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The first to free itself from the transatlantic influence was 1966’s Jack Orion, with its open-tuning arrangements of traditionals such as ‘The Waggoner’s Lad’, ‘Nottamun Town’, ‘Pretty Polly’, ‘Henry Martin’, ‘Blackwaterside’ and even Ewan MacColl’s ‘The First Time Ever I Saw Your Face’. The ten-minute title track was a semi-improvised but utterly transfixing ramble across the fretboard. By the end of 1965 he had been anointed the London folk-blues scene’s de facto king.
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