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Sometimes you canβt let go of the past without facing it again.
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Gail Tsukiyama (The Samurai's Garden)
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Mothers and their children are in a category all their own. There's no bond so strong in the entire world. No love so instantaneous and forgiving.
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Gail Tsukiyama (Dreaming Water)
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Even a snail will eventually reach its destination.
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Gail Tsukiyama (The Street of a Thousand Blossoms)
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Everything seems simpler from a distance.
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Gail Tsukiyama (The Street of a Thousand Blossoms)
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Beauty exists where you least expect to find it.
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Gail Tsukiyama (The Samurai's Garden)
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It is not an act of bravery to try to save your own village. It is an instinct to protect what you possess. Bravery is when you step in to help when you have nothing to lose.
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Gail Tsukiyama (The Samurai's Garden)
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But how will I know it's my destiny?'
'Like love it will possess you... You can't help but know.
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Gail Tsukiyama (The Street of a Thousand Blossoms)
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The eyes mirror the heart of a person. An entire life can be seen through them. Love, sorrow, deceit, pain. If you look closely, itβs all there.
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Gail Tsukiyama (The Language of Threads (Women of the Silk #2))
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Donβt ever think that just because you do things differently, youβre wrong.
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Gail Tsukiyama (Women of the Silk (Women of the Silk #1))
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It takes greater courage to live.
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Gail Tsukiyama (The Samurai's Garden)
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In the end, it doesnβt matter what words are said or unsaid. . . .Lifeβs mistakes are made whether you can see them or not. What counts is how we learn to live with them.
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Gail Tsukiyama (The Language of Threads (Women of the Silk #2))
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Just remember, Every day of your lives, you must always be sure what youβre fighting for.
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Gail Tsukiyama (The Street of a Thousand Blossoms)
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To read and write will help you understand life. . .to sew and mend will help you survive it.
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Gail Tsukiyama (The Language of Threads (Women of the Silk #2))
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When you're young, you can excuse many things, hoping they will strengthen with time.
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Gail Tsukiyama (The Samurai's Garden)
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Do you think a champion is made out of thin air? Itβs through the hardships you endure that youβll gain real strength.
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Gail Tsukiyama (The Street of a Thousand Blossoms)
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...life is not just from within, it extends all around you, whether you wish it to or not.
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Gail Tsukiyama
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We canβt run away from what defines our fates. Who we are and what we believe in grow from the roots of our past, no matter how much we might try to deny it.
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Gail Tsukiyama (The Language of Threads (Women of the Silk #2))
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Sometimes things donβt work out as theyβre planned, and there have to be sacrifices in order to make things better again.
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Gail Tsukiyama (Women of the Silk (Women of the Silk #1))
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To have strength without knowing how to use it means nothing.
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Gail Tsukiyama (The Street of a Thousand Blossoms)
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Nothing ever stands still, and neither should you.
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Gail Tsukiyama (Women of the Silk (Women of the Silk #1))
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Success is not handed to you. You must work hard for it and you must never dishonor what youβve achieved.
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Gail Tsukiyama (The Street of a Thousand Blossoms)
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We live a short enough time on this earth. A man should do what he loves.
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Gail Tsukiyama (The Street of a Thousand Blossoms)
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What wars really destroyed were families.
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Gail Tsukiyama (The Street of a Thousand Blossoms)
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Sometimes the house is so quiet I feel like the only noise that fills my mind is what I've created myself. Remembered conversations come back to me as if my friends and family were right here in the room.
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Gail Tsukiyama (The Samurai's Garden)
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Just remember that life is made up of change. We canβt run away from it.
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Gail Tsukiyama (The Language of Threads (Women of the Silk #2))
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The garden is a world filled with secrets. Slowly, I see more each day. The black pines twist and turn to form graceful shapes, while the moss is a carpet of green that invites you to sit by the pond. Even the stone lanterns, which dimly light the way at night, allow you to see only so much.
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Gail Tsukiyama (The Samurai's Garden)
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Donβt you think every face tells its own story? Like a book? More like a poem. If you study it long enough, youβll soon find its meaning.
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Gail Tsukiyama (The Street of a Thousand Blossoms)
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To be noble,. . .was to account for the life you lived, to always account for your mistakes, and to have dignity and worth.
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Gail Tsukiyama (The Street of a Thousand Blossoms)
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Wei cleared his throat and said, βHave you heard the saying `The wise adapt themselves to circumstances, as water molds itself to the pitcherβ? It seems Iβve been the pitcher most of my life. Iβve forgotten how to be fluid. It feels as if Iβm finally learning now,β he said.
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Gail Tsukiyama (A Hundred Flowers)
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Weβre stepping into a new world, and an entire way of thinking must be changed. But the old ideas canβt be easily discarded. Like a pendulum, new ways must swing to the other side before returning.
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Gail Tsukiyama (The Street of a Thousand Blossoms)
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Fear seems to be the ruling judge.
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Gail Tsukiyama (Women of the Silk (Women of the Silk #1))
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...I learned that beauty exists where you least expect to find it.
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Gail Tsukiyama (The Samurai's Garden)
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When the water boiled, Michiko poured it into the pot of green leaves and we both waited in the thick silence. I felt strangely calmed by this simple ritual I had seen my mother do many hundred times before. It was all that seemed to make sense in this place and I held on to it as if I were drowning.
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Gail Tsukiyama (The Samurai's Garden)
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Grief was an opponent he would never be able to defeat.
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Gail Tsukiyama (The Street of a Thousand Blossoms)
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Just donβt ever think you deserve to be beaten.
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Gail Tsukiyama (The Street of a Thousand Blossoms)
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Even if you walk the same road a hundred times, youβll find something different each time.
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Gail Tsukiyama (The Samurai's Garden)
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Perhaps the dull ache I'm feeling comes from letting go, the realization that some memories should be left as just that, a moment in time when the fruits of life are at their sweetest.
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Gail Tsukiyama (The Brightest Star)
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Matsu gathered up what little was left of the food and wrapped it back up in the furoshiki. 'I followed you and the others down to the beach yesterday morning. I wondered if you might try to find your way to peace as she did.'
'I couldn't,' I began to cry, turning away in shame. Then Matsu leaned over close to my ear. He smelled of sweat and the earth as he whispered, 'It takes greater courage to live.
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Gail Tsukiyama (The Samurai's Garden)
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The things you remember about a person when they're gone are funny. No two people will feel the same way, though usually it has to do with scent, or expression, the sound of a voice, an unusual gesture. For me, I can still see the colors of Keiko; the black of her hair against creamy pale skin, her dark blue kimono with white circles, the deep orange persimmons falling from the brown basket she carried. The ache in my heart grows larger every time I think of these colors, and how as each day passes they continue to fade from my eyes.
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Gail Tsukiyama (The Samurai's Garden)
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Matsu once told me the bridge represented the samuraiβs difficult path from this world to the afterlife. When you reach the top of the bridge, you can see your way to paradise. I feel as if the past few days have given me a glimpse of that. To simply live a life without fear has been a true paradise.
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Gail Tsukiyama (The Samurai's Garden)
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It was like a bad dream with only one saving grace: my family thought I was dead. I suddenly felt lighter, relieved of the burden that had been placed on me as a living person. Yet, there was still someone who knew I existed, which made me feel like a real person again, not a ghost roaming the earth.
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Gail Tsukiyama (The Samurai's Garden)
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Near the gardens, Pei stopped and caught her breath. She liked sweet-voiced Song Lee and hoped for the best in dealing with the other sisters, but Pei rememered all too well the different personalities that had affected her life, first at the girls' house, then at the silk factory and sisters' house. Dealing with so many people was often like playing a game of chess. There were so many pieces, all moving in different directions. It was always wise to guard all sides against capture.
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Gail Tsukiyama (The Language of Threads (Women of the Silk #2))
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Please, Matsu-san,' I told him, not long after the house was completed. 'I don't wish to have any flowers.'
"Never once did he question me. I needed my life to be simple without any beauty to remind me of all I had lost. And though I had not told him that, Matsu must have seen it in my eyes. 'Don't worry, Sachi,' he said, 'there will be no flowers.
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Gail Tsukiyama (The Samurai's Garden)
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It's harder than I imagined, to be alone. I suppose I might get used to it, like an empty canvas
you slowly begin to fill.
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Gail Tsukiyama
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It takes the same amount of energy to worry about the worst thing that can happen as it does to hope for the best. It's up to you to choose.
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Gail Tsukiyama
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...we can't hide from it, we are all touched by the madness of it.
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Gail Tsukiyama (The Samurai's Garden)
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Nothing ever stands still,β she told them. βAnd neither should you.
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Gail Tsukiyama (Women of the Silk)
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He seemed to have a story no one had bothered to discover
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Gail Tsukiyama
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It is not an act of bravery to try to save your own village. It is an instinct to protect what you possess. Bravery is when you step in to help when you have nothing to lose.
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Gail Tsukiyama (The Samurai's Garden)
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I won't say we human beings still don't have much to learn. Sometimes we love and hate without thought. We expect too much from one another, and often we are wrong.
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Gail Tsukiyama (The Samurai's Garden)
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Sometimes I felt like I would go insane not having the answers to such simple questions. Of course, it was always hardest during the night, then the darkness stole away any signs of hope.
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Gail Tsukiyama (The Samurai's Garden)
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Sometimes I felt like I would go insane not having the answers to such simple questions. Of course, it was always hardest during the night, when the darkness stole away any signs of hope.
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Gail Tsukiyama (The Samurai's Garden)
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Every so often I was overwhelmed by a phantom pain that cut through me like a knife. I was certain that if I looked down I would find blood all over, like the knife I once held in my hands, but it was all in my mind.
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Gail Tsukiyama (The Samurai's Garden)
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I wonβt say we human beings still donβt have much to learn. Sometimes we love and hate without thought. We expect too much from one another, and often we are wrong. Take that flower,β he said, pointing to the crepe myrtle. βIt has a short life span, but you know just what to expect of it. The leaves are turning yellow-orange, so you know within a week theyβll fall. Fortunatelyβor unfortunatelyβwe human beings have much longer lives. And that makes for many more complications. But in the end, Stephen-san, you can only look back, hoping everything that happens in your life is for a purpose.
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Gail Tsukiyama (The Samurai's Garden)
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I wanted to say something back to him, and I knew deep down that he was right, though I didn't have the words yet. Until that disease chose me, I had lived a charmed life of grace and ease, while Matsu had always to work hard for what he desired. He has always known where beauty comes from. Later on, when the disease spread over the left side of my face, I tried to accept the burden placed on me, to tell myself that real beauty comes from deep within. But I'm afraid sometimes I reverted back to my spoiled ways. But, Stephen-san, can you imagine what it was like to watch your own face slowly transformed into a monster? Have you ever awakened in the morning from a series of nightmares, fearing what you might have turned into during the night? I will not lie to you and tell you that it was easy. There were times when I thought I could actually feel my skin shrinking, pulling against my bones and muscles, slowly suffocating me. Matsu comforted me as much as he could by having me work on the house, or in the garden, but no matter how much pleasure I found in them, they were still cold and inanimate. I longed for my past life. Matsu always knew that the peace of mine I needed could only be found within myself.
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Gail Tsukiyama (The Samurai's Garden)
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He showed me that life is not just from within, it extends all around you, wether you wish it to or not. And so, this garden became a part of my life. The Samariβs Garden
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Gail Tsukiyama
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You mustn't forget: who we are is a reflection of where we come from.
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Gail Tsukiyama (The Brightest Star)
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Lately, it seemed the air between us was so thick with struggle at home I felt like I was suffocating.
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Gail Tsukiyama (The Brightest Star)
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It's harder than I imagined, to be alone. I supposed I might get used to it, like an empty canvas you slowly begin to fill.
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Gail Tsukiyama
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havenβt been able
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Gail Tsukiyama (The Samurai's Garden)
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In the end, the body betrayed everyone.
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Gail Tsukiyama (The Street of a Thousand Blossoms)
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In my dreams I hear their voices, those young boys who were already cruel when they chased me through the schoolyard yelling, Chink, Chink, Chinabug. It's no wonder that so many of them have grown up to be the kind of men they are. Their voices may have deepened, their hair thinned or turned gray, their bellies softened and grown larger, but their hearts and minds remain as hard as stone, impenetrable. They are still those small-minded boys who tormented me. To them, I'll always be foreign--a porcelain China doll, or a fire-breathing dragon lady, neither of which belongs in their world. I had such high hopes for them. I thought they might know better as grown-ups and realize that there are more ways than one to view the world.
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Gail Tsukiyama (The Brightest Star)
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No one spoke,
The host, the guest,
The white chrysanthemums.
-RyΕta
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Gail Tsukiyama (The Samurai's Garden)
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After Laura leaves, I pick up the recorder on the nightstand and play a short melody Howard once taught me. βItβs basically just six notes repeated,β he told me. βThe simple power of music.β......
...βThen I listen in the darkness for the familiar sounds, knowing everything has changed.
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Gail Tsukiyama
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I knew the sense of integrity I had long admired in him had died, and that I was already grieving for its loss.
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Gail Tsukiyama (The Samurai's Garden)
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If you have too much good luck when you are young,β Mah-mee said, βthere wonβt be any luck left for when you are old.
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Gail Tsukiyama (The Samurai's Garden)
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Itβs harder than I imagined, to be alone.
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Gail Tsukiyama (The Samurai's Garden)
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Japan is like a young woman who thinks too much of herself. Sheβs bound to get herself into trouble.
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Gail Tsukiyama (The Samurai's Garden)
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life is not just from within, it extends all around you, whether you wish it to or not.
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Gail Tsukiyama (The Samurai's Garden)
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sometimes you must cut away something in order to make it grow back stronger?
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Gail Tsukiyama (The Samurai's Garden)
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sitting in the garden. In it, life seemed to have stopped, and a separate life contained itself in its beauty.
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Gail Tsukiyama (The Samurai's Garden)
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Like love, it will possess you, Hiro-chan,β she said. βYou canβt help but know.
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Gail Tsukiyama (The Street of a Thousand Blossoms: A Novel)
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Perhaps things happen to help us learn about ourselves.
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Gail Tsukiyama (The Street of a Thousand Blossoms: A Novel)
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I learned that beauty exists where you least expect to find it.
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Gail Tsukiyama (The Samurai's Garden)
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The greatest honor I could have given my family was that of my death, and I ran from it. I was frightened at not fulfilling my obligation, not giving ko to my parents. Yet, there was a voice inside of me that kept telling me to escape
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Gail Tsukiyama (The Samurai's Garden)
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Don't ever think that just because you do things differently, you're wrong.
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Gail Tsukiyama
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Ah yes, now Yoshio remembered the last myth. Three foxes together foretold disaster. And here they were, like three foxes trapped in a hole with disaster just above them.
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Gail Tsukiyama (The Street of a Thousand Blossoms)
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Haru looked at the devastation around her. I see a world covered in grey ash. I see a world covered in grey ash with flecks of white bone. I see a world covered in grey ash with flecks of white bone of all those who will never rise again.
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Gail Tsukiyama (The Street of a Thousand Blossoms)
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Only once have I had the courage to ask Matsu what he felt about his country's victories in China. He was in the kitchen reading a magazine, as his radio blared from his room. He looked up at me and simply said, "Japan is like a young woman who thinks too much of herself. She's bound to get herself into trouble.
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Gail Tsukiyama (The Samurai's Garden)
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Then she turned and pointed to Matsu's newly built wooden bridge. It was an exact replica of the original, its ascending and descending curves forming a perfect arch. "Matsu once told me the bridge represented the samurai's difficult path from this world to the afterlife. When you reach the top of the bridge, you can see your way to paradise. I feel as if the past few days have given me a glimpse of that. To simply live a life without fear has been a true paradise.
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Gail Tsukiyama
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I couldnβt get over how easily she had stepped into our lives, settling in like another summer flower in the garden.
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Gail Tsukiyama (The Samurai's Garden)
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The madness of war destroyed much more than just the soldiers fighting in it. It picked apart everything in its way, so that no one escaped its clutches.
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Gail Tsukiyama (The Samurai's Garden)
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You have to choose what you keep and what you let go of in life.
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Gail Tsukiyama (The Color of Air)
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Only then did he realize that Hawai'i remained an enduring spirit that had seeped into his body and flowed through his veins. "Might not be a fancy big city, yeah, but home comes from within," his mother reminded him when he first left for the mainland.
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Gail Tsukiyama
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She would rather live her own life of mah-jongg games, while pretending all those starving in the streets are invisible.
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Gail Tsukiyama (The Samurai's Garden)