knew that people were staring at him. He looked different. Even different from other Erasers. He wasn't as —seamless. He didn't look as human as the rest of them did when they weren't morphed. He kind of looked morphy all the time. He hadn't seen his plain real face in —a long time.
"I know who you are."
Ari almost jumped —he hadn't noticed the boy slide onto the bench next to him.
He frowned down at the small, open face. "What?" he growled. This was when the little boy would get scared and probably turn and run. It always happened.
The boy smiled. "1 know who you are," he said, pointing at Ari happily.
Ari just snarled at him.
The boy wiggled with excitement. "You're Wolverine!"
Ari stared at him.
"You look awesome, dude," said the boy. "You're totally my favorite. You're the strongest one of all of them and the coolest too. I wish 1 was like you."
Ari almost gagged. No one had ever, ever said anything like that to him.
”
”
James Patterson (School's Out—Forever (Maximum Ride, #2))
“
Good Christian liturgy is friendship in action, love taking thought, the covenant relationship between God and his people not simply discovered and celebrated like the sudden meeting of friends, exciting and worthwhile though that is, but thought through and relished, planned and prepared -- an ultimately better way for the relationship to grow and at the same time a way of demonstrating what the relationship is all about.
”
”
N.T. Wright (After You Believe: Why Christian Character Matters)
“
I liked listening to him. He was so excited, his eyes wide, like he genuinely loved his work. You don't meet a lot of grown-ups like that.
”
”
John Green (Turtles All the Way Down)
“
NO SHORTS or SANDAL!! This for your own protection.
Tomorrow's boot camp will be something SPECIAL! Meet in front of the maintenance shed at the north end of the quad at 10 A.M! Latecomers will be left behind and this is a day you will not want to miss!
- Adara -
I roll my eyes. Besides her overuse of exclamation points and her tendency to yell, the idea that we're doing "something special" in camp tomorrow is not exciting. It's terrifying.
”
”
Tera Lynn Childs (Goddess Boot Camp (Oh. My. Gods., #2))
“
Are you sure this is what you want?” Alex asked. “You were just telling me you wanted a new adventure – this sounds like you’re settling down.” “Merlin is my next adventure,” she said. “I’ve never known someone who makes me excited just to wake up in the morning. I don’t look at the world and feel useless anymore, because I know I mean the world to him. He’s lived as long as I have, made just as many mistakes, and still has all his original teeth – I’m never going to find another man like him! I probably sound like an old loon, but one day you’ll understand. When you meet the person you’re meant to be with, everything changes – you don’t feel like you’re fighting the world alone anymore.
”
”
Chris Colfer (Beyond the Kingdoms (The Land of Stories #4))
“
There’s something really romantic about that. Every woman wants a man who’ll fall in love with her soul as well as her body. But what if you meet her, and you don’t think she’s attractive?”
“I don’t think I care what she looks like,” Lincoln said. Not that he hadn’t thought about it. Not that it wasn’t exciting in a weird way, not to know, to imagine.
”
”
Rainbow Rowell (Attachments)
“
We are talking about love, and love is something you do for someone else, not something you do for yourself. Most of us do things each day that do not come "naturally" for us. For some of us, that is getting out of bed in the morning. We go against our feelings and get out of bed. Why? Because we believe there is something worthwhile to do that day. And normally, before the day is over, we feel good about having gotten up. Our actions preceded our emotions.
The same is true with love. We discover the primary love language of our spouse, and we choose to speak it whether or not it is natural for us. We are not claiming to have warm, excited feelings. We are simply choosing to do it for his or her benefit. We want to meet our spouses emotional needs, and we reach out to speak his love language. In so doing, his emotional love tank is filled and chances are he will reciprocate and speak our language. When he does our emotions return, and our love tank begins to fill. p139
”
”
Gary Chapman (The 5 Love Languages: The Secret to Love that Lasts)
“
Blaming others for your unhappiness is a habit that’s hard to give up because it triggers some happy chemicals. You feel important when you battle perceived injustice (serotonin), and you bond with others who feel similarly deprived (oxytocin). You get excited when you seek and find evidence that you have been denied your fair share of happiness (dopamine). You may even trigger endorphins by welcoming physical pain into your life as evidence of your deprivation. You keep building a circuit for seeking happiness by feeling wronged.
”
”
Loretta Graziano Breuning (Meet Your Happy Chemicals: Dopamine, Endorphin, Oxytocin, Serotonin)
“
I watched him walk away with sickness in my heart—though it was a pleasing kind of sickness, if such a thing exists. I mean to say that if you have experienced an evening more exciting than any in your life, you’re sad to see it end; and yet you still feel grateful that it happened. In that brief encounter with the Chairman, I had changed from a lost girl facing a lifetime of emptiness to a girl with purpose in her life. Perhaps it seems odd that a casual meeting on the street could have brought about such change. But sometimes life is like that, isn’t it? And I really do think if you’d been there to see what I saw, and feel what I felt, the same might have happened to you.
”
”
Arthur Golden (Memoirs of a Geisha)
“
Jiminy," says the old woman. The mothballs gleam with excitement and she claps her hands. "A wolf!"
"Gram!" Siobhan glares across the room. She turns to me. "You'll have to excuse her. She's real old. Wasn't a lot integrating between the species back in her day."
I pad over and put out a paw. "Pleased to meet you, madam."
She blushes, the varicose veins in her cheeks swelling with blood. Instead of taking my paw to shake, however, she turns it over as if it's a piece of bruised fruit in a market. "Hmmm..." She pores over my palm, nodding like a fortune-teller. Her spectacles slide comically down the bridge of her nose, and when she looks up at me, her face is full of mock astonishment. "Oh, my! What big teeth you have!" She giggles and kicks her slippered feet.
"Gram!!
The old elf claps her tiny hands. "I always wanted to say that!
”
”
Robert Paul Weston (Dust City)
“
Try to hear the impact of what you have done. Don't just hear the action: "You consistently speak over me in work meetings and you do not do that to white people in our meetings." That is easy to brush off as, "I just didn't agree with you," or, "I didn't mean to, I was just excited about a point I was trying to make. Don't make a big deal out of nothing." Try to also hear the impact: "Your bias is invalidating my professional expertise and making me feel singled out and unappreciated in a way which compounds all of the many ways I'm made to feel this way as a woman of color in the workplace.
”
”
Ijeoma Oluo (So You Want to Talk About Race)
“
It was nice to hear someone familiar. 'How have you been?' Hazel cleared her throat. 'So I need to start networking a little, as they say. Do you have the phone number of anyone who might be looking to hire some help?'
'I don't have a phone,' Liver answered.
Hazel felt her pulse speed up.
'No phone? Of any kind?' Her voice was nearly cracking with excitement. 'So how do people get ahold of you? Your family? Your friends?'
'I've succumbed to neither affliction,' he answered.
'What about women?' she asked, admittedly changing her voice to be a little flirtatious. Hazel decided she'd misjudged him. Anyone getting through life without a phone had skills she wanted to acquire. Rare capabilities that attracted the new Hazel.
'I just meet women in this bar. Mainly they use me to help them reach bottom. I'm like a brick they grab onto midair. Sleeping with me helps them admit their lives have become unmanageable. They realize they want and deserve something more, and then their recovery process can begin. I get laid in the meantime. Win-win.
”
”
Alissa Nutting (Made for Love)
“
When he can't take anymore, Galen plucks his phone from his pocket and dials, then hangs up. When the call is returned, he says, "Hey, sweet lips." The females at the table hush each other to get a better listen. A few of them whip their heads toward Emma to see if she's on the other end of the conversation. Satisfied she's not, they lean closer.
Rachel snorts. "If only you liked sweets."
"I can't wait to see you tonight. Wear that pink shirt I like."
Rachel laughs. "Sounds like you're in what we humans like to call a pickle. My poor, drop-dead-gorgeous sweet pea. Emma still not talking to you, leaving you alone with all those hormonal girls?"
"Eight-thirty? That's so far away. Can't I meet you sooner?"
One of the females actually gets up and takes her tray and her attitude to another table. Galen tries not to get too excited.
"Do you need to be checked out of school, son? Are you feeling ill?"
Galen tosses a glance at Emma, who's picking a pepperoni off her pizza and eyeing it as if it were dolphin dung. "I can't skip school to meet you again, boo. But I'll be thinking about you. No one but you."
A few more females get up and stalk their trays to the trash. The cheerleader in front of him rolls her eyes and starts a conversation with the chubby brunette beside her-the same chubby brunette she pushed into a locker to get to him two hours ago.
"Be still my heart," Rachel drawls. "But seriously, I can't read your signals. I don't know what you're asking me to do."
"Right now, nothing. But I might change my mind about skipping. I really miss you."
Rachel clears her throat. "All right, sweet pea. You just let your mama know, and she'll come get her wittle boy from school, okay?"
Galen hangs up. Why is Emma laughing again? Mark can't be that funny.
The girl beside him clues him in: "Mark Baker. All the girls love him. But not as much as they love you. Except maybe Emma, I guess."
"Speaking of all these girls, how did they get my phone number?"
She giggles. "It's written on the wall in the girls' bathroom. One hundred hall." She holds her cell phone up to his face. An image of his number scrawled onto a stall door lights up the screen. In Emma's handwriting.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Wake up in the morning with a specific goal to look forward to. Creative individuals don’t have to be dragged out of bed; they are eager to start the day. This is not because they are cheerful, enthusiastic types. Nor do they necessarily have something exciting to do. But they believe that there is something meaningful to accomplish each day, and they can’t wait to get started on it. Most of us don’t feel our actions are that meaningful. Yet everyone can discover at least one thing every day that is worth waking up for. It could be meeting a certain person, shopping for a special item, potting a plant, cleaning the office desk, writing a letter, trying on a new dress. It is easier if each night before falling asleep, you review the next day and choose a particular task that, compared to the rest of the day, should be relatively interesting and exciting. Then next morning, open your eyes and visualize the chosen event—play it out briefly in your mind, like an inner videotape, until you can hardly wait to get dressed and get going. It does not matter if at first the goals are trivial and not that interesting. The important thing is to take the easy first steps until you master the habit, and then slowly work up to more complex goals. Eventually most of the day should consist of tasks you look forward to, until you feel that getting up in the morning is a privilege, not a chore.
”
”
Mihály Csíkszentmihályi (Creativity: Flow and the Psychology of Discovery and Invention)
“
It was the excitement, the richness of the whole experience, the mixture of pleasure and danger and freedom and the sun. You know, when we came back here, for a long while I still went on living in Euphoria inside my head. Outwardly I returned to my old routine. I got up in the morning, put on a tweed suit, read the Guardian over breakfast, walked into the University, gave the same old tutorials on the same old texts... and all the while I was leading a completely different life inside my head. Inside my head, I had decided not to come back to England, so I was waking up in Plotinus, sitting in the sun in my happi-coat, looking out over the Bay, putting on Levis and a sports shirt, reading the Euphoric Times over breakfast, and wondering what would happen today, would there be a protest, a demonstration, would my class have to fight their way through teargas and picket lines or should we meet off-campus in somebody's apartment, sitting on the floor surrounded by posters and leaflets and paperbacks about encounter groups and avant garde theatre and Viet Nam.
”
”
David Lodge (Small World (The Campus Trilogy, #2))
“
Sebastian looked down at Bethy with a look of adoration on his face. "Just for that you get extra dessert."
Bethy clapped her hands together excitedly. "I can't wait!"
Magnus chuckled. "As if you would not give her as many seconds as she wanted anyway. You have always spoiled her rotten."
Caspian, Broderick, Sebastian, and Adriel turned as one to stare at Magnus. Adriel spoke first. "Sire, I believe the saying is, pot meet kettle.
”
”
Alanea Alder (My Guardian (Bewitched and Bewildered #6))
“
I mean to say, millions of people, no doubt, are so constituted that they scream with joy and excitement at the spectacle of a stuffed porcupine-fish or a glass jar of seeds from Western Australia - but not Bertram. No; if you will take the word of one who would not deceive you, not Bertram. By the time we had tottered out of the Gold Coast village and were working towards the Palace of Machinery, everything pointed to my shortly executing a quiet sneak in the direction of that rather jolly Planters' Bar in the West Indian section. ...
There are certain moments in life when words are not needed. I looked at Biffy, Biffy looked at me. A perfect understanding linked our two souls.
"?"
"!"
Three minutes later we had joined the Planters.
I have never been in the West Indies, but I am in a position to state that in certain of the fundamentals of life they are streets ahead of our European civilisation. The man behind the counter, as kindly a bloke as I ever wish to meet, seemed to guess our requirements the moment we hove in view. Scarcely had our elbows touched the wood before he was leaping to and fro, bringing down a new bottle with each leap. A planter, apparently, does not consider he has had a drink unless it contains at least seven ingredients, and I'm not saying, mind you, that he isn't right. The man behind the bar told us the things were called Green Swizzles; and, if ever I marry and have a son, Green Swizzle Wooster is the name that will go down on the register, in memory of the day his father's life was saved at Wembley.
”
”
P.G. Wodehouse (Carry On, Jeeves (Jeeves, #3))
“
She glanced up with a cheerful grin. “We’ll be like a Rounders team.”
Annabelle regarded her skeptically. “You’re referring to the game in which gentlemen take turns whacking a leather ball with a flat-sided bat?”
“Not only gentlemen,” Lillian replied. “In New York, ladies may play also, as long as they don’t forget themselves in the excitement.”
Daisy smiled slyly. “Such as the time Lillian became so incensed by a bad call that she pulled a sanctuary post out of the ground.”
“It was already loose,” Lillian protested. “A loose post could have presented a danger to one of the runners.”
“Particularly while you were hurling it at them,” Daisy said, meeting her older sister’s frown with a sweet smirk.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
Part of the excitement of attraction is knowing it’s reciprocated, right?”
Kelly nodded. “We found out last night that we, um...”
“Reciprocate,” Nick provided. They both grinned, meeting each other’s eyes. The warmth and excitement of new attraction were bolstered by years of history. Years of camaraderie. Years of comfort. It was something entirely new, and it was something that just felt right.
Kelly inhaled sharply as the realization hit him. “This would be so easy.”
Nick bit his lip, not responding. Instead he reached out and ran his fingers over Kelly’s wrist.
“God, O, this would be so easy,” Kelly said more emphatically. He moved carefully and leaned on the railing beside Nick. “You and me? Just... can you imagine?
”
”
Abigail Roux (Shock & Awe (Sidewinder, #1))
“
And let me say if I may that Hal’s excited, excited to be invited for the third year running to the Invitational again, to be back here in a community he has real affection for, to visit with your alumni and coaching staff, to have already justified his high seed in this week’s not unstiff competition, to as they say still be in it without the fat woman in the Viking hat having sung, so to speak, but of course most of all to have a chance to meet you gentlemen and have a look at the facilities here.
”
”
David Foster Wallace (Infinite Jest)
“
I decided to write a myth."
"Have you figured out a topic? A moral conundrum?"
"Yes."
"What is it?"
I heard Jack's chair creak.
"It's about how there's no such thing as redemption," I whispered. "How you deserve what you get,and no higher power can save you."
Mrs. Stone didn't answer immediately. The only sound in the room came from my own breathing. "What about heroes?"
I hunched over and scribbled a few lines on my notebook. "There are no heroes." Sure,it wasn't an optimistic paper,but it was the only thing I could write passionately about.
She was quiet for a moment again. When she spoke,her voice was gentle. "Okay. I'm excited to see what you put together."
I nodded.
"And,Mr. Caputo? Everything going well with the personal essay?"
I could only assume he nodded, because Mrs. Stone returned to the front of the classroom. My right hand started to tremble,and I clenched my pencil and began scribbling.
"You don't really believe that, do you?" Jack's voice was soft.
I lifted my head, allowing my eyes to meet his for the first time in weeks. "It doesn't matter what I believe." I looked down at my notebook.
"Wait," he said.
I turned back. "What?"
He shrugged,then spoke in a low murmur. "Just stop hiding behind your hair for a minute."
I closed my eyes,but I didn't turn away. "You're making things difficult, Jack Caputo," I whispered.
"At least you remember my name."
I remembered everything. The first time he called me his girlfriend. The first time he told me he loved me. The first time I started to question whether or not I'd be able to hold on to him.The first time I knew I had to come back to see him again, at whatever cost.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
if you want to set the tone or mood, make sure you get some of the first words in. Think about it, which meeting would you prefer to attend? One that starts with “Let’s get going because we have so much to do today and a lot of fires to put out” or one that starts with “I’m happy to see you all today—it’s great that we have such a strong team working on these exciting new projects”? Same reality but a very different outlook. Then sit back and watch how people’s engagement and motivation improve in response to your power lead. It’s one of the most effective tools in this book.
”
”
Shawn Achor (Before Happiness: The 5 Hidden Keys to Achieving Success, Spreading Happiness, and Sustaining Positive Change)
“
No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough."
His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
Leave all the ‘wise men to mock it or tolerate.’ Let them reach the moon or the stars, they are all dead. Nothing lives outside of man. Man is the living soul, turning slowly into a life-giving Spirit. But you cannot tell it except in a parable or metaphor to excite the mind of man to get him to go out and prove it. Leave the good and evil and eat of the Tree of Life. Nothing in the world is untrue if you want it to be true. You are the truth of everything that you perceive. ‘I am the truth, and the way, the life revealed.’ If I have physically nothing in my pocket, then in Imagination I have MUCH. But that is a lie based on fact, but truth is based on the intensity of my imagination and then I will create it in my world. Should I accept facts and use them as to what I should imagine? No. It is told us in the story of the fig tree. It did not bear for three years. One said, ‘Cut it down, and throw it away.’ But the keeper of the vineyard pleaded NO’! Who is the tree? I am the tree; you are the tree. We bear or we do not. But the Keeper said he would dig around the tree and feed it ‘or manure it, as we would say today’ and see if it will not bear. Well I do that here every week and try to get the tree ‘you’ me to bear. You should bear whatever you desire. If you want to be happily married, you should be. The world is only response. If you want money, get it. Everything is a dream anyway. When you awake and know what you are creating and that you are creating it that is a different thing. The greatest book is the Bible, but it has been taken from a moral basis and it is all weeping and tears. It seems almost ruthless as given to us in the Gospel, if taken literally. The New Testament interprets the Old Testament, and it has nothing to do with morals. You change your mind and stay in that changed state until it unfolds. Man thinks he has to work himself out of something, but it is God asleep in you as a living soul, and then we are reborn as a life-giving spirit. We do it here in this little classroom called Earth or beyond the grave, for you cannot die. You can be just as asleep beyond the grave. I meet them constantly, and they are just like this. Same loves and same hates. No change. They will go through it until they finally awake, until they cease to re-act and begin to act. Do not take this story lightly which I have told you tonight. Take it to heart. Tonight when you are driving home enact a scene. No matter what it is. Forget good and evil. Enact a scene that implies you have what you desire, and to the degree that you are faithful to that state, it will unfold in your world and no power can stop it, for there is no other power. Nothing is independent of your perception of it, and this goes for that great philosopher among us who is still claiming that everything is independent of the perceiver, but that the perceiver has certain powers. It is not so. Nothing is independent of the perceiver. Everything is ‘burned up’ when I cease to behold it. It may exist for another, but not for me. Let us make our dream a noble one, for the world is infinite response to you, the being you want to be. Now let us go into the silence.
”
”
Neville Goddard (The Law: And Other Essays on Manifestation)
“
Imagine a psychiatrist sitting down with a broken human being saying, I am here for you, I am committed to your care, I want to make you feel better, I want to return your joy to you, I don't know how I will do it but I will find out and then I will apply one hundred percent of my abilities, my training, my compassion and my curiosity to your health -- to your well-being, to your joy. I am here for you and I will work very hard to help you. I promise. If I fail it will me my failure, not yours. I am the professional. I am the expert. You are experiencing great pain right now and it is my job and my mission to cure you from your pain. I am absolutely committed to your care... I know you are suffering. I know you are afraid, I love you. I want to cure you and I won't stop trying to help you. You are my patient. I am your doctor. You are my patient. Imagine a doctor phoning you at all hours of the day and night to tell you that he or she had been reading some new stuff on the subject of whatever and was really excited about how it might help you. Imagine a doctor calling you in an important meeting and saying listen, I'm so sorry to bother you but I"ve been thinking really hard about your problems and I'd like to try something completely new. I need to see you immediately! I"m absolutely committed to your care! I think this might help you. I won't give up on you.
”
”
Miriam Toews
“
The kiss comes hotter and faster than before. Our lips move quickly, a hunger grows between us that can’t seem to be quenched. There’s a rhythm, a dance, and somehow, I know the steps. An instinct tells me to follow his lead, to explore even further, to touch.
My hands drift down his back and when I feel scorching skin near the hem of his shirt, I gasp for air. Isaiah moans, and his lips leave mine to travel along my throat. My heart picks up speed as my entire body becomes one live electrical current.
His tongue swirls against the sensitive skin right where my jaw meets my neck. I shiver and press my body closer to his. When he meets my lips again, Isaiah loops his arm around my waist and pulls me farther onto the bed. On our sides, his body heat penetrates past my clothes, past my skin, creating an inferno in my blood.
A sudden coldness causes my eyes to flash open. Kneeling beside me, Isaiah’s hands go behind his head and he yanks off his shirt, tossing it to the floor. A flutter of excitement and nerves trembles in my stomach.
”
”
Katie McGarry (Crash into You (Pushing the Limits, #3))
“
I know you,” he added, helping to arrange the blanket over my shoulders. “You won’t drop the subject until I agree to check on your cousin, so I’ll do it. But only under one condition.”
“John,” I said, whirling around to clutch his arm again.
“Don’t get too excited,” he warned. “You haven’t heard the condition.”
“Oh,” I said, eagerly. “Whatever it is, I’ll do it. Thank you. Alex has never had a very good life-his mother ran away when he was a baby, and his dad spent most of his life in jail…But, John, what is all this?” I swept my free hand out to indicate the people remaining on the dock, waiting for the boat John had said was arriving soon. I’d noticed some of them had blankets like the one he’d wrapped around me. “A new customer service initiative?”
John looked surprised at my change of topic…then uncomfortable. He stooped to reach for the driftwood Typhon had dashed up to drop at his feet. “I don’t know what you mean,” he said, stiffly.
“You’re giving blankets away to keep them warm while they wait. When did this start happening?”
“You mentioned some things when you were here the last time….” He avoided meeting my gaze by tossing the stick for his dog. “They stayed with me.”
My eyes widened. “Things I said?”
“About how I should treat the people who end up here.” He paused at the approach of a wave-though it was yards off-and made quite a production of moving me, and my delicate slippers, out of its path. “So I decided to make a few changes.”
It felt as if one of the kind of flowers I liked-a wild daisy, perhaps-had suddenly blossomed inside my heart.
“Oh, John,” I said, and rose onto my toes to kiss his cheek.
He looked more than a little surprised by the kiss. I thought I might actually have seen some color come into his cheeks.
“What was that for?” he asked.
“Henry said nothing was the same after I left. I assumed he meant everything was much worse. I couldn’t imagine it was the opposite, that things were better.”
John’s discomfort at having been caught doing something kind-instead of reckless or violet-was sweet.
“Henry talks too much,” he muttered. “But I’m glad you like it. Not that it hasn’t been a lot of added work. I’ll admit it’s cut down on the complaints, though, and even the fighting amongst our rowdier passengers. So you were right. Your suggestions helped.”
I beamed up at him.
Keeper of the dead. That’s how Mr. Smith, the cemetery sexton, had referred to John once, and that’s what he was. Although the title “protector of the dead” seemed more applicable.
It was totally silly how much hope I was filled with by the fact that he’d remembered something I’d said so long ago-like maybe this whole consort thing might work out after all.
I gasped a moment later when there was a sudden rush of white feathers, and the bird he’d given me emerged from the grizzly gray fog seeming to engulf the whole beach, plopping down onto the sand beside us with a disgruntled little humph.
“Oh, Hope,” I said, dashing tears of laughter from my eyes. Apparently I had only to feel the emotion, and she showed up. “I’m sorry. I didn’t mean to leave you behind. It was his fault, you know.” I pointed at John.
The bird ignored us both, poking around in the flotsam washed ashore by the waves, looking, as always, for something to eat.
“Her name is Hope?” John asked, the corners of his mouth beginning to tug upwards.
“No.” I bristled, thinking he was making fun of me. Then I realized I’d been caught. “Well, all right…so what if it is? I’m not going to name her after some depressing aspect of the Underworld like you do all your pets. I looked up the name Alastor. That was the name of one of the death horses that drew Hades’s chariot. And Typhon?” I glanced at the dog, cavorting in and out of the waves, seemingly oblivious of the cold. “I can only imagine, but I’m sure it means something equally unpleasant.
”
”
Meg Cabot (Underworld (Abandon, #2))
“
I had so much fun writing this book. I could hardly wait for morning to come so I could get back to my computer. I shall never forget what I saw. I was excited to see the angels in all their glory. To meet every one who had gone before me. I almost hated to return to this earth, but I had to come back to get my husband Warren. Then we shall return. Gladys L. Hargis
”
”
Gladys L. Hargis (You Live Forever)
“
Every disciple is a believer, but not every believer is necessarily a disciple. Anything short of discipleship, however, is settling for less than what God really desires for us.
Loving God more than anyone or anything else is the very foundation of being a disciple. If you want to live your Christian life to its fullest, then love Jesus more than anyone or anything else.
Either you will have harmony with God and friction with people, or you will have harmony with people and friction with God.
You become a disciple in the biblical sense only when you are totally and completely committed to Jesus Christ and His Word.
As a true disciple, your life won’t only be characterized by practical results and a hunger for Scripture, but you also will have love for others — especially fellow believers. Without all of these characteristics, you can’t really claim to be His disciple.
A person who has been with Jesus will boldly share his or her faith.
A person who has been with Jesus will be a person of prayer.
A person who has been with Jesus will be persecuted.
If for you, the Christian life is all about feeling good and having everything go your way, then you won’t like being a disciple. Being a follower of Christ is the most joyful and exciting life there is. But it also can be the most challenging life there is. It’s a life lived out under the command of someone other than yourself.
Most prayers are not answered because they are outside the will of God. Once we have discovered God’s will, we can then pray aggressively and confidently for it. We can pray, believing it will happen, because we know it is not something we have dreamed.
A forgiven person will be a forgiving person. A true disciple will harbor no grudge toward another. The disciple knows it will hinder his or her prayer life and walk with God.
It is far better to sit down for an hour and talk genuinely with one person than to rattle off trite clichés to scores of people.
Attending more Bible studies, more prayer meetings, reading more Christian books, and listening to more teaching without an outlet for the truth will cause us to spiritually decay. We need to take what God has given us and use it constructively in the lives of others.
You were placed on earth to know God. Everything else is secondary.
The more we know God, the more we should want to make Him known to a lost world.
Your life belongs to God. You don’t share your time and talents with Him; He shares them with you! He owns you and everything about you. You need to recognize and acknowledge that fact.
”
”
Greg Laurie (Start! To Follow: How to Be a Successful Follower of Jesus Christ)
“
I'm so excited to meet you, Emma," she says. "Now I know why Galen won't shut up about you." Her smile seems to contradict the decades' worth of frown lines rippling from her mouth. In fact, it's so genuine and warm that I almost believe she is excited to meet me. But isn't that what all moms say when introduced to their son's girlfriend? You're not his girlfriend, stupid. Or does she think we're dating, too?
"Thanks, I think," I smile generically. "I'm sure he's told you a million times how clumsy I am." Because how else am I supposed to take that?
"A million and one, actually. Wish you'd do something different for a change," Rayna drawls without looking up.
Rayna has outstayed her welcome on my nerves. "I could teach you how to color in the lines," I shoot back. The look she gives me could sour milk.
Toraf puts his hands on her shoulders and kisses the top of her head. "I think you're doing a great job, my princess."
She wiggles out of his grasp and shoves the polish brush back into its bottle. "If you're so good at it, why don't you paint your toes? They probably stay injured all the time from you running into stuff. Am I right?"
Yeah? And? I'm about to set her straight on a few things-like how wearing a skirt and sitting Indian-style ruins the effect of pretty toes anyway-when Galen's mom puts a gentle hand on my arm and clears her throat. "Emma, I'm so glad you're feeling better," she says. "I bet dinner would just about complete your recovery, don't you?
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
So far, we have no good answer to this problem. Already thousands of years ago philosophers realised that there is no way to prove conclusively that anyone other than oneself has a mind. Indeed, even in the case of other humans, we just assume they have consciousness – we cannot know that for certain. Perhaps I am the only being in the entire universe who feels anything, and all other humans and animals are just mindless robots? Perhaps I am dreaming, and everyone I meet is just a character in my dream? Perhaps I am trapped inside a virtual world, and all the beings I see are merely simulations?
According to current scientific dogma, everything I experience is the result of electrical activity in my brain, and it should therefore be theoretically feasible to simulate an entire virtual world that I could not possibly distinguish from the ‘real’ world. Some brain scientists believe that in the not too distant future, we shall actually do such things. Well, maybe it has already been done – to you? For all you know, the year might be 2216 and you are a bored teenager immersed inside a ‘virtual world’ game that simulates the primitive and exciting world of the early twenty-first century. Once you acknowledge the mere feasibility of this scenario, mathematics leads you to a very scary conclusion: since there is only one real world, whereas the number of potential virtual worlds is infinite, the probability that you happen to inhabit the sole real world is almost zero.
”
”
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
“
It's an old story," Julia says, leaning back in her chair. "Only for me, it's new. I went to school for industrial design. All my life I've been fascinated by chairs - I know it sounds silly, but it's true. Form meets purpose in a chair. My parents thought I was crazy, but somehow I convinced them to pay my way to California. To study furniture design. I was all excited at first. It was totally unlike me to go so far away from home. But I was sick of the cold and sick of the snow. I figured a little sun might change my life. So I headed down to L.A. and roomed with a friend of an ex-girlfriend of my brother's. She was an aspiring radio actress, which meant she was home a lot. At first, I loved it. I didn't even let the summer go by. I dove right into my classes. Soon enough, I learned I couldn't just focus on chairs. I had to design spoons and toilet-bowl cleaners and thermostats. The math never bothered me, but the professors did. They could demolish you in a second without giving you a clue if how to rebuild. I spent more and more time in the studio, with other crazed students who guarded their projects like toy-jealous kids. I started to go for walks. Long walks. I couldn't go home because my roommate was always there. The sun was too much for me, so I'd stay indoors. I spent hours in supermarkets, walking aisle to aisle, picking up groceries and then putting them back. I went to bowling alleys and pharmacies. I rode buses that kept their lights on all night. I sat in Laundromats because once upon a time Laundromats made me happy. But now the hum of the machines sounded like life going past. Finally, one night I sat too long in the laundry. The woman who folded in the back - Alma - walked over to me and said, 'What are you doing here, girl?' And I knew that there wasn't any answer. There couldn't be any answer. And that's when I knew it was time to go.
”
”
David Levithan (Are We There Yet?)
“
Isn’t it wonderful that he’s so excited to meet you, Zeke?” She smiles, eyebrows rising a fraction…gives her head an encouraging little nod up and down until I hear myself saying, “Yes?” The kid does a fist pump. “I’ve seen all your home games, and last week at Cornell?” His voice cracks with excitement. “Holy shit man, that pin on JJ Beldon was sick! Seriously sick. My friends and I lost our minds.” Violet nudges my arm gently with a smile on her face. “Thanks?” She pats my arm and— Wait just one damn minute. Is she…is Violet coaching me on how to be nice? Her hand is still on my sleeve and I look down into her pretty, upturned face. Down at her bold, dark lips. Her huge eyes and long lashes. All that pale blonde hair. She’s a damn wet dream. Fuck me.
”
”
Sara Ney (The Failing Hours (How to Date a Douchebag, #2))
“
Outside of New York, the sight of someone reading at a bar is rare enough to excite comment; if you're single and aren't in New York and want to meet other people, I'd recommend it as an icebreaking tactic. Don't attempt this in the city itself, though: Your competition will be heavy, and most of the other readers will likely be more attractive and more successful and richer than you.
”
”
Marc Romano (Crossworld: One Man's Journey into America's Crossword Obsession)
“
She sometimes takes her little brother for a walk round this way," explained Bingo. "I thought we would meet her and bow, and you could see her, you know, and then we would walk on."
"Of course," I said, "that's enough excitement for anyone, and undoubtedly a corking reward for tramping three miles out of one's way over ploughed fields with tight boots, but don't we do anything else? Don't we tack on to the girl and buzz along with her?"
"Good Lord!" said Bingo, honestly amazed. "You don't suppose I've got nerve enough for that, do you? I just look at her from afar off and all that sort of thing. Quick! Here she comes! No, I'm wrong!"
It was like that song of Harry Lauder's where he's waiting for the girl and says, "This is her-r-r. No, it's a rabbut." Young Bingo made me stand there in the teeth of a nor'-east half-gale for ten minutes, keeping me on my toes with a series of false alarms, and I was just thinking of suggesting that we should lay off and give the rest of the proceedings a miss, when round the corner there came a fox-terrier, and Bingo quivered like an aspen. Then there hove in sight a small boy, and he shook like a jelly. Finally, like a star whose entrance has been worked up by the personnel of the ensemble, a girl appeared, and his emotion was painful to witness. His face got so red that, what with his white collar and the fact that the wind had turned his nose blue, he looked more like a French flag than anything else. He sagged from the waist upwards, as if he had been filleted.
He was just raising his fingers limply to his cap when he suddenly saw that the girl wasn't alone. A chappie in clerical costume was also among those present, and the sight of him didn't seem to do Bingo a bit of good. His face got redder and his nose bluer, and it wasn't till they had nearly passed that he managed to get hold of his cap.
The girl bowed, the curate said, "Ah, Little. Rough weather," the dog barked, and then they toddled on and the entertainment was over.
”
”
P.G. Wodehouse
“
I hate your kind."
"Because someone like me made you?" He laughs again. "I'm surprised you aren't more pleased to meet me. You're as close as anyone ever comes to meeting God. Come now, don't you have any questions for God?"
Emiko scowls at him, nods at the cheshires. "If you were my God, you would have made New People first."
The old gaijin laughs. "That would have been exciting."
"We would have beaten you. Just like the cheshires."
"You may yet." He shrugs. "You do not fear cibiscosis or blister rust."
"No." Emiko shakes her head. "We cannot breed. We depend on you for that." She moves her hand. Telltale stutter-stop motion. "I am marked. Always, we are marked. As obvious as a ten-hands or a megodont."
He waves a hand dismissively. "The windup movement is not a required trait. There is no reason it couldn't be removed. Sterility. . ." He shrugs. "Limitations can be stripped away. The safeties are there because of lessons learned, but they are not required; some of them even make it more difficult to create you. Nothing about you is inevitable." He smiles. "Someday, perhaps, all people will be New People and you will look back on us as we now look back at the poor Neanderthals."
Emiko falls silent. The fire crackles. Finally she says, "You know how to do this? Can make me breed true, like the cheshires?"
The old man exchanges a glance with his ladyboy.
"Can you do it?" Emiko presses.
He sighs. "I cannot change the mechanics of what you already are. Your ovaries are non-existent. You cannot be made fertile any more than the pores of your skin supplemented."
Emiko slumps.
The man laughs. "Don't look so glum! I was never much enamored with a woman's eggs as a source of genetic material anyway." He smiles. "A strand of your hair would do. You cannot be changed, but your children—in genetic terms, if not physical ones—they can be made fertile, a part of the natural world."
Emiko feels her heart pounding. "You can do this, truly?"
"Oh yes. I can do that for you." The man's eyes are far away, considering. A smile flickers across his lips. "I can do that for you, and much, much more.
”
”
Paolo Bacigalupi (The Windup Girl)
“
You could have chosen any number of career paths, but this one is
exciting. It’s creative. It requires deep thinking and rewards you with
a sense of being able to do something that most of the people you meet
each day can’t imagine being able to do. We may worry about progressing
to the next level, making an impact, or gaining respect from
our co-workers or our peers in the industry, but if you really stop to
think about it, we’ve got it really good.
Software development is both challenging and rewarding. It’s creative
like an art-form, but (unlike art) it provides concrete,measurable value.
Software development is fun!
Ultimately, the most important thing I’ve learned over the journey that
my career in software development has been is that it’s not what you
do for a living or what you have that’s important. It’s how you choose to
accept these things. It’s internal. Satisfaction, like our career choices, is something that should be sought after and decided upon with intention.
”
”
Chad Fowler (The Passionate Programmer: Creating a Remarkable Career in Software Development (Pragmatic Life))
“
What a lot of people use the internet for is really about meeting their attachment needs. So on Facebook, what do people seek? They have “friends,” they “like” each other. These are attachment dynamics. And addiction in general is rooted in disturbed attachments in the first place. So whether people are using the internet to escape their emptiness, boredom, loneliness, emotional pain, lack of meaning, or lack of connection with others, of course there’s going to be internet addiction. It’s not new; it’s just a new outlet for the same dynamic.
The reality is that instead of the internet connecting people, which it could do, it often isolates them even more. So once more, we have to ask: what does the compulsive digital activity do for you? What about it satisfies you in the moment? And how do you lose that sense of excitement with life itself, that sense of connection, that the device (falsely) promises you? From what and why do you need to distract yourself? In short, what trauma are you wanting to soothe or escape from?
”
”
Gabor Maté
“
If you ask why I’m not interested in someone, I might say their nose is too big, or they don’t know how to dress, or they’re too thin or too fat or too plain. But the truth is, I only notice those things because of the real reason - that I’m just not feeling anything. But people don’t want to hear that. They always want an explanation. So I have to come up with something concrete even though feelings aren’t like that. If I did meet a guy and I felt happy with him for whatever reason, I wouldn’t give a rat’s ass what he wore or how tall he was or what he did for a living. But when I’m with someone and it just doesn’t feel right, that’s when I start noticing the bad haircut or Chicago accent or unibrow. And it’s true that tomorrow I may go home with someone who you think is totally wrong for me. And the next day I might meet a perfectly nice guy who you think I should feel excited about, but I don’t. But if I do go home with someone, it means for a change, something feels right. For a change, I’m feeling hopeful. I just want to feel happy when I’m with someone. Is that so wrong?
”
”
Caren Lissner (Starting from Square Two (Red Dress Ink))
“
Beginnings can be delicate or explosive. They can start almost invisibly or arrive with a big bang. Beginnings hold the promise of new lessons to be learned, new territory to be explored, and old lessons to be recalled, practiced, and appreciated. Beginnings hold ambiguity, promise, fear, and hope.
Don’t let the lessons, the experiences of the past, dampen your enthusiasm for beginnings. Just because it’s been hard doesn’t mean it will always be that difficult. Don’t let the heartbreaks of the past cause you to become cynical, close you off to life’s magic and promise. Open yourself wide to all that the universe has to say.
Let yourself begin anew. Pack your bags. Choose carefully what you bring, because packing is an important ritual. Take long some humility and the lessons of the past. Toss in some curiosity and excitement and what you haven’t yet learned. Say your good-byes to whose you’re leaving behind. Don’t worry who you will meet or where you will go. The way has been prepared. The people you are to meet will be expecting you.
A new journey has begun. Let it be magical. Let it unfold. Take time now to honour the beginning.
”
”
Melody Beattie
“
Cecily let her cheek fall to Leta’s shoulder and hugged her back. It felt so nice to be loved by someone in the world. Since her mother’s death, she’d had no one of her own. It was a lonely life, despite the excitement and adventure her work held for her. She wasn’t openly affectionate at all, except with Leta.
“For God’s sake, next you’ll be rocking her to sleep at night!” came a deep, disgusted voice at Cecily’s back, and Cecily stiffened because she recognized it immediately.
“She’s my baby girl,” Leta told her tall, handsome son with a grin. “Shut up.”
Cecily turned a little awkwardly. She hadn’t expected this. Tate Winthrop towered over both of them. His jet-black hair was loose as he never wore it in the city, falling thick and straight almost to his waist. He was wearing a breastplate with buckskin leggings and high-topped mocassins. There were two feathers straight up in his hair with notches that had meaning among his people, marks of bravery.
Cecily tried not to stare at him. He was the most beautiful man she’d ever known. Since her seventeenth birthday, Tate had been her world. Fortunately he didn’t realize that her mad flirting hid a true emotion. In fact, he treated her exactly as he had when she came to him for comfort after her mother had died suddenly; as he had when she came to him again with bruises all over her thin, young body from her drunken stepfather’s violent attack. Although she dated, she’d never had a serious boyfriend. She had secret terrors of intimacy that had never really gone away, except when she thought of Tate that way. She loved him…
“Why aren’t you dressed properly?” Tate asked, scowling at her skirt and blouse. “I bought you buckskins for your birthday, didn’t I?”
“Three years ago,” she said without meeting his probing eyes. She didn’t like remembering that he’d forgotten her birthday this year. “I gained weight since then.”
“Oh. Well, find something you like here…”
She held up a hand. “I don’t want you to buy me anything else,” she said flatly, and didn’t back down from the sudden menace in his dark eyes. “I’m not dressing up like a Lakota woman. In case you haven’t noticed, I’m blond. I don’t want to be mistaken for some sort of overstimulated Native American groupie buying up artificial artifacts and enthusing over citified Native American flute music, trying to act like a member of the tribe.”
“You belong to it,” he returned. “We adopted you years ago.”
“So you did,” she said. That was how he thought of her-a sister. That wasn’t the way she wanted him to think of her. She smiled faintly. “But I won’t pass for a Lakota, whatever I wear.”
“You could take your hair down,” he continued thoughtfully.
She shook her head. She only let her hair loose at night, when she went to bed. Perhaps she kept it tightly coiled for pure spite, because he loved long hair and she knew it.
“How old are you?” he asked, trying to remember. “Twenty, isn’t it?”
“I was, give years ago,” she said, exasperated. “You used to work for the CIA. I seem to remember that you went to college, too, and got a law degree. Didn’t they teach you how to count?”
He looked surprised. Where had the years gone? She hadn’t aged, not visibly.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
When they stopped to pick up Mike, Violet started to get out so she could climb in back with Chelsea, giving Mike’s longer legs the front seat, but Jay reached out and caught her wrist.
“What are you doing? I want you to sit with me.” His fingers moved to lace through hers as he drew her back inside. “Mike can sit in back.”
Violet felt herself blush with satisfaction.
Mike came out of his house and jumped down the porch without ever touching the steps. Behind the darkened curtains, the television flickered.
“Here he comes!” Chelsea squealed, sounding like a little girl as she bounced up and down in the backseat, shaking the entire car. She clapped her hands with excitement.
Violet pulled her seat as far forward as she could to give Mike some extra room. He’d need it if he was going to be confined back there with Chelsea.
“Heeyyy, Mike.” Chelsea managed to drawl the two words into several long syllables as Mike slid into the car. The syrupiness of it sounded so foreign oozing from Chelsea’s mouth.
“Hey,” Mike said back to her. One word, one syllable.
“So I guess it’s just the four of us tonight,” she purred.
“Really? I thought we were meeting a buncha people.”
“Nope. Just us. Everyone else bailed.”
Violet smiled to herself as she listened to Chelsea’s account, amazed that her words came out sounding so…sincere.
But Violet knew better. And she realized from the look Jay flashed her that he knew too.
Mike, on the other hand, was too new to understand the disturbing way that Chelsea’s mind worked. There was a brief pause, and then Violet swore she could hear a smile in his voice when he answered, “That’s cool.”
He might rethink that later, Violet thought, when Chelsea stops holding back and decides to assault him right in the middle of a crowded movie theater. Unless he’s into that kind of thing. She grinned wickedly to herself.
And then she wondered if Jay would attack her.
She hoped so.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
Compare two commitments that will change some aspects of your life: buying a comfortable new car and joining a group that meets weekly, perhaps a poker or book club. Both experiences will be novel and exciting at the start. The crucial difference is that you will eventually pay little attention to the car as you drive it, but you will always attend to the social interaction to which you committed yourself. By WYSIATI (it's an acronym explained at the beginning of the book to explain how we only take into account minimal information of the type that we can most readily access e.g. how we're feeling right at this moment to answer how we feel about our lives in general) you are likely to exaggerate the long-term benefits of the car, but you are not likely to make the same mistake for a social gathering or for inherently attention-demanding activities such as playing tennis or learning to play the cello. The focusing illusion (your focus on something makes it feel more important than it actually is at that moment in time when you're focussing on it) creates a bias in favour of goods and experiences that are initially exciting, even if they will eventually lose their appeal. Time is neglected, causing experiences that will retain their attention value in the long term to be appreciated less than they deserve to be.
”
”
Daniel Kahneman (Thinking, Fast and Slow)
“
I couldn't stop picturing you naked and wet."
"If you knew the things you've done in my imagination..."
"I touched myself while thinking of you."
He groaned against her lips. "Jesus Christ, that's one of them."
She whimpered in protest as his fingers withdrew from her body. He slid his hands to her bottom and lifted her off her feet, carrying her across the room, to where a floor-length mirror in a thick gilded frame stood propped against the wall. It must have been too heavy to move.
He spun her to face it, positioning himself behind her. Their gazes locked in the mirrored reflection. His eyes were dark, fierce, demanding.
"Show me." He yanked her skirts to her waist- frock, petticoat, chemise, and all- exposing her completely. "Show me how you touched yourself."
Penny's heartbeat stalled. The gruff command both scandalized and excited her.
With a rough flex of his arms, he hauled her to him. His erection throbbed against the small of her back.
"Show me."
Penny stared into the mirror. A bolder, naughtier version of herself gazed back. She placed a hand on her belly and eased it downward, until her fingertips disappeared into a thatch of amber curls. She hesitated, holding her breath.
"More," he demanded. "I want to see you."
His gruffness aroused her, but she wasn't intimidated. With him, she knew she was safe.
She raised her free arm above her head, clasping his neck for balance and resting her head against his chest. He wrapped his arm about her torso, holding her tight and pinning her lifted skirts at the waist. Her joints softened, and her thighs fell slightly apart.
"That's it. Spread yourself for me. Let me see."
The woman in the mirror did as she was told, sending her fingers downward to part the pink, swollen folds of her sex. A single fingertip settled over the sensitive bud at the crest, circling gently.
His ragged breath warmed her ear. "God, you're beautiful."
She stared at the reflection, transfixed by the eroticism of the image within. She felt like a woman in a boudoir painting, flushed with desire and unashamed of her body's curves and shadows. Aware of the power she held, even in her vulnerable, naked state.
As her excitement mounted, she strummed faster. She was panting, arching her back.
”
”
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
“
She wanted desperately to put out her hand
and clutch his arm and explain why she was
sad, and not because of Tom, who had suddenly
become quite unimportant, but because
she loved him so much and he didn't care
two straws for her.
'I'm very happy,' she said a shade too
loudly. As the waiter went past she took
another glass of champagne.
'Happy? Oh yes, and I'm sure you will
be— -because you will make your own happiness.
You'll tend it with all the care of
someone holding a last candle in the dark.
You'll learn to make do with second best; a
great many men and women do, you know.
Just a few know what real happiness is—
to love someone so much that nothing else
matters any more, only the two of you and
the life you share.' Gideon smiled faintly.
'We could have been like that, you and I. You know that deep in your heart, don't you,
my darling? And do you know something
else? If it would make you happy, I would
give up all I have and live in a desert with
you, or on top of a mountain. I'd pluck the
moon from the sky and hang the stars round
your beautiful neck. The world could be paradise.'
He sighed. 'But most of us, as I said,
make do with second best.'
Amelia drank in every word, her insides
glowing with excitement. He loved her—he
must, to talk to her like that. She had only to
explain...
The next minute she knew that she never
would. He laughed suddenly and the mockery
in his laugh was so blatant that she winced.
'What nonsense one talks at weddings! Come
and meet Fiona; we came together—we've
known each other for a long time.
”
”
Betty Neels (The Silver Thaw)
“
Simply put, I got pulled through the wormhole of the Absolute, and in that rush I suddenly understood the workings of the universe completely. I left my body, I left the room, I left the planet, I stepped through time and I entered the void. I was inside the void, but I also was the void and I was looking at the void, all at the same time. The void was a place of limitless peace and wisdom, The void was conscious and intelligent. The void was God, which means that I was inside God. But not in a gross, physical way - not like I was Liz Gilbert stuck inside a chunk of God's thigh muscle. I just was part of God. In addition to being God. I was both a tiny piece of the universe and exactly the same size as the universe. ("All know that the drop merges into ocean, but few know that the ocean merges into the drop," wrote the sage Kabir - and I can personally attest now that this is true.)
It wasn't hallucinogenic, what I was feeling. It was the most basic of events. It was heaven, yes. It was the deepest love I'd ever experienced, beyond anything I could previously imagined, but it wasn't euphoric. It wasn't exciting. There wasn't enough ego or passion left in me to create euphoria and excitement. It was just obvious. Like when you've been looking at an optical illusion for a long time, straining your eyes to decode the trick, and suddenly your cognizance shifts and there - now you can clearly see it! - the two vases are actually two faces. And once you've seen through the optical illusion, you can never not see it again.
"So this is God," I thought. "Congratulations to meet you." -
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
Well, what happened to your scruples in the woodcutter’s cottage? You knew I thought you’d already left when I went inside.”
“Why did you stay,” he countered smoothly, “when you realized I was still there?”
In confused distress Elizabeth raked her hair off her forehead. “I knew I shouldn’t do it,” she admitted. “I don’t know why I remained.”
“You stayed for the same reason I did,” he informed her bluntly. “We wanted each other.”
“I was wrong,” she protested a little wildly. “Dangerous and-foolish!”
“Foolish or not,” he said grimly, “I wanted you. I want you now.” Elizabeth made the mistake of looking at him, and his amber eyes captured hers against her will, holding them imprisoned. The shawl she’d been clutching as if it was a lifeline to safety slid from her nerveless hand and dangled at her side, but Elizabeth didn’t notice.
“Neither of us has anything to gain by continuing this pretense that the weekend in England is over and forgotten,” he said bluntly. “Yesterday proved that it wasn’t over, if it proved nothing else, and it’s never been forgotten-I’ve remembered you all this time, and I know damn well you’ve remembered me.”
Elizabeth wanted to deny it; she sensed that if she did, he’d be so disgusted with her deceit that he’d turn on his heel and leave her. She lifted her chin, unable to tear her gaze from his, but she was too affected by the things he’d just admitted to her to lie to him. “All right,” she said shakily, “you win. I’ve never forgotten you or that weekend. How could I?” she added defensively.
He smiled at her angry retort, and his voice gentled to the timbre of rough velvet. “Come here, Elizabeth.”
“Why?” she whispered shakily.
“So that we can finish what we began that weekend.”
Elizabeth stared at him in paralyzed terror mixed with violet excitement and shook her head in a jerky refusal.
“I’ll not force you,” he said quietly, “nor will I force you to do anything you don’t want to do once you’re in my arms. Think carefully about that,” he warned, “because if you come to me now, you won’t be able to tell yourself in the morning that I made you do this against your will-or that you didn’t know what was going to happen. Yesterday neither of us knew what was going to happen. Now we do.”
Some small, insidious voice in her mind urged her to obey, reminded her that after the public punishment she’d taken for the last time they were together she was entitled to some stolen passionate kisses, if she wanted them. Another voice warned her not to break the rules again. “I-I can’t,” she said in a soft cry.
“There are four steps separating us and a year and a half of wanting drawing us together,” he said.
Elizabeth swallowed. “Couldn’t you meet me halfway?”
The sweetness of the question was almost Ian’s undoing, but he managed to shake his head. “Not this time. I want you, but I’ll not have you looking at me like a monster in the morning. If you want me, all you have to do is walk into my arms.”
“I don’t know what I want,” Elizabeth cried, looking a little wildly at the valley below, as if she were thinking of leaping off the path.
“Come here,” he invited huskily, “and I’ll show you.”
It was his tone, not his words, that conquered her. As if drawn by a will stronger than her own, Elizabeth walked forward and straight into his arms that closed around her with stunning force. “I didn’t think you were going to do it,” he whispered gruffly against her hair.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
To my children three. Life is like a movie, it starts and it ends.If you are reading this probably i'm gone. but my presence is always with you. All wanted to say how much I loved you. and I wanted to share my life journey with all of you. When I Conceived each of you, I can feel the butterflies in my tummy and I already fail in love with you. When each of you were born, tears dropped of my eye, I know it that was a happy tears. When you said dada, I was excited and happy to hear you saying it over and over. I see you growing like a flower and flying like a bird in front of my eye, in front of the pales a colorful garden who always stay blooming. Slowly you gew wing and all you flew away from the nest. All i'm left with good memories an album full of beautiful of pictures.from you baby showers, 1st word, 1st birthdays,1st trip to Disney or Universal Studios, each of you got to meet your favored TV characters. Your smiley faces was telling me I was doing ok as a parent, although I been told I'm the worst mom. But I know you did not mean that, you meant to say I love you mom. and I love you to my children, It was a nice journey. If I have to go back on time to change the way I raised you, I won't change a thing, beside some of your friends, but you were old enough and free to make your own choices. You have to make your mistakes and i'm pretty sure you learned from them. But at the end I never worry about you, because I'm pretty sure I give 200% as a parent. I know I taught, I armed and I shield you with everything including knowledge you need to survive in world. Remember don't matter how old are you, you always will be my babies. and I always be your Angel ! "Toko - Lock " te ka nana sho. Love Mom & Grandma!
”
”
Zybejta (Beta) Metani' Marashi
“
But why is it prohibited?" asked the Savage. In the excitement of meeting a man who had read Shakespeare he had momentarily forgotten everything else.
The Controller shrugged his shoulders. "Because it's old; that's the chief reason. We haven't any use for old things here."
"Even when they're beautiful?"
"Particularly when they're beautiful. Beauty's attractive, and we don't want people to be attracted by old things. We want them to like the new ones."
"But the new ones are so stupid and horrible. Those plays, where there's nothing but helicopters flying about and you feel the people kissing." He made a grimace. "Goats and monkeys!" Only in Othello's word could he find an adequate vehicle for his contempt and hatred.
"Nice tame animals, anyhow," the Controller murmured parenthetically.
"Why don't you let them see Othello instead?"
"I've told you; it's old. Besides, they couldn't understand it.
”
”
Aldous Huxley (Brave New World)
“
When you’re going to have a baby, it’s like planning a fabulous vacation trip—to Italy. You buy a bunch of guide books and make your wonderful plans. The Coliseum. The Michelangelo David. The gondolas in Venice. You may learn some handy phrases in Italian. It’s all very exciting. After months of eager anticipation, the day finally arrives. You pack your bags and off you go. Several hours later, the plane lands. The flight attendant comes in and says, “Welcome to Holland.” “Holland?!?” you say. “What do you mean Holland?? I signed up for Italy! I’m supposed to be in Italy. All my life I’ve dreamed of going to Italy.” But there’s been a change in the flight plan. They’ve landed in Holland and there you must stay. The important thing is that they haven’t taken you to a horrible, disgusting, filthy place, full of pestilence, famine and disease. It’s just a different place. So you must go out and buy new guide books. And you must learn a whole new language. And you will meet a whole new group of people you would never have met. It’s just a different place. It’s slower-paced than Italy, less flashy than Italy. But after you’ve been there for a while and you catch your breath, you look around . . . and you begin to notice that Holland has windmills . . . and Holland has tulips. Holland even has Rembrandts. But everyone you know is busy coming and going from Italy . . . and they’re all bragging about what a wonderful time they had there. And for the rest of your life, you will say “Yes, that’s where I was supposed to go. That’s what I had planned.” And the pain of that will never, ever, ever, ever go away . . . because the loss of that dream is a very, very significant loss. But . . . if you spend your life mourning the fact that you didn’t get to Italy, you may never be free to enjoy the very special, the very lovely things . . . about Holland.
”
”
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
“
I don't understand," Olivia said. "How did Penny sewing and unsewing make for the Trojan War?"
"Penelope was Odysseus's wife," Philippa explained. "He left her, and she sat at her loom, sewing all day, and unraveling all her work at night. For years."
"Why on earth would someone do that?" Olivia wrinkled her nose, selecting a sweet from a nearby tray. "Years? Really?"
"She was waiting for him to come home," Penelope said, meeting Michael's gaze. There was something meaningful there, and he thought she might be speaking of more than the Greek myth. Did she wait for him at night? She'd told him not to touch her... she'd pushed him away... but tonight, if he went to her, would she accept him? Would she follow the path of her namesake?
"I hope you have more exciting things to do when you are waiting for Michael to come home, Penny," Olivia teased.
Penelope smiled, but there was something in her gaze that he did not like, something akin to sadness. He blamed himself for it. Before him, she was happier. Before him, she smiled and laughed and played games with her sisters without reminder of her unfortunate fate.
He stood to meet her as she approached the settee. "I would never leave my Penelope for years." He said, "I would be too afraid that someone would snatch her away." His mother-in-law sighed audibly from across the room as his new sisters laughed. He lifted one of Penelope's hands in his and brushed a kiss across her knuckles. "Penelope and Odysseus were never my favored mythic couple, anyway. I was always more partial to Persephone and Hades."
Penelope smiled at him, and the room was suddenly much much warmer. "You think they were a happier couple?" she asked, wry.
He met her little smile, enjoying himself as he lowered his voice. "I think six months of feast is better than twenty years of famine." She blushed, and he resisted the urge to kiss her there, in the drawing room, hang propriety and ladies' delicate sensibilities.
”
”
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
“
Many of us have the false idea that a relationship’s purpose is to somehow fulfill our needs and desires. We look to see what we can get out of the relationship instead of what we can put in. Looked at like this, relationships are often little more than a needs exchange. We need this (safety, love, intimacy); a man needs that (security, companionship, sex). When we come across a good fit, both parties tacitly agree to do a trade and call it love. This transaction-based relationship model is why so many relationships feel empty and dead. They are completely devoid of anything real and intimate. After the initial rush of excitement is over, they’re more like business contracts than sacred unions.
Let’s face it. We’ve all been conditioned to use relationships for the wrong reasons: to end loneliness, relieve depression, recover from a previous breakup, or find security. The problem is that this is not what relationships are for.
Relationships are a spiritual opportunity for personal evolution. There is no greater arena for discovering your capacity for love, forgiveness, compassion, personal greatness, and full self-expression. Nowhere else will you meet the grandest and smallest parts of yourself. Nowhere else will you confront your self-imposed limits to intimacy. Nowhere else can you forgive so deeply or love so purely.
This is relationship’s real purpose: to serve the mutual growth and soulful expression of each individual. It’s a chance to share your enthusiasm for being alive and give of yourself to another. Relationships provide the opportunity to shed light on any area within you that remains cloaked in fear and uncertainty, to hold a vision of another’s greatness so that he may step into the magnificence his soul is yearning to express. In this way, relationship becomes the ultimate tool for personal discovery and spiritual growth.
When we engage in relationship to see what we can put into it rather than what we can get out of it, our whole lives transform. We no longer see our partners as antagonists. We see them as teachers and allies who are here to help us discover and experience our glory.
”
”
Marie Forleo (Make Every Man Want You: How to Be So Irresistible You'll Barely Keep from Dating Yourself!)
“
I enjoyed practicing corporate law, and for a while I convinced myself that I was an attorney at heart. I badly wanted to believe it, since I had already invested years in law school and on-the-job training, and much about Wall Street law was alluring. My colleagues were intellectual, kind, and considerate (mostly). I made a good living. I had an oce on the forty-second oor of a skyscraper with views of the Statue of Liberty. I enjoyed the idea that I could ourish in such a high-powered environment. And I was pretty good at asking the “but” and “what if” questions that are central to the thought processes of most lawyers. It took me almost a decade to understand that the law was never my personal project, not even close. Today I can tell you unhesitatingly what is: my husband and sons; writing; promoting the values of this book. Once I realized this, I had to make a change. I look back on my years as a Wall Street lawyer as time spent in a foreign country. It was absorbing, it was exciting, and I got to meet a lot of interesting people whom I never would have known otherwise. But I was always an expatriate.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
Meeting the Prince of Wales
I’ve known her [the Queen] since I was tiny so it was no big deal. No interest in Andrew and Edward--never thought about Andrew. I kept thinking, ‘Look at the life they have, how awful’ so I remember him coming to Althorp to stay, my husband, and the first impact was ‘God, what a sad man.’ He came with his Labrador. My sister was all over him like a bad rash and I thought, ‘God, he must really hate that.’ I kept out of the way. I remember being a fat, podgy, no make-up, unsmart lady but I made a lot of noise and he liked that and he came up to me after dinner and we had a big dance and he said: ‘Will you show me the gallery?’ and I was just about to show him the gallery and my sister Sarah comes up and tells me to push off and I said ‘At least, let me tell you where the switches are to the gallery because you won’t know where they are,’ and I disappeared. And he was charm himself and when I stood next to him the next day, a 16-year old, for someone like that to show you any attention--I was just so sort of amazed. ‘Why would anyone like him be interested in me?’ and it was interest. That was it for about two years. Saw him off and on with Sarah and Sarah got frightfully excited about the whole thing, then she saw something different happening which I hadn’t twigged on to, i.e. when he had his 30th birthday dance I was asked too.
‘Why is Diana coming as well?’ [my] sister asked. I said: ‘Well, I don’t know but I’d like to come.’ ‘Oh, all right then,’ that sort of thing. Had a very nice time at the dance--fascinating. I wasn’t at all intimidated by the surroundings [Buckingham Palace]. I thought, amazing place.
Then I was asked to stay at the de Passes in July 1980 by Philip de Pass who is the son. ‘Would you like to come and stay for a couple of nights down at Petworth because we’ve got the Prince of Wales staying. You’re a young blood, you might amuse him.’ So I said ‘OK.’ So I sat next to him and Charles came in. He was all over me again and it was very strange. I thought ‘Well, this isn’t very cool.’ I thought men were supposed not to be so obvious, I thought this was very odd. The first night we sat down on a bale at the barbecue at this house and he’d just finished with Anna Wallace. I said: ‘You looked so sad when you walked up the aisle at Lord Mountbatten’s funeral.’ I said: ‘It was the most tragic thing I’ve ever seen. My heart bled for you when I watched. I thought, “It’s wrong, you’re lonely--you should be with somebody to look after you.
”
”
Andrew Morton (Diana: Her True Story in Her Own Words)
“
It had been years since he'd seen a woman handle a crowd of admirers so deftly- not since Lily in her gambling days. Fascinated, he wondered where the hell she had come from. He knew about all the new arrivals in London, and he'd never seen her before. She must be some diplomat's wife, or some exclusive courtesan. Her lips were red and pouting, her pale white shoulders enticingly bare above the blue velvet of her gown. She laughed frequently, tossing her head back in a way that caused her chestnut curls to dance. Like the other men present, Derek was captivated by her figure, the luscious round breasts, the tiny waist, all revealed by a well-fitted gown that was unlike the shapeless Grecian styles of the other women.
"A toast to the loveliest bosom in London!" Lord Bromley, a rakish ne'er-do-well, exclaimed. Titillated and excited, the crowd raised their glasses with a cheer. Waiters rushed to bring more liquor.
"Miss," one of them begged, "I entreat you to cast my dice for me."
"Whatever good luck I have is yours," she assured him, and shook the dice in the box so vigorously that her breasts quivered beneath their shallow covering. The temperature in the room escalated rapidly as a host of admiring sighs greeted the display. Derek decided to intervene before the crowd's mood became too highly charged. Either the vixen didn't realize the lust she was inciting, or she was doing it deliberately. Either way, he wanted to meet her.
”
”
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
“
Postscript, 2005 From the Publisher ON APRIL 7, 2004, the Mid-Hudson Highland Post carried an article about an appearance that John Gatto made at Highland High School. Headlined “Rendered Speechless,” the report was subtitled “Advocate for education reform brings controversy to Highland.” The article relates the events of March 25 evening of that year when the second half of John Gatto’s presentation was canceled by the School Superintendent, “following complaints from the Highland Teachers Association that the presentation was too controversial.” On the surface, the cancellation was in response to a video presentation that showed some violence. But retired student counselor Paul Jankiewicz begged to differ, pointing out that none of the dozens of students he talked to afterwards were inspired to violence. In his opinion, few people opposing Gatto had seen the video presentation. Rather, “They were taking the lead from the teacher’s union who were upset at the whole tone of the presentation.” He continued, “Mr. Gatto basically told them that they were not serving kids well and that students needed to be told the truth, be given real-life learning experiences, and be responsible for their own education. [Gatto] questioned the validity and relevance of standardized tests, the prison atmosphere of school, and the lack of relevant experience given students.” He added that Gatto also had an important message for parents: “That you have to take control of your children’s education.” Highland High School senior Chris Hart commended the school board for bringing Gatto to speak, and wished that more students had heard his message. Senior Katie Hanley liked the lecture for its “new perspective,” adding that ”it was important because it started a new exchange and got students to think for themselves.” High School junior Qing Guo found Gatto “inspiring.” Highland teacher Aliza Driller-Colangelo was also inspired by Gatto, and commended the “risk-takers,” saying that, following the talk, her class had an exciting exchange about ideas. Concluded Jankiewicz, the students “were eager to discuss the issues raised. Unfortunately, our school did not allow that dialogue to happen, except for a few teachers who had the courage to engage the students.” What was not reported in the newspaper is the fact that the school authorities called the police to intervene and ‘restore the peace’ which, ironically enough, was never in the slightest jeopardy as the student audience was well-behaved and attentive throughout. A scheduled evening meeting at the school between Gatto and the Parents Association was peremptorily forbidden by school district authorities in a final assault on the principles of free speech and free assembly… There could be no better way of demonstrating the lasting importance of John Taylor Gatto’s work, and of this small book, than this sorry tale. It is a measure of the power of Gatto’s ideas, their urgency, and their continuing relevance that school authorities are still trying to shut them out 12 years after their initial publication, afraid even to debate them. — May the crusade continue! Chris Plant Gabriola Island, B.C. February, 2005
”
”
John Taylor Gatto (Dumbing Us Down: The Hidden Curriculum of Compulsory Schooling)
“
Making the most of an experience: Living fully is extolled everywhere in popular culture. I have only to turn on the television at random to be assailed with the following messages: “It’s the best a man can get.” “It’s like having an angel by your side.” “Every move is smooth, every word is cool. I never want to lose that feeling.” “You look, they smile. You win, they go home.” What is being sold here? A fantasy of total sensory pleasure, social status, sexual attraction, and the self-image of a winner. As it happens, all these phrases come from the same commercial for razor blades, but living life fully is part of almost any ad campaign. What is left out, however, is the reality of what it actually means to fully experience something. Instead of looking for sensory overload that lasts forever, you’ll find that the experiences need to be engaged at the level of meaning and emotion. Meaning is essential. If this moment truly matters to you, you will experience it fully. Emotion brings in the dimension of bonding or tuning in: An experience that touches your heart makes the meaning that much more personal. Pure physical sensation, social status, sexual attraction, and feeling like a winner are generally superficial, which is why people hunger for them repeatedly. If you spend time with athletes who have won hundreds of games or with sexually active singles who have slept with hundreds of partners, you’ll find out two things very quickly: (1) Numbers don’t count very much. The athlete usually doesn’t feel like a winner deep down; the sexual conqueror doesn’t usually feel deeply attractive or worthy. (2) Each experience brings diminishing returns; the thrill of winning or going to bed becomes less and less exciting and lasts a shorter time. To experience this moment, or any moment, fully means to engage fully. Meeting a stranger can be totally fleeting and meaningless, for example, unless you enter the individual’s world by finding out at least one thing that is meaningful to his or her life and exchange at least one genuine feeling. Tuning in to others is a circular flow: You send yourself out toward people; you receive them as they respond to you. Notice how often you don’t do that. You stand back and insulate yourself, sending out only the most superficial signals and receive little or nothing back. The same circle must be present even when someone else isn’t involved. Consider the way three people might observe the same sunset. The first person is obsessing over a business deal and doesn’t even see the sunset, even though his eyes are registering the photons that fall on their retinas. The second person thinks, “Nice sunset. We haven’t had one in a while.” The third person is an artist who immediately begins a sketch of the scene. The differences among the three are that the first person sent nothing out and received nothing back; the second allowed his awareness to receive the sunset but had no awareness to give back to it—his response was rote; the third person was the only one to complete the circle: He took in the sunset and turned it into a creative response that sent his awareness back out into the world with something to give. If you want to fully experience life, you must close the circle.
”
”
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
“
Why did you come here-that is, why did you agree to reconsider my proposal?”
The question alarmed and startled her. Now that she’d seen him she had only the dimmest, possibly even erroneous recollection of having spoken to him at a ball. Moreover, she couldn’t tell him she was in danger of being cut off by her uncle, for that whole explanation was to humiliating to bear mentioning.
“Did I do or say something during our brief meetings the year before last to mislead you, perhaps, into believing I might yearn for the city life?”
“It’s hard to say,” Elizabeth said with absolute honesty.
“Lady Cameron, do you even remember our meeting?”
“Oh, yes, of course. Certainly,” Elizabeth replied, belatedly recalling a man who looked very like him being presented to her at Lady Markham’s. That was it! “We met at Lady Markham’s ball.”
His gaze never left her face. “We met in the park.”
“In the park?” Elizabeth repeated in sublime embarrassment.
“You had stopped to admire the flowers, and the young gentleman who was your escort that day introduced us.”
“I see,” Elizabeth replied, her gaze skating away from his.
“Would you care to know what we discussed that day and the next day when I escorted you back to the park?”
Curiosity and embarrassment warred, and curiosity won out. “Yes, I would.”
“Fishing.”
“F-fishing?” Elizabeth gasped.
He nodded. “Within minutes after we were introduced I mentioned that I had not come to London for the Season, as you supposed, but that I was on my way to Scotland to do some fishing and was leaving London the very next day.”
An awful feeling of foreboding crept over Elizabeth as something stirred in her memory. “We had a charming chat,” he continued. “You spoke enthusiastically of a particularly challenging trout you were once able to land.”
Elizabeth’s face felt as hot as red coals as he continued, “We quite forgot the time and your poor escort as we shared fishing stories.”
He was quiet, waiting, and when Elizabeth couldn’t endure the damning silence anymore she said uneasily, “Was there…more?”
“Very little. I did not leave for Scotland the next day but stayed instead to call upon you. You abandoned the half-dozen young bucks who’d come to escort you to some sort of fancy soiree and chose instead to go for another impromptu walk in the park with me.”
Elizabeth swallowed audibly, unable to meet his eyes.
“Would you like to know what we talked about that day?”
“No, I don’t think so.”
He chucked but ignored her reply, “You professed to be somewhat weary of the social whirl and confessed to a longing to be in the country that day-which is why we went to the park. We had a charming time, I thought.”
When he fell silent, Elizabeth forced herself to meet his gaze and say with resignation, “And we talked of fishing?”
“No,” he said. “Of boar hunting.”
Elizabeth closed her eyes in sublime shame.
“You related an exciting tale of a wild board your father had shot long ago, and of how you watched the hunt-without permission-from the very tree below which the boar as ultimately felled. As I recall,” he finished kindly, “you told me that it was your impulsive cheer that revealed your hiding place to the hunters-and that caused you to be seriously reprimanded by your father.”
Elizabeth saw the twinkle lighting his eyes, and suddenly they both laughed.
“I remember your laugh, too,” he said, still smiling, “I thought it was the loveliest sound imaginable. So much so that between it and our delightful conversation I felt very much at ease in your company.” Realizing he’d just flattered her, he flushed, tugged at his neckcloth, and self-consciously looked away.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
This is the part of the book where the author usually sums it all up in a conclusion chapter and announces, “I did it!” I suppose I could have titled it “The Finale,” but that’s just not me. I don’t think you ever reach a point in life (or in writing!) where you get to say that. It ain’t over till it’s over. I want to be an eternal student, always pushing myself to learn more, fear less, fight harder.
What lies in the future? Truthfully, I don’t know. For some people, that’s a scary thought. They like their life mapped out and scheduled down to the second. Not me. Not anymore. I take comfort in knowing not everything is definite. There’s where you find the excitement, in the unknown, uncharted, spaces. If I take the lead in my life, I expect that things will keep changing, progressing, moving. That’s the joy for me. Where will I go next? What doors will open? What doors will close? All I can tell you is that I will be performing and connecting with people--be it through dance, movies, music, or speaking. I want to inspire and create. I love the phrase “I’m created to create.” That’s what I feel like, and that’s what makes me the happiest. I’m building a house right now--my own extreme home makeover. I love the process of tearing something down and rebuilding it, creating something from nothing and bringing my artistic vision to it. I will always be someone who likes getting his hands dirty.
But the blueprint of my life has completely changed from the time I was a little boy dreaming about fame. It’s broadened and widened. I want variety in my life; I like my days filled with new and different things. I love exploring the world, meeting new people, learning new crafts and art. It’s why you might often read what I’m up to and scratch your head: “I didn’t know Derek did that.” I probably didn’t before, but I do now.
”
”
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
“
Strong underneath, though!’ decided Julian. ‘There’s no softness there, if you ask me. I think Emma’s got authority but it’s the best sort. It’s quiet authority . . .’ ‘Rita wasn’t exactly loud, Martin!’ Elizabeth pointed out, rather impatiently. ‘I bet Rita was very like Emma before she was elected head girl. Was she, Belinda? You must have been at Whyteleafe then.’ Belinda had been at Whyteleafe longer than the others. She had joined in the junior class. She frowned now, deep in thought. ‘Why, Elizabeth, I do believe you’re right! I remember overhearing some of the teachers say that Rita was a bit too young and as quiet as a mouse and might not be able to keep order! But they were proved wrong. Rita was nervous at the first Meeting or two. But after that she was such a success she stayed on as head girl for two years running.’ ‘There, Martin!’ said Elizabeth. ‘Lucky the teachers don’t have any say in it then, isn’t it?’ laughed Julian. ‘I think all schools should be run by the pupils, the way ours is.’ ‘What about Nora?’ asked Jenny, suddenly. ‘She wouldn’t be nervous of going on the platform.’ ‘She’d be good in some ways,’ said Belinda, her mind now made up, ‘but I don’t think she’d be as good as Emma . . .’ They discussed it further. By the end, Elizabeth felt well satisfied. Everyone seemed to agree that Thomas was the right choice for head boy. And apart from Martin, who didn’t know who he wanted, and Jenny, who still favoured Nora, everyone seemed to agree with her about Emma. Because of the way that Whyteleafe School was run, in Elizabeth’s opinion it was extremely important to get the right head boy and head girl. And she’d set her heart on Thomas and Emma. She felt that this discussion was a promising start. Then suddenly, near the end of the train journey, Belinda raised something which made Elizabeth’s scalp prickle with excitement. ‘We haven’t even talked about our own election! For a monitor to replace Susan. Now she’s going up into the third form, we’ll need someone new. We’ve got Joan, of course, but the second form always has two.’ She was looking straight at Elizabeth! ‘We all think you should be the other monitor, Elizabeth,’ explained Jenny. ‘We talked amongst ourselves at the end of last term and everyone agreed. Would you be willing to stand?’ ‘I – I—’ Elizabeth was quite lost for words. Speechless with pleasure! She had already been a monitor once and William and Rita had promised that her chance to be a monitor would surely come again. But she’d never expected it to come so soon! ‘You see, Elizabeth,’ Joan said gently, having been in on the secret, ‘everyone thinks it was very fine the way you stood down in favour of Susan last term. And that it’s only fair you should take her place now she’s going up.’ ‘Not to mention all the things you’ve done for the school. Even if we do always think of you as the Naughtiest Girl!’ laughed Kathleen. ‘We were really proud of you last term, Elizabeth. We were proud that you were in our form!’ ‘So would you be willing to stand?’ repeated Jenny. ‘Oh, yes, please!’ exclaimed Elizabeth, glancing across at Joan in delight. Their classmates wanted her to be a monitor again, with her best friend Joan! The two of them would be second form monitors together. ‘There’s nothing I’d like better!’ she added. What a wonderful surprise. What a marvellous term this was going to be! They all piled off at the station and watched their luggage being loaded on to the school coach. Julian gave Elizabeth’s back a pat. There was an amused gleam in his eyes. ‘Well, well. It looks as though the Naughtiest Girl is going to be made a monitor again. At the first Meeting. When will that be? This Saturday? Can she last that long without misbehaving?’ ‘Of course I can, Julian,’ replied Elizabeth, refusing to be amused. ‘I’m going to jolly well make certain of that!’ That, at least, was her intention.
”
”
Enid Blyton (Naughtiest Girl Wants to Win)
“
Dear Jon,
A real Dear Jon letter, how perfect is that?! Who knew you’d get dumped twice in the same amount of months. See, I’m one paragraph in and I’ve already fucked this.
I’m writing this because I can’t say any of this to you face-to-face. I’ve spent the last few months questioning a lot of my friendships and wondering what their purpose is, if not to work through big emotional things together. But I now realize: I don’t want that. And I know you’ve all been there for me in other ways. Maybe not in the literal sense, but I know you all would have done anything to fix me other than listening to me talk and allowing me to be sad without solutions. And now I am writing this letter rather than picking up the phone and talking to you because, despite every thing I know, I just don’t want to, and I don’t think you want me to either.
I lost my mind when Jen broke up with me. I’m pretty sure it’s been the subject of a few of your WhatsApp conversations and more power to you, because I would need to vent about me if I’d been friends with me for the last six months. I don’t want it to have been in vain, and I wanted to tell you what I’ve learnt.
If you do a high-fat, high-protein, low-carb diet and join a gym, it will be a good distraction for a while and you will lose fat and gain muscle, but you will run out of steam and eat normally again and put all the weight back on. So maybe don’t bother. Drunkenness is another idea. I was in blackout for most of the first two months and I think that’s fine, it got me through the evenings (and the occasional afternoon). You’ll have to do a lot of it on your own, though, because no one is free to meet up any more. I think that’s fine for a bit. It was for me until someone walked past me drinking from a whisky miniature while I waited for a night bus, put five quid in my hand and told me to keep warm. You’re the only person I’ve ever told this story.
None of your mates will be excited that you’re single again. I’m probably your only single mate and even I’m not that excited. Generally the experience of being single at thirty-five will feel different to any other time you’ve been single and that’s no bad thing.
When your ex moves on, you might become obsessed with the bloke in a way that is almost sexual. Don’t worry, you don’t want to fuck him, even though it will feel a bit like you do sometimes.
If you open up to me or one of the other boys, it will feel good in the moment and then you’ll get an emotional hangover the next day. You’ll wish you could take it all back. You may even feel like we’ve enjoyed seeing you so low. Or that we feel smug because we’re winning at something and you’re losing. Remember that none of us feel that.
You may become obsessed with working out why exactly she broke up with you and you are likely to go fully, fully nuts in your bid to find a satisfying answer. I can save you a lot of time by letting you know that you may well never work it out. And even if you did work it out, what’s the purpose of it? Soon enough, some girl is going to be crazy about you for some undefinable reason and you’re not going to be interested in her for some undefinable reason. It’s all so random and unfair – the people we want to be with don’t want to be with us and the people who want to be with us are not the people we want to be with.
Really, the thing that’s going to hurt a lot is the fact that someone doesn’t want to be with you any more. Feeling the absence of someone’s company and the absence of their love are two different things. I wish I’d known that earlier. I wish I’d known that it isn’t anybody’s job to stay in a relationship they don’t want to be in just so someone else doesn’t feel bad about themselves.
Anyway. That’s all. You’re going to be okay, mate.
Andy
”
”
Dolly Alderton (Good Material)
“
They'd followed him up and had seen him open the door of a room not far from the head of the stairs. He hadn't so much as glanced their way but had gone in and shut the door. She'd walked on with Martha, past that door, down the corridor and around a corner to their chamber.
Drawing in a tight-faintly excited-breath, she set out, quietly creeping back to the corner, her evening slippers allowing her to tiptoe along with barely a sound.
Nearing the corner, she paused and glanced back along the corridor. Still empty. Reassured, she started to turn, intending to peek around the corner-
A hard body swung around the corner and plowed into her.
She stumbled back. Hard hands grabbed her, holding her upright.
Her heart leapt to her throat. She looked up,saw only darkness.
She opened her mouth-
A palm slapped over her lips. A steely arm locked around her-locked her against a large, adamantine male body; she couldn't even squirm.
Her senses scrambled. Strength, male heat, muscled hardness engulfed her.
Then a virulent curse singed her ears.
And she realized who'd captured her.
Panic and sheer fright had tensed her every muscle; relief washed both away and she felt limp. The temptation to sag in his arms, to sink gratefully against him, was so nearly overwhelming that it shocked her into tensing again.
He lowered his head so he could look into her face. Through clenched teeth, he hissed, "What the hell are you doing?"
His tone very effectively dragged her wits to the fore. He hadn't removed his hand from her lips. She nipped it.
With a muted oath, he pulled the hand away.
She moistened her lips and angrily whispered back, "Coming to see you, of course. What are you doing here?"
"Coming to fetch you-of course."
"You ridiculous man." Her hands had come to rest on his chest. She snatched them back, waved them. "I'm hardly likely to come to grief over the space of a few yards!"
Even to her ears they sounded like squabbling children.
He didn't reply.
Through the dark, he looked at her.
She couldn't see his eyes, but his gaze was so intent, so intense that she could feel...
her heart started thudding, beating heavier, deeper.
Her senses expanded, alert in a wholly unfamiliar way.
he looked at her...looked at her.
Primitive instinct riffled the delicate hairs at her nape.
Abruptly he raised his head, straightened, stepped back. "Come on."
Grabbing her elbow, he bundled her unceremoniously around the corner and on up the corridor before him. Her temper-always close to the surface when he was near-started to simmer. If they hadn't needed to be quiet, she would have told him what she thought of such cavalier treatment.
Breckenridge halted her outside the door to his bedchamber; he would have preferred any other meeting place, but there was no safer place, and regardless of all and everything else, he needed to keep her safe. Reaching around her, he raised the latch and set the door swinging. "In here."
He'd left the lamp burning low. As he followed her in, then reached back and shut the door, he took in what she was wearing. He bit back another curse.
She glanced around, but there was nowhere to sit but on the bed. Quickly he strode past her, stripped off the coverlet, then autocratically pointed at the sheet. "Sit there."
With a narrow-eyed glare, she did, with the haughty grace of a reigning monarch.
Immediately she'd sat, he flicked out the coverlet and swathed her in it.
She cast him a faintly puzzled glance but obligingly held the enveloping drape close about her.
He said nothing; if she wanted to think he was concerned about her catching a chill, so be it. At least the coverlet was long enough to screen her distracting angles and calves.
Which really was ridiculous. Considering how many naked women he'd seen in his life, why the sight of her stockinged ankles and calves should so affect him was beyond his ability to explain.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))