“
I've never been quite sure what the point of a eunuch is, if truth be told. It seems to me they're only men with the useful bits cut off.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
Critics are like eunuchs in a harem; they know how it's done, they've seen it done every day, but they're unable to do it themselves.
”
”
Brendan Behan
“
Tyrion let the eunuch help him mount. "Lord Varys," he said from the saddle, "sometimes I feel as though you are the best friend I have in King's Landing and sometimes I feel you are my worst enemy."
"How odd. I think quite the same of you.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
I said, smiling very wide and droogie: ‘Well, if it isn’t fat stinking billygoat Billyboy in poison. How art thou, thou globby bottle of cheap stinking chip-oil? Come and get one in the yarbles, if you have any yarbles, you eunuch jelly, thou.’ And then we started.
”
”
Anthony Burgess (A Clockwork Orange)
“
It takes a great deal of courage and independence to decide to design your own image instead of the one that society rewards, but it gets easier as you go along.
”
”
Germaine Greer (The Female Eunuch)
“
Security is the denial of life
”
”
Germaine Greer (The Female Eunuch)
“
I find that those men who are personally most polite to women, who call them angels and all that, cherish in secret the greatest contempt for them.
”
”
Germaine Greer (The Female Eunuch)
“
Look at his hair. He looks like his father. (Cassandra)
He has your lungs. (Wulf)
Oh, please! (Cassandra)
Trust me. Every Apollite here knows that my parents were unmarried at my birth, and that if you survive the night, you plan on making me a eunuch. (Wulf)
”
”
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
“
Eunuchs do not take the gout, nor become bald.
”
”
Hippocrates (Hippocrates | Galen (Great Books of the Western World, #10))
“
Status ought not to be measured by a woman's ability to attract and snare a man.
”
”
Germaine Greer (The Female Eunuch)
“
Those miserable women who blame the men who let them down for their misery and isolation enact every day the initial mistake of sacrificing their personal responsibility for themselves.
”
”
Germaine Greer (The Female Eunuch)
“
Maybe I couldn’t make it. Maybe I don’t have a pretty smile, good teeth, nice tits, long legs, a cheeky arse, a sexy voice. Maybe I don’t know how to handle men and increase my market value, so that the rewards due to the feminine will accrue to me. Then again, maybe I’m sick of the masquerade. I’m sick of pretending eternal youth. I’m sick of belying my own intelligence, my own will, my own sex. I’m sick of peering at the world through false eyelashes, so everything I see is mixed with a shadow of bought hairs; I’m sick of weighting my head with a dead mane, unable to move my neck freely, terrified of rain, of wind, of dancing too vigorously in case I sweat into my lacquered curls. I’m sick of the Powder Room. I’m sick of pretending that some fatuous male’s self-important pronouncements are the objects of my undivided attention, I’m sick of going to films and plays when someone else wants to, and sick of having no opinions of my own about either. I’m sick of being a transvestite. I refuse to be a female impersonator. I am a woman, not a castrate.
”
”
Germaine Greer (The Female Eunuch)
“
...the consequences of militancy do not disappear when the need for militancy is over. Freedom is fragile and must be protected. To sacrifice it, even as a temporary measure, is to betray it.
”
”
Germaine Greer (The Female Eunuch)
“
So what did Jes say?' I asked again, when my brain felt a bit less scrambled.
'He said I should take good care of you.'
'That's all?'
Mal cleared his throat. 'And . . . he said he would pray to the God of Work to heal your affliction.'
'My what?'
'I many have told him that you have a goiter.'
I stumbled. 'I beg your pardon?'
'Well, I had to explain why you were always clinging to that scarf.'
I dropped my hand. I'd been doing it again without even realizing.
'So you told him I had a goiter?' I whispered incredulously.
'I had to say something. And it makes you quite a tragic figure. Pretty girl, giant growth, you know.'
I punched him hard in the arm.
'Ow! Hey, in some countries, goiters are considered very fashionable.'
'Do they like eunuchs, too? Because I can arrange that.'
'So bloodthirsty!'
'My goiter makes me cranky.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
Well, a priest is better than a eunuch for advice, then. I’m guessing you still have all your original parts.”
“Warranty included,” he said.
”
”
Tiffany Reisz (The Saint (The Original Sinners, #5))
“
So you told him I had a goiter?" I whispered incredulously.
"I had to say something. And it makes you quite a tragic figure. Pretty girl, giant growth, you know."
I punched him hard in the arm.
"Ow! Hey, in some countries, goiters are considered very fashionable."
"Do they like eunuchs, too? Because I can arrange that."
"So bloodthirsty!"
"My goiter makes me cranky.
”
”
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
“
If you think you are emancipated, you might consider the idea of tasting your own menstrual blood - if it makes you sick, you've got a long way to go, baby.
”
”
Germaine Greer (The Female Eunuch)
“
These are the three main diseases of this country, sir: typhoid, cholera, and election fever. This last one is the worst; it makes people talk and talk about things that they have no say in ... Would they do it this time? Would they beat the Great Socialist and win the elections? Had they raised enough money of their own, and bribed enough policemen, and bought enough fingerprints of their own, to win? Like eunuchs discussing the Kama Sutra, the voters discuss the elections in Laxmangarh.
”
”
Aravind Adiga (The White Tiger)
“
In everything that can be called art there is a quality of redemption. It may be pure tragedy, if it is high tragedy, and it may be pity and irony, and it may be the raucous laughter of the strong man. But down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid.
The detective in this kind of story must be such a man. He is the hero; he is everything. He must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor -- by instinct, by inevitability, without thought of it, and certainly without saying it. He must be the best man in his world and a good enough man for any world. I do not care much about his private life; he is neither a eunuch nor a satyr; I think he might seduce a duchess and I am quite sure he would not spoil a virgin; if he is a man of honor in one thing, he is that in all things.
He is a relatively poor man, or he would not be a detective at all. He is a common man or he could not go among common people. He has a sense of character, or he would not know his job. He will take no man's money dishonestly and no man's insolence without due and dispassionate revenge. He is a lonely man and his pride is that you will treat him as a proud man or be very sorry you ever saw him. He talks as the man of his age talks -- that is, with rude wit, a lively sense of the grotesque, a disgust for sham, and a contempt for pettiness.
The story is the man's adventure in search of a hidden truth, and it would be no adventure if it did not happen to a man fit for adventure. He has a range of awareness that startles you, but it belongs to him by right, because it belongs to the world he lives in. If there were enough like him, the world would be a very safe place to live in, without becoming too dull to be worth living in.
”
”
Raymond Chandler (The Simple Art of Murder)
“
Every human body has its optimum weight and contour, which only health and efficiency can establish. Whenever we treat women's bodies as aesthetic objects without function we deform them.
”
”
Germaine Greer (The Female Eunuch)
“
How I have yearned for the sound of your sweet voice,” Tyrion sighed to her. “How I have yearned to have that eunuch’s tongue pulled out with hot pincers,” Cersei replied.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
Loneliness is never more cruel than when it is felt in close propinquity with someone who has ceased to communicate. Many a housewife staring at the back of her husband's newspaper, or listening to his breathing in bed is lonelier than any spinster in a rented room.
”
”
Germaine Greer (The Female Eunuch)
“
Now as before, women must refuse to be meek and guileful, for truth cannot be served by dissimulation. Women who fancy that they manipulate the world by pussy power and gentle cajolery are fools. It is slavery to have to adopt such tactics.
”
”
Germaine Greer (The Female Eunuch)
“
There are three kinds of people in this modern world; gamer boy eunuchs, cell phone nymphos and book readers. The most valuable are the very vulnerable book readers.
”
”
David Gustafson
“
Like eunuchs discussing the Kama Sutra, the voters discuss the elections in Laxmangarh.
”
”
Aravind Adiga (The White Tiger)
“
I confess, I do not understand what there is in her to make a clever man like you act such a fool.”
“You might, if you were not a eunuch.”
“Is that the way of it? A man may have wits, or a bit of meat between his legs, but not both?” Varys tittered. “Perhaps I should be grateful I was cut, then.”
The Spider was right.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
Because, my dear, in the spiritual life opposites meet. It's not the cold passionless ones who become great ascetics, but the most hot-blooded, people with something worth renouncing. That's why the church won't allow eunuchs to become priests.
”
”
Antal Szerb (Journey by Moonlight)
“
We still make love to organs and not people; that so far from realising that people are never more idiosyncratic, never more totally there when they make love, we re never more incommunicative, never more alone.
”
”
Germaine Greer (The Female Eunuch)
“
I'm about as useful as a fingerless eunuch during Fuck Fest February! someone give me a gun!
”
”
Robert Kirkman (The Walking Dead, Vol. 27: The Whisperer War)
“
The housewife is an unpaid worker in her husband's house in return for the security of being a permanent employee: hers is the reductio ad absurdum of the employee who accepts a lower wage in return for permanence of his employment. But the lowest paid employees can be and are laid off, and so are wives. They have no savings, no skills which they can bargain with elsewhere, and they must bear the stigma of having been sacked.
”
”
Germaine Greer (The Female Eunuch)
“
Lovers who are free to go when they are restless always come back; lovers who are free to change remain interesting. The bitter animosity and obscenity of divorce is unknown where individuals have not become Siamese twins.
”
”
Germaine Greer (The Female Eunuch)
“
Salmissra was alone and unguarded. The palace eunuchs were sworn to protect her, but evidently a eunuch's oath doesn't mean all that much to him if it's going to involve bleeding.
”
”
David Eddings (Belgarath the Sorcerer)
“
A slave-owner who through cunning and violence shackles a slave in chains, and a slave who through cunning or violence breaks the chains – let not the contemptible eunuchs tell us that they are equals before a court of morality!
”
”
Leon Trotsky (Their Morals and Ours: The Class Foundations of Moral Practice)
“
It does not take long. Soon the fine galloping language, the gutless swooning full of sapless trees and dehydrated lusts begins to swim smooth and swift and peaceful. It is better than praying without having to bother to think aloud. It is like listening in a cathedral to a eunuch chanting in a language which he does not even need to not understand.
”
”
William Faulkner (Light in August)
“
It is agreed that 'girls take more bringing up' than boys: what that really means is that girls must be more relentlessly supervised and repressed if the desired result is to ensue.
”
”
Germaine Greer (The Female Eunuch)
“
To say that war is madness is like saying that sex is madness: true enough, from the standpoint of a stateless eunuch, but merely a provocative epigram for those who must make their arrangements in the world as given.
”
”
John Updike
“
If my wife finds comfort in trite Gispy homilies, I have no objection to your offering them. However, if you ever kiss her again, no matter how platonic the fashion, I'll make a eunuch of you.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
I remember walking in art galleries, through the nineteenth century: the obsession they had then with harems. Dozens of paintings of harems, fat women lolling on divans, turbans on their heads or velvet caps, being fanned with peacock tails, a eunuch in the background standing guard. Studies of sedentary flesh, painted by men who'd never been there. These pictures were supposed to be erotic, and I thought they were, at the time; but I see now what they were really about. They were paintings about suspended animation; about waiting, about objects not in use. They were paintings about boredom. But maybe boredom is erotic, when women do it, for men.
”
”
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
“
Abandonment of slavery is also the banishment of the chimera of security. The world will not change overnight, and liberation will not happen unless individual women agree to be outcasts, eccentrics, perverts, and whatever the powers-that-be choose to call them.
”
”
Germaine Greer (The Female Eunuch)
“
Cunt-lapping, mother-fucking, and cock-sucking are words to provoke a sense of outrage. Being forced to play the role of a woman in sexual intercourse is the deepest imaginable humiliation, which is only worsened if the victim finds to his horror that he enjoys it.
”
”
Germaine Greer (The Female Eunuch)
“
So what does the winner get in the end?" Tate asked.
"They get to sit around with the losers and say, 'I am King Xavier of the world.' Repeat after me."
"And me?" Tate asked.
"You get to be my queen."
"How come you're the leader of the community?" Narnie asked, almost smiling. "Why can't Tate be?"
Webb looked at his sister, grinning. "Why can't you, Narnie?"
Fitz leaned his head on Narnie's shoulder. "And I'll be your queen?"
"You can be the eunuch," Jude said, shoving him out of the way, "and I'll be her prince." He bowed and took Narnie's hand, kissing it, and their eyes met. It was awkward for a moment until Narnie looked away.
”
”
Melina Marchetta (On the Jellicoe Road)
“
Beauty is all very well. But it is merely the gleam of the sword, the chief eunuch said. It is the mind that provides the sharp blade, and without that, well. We have a pretty piece of metal and not a weapon at all.
”
”
Julie C. Dao (Forest of a Thousand Lanterns (Rise of the Empress, #1))
“
The vagina is obliterated from the imagery of femininity in the same way that the signs of independence and vigor in the rest of her body are suppressed.
”
”
Germaine Greer (The Female Eunuch)
“
Neutrality may be useful, but it's useful like eunuchs are useful. Once you cut off their balls they grow big and strong, but you can never be sure if they will serve the harem or the master.
”
”
Vaughn Sherman (Sasha Plotkin's Deceit)
“
It is often falsely assumed, even by feminists, that sexuality is the enemy of the female who really wants to develop these aspects of her personality, and this is perhaps the most misleading aspect of movements like the National Organization of Women. It was not the insistence upon her sex that weakened the American woman student's desire to make something of her education, but the insistence upon a passive sexual role
”
”
Germaine Greer (The Female Eunuch)
“
If women understand by emancipation the adoption of the masculine role then we are lost indeed. If women can supply no counterbalance to the blindness of male drive the aggressive society will run to its lunatic extremes at ever-escalating speed. Who will safeguard the despised animal faculties of compassion, empathy, innocence and sensuality?
”
”
Germaine Greer (The Female Eunuch)
“
If she is efficient and capable or ambitious, it is assumed that she has failed to find satisfaction as a normal woman, even to the extent of implying a glandular abnormality or sexual perversion.
”
”
Germaine Greer (The Female Eunuch)
“
A housewife's work has no results: it simply has to be done again. Bringing up children is not a real occupation, because children come up just the same, brought up or not.
”
”
Germaine Greer (The Female Eunuch)
“
If you tell me I am a scoundrel I may mend my ways, but if you tell me I am a eunuch you are tempting me to hit back in any way that seems feasible. If you want to make an enemy of a man, tell him that his ills are incurable.
”
”
George Orwell (The Road to Wigan Pier)
“
They were always Albanians. You know what that means. Some Catholics, some Orthodox. And some, in time, were Muslims, too. But the first religion of the Albanian, as they say, is Albania.
”
”
Jason Goodwin (The Snake Stone (Yashim the Eunuch, #2))
“
...I can't abide snakes."
"I don't even think of her as a snake."
"Ce'Nedra," he said patiently, "she's long and skinny, she wriggles, she doesn't have any arms or legs, and she's poisonous. By definition, she's a snake."
"...I'm bitterly disappointed in you, Prince Kheldar. She's a sweet, loving, brave little creature, and you're insulting her." He looked at her for a moment, then rose to his feet and bowed floridly to the earthenware bottle. "I'm dreadfully sorry, dear Zith," he apologized. "I can't think what came over me. Can you possible find it in your cold little green heart to forgive me?"
Zith hissed at him, a hiss ending in a curious grunt.
"She says to leave her alone," Sadi told him.
"Can you really understand what she's saying?"
"In a general sort of way, yes. Snakes have a very limited vocabulary, so it's not all that difficult to pick up a few phrases here and there." The eunuch frowned. "She's been swearing a great deal lately, though, and that's not like her. She's usually a very ladylike little snake."
"I can't believe I'm actually involved in this conversation," Silk said, shaking his head and going off down the hall toward the back of the house.
”
”
David Eddings (Sorceress of Darshiva (The Malloreon, #4))
“
I would ask my teacher a question," Yehonala said.
"Ask," Lady Miao replied. She was brushing fine quick strokes upon a large sheet of paper spread upon a square table which the eunuch had brought to her side.
"When may I paint a picture of my own?" Yehonala asked. Her teacher held her hand poised for an instant and cast a sidelong look from her narrowed eyes. "When I can no longer command you.
”
”
Pearl S. Buck (Imperial Woman)
“
It is agreed that little girls should have a different physical education than little boys, but it is not admitted how much of the difference is counseled by the conviction that little girls should not look like little boys.
”
”
Germaine Greer (The Female Eunuch)
“
The occupational hazard of being a Playboy Bunny is the aching facial muscles brought on by obligatory smiles.
”
”
Germaine Greer (The Female Eunuch)
“
When abandoned women follow their fleeing males with tear-stained faces, screaming you can't do this to me, they reveal that all that they have offered in the name of generosity and altruism has been part of an assumed transaction, in which they were entitled to a certain payoff.
”
”
Germaine Greer (The Female Eunuch)
“
Men are the enemy in much the same way that some crazed boy in uniform was the enemy of another like him in most respects except the uniform. One possible tactic is to try to get the uniforms off.
”
”
Germaine Greer (The Female Eunuch)
“
It means this War was never political at all, the politics was all theatre, all just to keep the people distracted…secretly, it was being dictated instead by the needs of technology…by a conspiracy between human beings and techniques, by something that needed the energy-burst of war, crying, “Money be damned, the very life of [insert name of Nation] is at stake,” but meaning, most likely, dawn is nearly here, I need my night’s blood, my funding, funding, ahh more, more…The real crises were crises of allocation and priority, not among firms—it was only staged to look that way—but among the different Technologies, Plastics, Electronics, Aircraft, and their needs which are understood only by the ruling elite…
Yes but Technology only responds (how often this argument has been iterated, dogged, humorless as a Gaussian reduction, among the younger Schwarzkommando especially), “All very well to talk about having a monster by the tail, but do you think we’d’ve had the Rocket if someone, some specific somebody with a name and a penis hadn’t wanted to chuck a ton of Amatol 300 miles and blow up a block full of civilians? Go ahead, capitalize the T on technology, deify it if it’ll make you feel less responsible—but it puts you in with the neutered, brother, in with the eunuchs keeping the harem of our stolen Earth for the numb and joyless hardons of human sultans, human elite with no right at all to be where they are—”
We have to look for power sources here, and distribution networks we were never taught, routes of power our teachers never imagined, or were encouraged to avoid…we have to find meters whose scales are unknown in the world, draw our own schematics, getting feedback, making connections, reducing the error, trying to learn the real function…zeroing in on what incalculable plot? Up here, on the surface, coal-tars, hydrogenation, synthesis were always phony, dummy functions to hide the real, the planetary mission yes perhaps centuries in the unrolling…this ruinous plant, waiting for its Kabbalists and new alchemists to discover the Key, teach the mysteries to others…
”
”
Thomas Pynchon (Gravity’s Rainbow)
“
Human bipolarity was both the binding force and the driving energy for all human behavior, from sonnets to nuclear equations. If any being thinks that human psychologists exaggerate on this point, let it search Terran patent offices, libraries, and art galleries for creations of eunuchs.
”
”
Robert A. Heinlein (Stranger in a Strange Land)
“
In the struggle to remain a complete person and to love from her fullness instead of her inadequacy a woman may appear hard. She may feel her early conditioning tugging her in the direction of surrender, but she ought to remember that she was originally loved for herself; she ought to hang on to herself and not find herself nagging, helpless, irritable and trapped. Perhaps I am not old enough yet to promise that the self-reliant woman is always loved, but she cannot be lonely as long as there are people in the world who need her joy and her strength, but certainly in my experience it has always been so. Lovers who are free to go when they are restless always come back; lovers who are free to change remain interesting. The bitter animosity and obscenity of divorce is unknown where individuals have not become Siamese twins. A lover who comes to your bed of his own accord is more likely to sleep with his arms around you all night than a lover who has nowhere else to sleep.
”
”
Germaine Greer (The Female Eunuch)
“
It is commonplace observation that women are forever trying to straighten their hair if it is curly and curl it if it is straight, bind their breasts if they are large and pad them if they are small, darken their hair if it is light and lighten it if it is dark. Not all these measures are dictated by the fantom of fashion. They all reflect dissatisfaction with the body as it is, and an insistent desire that it be otherwise, not natural but controlled, fabricated. Many of the devices adopted by women are not cosmetic or ornamental, but disguise of the actual, arising from fear and distaste.
”
”
Germaine Greer (The Female Eunuch)
“
Until woman as she is can drive this plastic spectre out of her own and her man's imagination she will continue to apologize and disguise herself, while accepting her male's pot-belly, wattles, bad breath, farting, stubble, baldness and other ugliness without complaint.
”
”
Germaine Greer (The Female Eunuch)
“
It was not until much later when, after a deep and satisfying orgasm, I suddenly realised the true meaning of the fairy tale and the nature of the magic kiss of which it speaks.
”
”
Germaine Greer (The Female Eunuch)
“
If women understand by emancipation the adoption of the masculine role then we are lost indeed.
”
”
Germaine Greer (The Female Eunuch)
“
The problem of the survival of humanity is not a matter of ensuring the birth of future generations but of limiting it. The immediate danger to humanity is that of total annihilation within a generation or two, not the failure of mankind to breed. A woman seeking alternative modes of life is no longer morally bound to pay her debt to nature.
”
”
Germaine Greer (The Female Eunuch)
“
Is the whole thing a folly and a mockery? Am I no better than a eunuch or is the proper man—the man with the right to existence—a raging stallion forever neighing after his neighbor’s womankind? I don't know. And there is nothing to guide us. And if everything is so nebulous about a matter so elementary as the morals of sex, what is there to guide us in the more subtle morality of all other personal contacts, associations, and activities?
”
”
Ford Madox Ford (The Good Soldier: A Tale of Passion)
“
As far as cosmetics are used for adornment in a conscious and creative way, they are not emblems of inauthenticity: it is when they are presented as the real thing, covering unsightly blemishes, disguising a repulsive thing so that it is acceptable to the world that their function is deeply suspect. The women who dare not go out without their false eyelashes are in serious psychic trouble.
”
”
Germaine Greer (The Female Eunuch)
“
Philip got out of God’s way. He remembered that what makes the gospel offensive isn’t who it keeps out, but who it lets in. Nothing could prevent the eunuch from being baptized, for the mountains of obstruction had been plowed down, the rocky hills had been made smooth, and God had cleared a path. There was holy water everywhere.
”
”
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
“
The love object occupies the thoughts of the person diagnosed as 'in love' all the time despite the probability that very little is actually known about it. To it are ascribed all qualities considered by the obsessed as good, regardless of whether the object in question possesses those qualities in any degree. Expectations are set up which no human being could fulfill. Thus the object chosen plays a special role in relation to the go of the obsessed, who decided that he or she is the right or the only person for him. In the case of a male this notion may sanction a degree of directly aggressive behavior either in pursuing the object or driving off competition.
”
”
Germaine Greer (The Female Eunuch)
“
Properly speaking, altruism is an absurdity. Women are self-sacrificing in direct proportion to their incapacity to offer anything but this sacrifice. They sacrifice what they never had: a self. The cry of the deserted woman, 'What have I done to deserve this?' reveals at once the false emotional economy that she has been following.
”
”
Germaine Greer (The Female Eunuch)
“
If sexual physiology provides the pattern for our experience of the world, what is woman's basic metaphor? It is mystery, the hidden. Karen Horney speaks of a girl's inability to see her genitals and a boy's ability to see his as the source of "the greater subjectivity of women as compared with the greater objectivity of men." To rephrase this with my different emphasis: men's delusional certitude that objectivity is possible is based on the visibility of their genitals. Second, this certitude is a defensive swerve from the anxiety-inducing invisibility of the womb. Women tend to be more realistic and less obsessional because of their toleration for ambiguity which they learn from their inability to learn about their own bodies. Women accept limited knowledge as their natural condition, a great human truth that a man may take a lifetime to reach.
The female body’s unbearable hiddenness applies to all aspects men’s dealings with women. What does it look like in there? Did she have an orgasm? Is it really my child? Who was my real father? Mystery surrounds women’s sexuality. This mystery is the main reason for the imprisonment man has imposed on women. Only by confining his wife in a locked harem guarded by eunuchs could he be certain that her son was also his.
”
”
Camille Paglia (Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (Yale Nota Bene))
“
In the popular imagination hairiness is like furriness, an index of bestiality, and as such an indication of aggressive sexuality. Men cultivate it, just as they are encouraged to develop competitive and aggressive instincts, women suppress it, just as they suppress all the aspects of their vigour and libido.
”
”
Germaine Greer (The Female Eunuch)
“
It [childbearing] was never intended to be as time-consuming and self-conscious a process as it is. One of the deepest evils in our society is tyrannical nurturance.
”
”
Germaine Greer (The Female Eunuch)
“
The patterns of gratification are simple, and seem to fall into two patterns, the Great Bitch and the Poison Maiden.
”
”
Germaine Greer (The Female Eunuch)
“
Every wife who slaves to keep herself pretty, to cook her husband's favourite meals, to build up his pride and confidence in himself at the expense of his sense of reality, to be his closest and effectively his only friend, to encourage him to rejectthe consensus of opinionand find reassurance only in her arms is binding her mate to her with hoops of steel that will strangle them both.
”
”
Germaine Greer (The Female Eunuch)
“
I got him' is nonsense in terms of love relationships, and so is 'I lost him'. If we could stop thinking in terms of capture, we would not have to fear the loosening of the captives' bonds and our failing beauty, and he would not have ulcers about being outsrtipped or belittled.
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Germaine Greer (The Female Eunuch)
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A child must have care and attention, but that care and attention need not emanate from a single, permanently present individual. Children are more disturbed by changes of place than by changes in personnel around them, and more distressed by friction and ill-feeling between the adults in their environment than by unfamiliarity.
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Germaine Greer (The Female Eunuch)
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The wedding is the chief ceremony of the middle-class mythology, and it functions as the official entrée of the spouses to their middle-class status. This is the real meaning of saving up to get married. The young couple struggles to set up an image of comfortable life which they will be forced to live up to in the years that follow.
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Germaine Greer (The Female Eunuch)
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Unfortunately, I have dedicated great effort to the task of compiling this ‘sensitive words glossary,’ and I have mastered my filtering skills. I knew which words and sentences had to be cut, and I accepted the cutting as if that was the way it should be. In fact, I will often take it on myself to save time and cut a few words. I call this ‘castrated writing’ -—I am a proactive eunuch, I have already castrated myself before the surgeon raises his scalpel.
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Murong Xuecun
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In short, Daniel was once again a member of a family. Viewed from without they were a strange enough family: a rattling, hunchbacked old woman, a spoiled senile cocker spaniel, and a eunuch with a punctured career (for though Rey didn’t live with them, his off-stage presence was as abiding and palpable as that of any paterfamilias away every day at the office). And Daniel himself. But better to be strange together than strange apart. He was glad to have found such a haven at last, and he hoped that most familial and doomed of hopes, that nothing would change.
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Thomas M. Disch (On Wings of Song)
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The woman who realizes that she is bound by a million Lilliputian threads in an attitude of impotence and hatred masquerading as tranquility and love has no option but to run away, if she is not to be corrupted and extinguished utterly.
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Germaine Greer (The Female Eunuch)
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Mirabai composed many ecstatic songs which are still treasured in India; I translate one of them here: “If by bathing daily God could be realised Sooner would I be a whale in the deep; If by eating roots and fruits He could be known Gladly would I choose the form of a goat; If the counting of rosaries uncovered Him I would say my prayers on mammoth beads; If bowing before stone images unveiled Him A flinty mountain I would humbly worship; If by drinking milk the Lord could be imbibed Many calves and children would know Him; If abandoning one’s wife would summon God Would not thousands be eunuchs? Mirabai knows that to find the Divine One The only indispensable is Love.
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Paramahansa Yogananda (The Autobiography of a Yogi ("Popular Life Stories"))
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The Great Bitch is the deadly female, a worthy opponent for the omnipotent hero to exercise his powers upon and through. She is desirous, greedy, clever, dishonest, and two jumps ahead all the time. The hero may either have her on his side and like a lion-tamer sool her on to his enemies, or he may have to battle for his life at her hands.
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Germaine Greer (The Female Eunuch)
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Probably the only place where a man can feel really secure is in a maximum security prison, except for the imminent threat of release. The problem of recidivism ought to have shown young men like John Greenaway just what sort of a notion security is, but there is no indication that he would understand it. Security is when everything is settled, when nothing can happen to you; security is the denial of life. Human beings are better equipped to cope with disaster and hardship than they are with unvarying security, but as long as security is the highest value in a community they can have little opportunity to decide this for themselves.
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Germaine Greer (The Female Eunuch)
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The point of an organi family is to release the children from the disadvantages of being extensions of their parents so that they can belong primarily to themselves. They may accept the services that adults perform for them naturally without establishing dependencies.
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Germaine Greer (The Female Eunuch)
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If women could regard childbearing not as a duty or an inescapable destiny but as a privilege to be worked for, the ay a man might work for the right to have a family, children might grow up without the burden of gratitude for the gift of life which they never asked for.
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Germaine Greer (The Female Eunuch)
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In order to approximate those shapes and attitudes which are considered normal and desirable, both sexes deform themselves, justifying the process by referring to the primary, genetic difference between the sexes. But of forty-eight chromosomes only one is different: on this difference we base a complete separation of male and female, pretending as it were that all forty-eight were different.
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Germaine Greer (The Female Eunuch)
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Rather than seek to be squired and dated by their rivals why should it not be possible for women to find relaxation and pleasure in the company of their 'inferiors'? They would need to shed their desperate need to admire a man, and accept the gentler role of loving him. A learned woman cannot castrate a truck-driver like she can her intellectual rival, because he has no exaggerated respect for her bookish capacities. The alternative to conventional education is not stupidity, and many a clever girl needs the corrective of a humbler soul's genuine wisdom.
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Germaine Greer (The Female Eunuch)
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Indeed, in Scripture, no two people encounter Jesus in exactly the same way. Not once does anyone pray the “Sinner’s Prayer” or ask Jesus into their heart. The good news is good for the whole world, certainly, but what makes it good varies from person to person and community to community. Liberation from sin looks different for the rich young ruler than it does for the woman caught in adultery. The good news that Jesus is the Messiah has a different impact on John the Baptist, a Jewish prophet, than it does the Ethiopian eunuch, a Gentile and outsider. Salvation means one thing for Mary Magdalene, first to witness the resurrection, and another to the thief who died next to Jesus on a cross. The gospel is like a mosaic of stories, each one part of a larger story, yet beautiful and truthful on its own. There’s no formula, no blueprint.
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Rachel Held Evans (Inspired: Slaying Giants, Walking on Water, and Loving the Bible Again)
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We can only afford two children' really means, 'We only like clean, well-disciplined middle-class children who go to good schools and grow up to be professionals', for children manage to use up all the capital that is made available for the purpose, whatever proportion it may be of the family's whole income, just as housework expands to fill the time available.
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Germaine Greer (The Female Eunuch)
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Each spring for a period of weeks the imperial gardens were filled with prize tulips (Turkish, Dutch, Iranian), all of them shown to their best advantage. Tulips whose petals had flexed wide were held shut with fine threads hand-tied. Most of the bulbs had been grown in place, but these were supplemented by thousands of cut stems held in glass bottles; the scale of the display was further compounded by mirrors placed strategically around the garden. Each variety was marked with a label made from silver filigree. In place of every fourth flower a candle, its wick trimmed to tulip height, was set into the ground. Songbirds in gilded cages supplied the music, and hundreds of giant tortoises carrying candles on their backs lumbered through the gardens, further illuminating the display. All the guests were required to dress in colors that flattered those of the tulips. At the appointed moment a cannon sounded, the doors to the harem were flung open, and the sultan's mistresses stepped into the garden led by eunuchs bearing torches. The whole scene was repeated every night for as long as the tulips were in bloom, for as long as Sultan Ahmed managed to cling to his throne.
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Michael Pollan (The Botany of Desire: A Plant's-Eye View of the World)
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What is certain is that he [the baby] has too much attention from the one person who is entirely at his disposal. The intimacy between mother and child is not sustaining and healthy. The child learns to exploit his mother's accessibility, badgering her with questions and demands which are not of any real consequence to him, embarrassing her in public, blackmailing her into buying sweets and carrying him.
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Germaine Greer (The Female Eunuch)
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Just as Cam left Ivo Jenner’s apartments, St. Vincent met him in the hall. There was a scowl on the blond man’s face, and a vein of chilling arrogance in his tone. “If my wife finds comfort in trite Gypsy homilies, I have no objection to your offering them. However, if you ever kiss her again, no matter how platonic the fashion, I’ll make a eunuch of you.”
The fact that St. Vincent could stoop to petty jealousy when Ivo Jenner was not yet cold in his bed might have outraged some men. Cam, however, regarded the autocratic viscount with speculative interest.
Deliberately calibrating his reply to test the other man, Cam said softly, “Had I ever wanted her that way, I would have had her by now.”
There it was— a flash of warning in St. Vincent’s ice-blue eyes that revealed a depth of feeling he would not admit to. Cam had never seen anything like the mute longing that St. Vincent felt for his own wife. No one could fail to observe that whenever Evie entered the room, St.Vincent practically vibrated like a tuning fork.
“It is possible to care about a woman without wanting to bed her,” Cam pointed out. “But it appears that you don’t agree. Or are you so obsessed with her that you can’t fathom how anyone else could fail to feel the same?”
“I’m not obsessed with her,” St. Vincent snapped.
Leaning a shoulder against the wall, Cam stared into the man’s hard eyes, his usual reserve of patience nearly depleted. “Of course you are. Anyone could see it.”
St. Vincent gave him a warning glance. “Another word,” he said thickly, “and you’ll go the way of Egan.”
Cam raised his hands in a mocking gesture of self-defense. “Warning taken.
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Lisa Kleypas (Devil in Winter (Wallflowers, #3))
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Aristotle tells us that the high-pitched voice of the female is one evidence of her evil disposition, for creatures who are brave or just (like lions, bulls, roosters and the human male) have large deep voices…. High vocal pitch goes together with talkativeness to characterize a person who is deviant from or deficient in the masculine ideal of self-control. Women, catamites, eunuchs and androgynes fall into this category. Their sounds are bad to hear and make men uncomfortable…. Putting a door on the female mouth has been an important project of patriarchal culture from antiquity to the present day. Its chief tactic is an ideological association of female sound with monstrosity, disorder and death…. Woman is that creature who puts the inside on the outside. By projections and leakages of all kinds—somatic, vocal, emotional, sexual—females expose or expend what should be kept in…. [As Plutarch comments,] “…she should as modestly guard against exposing her voice to outsiders as she would guard against stripping off her clothes. For in her voice as she is blabbering away can be read her emotions, her character and her physical condition.”… Every sound we make is a bit of autobiography. It has a totally private interior yet its trajectory is public. A piece of inside projected to the outside. The censorship of such projections is a task of patriarchal culture that (as we have seen) divides humanity into two species: those who can censor themselves and those who cannot…. It is an axiom of ancient Greek and Roman medical theory and anatomical discussion that a woman has two mouths. The orifice through which vocal activity takes place and the orifice through which sexual activity takes place are both denoted by the wordstoma in Greek (os in Latin) with the addition of adverbs ano and kato to differentiate upper mouth from lower mouth. Both the vocal and the genital mouth are connected to the body by the neck (auchen in Greek, cervix in Latin). Both mouths provide access to a hollow cavity which is guarded by lips that are best kept closed.
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Anne Carson (Glass, Irony and God)
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Woman cannot be content with health and agility: she must make exorbitant efforts to appea something that never could exist without a diligent perversion of nature. Is it too much to ask that women be spared the daily struggle for superhuman beauty in order to offer it to the caresses of a subhumanly ugly mate? Women are reputed never to be disgusted. The sad fact is that they often are, but not with men; following the lead of men, they are most often disgusted with themselves.
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Germaine Greer (The Female Eunuch)
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The chief means of liberating women is replacing of compulsiveness and compulsion by the pleasure principle. Cooking, clothes, beauty, and housekeeping are all compulsive activities in which the anxiety quotient has long since replaced the pleasure or achievement quotient. It is possible to use even cooking, clothes, cosmetics and housekeeping for fun. The essence of pleasure is spontaneity. In these cases spontaneity means rejecting the norm, the standard that one must live up to, and establishing a self-regulating principle.
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Germaine Greer (The Female Eunuch)
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But down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid. The detective in this kind of story must be such a man. He is the hero; he is everything. He must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor—by instinct, by inevitability, without thought of it, and certainly without saying it. He must be the best man in his world and a good enough man for any world. I do not care much about his private life; he is neither a eunuch nor a satyr; I think he might seduce a duchess and I am quite sure he would not spoil a virgin; if he is a man of honor in one thing, he is that in all things. He is a relatively poor man, or he would not be a detective at all. He is a common man or he could not go among common people. He has a sense of character, or he would not know his job. He will take no man’s money dishonestly and no man’s insolence without a due and dispassionate revenge. He is a lonely man and his pride is that you will treat him as a proud man or be very sorry you ever saw him. He talks as the man of his age talks—that is, with rude wit, a lively sense of the grotesque, a disgust for sham, and a contempt for pettiness. The story is this man’s adventure in search of a hidden truth, and it would be no adventure if it did not happen to a man fit for adventure. He has a range of awareness that startles you, but it belongs to him by right, because it belongs to the world he lives in. If there were enough like him, the world would be a very safe place to live in, without becoming too dull to be worth living in.
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Raymond Chandler (The Simple Art of Murder)
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Cixi’s lack of formal education was more than made up for by her intuitive intelligence, which she liked to use from her earliest years. In 1843, when she was seven, the empire had just finished its first war with the West, the Opium War, which had been started by Britain in reaction to Beijing clamping down on the illegal opium trade conducted by British merchants. China was defeated and had to pay a hefty indemnity.
Desperate for funds, Emperor Daoguang (father of Cixi’s future husband) held back the traditional presents for his sons’ brides – gold necklaces with corals and pearls – and vetoed elaborate banquets for their weddings. New Year and birthday celebrations were scaled down, even cancelled, and minor royal concubines had to subsidise their reduced allowances by selling their embroidery on the market through eunuchs. The emperor himself even went on surprise raids of his concubines’ wardrobes, to check whether they were hiding extravagant clothes against his orders. As part of a determined drive to stamp out theft by officials, an investigation was conducted of the state coffer, which revealed that more “than nine million taels of silver had gone missing.
Furious, the emperor ordered all the senior keepers and inspectors of the silver reserve for the previous forty-four years to pay fines to make up the loss – whether or not they were guilty.
Cixi’s great-grandfather had served as one of the keepers and his share of the fine amounted to 43,200 taels – a colossal sum, next to which his official salary had been a pittance. As he had died a long time ago, his son, Cixi’s grandfather, was obliged to pay half the sum, even though he worked in the Ministry of Punishments and had nothing to do with the state coffer. After three years of futile struggle to raise money, he only managed to hand over 1,800 taels, and an edict signed by the emperor confined him to prison, only to be released if and when his son, Cixi’s father, delivered the balance.
The life of the family was turned upside down. Cixi, then eleven years old, had to take in sewing jobs to earn extra money – which she would remember all her life and would later talk about to her ladies-in-waiting in the court. “As she was the eldest of two daughters and three sons, her father discussed the matter with her, and she rose to the occasion. Her ideas were carefully considered and practical: what possessions to sell, what valuables to pawn, whom to turn to for loans and how to approach them. Finally, the family raised 60 per cent of the sum, enough to get her grandfather out of prison. The young Cixi’s contribution to solving the crisis became a family legend, and her father paid her the ultimate compliment: ‘This daughter of mine is really more like a son!’
Treated like a son, Cixi was able to talk to her father about things that were normally closed areas for women. Inevitably their conversations touched on official business and state affairs, which helped form Cixi’s lifelong interest. Being consulted and having her views acted on, she acquired self-confidence and never accepted the com“common assumption that women’s brains were inferior to men’s. The crisis also helped shape her future method of rule. Having tasted the bitterness of arbitrary punishment, she would make an effort to be fair to her officials.
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Jung Chang (Empress Dowager Cixi: The Concubine Who Launched Modern China)
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The surest guide to the correctness of the path that women take is joy in the struggle. Revolution is the festival of the oppressed. For a long time there may be no perceptible reward for women other than their new sense of purpose and integrity. Joy does not mean riotous glee, but it does mean the purposive employment of energy in a self-chosen enterprise. It does mean pride and confidence. It does mean communication and cooperation with others based on delight in their company and your own. To be emancipated from helplessness and need and walk freely upon the earth that is your birthright. To refuse hobbles and deformity and take possession of your body and glory in its power, accepting its own laws of loveliness. To have something to desire, something to make, something to achieve, and at last something genuine to give. To be freed from guilt and shame and the tireless self-discipline of women. To stop pretending and dissembling, cajoling and manipulating, and begin to control and sympathize. To claim the masculine virtues of magnanimity and generosity and courage. It goes much further than equal pay for equal work, for it ought to revolutionise the conditions of work completely. It does not understand the phrase 'equality of opportunity', for it seems that the opportunities will have to be utterly changed and women's souls changed so that they desire opportunity instead of shrinking from it.
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Germaine Greer (The Female Eunuch)
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No more peeping through keyholes! No more mas turbating in the dark! No more public confessions! Unscrew the doors from their jambs! I want a world where the vagina is represented by a crude, honest slit, a world that has feeling for bone and contour, for raw, primary colors, a world that has fear and respect for its animal origins. I’m sick of looking at cunts all tickled up, disguised, deformed, idealized. Cunts with nerve ends exposed. I don’t want to watch young
virgins masturbating in the privacy of their boudoirs or biting their nails or tearing their hair or lying on a bed full of bread crumbs for a whole chapter. I want Madagascan funeral poles, with animal upon animal and at the top Adam and Eve, and Eve with a crude, honest slit between the legs. I want hermaphrodites who are real hermaphrodites, and not make-believes walking around with an atrophied penis or a dried-up cunt. I want a classic purity, where dung is dung and angels are angels. The Bible a la King James, for example. Not the Bible of Wycliffe, not the Vulgate, not the Greek, not the Hebrew, but the glorious, death-dealing Bible that was created when the English
language was in flower, when a vocabulary of twenty thousand words sufficed to build a monument for all time. A Bible written in Svenska or Tegalic, a Bible for the Hottentots or the Chinese, a Bible that has to meander through the trickling sands of French is no Bible-it is a counterfeit and a fraud. The King James Version was created by a race of bone-crushers. It revives the primitive mysteries, revives rape, murder, incest, revives epilepsy, sadism,
megalomania, revives demons, angels, dragons, leviathans, revives magic, exorcism, contagion, incantation, revives fratricide, regicide, patricide, suicide, revives hypnotism, anarchism, somnambulism, revives the song, the dance, the act, revives the mantic, the chthonian, the arcane, the mysterious, revives the power, the evil, and the glory that is God. All brought into the
open on a colossal scale, and so salted and spiced that it will last until the next Ice Age.
A classic purity, then-and to hell with the Post Office authorities! For what is it enables the classics to live at all, if indeed they be living on and not dying as we and all about us are dying? What preserves them against the ravages of time if it be not the salt that is in them? When I read Petronius or Apuleius or Rabelais, how close they seem! That salty tang! That odor of the menagerie! The smell of horse piss and lion’s dung, of tiger’s breath and elephant’s hide. Obscenity, lust, cruelty, boredom, wit. Real eunuchs. Real hermaphrodites. Real pricks. Real cunts. Real banquets! Rabelais rebuilds the walls of Paris with human cunts. Trimalchio tickles his own throat, pukes up his own guts, wallows in his own swill. In the amphitheater, where a big, sleepy pervert of a Caesar lolls dejectedly, the lions and the jackals, the hyenas, the tigers, the spotted leopards are crunching real human boneswhilst the coming men, the martyrs and imbeciles, are walking up the golden stairs shouting Hallelujah!
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Henry Miller (Black Spring)
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She asked, “Are you well?”
“Yes.” His voice was a deep rasp. “Are you?”
She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint.
He replied, “You’re soft.”
Good Lord. Who was this man? Where had he come from? And how was he still atop her?
“You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips.
“Ah. That’s nice.”
Her face blazed with heat. “Are you seeing double?”
“Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.”
She stared at him.
“Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.”
And before she could even catch her breath, he pressed his lips to hers.
A kiss. His mouth, touching hers. It was warm and firm, and then…it was over.
Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat. Just a memory now, save for the faint bite of whiskey on her lips. And the heat. She still tasted his scorching, masculine heat. Belatedly, she closed her eyes.
“There, now,” he murmured. “All better.”
Better? Worse? The darkness behind her eyelids held no answers, so she opened them again.
Different. This strange, strong man held her in his protective embrace, and she was lost in his intriguing green stare, and his kiss reverberated in her bones with more force than a powder blast. And now she felt different.
The heat and weight of him…they were like an answer. The answer to a question Susanna hadn’t even been aware her body was asking. So this was how it would be, to lie beneath a man. To feel shaped by him, her flesh giving in some places and resisting in others. Heat building between two bodies; dueling heartbeats pounding both sides of the same drum.
Maybe…just maybe…this was what she’d been waiting to feel all her life. Not swept her off her feet-but flung across the lane and sent tumbling head over heels while the world exploded around her.
He rolled onto his side, giving her room to breathe. “Where did you come from?”
“I think I should ask you that.” She struggled up on one elbow. “Who are you? What on earth are you doing here?”
“Isn’t it obvious?” His tone was grave. “We’re bombing the sheep.”
“Oh. Oh dear. Of course you are.” Inside her, empathy twined with despair. Of course, he was cracked in the head. One of those poor soldiers addled by war. She ought to have known it. No sane man had ever looked at her this way.
She pushed aside her disappointment. At least he had come to the right place. And landed on the right woman. She was far more skilled in treating head wounds than fielding gentlemen’s advances. The key here was to stop thinking of him as an immense, virile man and simply regard him as a person who needed her help. An unattractive, poxy, eunuch sort of person.
Reaching out to him, she traced one fingertip over his brow. “Don’t be frightened,” she said in a calm, even tone. “All is well. You’re going to be just fine.” She cupped his cheek and met his gaze directly. “The sheep can’t hurt you here.
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Tessa Dare (A Night to Surrender (Spindle Cove, #1))