Engraved Plate Quotes

In life, the visible surface of the Sperm Whale is not the least among the many marvels he presents. Almost invariably it is all over obliquely crossed and re-crossed with numberless straight marks in thick array, something like those in the finest Italian line engravings. But these marks do not seem to be impressed upon the isinglass substance above mentioned, but seem to be seen through it, as if they were engraved upon the body itself. Nor is this all. In some instances, to the quick, observant eye, those linear marks, as in a veritable engraving, but afford the ground for far other delineations. These are hieroglyphical; that is, if you call those mysterious cyphers on the walls of pyramids hieroglyphics, then that is the proper word to use in the present connexion. By my retentive memory of the hieroglyphics upon one Sperm Whale in particular, I was much struck with a plate representing the old Indian characters chiselled on the famous hieroglyphic palisades on the banks of the Upper Mississippi. Like those mystic rocks, too, the mystic-marked whale remains undecipherable.

There was a brass plate mounted on the door at eye level, so old that the lettering that had once been engraved there had been reduced to a spidery, unreadable code, the name of some long dead function or functionary, polished into oblivion.

Her small bedroom was decorated with cheerfully embroidered samplers, which she had stitched herself, and a shelf containing an intricate shellwork tableau. In her parlor, the chimneypiece was crammed with pottery owls, sheep, and dogs, and dishes painted with blue and white Chinoiserie fruits and flowers. Along the picture rail of one wall was an array of brightly colored plates. Dotted about the other walls were half a dozen seascape engravings showing varying climactic conditions, from violent tempest to glassy calm. To the rear was an enormous closet that she used as a storeroom, packed with bottled delicacies such as greengage plums in syrup, quince marmalade, nasturtium pickles, and mushroom catsup, which infused all three rooms with the sharp but tantalizing aromas of vinegar, fruit, and spices.

She loved old things. The brown-brick place was a survivor of the 1907 earthquake and fire, and proudly bore a plaque from the historical society. The building had a haunted history- it was the site of a crime of passion- but Tess didn't mind. She'd never been superstitious. The apartment was filled with items she'd collected through the years, simply because she liked them or was intrigued by them. There was a balance between heirloom and kitsch. The common thread seemed to be that each object had a story, like a pottery jug with a bas-relief love story told in pictures, in which she'd found a note reading, "Long may we run. -Gilbert." Or the antique clock on the living room wall, each of its carved figures modeled after one of the clockmaker's twelve children. She favored the unusual, so long as it appeared to have been treasured by someone, once upon a time. Her mail spilled from an antique box containing a pigeon-racing counter with a brass plate engraved from a father to a son. She hung her huge handbag on a wrought iron finial from a town library that had burned and been rebuilt in a matter of weeks by an entire community. Other people's treasures captivated her. They always had, steeped in hidden history, bearing the nicks and gouges and fingerprints of previous owners. She'd probably developed the affinity from spending so much of her childhood in her grandmother's antique shop.

And all the time boys were being born or growing up in the parish, expecting to follow the plough all their lives or, at most, to do a little mild soldiering or go to work in a town. Gallipoli? Kut? Vimy Ridge? Ypres? What did they know of such places? But they were to know them, and when the time came they did not flinch. Eleven out of that tiny community never came back again. A brass plate on the wall of the church immediately over the old end house seat is engraved with their names. A double column, five names long, then, last and alone, the name of Edmund.

I once saw a picture of the Constitution of the United States, very skillfully engraved in copper plate, so that when you looked at it closely it was nothing more than a piece of writing, but when you looked at it at a distance, it was the face of George Washington. The face shone out in the shading of the letters at a little distance, and I saw the person, not the words, nor the ideas; and I thought, “‘That is the way to look at the Scriptures and understand the thoughts of God, to see in them the face of love, shining through and through; not ideas, nor doctrines, but Jesus Himself as the Life and Source and sustaining Presence of all our life.

She found another intriguing object, and she held it up to inspect it. A button. Her brow creased as she stared at the front of the button, which was engraved with a pattern of a windmill. The back of it contained a tiny lock of black hair behind a thin plate of glass, held in place with a copper rim. Swift blanched and reached for it, but Daisy snatched it back, her fingers closing around the button. Daisy's pulse began to race. "I've seen this before," she said. "It was a part of a set. My mother had a waistcoat made for Father with five buttons. One was engraved with a windmill, another with a tree, another with a bridge... she took a lock of hair from each of her children and put it inside a button. I remember the way she took a little snip from my hair at the back where it wouldn't show." Still not looking at her, Swift reached for the discarded contents of his pocket and methodically replaced them. As the silence drew out, Daisy waited in vain for an explanation. Finally she reached out and took hold of his sleeve. His arm stilled, and he stared at her fingers on his coat fabric. "How did you get it?" she whispered. Swift waited so long that she thought he might answer. Finally he spoke with a quiet surliness that wrenched her heart. "Your father wore the waistcoat to the company offices. It was much admired. But later that day he was in a temper and in the process of throwing an ink bottle he spilled some on himself. The waistcoat was ruined. Rather than face your mother with the news he gave the garment to me, buttons and all, and told me to dispose of it." "But you kept one button." Her lungs expanded until her chest felt tight on the inside and her heartbeat was frantic. "The windmill. Which was mine. Have you... have you carried a lock of my hair all these years?

The music still came from the house. It was past midnight. What kind of old lady plays rock music after midnight? One who still plays old vinyl records. One who keeps a weird tombstone in her wooded backyard. One who has strange visitors in a black car with a license plate number engraved on that same weird tombstone. One who told a teenage boy that his dead father was still alive. “What’s this?” Ema asked. I snapped back to the present. “What?” “Behind here.” She was pointing to the back of the tombstone. “There’s something carved into the back.” I walked over slowly, but I knew. I just knew. And when I reached the back of the tombstone and shined the light on it, I was barely surprised. A butterfly with animal eyes on its wings. Ema gasped. The music in the house stopped. Just like that. Like someone had flicked the off switch the moment my eyes found that dang symbol. Ema looked up at my face and saw something troubling. “Mickey?” Nope, there was no surprise. Not anymore. There was rage now. I wanted answers. I was going to get them, no matter what. I wasn’t going to wait for Mr. Shaved Head with the British accent to contact me. I wasn’t going to wait for Bat Lady to fly down and leave me another cryptic clue. Heck, I wasn’t even going to wait until tomorrow. I was going to find out now. “Mickey?

The Addams dwelling at 25 West Fifty-fourth Street was directly behind the Museum of Modern Art, at the top of the building. It was reached by an ancient elevator, which rumbled up to the twelfth floor. From there, one climbed through a red-painted stairwell where a real mounted crossbow hovered. The Addams door was marked by a "big black number 13," and a knocker in the shape of a vampire. ...Inside, one entered a little kingdom that fulfilled every fantasy one might have entertained about its inhabitant. On a pedestal in the corner of the bookcase stood a rare "Maximilian" suit of armor, which Addams had bought at a good price ("a bargain at $700")... It was joined by a half-suit, a North Italian Morion of "Spanish" form, circa 1570-80, and a collection of warrior helmets, perched on long stalks like decapitated heads... There were enough arms and armaments to defend the Addams fortress against the most persistent invader: wheel-lock guns; an Italian prod; two maces; three swords. Above a sofa bed, a spectacular array of medieval crossbows rose like birds in flight. "Don't worry, they've only fallen down once," Addams once told an overnight guest. ... Everywhere one looked in the apartment, something caught the eye. A rare papier-mache and polychrome anatomical study figure, nineteenth century, with removable organs and body parts captioned in French, protected by a glass bell. ("It's not exactly another human heart beating in the house, but it's close enough." said Addams.) A set of engraved aquatint plates from an antique book on armor. A lamp in the shape of a miniature suit of armor, topped by a black shade. There were various snakes; biopsy scissors ("It reaches inside, and nips a little piece of flesh," explained Addams); and a shiny human thighbone - a Christmas present from one wife. There was a sewing basket fashioned from an armadillo, a gift from another. In front of the couch stood a most unusual coffee table - "a drying out table," the man at the wonderfully named antiques shop, the Gettysburg Sutler, had called it. ("What was dried on it?" a reporter had asked. "Bodies," said Addams.)...

this act is engraved in my mind deeper than any other experience in my two tours in Vietnam. A huge black enlisted man, clad only in shorts and boots, hands bigger than dinner plates, reached into my helicopter to pick up one of the dead white soldiers. He had tears streaming down his face and he tenderly cradled that dead soldier to his chest as he walked slowly from the aircraft to the medical station.

Staring into the deep onyx pools of his wide eyes, she let her hands wander over the contours and valleys of his face. “Regenboog,” she read off the engraved silver plate on the side of his bridle. “Is that your name?

In that pocket are the two mysterious elements called the Urim and Thummim.” “Lights and perfections,” translated Achsah. “Exactly,” said Caleb. These elements were used to seek divine counsel and guidance from Yahweh in special circumstances. The headdress of the high priest was a thick linen miter wrapped around his head like a turban. “See the plate of pure gold on his forehead? What is engraved on there?” He quizzed her. “Holiness to Yahweh” she said. “Excellent. You remembered what I told you.

America, built on religious contrarianism, has incubated a far wider and more exotic range of votive beliefs than anywhere else on earth, with the possible exception of India. And without wanting to disparage anyone’s fondest faith, America’s big sky and bigger spiritual yearning has led to some truly eye-bulging and belief-suspending premises for salvation. It’s difficult to imagine that the golden plates engraved with the book of Mormon could have been found anywhere but in the New World, or that L. Ron Hubbard would have found a congregation for Scientology. The fervor of religious experience has been a constant throttle and brake on American life, from the witch hunts of seventeenth-century Massachusetts to the New Age pantheistic hedonism and self-help of twenty-first-century Arizona.

Revelation given to Joseph Smith the Prophet and Oliver Cowdery, at Harmony, Pennsylvania, April 1829. Oliver Cowdery began his labors as scribe in the translation of the Book of Mormon, April 7, 1829. He had already received a divine manifestation of the truth of the Prophet’s testimony respecting the plates on which was engraved the Book of Mormon record. The Prophet inquired of the Lord through the Urim and Thummim and received this response.

... the cylinder itself has only just begun its revolutions ... as it gathers speed the objects grouped around its fulcrum assume, collectively ... no ... as it gathers speed the whole intricate system of cords, weights, metal spikes and rods, brass plates engraved with labyrinthine patterns, bricks, scraps of fabric, paper, canvas, unmarked sheets ... the entire elaborate network of components begins to shudder into wild spasmodic motion, rattling almost farcically within the framework of the machine.

I'm an ultrasensitive photographic plate. All details are engraved in me out of all proportion to any possible whole. The plate fills up with nothing but me. The outer world that I see is pure sensation. I never forget that I feel.

None other than Paul Revere engraved a plate diagramming how to refine saltpeter, an essential component in the making of gunpowder. It was published in August 1774 in the Royal American Magazine, the unlikely title for a magazine published by Isaiah Thomas, a member of the Sons of Liberty.

I’m telling you, Doctor, its eyes—its teeth! The hissing! Name of God, I’ve never been so scared!” Doctor Adoulla Makhslood, the best ghul hunter in the great city of Dhamsawaat, was weary. Two and a half bars of thousand-sheet pastry sat on his plate, their honey and pistachio glazed layers glistening in the sunlight that streamed into Yehyeh’s teahouse. Adoulla let out a belch. Only two hours awake. Only partway through my pastry and cardamom tea, and already a panicked man stands chattering to me about a monster! God help me.

Jeffrey ran to his car parked outside Mr Roslan's block, not wanting to lose sight of the young man and remembering Faizal's number plate. He found the black Nissan and pursued it from two or three cars away. It had started to drizzle and he almost lost him a few times along the Bukit Timah and Kranji Expressways, but kept a close eye on the back of Faizal's car. For twenty minutes they drove like an invisible convoy, before Faizal turned off the highway into the Lim Chu Kang area. Keeping his distance, Jeffrey saw Faizal stop his car by the main gate of Pusara Abadi, the Muslim cemetery ground. Jeffrey swerved to the side and waited until he saw Faizal getting out of the car empty-handed and entering the cemetery. Then, getting out of his car he pried open the Nissan's boot with an Allan key that he always carried in his pocket. Inside was a black trash bag and a long machete, well-worn and used, crusted along its edges with a dark stain. It was soil, not blood, as he lifted his finger to taste it. Jeffrey put the machete back, closed the boot and went closer into the burial grounds, the long weeds brushing the sides of his trousers. Faizal stood in a far corner of the cemetery. Jeffrey stopped, crouched behind a large tombstone and watched. A darker, smaller man appeared next to Faizal. They talked for a few minutes; several crumpled dollar notes were exchanged. Faizal patted the man's back. The man departed. Then Faizal walked back to his car. Jeffrey continued to watch. Faizal returned with the machete. Taking his time, he hacked away at the overgrown scrub around a blue minaret tombstone. Slow and lethargic like a landscape gardenener, he pulled up the weeds and threw them into a pile at the side. Jeffrey waited until Faizal cleared the vegetation and left the grounds, before inching forward. On the minaret tombstone, he saw the engraved name, 'Rubianah binte Bakar' - she had died eight years ago.

the Chairman of the Committee would present to each investigator a large, very lovely wooden plaque with a beautifully engraved brass plate. The investigator’s name was elegantly etched in and, below it, was the notation that he had provided “outstanding service” in the investigation.

(One theory had it that Harry Dexter White, the former Treasury Department official who went on to become director of the International Monetary Fund, stole U.S. Mint engraving plates so that Communism could flood the country with excess currency.)