“
You know, I get it. Being raised as a superstar must be really, really difficult for you. Always a commodity, never a human being, not a single person in your family thinking you’re worth a damn off the court— yeah, sounds rough. Kevin and I talk about your intricate and endless daddy issues all the time. I know it’s not entirely your fault that you are mentally unbalanced and infected with these delusions of grandeur, and I know you’re physically incapable of holding a decent conversation with anyone like every other normal human being can, but I don’t think any of us should have to put up with this much of your bullshit. Pity only gets you so many concessions, and you used yours up about six insults ago. So please, please, just shut the fuck up and leave us alone.
”
”
Nora Sakavic (The Raven King (All for the Game, #2))
“
Together we are an endless conversation
”
”
Rupi Kaur (the sun and her flowers)
“
Maybe one day it will be just you and me, my little blueberry," Magnus said conversationally. "But not for a long, long time. We'll take care of him, you and I. Won't we?"
Max Lightwood made a happy burbling sound that Magnus took as agreement.
”
”
Cassandra Clare (Born to Endless Night (Tales from the Shadowhunter Academy, #9))
“
The ones who are not soul-mated – the ones who have settled – are even more dismissive of my singleness: It’s not that hard to find someone to marry, they say. No relationship is perfect, they say – they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation – yes, honey, okay, honey – is the same as concord. He’s doing what you tell him to do because he doesn’t care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked.
Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.) And yet: Don’t land me in one of those relationships where we’re always pecking at each other, disguising insults as jokes, rolling our eyes and ‘playfully’ scrapping in front of our friends, hoping to lure them to our side of an argument they could not care less about. Those awful if only relationships: This marriage would be great if only… and you sense the if only list is a lot longer than either of them realizes.
So I know I am right not to settle, but it doesn’t make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if I’m the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart – perfect-on-paper men who make me feel like I’m in a foreign land, trying to explain myself, trying to make myself known. Because isn’t that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn’t that the simple magic phrase?
So you suffer through the night with the perfect-on-paper man – the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you’ve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine.
”
”
Gillian Flynn (Gone Girl)
“
You hand fits in mine like its made to be but bear this in mind it was meant to be and im joining up the dots with the freckles on you cheeks and it all makes sense to me. I know you've never loved the crinkles by your eyes when you smile you've never loved your stomach or your thighs and the dimples in your back at the bottom of your spine but I love them endlessly.I won't let these little things slip out of my mouth but if i do its you oh its you they add up to and Im in love with you and all your little thing. You can't go to bed without a cup of tea and maybe thats the reason that you talk in you sleep and all those conversations are the secrets that I keep though it makes no sense to me. I know you've never loved the sound of your voice on tape you never want to know how much you weigh you still have to squeeze into to your jeans but you're perfect to me. I won't let these little things slip out of my mouth but if its true its you its these they add up to and Im in love with you and all you little things. You'll never love yourself half as much as I love you and you'll never treat yourself right darlin' but I want you to if I let you know I'm here for you then maybe you'll love yourself like I love you ohhhhh. And I've just let these little things slip out of my mouth cause its you oh its you its you they add up to and Im in love with you and all your little things I wont let these little things slip out of my mouth but if its true its you its you they add up to and im in love with you and all your little things. <3
”
”
One Direction
“
If you made the baby for yourself and Alec, you can tell me,” said Robert. “I’m a very broad-minded man. Or—I’m trying to be. I’d like to be. I would understand.”
“If I made . . . the . . . baby . . . ?” Magnus repeated.
He was not certain where to start. He had imagined Robert Lightwood knew how babies were made.
“Magically,” Robert whispered.
“I am going to pretend you never said that to me,” said Magnus. “I am going to pretend we never had this conversation.
”
”
Cassandra Clare (Born to Endless Night (Tales from the Shadowhunter Academy, #9))
“
The love of books was an instant connection, and a true boon for a girl who tended toward shyness, because it was a source of endless conversation. A hundred questions sprang up in her mind, jostling with each other to reach the front of the queue. Did he prefer essays, dramas, novels, poems? How many books had he read, and in which languages? Which ones had he read again and again?
”
”
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
“
I despise this weakness in myself--this endless one-sided conversation that takes the place of action...
”
”
Stef Penney (The Tenderness of Wolves)
“
How You Doing, Little Lucy?” His bright tone and mild expression indicates we’re playing a game we almost never play. It’s a game called How You Doing? and it basically starts off like we don’t hate each other. We act like normal colleagues who don’t want to swirl their hands in each other’s blood. It’s disturbing.
“Great, thanks, Big Josh. How You Doing?”
“Super. Gonna go get coffee. Can I get you some tea?” He has his heavy black mug in his hand. I hate his mug.
I look down; my hand is already holding my red polka-dot mug. He’d spit in anything he made me. Does he think I’m crazy? “I think I’ll join you.”
We march purposefully toward the kitchen with identical footfalls, left, right, left, right, like prosecutors walking toward the camera in the opening credits of Law & Order. It requires me to almost double my stride. Colleagues break off conversations and look at us with speculative expressions. Joshua and I look at each other and bare our teeth. Time to act civil. Like executives.
“Ah-ha-ha,” we say to each other genially at some pretend joke. “Ah-ha-ha.”
We sweep around a corner. Annabelle turns from the photocopier and almost drops her papers. “What’s happening?”
Joshua and I nod at her and continue striding, unified in our endless game of one-upmanship. My short striped dress flaps from the g-force.
“Mommy and Daddy love you very much, kids,” Joshua says quietly so only I can hear him. To the casual onlooker he is politely chatting. A few meerkat heads have popped up over cubicle walls. It seems we’re the stuff of legend. “Sometimes we get excited and argue. But don’t be scared. Even when we’re arguing, it’s not your fault.”
“It’s just grown-up stuff,” I softly explain to the apprehensive faces we pass. “Sometimes Daddy sleeps on the couch, but it’s okay. We still love you.
”
”
Sally Thorne (The Hating Game)
“
I tell you this: Compassion never ends, love never stops, patience never runs out in God’s World. Only in the world of man is goodness limited. In My World, goodness is endless.
”
”
Neale Donald Walsch (The Complete Conversations with God)
“
Twenty minutes later, I caught sight of Barack across the room, in the grips of what looked to be an endless conversation with the woman, who was doing a large portion of the talking. He shot me a look, implying that he’d like to be rescued. But he was a grown man. I let him rescue himself.
”
”
Michelle Obama (Becoming)
“
No one is more influential in your life than you are because no one talks to you more than you do. It’s a fact that you and I are in an endless conversation with ourselves.
”
”
Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
“
A searing anxiety developed inside me at this thought, in the same form it always took no matter what external stimulus triggered it: first the realization that I would die, then that everyone else would die, and then that the universe itself would eventually experience heat death, a kind of thought sequence that expanded outward endlessly in forms too huge to be contained inside my body.
”
”
Sally Rooney (Conversations with Friends)
“
At the moment our human world is based on the suffering and destruction of millions of non-humans. To perceive this and to do something to change it in personal and public ways is to undergo a change of perception akin to a religious conversion. Nothing can ever be seen in quite the same way again because once you have admitted the terror and pain of other species you will, unless you resist conversion, be always aware of the endless permutations of suffering that support our society.
”
”
Arthur Conan Doyle
“
Wanting has to go. Wanting to be free from something that is not there is what you call "sorrow.” Wanting to be free from sorrow is sorrow. There is no other sorrow. You don't want to be free from sorrow. You just think about sorrow, without acting. Your thinking endlessly about being free from sorrow is only more material for sorrow. Thinking does not put an end to sorrow. Sorrow is there for you as long as you think. There is actually no sorrow there to be free from. Thinking about and struggling against "sorrow" is sorrow. Since you can't stop thinking, and thinking is sorrow, you will always suffer. There is no way out, no escape.
”
”
U.G. Krishnamurti (Mind Is a Myth: Disquieting Conversations with the Man Called U.G.)
“
The love of books was an instant connection, and a true boon for a girl who tended toward shyness, because it was a source of endless conversation.
”
”
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
“
It feels like a conversation you never want to end, I suppose. “A renewable energy source. You know how with some people you can’t get chatting off the ground? They’re hard work? Falling in love is the extreme opposite. Endless fascination. It’s effortless. A spark turns into a flame turns into a fire. That doesn’t go out.
”
”
Mhairi McFarlane (If I Never Met You)
“
Robert Lightwood followed him.
“I couldn’t help but notice that the baby is blue,” Robert said. “Alec’s eyes are blue. And when you do the”—he made a strange and disturbing gesture, and then made the sound whoosh, whoosh—“magic, sometimes there’s a blue light.”
Magnus stared at him. “I’m failing to see your point.”
“If you made the baby for yourself and Alec, you can tell me,” said Robert. “I’m a very broad-minded man. Or—I’m trying to be. I’d like to be. I would understand.”
“If I made . . . the . . . baby . . . ?” Magnus repeated.
He was not certain where to start. He had imagined Robert Lightwood knew how babies were made.
“Magically,” Robert whispered.
“I am going to pretend you never said that to me,” said Magnus. “I am going to pretend we never had this conversation.”
Robert winked, as if they understood each other. Magnus was speechless.
”
”
Cassandra Clare (Born to Endless Night (Tales from the Shadowhunter Academy, #9))
“
I was trying so hard. All the time dredging up the worst memories, the endless conversations with Mo, the counselling. I was trying. But I guess Leon thought I was too broken to fix myself.
”
”
Beth O'Leary (The Flatshare (The Flatshare, #1))
“
The memories we take to the ends of our lives have no real rhyme or reason, especially when you think of the endless things that you do over the course of a day, a week , a month, a year, a lifetime. All the cups of coffee, hand-washings, changes of clothes, lunches, goings to the bathroom, headaches, naps, walks to school, trips to the grocery store, conversations about the weather ---all the things so unimportant that they should be immediately forgotten. Yet they aren't
”
”
Michael Zadoorian (The Leisure Seeker)
“
Any conversation with Smith turned up at least one bit of human behavior which could not be justified logically, at least in terms that Smith could understand, and attempts to do so were endlessly time-consuming.
”
”
Robert A. Heinlein (Stranger in a Strange Land)
“
You know, I get it. Being raised as a superstar must be really, really difficult for you. Always a commodity, never a human being, not a single person in your family thinking you're worth a damn off the court -- yeah, sounds rough. Kevin and I talk about your intricate and endless daddy issues all the time. I know it's not entirely your fault that you're mentally unbalanced and infected with these delusions of grandeur, and I know you're physically incapable of holding a decent conversation with anyone like any normal human being can, but I don't think any of us should have to put up with this much of your bullshit. Pity only gets you so many concessions, and you used yours up about six insults ago. So please, please just shut the fuck up and leave us alone.
”
”
Nora Sakovic
“
When I think of this trip, I see David and me in the front seat of the car. It’s nighttime. It smells like chewing tobacco, soda, and smoke. (The smell of chewing tobacco is like a muddy lawn you’ve just fed a truckful of cough drops to.) The window is letting in a leak of cold air. R.E.M. is playing. The wheels are making their slightly sleepy sound of tape being stripped cleanly and endlessly off a long wall. On the other hand, we seem not to be moving at all, and the conversation is the best one I’ve ever had.
”
”
David Lipsky (Although Of Course You End Up Becoming Yourself: A Road Trip with David Foster Wallace)
“
College campuses are populated by and endless throng of happy, dancing, fully conversational creatures who seem to exist from the sole purpose of reinforcing your utter alienation. I tried to take comfort in the fact that hell is other people and ultimately we are alone anyway.
”
”
Jacqueline Novak (How to Weep in Public: Feeble Offerings on Depression from One Who Knows)
“
It was pretty clear from the conversation we overheard that one way or another I’d be dead.”
Something smashed to the ground. Jack looked at me, all the mugs forgotten. “I’m not going to let anyone kill you.” He grinned. “If I don’t get to, no one should.”
“I’m touched.” But I couldn’t help smiling back at him.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
...the presence of others has become even more intolerable to me, their conversation most of all. Oh, how it all annoys and exasperates me: their attitudes, their manners, their whole way of being! The people of my world, all my unhappy peers, have come to irritate, oppress and sadden me with their noisy and empty chatter, their monstrous and boundless vanity, their even more monstrous egotism, their club gossip... the endless repetition of opinions already formed and judgments already made; the automatic vomiting forth of articles read in those morning papers which are the recognised outlet of the hopeless wilderness of their ideas; the eternal daily meal of overfamiliar cliches concerning racing stables and the stalls of fillies of the human variety... the hutches of the 'petites femmes' - another worn out phrase in the dirty usury of shapeless expression!
Oh my contemporaries, my dear contemporaries...
Their idiotic self-satisfaction; their fat and full-blown self-sufficiency: the stupid display of their good fortune; the clink of fifty- and a hundred-franc coins forever sounding out their financial prowess, according their own reckoning; their hen-like clucking and their pig-like grunting, as they pronounce the names of certain women; the obesity of their minds, the obscenity of their eyes, and the toneless-ness of their laughter! They are, in truth, handsome puppets of amour, with all the exhausted despondency of their gestures and the slackness of their chic...
Chic! A hideous word, which fits their manner like a new glove: as dejected as undertakers' mutes, as full-blown as Falstaff...
Oh my contemporaries: the ceusses of my circle, to put it in their own ignoble argot. They have all welcomed the moneylenders into their homes, and have been recruited as their clients, and they have likewise played host to the fat journalists who milk their conversations for the society columns. How I hate them; how I execrate them; how I would love to devour them liver and lights - and how well I understand the Anarchists and their bombs!
”
”
Jean Lorrain (Monsieur De Phocas)
“
Go and I had a game inspired by our mom, who had a habit of telling such outrageously mundane, endless stories that Go was positive she had to be secretly fucking with us. For about ten years now, whenever Go and I hit a conversation lull, one of us would break in with a story about appliance repair or coupon fulfillment.
”
”
Gillian Flynn (Gone Girl)
“
Grief, he thought, would have an ending, but it was a black cat that ran across life, through good conversations and orange firelight and endless drills. It sat on his shoulders and made his knees creek when he stood up. It balanced in the crook of his arm as he cleaned his rifle. And he could not banish it; it was loyal as a dog.
”
”
Kathy Hepinstall (Sisters of Shiloh)
“
Unlike me, he didn’t then segue into an endless series of whys—why, if we remain so close, if we can converse so intimately, can you not be with me?
”
”
Ted Kerasote (Merle's Door: Lessons from a Freethinking Dog)
“
On Virtue
O thou bright jewel in my aim I strive
To comprehend thee. Thine own words declare
Wisdom is higher than a fool can reach.
I cease to wonder, and no more attempt
Thine height t’explore, or fathom thy profound.
But, O my soul, sink not into despair,
Virtue is near thee, and with gentle hand
Would now embrace thee, hovers o’er thine head.
Fain would the heaven-born soul with her converse,
Then seek, then court her for her promised bliss.
Auspicious queen, thine heavenly pinions spread,
And lead celestial Chastity along;
Lo! now her sacred retinue descends,
Arrayed in glory from the orbs above.
Attend me, Virtue, thro’ my youthful years!
O leave me not to the false joys of time!
But guide my steps to endless life and bliss.
Greatness, or Goodness, say what I shall call thee,
To give an higher appellation still,
Teach me a better strain, a nobler lay,
O Thou, enthroned with Cherubs in the realms of day!
”
”
Phillis Wheatley
“
I was used to my mind being my best friend; of carrying on endless conversations within my head; of having a built-in source of laughter or analytic thought to rescue me from boring or painful surroundings. Now, all of a sudden, my mind had turned on me: it mocked me for my vapid enthusiasms; it laughed at all my foolish plans; it no longer found anything interesting or enjoyable or worthwhile.
”
”
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
“
Once we started moving, Lincoln mumbled, “Really not the way I saw things panning out.” I raised an eyebrow. I’d half expected he’d pretend the earlier conversation never took place. “And where exactly did you see tonight finishing?” “With you on your back…”—he paused to see my eyes bug out before he chuckled and finished the sentence—“after collapsing from too much salsa.” He didn’t stop grinning. “Ha,
”
”
Jessica Shirvington (Endless (The Embrace Series, #4))
“
Earth may be alive: not as the ancients saw her--a sentient Goddess with a purpose and foresight--but alive like a tree. A tree that quietly exists, never moving except to sway in the wind, yet endlessly conversing with the sunlight and the soil. Using sunlight and water and nutrient minerals to grow and change. But all done so imperceptibly, that to me the old oak tree on the green is the same as it was when I was a child.
”
”
James E. Lovelock
“
The reunions are always joyous and the good byes bittersweet, everyone regretting they have so little time together. Thomas says that he doesn't know Vilalba very well because they usually just stay at the house for endless conversations, punctuated by laughter and complaints, long lunches and drawn-out dinners. He says that for him Spain is just people in his family who love one another, who eat and drink and cut each other off in conversation until night falls.
”
”
Philippe Besson (Lie With Me)
“
...Politics is an activity in which you recognize the simultaneous existence of different groups, interests and opinions. You try to find some way to balance or reconcile or compromise those interests, or at least a majority of them. You follow a set of rules, enshrined in a constitution or in custom, to help you reach these compromises in a way everybody considers legitimate.
The downside of politics is that people never really get everything they want. It’s messy, limited and no issue is ever really settled. Politics is a muddled activity in which people have to recognize restraints and settle for less than they want. Disappointment is normal.
But that’s sort of the beauty of politics, too. It involves an endless conversation in which we learn about other people and see things from their vantage point and try to balance their needs against our own. Plus, it’s better than the alternative: rule by some authoritarian tyrant who tries to govern by clobbering everyone in his way....
”
”
David Brooks
“
Trying to draw Matthew into our conversation, I said, “Look, here’s Matthew’s.” I pointed out his card; on it, a smiling young man with an oblivious expression walked a desolate land, carrying a rucksack and a single white rose. A yapping dog nipped at his heels.
Matthew tilted his head at the likeness. “In a place where nothing grows, I carry a flower. The memory of you.”
I smiled at him. “That is so sweet.”
He frowned. “That literally happened.”
“Oh.”
Finn said, “That’s just like the image I saw the first time we met. It flashed over him.”
I nodded. “We all have those. They’re called tableaux.”
Finn held the card up next to Matthew’s face, comparing the likeness. “You look stoned, Matto.”
Matthew sighed with contentment. “Thank you.
”
”
Kresley Cole (Endless Knight (The Arcana Chronicles, #2))
“
If there was a predominant season in heaven, Jenny Flanigan believed it would
be summer. The long days and warm nights felt endless no matter how rushed the rest of the year was. With summer came the sense that all of life slowed
to smell the deep green grass, to watch fireflies dance on an evening breeze, or to hear the gentle lap of lake water against the sandy shore.
Summer was barbecues and quiet conversation in the fading light of a nine o'clock sunset. It was cutoffs and flip-flops and afternoons on Lake Monroe.
”
”
Karen Kingsbury (Summer (Sunrise, #2))
“
You had the unimaginable luxury of thinking deep thoughts and pursuing endless intellectual conversations, of reveling in simple pleasures with the implicit permission to be totally self-absorbed. Then you grew up, and life hit you in the face with a two-by-four.
”
”
Kate Hewitt (Redemption Falls (Littleton #1))
“
Walk openly, Marian used to say. Love even the threat and the pain, feel yourself fully alive, cast a bold shadow, accept, accept. What we call evil is only a groping towards good, part of the trial and error by which we move toward the perfected consciousness…
God is kind? Life is good? Nature never did betray the heart that loved her? Why the reward she received for living intensely and generously and trying to die with dignity? Why the horror at the bridge her last clear sight of earth?...I do not accept, I am not reconciled. But one thing she did. She taught me the stupidity of the attempt to withdraw and be free of trouble and harm...
She said, “You wondered what was in whale’s milk. Now you know. Think of the force down there, just telling things to get born, just to be!”
I had had no answer for her then. Now I might have one. Yes, think of it, I might say. And think how random and indiscriminate it is, think how helplessly we must submit, think how impossible it is to control or direct it. Think how often beauty and delicacy and grace are choked out by weeds. Think how endless and dubious is the progress from weed to flower.
Even alive, she never convinced me with her advocacy of biological perfectionism. She never persuaded me to ignore, or look upon as merely hard pleasures, the evil that I felt in every blight and smut and pest in my garden- that I felt, for that matter, squatting like a toad on my own heart. Think of the force of life, yes, but think of the component of darkness in it. One of the things that’s in whale’s milk is the promise of pain and death.
And so? Admitting what is so obvious, what then? Would I wipe Marion Catlin out of my unperfected consciousness if I could? Would I forgo the pleasure of her company to escape the bleakness of her loss? Would I go back to my own formula, which was twilight sleep, to evade the pain she brought with her?
Not for a moment. And so even in the gnashing of my teeth, I acknowledge my conversion. It turns out to be for me as I once told her it would be for her daughter. I shall be richer all my life for this sorrow.
”
”
Wallace Stegner (All the Little Live Things)
“
The implication is clear. If it’s something you love doing, you should not also be rewarded additionally with money. Most people earn money by doing something they hate—or something that is at least hard work, not endless joy! So the world’s message is: If you feel negatively about it, then you can enjoy it!
”
”
Neale Donald Walsch (The Complete Conversations with God)
“
Nicholas Was . . . older than sin, and his beard could grow no whiter. He wanted to die. The dwarfish natives of the Arctic caverns did not speak his language, but conversed in their own, twittering tongue, conducted incomprehensible rituals, when they were not actually working in the factories. Once every year they forced him, sobbing and protesting, into Endless Night. During the journey he would stand near every child in the world, leave one of the dwarves’ invisible gifts by its bedside. The children slept, frozen into time. He envied Prometheus and Loki, Sisyphus and Judas. His punishment was harsher. Ho. Ho. Ho.
”
”
Neil Gaiman (Smoke and Mirrors)
“
The trombone and side-drums in the chamber music of Stravinsky will do well enough in a very smart house-party where all the conversation is carried on in an esoteric family slang and the guests are expected to enjoy booby-traps. Very different is the outlook of some of our younger masters such as Hindemith, Jarnach, and others, whose renunciation of beauty was in itself a youthfully romantic gesture, and was accompanied by endless pains in securing adequate performance. The work of masterly performers can indeed alone save the new ideas from being swamped in a universal dullness which no external smartness can long distinguish from that commemorated in the Dunciad.
”
”
Donald Francis Tovey (The Forms of Music)
“
I am constantly mystified by what John ends up remembering… I just don’t understand why he’s able to hang on to information like that, while so many other more important memories evaporate.
Then again, I suppose so much of what stays with us is often insignificant. The memories we take to the ends of our lives have no real rhyme or reason, especially when you think of the endless things that you do over the course of a day, a week, a month, a year, a lifetime. All the cups of coffee, hand-washings, changes of clothes, lunches, goings to the bathroom, headaches, naps, walks to school, trips to the grocery store, conversations about the weather—all the things so unimportant they should be immediately forgotten.
Yet they aren’t. I often think of the Chinese red bathrobe I had when I was twenty-seven years old; the sound of our first cat Charlie’s feet on the linoleum of our old house; the hot rarefied air around aluminum pot the moment before the kernels of popcorn burst open. I think of these things as often as I think about getting married or giving birth or the end of the Second World War.
What is truly amazing is that before you know it, sixty years go by and you can remember maybe eight or nine important events, along with a thousand meaningless ones. How can that be?
You want to think there’s a pattern to it all because it makes you feel better, gives you some sense of a reason why we’re here, but there really isn’t any. People look for God in these patterns, these reasons, but only because they don’t know where else to look.
Things happen to us: some of it important, most of it not, and a little of it stays with us till the end. What stays after that? I’ll be damned if I know.
(pp.174-175)
”
”
Michael Zadoorian (The Leisure Seeker)
“
Reth reached out and took my fingers in his own, his touch light but comforting. “I’ve found that sacrifice is called that for a reason. We have all lost much of what we were or could have been because of the mistakes of my people. We’ll yet lose some things to set it right. But when you join eternity, you will not feel the sting of this life with such intensity.”
“You mean I wouldn’t feel at all?”
“I feel, my love. Simply not in the same way you do. And thank heavens for that, because you are quite an embarrassment at times. Your inconsistent and flailing passions will no longer be a concern.”
Leave it to Reth to go from comforting me to insulting me in the course of one short conversation.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
On a collective level, the stakes are higher. We know that we live in complex times that demand complex thoughts and conversations—and those, in turn, demand the very time and space that is nowhere to be found. The convenience of limitless connectivity has neatly paved over the nuances of in-person conversation, cutting away so much information and context in the process. In an endless cycle where communication is stunted and time is money, there are few moments to slip away and fewer ways to find each other. Given how poorly art survives in a system that only values the bottom line, the stakes are cultural as well. What the tastes of neoliberal techno manifest–destiny and the culture of Trump have in common is impatience with anything nuanced, poetic, or less-than-obvious.
”
”
Jenny Odell (How to Do Nothing: Resisting the Attention Economy)
“
For a moment, we all just stared out the window at the crowds. “I’m reading a good book now,” Obama said. “It reminds you, the ability to tell stories about who we are is what makes us different from animals. We’re just chimps without it.” He described how all civilization, religion, nations were rooted in stories, which could be harnessed for good or bad. Obama’s tendency to take the long view was getting even more pronounced in his last year in office. But in his own way, he was also telling me that everything was okay, that this was now just one more subject in our endless conversation about everything.
“What’s the book?” I asked, looking for something to grab on to.
“It’s called Sapiens. You should check it out.” Perhaps sensing that this was sensitive terrain, he changed the subject.
”
”
Ben Rhodes (The World As It Is: Inside the Obama White House)
“
We can all nod and smile and carry on our end of the conversation in an endless loop while our minds float somewhere outside our bodies. We are thinking about our kids, about finances and fiancees and soon-to-be ex wives, about the sex we're not having, the sex our soon-to-be ex wives are having, about loneliness and love and death and Dad, and this constant crowd is like a fog on a dark road; you just keep driving and watch it dissipate in your low beams.
”
”
Jonathan Tropper
“
A Taurus’s imagination always involves building. Whether it be a career or a lifelong love, a Taurus rejoices at the idea that if you put effort into something for a long time, you will be rewarded with something strong and solid that you can hang your hat on. This extends into expectations for everyone else around them, too. You must be a solid figure, someone dependable who also is able to spark their interests, and with your own solid sense of fire and passion. A Taurus’s imaginative landscape includes an endless sense of fire. Not a fire that would burn anything up, but one that brings warmth, that fuses things together, that solders pieces and melts things when necessary, that provokes and cajoles and pranks but is also good for lending itself to endless conversation and camaraderie. A real working fireplace. The imagination of a Taurus is a place where things get done, rather than happening on their own.
”
”
Alex Dimitrov (Astro Poets: Your Guides to the Zodiac)
“
miscarriage. I wondered if the clots of tissue were making them think that. A searing anxiety developed inside me at this thought, in the same form it always took no matter what external stimulus triggered it: first the realization that I would die, then that everyone else would die, and then that the universe itself would eventually experience heat death, a kind of thought sequence that expanded outward endlessly in forms too huge to be contained inside my body.
”
”
Sally Rooney (Conversations with Friends)
“
For four hours, I listen to Tyler's voice, endlessly whispering and quietly laughing. He tells the camcorder about the first time we met. He talks about all the things he loves about me, some of which are habits and mannerisms that even I've never noticed before. He talks and talks and talks, hardly ever pausing and without a single second of hesitation at all as he reflects on the moments we've shared together. Of conversations and kisses, trespassing and parties.
”
”
Estelle Maskame (Did I Mention I Need You? (DIMILY, #2))
“
I paced from one side of the room to the other, dreaming out loud incoherent and impossible things – deeds I’d forgotten to do, hopeless ambitions haphazardly realized, fluid and lively conversations which, were they to be, would already have been. And in this reverie without grandeur or calm, in this hopeless and endless dallying, I paced away my free morning, and my words – said out loud in a low voice – multiplied in the echoing cloister of my inglorious isolation.
”
”
Fernando Pessoa
“
I take a swig of booze. "I didn't do it. The surgery." "I heard," he says. "Can I ask why not?" I shrug, not because I don't know but because I don't feel like rehashing his role in my decision. "You know when you're hanging out with people and you have to leave early? Everyone tells you to stay, but you have to go, so you do a round of goodbyes and hugs and everything. Then, you're at the door, and you glance back, and you want everyone to still be staring after you, waving. But they've all already gone back to their conversation. You're not missed at all." I gaze out at the ocean, the endless shifting expanse. "That's what makes me feel sad about dying. That after I'm gone and everyone has said goodbye, life just goes on without me." "You're worried about leaving a legacy?" Cooper asks. "What you'll be remembered for?" "More like, I'll just miss life. Life. I'll miss being a part of it. I'll miss weddings and the ocean and music and champagne. I'll miss the drama and the gossip and the news and New York. I'll just miss it.
”
”
Georgia Clark (The Bucket List)
“
Intelligence is for purposeful life application + utilization, not just esoterical conversation. Unequally distributed among souls, those found to have it in some capacity would be wise to lengthen it...by etching its voice into publication. Human timelines expire for the thinking, and thoughtless; the foolish and the wise; but their words will outlive them for lifetimes. Wisdom should be rewarded with an amplified and eternal voice. Unfortunately, foolishness has yet to respect any gag rule for its endless engagements.
”
”
Dr. Tracey Bond i
“
PERHAPS there is no subject for meditation more suitable to every class of persons than the most sacred Passion of our Lord Jesus Christ. In it may sinners find the encouragement and graces necessary for their conversion; from it may beginners derive strength and fervor wherewith to subdue their passions; in it may the good discover fresh incentives to advance in the paths of virtue. In short, there are none who will not find it an inexhaustible mine of hidden treasures, and an endless source of graces and spiritual blessings.
”
”
Ignatius of the Side of Jesus Passionist (The School of Jesus Crucified (with Supplemental Reading: A Brief Life of Christ) [Illustrated])
“
All of us deserve better than what thinness takes. We deserve a new paradigm of health: one that acknowledges its multifaceted nature and holds t-cell counts and blood pressure alongside mental health and chronic illness management. We deserve a paradigm of personhood that does not make size or health a prerequisite for dignity and respect. We deserve more places for thin people to heal from the endless social messages that tell them at once that their bodies will never be perfect enough to be beautiful and simultaneously that their bodies make them inherently superior to fatter people. We deserve spaces for thin people to build their self-confidence with one another so that the task no longer falls to fat people who are already contending with widespread judgment, harassment, and even discrimination. We deserve more spaces for fat people too—fat-specific spaces and fat-only spaces, where we can have conversations that can thrive in specificity, acknowledging that our experiences of external discrimination are distinct from internal self-confidence and body image issues (though we may have those too). We deserve those separate spaces so that we can work through the trauma of living in a world that tells all of us that our bodies are failures—punishing thin people with the task of losing the last ten pounds and fat people with the crushing reality of pervasive social, political, and institutional anti-fatness. We deserve more spaces to think and talk critically about our bodies as they are, not as we wish they were, or as an unforgiving and unrealistic culture pressures them to change. We deserve spaces and movements that allow us to think and talk critically about the messages each of us receive about our bodies—both on a large scale, from media and advertising, and on a small scale, interpersonally, with friends and family. But we can only do this if we acknowledge the differences in our bodies and the differences in our experiences that spring from bodies. We deserve to see each other as we are so that we can hear each other. And the perfect, unreachable standard of thinness is taking that from us.
”
”
Aubrey Gordon (What We Don't Talk About When We Talk About Fat)
“
The hecklers weren’t hacking people’s computers; they were hacking their minds, in two ways. In one sense, they sought to change a target audience’s perception on issues, nudging audiences toward preferred foreign policy positions and influencing experts, politicians, and media personalities toward a pro-Assad or pro-Russia stance. When not shaping audience conversations through a barrage of slanted content and supporting banter, hecklers sought to batter adversaries off social media platforms through either endless harassment or compromise.
”
”
Clint Watts (Messing with the Enemy: Surviving in a Social Media World of Hackers, Terrorists, Russians, and Fake News)
“
Salvation is not about believing that you are a believer. How do you even know you’re a believer? If you’re looking to your own subjective experience or an encounter – who’s to say you didn’t misinterpret your conversion experience, or that it didn’t go deep enough? You’ll go headlong into an endless spiral of navel-gazing. There may be a valid moment of encounter, but you can’t bank on that. And if you are banking on it, you’re still having faith in your own experience. The only thing you can bank on is that Christ was crucified to save you. Done deal – you’re in!
”
”
John Crowder (Cosmos Reborn)
“
Each of us, I thought, could do little to change the course of things - indeed, anything we tried was likely to be so uncontrolled as to inflict more damage than benefit - and yet, conversely, we should not allow the huge panorama about us, the immensity of the Multiplicity of Histories, to overwhelm us. The perspective of the Multiplicity rendered each of us, and our actions, tiny - but not without meaning; and each of us must proceed with our lives with stoicism and fortitude, as if the rest of it - the final Doom of mankind, the endless Multiplicity - were not so.
”
”
Stephen Baxter (The Time Ships)
“
Once the NSA embraced the Internet and a drift-net style of data collection, the agency was transformed. The bulk collection of phone and e-mail metadata, both inside the United States and around the world, has now become one of the NSA’s core missions. The agency’s analysts have discovered that they can learn far more about people by tracking their daily digital footprints through their metadata than they could ever learn from actually eavesdropping on their conversations. What’s more, phone and e-mail logging data comes with few legal protections, making it easy for the NSA to access.
”
”
James Risen (Pay Any Price: Greed, Power, and Endless War)
“
ROTHKO: All those bugs – ach! I know, those plein air painters, they sing to you endless paeans about the majesty of natural sunlight. Get out there and muck around in the grass, they tell you, like a cow. When I was young I didn’t know any better so I would haul my supplies out there and the wind would blow the paper and the easel would fall over and the ants would get in the paint. Oy… But then I go to Rome for the first time. I go to the Santa Maria del Popolo to see Caravaggio’s ‘Conversion of Saul,’ which turns out is tucked away in a dark corner of this dark church with no natural light. It’s like a cave. But the painting glowed! With a sort of rapture it glowed. Consider: Caravaggio was commissioned to paint the picture for this specific place, he had no choice. He stands there and he looks around. It’s like under the ocean it’s so goddamn dark. How’s he going to paint here? He turns to his creator: ‘God, help me, unworthy sinner that I am. Tell me, O Lord on High, what the fuck do I do now?!’ KEN laughs. ROTHKO: Then it comes to him: the divine spark. He illuminates the picture from within! He gives it inner luminosity. It lives… Like one of those bioluminescent fish from the bottom of the ocean, radiating its own effulgence. You understand? Caravaggio was –
”
”
John Logan (Red)
“
But he became passionately bored with them, plunged into a miasmic swamp of weariness and horror, after a time, because of the dullness and ugliness of their lives, their minds, their amusements. Dull people filled him with terror: he was never so much frightened by tedium in his own life as in the lives of others -- his early distaste for Pett Pentland and her grim rusty aunts came from submerged memories of the old house on Central Avenue, the smell of mellow apples and medicine in the hot room, the swooping howl of the wind outside, and the endless monotone of their conversation on disease, death, and misery. He was filled with terror and and anger against them because they were able to live, to thrive, in this horrible depression that sickened him.
”
”
Thomas Wolfe (Look Homeward, Angel)
“
SOPHIE WASN’T SURE HOW LONG she sat there staring blankly at her empty doorway. Could’ve been minutes. Could’ve been hours. It didn’t matter. No amount of time was going to quiet the chaos in her head. All it did was raise a whole lot of terrifying questions. Because even if Ro was right about Keefe’s feelings—and Sophie decided she wanted to see what would happen—this was so much bigger than just the two of them. Like… What would Grady and Edaline think? Sophie still didn’t know if she was actually allowed to date—much less date That Boy. And even if she was, there would surely be all kinds of annoying new rules and restrictions to deal with. Plus, Edaline would probably follow them around with a sappy, embarrassing smile, and Grady would make them sit through a series of horrifying Dad Talks. And what would her friends say when they found out? There’d been a time when Sophie had wondered if Biana had a crush on Keefe—and even though it seemed like Biana had gotten over it… what if she hadn’t? Better question: How would Fitz react? Keefe was Fitz’s best friend—and Fitz’s temper could be… challenging. The possibilities for drama were endless. Sophie’s insides twisted into knots on top of knots as she imagined the awkward conversations. And the stares. And the gossip. There would be So. Much. Gossip. She wanted to hide just thinking about it—and Keefe would probably love the attention. Did that prove they weren’t compatible? Or was she just looking for an excuse because she was scared? And why was she so scared? Keefe would honestly be… … … …a really awesome boyfriend. He was thoughtful. And supportive. And he could be incredibly sweet—when he was actually being serious instead of joking around with everybody. Though… maybe some of his jokes with her hadn’t just been teasing. Had some of it also been… flirting? If Ro were still there, she probably would’ve been nodding and shouting about the Great Foster Oblivion. And maybe she was right. Maybe Sophie had been too insecure to let herself see what was right in front of her. Or too distracted by her crush on Fitz. The last thought made her inner knots twist so much tighter. She’d liked Fitz for so long that she’d never even thought about liking someone else—and she was still trying to get over all of that. But… Did she want to risk missing out on something that might be… really great? Keefe’s face filled her mind, flashing his trademark smirk.
”
”
Shannon Messenger (Stellarlune (Keeper of the Lost Cities, #9))
“
. . . why you are here in the first place,” Lend finished saying. His voice had a distinctly menacing tone.
“Why, to make you the best omelet you’ve ever had, of course.” There was a pause that I could only fill with my imagination. It involved Lend making I’m going to kill you motions with his hands. “Hey-oh,” Jack continued, “I rescued our girl Evie from the Center and helped her get to the Faerie Realms to save you.”
“Our girl is my girl. And that makes everything okay now?”
“It doesn’t,” I yelled. Would we never be able to have a quiet conversation again? “But it’s a start.”
“A start I intend to finish with this omelet,” Jack said, “because after you’ve eaten it, all will be forgiven.”
“I’m not eating anything you make,” Lend answered. I closed my eyes, listening to the sounds of the fridge opening and drawers shutting slightly harder than they needed to.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
I would like to see you cheat,” Elizabeth said impulsively, smiling at him.
His hands stilled, his eyes intent on her face. “I beg your pardon?”
“What I meant,” she hastily explained as he continued to idly shuffle the cards, watching her, “is that night in the card room at Charise’s there was mention of someone being able to deal a card from the bottom of the deck, and I’ve always wondered if you could, if it could…” She trailed off, belatedly realizing she was insulting him and that his narrowed, speculative gaze proved that she’d made it sound as if she believed him to be dishonest at cards. “I beg your pardon,” she said quietly. “That was truly awful of me.”
Ian accepted her apology with a curt nod, and when Alex hastily interjected, “Why don’t we use the chips for a shilling each,” he wordlessly and immediately dealt the cards.
Too embarrassed even to look at him, Elizabeth bit her lip and picked up her hand.
In it there were four kings.
Her gaze flew to Ian, but he was lounging back in his chair, studying his own cards.
She won three shillings and was pleased as could be.
He passed the deck to her, but Elizabeth shook her head. “I don’t like to deal. I always drop the cards, which Celton says is very irritating. Would you mind dealing for me?”
“Not at all,” Ian said dispassionately, and Elizabeth realized with a sinking heart that he was still annoyed with her.
“Who is Celton?” Jordan inquired.
“Celton is a groom with whom I play cards,” Elizabeth explained unhappily, picking up her hand.
In it there were four aces.
She knew it then, and laughter and relief trembled on her lips as she lifted her face and stared at her betrothed. There was not a sign, not so much as a hint anywhere on his perfectly composed features that anything unusual had been happening.
Lounging indolently in his chair, he quirked an indifferent brow and said, “Do you want to discard and draw more cards, Elizabeth?”
“Yes,” she replied, swallowing her mirth, “I would like one more ace to go with the ones I have.”
“There are only four,” he explained mildly, and with such convincing blandness that Elizabeth whooped with laughter and dropped her cards. “You are a complete charlatan!” she gasped when she could finally speak, but her face was aglow with admiration.
“Thank you, darling,” he replied tenderly. “I’m happy to know your opinion of me is already improving.”
The laughter froze in Elizabeth’s chest, replaced by warmth that quaked through her from head to foot. Gentlemen did not speak such tender endearments in front of other people, if at all. “I’m a Scot,” he’d whispered huskily to her long ago. “We do.” The Townsendes had launched into swift, laughing conversation after a moment of stunned silence following his words, and it was just as well, because Elizabeth could not tear her gaze from Ian, could not seem to move. And in that endless moment when their gazes held, Elizabeth had an almost overwhelming desire to fling herself into his arms. He saw it, too, and the answering expression in his eyes made her feel she was melting.
“It occurs to me, Ian,” Jordan joked a moment later, gently breaking their spell, “that we are wasting our time with honest pursuits.”
Ian’s gaze shifted reluctantly from Elizabeth’s face, and then he smiled inquisitively at Jordan. “What did you have in mind?” he asked, shoving the deck toward Jordan while Elizabeth put back her unjustly won chips.
“With your skill at dealing whatever hand you want, we could gull half of London. If any of our victims had the temerity to object, Alex could run them through with her rapier, and Elizabeth could shoot him before he hit the ground.”
Ian chuckled. “Not a bad idea. What would your role be?”
“Breaking us out of Newgate!” Elizabeth laughed.
“Exactly.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Rosalind knew she was right, knew there was something even deeper that prevented her from going back. Since she began something had always bothered her about tango: she still had no idea how people knew what the hell they were doing. The dance had no agreed upon formula, no designated rules, just collectively shared sequences that a leader could use interchangeably. It was a conversation, not a speech. This was what was so allegedly wonderful about it: it was an improvisation, a negotiation between two people. No choreography, no predetermined pattern, just endless unpredictable new formations. One couldn't dominate the other. It was--if not historically, at least ideally--a dance of equals. This struck her a lovely in principle and crazy-making in practice. How do you know what to do? "The man will lead you," her teachers told her. What if his lead doesn't make sense? "It will. Practice," Mariela had instructed brightly, unhelpfully.
”
”
Jennifer Vandever (American Tango)
“
I take a swig of booze. "I didn't do it. The surgery." "I heard," he says. "Can I ask why not?" I shrug, not because I don't know but because I don't feel like rehashing his role in my decision. "You know when you're hanging out with people and you have to leave early? Everyone tells you to stay, but you have to co, so you do a round of goodbyes and hugs and everything. Then, you're at the door, and you glance back, and you want everyone to still be staring after you, waving. But they've all already gone back to their conversation. You're not missed at all." I gaze out at the ocean, the endless shifting expanse. "That's what makes me feel sad about dying. That after I'm gone and everyone has said goodbye, life just goes on without me." "You're worried about leaving a legacy?" Cooper asks. "What you'll be remembered for?" "More like, I'll just miss life. Life. I'll miss being a part of it. I'll miss weddings and the ocean and music and champagne. I'll miss the drama and the gossip and the news and New York. I'll just miss it.
”
”
Georgia Clark (The Bucket List)
“
In ways that he was unaware of, his private conversation had become progressively theological. More and more, he thought about God, and because of that, the meaning and purpose of his life. But rather than letting what the Bible says about God help him interpret the overwhelming circumstances he was facing, he let his circumstances redefine his view of God. How could a loving God let this happen to anyone? Where were all God’s promises? Why didn’t God answer his prayers? Why were other people being blessed while he got cursed? Why didn’t God use his power to help him? Why was God punishing him? Why had God turned his back on him? Why didn’t God do something to help him? Why? The Bible didn’t answer his questions because he no longer had faith in what it said, and he knew that his pastor and Christian friends would offer him the same tired platitudes that he had once repeated to others in need. His love for God began to morph into anger at God. Worship devolved into an angry demand for change. The faith that had shaped his life now seemed to be a grand trick played on weak people. In his endless and dark conversation with himself, he finally concluded that if there was a God, he was not good or worthy of his trust. And in that moment he was all alone in his overwhelming and increasingly debilitating circumstances.
”
”
Paul David Tripp (Suffering: Gospel Hope When Life Doesn't Make Sense)
“
It was his fault.She could put the blame for this entirely on Brian Donnelly's shoudlers.If he hadn't been so insufferable,if he hadn't been there being insufferable when Chad had called, she wouldn't have agreed to go out to dinner.And she wouldn't have spent nearly four hours being bored brainless when she could've been doing something more useful.
Like watching paint dry.
There was nothing wrong with Chad, really.If you only had,say,half a brain, no real interest outside of the cut of this year's designer jacket and were thrilled by a rip-roaring debate over the proper way to serve a triple latte,he was the perfect companion.
Unfortunately,she didn't gualify on any of those levels.
Right now he was droning on about the painting he'd bought at a recent art show. No,not the painting,Keeley thought wearily. A discussion of the painting,of art,might have been the medical miracle that prevented her from slipping into a coma.But Chad was discoursing-no other word for it-on The Investment.
He had the windows up and the air conditioning clasting as they drove. It was a perfectly beautiful night, she mused, but putting the windows down meant Chad's hair would be mussed. Couldn't have that.
At least she didn't have to attempt conversation. Chad preferred monologues.
What he wanted was an attractive companion of the right family and tax bracket who dressed well and would sit quietly while he pontificated on the narrow areas of his interest.
Keeley was fully aware he'd decided she fit the bill,and now she'd only encouraged him by agreeing to this endlessly tedious date.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
For most people, having company for more than three of four days is a serious mistake, the equivalent to sawing a large hole in the roof and leaving all the doors and windows open in the middle of winter. Out of a desire to be helpful or the need to be kind, they let themselves in for prolonged spells of entertaining, forfeit their privacy and their easy understanding, knowing that the result will be an estrangement―however temporary―between husband and wife, and that nothing proportionate to this is to be gained by the giving up of beds, the endless succession of heavy meals, the afternoon drives. Either the human race is incurably hospitable or else people forget from one time to the next, as women forget the pains of labor, how weeks and months are lost that can never be recovered.
The guest also loses―even the so-called easy guest who makes her own bed, helps with the dishes and doesn't require entertaining. She sees things no outsider should see, overhears whispered conversations about herself from two rooms away, finds old letters in books, and is sooner or later the cause of and witness to scenes that because of her presence do not clear the air. When she has left, she expects to go on being a part of the family she has stayed with so happily and for so long; she expects to be remembered; instead of which, her letters, full of intimate references and family jokes, go unanswered. She sends beautiful presents to the children at a time when she really cannot afford any extravagance and the presents also go unacknowledged. In the end her feelings are hurt, and she begins to doubt―quite unjustly―the genuineness of the family's attachment to her.
”
”
William Maxwell (Time Will Darken It)
“
But wait, stop, it’s not supposed to end this way! You’re the fantasy, you’re what I’m leaving behind. I can’t pack you up and take you with me.”
“That was the most self-centered thing I’ve ever heard you say.”
Jane blinked. “It was?”
“Miss Hayes, have you stopped to consider that you might have this all backward? That in fact you are my fantasy?”
The jet engines began to whir, the pressure of the cabin stuck invisible fingers into her ears. Henry gripped his armrest and stared ahead as though trying to steady the machine by force of will. Jane laughed at him and settled into her seat. It was a long flight. There would be time to get more answers, and she thought she could wait. Then in that moment when the plane rushed forward as though for its life, and gravity pushed down, and the plane lifted up, and Jane was breathless inside those two forces, she needed to know now.
“Henry, tell me which parts were true.”
“All of it. Especially this part where I’m going to die…” His knuckles were literally turning white as he held tighter to the armrests, his eyes staring straight ahead.
The light gushing through the window was just right, afternoon coming at them with the perfect slant, the sun grazing the horizon of her window, yellow light spilling in. She saw Henry clearly, noticed a chicken pox scar on his forehead, read in the turn down of his upper lip how he must have looked as a pouty little boy and in the faint lines tracing away from the corners of his eyes the old man he’d one day become. Her imagination expanded. She had seen her life like an intricate puzzle, all the boyfriends like dominoes, knocking the next one and the next, an endless succession of falling down. But maybe that wasn’t it at all. She’d been thinking so much about endings, she’d forgotten to allow for the possibility of a last one, one that might stay standing.
Jane pried his right hand off the armrest, placed it on the back of her neck and held it there. She lifted the armrest so nothing was between them and held his face with her other hand. It was a fine face, a jaw that fit in her palm. She could feel the whiskers growing back that he’d shaved that morning. He was looking at her again, though his expression couldn’t shake off the terror, which made Jane laugh.
“How can you be so cavalier?” he asked. “Tens of thousands of pounds expected to just float in the air?”
She kissed him, and he tasted so yummy, not like food or mouthwash or chapstick, but like a man. He moaned once in surrender, his muscles relaxing.
“I knew I really liked you,” he said against her lips.
His fingers pulled her closer, his other hand reached for her waist. His kisses became hungry, and she guessed that he hadn’t been kissed, not for real, for a long time. Neither had she, as a matter of fact. Maybe this was the very first time. There was little similarity to the empty, lusty making out she’d played at with Martin. Kissing Henry was more than just plain fun. Later, when they would spend straight hours conversing in the dark, Jane would realize that Henry kissed the way he talked--his entire attention taut, focused, intensely hers. His touch was a conversation, telling her again and again that only she in the whole world really mattered. His lips only drifted from hers to touch her face, her hands, her neck.
And when he spoke, he called her Jane.
Her stomach dropped as they fled higher into the sky, and they kissed recklessly for hundreds of miles, until Henry was no longer afraid of flying.
”
”
Shannon Hale (Austenland (Austenland, #1))
“
Here’s the second way a conversation with an MS employee ends. (MS—oh, God, they’ve got me doing it now!) Let’s say I’m at the playground with my daughter. I’m bleary-eyed, pushing her on the swings, and one swing over there’s an outdoorsy father—because fathers only come in one style here, and that’s outdoorsy. He has seen a diaper bag I’m carrying which isn’t a diaper bag at all, but one of the endless “ship gifts” with the Microsoft logo Elgie brings home. OUTDOORSY DAD: You work at Microsoft? ME: Oh, no, my husband does. (Heading off his next question at the pass) He’s in robotics. OUTDOORSY DAD: I’m at Microsoft, too. ME: (Feigning interest, because really, I could give a shit, but wow, is this guy chatty) Oh? What do you do? OUTDOORSY DAD: I work for Messenger. ME: What’s that? OUTDOORSY DAD: You know Windows Live? ME: Ummm… OUTDOORSY DAD: You know the MSN home page? ME: Kind of… OUTDOORSY DAD: (Losing patience) When you turn on your computer, what comes up? ME: The New York Times. OUTDOORSY DAD: Well, there’s a Windows home page that usually comes up. ME: You mean the thing that’s preloaded when you buy a PC? I’m sorry, I have a Mac. OUTDOORSY DAD: (Getting defensive because everyone there is lusting for an iPhone, but there’s a rumor that if Ballmer sees you with one, you’ll get shitcanned. Even though this hasn’t been proven, it hasn’t been disproven either.) I’m talking about Windows Live. It’s the most-visited home page in the world. ME: I believe you. OUTDOORSY DAD: What’s your search engine? ME: Google. OUTDOORSY DAD: Bing’s better. ME: No one said it wasn’t. OUTDOORSY DAD: If you ever, once, went to Hotmail, Windows Live, Bing, or MSN, you’d see a tab at the top of the page that says “Messenger.” That’s my team. ME: Cool! What do you do for Messenger? OUTDOORSY DAD: My team is working on an end-user, C Sharp interface for HTML5…
”
”
Maria Semple (Where'd You Go, Bernadette)
“
Early in the boob-emerging years, I had no boobs, and I was touchy about it. Remember in middle school algebra class, you’d type 55378008 on your calculator, turn it upside down, and hand it to the flat-chested girl across the aisle? I was that girl, you bi-yotch. I would have died twice if any of the boys had mentioned my booblets.
Last year, I thought my boobs had progressed quite nicely. And I progressed from the one-piece into a tankini. But I wasn’t quite ready for any more exposure. I didn’t want the boys to treat me like a girl.
Now I did. So today I’d worn a cute little bikini. Over that, I still wore Adam’s cutoff jeans. Amazingly, they looked sexy, riding low on my hips, when I traded the football T-shirt for a pink tank that ended above my belly button and hugged my figure. I even had a little cleavage. I was so proud. Sean was going to love it.
Mrs. Vader stared at my chest, perplexed. Finally she said, “Oh, I get it. You’re trying to look hot.”
“Thank you!” Mission accomplished.
“Here’s a hint. Close your legs.”
I snapped my thighs together on the stool. People always scolded me for sitting like a boy. Then I slid off the stool and stomped to the door in a huff. “Where do you want me?”
She’d turned back to the computer. “You’ve got gas.”
Oh, goody. I headed out the office door, toward the front dock to man the gas pumps. This meant at some point during the day, one of the boys would look around the marina office and ask, “Who has gas?” and another boy would answer, “Lori has gas.” If I were really lucky, Sean would be in on the joke.
The office door squeaked open behind me. “Lori,” Mrs. Vader called. “Did you want to talk?”
Noooooooo. Nothing like that. I’d only gone into her office and tried to start a conversation. Mrs. Vader had three sons. She didn’t know how to talk to a girl. My mother had died in a boating accident alone on the lake when I was four. I didn’t know how to talk to a woman. Any convo between Mrs. Vader and me was doomed from the start.
“No, why?” I asked without turning around. I’d been galloping down the wooden steps, but now I stepped very carefully, looking down, as if I needed to examine every footfall so I wouldn’t trip.
“Watch out around the boys,” she warned me.
I raised my hand and wiggled my fingers, toodle-dee-doo, dismissing her. Those boys were harmless. Those boys had better watch out for me.
”
”
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
“
Suddenly I realized I was standing on the hot wood of the dock, still touching elbows with Adam, staring at the skull-and-crossbones pendant. And when I looked up into his light blue eyes, I saw that he was staring at my neck. No. Down lower.
“What’cha staring at?” I asked.
He cleared his throat. “Tank top or what?” This was his seal of approval, as in, Last day of school or what? or, Dallas Cowboys Cheerleaders or what? Hooray! He wasn’t Sean, but he was built of the same material. This was a good sign.
I pumped him for more info, to make sure. “What about my tank top?”
“You’re wearing it.” He looked out across the lake, showing me his profile. His cheek had turned bright red under his tan. I had embarrassed the wrong boy. Damn, it was back to the football T-shirt for me.
No it wasn’t, either. I couldn’t abandon my plan. I had a fish to catch.
“Look,” I told Adam, as if he hadn’t already looked. “Sean’s leaving at the end of the summer. Yeah, yeah, he’ll be back next summer, but I’m afraid I won’t be able to compete once he’s had a taste of college life and sorority girls. It’s now or never, and desperate times call for desperate tank tops.”
Adam opened his mouth to say something. I shut him up by raising my hand. Imitating his deep boy-voice, I said, “I don’t know why you want to hook up with that jerk.” We’d had this conversation whenever we saw each other lately. I said in my normal voice, “I just do, okay? Let me do it, and don’t get in my way. Stay out of my net, little dolphin.” I bumped his hip with my hip. Or tried to, but he was a lot taller than me. I actually hit somewhere around his mid-thigh.
He folded his arms, stared me down, and pressed his lips together. He tried to look grim. I could tell he was struggling not to laugh. “Don’t call me that.”
“Why not?”
“Dolphins don’t live in the lake,” he said matter-of-factly, as if this were the real reason. The real reason was that the man-child within him did not want to be called “little” anything. Boys were like that.
I shrugged. “Fine, little brim. Little bass.”
He walked toward the stairs.
“Little striper.”
He turned. “What if Sean actually asked you out?”
I didn’t want to be teased about this. It could happen! “You act like it’s the most remote poss-“
“He has to ride around with the sunroof open just so he can fit his big head in the truck. Where would you sit?”
“In his lap?”
A look of disgust flashed across Adam’s face before he jogged up the stairs, his weight making the weathered planks creaked with every step.
”
”
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
“
In the entire endless evening his serenity received a jolt only a few times. The first was when someone who didn’t know who he was confided that only two months ago Lady Elizabeth’s uncle had sent out invitations to all her former suitors offering her hand in marriage.
Suppressing his shock and loathing for her uncle, Ian had pinned an amused smile on his face and confided, “I’m acquainted with the lady’s uncle, and I regret to say he’s a little mad. As you know, that sort of thing runs,” Ian had finished smoothly, “in our finest families.” The reference to England’s hopeless King George was unmistakable, and the man had laughed uproariously at the joke. “True,” he agreed. “Lamentably true.” Then he went off to spread the word that Elizabeth’s uncle was a confirmed loose screw.
Ian’s method of dealing with Sir Francis Belhaven-who, his grandfather had discovered, was boasting that Elizabeth had spent several days with him-was less subtle and even more effective. “Belhaven,” Ian said after spending a half hour searching for the repulsive knight.
The stout man had whirled around in surprise, leaving his acquaintances straining to hear Ian’s low conversation with him. “I find your presence repugnant,” Ian had said in a dangerously quiet voice. “I dislike your coat, I dislike your shirt, and I dislike the knot in your neckcloth. In fact, I dislike you. Have I offended you enough yet, or shall I continue?”
Belhaven’s mouth dropped open, his pasty face turning a deathly gray. “Are-are you trying to force a-duel?”
“Normally one doesn’t bother shooting a repulsive toad, but in this instance I’m prepared to make an exception, since this toad doesn’t know how to keep his mouth shut!”
“A duel, with you?” he gasped. “Why, it would be no contest-none at all. Everyone knows what sort of marksman you are. It would be murder.”
Ian leaned close, speaking between his clenched teeth. “It’s going to be murder, you miserable little opium-eater, unless you suddenly remember very vocally that you’ve been joking about Elizabeth Cameron’s visit.”
At the mention of opium the glass slid from his fingers and crashed to the floor. “I have just realized I was joking.”
“Good,” Ian said, restraining the urge to strangle him. “Now start remembering it all over this ballroom!”
“Now that, Thornton,” said an amused voice from Ian’s shoulder as Belhaven scurried off to begin doing as bidden, “makes me hesitate to say that he is not lying.” Still angry with Belhaven, Ian turned in surprise to see John Marchman standing there. “She was with me as well,” Marchman sad. “All aboveboard, for God’s sake, so don’t look at me like I’m Belhaven. Her aunt Berta was there every moment.”
“Her what?” Ian said, caught between fury and amusement.
“Her Aunt Berta. Stout little woman who doesn’t say much.”
“See that you follow her example,” Ian warned darkly.
John Marchman, who had been privileged to fish at Ian’s marvelous stream in Scotland, gave his friend an offended look. “I daresay you’ve no business challenging my honor. I was considering marrying Elizabeth to keep her out of Belhaven’s clutches; you were only going to shoot him. It seems to me that my sacrifice was-“
“You were what?” Ian said, feeling as if he’d walked in on a play in the middle of the second act and couldn’t seem to hold onto the thread of the plot or the identity of the players.
“Her uncle turned me down. Got a better offer.”
“Your life will be more peaceful, believe me,” Ian said dryly, and he left to find a footman with a tray of drinks.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
What I’ll never forget was that, during the whole conversation, Jesus was endlessly patient, gentle, and mesmerizing. He seemed light of spirit, with a sense of humor.
”
”
Mary C. Neal (7 Lessons from Heaven: How Dying Taught Me to Live a Joy-Filled Life)
“
The love of books was an instant connection, and a true boon for a girl who tended toward shyness, because it was a source of endless conversation. A hundred questions sprang up in her mind, jostling with each other to reach the front of the queue. Did he prefer essays, dramas, novels, poems? How many books had he read, and in which languages? Which ones had he read again and again? Which ones had felt as though they’d been written just for him?
”
”
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
“
I can breathe because I want to look at the moon endlessly and have these conversations with him.
”
”
Khushboo Aneja (If Anyone Could Have Saved Me)
“
A pessimistic orientation does not seek accommodations with the system. We share the goal of the undercommons, which “is not to end the troubles but to end the world that created those particular troubles as the ones that must be opposed” (Halberstam 2013, 9). Moten and Harney don’t play the liberal game of reform; they are constantly reframing the problems at hand. What questions we ask are crucial—for bad questions yield worse answers, ones that compound the problem. On prison abolition, their intervention is decisive and reconfigures the coordinates of the debate: for them, it is “not so much the abolition of prisons but the abolition of a society that could have prisons, that could have slavery” (Moten and Harney 2013, 42). How do you abolish a society? How do you fight state power? Is anti-statism, ethical (that is, nonviolent) anarchism, the only solution? Is it a solution? Or do you dare to seize power, as with the example of Morales? A universal politics takes these questions to heart. For this reason, its skeptical negativity is put into the service of a more virtuous end: locating antagonisms, rather than settling for conflicts or pseudo-struggles. Its challenge is to sustain the antagonistic logic of class struggle, and avoid the comfort of static oppositions. The cultural Left has its enemies (Trump, Putin, Le Pen, Erdoğan, Modi, Duterte, Netanyahu, Orbán, Bolsonaro, Suu Kyi, MBS, etc.)—and, conversely, notorious leaders blame liberal media, demonizing bad press with the “enemy of the people” charge—but nothing really changes; the basic features or coordinates of the current society remain the same. Worse, the liberal capitalist system is legitimized (only in a free democracy can you, as a citizen, criticize tyrants abroad and, more importantly, express your outrage at the president, politicians, or state power without the fear of retribution) and the cultural Left is tacitly compensated for playing by the rules—for practicing non-antagonistic politics, for forgoing class insurgency and not engaging in class war (Žižek 2020f)—rewarded with “libidinal profit” (Žižek 1997b, 47), with what Lacan calls a “surplus-enjoyment” (2007, 147), an enjoyment-in-sacrifice. That is to say, cultural leftists, with their “Beautiful Souls” intact, enjoy not being a racist, a misogynist, a transphobe, an ableist, and so on. Hating the haters, the morally repulsive, the fascists of the world, is indeed an endless source of libidinal satisfaction for “woke” liberals. But what changes does it actually produce?
”
”
Zahi Zalloua (Universal Politics)
“
Immature people will not receive loving truth, no matter how gently you offer it. You can agonize over what to say, endlessly rehearse your future conversation, and then deliver your pearls of wisdom in a tone more tender than Florence Nightingale—and in the end, it won’t help. The immature want what they want, when they want it, and how they want it, even if having what they want damages you.
”
”
Paul Coughlin (No More Christian Nice Girl: When Just Being Nice--Instead of Good--Hurts You, Your Family, and Your Friends)
“
Your dreams, values, memories, and stories make for endlessly interesting conversations. If you hear a dream or goal you like from someone else, steal it! p135
”
”
Vicki Robin (Your Money or Your Life)
“
Stories have no beginning and no end, only doors through which one may enter them.
A story is an endless labyrinth of words, images and spirits, conjured up to show us the invisible truth about ourselves. A story is, after all, a conversation between the narrator and the reader, and just as narrators can only relate as far as their ability will permit, so too readers can only read as far as what is already written in their souls.
This is the golden rule that sustains every artifice of paper and ink. Because when the lights go out, when the music ends and the stalls are empty again, the only thing that matters is the mirage that has been engraved in the theater of the imagination all readers hold in their mind. This, and the hope every maker of tales carries within: that readers will open their hearts to these little creatures made of ink and paper, and give them a part of themselves so they can be immortal, even if only for a few minutes.
”
”
Carlos Ruiz Zafón (El laberinto de los espíritus (El cementerio de los libros olvidados, #4))
“
Intimacy is mutual self-revelation. It is two people constantly discovering and rediscovering each other. It is an endless process because our personalities have an endless number of layers. Conversation, shared experiences, and simply spending time together peel back these layers and reveal new and different aspects of our personalities. Intimacy is also a constant rediscovering because our preferences change, our hopes and dreams change, and as a result so does the way we want to spend our days and weeks. Intimacy takes time.
”
”
Matthew Kelly (The Seven Levels of Intimacy: The Art of Loving and the Joy of Being Loved)
“
A monk's day begins with cleaning. We don't do this because the temple is dirty or messy. We do it to eliminate the suffering in our hearts.
We sweep dust to remove our worldly desires. We scrub dirt to free ourselves of attachments.
The Zen sect of Buddhism is renowned for the cleaning practices of its monks, but cleaning is greatly valued in Japanese Buddhism in general as a way to "cultivate the mind".
Daily housework is an opportunity to contemplate the self.
The Japanese idea of not being wasteful is not just about avoiding waste - it also embodies a spirit of gratitude toward objects. People who don't respect objects don't respect people.
Cleaning should be done in the morning. Cleaning quietly while the silence envelops you - before other people and plants awaken - refreshes and clears your mind.
In the world of Buddhism, reusing items is a standard that guides our day-to-day lives.
To remove impurities from your heart, be sure to keep the bathroom sparkling clean.
Cleaning is training for staying in the now. Therein lies the reason for being particular about cleanliness.
It is important to express gratitude at the changing of the seasons. Only those who do this truly know how to achieve closure in their feelings.
In order to remove impurities from the heart, you must reduce wastefulness in your heart.
People who endlessly chase after new things have lost their freedom to earthly desires. Only those who can enjoy using their imaginations when working with limited resources know true freedom.
It is vital that you get rid of anything that you do not need.
Hospitality starts with cleanliness.
There is an old Zen teaching that says that if you haven't washed your face, everything you do throughout the day will be impolite and hasty.
Succumbing to sleep gluttony is giving in to your wordly desires. Idly sleeping your days away is no way to live.
Quite honestly, a life free of possessions is very comfortable.
There are some things you start to realize when living the Zen life of simplicity, namely, that you only keep things of good quality. Conversely, if you are surrounded only by poor-quality objects that you don't care about, it is impossible to understand what it is to truly value something.
There is an old Zen saying that goes: "Where there is nothing, there is everything." By letting go of everything, you can open up a universe of unlimited possibilities.
”
”
Shoukei Matsumoto (A Monk’s Guide to A Clean House & Mind)
“
Conversations here follow the same pattern. An endless back-and-forth relay of absolute pointlessness. No question demands an honest answer. A question is asked as an exercise in formal behaviour. Questions that are greetings. Questions that are placeholders. Questions that fill awkward gaps. Questions to suggest an interest that does not exist. Questions that pretend to listen. Never, ever a question that seeks to know.
”
”
Meena Kandasamy (When I Hit You: Or, A Portrait of the Writer as a Young Wife)
“
And in trying to protect the image of God in them, we just might be protecting the image of God in ourselves in the process. Because with every decision, conversation, gesture, comment, action, and attitude, we're inviting heaven or hell to earth.
”
”
Rob Bell (Sex God: Exploring the Endless Connections Between Sexuality and Spirituality)
“
As we argue vociferously for our view, we often fail to question one crucial assumption upon which our whole stance in the conversation is built: I am right, you are wrong. This simple assumption causes endless grief.
”
”
Douglas Stone (Difficult Conversations: How to Discuss What Matters Most)
“
So in general anything can have a variety of grounds; each determination of its content, as self-identical, pervades the whole and can therefore be considered essential; the door is wide open to innumerable aspects, that is, determinations, lying outside the thing itself, on account of the contingency of their mode of connection. Therefore whether a ground has this or that consequent is equally contingent. Moral motives, for example, are essential determinations of the ethical nature, but what follows from them is at the same time an externality distinct from them, which follows and also does not follow from them; it is only through a third that it is attached to them. More accurately this is to be understood in this way, that if the moral motive is a ground, it is not contingent to it whether it has or has not a consequent or a grounded, but it is contingent whether it is or is not made a ground at all. But again, since the content which is the consequent of the moral motive, if this has been made the ground, has the nature of externality, it can be immediately sublated by another externality. Therefore an action may, or may not, issue from a moral motive. Conversely, an action can have various grounds; as a concrete, it contains manifold essential determinations, each of which can therefore be assigned as ground. The search for and assignment of grounds, in which argumentation mainly consists, is accordingly an endless pursuit which does not reach a final determination; for any and every thing one or more good grounds can be given, and also for its opposite; and a host of grounds can exist without anything following from them. What Socrates and Plato call sophistry is nothing else but argumentation from grounds; to this, Plato opposes the contemplation of the Idea, that is, of the subject matter in and for itself or in its Notion. Grounds are taken only from essential determinations of a content, essential relationships and aspects, and of these every subject matter, just like its opposite, possesses several; in their form of essentiality, one is as valid as another; because it does not embrace the whole extent of the subject matter, each is a one-sided ground, the other particular sides having on their part particular grounds, and none of them exhausts the subject matter which constitutes their togetherness [Verknüpfung] and contains them all; none is a sufficient ground, that is, the Notion.
”
”
Georg Wilhelm Friedrich Hegel
“
This is a crucial question. The way I have been talking about ‘this civilisation’ (as finished) has been shorthand. What for? Basically, for what Joanna Macy calls ‘industrial growth society’. That is what is finished. The fantasy of endless ‘progress’ (aka endless economic growth) is dead.
”
”
Rupert Read (This Civilisation is Finished: Conversations on the end of Empire - and what lies beyond)
“
Stories have no beginning and no end, only doors through which one may enter them. A story is an endless labyrinth of words, images and spirits, conjured up to show us the invisible truth about ourselves. A story is, after all, a conversation between the narrator and the reader, and just as narrators can only relate as far as their ability will permit, so too readers can only read as far as what is already written in their souls.
”
”
Carlos Ruiz Zafón (El laberinto de los espíritus (El cementerio de los libros olvidados, #4))
“
Instead I attempted to fit in by following the Joneses into hardcore HIIT classes and fancy lunches and endless conversations about shopping and home improvements and Range Rovers. None of which made me feel any better about my new life situation. It also meant that when the shit hit the fan in 2017, I had no regular yoga class to soothe my stressed-out soul.
”
”
Emma Howarth (A Year of Mystical Thinking: Make Life Feel Magical Again)
“
It’s not, at least as I have internalized it, about perfectionism at all costs (something Roone wasn’t especially concerned about). Instead, it’s about creating an environment in which you refuse to accept mediocrity. You instinctively push back against the urge to say There’s not enough time, or I don’t have the energy, or This requires a difficult conversation I don’t want to have, or any of the many other ways we can convince ourselves that “good enough” is good enough.
Decades after I stopped working for Roone, I watched a documentary, Jiro Dreams of Sushi, about a master sushi chef from Tokyo named Jiro Ono, whose restaurant has three Michelin stars and is one of the most sought-after reservations in the world. In the film, he’s in his late eighties and still trying to perfect his art. He is described by some as being the living embodiment of the Japanese word shokunin, which is “the endless pursuit of perfection for some greater good.
”
”
Robert Iger (The Ride of a Lifetime: Lessons Learned from 15 Years as CEO of the Walt Disney Company)
“
Once the argument starts, you can neither win nor lose. The only options left are to keep arguing endlessly or walk out.
”
”
Sukant Ratnakar (Quantraz)
“
It feels like a conversation that you never want to end, I suppose. A renewable energy source. You know how with some people you can't get chatting off the ground. They're hard work? Falling in love is the extreme opposite. Endless fascination. It's effortless. A spark turns into a flame turns into a fire. That doesn't go out.
”
”
Mhairi McFarlane (If I Never Met You)
“
This is an end to the endless twisting in the gut, the endless waiting on the edges of conversations, the endless knowing but trying not to know.
”
”
Beth O'Leary (The Flatshare (The Flatshare, #1))
“
Soon, the whole idea of Deity was subverted. Instead of being the source of all love, it became the source of all fear. A model of love which was largely feminine—the endlessly tolerant love of a mother for a child, and yes, even of a woman for her not-too-bright, but, after all, useful man, was replaced by the jealous, wrathful love of a demanding, intolerant God who would brook no interference, allow no insouciance, ignore no offense.
”
”
Neale Donald Walsch (The Complete Conversations with God)
“
Earth may be alive: not as the ancients saw her—a sentient Goddess with a purpose and foresight—but alive like a tree. A tree that quietly exists, never moving except to sway in the wind, yet endlessly conversing with the sunlight and the soil. Using sunlight and water and nutrient minerals to grow and change. But all done so imperceptibly, that to me the old oak tree on the green is the same as it was when I was a child. —JAMES LOVELOCK
”
”
Richard Powers (The Overstory)
“
Grace Compassion is a grace that allows for the flow of impersonal love toward others. Compassion expands your heart and anesthetizes your judgment of others. You are often inspired with the desire to embrace the other, but not from sentiment or pity. Rather, the deeper humanitarian cords that unite us as human beings animate within you. Lord, Compassion is a powerful grace. It does not discriminate. Having a compassionate heart can be risky. But what other choice is there? If I look upon others with harsh judgment, I must imagine myself in their shoes—because what I do to another person, I am doing to myself. So, open my heart to Compassion, Lord. Hover over me with endless guidance as I learn to live as one with all sentient beings. 11 Make ME RESILIENT Prayer I MARVEL AT THE RESILIENCE of nature, Lord.
”
”
Caroline Myss (Intimate Conversations with the Divine: Prayer, Guidance, and Grace)
“
And every social reality-tunnel perpetuates itself by basically the same techniques as advertising, of which the chief is repetition. This is maintained half-consciously, by group reinforcement. "Birds of a feather flock together." You do not see many Roman Catholics in Methodist churches, nor do a large number of Marxists sit in the cabinets of Mrs. Thatcher and Mr. Reagan. The signals (speech units) that maintain the group-reality are repeated endlessly and quite cheerfully, while others are edited out by selection of who gets in. As Dr. Timothy Leary once remarked, most domesticated primate conversation consists of variations on “I’m still here. Are you still there?" and "Business as usual. Nothing has changed.
”
”
Robert Anton Wilson (The New Inquisition: Irrational Rationalism and the Citadel of Science)
“
While she sits at the dining table, or writes letters on the porch, or reads to her mother in her room, Olympia invents dialogue and debate with Haskell and weaves amusing anecdotes for him around the most seemingly banal events of her daily life. In truth, her normal routines appear now to exist solely for the purpose of self-revelation, of revealing herself to a man she hardly knows. But though she repeats the same conversations and scenes over and over in her mind, she cannot exhaust them....Even so, she tortures herself with her endless imaginings, and there is no hour in which Haskell does not dominate her thoughts.
”
”
Anita Shreve (Fortune's Rocks (Fortune's Rocks Quartet, #1))
“
We advertise good friendships as part of the Complete Teenage Experience, because good friendships make for great stories. Content creators romanticize adolescent friendships the same way Hallmark movies treat love: there is a lid for every pot, a yin for every yang, and a savior for every screwup. Turn on any Netflix original movie about teenagers or read any great YA book, and you will see that the perfect sidekick (funny! supportive! quirky! endlessly loyal!) is a fixture in each teen’s life. In reality, middle school friendships play out less like Netflix originals, and more like those toy commercials that came on during Saturday morning cartoons when we were kids. As an only child, I remember yearning to have the same fun those kids were having, begging my parents for the Barbie Jeep or Hot Wheels Track until they gave in. But soon after ripping the toy from its packaging, I came to the stark realization that it was nothing like advertised. Those kids were only pretending to have fun, the set designers made the toys seem infinitely cooler than they actually were, and more often than not, we didn’t even have the right-sized batteries. What a colossal disappointment! Especially when those kids on TV looked like they were having the time of their lives.
”
”
Michelle Icard (Fourteen Talks by Age Fourteen: The Essential Conversations You Need to Have with Your Kids Before They Start High School)
“
In the seemingly endless battle to deny the reality of forced conversion and marriages of minority’s girls, Pakistani lawmakers around the country have repurposed silence to add the cruel effect.
”
”
Qamar Rafiq
“
I walked and drove and questioned and walked and held endless internal conversations with him.
”
”
Jojo Moyes (After You (Me Before You, #2))
“
We cannot endlessly expand the economy and still be green; it’s oxymoronic. We can’t keep growing the cake when the ingredients are running out and the kitchen is filling with smoke.
”
”
Rupert Read (This Civilisation is Finished: Conversations on the end of Empire - and what lies beyond)
“
He seemed calmed by the familiar banter. She had learned to play this game expertly over time, the game of endlessly countering and counter-countering and punning, a uniquely American mechanical spiral of conversation whose pleasure was purely semantic and whose meaning was always secondary to the way it was said.
”
”
Elvia Wilk (Oval)
“
We hear communities endlessly debating whether this is good or bad for their community, and the hard truth is that when you’re one of these towns, you don’t get to make that decision,” Rumore told us. “This change will happen whether they like it or not, so instead the conversation needs to be ‘How do you protect the things you hold dear?’ ”
A big hurdle, Rumore admits, is that many of these desirable rural western communities are politically polarized: liberal enclaves in a sea of deep conservatism. The ideological split can make something as seemingly straightforward as a community meeting incredibly fraught.
But residents of smaller gateway communities tend to share a love of place—its natural beauty, or its seclusion, or its history. When you frame discussions around what’s worth preserving, it can bring people together, even if they disagree on the way to actually go about protecting the places and spaces they love.
”
”
Anne Helen Petersen (Out of Office: The Big Problem and Bigger Promise of Working from Home)
“
This book serves as a reminder that the only sign of life is growth, and it provides a guide for following a growth path. No one has to be doomed to a life controlled by anxieties in which we allow our careers, not to mention our souls, to fade away. Life can be an endless adventure of possibilities. Through self-awareness, with a support network to help us along the way and over the rough patches, with a specific plan, by putting one foot in front of another, you can fly without a net. You can move past the fears and stories of your past that have paralyzed you into inaction. You can rid yourself of the constant internal conversation you have had in the past that froze you in one job, one place, one time.
”
”
Thomas J. DeLong (Flying Without a Net: Turn Fear of Change into Fuel for Success)
“
A story is an endless labyrinth of words, images and spirits, conjured up to show us the invisible truth about ourselves. A story is, after all, a conversation between the narrator and the reader, and just as narrators can only relate as far as their ability will permit, so too readers can only read as far as what is already written in their souls.
”
”
Carlos Ruiz Zafón (El laberinto de los espíritus (El cementerio de los libros olvidados, #4))
“
The point is not that there is no reality outside our mind, the point is rather that there is no mind outside reality. The distortion of reality occurs precisely because our mind is part of reality. So when Lenin claims that we can only arrive at objective reality in an endless asymptotic process of approximation, what he overlooks is that our distortions of reality occur precisely because we are part of reality and therefore do not have a neutral view of it: our perception distorts reality because the observer is part of the observed. It is this universalized perspectivism which, I think, contains a radically materialist position.
”
”
Slavoj Žižek (Conversations with Žižek)
“
The first step toward building an endless pipeline of new customers is acknowledging the truth and stepping back from your emotional need to find Easy Street. In sales, easy is the mother of mediocrity, and in your life, mediocrity is like a broke uncle. Once he moves into your house, it is nearly impossible to get him to leave.
”
”
Jeb Blount (Fanatical Prospecting: The Ultimate Guide to Opening Sales Conversations and Filling the Pipeline by Leveraging Social Selling, Telephone, Email, Text, and Cold Calling (Jeb Blount))
“
All Praise to Thee, My God, This Night
All praise to Thee, my God, this night
For all the blessings of the light.
Keep me, oh, keep me, King of kings,
Beneath Thy own almighty wings.
2. Forgive me, Lord, for Thy dear Son,
The ill that I this day have done
That with the world, myself and Thee,
I, ere I sleep, at peace may be.
3. Teach me to live that I may dread
The grave as little as my bed.
Teach me to die that so I may
Rise glorious at the awe-ful Day.
4. Oh, may my soul on Thee repose,
And may sweet sleep mine eyelids close,
Sleep that shall me more vigorous make
To serve my God when I awake.
5. When in the night I sleepless lie,
My soul with heavenly thoughts supply;
Let no ill dreams disturb my rest,
No powers of darkness me molest.
6. Dull Sleep of Sense me to deprive,
I am but half my time alive;
Thy faithful Lovers, Lord, are griev'd,
To lye so long of Thee bereav'd.
7. But though Sleep o'er my frailty Reigns
Let it not hold me long in Chains;
And now and then let lose my Heart,
Till it an Hallelujah dart.
8. The faster Sleep the Senses binds,
The more unfetter'd are our Minds;
O may my Soul, from matter free,
Thy loveliness unclouded see!
9. O when shall I in endless Day,
Forever chase dark Sleep away,
And Hymns with the Supernal Choir
Incessant Sing and never tyre!
10. O may my Guardian while I sleep
Close to my Bed his Vigils keep,
His Love Angelical instill,
Stop all the Avenues of Ill.
11. May he Celestial Joys rehearse,
And thought to thought with me converse
Or in my stead all the Night long,
Sing to my God a Grateful Song.
12. Praise God, from whom all blessings flow;
Praise Him, all creatures here below;
Praise Him above, ye heavenly host:
Praise Father, Son, and Holy Ghost.
”
”
Thomas Ken
“
The Greek word euangelizo means “to gospelize,” to tell people the good news about what Jesus did for us, and in the book of Acts literally everyone in the early church does it. Not only the apostles (5:42) but every Christian (8:4) did evangelism — and they did so endlessly. Passages such as Romans 15:14; Colossians 3:16; 1 Thessalonians 1:6–10; Hebrews 3:13; and 1 John 2:20, 27 indicate that every Christian was expected to evangelize, follow up, nurture, and teach people the Word. This happened relationally — one person bringing the gospel to another within the context of a relationship. In Michael Green’s seminal Evangelism in the Early Church, he conveys the conclusion of historians that early Christianity’s explosive growth “was in reality accomplished by means of informal missionaries.”3 That is, Christian laypeople — not trained preachers and evangelists — carried on the mission of the church not through formal preaching but informal conversation — “in homes and wine shops, on walks, and around market stalls … they did it naturally, enthusiastically.”4
”
”
Timothy J. Keller (Center Church: Doing Balanced, Gospel-Centered Ministry in Your City)
“
The wonderful thing about Marla was that she understood Rachel’s desire to talk endlessly about the sort of adult that Janie might have become, to wonder how many children she would have had and the sort of man she would have married. It kept her alive, for just those few moments. Ed had hated those hypothetical conversations so much, he’d leave the room. He couldn’t understand Rachel’s need to wonder what could have been, rather than just accepting that it never would be.
”
”
Liane Moriarty (The Husband's Secret)
“
Indeed if they ever once saw the endless supply of eternal opportunities The Adversary offers them every temporal moment of day after day of their fuddled little lives, they would stagger at the sheer industry and prodigality of His efforts. Conversely, if they ever gained a glimpse of how their ordinary actions actually effect and shape things not only under time but without, the very vast weight of that would almost certainly end in their becoming humble.
”
”
Geoffrey Wood
“
By the time our conversation ended last night, Hannah had taken a huge turn. She learned that the doubts, fears, and self-centeredness were really the opposite of the faith, hope, and love described in 1 Corinthians 13. She knew that she still lacked faith and hope, and still wrestled with doubts and fears. But little Jenny had shown her that the answer to self-centeredness isn’t endless self-examination, but simply love—a love that reaches outside of itself, and focuses on helping those whose plight is worse than our own.
”
”
Joni Eareckson Tada (A Place of Healing: Wrestling with the Mysteries of Suffering, Pain, and God's Sovereignty)
“
The span of the attention I have got from the audience is directly proportional to the time taken by them to understand it wholly. It simply means if I want to continue getting their attention, I would have to endlessly seek (till I reach the final point) them through my words without letting them down in any dilemma.
It is so consistent an approach that I can’t get any extra time but the time they read the preceding. No matter what I must stick to the same pattern unless I want to divert their attention.
The moment I divert them I am on the different track but parallel. The whole journey or communication or the conversation becomes worthful only if I can reach the destination without any distraction and distortion.
Mindful I should be in switching the tracks because if not I end up putting or leaving them half way unaware of where to go on an unknown track. I must not lose them halfway, I keep that in my mind.
It holds true when at first, audience is already impressed with your beginning gestures, conversational lines and an excellent entry. They then wait for something miraculous or magnificent to happen at the end. The entire process is a chain of a peculiar starting point, intimate intermediate lines and a particular ending dot.
At last, from the top view, it seems that you have taken your audience via a lengthy diagonal roadway but it’s not.
The whole theory is named as Parallel Perpendicular Process, where I use the oxymoron because you know where you want your audience to be at but you are improvised alongside the shifting of tracks whenever audience is one the verge of divergence and you apply your instinct immediately to converge.
This is a cognitive advertising theory that can sell
An Old Product to the respective customer
A Joke to the laughable audience
A First Impression to the corresponding prospects
A New Product to the fresh market
An Inspiring Speech to the potential crowd
An Advertising to the target spectators
The big benefit of this, if applied continuously, it gets from the start to the end on a go. While the disadvantage of it may go simultaneously, this theory fails when the audience is generic because it’s niche that this follows.
”
”
Bhavik Sarkhedi
“
I hear so many excuses that I’ve pretty much become numb to his endless tales of woes. Communication is a major problem in our marriage. He doesn’t listen very well and it’s frustrating when I learn that he didn’t pay attention to key points, especially in matters pertaining to the finances. It’s like he zones in and out to keep up with the conversation
”
”
Melissa Orlov (The ADHD Effect on Marriage: Understand and Rebuild Your Relationship in Six Steps)
“
Stepping out and stepping up can be an intimidating experience, especially in social situations where the outcomes are unpredictable and uncertain. Have you ever been reluctant to . . .
• Say "no?"
• Request help?
• Ask for a raise?
• Stand up to a bully?
• Talk about tough topics?
• Confront a friend or spouse?
• Speak up and share your opinion?
• Begin a conversation with a stranger?
• Deliver a presentation or speak in public?
• Talk about the “white elephant” in the room?
• Befriend people who are much different than you?
• Make sales calls because you don’t want to be rejected?
• Approach a new group of people at a networking event?
• Go to an event by yourself where you did not know anyone?
Each of these scenarios can strike fear in the hearts of many because each involves risk and potential discomfort. Life holds endless circumstances with a broad and diverse range of challenge or conflict that require you to be brave.
”
”
Susan C. Young (The Art of Action: 8 Ways to Initiate & Activate Forward Momentum for Positive Impact (The Art of First Impressions for Positive Impact, #4))
“
The joy of life comes from our encounters with new experiences, and hence there is no greater joy than to have an endlessly changing horizon, for each day to have a new and different sun.” Christopher McCandless Commit yourself to trying new things, learning new skills, and meeting new people. Listen and learn from each conversation of each day. Do not let yourself become bored in your life. Boredom is a sign of giving up. Spice things up and keep the days fresh. Grab hold of the reins and find something new and exciting in every encounter. Be daring and courageous! Life doesn’t have to be all work! Keep it exciting!
”
”
Kate Anderson (100 Positive Morning Thoughts: Turn Dull Mornings Into Bright Successful Days!)
“
In 1969 the Swedish folklorist Bengt Olsson and his partner, Peter Mahlin, spent a summer loitering around Beale Street in Memphis, interviewing and recording blues musicians. I'm certain it was hot, thankless work. In 1970, Olsson compiled some of those interviews into a short, now long-out-of-print book called Memphis Blues. In it, Olsson recounts a conversation with the guitarist Furry Lewis, who was born in Greenwood, Mississippi, in 1893 and come up playing blues with the Memphis legend W.C. Handy. Olsson never did much editorializing on the page - he just presented the material he'd collected - but there's a quote toward the end of the Lewis chapter that's become lodged permanently in my cortex, repeating endlessly like a koan: 'The people I used to play around with, they all done died out,' Lewis tells Olsson. 'And sometimes I get scared myself, 'cause it look like to me it gonna be mine next. You know, it's a funny thing, but you can do a thing for a-many years, and all of them die out and you still here,' he continued. 'And you know, that's more than a notion if you come up and just think about it.'
I had thought about it. And I knew they were all still here, together, etched into shellac, tucked into sleeves.
I could hear them.
”
”
Amanda Petrusich (Do Not Sell at Any Price: The Wild, Obsessive Hunt for the World's Rarest 78rpm Records)
“
And as the whole thing climbed the conversational stairs into absurd and pointless confrontation I let out my cool and careful breath and felt a new one rush in, hot and tight and full of dim red highlights; this was my alternative to exposure and prison? Squealing, squabbling, screaming, and the sour-milk vomit of endless emotional violence? This was the good side of life? The part that I was supposed to miss when the end came, at any minute now, to trundle me off into the dark forever? It was beyond endurance; just listening to it in the next room made me want to bellow, spit fire, crush heads—but, of course, that kind of honest expression of real emotion would only guarantee my reservation in prison.
”
”
Jeff Lindsay (Double Dexter (Dexter #6))
“
Patience and Impatience are having tea discussing Time. The conversation goes on endlessly.
”
”
Natasha Tsakos
“
A full life is a balance of prudence and foolishness. You are never going to discover anything about the world or yourself through constant conservative prudence. Conversely, endless tomfoolery not only tries your friends’ patience but can tempt disaster with no reward. Choose carefully your flights of fancy and live to enjoy the memory of them.
”
”
Todd Rundgren (The Individualist: Digressions, Dreams & Dissertations)
“
Live continually in an expectation of your great charge. Buy, sell, converse, read, pray, hear, and do all as dying men and passing to receive the recompense of endless joy or woe.
Christians, if you would work while it is day; if you would glorify God on earth; if you would not be prey to the prince of darkness; if you would stand with comfort before the Lord Jesus at His dreadful bar; if you would not spend your days without hope--arise, therefore, and be doing, and the Lord be with you.
”
”
John Fox (Time and the End of Time: Discourses on Redeeming the Time and Considering Our Latter End)
“
When I trained my hawk I was having a quiet conversation, of sorts, with the deeds and works of a long-dead man who was suspicious, morose, determined to despair. A man whose life disturbed me. But a man, too, who loved nature, who found it surprising, bewitching and endlessly novel.
”
”
Helen Macdonald (H is for Hawk)
“
Kaleidoscope Yoga: The universal heart and the individual self.
We, as humanity, make up together a mosaic of beautiful colors and shapes that can harmoniously play together in endless combinations. We are an ever-changing play of shape and form. A kaleidoscope consists of a tube (or container), mirrors, pieces of glass (or beads or precious stones), sunlight, and someone to turn it and observe and enjoy the forms. Metaphorically, perhaps the sun represents the divine light, or spark of life, within all of us. The mirrors represent our ability to serve as mirrors for one another and each other’s alignment, reflecting sides of ourselves that we may not have been aware of. The tube (or container) is the practice of community yoga. We, as human beings, are the glass, the beads, the precious stones. The facilitator is the person turning the Kaleidoscope, initiating the changing patterns. And the resulting beauty of the shapes? Well, that’s for everyone to enjoy...
Coming into a practice and an energy field of community yoga over and over, is a practice of returning, again and again, to the present moment, to the person in front of you, to the people around you, to your body, to others’ bodies, to your energy, to others’ energy, to your breath, to others’ breath.
[...] community yoga practice can help us, in a very real, practical, grounded, felt, somatic way, to identify and be in harmony with all that is around us, which includes all of our fellow human beings.
We are all multiple selves. We are all infinite. We are all universal selves. We are all unique expressions of the universal heart and universal energy. We are all the universal self. We are all one another. And we are all also unique specific individuals. And to the extent that we practice this, somatically, we become more and more comfortable and fluid with this larger, more cosmic, more inter-related reality. We see and feel and breathe ourselves, more and more, as the open movement of energy, as open somatic possibility. As energy and breath. This is one of the many benefits of a community yoga practice. Kaleidoscope shows us, in a very practical way, how to allow universal patterns of wisdom and interconnectedness to filter through us. [...]
One of the most interesting paradoxes I have encountered during my involvement with the community yoga project (and it is one that I have felt again and again, too many times to count) is the paradox that many of the most infinite, universal forms have come to me in a place of absolute solitude, silence, deep aloneness or meditation. And, similarly, conversely and complimentarily, (best not to get stuck on the words) I have often found myself in the midst of a huge crowd or group of people of seamlessly flowing forms, and felt simultaneously, in addition to the group energy, the group shape, and the group awareness, myself as a very cleanly and clearly defined, very particular, individual self. These moments and discoveries and journeys of group awareness, in addition to the sense of cosmic expansion, have also clarified more strongly my sense of a very specific, rooted, personal self.
The more deeply I dive into the universal heart, the more clearly I see my own place in it. And the more deeply I tune in and connect with my own true personal self, the more open and available I am to a larger, more universal self.
We are both, universal heart and universal self. Individual heart and individual self. We are, or have the capacity for, or however you choose to put it, simultaneous layers of awareness. Learning to feel and navigate and mediate between these different kinds and layers of awareness is one of the great joys of Kaleidoscope Community Yoga, and of life in general.
Come join us, and see what that feels like, in your body, again and again.
From the Preface of Kaleidoscope Community Yoga: The Art of Connecting: The First 108 Poses
”
”
Lo Nathamundi (Kaleidoscope Community Yoga (The Art of Connecting Series) Book One: The First 108 poses)
“
But a new kind of life, one that she had longed to know as a child, opened up to our mother when we left. Over endless late-night phone conversations, she sympathized with our bureaucratic dilemmas, asked about our new friends and reminded us to eat well and sleep plenty.
”
”
Bushra Rehman (Colonize This!: Young Women of Color on Today's Feminism (Live Girls))
“
Time seemed to have stretched and become meaningless anyway, its passage blurred by endless drinks and meandering conversations.
”
”
Jojo Moyes (Me Before You (Me Before You, #1))
“
So I know I am right not to settle, but it doesn't make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if I'm the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart - perfect-on-paper men who make me feel like I'm in a foreign land, trying to explain myself, trying to make myself known. Because isn't that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn't that the simple magic phrase?
So you suffer through the night with the perfect-on-paper man - the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you've made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine.
And then you run into Nick Dunne on Seventh Avenue as you're buying diced cantaloupe, and pow, you are known, you are recognised, the both of you. You both find the exact same things worth remembering. (Just one olive, though). You have the same rhythm. Click. You just know each other. All of a sudden you see reading in bed and waffles on Sunday and laughing at nothing and his mouth on yours. And it's so far beyond fine that you know you can never go back to fine. That fast. You think: Oh, here is the rest of my life. It's finally arrived.
”
”
Gillian Flynn (Gone Girl)
“
The Global Minotaur metaphor crept up on me in 2002, after endless conversations with friend, colleague and co-author Joseph Halevi.
”
”
Yanis Varoufakis (The Global Minotaur)
“
They worked so hard that soon they had nothing else to do and they could be found at three o�clock in the morning with their arms crossed, counting the notes in the waltz of the clock. Those who wanted to sleep, not from fatigue but because of the nostalgia for dreams, tried all kinds of methods of exhausting themselves. They would gather together to converse endlessly, to tell over and over for hours on end the same jokes, to complicate to the limits of exasperation the story about the capon, which was an endless game in which the narrator asked if they wanted him to tell them the story about the capon, and when they answered yes, the narrator would say that he had not asked them to say yes, but whether they wanted him to tell them the story about the capon, and when they answered no, the narrator told them that he had not asked them to say no, but whether they wanted him to tell them the story about the capon, and when they remained silent the narrator told them that he had not asked them to remain silent but whether they wanted him to tell them the story about the capon, and no one could leave because the narrator would say that he had not asked them to leave but whether they wanted him to tell them the story about the capon, and so on and on in a vicious circle that lasted entire nights.
”
”
Anonymous
“
The story has a sequel. In 1989, the Polish mathematician Martin Nowak produced a programme that beats Tit-for-Tat. He called it Generous. It overcame one weakness of Tit-for-Tat, namely that when you meet a particularly nasty opponent, you get drawn into a potentially endless and destructive cycle of retaliation, which is bad for both sides. Generous avoided this possibility by randomly but periodically forgetting the last move of its opponent, thus allowing the relationship to begin again. What Nowak had produced, in fact, was a computer simulation of forgiveness
”
”
Jonathan Sacks (Genesis: The Book of Beginnings (Covenant & Conversation 1))
“
I wanted to say, 'This is my life: sitting around dying of boredom, the whining, the tantrums, the baby weight, the endlessness of it all. The way the clock drags all day until Birdie’s naptime, at which point it magically speeds up, and I look up from scrolling around on the internet having not gotten to anything that I vowed to complete when I had the time: a real proper blog post, some freezable dinners, an updated resume, reading an actual book without interruption. It is soul-killing, hour by hour, to have nothing on the horizon but trips to Target, picture books that I read again and again and again until I could recite them in my sleep, new shoes to buy and watch my daughter outgrow like those super-sped-up videos of flowers blooming, an endless line of little kid shoes growing bigger and bigger while my own life grows smaller and smaller, too. My schedule used to be full of town halls and correspondence with people whose lives were being impacted by our policies. I used to spent my days figuring out how to connect with people about the things they cared most about, how to solve real problems. And now it’s just ‘oh, we’re out of baking soda so the diaper pail is making Birdie’s room smell like the town dump. Better go to Target.’ And that’ll be a whole day’s accomplishment. Shit.'
But I didn’t say all that. I knew by now, after having versions of this conversation a hundred thousand times, that Graham would never understand. Could never understand.
”
”
Hayley DeRoche (Hello Lovelies!: A Novel)
“
If you've ever picked up the phone to call a colleague after exchanging 12 emails without making progress on the topic, you'll know how effective it can be to have a quick conversation. When we talk to each other, we can answer questions, clarify misunderstandings, address issues, and reach consensus. Achieving resolution can take much less time when speaking by phone as opposed to a seemingly endless back-and-forth by email.
”
”
Flower Darby (Small Teaching Online: Applying Learning Science in Online Classes)
“
My hesitation, as an adult, to find myself within the heroine universe has been rooted in a suspicion that that identification would never be truly reciprocal: I would see myself in Jo March, but the world’s Jo Marches would rarely, if ever, be expected or able to see themselves in me. Over lazy dinner conversations, my white friends would be able to fantasy-cast their own biopic from an endless cereal aisle of nearly identical celebrities, hundreds of manifestations of blonde or brunette or redhead selfhood represented with Pantone subtlety and variation—if, of course, hardly any variation in ability or body type—while I would have no one to choose from except about three actresses who’d probably all had minor roles in some movie five years back. In most contemporary novels, women who looked like me would pop up only occasionally, as a piece of set decoration on the subway or at a dinner party, as a character whose Asian ethnicity would be noted by the white author as diligently as the whiteness of his or her unmarked protagonist was not. If women were not allowed to be seen as emblematic of the human condition, I wouldn’t even get to be seen as emblematic of the female condition.
”
”
Jia Tolentino (Trick Mirror)
“
Not for the last time she was struck by the tyranny of the socially inept. Endless effort is harnessed to a sluggish and boring conversation simply to preserve these dullards from a sense of their inadequacy. The irony being that they are quite impervious to their own shortcomings.
”
”
Julian Fellowes (Snobs)
“
But let’s be clear: the madness of everyday life was its own issue. It didn’t have any relationship to whether or not Christianity was bullshit.
Obviously, Christianity was total bullshit. It was the most insane bullshit! But it was impossible to make an argument against superstition and magical nonsense, and have it stick, when that argument was delivered from a society where every citizen was a magician.
And yes, reader, that includes you. You too are a magician.
Your life is dominated by one of the oldest and most perverse forms of magic, one with less interior cohesion than the Christian faith, and you invest its empty symbolism with a level of belief that far outpaces that of any Christian.
Here are some strips of paper and bits of metal!
Watch as I transform these strips of paper and bits of metal into: (a) sex (b) food (c) clothing (d) shelter (e) transportation that allows me to acquire strips of paper and bits of money (f) intoxicants that distract me from my endless pursuit of strips of paper and bits of metal (g) leisure items that distract me from my endless pursuit of strips of paper and bits of metal (h) pointless vacations to exotic locales where I will replicate the brutish behavior that I display in my point of origin as a brief respite from my endless pursuit of strips of paper and bits of metal (i) unfair social advantages that allow my rotten children to undertake their own moronic pursuits of strips of paper and bits of metal.
Humiliate yourself for strips of paper. Murder for the strips of paper. Humiliate others for the strips of paper.
Worship the people who’ve accumulated such vast quantities of strips of paper that their strips of paper no longer have any physical existence and are now represented by binary notation.
Treat the vast accumulators like gods.
Free blowies for the moldering corpse of Steve Jobs! Fawning profile pieces for Jay-Z! The Presidency for billionaire socialite and real-estate developer Donald J. Trump! Kill! Kill! Kill! Work! Work! Work! Die! Die! Die!
Go on. Pretend this is not the most magical thing that has ever happened.
Historical arguments against Christianity tended to be delivered in tones of pearl-clutching horror, usually by subpar British intellectuals pimping their accent in America, a country where sounding like an Oxbridge twat conferred an unearned credibility.
Yes, the Crusades were horrible. Yes, the Inquisition was awful. Yes, they shouldn’t have burned witches in Salem. Yes, there is an unfathomable amount of sexually abused walking wounded. Yes, every Christian country has oriented itself around the rich and done nothing but abuse the fuck out of its poor.
But it’s not like the secular conversion of the industrialized world has alleviated any of the horror.
Read the news.
Murder, rape, murder, rape, murder, rape, murder, rape, murder, rape, murder, rape...Despair.
All secularism has done, really, is remove a yoke from the rich. They’d always been horrible, but at least when they still paid lip service to Christian virtues, they could be shamed into philanthropy. Now they use market forces to slide the whole thing into feudalism.
New York University built a campus [in Abu Dhabi] with slave labor! In the Twenty-First Century AD! And has suffered no rebuke! Applications are at an all-time high!
The historical arguments against Christianity are as facile as reviews on Goodreads.com, and come down to this: Why do you organize around bad people who tell you that a Skyman wants you to be good?
To which the rejoinder is: yes, the clergy sucks, but who cares how normal people are delivered into goodness?
”
”
Jarett Kobek (Only Americans Burn in Hell)
“
We cannot endlessly expand the economy and still be green; it’s oxymoronic
”
”
Rupert Read (This Civilisation is Finished: Conversations on the end of Empire - and what lies beyond)
“
The Truth Assumption As we argue vociferously for our view, we often fail to question one crucial assumption upon which our whole stance in the conversation is built: I am right, you are wrong. This simple assumption causes endless grief.
”
”
Douglas Stone (Difficult Conversations: How to Discuss What Matters Most)
“
Endless numbers of people surround you as you travel through life. Some you notice briefly, then forget. With others you make eye contact, which leads to a kind of emotional connection. And sometimes you have a conversation with some of these people.
And then you have your family, your friends, your workmates. All those who are close to you. Some move away, or your relationship cools, or they let you down in some way, and friends sometimes become enemies.
But most are simply folk who happen to live at the same time as you do. Millions of people who pay a short visit to the earth, whose stay overlaps your own.
. . .
Our real family is endless, even if we don't know who some of them were when we met them for an extremely brief moment.
”
”
Henning Mankell (Arenas movedizas)
“
Useless mongrel,” Christopher said, bending to pet him. “You smell like the floor of an East End tavern.” The dog pushed back against his palm demandingly. Christopher lowered to his haunches and regarded him ruefully. “What would you say if you could talk?” he asked. “I suppose it’s better that you don’t. That’s the point of having a dog. No conversation. Just admiring gazes and endless panting.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Useless mongrel,” Christopher said, bending to pet him. “You smell like the floor of an East End tavern.” The dog pushed back against his palm demandingly. Christopher lowered to his haunches and regarded him ruefully. “What would you say if you could talk?” he asked. “I suppose it’s better that you don’t. That’s the point of having a dog. No conversation. Just admiring gazes and endless panting.” Someone spoke from the threshold behind him, startling him. “I hope that’s not what you’ll expect …” Reacting with explosive instinct, Christopher turned and fastened his hand around a soft throat. “ … from a wife,” Beatrix finished unsteadily.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
Deedee dropped out of her ska-punk band and joined an eight-person madrigal chorus. She had a clot somewhere deep inside her that was connected to the people she had lost in the flood, or might lose in the aftermath, and the endless conversations where everybody compared notes on their respective tragedies only made her feel shittier. Just saying the words "My brother is still missing" made Deedee want to throw up and then head-butt whoever had asked. She needed an alternative to the dull repetition of facts, a way to share her uncut heartbreak without any particulars, and to her amazement she found it in these strange old songs about doomed lovers.
”
”
Charlie Jane Anders (All the Birds in the Sky (All the Birds in the Sky, #1))
“
The conversation went on. It was difficult for Shevek to follow, both in language and in substance. He was being told about things he had no experience of at all. He had never seen a rat, or an army barracks, or an insane asylum, or a poorhouse, or a pawnshop, or an execution, or a thief, or a tenement, or a rent collector, or a man who wanted to work and could not find work to do, or a dead baby in a ditch. All these things occurred in Efor's reminiscences as commonplaces or as commonplace horrors. Shevek had to exercise his imagination and summon every scrap of knowledge he had about Urras to understand them at all. And yet they were familiar to him in a way that nothing he had yet seen there was, and he did understand.
This was the Urras he had learned about in school on Anarres. This was the world from which his ancestors had fled, preferring hunger and the desert and endless exile. This was the world that had formed Odo's mind and had jailed her eight times for speaking it. This was the human suffering in which the ideals of his society were rooted, the ground from which they sprang.
It was not 'the real Urras.' The dignity and beauty of the room he and Efor were in was as real as the squalor to which Efor was native. To him a thinking man's job was not to deny one reality at the expense of the other, but to include and connect. It was not an easy job.
”
”
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
“
The reality is that we are in the hands of an angry God, who in His abounding mercy and love has given us a way out of what we so rightly deserve; Hell, the Lake of Fire and endless eternities without His presence!
”
”
Billy Witt (True Conversion: An Examination of the Gospel, Evangelism, and the New Birth)
“
The love of books was an instant connection, and a true boon for a girl who tended toward shyness, because it was a source of endless conversation. A
”
”
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
“
Between the Mile
I have always counted the miles.
Sometimes they came quick,
Other times slow.
The distance between things,
The way I could know.
Close could feel far,
And far could feel near.
The miles that passed too quickly,
The ones I ran out of fear.
They weren’t all the same,
So I had been told,
The unmarked trails,
And the days I was bold.
Some miles went down,
Spiraling so low,
When I was afraid to look forward,
There was nowhere to go.
The sunset came fast,
And the day turned to night,
But the trails could be endless,
If I looked at them right.
Everything I knew,
All I was told,
The conversations left behind,
The people who grew old.
When the miles stretched out before me,
I wanted to sew them at the seam,
Looking forward and then back,
Holding everything in between.
”
”
Jacqueline Simon Gunn
“
Between the Miles
I have always counted the miles.
Sometimes they came quick,
Other times slow.
The distance between things,
The way I could know.
Close could feel far,
And far could feel near.
The miles that passed too quickly,
The ones I ran out of fear.
They weren’t all the same,
So I had been told,
The unmarked trails,
And the days I was bold.
Some miles went down,
Spiraling so low,
When I was afraid to look forward,
There was nowhere to go.
The sunset came fast,
And the day turned to night,
But the trails could be endless,
If I looked at them right.
Everything I knew,
All I was told,
The conversations left behind,
The people who grew old.
When the miles stretched out before me,
I wanted to sew them at the seam,
Looking forward and then back,
Holding everything in between.
”
”
Jacqueline Simon Gunn
“
The endless fights among the faithful had prompted Rowan Williams, the archbishop of Canterbury, to write that “unity is a gospel imperative when we recognize that it opens us to change, to conversion: when we realize how our life with Christ is somehow bound up with our willingness to abide with those we think are sinful, and those we think are stupid.
”
”
Sara Miles (Take This Bread: A Radical Conversion)
“
I realise I have become something I never thought possible: patriotic and proud about being an adopted Italian. In more honest moments, I realise that I might never quite be able to leave the country. That longing to leave, and the inability to pull yourself away from the bel casino, the 'fine mess', has been written about for centuries. Using the usual prostitution metaphor, one of the country's most important patriots, Massimo D'Azeglio, wrote: 'I can't live outside Italy, which is strange because I continually get angry with Italian ineptitude, envies, ignorance and laziness. I'm like one of the people who falls in love with a prostitute.' That, in fact, is precisely the feeling of living here: it is infuriating and endlessly irritating, but in the end it is almost impossible to pull yourself away. It's not just that everything is troppo bello, 'too beautiful', or that food and conversation are so good. It's that life seems less exciting outside Italy, the emotions seem muted. Stendhal wrote that the feeling one gets from living in Italy is 'akin to that of being in love', and it's easy to understand what he meant. There's the same kind of enchantment and serenity, occasionally insecurity and sadness. And writing about the country's sharp pangs of jealousy and paranoia, Stendhal knew that they exist precisely because the country's 'joys are far more intense and more lasting'. You can't have one without the other.
”
”
Tobias Jones (The Dark Heart of Italy: An Incisive Portrait of Europe's Most Beautiful, Most Disconcerting Country)
“
Useless mongrel,” Christopher said, bending to pet him. “You smell like the floor of an East End tavern.” The dog pushed back against his palm demandingly. Christopher lowered to his haunches and regarded him ruefully. “What would you say if you could talk?” he asked. “I suppose it’s better that you don’t. That’s the point of having a dog. No conversation. Just admiring gazes and endless panting.”
Someone spoke from the threshold behind him, startling him. “I hope that’s not what you’ll expect…”
Reacting with explosive instinct, Christopher turned and fastened his hand around a soft throat.
“…from a wife,” Beatrix finished unsteadily.
Christopher froze. Trying to think above the frenzy, he took a shivering breath, and blinked hard.
What in God’s name was he doing?
He had shoved Beatrix against the doorjamb, pinning her by the throat, his other hand drawn back in a lethal fist. He was a hairsbreadth away from delivering a blow that would shatter delicate bones in her face.
It terrified him, how much effort it took to unclench his fist and relax his arm. With the hand that was still at her throat, he felt the fragile throb of her pulse beneath his thumb, and the delicate ripple of a swallow.
Staring into her rich blue eyes, he felt the welter of violence washed away in a flood of despair.
With a muffled curse, he snatched his hand from her and went to get his drink.
“Mrs. Clocker said you’d asked not to be disturbed,” Beatrix said. “And of course the first thing I did was disturb you.”
“Don’t come up behind me,” Christopher said roughly. “Ever.”
“I of all people should have known that. I won’t do it again.”
Christopher took a fiery swallow of the liquor. “What do you mean, you of all people?”
“I’m used to wild creatures who don’t like to be approached from behind.”
He shot her a baleful glance. “How fortunate that your experience with animals has turned out to be such good preparation for marriage to me.”
“I didn’t mean…well, my point was that I should have been more considerate of your nerves.”
“I don’t have nerves,” he snapped.
“I’m sorry. We’ll call them something else.” Her voice was so soothing and gentle that it would have caused an assortment of cobras, tigers, wolverines, and badgers to all snuggle together and take a group nap.
Christopher gritted his teeth and maintained a stony silence.
”
”
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
“
When I boarded the plane, I found to my surprise that Tatum had decided to return to Norman with the team rather than go to Maryland. ....
When I saw Tatum on board, I had momentary regret that I had abandoned [my other flight]. I had no desire to spend several hours on the flight with him; I had learned from past encounters that he could talk endlessly, with exhausting intensity. Hoping to avoid him, I walked to the front end of the DC-4 and took a seat on the right side next to the window; but I had scarcely sat down when Tatum plumped down beside me.
He spent the first few minutes telling me how unethical he thought I had been to offer one of his assistant coaches the head coaching job at OU before he resigned and only hours before his team was to compete in a bowl game. He was offended and hurt, he said, by such treatment. I listened patiently, with the unhappy thought that there would be several hours of such conversation before I could find relief at the journey's end.
However, shortly after takeoff we ran into turbulent air. The plane rose over a series of updrafts and dropped violently between them. Tatum, who was not a good air traveler, soon began to feel the effects. When he stopped talking for a moment, I glanced at him and noticed that he had begun to turn a little pale. The paleness soon turned to a greenish cast, and I had a feeling that my problem might be solved. Finally, when he became noticeably ill, I signaled for a hostess and suggested to my sick friend that we remove the armrest between the two seats so that he could lie down. I would find a seat elsewhere. He accepted the suggestion, and when I left him he was in a semireclining position with his head on a pillow, holding a sick sack.
We soon got out of the rough air, and I enjoyed most of the rest of the trip, visiting with as many members of the squad as I could.
”
”
George Lynn Cross (Presidents Can't Punt: The OU Football Tradition)
“
So many people with similar stories desperately needed more than the help that we were prepared to give. What they needed even more however, was for someone, anyone, even a stranger who was still trying to learn their language, to sit for a while, or just stand with them and let them share their stories. I perhaps should have known this, but I was amazed at the power of human presence. In my pride, I thought I knew exactly what these people needed, but I never would have thought to put "conversation" or "human connection" on my list. Once I again I was profoundly humbled. I wasn't able to listen to every story. There simply wasn't enough time. But the stories I did hear taught me that there was much more to these suffering Somalis than their overwhelming physical needs, Their stories convinced me that it would never be enough merely to feed and shelter them.... Those seemingly endless lines of at the feeding sites were made up of individual human beings who had witnessed profound evil, endured horrible living conditions, and suffered so much heartache and loss that many of them had lost all sense of their own humanity. Sometimes, we listened to their stories. Sometimes it was enough to remember that they had stories! By doing that, we were saying to them that they mattered. We were saying that they were important enough to be heard. Just by listening, we could restore a measure of humanity. Often, that felt more important and more transformational than one more dose of life-saving medicine or another day's worth of physical nourishment.
”
”
Nik Ripken
“
Miss Elton, who found the conversation increasingly distressing, got up, murmured a quick good night . . . and went to her room.
During the bellicose talk in the lounge, the ghosts of Frank Durrant, Madeleine, Arvid and Mr. Sorenius seemed to be slipping further and further away with their own receding world. And what was one offered in exchange for this world of the dead? A future in which all signposts pointed to war and the ruin of all those useless little things which made life worth living.
And then, as if provoked by the contrast of the speeches and ideas to which she had just been listening, a flood of images, each of them a small part of her life at Ashleigh Place, swept through her mind with an overwhelming suddenness—a walk on a windy autumn afternoon to the farm with a message about eggs, cartloads of logs coming before Christmas to be stacked in the stables, the remodelling of the rose-garden, with Mrs. Durrant setting the new labels in their places, two swans which spent a season on the little River Mene at the foot of the western slope, and the sudden appearance of a kingfisher by those fitful waters, the endless cooing of wood-pigeons in the trees round the house, the catch whistled by the baker's boy as he jumped out of his bright little van, the tick of the huge grandfather clock in the darkest corner of the hall, the pattern of the old-fashioned tiles in the bathroom which she had used, cockchafers beating against the windows on hot summer nights, the scent of the tobacco plants in the round bed near the drawing-room, an expedition to the woods on a grey day to cut mistletoe. . . .
”
”
C.H.B. Kitchin (The Auction Sale)
“
The Aftermath
A lot of time has passed since that fateful day in August of 1965.
I visited Oak Island a few months ago. Surprisingly, it felt really good to be there. Parts of the island, untouched by the lust for gold, are still beautiful. As I walked, I thought to myself, This is a good place. More than good. It is a wonderful place.
But at the far end of the island--the Money Pit end--everything is different. The beaches have been scraped bare. The clearing, no longer a high, flat expanse, has been gouged out and re-formed into lopsided, jagged terrain. The Money Pit, once part of a 32-foot-high plateau, now sits on misshapen, uneven land, almost down to sea level. That end of the island is ugly, ruined.
At home I pull out old photographs and letters and journals. I want to remember a time before the accident, before the deaths, a time when all of Oak Island was a beautiful and happy place; the time when my father, mother, and brothers first came to the island.
They had been brimming with enthusiasm. They were embarking on a wonderful adventure, and the Restalls just might be the ones to solve this baffling, centuries-old puzzle. Here was a shot at fortune and fame. They lived in a bubble of good wishes, good cheer, and boundless expectations. It was an extraordinary time, when anything seemed possible.
Of course, there was also the back-breaking labour and the endless frustration, but after all, what’s an adventure without adversity?
I try to hang on to the good memories of Oak Island, but darker images keep creeping in--the disappointments and obstacles, one-by-one, year after year, that gradually wore the family down. In time, the hunt for treasure crowded out all else in their lives. Nothing mattered but Oak Island and its treasure--at least for my dad.
Oak Island does that. Men go there seeking riches and fame, and forget who they are. During my family’s final year, only my father was still steadfast in his belief in the Restall hunt for treasure. By that time, conversations among the four of them were strained. Doubts, disagreements, and long silences had settled in.
The hunt for treasure was like a job that took every thought, every bit of energy, every cent. Day after day, nothing but drab, drone-like hark work--no glamour here. It seemed to my mother and brothers that this job was one that would never be finished.
Until it was finished--but with such a horrible ending.
”
”
Lee Lamb (Oak Island Family: The Restall Hunt for Buried Treasure)
“
patient man. Tommy and Cindy invited me over for one of their big old barbecues. Their endless efforts at trying to match me up with women never ceased. Tonight was no different; the air headed blonde I was talking to was getting on my nerves. I looked at her attractive face. Most men would be pushing to get into her pants, I just smiled. “Men and sports,” she said trying to start a conversation. “I swear they’d rather watch football than hump.” “It’s an exciting game, have you given it a try?” I said,
”
”
Ethan Radcliff (The Taming of Molly Jenkins: (Including The Collaring of Molly Jenkins))
“
Once we started moving, Lincoln mumbled, “Really not the way I saw things panning out.” I raised an eyebrow. I’d half expected he’d pretend the earlier conversation never took place. “And where exactly did you see tonight finishing?” “With you on your back…”—he paused to see my eyes bug out before he chuckled and finished the sentence—“after collapsing from too much salsa.” He didn’t stop grinning.
”
”
Jessica Shirvington (Endless (The Embrace Series, #4))
“
But maybe it was always about those small details you didn’t give a damn about; Your mother’s smile in the morning, your best friend’s silly piece of advice , your sister’s endless jokes and laughs, the Me time you choose to spend with your favorite books and music, or the deep conversation with that special one.
Maybe this is life, this is happiness, and this is everything that ever really matters …
”
”
Samiha Totanji
“
Life gets in the way. In a study of thirty dual-career couples, the Sloan Center for Working Families at UCLA discovered that relationships often become just endless to-do lists; conversation becomes constrained to errands and planning.
”
”
John M. Gottman (The Love Prescription: Seven Days to More Intimacy, Connection, and Joy (The Seven Days Series Book 1))
“
Hygge is about an atmosphere and an experience, rather than about things. It is about being with the people we love. A feeling of home. A feeling that we are safe, that we are shielded from the world and allow ourselves to let our guard down. You may be having an endless conversation about the small or big things in life—or just be comfortable in each other’s silent company—or simply just be by yourself enjoying a cup of tea.
”
”
Meik Wiking (The Little Book of Hygge: Danish Secrets to Happy Living)
“
Keller and the woman exchanged a polite smile and proceeded to look in different directions. The whole ride, they danced with gestures. Bradford would study the reflection of her face from the window in front of her and once pleased, he would look away as if to pass the baton and say, your turn. And she took it. The woman enjoyed his build and arms and eyelashes. She would turn to break her glance casually away and run her fingers through her hair, remembering the American man as if he were already a memory. Bradford’s cues were endless. He rolled up his sleeves. He let out a cough to share another peek. If there was the slightest noise in her direction, he would make an excuse to face curiously there. She was slightly limited by her seated position, but managed to follow after him, with her body attuned to her thoughts. She crossed her legs to prompt his curiosity of sudden movement. She spoke politely to an old lady for him to see. She saw how he wore green, too—a different pale, forest green sweater—but nonetheless green like hers!—and she loaded that stupid comment of matching clothes in her throat, should there ever be a window to fire. The climax was when the two seemingly searching, thinking, would look just around the other person, daring as close as an inch, but never directly. They soaked each other up in their peripheral views.
”
”
Karl Kristian Flores (A Happy Ghost)
“
have spoken to you before about the ocean of consciousness. About its sublime immensity, about how terrifying it is to behold. It is the eyes, laden with an entire world trapped in a moment of perspective, which express the terrifying consciousness of the other. To suffer the infernal gaze of the other is to witness another consciousness recognizing you. Not the frozen eyes of the dead or the sheathed daggers of the dreaming, but the waking, attentive other. It is to have this terrific alien consciousness confront you and elude you with its mysteries; with its secret history, which it will not reveal to you; with its endlessness, which you shall never capture. Conversely, when you gaze into the mirror and look yourself in the eyes, you see nothing but a blank appearance. You feel nothing but the pacific and neutral zero of totality. You do not feel the same apprehension, the same sense of mystery or unpredictability. Everything behind those familiar eyes is already clarified. Your reflected gaze is, in fact, mute, because it signifies nothing except the very act constituting it. Yet the closest you will come to seeing the other— not merely her corpse, but her and her existence —is by looking her in the eyes. When you return her gaze, you are struck by the possibility of her history, of her present being like an immortal’s never-finished painting covered in centuries of layers. What would otherwise be just an animated object in the world, no different to the wind or an earthquake, instead presents itself, like you as you know yourself, as an embodied soul. An immaterial subject, somehow present in the flesh. And what is love except the ceaseless attempt at capturing this subjectivity of the other without simultaneously compromising her autonomy? This autonomy, which she requires in order to return your love and therefore complete it. It envelops the patience of long marriage; the unity of welded lives, tastes, preferences, and ambitions. I looked at Sophia; I looked in her eyes. I looked at her and I loved her; I looked at her and I loved; I tried to look at her and I tried to love her.
”
”
K.K. Edin (The Measurements of Decay)
“
Do not stare directly into his eyes!” she warned, in an accent I couldn’t place.
“Why not?” I said, but she was already too late. I was staring directly into his eyes too.
“Because they are dreamy, and endless, and magical. And then when you learn what a terrible boy he is, your heart will turn into a black husk of doom.”
I blinked off the spell of the boy’s eyes.
“Wait, what?” —Nimet Simit and Willa Snap, conversing on the power of Ravenlock Sward's eyes.
”
”
Richard Due (Idiot Genius: Willa Snap and the Clockwerk Boy (Idiot Genius, #1))
“
A kiss instead of a salutation, disrobing, the neon signs nullifying the effect of the extinguished lamp, the double bed with its superannauted spring squealing piteously, impatient hugs and kisses, the first cold contact of the skin of their bodies after the sweat had dried, the smell of flesh and pomade, endless groping for satisfaction filled with impatience for the same bodies, little screams belying masculine vanity, hands wet with hair oil.. Then the pitiable perspiration, the groping under pillows for cigarettes and matches, the faintly shining whites of eyes. Then the endless conversation surging as over a broken dam, and the descent to the childish play of satisfied, tests of strength in the dark night, stabs at wrestling, various other inanities....
”
”
Yukio Mishima