Erase Mistakes Quotes

My history is long, and not much of it is good. I can't erase it, but I'm determined not to make another mistake. Not when the stakes are high, not when it comes to you.

I want to reach back into my history with a grade-school pink eraser, scrubbing away my decisions like mistakes on a math test. To bad I drew my mistakes in ink.

It seemed cruelly unfair to me, even then, how fast your life can change before you have an opportunity to rethink your choices. We should get second chances on the big stuff. We should come equipped with erasers attached to the tops of our heads. Like pencils. We should be able to flip over and scribble away mistakes, at least once or twice during the duration of our existence, especially in matters of life and death.

We all make mistakes. That's why my pencil has an eraser.

I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in blurry, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as a starfish loves a coral reef and as a kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. i will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and as an eraser loves to leave dust in the hairdos of people who talk too much. I will love you as a cufflink loves to drop from its shirt and explore the party for itself and as a pair of white gloves loves to slip delicately into the punchbowl. I will love you as the taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock.

Erase self-doubt by working to build your strengths instead of focusing on your weaknesses.

Mistakes? That's why they put erasers on pencils.

Unlike ink, graphite is erasable. People make mistakes, Mr. Roth. Pencil allows one to clear the mistake and move on. Scientists expect mistakes and, because of it, we embrace failure.

I heard the universe as an oratorio sung by a master choir of stars, accompanied by the orchestra of the planets and the percussion of satellites and moons. The aria they performed was a song to break the heart, full of tragic dissonance and deferred hope, and yet somewhere beneath it all was a piercing refrain of glory, glory, glory. And I sensed that not only the grand movements of the cosmos, but everything that had happened in my life, was a part of that song. Even the hurts that seemed most senseless, the mistakes I would have done anything to erase--nothing could make those things good, but good could still come out of them all the same, and in the end the oratorio would be no less beautiful for it.

Seven, ten, fifteen, eighteen years old and still there is nothing finer than a blank sheet of paper, the white promise that the world can be what I make it. A magical place, an adventurous place, a possible place. Erasers take away the mistakes. Another coat of paint to cover them up. Black and red and purple and blue. Always Blue.

Erase from your vocabulary the word “someday.” Do not save things for “special occasions.” Take into account the fact that every day is special. Every day is a gift that we must appreciate and be thankful for. Wear your attractive clothes, wear your nice perfume, use your fine silverware and dishes, and drink from your expensive crystal glasses … just because. Live every day to the fullest and savor every minute of it.

I am the author of my life. Unfortunately, I am writing in pen and can’t erase my mistakes.

The ending of the day was the ending of a powerful song, one that filled you up with anticipation because all the mistakes you made in the blazing light of day were erased.

+ He wasn’t much for erasing anyway. Sometimes your mistakes showed you the really interesting connections between your brain, your hand, and your heart, the ones you might otherwise never know were there. They were important even if you had no idea what they meant. Like now, for instance. Coming back here might be the biggest mistake he’d ever made. But it might also be the most important thing he’d ever done.

Every new day is the erasing of something more. Mistakes and shortcomings used to be a secret motivation. It was something that pushed you forward, faster. Now mistakes are sold as personality traits, to the point where the many willingly make them. Soon comes the inversion, where successes are kept under wraps because it's too pretentious or uppity to share them

A boy was watching his grandmother write a letter. At one point he asked: ‘Are you writing a story about what we’ve done? Is it a story about me?’ His grandmother stopped writing her letter and said to her grandson: I am writing about you, actually, but more important than the words is the pencil I’m using. I hope you will be like this pencil when you grow up.’ Intrigued, the boy looked at the pencil. It didn’t seem very special. ‘But it’s just like any other pencil I’ve ever seen!’ ‘That depends on how you look at things. It has five qualities which, if you manage to hang on them, will make you a person who is always at peace with the world.’ ‘First quality: you are capable of great things, but you must never forget that there is a hand guiding your steps. We call that hand God, and He always guides us according to His will.’ ‘Second quality: now and then, I have to stop writing and use a sharpner. That makes the pencil suffer a little, but afterwards, he’s much sharper. So you, too, must learn to bear certain pains and sorrows, because they will make you a better person. ‘Third quality: the pencil always allows us to use an eraser to rub out any mistakes. This means that correcting something we did is not necessarily a bad thing; it helps to keep us on the road to justice.’ ‘Fourth quality: what really matters in a pencil is not its wooden exterior, but the graphite inside. So always pay attention to what is happening inside you.’ ‘Finally, the pencil’s fifth quality: it always leaves a mark. in just the same way, you should know that everything you do in life will leave a mark, so try to be conscious of that in your every action

doesn’t matter if we don’t mean to do the things we do. It doesn’t matter if it was an accident or a mistake. It doesn’t even matter if we think this is all up to fate. Because regardless of our destiny, we still have to answer for our actions. We make choices, big and small, every day of our lives, and those choices have consequences. We have to face those consequences head-on, for better or worse. We don’t get to erase them just by saying we didn’t mean to. Fate or not, our lives are still the results of our choices. I’m starting to think that when we don’t own them, we don’t own ourselves.

Was it possible that one sin could stain your soul forever? Or could one do enough good that a mistake of such magnitude could eventually be erased?

I don’t think anyone had ever written me a letter before. It was shockingly effective. Way better than text or email, like it had a different weight to it or something. There’s something about holding the paper in your hand, seeing the ink on the page, the press of the pen. He made this. It took effort. It was a physical act. He couldn’t erase it if he made a mistake, he had to think about what he was going to say before he said it—or he said exactly what he wanted to and didn’t need to change it.

A mistake does not make a shadow. The people who you hurt through the mistake and what they decide to say about it is what leaves a shadow. The only way to erase that shadow is to shed light on it. If that is not possible, moving on to somewhere brighter is always an option.

In life, the question is not if you will have problems, but how you are going to deal with your problems. If the possibility of failure were erased, what would you attempt to achieve? The essence of man is imperfection. Know that you're going to make mistakes. The fellow who never makes a mistake takes his orders from one who does. Wake up and realize this: Failure is simply a price we pay to achieve success. Achievers are given multiple reasons to believe they are failures. But in spite of that, they persevere. The average for entrepreneurs is 3.8 failures before they finally make it in business. When achievers fail, they see it as a momentary event, not a lifelong epidemic. Procrastination is too high a price to pay for fear of failure. To conquer fear, you have to feel the fear and take action anyway. Forget motivation. Just do it. Act your way into feeling, not wait for positive emotions to carry you forward. Recognize that you will spend much of your life making mistakes. If you can take action and keep making mistakes, you gain experience. Life is playing a poor hand well. The greatest battle you wage against failure occurs on the inside, not the outside. Why worry about things you can't control when you can keep yourself busy controlling the things that depend on you? Handicaps can only disable us if we let them. If you are continually experiencing trouble or facing obstacles, then you should check to make sure that you are not the problem. Be more concerned with what you can give rather than what you can get because giving truly is the highest level of living. Embrace adversity and make failure a regular part of your life. If you're not failing, you're probably not really moving forward. Everything in life brings risk. It's true that you risk failure if you try something bold because you might miss it. But you also risk failure if you stand still and don't try anything new. The less you venture out, the greater your risk of failure. Ironically the more you risk failure — and actually fail — the greater your chances of success. If you are succeeding in everything you do, then you're probably not pushing yourself hard enough. And that means you're not taking enough risks. You risk because you have something of value you want to achieve. The more you do, the more you fail. The more you fail, the more you learn. The more you learn, the better you get. Determining what went wrong in a situation has value. But taking that analysis another step and figuring out how to use it to your benefit is the real difference maker when it comes to failing forward. Don't let your learning lead to knowledge; let your learning lead to action. The last time you failed, did you stop trying because you failed, or did you fail because you stopped trying? Commitment makes you capable of failing forward until you reach your goals. Cutting corners is really a sign of impatience and poor self-discipline. Successful people have learned to do what does not come naturally. Nothing worth achieving comes easily. The only way to fail forward and achieve your dreams is to cultivate tenacity and persistence. Never say die. Never be satisfied. Be stubborn. Be persistent. Integrity is a must. Anything worth having is worth striving for with all your might. If we look long enough for what we want in life we are almost sure to find it. Success is in the journey, the continual process. And no matter how hard you work, you will not create the perfect plan or execute it without error. You will never get to the point that you no longer make mistakes, that you no longer fail. The next time you find yourself envying what successful people have achieved, recognize that they have probably gone through many negative experiences that you cannot see on the surface. Fail early, fail often, but always fail forward.

The truth is: I did want to be my dad's poem. I wanted to be his drawing, his novella, his most refined work of art. I wanted him to shape me with his love and intelligence. I wanted him to edit out my mistakes and many indulgences, with a sharp red pencil or a clean eraser.

Who are we to say getting incested or abused or violated or any of those things can’t have their positive aspects in the long run? … You have to be careful of taking a knee-jerk attitude. Having a knee-jerk attitude to anything is a mistake, especially in the case of women, where it adds up to this very limited and condescending thing of saying they’re fragile, breakable things that can be destroyed easily. Everybody gets hurt and violated and broken sometimes. Why are women so special? Not that anybody ought to be raped or abused, nobody’s saying that, but that’s what is going on. What about afterwards? All I’m saying is there are certain cases where it can enlarge you or make you more of a complete human being, like Viktor Frankl. Think about the Holocaust. Was the Holocaust a good thing? No way. Does anybody think it was good that it happened? No, of course not. But did you read Viktor Frankl? Viktor Frankl’s Man’s Search for Meaning? It’s a great, great book, but it comes out of his experience. It’s about his experience in the human dark side. Now think about it, if there was no Holocaust, there’d be no Man’s Search for Meaning… . Think about it. Think about being degraded and brought within an inch of your life, for example. No one’s gonna say the sick bastards who did it shouldn’t be put in jail, but let’s put two things into perspective here. One is, afterwards she knows something about herself that she never knew before. What she knows is that the most totally terrible terrifying thing that she could ever have imagined happening to her has now happened, and she survived. She’s still here, and now she knows something. I mean she really, really knows. Look, totally terrible things happen… . Existence in life breaks people in all kinds of awful fucking ways all the time, trust me I know. I’ve been there. And this is the big difference, you and me here, cause this isn’t about politics or feminism or whatever, for you this is just ideas, you’ve never been there. I’m not saying nothing bad has ever happened to you, you’re not bad looking, I’m sure there’s been some sort of degradation or whatever come your way in life, but I’m talking Viktor Frankl’s Man’s Search for Meaning type violation and terror and suffering here. The real dark side. I can tell from just looking at you, you never. You wouldn’t even wear what you’re wearing, trust me. What if I told you it was my own sister that was raped? What if I told you a little story about a sixteen-year-old girl who went to the wrong party with the wrong guy and four of his buddies that ended up doing to her just about everything four guys could do to you in terms of violation? But if you could ask her if she could go into her head and forget it or like erase the tape of it happening in her memory, what do you think she’d say? Are you so sure what she’d say? What if she said that even after that totally negative as what happened was, at least now she understood it was possible. People can. Can see you as a thing. That people can see you as a thing, do you know what that means? Because if you really can see someone as a thing you can do anything to him. What would it be like to be able to be like that? You see, you think you can imagine it but you can’t. But she can. And now she knows something. I mean she really, really knows. This is what you wanted to hear, you wanted to hear about four drunk guys who knee-jerk you in the balls and make you bend over that you didn’t even know, that you never saw before, that you never did anything to, that don’t even know your name, they don’t even know your name to find out you have to choose to have a fucking name, you have no fucking idea, and what if I said that happened to ME? Would that make a difference?

Each day hands me a clean sheet of paper upon which to write. Therefore, I would be wise to write without ever having the need to erase.

If I could remove one thing from the world and replace it with something else, I would erase politics and put art in its place. That way, art teachers would rule the world. And since art is the most supreme form of love, beautiful colors and imagery would weave bridges for peace wherever there are walls. Artists, who are naturally heart-driven, would decorate the world with their love, and in that love — poverty, hunger, lines of division, and wars would vanish from the earth forever. Children of the earth would then be free to play, imagine, create, build and grow without bloodshed, terror and fear.

If I let you, you would make me destroy myself. in order to survive you, I must first survive myself. I can sink no further, and I cannot forgive you, there's no choice but to confront you, to engage you, to erase you. I've gone to great lengths to expand my threshold of pain. I will use my mistakes against you, there's no other choice. Im shameless now, im nameless now, im nothing now, im no one now but my soul must be iron 'cause my fear is naked im naked and fearless and my fear is naked

Like realizing toward the end of a logic puzzle that you’d made a mistake early on, and that there’s no way to reach the solution without starting over. Without erasing everything. Without throwing out all of your assumptions.

If you erased your past mistakes, you could purge your regrets with them, but you’d also wipe any lessons learned and any subsequent maturity gained. Don’t regret the minefields you stepped into, just try and learn not to step into the same one twice.

So, a mistake is made, a word is spoken out of turn, a cultural norm is broken, and all is fair in the pursuit of cancelling this person, erasing them off the face of the earth, banishing them to a world of shame and regret.

If I let you, you would make me destroy myself. In order to survive you, I must first survive myself. I can sink no further, and I cannot forgive you. There's no choice but to confront you, to engage you, to erase you. I've gone to great lengths to expand my threshold of pain. I will use my mistakes against you. There's no other choice. Shameless now. Nameless now. Nothing now. No one now. But my soul must be iron, 'cause my fear is naked. I'm naked and fearless, and my fear is naked.

There are no mistakes in Zentangle, so there is no need for an eraser. If you do not like the look of a stroke you have made, it then becomes only an opportunity to create a new tangle, or transform it using an old trusty pattern. A Zentangle tile is meant to be a surprise that unfolds before the creator's eyes, one stroke at a time.

I want to reach back into my history with a grade-school pink eraser, scrubbing away my decisions like mistakes on a math test. Too bad I drew my mistakes in ink.

Your life is like a book you decide what to write on it or erase from it; But you might not be able to erase completely your past mistakes. So the choices you make today will determine how the book (your life)will look like.

Your life is written in indelible ink. There's no going back to erase the past, tweak your mistakes, or fill in missed opportunities. When the moment's over, your fate is sealed. But if look closer, you notice the ink never really dries on any our experiences. They can change their meaning the longer you look at them. Klexos. There are ways of thinking about the past that aren't just nostalgia or regret. A kind of questioning that enriches an experience after the fact. To dwell on the past is to allow fresh context to trickle in over the years, and fill out the picture; to keep the memory alive, and not just as a caricature of itself. So you can look fairly at a painful experience, and call it by its name. Time is the most powerful force in the universe. It can turn a giant into someone utterly human, just trying to make their way through. Or tell you how you really felt about someone, even if you couldn't at the time. It can put your childhood dreams in context with adult burdens or turn a universal consensus into an embarrassing fad. It can expose cracks in a relationship that once seemed perfect. Or keep a friendship going by thoughts alone, even if you'll never see them again. It can flip your greatest shame into the source of your greatest power, or turn a jolt of pride into something petty, done for the wrong reasons, or make what felt like the end of the world look like a natural part of life. The past is still mostly a blank page, so we may be doomed to repeat it. But it's still worth looking into if it brings you closer to the truth. Maybe it's not so bad to dwell in the past, and muddle in the memories, to stem the simplification of time, and put some craft back into it. Maybe we should think of memory itself as an art form, in which the real work begins as soon as the paint hits the canvas. And remember that a work of art is never finished, only abandoned.

If I let you, you would make me destroy myself. In order to survive you, I must first survive myself. I can sink no further, and I cannot forgive you. There's no choice but to confront you, to engage you, to erase you. I've gone to great lengths to expand my threshold of pain. I will use my mistakes against you. There's no other choice. I'm shameless now, I'm nameless now. I'm nothing now, I'm no one now. But my soul must be iron, 'cause my fear is naked. I'm naked and fearless, and my fear is naked.

I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in a blurring, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fetuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and an eraser loves to leave dust in the hairdos of the people who talk too much. I will love you as a taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock. I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong.

Can I ask about that pencil in your hair?” Roth tried again. “Of course,” she said. “It’s a number-two pencil. ‘Two’ signifies the lead hardness, although pencils don’t actually contain lead. They contain graphite, which is a carbon allotrope.” “No, I meant why a—” “A pencil instead of a pen? Because unlike ink, graphite is erasable. People make mistakes, Mr. Roth. A pencil allows one to clear the mistake and move on. Scientists expect mistakes, and because of it, we embrace failure.” Then she eyed his pen disapprovingly.

He looked foolish and noble and vulnerable and battle-hardened all at once. As though every wound, every mistake, had been healed but not erased. Brierly had immortalized every scar in gold. Was that how she saw him? If so, how could he do less than return the courtesy?

Marlena and I were very different, but sometimes, when we were together, we could erase our separate histories just by talking, sharing a joke or a look. But in the kitchen with Mom, the kitchen that was always clean, where there was always something to eat, where the water flowed predictably from the tap and behind every cabinet door were dishes, only dishes, I saw how wrong I was to feel like Marlena and I had so much in common, and how lucky. Because here was the difference that mattered. My skinny mom with her Chardonnay smell and her forgetting to unplug the flat iron, with her corny jokes about broccoli farts and her teeth bared in anger and her cleaning gloves in the backseat of the car, my mom who refused to stop loving me, who made dumb mistakes and drank too much and was my twin in laughter, my mom who would never, ever, leave, who I trusted so profoundly that a world without her in it exceeded the limits of my imagination. That was the difference, and it was huge, and my never seeing it before is something that I still regret.

He doesn’t want me to be me, or even him. He wants me to be this imagined perfect child who was born better than he ever could be.” “And that makes you not a person,” Shallan said, nodding. “It erases your ability to make choices or mistakes. Because you’re perfect. You were born to be perfect. So you can never earn anything on your own.

In your schoolbooks, you won't find anything about the Land Reform nor about the internal fighting of the Viet Minh. A part of our country's history has been erased, together with the lives of countless people. We're forbidden to talk about events that relate to past mistakes or the wrongdoing of those in power, for they give themselves the right to rewrite history. But you're old enough to know that history will write itself in people's memories, and as long as those memories live on, we can have faith that we can do better.

the chance to leave your old self behind. To take all your mistakes and regrets and erase them from the story. Who wouldn’t want that?

You don’t want to erase your mistakes. You want to transform them into something beautiful.

Everybody makes mistakes, that’s why pencils have erasers

Once we start writing with a pen, we are not allowed to erase our mistakes, we are forced to deal with it.

The past cannot be changed, forgotten, edited or erased; it can only be accepted.

Mistakes from our collective past are like any other: they require intervention--a remedy--to correct. They don't erase themselves over time.

Time cannot erase the sadnesses of life, but it can help us to learn from them the hardest lesson of all: that even one’s mistakes are enriching.

I sensed that not only the grand movements of the cosmos, but everything that had happened in my life, was a part of that song. Even the hurts that seemed most senseless, the mistakes I would have done anything to erase—nothing could make those things good, but good could still come out of them all the same, and in the end the oratorio would be no less beautiful for it. I realized then that even though I was a tiny speck in an infinite cosmos, a blip on the timeline of eternity, I was not without purpose. And as long as I had a part in the music of the spheres, even if it was only a single grace note, I was not worthless. Nor was I alone.

A pencil instead of a pen? Because unlike ink, graphite is erasable. People make mistakes, Mr. Roth. A pencil allows one to clear the mistake and move on. Scientists expect mistakes, and because of it, we embrace failure.

It was never you. Leaving you was the hardest thing I've ever done and I've regretted that decision every second since the moment I walked out. I've made a lot of dumbass mistakes in my life, but letting you go is the one I'd give anything to erase. - Jason

A pencil instead of a pen? Because unlike ink, graphite is erasable. People make mistakes, Mr. Roth. A pencil allows one to clear the mistake and move on. Scientists expect mistakes, and because of it, we embrace failure.” Then she eyed his pen disapprovingly.

Life is like a painting. Imagine it, hit and try drawing with the pencil of first steps, fill in the colors of happiness, correct the mistakes with eraser of love and forgiveness; thus, one dream project is accomplished. Create such masterpieces just like that.

It’s okay to be sad when you mess up, but don’t dwell for too long. The mistake has already been made, and you can’t erase the fact that it happened. You can either learn from it or mope about it.The choice is yours, but remember, we are only human; we were born to make mistakes. Simply put, if you have never made a mistake in your life, then thatmeans that you have never taken a risk. Taking risks means that you go outside ofyour comfort zone – that you go outside of your boundaries. The most successful people are the ones who are not afraid to give it their all and possibly humiliate themselves greatly in front of others. It’s like that one saying, ‘The personwho asks a question is a fool for five minutes, but the person who never asks and remains silent is a fool forever.’ You choose the way you want to live your life.

how do you feel today? like my lungs are not collapsing. like everything is not a mistake. like i am not a mistake. like i do not need to erase myself to fix myself. like i am not a single branch floating in an upset sea. like there is something bright out there. that maybe. just maybe. it is for me.

When you feel the need to escape your problems, to escape from this world, don't make the mistake of resorting to suicide Don't do it! You will hear the empty advice of many scholars in the matter of life and death, who will tell you, "just do it" there is nothing after this, you will only extinguish the light that surrounds you and become part of nothingness itself, so when you hear these words remember this brief review of suicide: When you leave this body after committing one of the worst acts of cowardice that a human being can carry out, you turn off the light, the sound and the sense of reality, you become nothing waiting for the programmers of this game to pick you up from the darkness, subtly erase your memories and enable your return and I emphasize the word subtle because sometimes the intelligence behind this maneuver or automated mechanism is wrong and send human beings wrongly reset to such an extent, that when they fall to earth and are born again, they begin to experience memories of previous lives, in many cases they perceive themselves of the opposite sex, and science attributes this unexplainable phenomenon to genetic and hormonal factors, but you and I know better! And we quickly identified this trigger as a glitch in the Matrix. Then we said! That a higher intelligence or more advanced civilization throws you back into this game for the purpose of experimenting, growing and developing as an advanced consciousness and due to your toxic and destructive behavior you come back again but in another body and another life, but you are still you, then you will carry with you that mark of suicide and cowardice, until you learn not to leave this experience without having learned the lesson of life, without having experienced and surprised by death naturally or by design of destiny. About this first experience you will find very little material associated with this event on the internet, it seems that the public is more reserved, because they perceive themselves and call themselves "awakened" And that is because the system has total control over the algorithm of fame and fortune even over life and death. Now, according to religion and childish fears, which are part of the system's business to keep you asleep, eyes glued to the cellular device all day, it says the following: If you commit this act of sin, you turn off light, sound and sense of reality, and from that moment you begin to experience pain, fear and suffering on alarming scales, and that means they will come for you, a couple of demons and take you to the center of the earth where the weeping and gnashing of teeth is forever, and in that hell tormented by demons you will spend eternity. About this last experience we will find hundreds of millions of people who claim to have escaped from there! And let me tell you that all were captivated by the same deity, one of dubious origin, that feeds on prayers and energetic events, because it is not of our nature, because it knows very well that we are beings of energy, then this deity or empire of darkness receives from the system its food and the system receives from them power, to rule, to administer, to control, to control, to kill, to exclude, to inhibit, to classify, to imprison, to silence, to infect, to contaminate, to depersonalize. So now that you know the two sides of the same coin, which one will your intelligence lean towards! You decide... Heads or tails? From the book Avatars, the system's masterpiece.

I'd finally reached the end of myself, all my self-reliance and denial and pride unraveling into nothingness, leaving only a blank Alison-shaped space behind. It was finished. I was done. But just as I felt myself dissolving on the tide of my own self-condemnation, the dark waves receded, and I floated into a celestial calm. I saw the whole universe laid out before me, a vast shining machine of indescribable beauty and complexity. Its design was too intricate for me to understand, and I knew I could never begin to grasp more than the smallest idea of its purpose. But I sensed that every part of it, from quark to quasar, was unique and - in some mysterious way - significant. I heard the universe as an oratorio sung by a master choir of stars, accompanied by the orchestra of the planets and the percussion of satellites and moons. The aria they performed was a song to break the heart, full of tragic dissonance and deferred hope, and yet somewhere beneath it all was a peircing refrain of glory, glory, glory. And I sensed that not only the grand movements of the cosmos, but everything that had happened in my life, was a part of that song. Even the hurts that seemed most senseless, the mistakes I would have done anything to erase - nothing could make those things good, but good could still come out of them all the same, and in the end the oratorio would be no less beautiful for it. I realized then that even though I was a tiny speck in an infinite cosmos, a blip on the timeline of eternity, I was not without purpose. And as long as I had a part in the music of the spheres, even if it was only a single grace note, I was not worthless. Nor was I alone. God help me, I prayed as I gathered up my raw and weary sense, flung them into the wormhole - And at last, found what I'd been looking for.

MY DREAM If I could remove one thing from the world and replace it with something else, I would erase politics and put art in its place. That way, art teachers would rule the world. And since art is the most supreme form of love, beautiful colors and imagery would weave bridges for peace wherever there are walls. Artists, who are naturally heart-driven, would decorate the world with their love, and in that love — poverty, hunger, lines of division, and wars would vanish from the earth forever. Children of the earth would then be free to play, imagine, create, build and grow without bloodshed, terror and fear. Our evolution depends on our memory. If we keep forgetting the mistakes of the past, only to keep repeating them, then we will never change. And if we keep recycling through the exact same kind of leaders— the kind who do not propel us forward, but only hold us back—then perhaps what we really need now is a completely different style of leadership altogether. We need heart-driven leaders, not strictly mind-driven ones. We need compassionate humanitarians, not greedy businessmen. Peacemakers, not war instigators. We need unity, not division. Angels, not devils.

Just as the weak, despairing person is unwilling to hear anything about any consolation eternity has for him, so a person in such despair does not want to hear anything about it, either, but for a different reason: this very consolation would be his undoing; as a denunciation of all existence. Figuratively speaking, it is as if an error slipped into an author's writing and the error became conscious of itself as an error; perhaps it actually was not a mistake but in a much higher sense an essential part of the whole production, and now this error wants to mutiny against the author, out of hatred toward him, forbidding him to correct it and in maniacal defiance saying to him: No! I refuse to be erased! I will stand as a witness against you; a witness that you are a second-rate author.

I spent my lifetime fighting the darkness without becoming the darkness. Maybe I had falteredat the very end. Maybe I had finally come up against something that made me cross the line-but even then, I hadn't turned into a degenerate freakazoid of the Kemmler variety. One mistake at the end of my life couldn't erase all the times I had stood unmoved at the edge of the abyss and made snide remarks at its expense.

It doesn’t matter if we don’t mean to do the things we do. It doesn’t matter if it was an accident or a mistake. It doesn’t even matter if we think this is all up to fate. Because regardless of our destiny, we still have to answer for our actions. We make choices, big and small, every day of our lives, and those choices have consequences. We have to face those consequences head-on, for better or worse. We don’t get to erase them just by saying we didn’t mean

Reading over a letter you wrote the night before is an act of denying yourself. When you read it over, you’re bound to find at least one or two sentences you want to erase, like a mistake you made in the past. I don’t think you need to be ashamed of them, since they’re symptoms that occurred because you were too true to your feelings, or because you were full of courage. If we don’t allow ourselves to have courage at night, at least, we’ll have to live as cowards all our lives.

FOR MOST OF us, failure comes with baggage—a lot of baggage—that I believe is traced directly back to our days in school. From a very early age, the message is drilled into our heads: Failure is bad; failure means you didn’t study or prepare; failure means you slacked off or—worse!—aren’t smart enough to begin with. Thus, failure is something to be ashamed of. This perception lives on long into adulthood, even in people who have learned to parrot the oft-repeated arguments about the upside of failure. How many articles have you read on that topic alone? And yet, even as they nod their heads in agreement, many readers of those articles still have the emotional reaction that they had as children. They just can’t help it: That early experience of shame is too deep-seated to erase. All the time in my work, I see people resist and reject failure and try mightily to avoid it, because regardless of what we say, mistakes feel embarrassing. There is a visceral reaction to failure: It hurts.

don’t think anyone had ever written me a letter before. It was shockingly effective. Way better than text or email, like it had a different weight to it or something. There’s something about holding the paper in your hand, seeing the ink on the page, the press of the pen. He made this. It took effort. It was a physical act. He couldn’t erase it if he made a mistake, he had to think about what he was going to say before he said it—or he said exactly what he wanted to and didn’t need to change it.

Uncle Doctor. He entered whistling with a sprightly step, smelling of peppermint and starch, the long white wings of his coat trailing against each surface he passed and erasing them. I'd come to learn that he considered himself an expert at whistling, just he considered himself an expert on hygiene and culture and art and writing. But while his whistle was errorless, there was no mistaking its robotic lean. Even as it leaped about the scale, it was monotone at the core, a hollowing thing that couldn't know a feeling.

It doesn’t matter if we don’t mean to do the things we do. It doesn’t matter if it was an accident or a mistake. It doesn’t even matter if we think this is all up to fate. Because regardless of our destiny, we still have to answer for our actions. We make choices, big and small, every day of our lives, and those choices have consequences. We have to face those consequences head-on, for better or worse. We don’t get to erase them just by saying we didn’t mean to. Fate or not, our lives are still the results of our choices.

It is possible - given absolute control over the media and the police - to rewrite the memories of hundreds of millions of people, if you have a generation to accomplish it in. Almost always, this is done to improve the hold that the powerful have on power, or to serve the narcissism or megalomania or paranoia of national leaders. It throws a monkey wrench into the error-correcting machinery. It works to erase public memory of profound political mistakes, and thus to guarantee their eventual repetition. In our time, with total fabrication of realistic stills, motion pictures, and videotapes technologically within reach, with television in every home, and with critical thinking in decline, restructuring societal memories even without much attention from the secret police seems possible. What I’m imagining here is not that each of us has a budget of memories implanted in special therapeutic sessions by state-appointed psychiatrists, but rather that small numbers of people will have so much control over news stories, history books, and deeply affecting images as to work major changes in collective attitudes.

This wasn’t the only mistake they made. They also botched the cleanup operation on the servers they could access. They had created a script called LogWiper.sh to erase activity logs on the servers to prevent anyone from seeing the actions they had taken on the systems. Once the script finished its job, it was also supposed to erase itself, like an Ouroboros serpent consuming its own tail. But the attackers bungled the delete command inside the script by identifying the script file by the wrong name. Instead of commanding the script to delete LogWiper.sh, they commanded it to delete logging.sh. As a result, the LogWiper script couldn’t find itself and got left behind on servers for Kaspersky to find. Also left behind by the attackers were the names or nicknames of the programmers who had written the scripts and developed the encryption algorithms and other infrastructure used by Flame. The names appeared in the source code for some of the tools they developed. It was the kind of mistake inexperienced hackers would make, so the researchers were surprised to see it in a nation-state operation. One, named Hikaru, appeared to be the team leader who created a lot of the server code,

It doesn’t matter if we don’t mean to do the things we do. It doesn’t matter if it was an accident or a mistake. It doesn’t even matter if we think this is all up to fate. Because regardless of our destiny, we still have to answer for our actions. We make choices, big and small, every day of our lives, and those choices have consequences. We have to face those consequences head-on, for better or worse. We don’t get to erase them just by saying we didn’t mean to. Fate or not, our lives are still the results of our choices. I’m starting to think that when we don’t own them, we don’t own ourselves.

In fact I am inclined to believe that God's chief purpose in giving us memory is to enable us to go back in time so that if we didn't play those roles right the first time round, we can still have another go at it now. We cannot undo our old mistakes or their consequences any more than we can erase old wounds that we have both suffered and inflicted, but through the power that memory gives us of thinking, feeling, imagining our way back through time we can at long last finally finish with the past in the sense of removing its power to hurt us and other people to to stunt our growth as human beings.

[Benjamin Peirce's] lectures were not easy to follow. They were never carefully prepared. The work with which he rapidly covered the blackboard was very illegible, marred with frequent erasures, and not infrequent mistakes (he worked too fast for accuracy). He was always ready to digress from the straight path and explore some sidetrack that had suddenly attracted his attention, but which was likely to have led nowhere when the college bell announced the close of the hour and we filed out, leaving him abstractedly staring at his work, still with chalk and eraser in his hands, entirely oblivious of his departing class.

it’s not OK. It’s not OK at all. It doesn’t matter if we don’t mean to do the things we do. It doesn’t matter if it was an accident or a mistake. It doesn’t even matter if we think this is all up to fate. Because regardless of our destiny, we still have to answer for our actions. We make choices, big and small, every day of our lives, and those choices have consequences. We have to face those consequences head-on, for better or worse. We don’t get to erase them just by saying we didn’t mean to. Fate or not, our lives are still the results of our choices. I’m starting to think that when we don’t own them, we don’t own ourselves.

I just want Gabby to know that I never meant to hurt her.” “OK, fine,” I tell him, so that he will leave. But the truth is, it’s not OK. It’s not OK at all. It doesn’t matter if we don’t mean to do the things we do. It doesn’t matter if it was an accident or a mistake. It doesn’t even matter if we think this is all up to fate. Because regardless of our destiny, we still have to answer for our actions. We make choices, big and small, every day of our lives, and those choices have consequences. We have to face those consequences head-on, for better or worse. We don’t get to erase them just by saying we didn’t mean to. Fate or not, our lives are still the results of our choices. I’m starting to think that when we don’t own them, we don’t own ourselves.

But ultimately, I couldn’t. Something kept preventing me. It just felt wrong. To blank my posts from the face of the earth wasn’t illegal, and it wouldn’t even have made me ineligible for a security clearance had anyone found out. But the prospect of doing so bothered me nonetheless. It would’ve only served to reinforce some of the most corrosive precepts of online life: that nobody is ever allowed to make a mistake, and anybody who does make a mistake must answer for it forever. What mattered to me wasn’t so much the integrity of the written record but that of my soul. I didn’t want to live in a world where everyone had to pretend that they were perfect, because that was a world that had no place for me or my friends. To erase those comments would have been to erase who I was, where I was from, and how far I’d come. To deny my younger self would have been to deny my present self’s validity.

Let’s pretend I’ve never said this before. That I’ll leave you if things don’t change. Let’s pretend you’ve never lied and said they would. Let’s pretend we’ve never hurt each other before, wipe the past from our minds and start anew. Let’s reintroduce ourselves, understand what the other needs to feel safe, secure, stable, and sure of this. Let’s destroy all the damage that was done. Let’s set it on fire, burn all our mistakes and try this again. Let’s go back to the beginning, get this right from the start. Let’s forget about the pain, the cuts that festered. Let’s erase the damnation, the frustration, the exacerbation. Let’s fix these faults of ours, be good to each other, even when we disagree. Let’s remember why we love each other, hold on to the reasons and stop the spirals from sucking us in. Let’s forget how we ruined each other and remember how we saved each other. Let’s remember how we saved each other.

Tris,” he says. “What did they do to you? You’re acting like a lunatic.” “That’s not very nice of you to say,” I say. “They put me in a good mood, that’s all. And now I really want to kiss you, so if you could just relax--” “I’m not going to kiss you. I’m going to figure out what’s going on,” he says. I pout my lower lip for a second, but then I grin as the pieces come together in my mind. “That’s why you like me!” I exclaim. “Because you’re not very nice either! It makes so much more sense now.” “Come on,” he says. “We’re going to see Johanna.” “I like you, too.” “That’s encouraging,” he replies flatly. “Come on. Oh, for God’s sake. I’ll just carry you.” He swings me into his arms, one arm under my knees and the other around my back. I wrap my arms around his neck and plant a kiss on his cheek. Then I discover that the air feels nice on my feet when I kick them, so I move my feet up and down as he walks us toward the building where Johanna works. When we reach her office, she is sitting behind a desk with a stack of paper in front of her, chewing on a pencil eraser. She looks up at us, and her mouth drifts open slightly. A hunk of dark hair covers the left side of her face. “You really shouldn’t cover up your scar,” I say. “You look prettier with your hair out of your face.” Tobias sets me down too heavily. The impact is jarring and hurts my shoulder a little, but I like the sound my feet made when they hit the floor. I laugh, but neither Johanna nor Tobias laughs with me. Strange. “What did you do to her?” Tobias says, terse. “What in God’s name did you do?” “I…” Johanna frowns at me. “They must have given her too much. She’s very small; they probably didn’t take her height and weight into account.” “They must have given her too much of what?” he says. “You have a nice voice,” I say. “Tris,” he says, “please be quiet.” “The peace serum,” Johanna says. “In small doses, it has a mild, calming effect and improves the mood. The only side effect is some slight dizziness. We administer it to members of our community who have trouble keeping the peace.” Tobias snorts. “I’m not an idiot. Every member of your community has trouble keeping the peace, because they’re all human. You probably dump it into the water supply.” Johanna does not respond for a few seconds. She folds her hands in front of her. “Clearly you know that is not the case, or this conflict would not have occurred,” she says. “But whatever we agree to do here, we do together, as a faction. If I could give the serum to everyone in this city, I would. You would certainly not be in the situation you are in now if I had.” “Oh, definitely,” he says. “Drugging the entire population is the best solution to our problem. Great plan.” “Sarcasm is not kind, Four,” she says gently. “Now, I am sorry about the mistake in giving too much to Tris, I really am. But she violated the terms of our agreement, and I’m afraid that you might not be able to stay here much longer as a result. The conflict between her and the boy--Peter--is not something we can forget.” “Don’t worry,” says Tobias. “We intend to leave as soon as humanly possible.

Authors and figures committed in some way to defending communism’s honor react, at times, by distancing themselves from the darker pages of that movement’s history and branding them as the betrayal or the degeneration of the original ideas of the Bolshevik revolution and the teachings by Lenin and Marx...A truly miserable outcome is reached by relying on the category of betrayal. The history of the communist movement as a crime in itself, triumphantly written by the ruling ideology, is simply rebranded―by those who are unable to identify with the ruling ideology―as the history of betrayal of its original ideals. Not all that different results would be reached in the reading of liberalism or Christianity if we wanted to describe their darkest chapters as the betrayal of their original ideals. To conclude, the approach criticized here commits the mistake of erasing the real and profane history, which is substituted by a history of the unfortunate and mysterious corruption and distortion of doctrines elevated a priori to the status of purity and holiness.

That's what we do. Embellish. Decorate. Unvarnished truth has only limited appeal. Some events are a joy to recall, but others are best modified, even forgotten. They live in some lumber-room of the mind, housed somewhere you wouldn't want to go alone and never after dark. If I make a mistake in my work or if I change my mind, I can unpick. Undo what I've done. I can make good my errors and no one is the wiser. If they looked, even through a magnifying glass, all observers would see would be the tiny holes where my needle had travelled. I can erase even that evidence by scratching carefully at the weave of the lining with my needle, until the holes are no longer visible. But life isn't like that. Mistakes once made are rarely reversible. The holes they leave in the fabric of life aren't tiny and they can't be scratched away. You have to live with them as best you can. Work round them. That's why you have to come to terms with memory. You can't obliterate the past or eradicate it from the mind, even when, for our own good, memory enfolds us in a blanket of forgetfulness. There are always traces left, marks where time gripped us and left its telltale fingerprint.

I’ve experienced all kinds of discrimination,” Oshima says. “Only people who’ve been discriminated against can really know how much it hurts. Each person feels the pain in his own way, each has his own scars. So I think I’m as concerned about fairness and justice as anybody. But what disgusts me even more are people who have no imagination. The kind T. S. Eliot calls hollow men. People who fill up that lack of imagination with heartless bits of straw, not even aware of what they’re doing. Callous people who throw a lot of empty words at you, trying to force you to do what you don’t want to. Like that lovely pair we just met.” He sighs and twirls the long slender pencil in his hand. “Gays, lesbians, straights, feminists, fascist pigs, communists, Hare Krishnas—none of them bother me. I don’t care what banner they raise. But what I can’t stand are hollow people. When I’m with them I just can’t bear it, and wind up saying things I shouldn’t. With those women—I should’ve just let it slide, or else called Miss Saeki and let her handle it. She would have given them a smile and smoothed things over. But I just can’t do that. I say things I shouldn’t, do things I shouldn’t do. I can’t control myself. That’s one of my weak points. Do you know why that’s a weak point of mine?” “’Cause if you take every single person who lacks much imagination seriously, there’s no end to it,” I say. “That’s it,” Oshima says. He taps his temple lightly with the eraser end of the pencil. “But there’s one thing I want you to remember, Kafka. Those are exactly the kind of people who murdered Miss Saeki’s childhood sweetheart. Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe. Of course it’s important to know what’s right and what’s wrong. Individual errors in judgment can usually be corrected. As long as you have the courage to admit mistakes, things can be turned around. But intolerant, narrow minds with no imagination are like parasites that transform the host, change form, and continue to thrive. They’re a lost cause, and I don’t want anyone like that coming in here.” Oshima points at the stacks with the tip of his pencil. What he means, of course, is the entire library. “I wish I could just laugh off people like that, but I can’t.

But it is easy to be angry with the father, the judge, and the friend. It is also fitting, up to a point. Yet it would be a mistake to view them as on a different plane of moral obtuseness, as opposed to merely being on the extreme end of a himpathetic spectrum on which many of us lie. Brock Turner's defenders exhibited forgiving tendencies, and spun exonerating narratives, that are all too commonly extended to men in his position. And such tendencies seem largely from capacities and qualities of which we're rarely critical: such as sympathy, empathy, trust in one's friends, devotion to one's children, and having as much faith in someone's good character as is compatible with the evidence. These are all important capacities and qualities, all else being equal. But they can have a downside, when all else is not equal: for example, when social inequality remains widespread. Their naive deployment will tend to further privilege those already unjustly privileged over others. And this may come at the expense of unfairly impugning, blaming, shaming, further endangering, and erasing the less privileged among their victims. In some cases, the perpetrators, knowing this, select their victims on this basis.

She tried to make herself relax, drawing a fanciful image of sunlight streaming around him. That, however, made the four Cryptics start humming in excitement. “Could you all step back and give me more room?” Shallan asked the creatures. They didn’t cock their heads like humans might have, but she could sense confusion in the way their patterns sped up. Then, as if one, all four took exactly one step backward. They then proceeded to lean in even closer. Shallan sighed, and as she kept drawing, she got Ua’pam’s arm wrong. Spren were hard, because they didn’t quite have human proportions. The Cryptics started humming with excitement. “That’s not a lie!” Shallan said, reaching for her eraser. “It’s a mistake, you nitwits.” “Mmmm…” Ornament said. Beryl’s Cryptic had a fine pattern, delicate like lace, and a squeaky voice. “Nitwit! I am a nitwit. Mmmm.” “A nitwit is a stupid person or spren,” Pattern explained. “But she said it in an endearing way!” “Stupidly endearing!” Mosaic said. She was Vathah’s Cryptic, and her pattern had sharp lines to it. She often included rapid fast sections that waved like the women’s script. “Contradiction! Wonderful and blessed contradiction of nonsense and human complication to be alive!

Letter to Law Enforcement Every field of human endeavor has its own unique problem. The problem with science is lack of warmth. The problem with philosophy is lack of empathy. The problem with religion is lack of reason. The problem with politics is lack of expertise. And the problem with law enforcement is not corruption, but an absolute denial of that corruption, and until you acknowledge that many of your officers are corrupt and prejudiced to the neck, you can never in a million years build a healthy relationship with the people. Prejudices thrive on biases, and biases are a part of our psyche - of the human psyche, and no matter what we do, we cannot erase them from our mind - but we do have the ability to be aware of them, and only when we are aware of them, can we choose whether or not to be driven by them. However, when you don't even acknowledge that you have biases, that you are filled with prejudice, then you are inadvertently choosing not to accept the root of all the mistakes committed by you and your fellow officers in the line of duty. A civilian may choose to stay biased and prejudiced all their life, but you as a defender of the people - as a defender of their rights, their security, their serenity - do not have the luxury to let your biases, to let your prejudices come in the way of your duty, for the moment they do, you the keeper of law and order, turn into the very cause of disorder. Therefore, it's not enough for an officer of the law to have combat training and legal knowledge, it is also imperative that you learn about biases, that you learn about the fears, insecurities and instinctual tendencies of the human mind. An officer of the law without an understanding of biases, is like a ten year old with a knife - they may feel that they have power, but they have no clue as to the real life implications of that power. Remember my friend, power that doesn't help the people, is not power but pandemic. Your combat training doesn't make you a police officer, for when enraged even an ordinary civilian can take down ten police officers - your knowledge of law doesn't make you an officer of the law, for when pushed even a mediocre college student can defeat an army of elite legal minds - what makes you a police officer is your absolute acceptance of your role in society - the role of selfless servants. Once you accept the role of selfless servants wholeheartedly, people are bound to trust you. My brave, conscientious officers of the law, if you want people to trust you, don't use the phrase "police are your friends", for it only makes you sound authoritarian, egotistical and condescending - instead, remind them "police are humans too" - acknowledge your mistakes and work towards correcting them, so that you can truly become the Caretaker of People, which is the very definition of COP.

Gays, lesbians, straights, feminists, fascist pigs, communists, Hare Krishnas — none of them bother me. I don’t care what banner they raise. But what I can’t stand are hollow people. When I’m with them I just can’t bear it, and wind up saying things I shouldn’t. With those women — I should’ve just let it slide, or else called Miss Saeki and let her handle it. She would have given them a smile and smoothed things over. But I just can’t do that. I say things I shouldn’t, do things I shouldn’t do. I can’t control myself. That’s one of my weak points. Do you know why that’s a weak point of mine?” “‘Cause if you take every single person who lacks much imagination seriously, there’s no end to it,” I say. “That’s it,” Oshima says. He taps his temple lightly with the eraser end of the pencil. “But there’s one thing I want you to remember, Kafka. Those are exactly the kind of people who murdered Miss Saeki’s childhood sweetheart. Narrow minds devoid of imagination. Intolerance, theories cut off from reality, empty terminology, usurped ideals, inflexible systems. Those are the things that really frighten me. What I absolutely fear and loathe. Of course it’s important to know what’s right and what’s wrong. Individual errors in judgment can usually be corrected. As long as you have the courage to admit mistakes, things can be turned around. But intolerant, narrow minds with no imagination are like parasites that transform the host, change form, and continue to thrive. They’re a lost cause, and I don’t want anyone like that coming in here.

When he was gone the men on the bench began to laugh. One of them rose to better see the map. Es un fantasma, he said. Fantasma? Sí, sí. Claro. Cómo? Cómo? Porque el viejo está loco es como. Loco? Billy stood looking at the map. No es correcto? he said. The man threw up his hands. He said that what they beheld was but a decoration. He said that anyway it was not so much a question of a correct map but of any map at all. He said that in that country were fires and earthquakes and floods and that one needed to know the country itself and not simply the landmarks therein. Besides, he said, when had that old man last journeyed to those mountains? Or journeyed anywhere at all? His map was after all not really so much a map as a picture of a voyage. And what voyage was that? And when? Un dibujo de un viaje, he said. Un viaje pasado, un viaje antigun. He threw up one hand in dismissal. As if no more could be said. Billy looked at the other three men on the bench. They watched with a certain brightness of eye so that he wondered if he were being made a fool of. But the one seated at the right leaned forward and tapped the ash from his cigarette and addressed the man standing and said that as far as that went there were certainly other dangers to a journey than losing one's way. He said that plans were one thing and journeys another. He said it was a mistake to discount the good will inherent in the old man's desire to guide them for it too must be taken into account and would in itself lend strength and resolution to them in their journey. The man who was standing weighed these words and then erased them in the air before him with a slow fanning motion of his forefinger. He said that the jovenes could hardly be expected to apportion credence in the matter of the map. He said that in any case a bad map was worse than no map at all for it engendered in the traveler a false confidence and might easily cause him to set aside those instincts which would otherwise guide him if he would but place himself in their care. He said that to follow a false map was to invite disaster. He gestured at the sketching in the dirt. As if to invite them to behold its futility. The second man on the bench nodded his agreement in this and said that the map in question was a folly and that the dogs in the street would piss upon it. But man on the right only smiled and said that for that matter the dogs would piss upon their graves as well and how was this an argument? The man standing said that what argued for one case argued for all and that in any event our graves make no claims outside of their own simple coordinates and no advice as to how to arrive there but only the assurance that arrive we shall. It may even be that those who lie in desecrated graves-by dogs of whatever manner-could have words of a more cautionary nature and better suited to the realities of the world. At this the man at the left who'd so far not spoke at all rose laughing and gestured for the two boys to follow and they went with him out of the square and into the street leaving the disputants to their rustic parkbench tertulia.

The key point is that these patterns, while mostly stable, are not permanent: certain environmental experiences can add or subtract methyls and acetyls, changing those patterns. In effect this etches a memory of what the organism was doing or experiencing into its cells—a crucial first step for any Lamarck-like inheritance. Unfortunately, bad experiences can be etched into cells as easily as good experiences. Intense emotional pain can sometimes flood the mammal brain with neurochemicals that tack methyl groups where they shouldn’t be. Mice that are (however contradictory this sounds) bullied by other mice when they’re pups often have these funny methyl patterns in their brains. As do baby mice (both foster and biological) raised by neglectful mothers, mothers who refuse to lick and cuddle and nurse. These neglected mice fall apart in stressful situations as adults, and their meltdowns can’t be the result of poor genes, since biological and foster children end up equally histrionic. Instead the aberrant methyl patterns were imprinted early on, and as neurons kept dividing and the brain kept growing, these patterns perpetuated themselves. The events of September 11, 2001, might have scarred the brains of unborn humans in similar ways. Some pregnant women in Manhattan developed post-traumatic stress disorder, which can epigenetically activate and deactivate at least a dozen genes, including brain genes. These women, especially the ones affected during the third trimester, ended up having children who felt more anxiety and acute distress than other children when confronted with strange stimuli. Notice that these DNA changes aren’t genetic, because the A-C-G-T string remains the same throughout. But epigenetic changes are de facto mutations; genes might as well not function. And just like mutations, epigenetic changes live on in cells and their descendants. Indeed, each of us accumulates more and more unique epigenetic changes as we age. This explains why the personalities and even physiognomies of identical twins, despite identical DNA, grow more distinct each year. It also means that that detective-story trope of one twin committing a murder and both getting away with it—because DNA tests can’t tell them apart—might not hold up forever. Their epigenomes could condemn them. Of course, all this evidence proves only that body cells can record environmental cues and pass them on to other body cells, a limited form of inheritance. Normally when sperm and egg unite, embryos erase this epigenetic information—allowing you to become you, unencumbered by what your parents did. But other evidence suggests that some epigenetic changes, through mistakes or subterfuge, sometimes get smuggled along to new generations of pups, cubs, chicks, or children—close enough to bona fide Lamarckism to make Cuvier and Darwin grind their molars.

A democracy is understandably boisterous and subject to the prevailing social and economic whims of the nation’s bulging populous. Politics based upon mass appeal reveals an unseemly side, and a degree of pronounced vulgarity permeates American social and political culture. Make no mistake, Americans are loud, brash, and biased. The constitutional right to free speech and the established right to assemble enable pornography shops to do business wherever they please and allow virtually any organization to parade downtown. Part of what makes America beautiful – the right for people to do and say anything they please – also contributes to that distinctly Americana crust of crudeness. American cities reflect American’s propensity for vulgarity. Most of the cities built to satisfy America’s capitalistic needs are either boring or an outright eyesore. America’s cities contain oversized high-rises, sprinkled liberally with drab shopping malls, and dotted with ugly concrete edifices that stifle nature’s beauty. A nation’s functional architecture reflects the populations’ intrinsic values. Corporate conglomerates undertook most of the expensive new construction in America, and its boxy steel and glass structures are utilitarian in nature. Recent attempts at city planning and urban renewal cannot erase the tackiness and blockiness that accompanies so much of America’s tedious urban sprawl.

People hurt each other and made big mistakes now and then, but if they felt remorse, the mistakes shouldn’t erase every good thing they ever did.

But everything else appealed too, all the paraphernalia that went with making marks on paper: fresh exercise books full of lined pages just waiting to be filled, botany books with one page lined and one page blank, project books with blank pages throughout, sketchbooks for drawing, rulers, paste, scissors, fountain pens, nibs, ink, lead pencils, erasers. They were best when new, of course, when everything lay ahead of them, and before any mistakes and erasures had occurred. Which is no doubt why I loved them, because they were promise made manifest.

We all make mistakes. That's why your pencil has an eraser. - John Ceepak

TRUST IS LIKE AN ERASER, IT GETS SMALLER AND SMALLER AFTER EVERY MISTAKE.

I am a Malkuthian just like you, a proud Malkuthian. The enemy looks not only to take our lives but to erase our civilization, erase our history, erase the memory of our very existence. That means that all of those who’ve died in the past, everything we worked for, everything we fought for, everything we sacrificed for is at stake here and now. I tell you, we are hurting, we are bleeding, we are struggling, but so are the Dragons. They’ve come to our home. They’ve come to our yard to play. We’ve proven to them what a serious mistake that was. Their casualties are catastrophic. Their generals are dead. And what’s more: they fight for an inferior cause. They fight to conquer and kill. They fight for power. They fight because their leaders told them to. WE fight for each other. We fight because we believe that our civilization—as flawed as it may be—is something worth saving. It’s something worth holding on to. Hold on, Malkuthians. Fight, and fight, and fight until there’s nothing left. Show these darn Dragons just who exactly they’re messing with. We are Malkuthians, proud Malkuthians. We will not be extinguished.

Not to relive it as it actually was, however, but as I would have it be, knowing all that I have since come to know. It is a dream of reaching back into the past and erasing some circumstance or making some small adjustment that will alter the course of our lives forever, and as time moves forward and mistake piles upon mistake, it becomes the deepest longing that we know.

Casper watched in horror as the beast pounced on the man, biting and ripping him in half with its strong jaws and clawed hands. The miller’s heart pounded in his chest, eyes transfixed in shock. The beast gave a high-pitched shriek. Casper crouched instinctively, hiding among the stinging brush but not touching it—he wouldn’t make that mistake again. The beast sniffed the gory mess spread across the desert floor but didn’t eat it. Instead it huffed and melted into the sand. Casper stared at what used to be a fellow Waylander, now a bloody pile of meat on the desert floor. The buzzards descended quickly on the feast. Casper’s heart hammered, and his mind raced. To die in the Netherworld was to be lost forever. That poor man had just been erased from existence eternally.

Mistakes are forgiven, but only in pencil.

Is it so easy, then, to recover from our mistakes? To have a do-over? The idea heartens me. The little dog is alive. It's as if my choices from the past have been erased and I can begin with a clean slate.

A mistake can be erased, but an intentional error remains forever.

Until you light one side, a candle has the potential to burn at both ends. The tragedy for me at the time was it was getting harder to it hold with both ends lit. I decided that pleasing people was a form of abusing myself. Like most of my temporary lovers, the longer I loved someone who didn’t love me, the longer I delayed meeting who or what I should love and will love me. If I went back in time to fix all the mistakes I made, I would need to erase myself. I was proud of what I had built, but recognized it needed an upgrade. This trip gave me a lot of time to think.

You’re not going to wither up and die from this, Addy,” Ashton lectures as she shoves me toward the shower. “He doesn’t get to erase you from the world. God, you made a stupid mistake. It’s not like you murdered someone. “Well,” she adds with a short, sarcastic laugh, “I guess the jury’s still out on that one.

Create a new narrative. Interrupt the pattern. Take back the pen. Reclaim ownership of the story. You—and only you—get to decide how the next chapter is written. Write it all down. The mistakes and the blessings and the places you cracked in two. Write the prayers and the tantrums. The sacred and the profane. The open roads and the closed doors. Nothing is permanent. Erase what does not fit. Cross it out. Write on top of the lines that no longer serve, fifty times over if you want. Remember, the only one who can write the next part of your story is you.

people script us as a blank sheet which they fill in order to learn how to script the script,and once we r scripted they start criticizing the same script where from they learnt the art of scripture.i was scripted through their mistakes wch they rectified when they wrote their own script yet i was blamed for having been scriptified wrongly.now i am rewriting my own script,erasing the impositions which were fed to me during my scripture with the grace of almighty allah.